The New Sexism

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    The 'New Sexism'

    School of Cultural Studies, UWE, Bristol

    Venue: Watershed Media CentreFriday 23 January 2004

    Contact:[email protected]

    A day of presentations and discussion addressing the resurgence of 'sexist' forms of

    discourse and imagery in the popular media. If the 1990s can be characterised as a periodof ironic sexism have we now moved to a period of post-ironic retrosexism in the new

    millennium? If this is the case what new cultural theories might we need to explain this

    phenomenon? What kinds of intervention can we make as teachers and researchers and

    what problems does this raise?

    Programme

    12.00

    Lunch and Welcome

    1.00 2.45

    Retrosexism

    Down with Love: The feminine mistakeDr Kathrina Glitre, Film Studies UWE

    In the wake of the second wave, the fifties sex comedy film was critically reviled;

    now after post-feminism, the cycle has been resurrected in a reworking ofSex and

    the Single Girl(Richard Quine, 1964). The usual explanations irony, parody,

    pastiche will no doubt be applied toDown with Love, but what does it actually

    mean for a chick flick to be paying homage to a cycle of films that feminists used

    to consider sexist? This paper will explore some of the continuities between thesex comedy, postfeminism and the 'new' sexism, and particularly the nostalgic

    return to American iconography of the fifties and sixties.

    Retrosexism in Popular Culture

    Judith Williamson, Freelance writer

    "In the world of sexual ads, the dominatrix, the bitch and the whore wield power

    over men; in the real world, a British woman is physically attacked by a man she

    knows every six seconds. This suggests that, rather than embodying sexualliberation, today's fetishistic imagery provides a language for expressing both

    mailto:[email protected]:[email protected]
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    sexism and, perhaps, the pain and rage of a sex war which at heart is about social,

    not sexual power. These ubiquitous images translate the social as sexual: showing

    gender power struggles nakedly in every sense. And yet we have deprivedourselves of the language to analyse them as such. Our unwillingness to name

    sexism in the present has on the one hand encouraged it to develop as a form ofnostalgia, and on the other, allowed it to flourish in a sexualised form which weperceive as daringly cutting-edge." (Judith Williamson, The Guardian 31/5/03)

    Tea

    3.15

    Loaded with Meaning: working with men researching mens lifestyle

    magazines

    Kate Brooks, Media and Cultural Studies, UWE

    Kate will be talking about her work on Making Sense of Men's Magazines

    (Jackson, Stevenson and Brooks 2001) researching masculinity and the

    consumption of commercial cultural forms. She will focus on interviews being afeminist researcher listening to, and having to respond to, often sexist and

    misogynist talk, and on the dynamics of discourse working with men analysing

    male discourse, and the subsequent questions the project raised about moreconventional Cultural and Media Studies notions of readers and audiences.