The Loafer, June 19, 2012
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Transcript of The Loafer, June 19, 2012
Page 2, The Loafer • June 19, 2012
www.theloaferonline.com June 19, 2012 • The Loafer, Page 3
Publisher - Bill Williams • Editor - Sandi Williams • Layout & Design - Christy Leach • O! ce & Sales Director - Luci TateGraphic Arts Director - Don Sprinkle • Photography - Mark Marque" e
Contributing Sta# - Jim Kelly, Andy Ross, Ken Silvers, Mark Marque" e, Pat BussardAdvertising - Dave Carter, Akey Kincaid, Mark Marque" e, Lisa Lyons, Brian Still
Published by Creative Publishing, Inc., P.O. Box 3596, Johnson City, TN 37602Phone: 423/283-4324 FAX - 423/283-4369
www.theloaferonline.com • [email protected]: [email protected] (editorial)
[email protected] (advertising
All advertisements are accepted and published by the publisher upon the representation that the agency and/or advertiser is authorized to publish the entire contents and subject ma" er thereof.The agency and/or advertiser will indemnify and save the publisher harmless from any loss of expense resulting from claims or suits based upon contents of any advertisement,including claims or suits for defamation,libel,right of privacy,plagiarism,and copyright infringement.
Volume 26Issue #28
Page 4, The Loafer • June 19, 2012
!"#$% &#'()*+,% ('(-.% "+$% /()012(% 1-(% 13% ."(% 4+56($.%.5+*#.#1-+4% /47(65+$$% 3($).#'+4$% #-% ."(% 8154*% +-*% 8#44%01-.#-7(% .1% 6518% ."#$% ,(+5%8#."%215(%."+-%9:%/47(65+$$%+5.#$.$% ;(53152#-6% 1'(5% <:%"175$%13%27$#0=%%>(+.75(*%+5.)#$.$% #-047*(% The Grascals?%Russell Moore and IIIrd Tyme Out?% The Roys?% The Isaacs, The Snyder Family Band,% +-*% Blue Highway=%%@(*-($*+,% A74,% 9."% 3(+.75($%+%.(55#�%4#-(%7;%13%.1;%-1.0"%5(6#1-+4% +-*% -+.#1-+4% +0.$?%0+;;(*% 133% /,%Rhonda Vin-cent and The Rage=% % @#."%1'(5%$('(-.,%+8+5*$%.1%."(#5%-+2(?% ."(,% +5(% 1-(% 13% ."(%21$.% 0(4(/5+.(*% /+-*$% #-%/47(65+$$?% 8#."% "1-15$% #-)047*#-6% +% 01'(.(*%B-.(5.+#-)(5%13%."(%C(+5%+8+5*%3512%."(%
D-.(5-+.#1-+4% E47(65+$$% F7)$#0%G$$10#+.#1-%HDEFGI%+-*%+%$.+66(5#-6%$('(-%01-$(07.#'(%DEFG% >(2+4(% J10+4#$.% 13% ."(%C(+5%+8+5*$=%G..(-*(($% 0+-% +4$1% "1;% 1-%/1+5*%."(%F+5."+%@"#.(%E47()65+$$%E7$%F7$(72%+-*%314418%K($.(5%>4+..%+-*%B+54%L05766$%*75#-6% ."(% (+54,% *+,$% 13% ."(%M5+-*% N4(% N;5,=% >($.#'+4% 61)(5$%0+-%+4$1%2((.%O"5#$%A1-($?%DEFG% E47(65+$$% E51+*0+$.(5%13% ."(% ,(+5% +$% L#5#7$% L+.(4)4#.(% P+*#1% /51+*0+$.$% 1-% $#.(%*75#-6% ."(% 3($.#'+4=%F((.%1-(%13% /47(65+$$% 27$#0Q$% 65(+.)($.% +2/+$$+*15$?% O#-*,%E+7)012% 13% ."(% R5(2#(5(% P+*#1%S(.815T% +-*% UV-((% W((;%D-% E47(65+$$=X% % >15% 215(%#-3152+.#1-?% 61% .1% 888=5(*8"#.(+-*/47(65+$$3($.#'+4=012=%%
Head to Morganton, NC for the 9th Annual Red White and Bluegrass Fes! val
June 30th through July 4th
www.theloaferonline.com June 19, 2012 • The Loafer, Page 5
Page 6, The Loafer • June 19, 2012
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Other Events:Rex Theater%"..;YZZ888='#$#.6+4+_=012Z%June 22--%>5#*+,%`Y::%;=2=%a%Most Wanted BluegrassRalph Stanley Museum "..;YZZ888=5+4;"$.+-4(,27$(72=012%June 23rd--%Country Gentleman%+.%^;2%The Floyd Country Store "..;YZZ888=&41,*017-.5,$.15(=012%Thursday, June 21bY::;=2=%]%`Y::;=2=%c1.(4%>41,*%O1-0(5.%L(5#($%8#."%!"(%!1;(01%F#--18%P+0(5$Friday, June 22%bYd:;=2=%E#44%e%F+66#(^Yd:%;=2=%)))%!"(%f(;",5%K#6".-#-6%E14.$Saturday June 23gY::+=2=%))!"(%O4,*(%@#44#+2$%E+-*%[\Y::%;=2=%%G2(5#0+-+%G3.(5-11-%8#."%G%O"(.%G.T#-$%!5#/7.(%8#."%E#44%G*+2$[Yd:%;=2=%%G2(5#0+-+%N;(-%F#0?%L#6-%h;Sunday, June 24\Y::%]%<Y::%;=2=%%!5+*#.#1-+4%F17-.+#-%F7$#0%A+2Heartwood: Southwest Virginia’s Artisan Gateway%"..;YZZ888="(+5.811*'#56#-#+=156A7-(%\[%]%c(+5.811*%N;(-%A+2=%G*2#$$#1-%#$%35((%+-*%27$#0%/(6#-$%+.%b%;2%A7-(%\9%]%c(+5.811*%L7-*+,%E57-0"%3(+.75#-6%27$#0%/,%R+74+%W(44(-/(0T%3512%[:%]%d=
www.theloaferonline.com June 19, 2012 • The Loafer, Page 7
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www.theloaferonline.com June 19, 2012 • The Loafer, Page 9
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PPth !nnual QSinging on the 2ountainR
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www.theloaferonline.com June 19, 2012 • The Loafer, Page 11
"aMB"ight 'heatreCatrio! c 'riSute JKLJ
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P+-*,% W(+-% @"#..% #$% +%$1-685#.(5=%P+-*,Q$%$1-6$%0174*%/(% *($05#/(*% +$% +% 0144(0.#1-% 13%#2+6($% #-% 21.#1-=% c#$% $1-6$%(_;5($$%;15.5+,+4$%13%+% 4#3(% 4#'(*%"+5*?% +-*% +% 4#3(% 4#'(*% 3744?% +-*%+48+,$% 4#'#-6% +$% 270"% +$% ,17%0+-=%G.% .#2($%"#$% .7-($%(2/5+0(%/(+7.,%13%."(%$#2;4(?%+-%(2/5+0(%13%2+-#0% j1,?% +-*%2(*#.+.#1-%1-%."(%2(4+-0"14,%13%."(%27-*+-(=%P+-*,% W(+-% @"#..% #$% +-% +5.#$.%13% ."(%"72+-%01-*#.#1-=%G%041$(%35#(-*% 1-0(% $+#*?% “Randy is passionately askew”.%
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www.theloaferonline.com June 19, 2012 • The Loafer, Page 13
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Page 14, The Loafer • June 19, 2012
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2(-.%315%.(+0"(5$=%B215,%e%c(-5,%*('(41;(*% ;5165+2$% .1% 7;65+*(%2+."%+-*%$0#(-0(%T-184(*6(%+-*%0(5.#�+.#1-% 4('(4$% 315% (4(2(-).+5,% +-*%2#**4(% $0"114% .(+0"(5$%."5176"17.% ."(% 5(6#1-=% !"(% O14)4(6(% 0755(-.4,% ;51'#*($% $(5'#0($%315% .81% 2+."(2+.#0$% +-*% $0#)(-0(%;+5.-(5$"#;%65+-.$%315%+5(+%$0"114%$,$.(2$. “We have a good history of obtaining grants and bringing them to a successful conclusion,”% 85#.($% G5-14*% +-*%!"12;$1-=% G;;51_#2+.(4,% 9:%+5(+%;7/4#0%$0"114%.(+0"(5$%"+'(%5(0(#'(*% +*'+-0(*% *(65(($% #-%B-64#$"% +-*% "#$.15,% +-*% -(+54,%\::%;(1;4(%"+'(%1/.+#-(*%2+$).(5Q$% *(65(($% #-% +-% (*70+.#1-%;5165+2% ."+.% 4(+*$% 4#0(-$75(%+$% +% 5(+*#-6% $;(0#+4#$.=% B215,%e%c(-5,%+-*%#.$%S(33%O(-.(5%315%!(+0"(5%B*70+.#1-%"+'(%/(012(%“a maQor player in educational programs in our region of Vir<ginia,” +0015*#-6% .1% ."(% +5.#04(. “By taking this approach, we Rthe consortiumS have achieved a suc<cess beyond expectations. Other districts and higher education in<stitutions can replicate what our partnership has accomplished.”
SouthHest .aY Consor! uM2odel for /MBroving Educa! on
www.theloaferonline.com June 19, 2012 • The Loafer, Page 15
%W75#-6% ."(% 4+$.% .81% 8((T)(-*$%#-%A7-(?%."(%"#44$%13%S15.")(+$.% !(--($$((% 8#44% (0"1% 8#."%."(% 3+2#4#+5% 27$#0% 13% P1*6(5$%+-*% c+22(5$.(#-Q$% 04+$$#0?%The Sound of Music=% A1"-$1-%O17-.,%O1227-#.,%!"(+.5(%8#44%;5($(-.%('(5,1-(Q$%3+'15#.(%27)$#0+4%+.%"#$.15#0%c(5#.+6(%c+44%#-%F17-.+#-%O#.,?%!S=%D.% #$%[gd`?% ."(%S+k#$%"+'(%+-)
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of Music% #$% *#5(0.(*% /,%F#0"+(4%B66(5$% +-*% ."(%27$#0+4% *#5(0.15%#$% K#$+% f(66(5.=% D.% 8#44% /(% ;(5)3152(*% 1-% A7-(% \\?% \d% \9% +-*%A7-(%\g)d:=%L"18%.#2(%#$%^;2%1-%>5#*+,$% +-*% L+.75*+,$?% \Yd:% ;2%1-% L7-*+,=!#0T(.$% 315% ."(% $"18%+5(%o[:%#-%+*'+-0(%+-*%o[\%+.%."(%*115% 315% +*74.$?% o<% 315% 0"#4*5(-%7-*(5%[\,5$%13%+6(=%%O+44%."(%c(5#).+6(% c+44% /1_% 13�(% 315% +*'+-0(%.#0T(.$%9\d)^\^)^999=
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Page 16, The Loafer • June 19, 2012
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!"(%6517;%81-%."(%14*).#2(%/+-*%012;(.#.#1-%+.%."(%M+4+_%>#**4(5Q$%O1-'(-.#1-%1-%$#_%*#33(5(-.%100+$#1-$=%D-%+*)*#.#1-?%."(,%"+'(%;4+,(*%."(#5%27$#0%+.%$70"%5(6#1-+4%+-*%-+.#1-+4%3($.#'+4$=%!"#$%6517;%01'(5$%#.%+44%]%65(+.%&#**4(%+-*%*+-0(%.7-($?%17.$.+-*#-6%'10+4$%+-*%"+521-,?%/(+7.#374%61$;(4%-72/(5$?%8+4.k%.7-($?%+-*%$12(%13%."(%&#-($.%#-$.57)2(-.+4$%,17Q44%('(5%"(+5=%>15%215(%#-3152+.#1-%1-%."(%S(8%E+44+5*$%E5+-0"%E16.51..(5$?%61%.1%"..;YZZ-(8/+44+5*$/5+-0")/16.51..(5$=012=%
D3%,17%41'(%14*%.#2(%27$#0%+-*%*+-0(?%*1-Q.%2#$$%."(%S(8%E+44+5*Q$%E5+-0"%E16.51..(5$%+.%."(%O+5.(5%>+2#4,%>14*=%B'(5,)1-(%41'($%."(%E16.51..(5$?%$1%6(.%5(+*,%315%+-%('(-#-6%13%14*%3+$"#1-(*%37-=%E(%$75(%.1%/5#-6%,175%*+-0#-6%$"1($%]%+-*%,175%35#(-*$q%
Carter FaMilF 2eMorial 2usic Center$eH Ballard0s Branch Bogtro$ ers
9une JO
A+$;(5% F0M57*(5% $.+5$% #-%."(%;4+,%/+$(*%1-%."(%+7."(-.#0%85#.#-6$% 13% G41-k1% >#(4*$% +-*%85#..(-% /,% A+2($% L.#44=% “Look-ing Over the President’s Shoulder”% #$% -18% ;4+,#-6% +.%E+5.(5%L.+6(%DD%."5176"%A74,%\[=%O+44%\^b=b\`=dgg[%15%'#$#.%E+5).(5!"(+.5(=012% 315% .#0T(.$% +-*%215(%#-3152+.#1-=
/’Looking Over the Presi-dent’s Shoulder; offers a funny, compelling, moving and truly wonderful look at history. It’s a
personal account of history from a perspective that we have never before seen. AlonUo Fields’ authen<tic writing and James Still’s play give a gracious and uniWue look at the Presidential administra<tions of Hoover, FDR, Truman and Eisenhower,”% $+#*% P#0"+5*% P1$(?%;51*70#-6%+5.#$.#0%*#5(0.15%13%E+5).(5% !"(+.5(=% G7*#(-0($% 8#44% $((%."5176"% ."(% (,($% 13% +% /4+0T%2+-%+$% "(% 4(+*$% +% 4+56(% $.+33% +.% ."(%@"#.(% c17$(% 8#."% ;1#$(?% *#6-#.,%+-*%8#."17.% j7*62(-.l% ."(%$+2(%8+,%"(%'#(8(*%."(%R5($#*(-.$=%
www.theloaferonline.com June 19, 2012 • The Loafer, Page 17
Q"ooIing #ver the Cresident0s ShoulderR
Con! nues at Barter 'heatre
G-% (4(6+-.% (_;(5#(-0(% "+$%+55#'(*% #-% ."(% 4+.($.% (_"#/#.% 13%."(% G5.% +.% SRGO% $(5#($=% O75+.(*%/,% A+2($E(-% L.10T.1-?% /Une=-pected Treasures;% 0(4(/5+.($%."(%+5.%13%S15."(+$.%!(--($$((Q$%F(*"+% V+5+-*#T+5% +-*% 3107$($%+%215(% #-.(-$(% $;1.4#6".% 1-%"(5%0144+6($l% $12(%13%8"#0"% #-047*(%(4(2(-.$%13%;+#-.#-6=%N;(-%.1%."(%;7/4#0% #-% ."(% 41//,% 13% M5((-(')#44(Q$%S#$81-6(5%R(53152#-6%G5.$%O(-.(5?%“Une=pected Treasures”%0+-% /(% '#(8(*% 3512% A7-(% [9."%."5176"% A74,% d[$.% 3512% [:% GF%.1%<%RF?%F1-*+,%."5176"%>5#*+,?%+-*%*75#-6%('(-#-6%;(53152+-0)($%+.%SRGO=
“I !irst met Medha through the Rose Center in Morristown, and it was there that she had her !irst one person show,”%$+,$%A+2($E(-%L.10T.1-?%*#5(0.15%13%A+2($)E(-Y%L.7*#1%+-*%M+44(5,%G5.%O(-.(5%#-%M5((-('#44(Q$%*18-.18-%"#$.15#0%*#$.5#0.. “Even as she was Qust be<ginning to show her work I could see that she has both the inborn talent and the discipline to have an amaUing life in art.”%!"5176"%"(5%815T% ."+.% #$%1-% 5(674+5%*#$);4+,%+.%"#$%6+44(5,?% +-*% #-%815T)#-6%8#."%F(*"+%315%/1."%$141%+-*%6517;%$"18$%315%SRGO?%L.10T.1-%"+$% "+*% ."(% 1;;15.7-#.,% .1% $((%2+-,% *#33(5(-.% (_;5($$#1-$% 13%
"(5%.+4(-.?%#-047*#-6%85#.#-6%+-*%0144+6(=%UD%"+'(%+48+,$%41'(*%0144+6(?X%$+,$%L.10T).1-?% U+-*% F(*"+Q$%.170"%315%#.%#$%1-(%13%."(%/($.%D%"+'(%('(5%$((-=%D.%#$%81-*(5374%8"(."(5% $"(% 7$($%#.% +$% ."(% ;5#2+5,%2(*#72% 15?% +$% #-% “[nexpected Trea-sures”?% #-047*($% (4)(2(-.$%13%;+#-.#-6=X%>15% F(*"+% "(5$(43?%0144+6(% j1#-$% .81%*#33(5(-.%+5.#$.#0%;+$$#1-$?%8"#0"%2+T($% #.%*17/4,%65+.#3,#-6. “Col<ors < on their own, or Quxtaposed with each other, have been a source of delight and inspiration to me. I am also fascinated by paper, whether machine<made
or handmade. The ap<plication of paper to a substrate or to a !in<ished piece always cre<ates a third dimension and an element of sur<prise. I see promise in the rich colors of Qunk<mail, and in the tex<tures of greeting cards and wedding invita<tions.[”%>15%L.10T.1-?%#.%#$%+%01-.#-7#-6%*(4#6".%.1%815T%8#."%$12(1-(%8"1$(% +5.#$.5,% #$% $1%#-015;15+.(*% #-.1% "(5%*+#4,% 4#3(. “Art seems to be the place where Medha’s spiritual life,
work habits, and personal growth all intersect,”%"(%$+,$=%@"#4(%."#$%j1,374%*(*#0+.#1-%012($%."5176"%#-% +44% 13% F(*"+Q$% 05(+.#1-$?% #.%#$% ($;(0#+44,% .57(% 13% "(5% (_;(5).#$(% 8#."% 0144+6(=% “Collage is a slow, thoughtful, and extremely rewarding process,”% $"(% $+,$=%“Drawing with a blade can be at times trying < yet it calms the mind and disciplines the hand.”
F(*"+%V+5+-*#T+5% "+$% /((-%+**#-6%5#0"-($$%.1%."(%S15."(+$.%!(--($$((% +5.% 01227-#.,% 315%215(% ."+-% [<% ,(+5$=% L"(% /5#-6$%."(% .+$.(% +-*% $(-$#/#4#.,% 13% "(5%-+.#'(% D-*#+% .1% ."(% 217-.+#-%L17."% +-*% #-% *1#-6% $1% $700((*$%#-%05(+.#-6%815T%."+.%"+521-#k)($%."(%.81%6(165+;"#0%+5(+$%#-.1%$12(."#-6%7-#i7(=%“[nexpected Treasures”%133(5$%+%012;5("(-)$#'(% 64#2;$(% #-.1% ."(% ;5165($)$#1-% 13% F(*"+Q$% 815T% *75#-6%"(5%,(+5$%#-%."#$%017-.5,=%F(*"+%(_;4#0#.4,%6#'($%."(%hLG?%13%8"#0"%
$"(% +-*% "(5% 3+2)#4,%+5(%-+.75+4#k(*%0#.#k(-$?% 05(*#.%315% ."(% 35((*12%.1% 05(+.(% +-*% ."(%(-0175+6(2(-.% .1%/(012(% ."(% +5.)#$.% $"(% #$% .1*+,=%“This collection has pieces from my !irst solo exhibit in 1999 to some !inished Qust last month,”% $"(% $+,$=%“Which proves the fact that this is one
art form I will continue to explore for a long time.”
“[nexpected Treasures”: Collage apropos to Painting by Medha Karandikar% #$% ."(% 075)5(-.% (_"#/#.% #-% ."(% 1-61#-6% G5.%+.%SRGO%$(5#($%075+.(*%/,%A+2($)E(-%L.10T.1-=%G%5(0(;.#1-%"1-15)#-6%."(%+5.#$.%8#44%/(%"(4*%+.%SRGO%1-%L+.75*+,?%A7-(%\d5*%3512%[%.1%d% RF?% #-% 01-j7-0.#1-% 8#."% ."(%+--7+4% M5((-('#44(% L722(5%F7$#0% >($.=% G% 4+56(% 2+j15#.,% 13%."(% 815T$% 3(+.75(*% #-% “[nex-pected TreasuresX% +;;(+5% #-%F(*"+Q$% -(8% /11T?% “TEAR IT, B[T DON’T THROW IT AWAY”,%8"#0"% 8#44% /(% +'+#4+/4(% *75#-6%."(% +5.#$.Q$% 5(0(;.#1-=% F(*"+%+4$1% ;4+-$% .1% $.+,% /(,1-*% ."(%"175$% 13% ."(% 5(0(;.#1-% .1% *(2)1-$.5+.(%"(5%0144+6(%.(0"-#i7($=%>15% 375."(5% #-3152+.#1-% +/17.%."#$%15%;+$.%+-*%7;012#-6%(_"#/)#.$?% 01-.+0.% A+2($E(-% L.10T.1-%+.%H9\dI%^`^):[g<=
Page 18, The Loafer • June 19, 2012
$C!C EZhiSitQ3neZBected 'reasuresR
“Dragon!lys” chosen at ARTSCLAMATION[ Annual Art Exhibit by Fort Sanders Foundation to be featured in their annual calendar.
Created of hand<made, cut from magaUine, hand<colored and painted paper, “Skin Shades” is one of Medha’s most evocative collages.
Artist Medha Karandikar
www.theloaferonline.com June 19, 2012 • The Loafer, Page 19
!"(%>744%F11-%A+2%01-0(5.%$(5#($%01-.#-7($%('(5,%!7($)*+,%+-*%!"75$*+,%('(-#-6$%#-%."(%`[:%L.+.(%L.5((.%'(-7(=%K10+4%3+'15#.($%;4+,%017-.5,?%/47(65+$$?%-1$.+46#+?%+-*%510T%+-*%5144%+5(%+44%/+0T%8#."%$12(%-(8%/+-*$=%%!"#$%$(5#($%."(%/+-*$%6#'(%.5#/7.(%.1%$70"%65(+.$%+$%."(%B+64($?%GOZWO?%A175)-(,?%G(51$2#."?%A1"-%>166(5.,Q$%O5((*(-0(%O4(+58+.(5%P()'#'+4?%+-*%B+64($=%%!"(%$(+$1-%8#44%(-*%1-%+%"#6"%-1.(%8#."%c(44Q$%E(44$%."(%('(5%;1;74+5%GOZWO%.5#/7.(%/+-*=%
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The Full Moon Jam Concert
SeriesContinues Tuesdays
and Thursdays
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!"(% 8((T% 13% "#$% 5($#*(-0,?%L.#'(-*(5Q$% *+#4,% 2+.#-(($% 8#44%57-% 3512% A7-(%\b%]%d:?%!7($*+,%."5176"% L+.75*+,?% +.% \% ;=2=% #-%."(% F+5,% E=% F+5.#-% L.15,.(44#-6%c+44=%!#0T(.$%+5(%1-%$+4(%-18?%+-*%5($(5'+.#1-$% +5(% "#6"4,% 5(012)2(-*(*=%
>15% 2+-,% ,(+5$?% L.#'(-*(5%"+$% /((-% ;(53152#-6% *+#4,% 315%+% '(5,% *(2+-*#-6% +7*#(-0(% 13%$0"114%T#*$=%G$%+%.(+0"(5?%"(%"+$%#2;+5.(*%T-184(*6(?%/51T(-%7;%".$%+-*?%,($?%.14*%$12(%$.15#($=%S18%"(Q$%5(+*,%.1%5(.75-%.1%$.1)5,.(44#-6% 3744% .#2(. “Perhaps the best thing is I won’t have to !ly back from Cape Clear, Ireland on
Labor Day Monday to be at work the next day,”%"(%$+,$=%
@"#4(% "(Q$% (_0#.(*% .1% "+'(%215(% 35((*12% .1% .175% +-*% ;(5)3152?% L.#'(-*(5% #$% 21$.% 411T#-6%3158+5*%.1%"+'#-6%215(%.#2(%315%85#.#-6=% >512% "+'#-6% +-% #*(+?%.1% *('(41;#-6% #.?% .1% 4(+5-#-6% ."(%;#(0(%315%."(%$.+6(?%05+3.#-6%+%.+4(%.+T($% .#2(. “One of the problems is that after a day of working as a teacher, there’s not much men<tal space left for writing,”% "(% (_);4+#-$=% “Hopefully, this will give me a chance to get back to writ<ing more.”
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Page 20, The Loafer • June 19, 2012
Storytelling Live!Ed Stivender
June 26-30
www.theloaferonline.com June 19, 2012 • The Loafer, Page 21
V+5(-%>#-(%05(+.15%13%UP(.75-#-6%.1%F,$(43tO+5(6#'(5%O5(+.#'#.,%P(-(8+4%%#$%133(5#-6%%+-%+2+k#-6%815T$"1;%8#."%"(+4#-6%.(0"-#i7($%315% OGPBMDJBPL?% ;+5.#074+54,% ."1$(%*(+4#-6%8#."%R!LW=% O+5(6#'(5$%35(i7(-.4,%*('(41;%L(01-*+5,%R!LW%*7(%.1%."(#5%514(%+$%0+5(6#'(5=%!"#$%815T$"1;%65(8%17.%13%V+5)(-Q$%;(5$1-+4%(_;(5#(-0(%+$%+%U3+2#4,%0+5(6#'(5X%8#."%"(5%"7$/+-*%8"1%#$%+%*#$+/4(*%5(.#5(*%'(.)(5+-% *(+4#-6% 8#."% ."(% $,2;.12$% 13% R!LW% 1-% +%*+#4,%/+$#$=%
Caregivers C'S- VorIshoB
+eturning to 2Fself[Caregiver Crea! vitF
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Rainbow over Boones Creek
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Page 22, The Loafer • June 19, 2012
SuMMer Sols! ce 'aIes #ver $igh% Me Filled
Hith Clanets
Continued on page 23
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Page 24, The Loafer • June 19, 2012
www.theloaferonline.com June 19, 2012 • The Loafer, Page 25
Celestial events in the skies for the week of June 19<2_, 2012, as compiled for The
Loafer by Mark D. MarWuette.!"(% L722(5% L14$.#0(% #$% @(*-($*+,?% ."(% $.% .#2(% #.Q$%/((-%1-% A7-(%\:% #-% 0(-.75#($=% %E(0+7$(%13% 0(4($.#+4%21).#1-$%#-'14'#-6%."(%B+5."Q$%$4#6".4,%1'+4%15/#.?%."(%$.%*+,%13%L722(5%#$%'+0#44+.#-6%/(.8((-%A7-(%\:."%+-*%\[$.%1'(5%."(%-(_.%*(0+*($?%8"(5(%#.%7$(*%.1%100+$#1-+44,%3+44%1-%."(%\\-*=%
Tues. June 19S(8%F11-%#$%.1*+,%+.%[[Y:\%+2?%8"(-%."(%F11-%#$%+/1'(%."(%L7-%#-%."(%*+,4#6".%$T,=%!"(%F11-%21'($%#-.1%."(%('()-#-6%.8#4#6".?%+-*%/(%-(+5%."(%;4+-(.%F(5075,%1-%>5#*+,=%
Wed. June 20L722(5%L14$.#0(%#$%.1*+,%+.%^Y:g%;2?%8"(-%."(%L7-%#$%3+5)."($.%-15."%13%."(%0(4($.#+4%(i7+.15=%%!"+.%;7.$%175%3+'15#.(%$.+5%+.%#.$%"#6"($.%;1#-.%#-%."(%$T,?%+-*%05(+.($%."(%41-6($.%*+,=%
Thurs. June 21!"(%L7-%#$%(-.(5$%M(2#-#?%."176"%#.%7$(*%.1%/(%#-%O+-0(5%0(-.75#($%+61=%%!"+.Q$%8"(5(%."(%!51;#0%13%O+-0(5%012($%3512?%."(%4#-(%+517-*%."(%8154*%8"(5(%."(%L7-%#$%*#5(0.4,%1'(5"(+*%+.%410+4%-11-=%%E(0+7$(%+$.51416,%-('(5%7;*+.(*%
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Page 26, The Loafer • June 19, 2012
Prometheus
www.theloaferonline.com June 19, 2012 • The Loafer, Page 27
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I Had Too Much to Dream Last Night
Page 28, The Loafer • June 19, 2012
www.theloaferonline.com June 19, 2012 • The Loafer, Page 29
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Suzuki Flute InstituteInstruction by Takahashi and performance by Flute Force
L12(% 5($(+50"% 5(;15.$% 411T%'(5,% #2;5($$#'(% +-*% 01-'#-0#-6%+.% $.% 64+-0(?% /7.% 7;1-% 375."(5%#-$;(0.#1-% ."(,%*1-Q.% $((2%'(5,%#2;5($$#'(% +.% +44l% #-% 3+0.?% ."(,%0+-%/(%*18-5#6".%*(0(#'#-6%+-*%13.(-%851-6=%G%611*%(_+2;4(%#$%+%5(0(-.%$.7*,%+/17.%27$#0s+%$7/)j(0.%'(5,%041$(%.1%2,%"(+5.s."+.%133(5$% ."(% .+-.+4#k#-6% ."($#$% that “over the past half<century, pop hits have become longer, slower and sadder, and they increasingly convey mixed emotional cues.”%!"#$% #$% +% 01-047$#1-% 5(+0"(*% /,%;$,0"1416#$.% B=% M4(--% L0"(44(-)/(56% +-*% $10#1416#$.% O"5#$.#+-%'1-% L0"('(% #-% ."(% 0755(-.% #$$7(%13%R$,0"1416,%13%G($."(.#0$?%O5()+.#'#.,%+-*%."(%G5.$=%!"#$%#2;5($)$#'()$17-*#-6%H-1%;7-%#-.(-*(*I%4#..4(%;#(0(%13%5($(+50"%#$%$722+)5#k(*%/,%!,4(5%O18(-%#-%"#$%/416%“Is Popular Music Becoming Sad<der`”% 3512% F+56#-+4P('147.#1-=012
N75% ;$,0"1416#$.)$10#1416#$.%.(+2%1/$(5'(%that “As the lyrics of popular music become more self<focused and negative over time, the music itself became sadder<sounding and more emotionally ambiguous.”% D-% 15*(5% .1% 5(+0"%."#$% *7/#17$% 01-047$#1-% ."(,%(_+2#-(*%!1;%9:%;1;%"#.$%$.+5.)#-6%+517-*%[gb<%+-*%01-.#-7#-6%."5176"% \:[:=% L;(0#�+44,?% ."(,%&#-*%."+.%U+-%#-05(+$#-6%;(50(-.)+6(%13%;1;%$1-6$%+5(%85#..(-%7$)#-6% 2#-15% 21*($?% 8"#0"% 21$.%4#$.(-(5$s#-047*#-6% 0"#4*5(-s+$$10#+.(% 8#."% 64112% +-*% *()$;+#5=X% !"(,% +4$1% 317-*?% #-% 8"+.%+;;(+5$%.1%/(%+%.(-717$%01--(0).#1-%+.%/($.?%that “the percentage of female artists at the top of the charts rose steadily through the 1990s before retreating a bit in the 2000s.”% @"+.% ."#$% "+$% .1% *1%8#."% 2+j15% +-*% 2#-15% T(,$% #$%+-,1-(Q$%67($$=
L;(0#�+44,?%L0"(44(-/(56%+-*%'1-%L0"('(%&#-*%that “the propor<tion of minor songs doubled over !ive decades”%+-*%."+.%`<%;(50(-.%13%."(%!1;%9:%$1-6$%#-%."(%4+.(%L#_).#($%8(5(%#-%2+j15%T(,$%8"#4(%j7$.%7-*(5%9<%;(50(-.%13%$1-6$%*75#-6%."(%4+$.%.(-%,(+5$%8(5(%#-%+%2+j15%T(,=%D-.(5($.#-64,%(-176"?%!1;%9:%$1-6%.(2;1$%"+'(%+;;+5(-.4,%*()05(+$(*%1'(5%."(%;+$.%.,%,(+5$?%($;(0#+44,% 315% $1-6$% 85#..(-% #-%2+j15%T(,$=%!"(%5($(+50"(5$%."(-%;1#-.% to “a general reduction in unambiguously happy<sounding recordings, as well as an increase in recording with ambiguous emotional states.X% @"(-% *1($%
+2/#6717$% /()012(% 7-+2/#67)17$u
L . 5 ( . 0 " # - 6%."(#5% 05(*#/#4#.,%.1% ."(% /5(+T#-6%;1#-.?% ."(% 5()$(+50"(5$% +$T% 7$%.1%.57$.%."+.%."(#5%&#-*#-6$s#=(=% ."+.%27$#0% "+$% 61..(-%215(% (21.#1-)+44,% +2/#6717$%1'(5% ."(% 4+$.% .,%, ( + 5 $^ “ h a v e striking parallels to the evolution of classic music from 1600 to 1900.”%>15% #-$.+-0(?%“throughout the 1bth and 18th centuries pieces tended to sound unambiguously happy or sad. By the 1800s, and the middle of the Romantic era, tempos and mode cues were more likely to con!lict,”% ."(5(/,% +4418)#-6% 315%215(%(21.#1-+4%5+-6(% .1%/(%(_;5($$(*%#-%27$#0=%!"(-%."(,%.(44% 7$% ."+.% UR1;74+5%27$#0%8#."%2#_(*%(21.#1-+4%07($%"+$%+48+,$%(_#$.(*%H/7.%.1*+,I%+5.#$.#0%#-.(6)5#.,%+-*%0122(50#+4% $700($$%+5(%-1%41-6(5%01-.5+*#0.15,?%+-*%+5.)510T% /+-*$% $70"% +$% P+*#1"(+*%"+'(%4(6#1-$%13%3+-$=X%D$%#.%j7$.%2(?%15% *1($% ."#$% $17-*% 4#T(% +% /7-0"%13% -1-$(-$(u% @"+.% (_+0.4,% +5(%."(,% $+,#-6u% G-*% 1-%8"+.% /+$#0%0+-% ."(,% $#2;4#3,% .81% 0(-.75#($%13% 27$#0% #-.1% U7-+2/#6717$4,%"+;;,%15%$+*X%0+.(615#($u
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.81%6(-.4(2(-%/+$(*%."(#5%$.7*,%1-=%C($?%D%T-18%D%-((*%.1%$((T%17.%."(% +315(2(-.#1-(*% j175-+4?% /7.%D% "+'(-Q.% 317-*% #.?% $1% D% 8#44% j7$.%"+'(%.1%7$(%2,%#-$.#-0.$?%+%;+#5%13%.57$.,%3+T(%/11T$%D%0+55,%8#."%2(%8"(-%D%;4+,%;#+-1?%+-*%$12(%!1;%9:% 4#$.$% 317-*% 1-% M1164(=% D-.(5)($.#-64,%(-176"?%+44% $1-6$% #-% ."(%!1;%9:%4#$.%315%[gb<%8(5(%85#..(-%#-%+%2+j15%T(,?%/7.%-1.%+44%13%."(2%8(5(% 7;/(+.% +-*% "+;;,=% @"#4(%$1-6$% 4#T(% L+2% +-*% !"(% L"+2Q$%“Wooly Bully”%H."(%S72/(5%N-(%$1-6% 13% ."(% ,(+5I% 8(5(% "+;;,%H+4."176"%+4$1% +% 4#..4(% j+*(*% +-*%*576)#-*70(*I?% #.Q$% *#3J.% .1%3((4%5(+44,%611*%+/17.%."(%314418)#-6%2+j15)T(,%$1-6$: “I Can’t Get No Satisfaction,” “You’ve Lost That Lovin’ Feelin’,” “Crying In The Chapel”%H+-%B4'#$%5(2+T(%13%+% $1-6% $.% 5(015*(*% #-% [g<dI?%+-*%“Eve of Destruction” H+%0+-)
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E+$(*% 1-% 2,% +*2#..(*4,%-1-)(_"+7$.#'(% $75'(,% 13% ;1;7)4+5% 27$#0% *75#-6% ."(% ;+$.% .,%,(+5$?% D% *1-Q.% &#-*% +-,% 5(+4% ('#)*(-0(% 315% $+,#-6% ."+.% $1-6$%+5(% 6(..#-6% 215(% #-.51$;(0.#'(%+-*% $+**(5% 15% $418(5% +-*%215(%U(21.#1-+44,% +2/#6717$=X% % G-*%8"#4(%2#-15%T(,$%+5(%215(%01-).(2;4+.#'(% ."+.% 2+j15% T(,$?%."(,% *1-Q.% -(0($$+5#4,% 2+T(% 7$%$+*s."#-T% 13% ."(% 14*% O"5#$.2+$%0"($.-7.% “Greensleeves”% +-*%!"(% !75.4($Q% [gb^% "#.% “Happy Together,”%/1."%85#..(-%#-%2#-15%T(,$=%!81%$1-6$%85#..(-%#-%2+j15%T(,$sUP+#-,% W+,$% G-*% F1-)*+,$X% H[g^[?% !"(% O+5;(-.(5$I%+-*% “Along Again, Naturally”%H[g^\?% M#4/(5.% NQL744#'+-Is+5(%;5(..,% *(;5($$#-6% 8#."17.% 5()$15.#-6% .1% 2#-15% 0"15*$=% G-*%."(%8"14(%&#(4*%13%017-.5,%27$#0%"+$% ;4(-.,% 13% *(;5($$#1-% .1% 61%
+517-*?%+-*%."(%'+$.%2+j15#.,%13%."#$%6(-5(Q$%$1-6$%+5(%85#..(-%#-%2+j15% T(,$s-(+54,% +44% 13% c+-T%@#44#+2$Q% 4($$)."+-)0"((5,%1;7$?%315% (_+2;4(?% #$%85#..(-% #-%2+j15%T(,$=% D-% 0+$(% ,17Q5(% 81-*(5#-6?%."(% #01-#0% 270")210T(*% K(*%f(;;(4#-%0"($.-7.?%“Stairway To Heaven”% #$% 85#..(-% #-% G% F#-15=%@174*%,17%0+44%."+.%$1-6%$+*u%G44%*(;(-*$%1-%,175%;(5$;(0.#'(?% 13%0175$(=
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Page 30, The Loafer • June 19, 2012
Sad Songs:Should Rainy Days and
Mondays Always Get Me Down?
www.theloaferonline.com June 19, 2012 • The Loafer, Page 31
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