The Basics of Pop:R&B:Soul:Funk:Jazz Horn Arranging

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Please excuse the mess, I'm still working on this page.

If you are looking for horn charts, go here to view the list.

The Basics of R&B/Funk/Jazz Horn Arranging

Start Here

Instruments/Ranges/Transpositions

Horn Section Sizes, the Why and the Who

Voicings, 2, 3 and 6 horn voicings

Starting to write

Arranging Styles

Listening/Books

Start HereRule 1. There are no rules.

These are my guidelines to be used and ignored as needed. The ONLY thing that

matters is whether what you write sounds good.

Instruments, Ranges and descriptions

B Trumpet -

The leader of the horn section, the most important instrument in the band. (in full

disclosure, I play trumpet). The trumpet usually plays the melody/top note of the voicing.

High unisons very powerful. Brass (trumpets/trombones) great for punches/hits.

Mutes (both trumpets/trombones) - Different colors/textures. Give time to change.

Depending on the mute, sometimes the tuning slide needs to be adjusted. -

Harmon (brassy/edgy), Cup (jazzy), Straight (classical/tinny), Bucket (mellow,

Flugel-ish), Plunger (Dixie-ish)

B Flugel -

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http://www.hornarrangements.com/whattheysay.html

http://www.hornarrangements.com/originals.html

http://www.hornarrangements.com/supertrumpets.html

http://www.hornarrangements.com/christmasquartet.html

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http://www.hornarrangements.com/horncharts.html

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In Los Angeles it is assumed every trumpet player plays Flugel. Much more mellow

sound than trumpet. Plays better "in the staff." Doesn't have the high range or

brightness of a trumpet (deeper mouthpiece). Commonly used for solos in ballads

and Bossa Novas. Chuck Mangione brought the instrument to national attention.Blends nice with unison flute and trombone.

Trombone -

Unofficially plays an octave lower than trumpet. Powerful. Doesn't have the

dexterity of the trumpet, unless you're Bill Watrous.

Mutes - Cup, Bucket, Plunger

Bass Trombone -

Mostly used in larger ensembles (Big Bands). Common to be a "double" for a

trombone or tuba player. Plays lower than Trombone.

Dave Bargeron from Blood Sweat & Tears "doubled" on Bass Trombone (and Tuba).

Also used in the Jazz-Rock band Matrix . The bass trombone plays the 4th trombone

part in a big band.

It is common for woodwind players to "double" on other saxes. Flute and Clarinet

are the most common non-sax doubles for sax players. Some big bands expect sax

players to double on flute and clarinet. Bari sax doubles on bass clar. There are

many other woodwind instruments to double on.

Flute -

Plays the lead. (remember rule 1). Best comibined with another instrument.Flute/flugel, flute/trumpet w/harmon mute, flute/trombone.

Soprano Sax -

Kenny G made this horn popular. Not a common instrument in a section unless

playing the lead line, used more as a solo instrument. Used in Jazz .

Alto Sax -

http://www.youtube.com/watch?v=qGck-DRAFyw

http://en.wikipedia.org/wiki/Matrix_(jazz_group)%20target=

http://www.bloodsweatandtears.com/





In the trumpet range. Sounds great as a lead, section or solo instrument. David

Sanborn revolutionized the sound of the instrument which so many others followed

his lead.

Tenor Sax -

Possibly the most common saxophone. Used in all musical styles, commonly used

as both a solo and section instrument. In the trombone range. Unisons of tenor &

trombone have a nice sound. The old Jazz Crusaders.

Bari Sax -

Plays the lowest note of the horn section. Sometimes plays with Bass Guitar and in

big bands with the Bass Trombone. Popular on many Motown songs (HeatWave,

Baby Love, Can't Help Myself, Ain't Too Proud To Beg, etc.).For the last 40 years, the Bari Sax has been synonymous with Doc Krupka of Tower

of Power. Typicaly the funky Bari plays lead-ins to the root of the chord. Gerry

Mulligan was one of the more famous jazz soloists on Bari.

Transposing trick - bari can read bass clef by adding 3 sharps.

Horn Section Sizes, the why and who -The size and instumentation of a horn section are dependent on many factors...

Instrumental performance or backing up a vocalist.

$Budget$

Style of music.

Recording or live?

Even what horns do your friends play.

1 horn - Most commonly a sax. 2 horns - Most commonly a trumpet and sax. The Jazz Crusaders believed sax &

trombone.

3 horns - The most common 3 horns; trumpet, sax and trombone. Chicago.

4 horns - Backing up a R&B/Pop vocalist, it's common for 2 trumpets, sax &

trombone. A 4 horn instrumental jazz horn section is more likely to be a trumpet,

alto sax, tenor sax & trombone.

5 horns - Tower Of Power.

6 horns - My Favorite. 2 Trumpets, Alto sax, Tenor sax, Trombone & Bari sax.

Considered by many to be a "small big band."

Rule 1, there are no rules. A horn section can be any size and combination. Listen,

if you like a horn section sound, use the same size.

http://www.youtube.com/watch?v=epyukbd_xDk%22





Random thoughts about Voicings & 2 horn, 3 horn and 4horn examples with a few more random thoughts.

Voicings convey emotion.

Unless you really really want it, never have the root of a major7 voicing on top.

Rule 1, there are no rules. If the chords are C-Cmaj7-C7-C6, the Trombone playingthe descending line with the trumpet holding a "C" an octve higher sounds good.

For fast moving lines keeping the voices tighter works best.

For slow moving pads keeping the voices spread works best.

Try not to repeat hamony notes unless matching the melody.

2 Horns -

Unisons - Strong

Octaves - Stronger.

Thirds - Thirds and Sixths are interchangeable.

Sixths

Fourths - A distinct sound, not a voicing to be used contantly.

3 Horns -





Unisons and octaves also apply to 3 horns. Unisons, all the same note/pitch.

Octaves, trumpet the upper octave and trombone the lower octave. Which octave

the middle voice plays depends on the instrument, the range of the notes and what

sound you want. If a trumpet is the middle voice/instrument he would probably play the upper octave with the 1st trumpet. Depending on the range of the melody

(top of the staff for the trumpets), possibly a very powerful sound with the

trombone an octave below. Depending on the range of the melody, maybe an alto

sax would play the upper octave while the tenor sax would play the lower octave.

Triads 1

Triads 2

Triads 3 - this is the one I would use. It uses the "color tones," in these examples

the middle voice. In the first group of notes it uses the 9th (G) instead of the 3rd

(A). The second group the 13th (D) instead of the 5th (C). The last note the 9th

instead of the 3rd (D).

Fourths

Fourths - A more contempoary R&B voicing

4 Horns -





Close - the closest available note.

Drop 2 - the second voice from "close" harmony down an octave.

Open (my fav)- the best of Drop 2 and added color tones.

Fourths - this voicing isn't used much in this style of music. For me, one of the

things I like about well-voiced horns is hearing the 3rds/7ths resolving.

More Random thoughts -

With only 2 or 3 horns you can't always cover the melody note and the 3rd & 7th.

Arranging Styles

Chicago - Trombone lead. Unisons, octaves, thirds, sixths and tenths. Pretty safe

voicings.

Tower of Power - 13+11 chords. Staccato. BARI SAX. (emphasis intended)

Jerry Hey/Seawind Horns - A youtube of Jerry and his guys making it clear why

they're the best. Jerry Workin' Day and Night

Staccato. 4ths

Flugel, flute & trombone unison.

Transcribing is a great way to learn. Here's some of my Jerry Hey learnings,

transcriptions with some horn voicings.

Black & Blue - Al JarreauBoogie Down - Al JarreauI've Had Enough - Earth Wind & Fire

In The Spirit - Bob & Pauline Wilson

Keep My Eyes On Jesus - Bob & Pauline Wilson

Love Is Real - Al Jarreau

Love Is Waiting - Al Jarreau

Roof Garden - Al Jarreau

Save Me - Al Jarreau

Step By Step - Al Jarreau

Youtube of Jerry and the guys live with Al Jarreau. Sounds like the record.

http://www.youtube.com/watch?v=NwGIOLfGP6c

http://www.hornarrangements.com/jerry/StepByStep.pdf

http://www.hornarrangements.com/jerry/SaveMe.pdf

http://www.hornarrangements.com/jerry/RoofGarden.pdf

http://www.hornarrangements.com/jerry/LoveIsWaiting.pdf

http://www.hornarrangements.com/jerry/LoveIsReal.pdf

http://www.hornarrangements.com/jerry/KeepMyEyesOnJesus.pdf

http://www.hornarrangements.com/jerry/InTheSpirit.pdf

http://www.hornarrangements.com/jerry/I'veHadEnough.pdf

http://www.hornarrangements.com/jerry/BoogieDown.pdf

http://www.hornarrangements.com/jerry/Black&Blue.pdf

http://www.youtube.com/watch?v=h7320_MFX-k&feature=fvwrel





Starting to write

Before the pen hits the paper (old school) -

Is the song instrumental or are the horns backing up a vocal. In an instrumental

the horns take a much more prominant role, the horns play the melody. Backing up

a vocalist the horns take a supporting role to the singer. Meaning, more notes for

the instrumental, less notes for backing up the vocalist.

Is the arrangement for a nightly performance or a one time recording? Consider:

Endurance for brass players. Recording gives the option of punching in/overdubbing

that live doesn't. Unlike the old days of recording from start to end, today we can

"punch in/out" to start/stop recording at a certain part to allow a break for the

horns to catch their breath or even record individual notes that need to be fixed for

a multitude of reasons, assuming it's not just fixed in pro-tools. Overdubbing to

double the size of the horn section, common for one horn section left, one right. If

for recording, Studio Tricks like having the horn section bounce from one side to

the other, digital delay to give the horns a sound as if echoing away.

The best arrangement played badly sounds worse than the mediocre arrangement

played by good players. Sure, if you live in Los Angeles and hire Jerry Hey, Chuck

Findley, Gary Grant, Larry Williams and Bill Reichenbach to play your stuff, you can

write the unplayable and have it sound perfect on the second take. Unless the

act/client takes the same guys on the road, things might get a little shakey. If the

act/client hires musicians in the towns they perform, it gets even shakier. The best

arrangement played badly sounds worse than the mediocre arrangement played by

good players.

Well prepared music ALWAYS reduces rehearsal time and improves performance.

For the printed page, Articulations are your friend.Write english on your parts so the horn players have a better idea of your concept.

"Quick short fall" text along with instead of just the musical symbol for a fall. In

slow bluesy songs it's common for "long dirty fall" to be written. Text like "with

bass" or "with gtr" to let a horn to match with them.

Do you know the horn players, if so, write to their strengths. Trumpet player got

some chops, use them best. Can he nail notes out of nowhere or does he need a

little lead-up? Who solos? Solos in the correct style? Tenor sax player double on

Bari?

Are the tracks already recorded? You can double something or write to matchsomething (synth, guitar, keyboard, etc.) already recorded. Horn hits with snare

drum hits.

Rhythmic pattern the horn section plays together. Intro on BS&T's Spinning Wheel.

Pads. Usually whole notes & half notes. Unison or harmonized. NOT good for high

brass.

Horn fills in between the vocal breaks or sustained notes.

Unisons to mimic a certain sound (Jerry Hey Flugel/Flute/Trb)

Voicings to mimic a certain sound

Call & Response. "Minnie the Moocher."





Write for the instruments. Hear the instruments in your head. It might sound great

on the piano, not so much with real instruments.

Don't have to use every idea in each arrangement

Contrast harmony/unison and registers (trumpet 8va 2ndX)

Listening - As much as you can.

Tower of Power

Jerry Hey (Michael Jackson, EW&F, Al Jarreau, Quincy, etc.)

Jerry Hey horn demos

Chicago

Blood Sweat & Tears

Blues Brothers

Seawind

Brecker Brothers (Fusion Jazz FunkYellowjackets (Fusion Jazz)

Horace Silver (Old school Jazz)

Art Blakey (Old school Jazz)

Have you listened to all the youtube links yet?

Resources -

Bill Dobbins Jazz Arranging and Composing, A Linear Approach. Advance Music.

Dick Grove Arranging Concepts Complete. Alfred Publishing Company

Ron Miller Modal Jazz Composition and Harmony - Advance MusicSammy Nestico The Complete Arranger - Kendor Music

Don Sebesky The Contemporary Arranger. Alfred Publishing Company

Fred Sturm Changes Over Time: The Evolution of Jazz Arranging. Advance Music

Rayburn Wright Inside the Score. Kendor Music

Russell Garcia The Professional Arranger Composer Book 1 & 2 Criterion Music

Berlkee Press has a nice collection of books.

(email me to if you want to be added.)

Hopefully this will give you a great starting point.

Write as much as you can, and hear it played back by real musicians, nothing

teaches better than hearing what you wrote.

If you're not a horn player, let the guys give you their 2 cents on your parts.

Preparing The Score/Parts to print -

Hand score/parts or computer score/parts? HaHa, I was kidding. Does anyone copy

http://www.lastudiomusicians.info/jerryheyhorndemos.htm





by hand anymore? I copied for years by hand, buying the paper and ink at Valle

Music in North Hollywood. Even had an ammonia smelling Ozlid machine.

Score Order Traditionally big band is alto, alto, tenor, tenor, bari. Trumpet 1, 2, 3,

4. Trombone 1, 2, 3, 4. Rhythm section. Many use that as a guide for smaller horn

sections, just removing what isn't being used. I personally like putting the horns in

order for tutti voicings. 6 horns = trumpet1, trumpet2, altosax, tenorsax,

trombone, barisax.

Rehearsal Letters/Measure Numbers. I use measure numbers on the beginning of

each staff unless it's a one time recording (ie. time is money), then I use measure

numbers on every measure. Rehearsal letters always on left side. I put lyric cues

with the rehearsal letters for the band.

Not a rule, but try to keep the music spaced evenly at 4 measures per bar. If a 7

measure phrase, 4 measures on one line and 3 measures on the next line. I indent

the right side of the line so at a glance you know it's not a group of 4 measures.

Note Values, Articulations - Use all the articulations you need to make it clear what

you want. Tenuto, staccato or sfz. You might have a great lick but it's just not working, try adding or changing the articulations.

Using Big Band parts for 3 horns - My advice, NEVER do this. It's common in big

bands for the lead instruments (trumpet 1, alto 1, trombone 1) to play the same

note in different octaves. When using the 3 horns it will sound like unisons/octaves

and rather empty. Also, any solos or melodies on any of the other parts won't be

covered.

Transcribing -Transcribing is a great way to start learning how to write horn parts. Just like

transcribing is one of the first steps tolearning jazz improvisation, transcribing thehorn parts gives you a vocabulary of licks and an idea of how they sound by their

voicings.

Thanks to a post on Reddit I've been getting a lot of hits. I'll try and answer a

few of the questions asked there. BTW, I'm not the one that posted the link .Flugelhorn mutes, yes there are such a thing. Don't write for them unless you know

the player and have confirmed he has one.

Kenny G & Sanborn... Yes, although there are many many legends before them,

Kenny & David are probably better known and brought their instruments to a widerauidence. How many alto players want to or unintentionally sound like Sanborn.

If playing 4 voiced arrangements at a fast pace would be Mud City, please explain

SuperSax or any big band sax soli by Don Menza. My opinion is the faster the

tempo, the closer the voicings. It's the wide open spread voicings that sound so

lush in ballads that muddy the city at faster tempos.

Trumpet range... I used to play down to Bb concert two octaves below middle C.

Unless a trumpet farting sound was required, writing those notes would have been

a mistake. Can the trumpet play higher than the F concert I wrote. Of course. BUT,

know the player (or band).

The root of the Maj7 on top, props to Big_Star for giving a big answer.

Try not to repeat harmony notes... The harmony notes would be the 2nd horn, 3rd

http://www.reddit.com/r/WeAreTheMusicMakers/comments/1reuq9/the_basics_of_horn_arranging/





horn, etc. of the section. If the melody goes C-B-A-B-C, although correct notes of

the chord, try not to have 2nd horn play G-G-G-G-G and the 3rd horn play E-E-E-E-

E.

I'm trying a comment section. Do you have anything to say?

2 Comments !1

! !

E Braith !

I am a classical violinist and pop arranger looking to explore jazz and

horn arranging. I have always loved Jerry Hey's arrangements. Looking

forward to exploring this site.

! !

Dayman !

You've written some great advice for someone looking to score for horns

and rhythm section. Thanks! I did a Berklee correspondence arranging

course years ago and am looking to try my hand on a few tunes.

Questions?

Want Lessons?

Want someone to look over your score?

Email me.

Updated 4/6/2015

mailto:[email protected]?subject=Questions%20from%20HornArrangements.com




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Transcriptions for educational purposes only.

Click for orders and transcription quotes.

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"Blue Confluence" is a new CD from Australian Jazz singerIngrid James and the San Gabriel 7.

http://www.sgsjazz.com/

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The Basics of Pop:R&B:Soul:Funk:Jazz Horn Arranging

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