The globalization of the image: The case of Takashi Murakami and Simone Legno

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The article introduces the globalization process and its influence on the Japanese and the Western postmodern art through the evolution of art in the recent centuries in general, and especially via two artists – a Japanese artist Takashi Murakami and an Italian artist Simone Legno. They were brought up in different cultures, and have different perceptions and philosophies; however, there is a great resemblance in the aesthetical, ideological and practical aspects in their work. An analysis of the resemblance lines in their work will show the globalization of the image making and that the globalization is an on-going expanding process that brings world cultures together faster than ever. The essay is based on a seminar paper written in the course “The Visual Seduction: Japanese Advertising” under the guidance of Dr. Ory Bartal.

Transcript of The globalization of the image: The case of Takashi Murakami and Simone Legno

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