The introduction and establishment of horror conventions
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The Introduction and Establishment of Horror Conventions The Horror Genre and institution: The Rise and Fall of Hammer Horror (1950’s -1960’s) What is Hammer Horror? Hammer film studios, an independent production company Became associated with the horror genre, particularly the Gothic horror sub-genre- developing a style of filmmaking That was successful in the UK and USA. They made shocking and exciting films with a level of violence and sex not seen before in the UK and USA. Why Horror Films? Hammer studios was set up in 1947 and their decision To move into horror films can be explained through economic reasons… - Distribution: To get their films distributed they had to deal with one of the three main cinema chains- Odeon, Gaumont and ABC These cinema chains rarely showed the new X certificate and the Cinemas welcomed these new ‘adult’ films as a selling point. - Competition from Television: The style of Hammer films- in Technicolour and taboo subject matter- made it different to the black And white conservative TV programmes of the time. They were the First Gothic horror films to be shot in colour. - Style: They bought a country house to base the studio in and this was an excellent set for 19 th century Europe – not contemporary Britain. - American/Hollywood Finance: Hammer Productions were attractive to the US film studios as an opportunity for co- production – Hammer made deals with Warner and Universal. - Copyright: Dracula was a commercial success in the US and UK so Universal sold the remake rights to Hammer for all their Gothic films – enabling the next ten years of films at Hammer to be made.
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Transcript of The introduction and establishment of horror conventions
The Introduction and Establishment of Horror Conventions The Horror Genre and institution: The Rise and Fall of Hammer Horror
(1950’s -1960’s)
What is Hammer Horror?
Hammer film studios, an independent production companyBecame associated with the horror genre, particularly theGothic horror sub-genre- developing a style of filmmakingThat was successful in the UK and USA.
They made shocking and exciting films with a level of violence and sex not seen before in the UK and USA.
Why Horror Films?
Hammer studios was set up in 1947 and their decisionTo move into horror films can be explained through economic reasons…
- Distribution: To get their films distributed they had to deal with one of the three main cinema chains- Odeon, Gaumont and ABC These cinema chains rarely showed the new X certificate and the Cinemas welcomed these new ‘adult’ films as a selling point.
- Competition from Television: The style of Hammer films- inTechnicolour and taboo subject matter- made it different to the blackAnd white conservative TV programmes of the time. They were theFirst Gothic horror films to be shot in colour.
- Style: They bought a country house to base the studio in and this was an excellent set for 19th century Europe – not contemporary Britain.
- American/Hollywood Finance: Hammer Productions were attractive to the US film studios as an opportunity for co-production – Hammer made deals with Warner and Universal.
- Copyright: Dracula was a commercial success in the US and UK so Universal sold the remake rights to Hammer for all their Gothic films – enabling the next ten years of films at Hammer to be made.
Social Contexts/Zeitgeist – also influenced their success…
- Genre: British cinema had been dominated by War films and Ealing Comedies – they offered something new.
- Rise of the teenager: the new youth audience – after the baby boom- were a new social groups with their own tastes and fashion “Ten years ago the films would have been shocking, now they are not shocking enough.” (Pirie 1973)
- Classification: The introduction of the new X certificate in the UK and a new rating system in the USA widened the market for horror that appealed to the more rebellious youth market.
The Decline of HammerIn the late 1960’s they were vulnerable – horror films were becoming less popular with audience and they were reliant on American money at a time when American companies were pulling out of the British film industry.
