The Ballad of Ethan Burns—Free Sample of this Movie Length Tale (TM)

7/28/2019 The Ballad of Ethan BurnsFree Sample of this Movie Length Tale (TM)

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The Ballad

Ethan Burns

of


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Movie Length Tales featuring:

Action and AdventureComedyDramaHorrorKids and FamilyRomantic ComedyScience Fiction and Fantasy

Thriller and Suspense

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James Balestrieri

A Movie LengthContemporary WesternRomantic Comedy Tale

For Readers13 and up

Lyme, New Hampshire

The Ballad

Ethan Burns

of


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Copyright 2013 James BalestrieriAll rights reserved.

Cover illustration by Jeff Mueller, based on a painting byNick Eggenhofer

ISBN-13: 978-1-935655-71-8ISBN-10: 1-935655-71-X

Library of Congress Control Number: 2013935350

Published by Aisle Seat Books, an imprint ofGrayBooks LLC

1 Main Street

Lyme, New Hampshire 03768

www.Tales2Film.com

www.AisleSeatBooks.com

Softcover Edition

Printed in the Unites States of America on acid-free paper.

DEDICATION:For my excellent wife, Dancy, and my three excellent

children, Ian, Lucia and Vivian


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Now Showing:

Contemporary WesternRomantic Comedy

Ages 13 and up

The Ballad

Ethan Burns

of


9/36

Theater lights dim.

Fade in:


10/36

9

One sunshaft through unlit neon and the slats of an

inner set of saloon doors is the only indication its mid-

afternoon at Hegartys, a dump of a bar in L.A.

Nine mailmen line the barstools.A planetoid barkeep serves them as they swill beers,

wolf down greasy tacos and bellow at an old television

that sits high in a corner behind the bar.

Standing in the shadows at a small round table, Oc-

tavio Tavi Rivera makes notes on a screenplay. He

glances at the mailmen and the TV.One mountain of a mailman points at the TV, rant-

ing, Ethan Burns! I tell you, his old man must be roll-

ing in his grave!

You think he gives a rats rump? the barkeep ob-

jects. Hes rolling in his old mans dough.

Tavi shoves the script in a backpack, drinks up,squeezes between the mailmen, puts money on the bar.

The barkeep nods.

Tavi leaves.

The mountainous mailman watches Tavi leave,

makes sure hes gone. That kid gives me the jitters.

Always scrutinizing us. Then, whispering, Hes notPostal Police, is he Clyde?

Not that I know of, Clyde the barkeep replies. At

least he doesnt have to blow cobwebs out of his wallet


11/36

10

when it comes time to pay the bill. Unlike some who

shall not be namedDanaher

The other mailmen roar. Danaher tries to swingtheir mockery back to the TV, gesturing again and

thundering, Look at him grinning. The sad spectacle!

Framed by imitation wood grain and worn knobs

on the battered TV cabinet, relics of a bygone era in

home entertainment, the face of Ethan Burns smiles a

forced smile.Teetering on the knife-edge of 50, Ethan is a fit fel-

low looking a bit yellow in this lurid light. Then the

ancient console disappears, and

THROUGH THE TV:

The set of a daytime cable TV show. Low-budgetglitter. A large chintzy sign reading WHO CAN

TELL? spelled out in light bulbs, hangs above the set.

Ethan stands next to a woman whose name tag reads

BABS. Her brow furrows, suggests cogitation. A tinny

clock bongs. Ill repeat the question, Ethan says.

Who can tell you about living in hives and makinghoney?

Babs squints. Ah Umm A bumblebee?

Thats it! Ethan cries. Bumblebee is correct! Ten

thousand dollars is yours, Babs!

Music, in unmelodic triumph, kicks in. Babs hugs

Ethan and howls in his ear.Ethan smiles heroically into the camera, signing off.

Join us tomorrow, becauseWho Can Tell?

Canned applause instantly halts. Feet pound for the

exit.


12/36

11

Over a speaker, someone yawns and says, Thats a

wrap, people. Last one to the bar believes in the saving

power of art.With one voice, the entire crew shout, Art who?

They swarm and swirl around Ethan, wrapping cable,

carrying lights, moving set pieces.

Babs hasnt loosened her grip on Ethan.

I am such a fan of your fathers films, she says.

Why dont they make westerns like that anymore?And you were so cute in the ones you were in.

Maybe the morality is too simple. Maybe were too

cynical. The worlds moved on

But its Babs whos moved on. Ten grand! Wow!

Maybe Ill look you up after I have my makeover. Who

can tell, right? And with a twinkle in her eye, shesettles into her bear hug and squeezes Ethans buns.

A production assistant in a miniskirt arrives and

pries Babs off Ethan.

Ethan turns and nods to his cameraman, an African-

American whose turtleneck and beret ooze cool in the

Shaft, John Shaft way.Ethan asks, Who was I today, J.B.?

Janet Leigh inPsycho. Lit you hot. Came in tight

every time you smiled that grimace-y smile of yours.

Mans got to flex his artistic muscle once in awhile. Use

it or lose it. Otherwiseatrophy death.

The assistant in the miniskirt passes.Thanks, Ethan says.

They always follow the money, the assistant re-

plies, not pausing to chat.


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12

Whereas I always follow the skirt J.B. croons in

cool hot pursuit.

Lights snap off, leaving Ethan in shadow. TheWHO CAN TELL? sign snaps off.

A voice booms through the darkened set. Another

day, another erotic death grip from a woman named

Babs. Accept your doom, Ethan Burns.

Ah, the voice of fate, Ethan muses, played by my

own agent Lets a man know where he stands.

LATER:

In a dressing room, Ethan removes his pancake

makeup. His visage is green in the mirror. Ethans

agent, a polished older gent, stands behind him. Break-

ing a thick silence, he says, Daytime talk show time.Ethan eyes meet his in the mirror. Again? Ratings

down? We getting the axe?

You sound like you wish they would. He looks at

his watch. Tanning sesh in twenty.

Mirror, mirror on the wall, whos a wallet?

When you look like a wallet, well charge em for alift Uh, Ethan, that surgeon?

You go.

Ive been. Its just a consultation.

What do I need surgery for? To look younger for

Who Can Tell?

Exactly. For who can tell?Why, Bobby Hightower, are you trying to be phil-

osophical, or are we about to break into an Abbott and

Costello routine?

Whats the difference?


14/36

13

Sometimes Id like to liftyourface. Clean off your

venerable old head.

Chip off the old block.I aint the milkmans boy So, the cheerful morn-

ing drivellers. To what do I owe the honor?

Your fathers hundredth anniversary.

That crept up. One hundred years ago my fa-

ther, Matt Burns, King of the Celluloid Old Westan

American iconwas born. Dot, dot, dot, fill-in-the-blank, blah.

The retrospective has, and I quote, sparked re-

newed interest in the archetypal westerns of Matt

Burns. Five Matt Burns classics directed by Henry

Hyde are coming out in HD. Theres a festival at the

university. Starts tonight. You said youd show, take afew questions

Which film?

West of the Law.

Long time since I saw it on the big screen. Paint-

brush Valley Small screen never does do justice to

that slice of Arizona.

ON A MOVIE SCREEN:

West of the Law plays. Matt Burns walks a dusty

street filmed in the morally austere pastel palette of a

John Ford film. Ethan and Bobby sit in the audience;

the backs of their heads jut into the film.Ethan narrates, whispering, Stetson wide, guns

low, he glares at the fearful burghers through thick si-

lence He leans into Bobby. I loved being on that

set with Dad.


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14

Its coming, Bobby says. The shot of you listen-

ing to your fathers big speech.

Ethan smiles, younger in the projected light of thefilm. He lip syncs his fathers words at first, then his

voice seems to rises above his fathers. Its a power-

ful growling drawl, even in a whisper: When choices

shake your teeth until they rattle in your head, the

measure of a man is in the next thing he doeswhether

he fights back, and why, and how. Thats the measureof a man. The only measure.

On screen, young Ethan, in West of the Law, beams

with pride.

Bobby breaks in: That shot of you made Matt

prouder than anything else in the whole picture.

Corny stuff, these days, Ethan says.Credits of West of the Lawroll. Buttes and stone fin-

gers rise. The score swells as the film ends.

LATER:

Ethan stands at a podium in the university audito-

rium. Bobby and several faculty members sit behindhim. Ethan scans the audience for signs of life. A stu-

dent in John Lennon glasses raises her hand.

Yes, Ethan acknowledges.

What do you think of the bill in Congress that

would reopen Paintbrush Valley to development and

resource exploitation, particularly the uranium minesthat were abandoned after the Cold War?

Frankly, this is the first Ive heard of it, but Id sup-

port any effort to prevent the passage of such a short-

sighted bill.


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15

Even if it meant going up against some of your Re-

publican oilmen friends?

My father had friends in the energy business. ButTeddy Roosevelt was a Republican. And a trust buster

and an environmentalist. As for oil, how did you get

here tonight?

Respectfully, sir, Teddy Roosevelt might be a

Democrat today. She starts to sit, then jumps up again

and adds, And I walked.A light giggle runs through the audience.

Ethan waits for it to die down, and counters, Old

Teddy might say Bully, Bully! But, to answer your

questionwould I go up against my friends? When

we were on location with West of the Law, one night

Dad and I were sitting near a fire, looking up at that bigsky, and he said, Ethan, plenty of things in this world

need changing, but some things should be left as God

made them. Like Paintbrush Valley. So I would go up

against anybody. Republican, Democrat. Anybody. Ev-

erybody.

Light applause rises from the audience.A student in a torn army jacket raises his hand.

Ethan points.

Yes, sir.

How does it feel to know that screen magic isnt

hereditary?

I dont know about screen magic, Ethan says.But rudeness, whether hereditary or not, needs its ass

whipped.

Is that cornpone from a Matt Burns movie?

Nope, Ethan says, leaping from the stage.


17/36

16

Cellphones, tablets and video cameras roll.

In flight, over his shoulder, Army Jacket taunts, I

thought this was supposed to be a critical appraisal, notMe and Pa anecdotes from some wannabe!

Ethan chases Army Jacket out a door.

Moonlight breaks through trees in a shaded area be-

side the auditorium. Ethan catches his breath, noticessomeone in the shadows. He prepares to spring. The

figure moves. Ethan jumps. They scuffle.

Got another question, you kook?

The figure, Tavi, fights back. He protestsbut qui-

etly.

Mr. Burns! Wait! Wait!Ethan realizes his mistake and helps Tavi up. They

brush off.

Im sorry. I thought you were

I didnt mean to be sneaky. Boldness becomes a

vaquero who doesnt want to end up as a carpet for a

horseso my father says.Fathers always have something to say.

Im a writer

Tabloid? No comment. See my agent.

No, Mr. Burns. Im a screenwriter. Im a grad stu-

dent here. In the Masters in Fine Arts program.

Ethan studies Tavi. Funny, you dont have thatNobody understands my art, mac and cheese seven

nights a week look. So are you a Matt Burns fan or a

Matt Burns hater?

Fan. Student. Ive written a screenplay.


18/36

17

Cant help you. I dont know anybody worth know-

ing anymore. And nobody worth knowing knows me.

Republican or Democrat.Would you read it? Its a western.

Let me guess. A Matt Burns picture. If you want an

opinion, ask your teachers. Thats what your dad pays

the big bucks for.

I pay my own way. My teachersthe other stu-

dents, toosay that its dated, archaic, naive, that Ishould make it a postmodern slash revisionist indie.

Ethan laughs. Postmodern slash revisionist

Watch those slashes, kid. Those slashesll kill you.

Ive seen Who Can Tell?

Brave soul.

I was sitting in Hegartys bar. When its hot, I sitthere and nurse a beer and write Anyway, one day its

just me and nine mailmen

Nine mailmen?

A record, I think. Anyway, the bartenders channel

surfing and mailman number three, the biggest one,

says, Hey, thats Matt Burnss kid. So they watchedAnd laughed their asses off. My dreams are haunted

by the laughter of nine mailmen.

Ive also seen your movies. Your own movies.

Ah, yes. Such classics as The Barbarian and the Ama-

zon Queen? I wonder How will the critics reappraise

myopus on my hundredth birthday?Sword and sorcerys not your genre. Besides, today

youd be swaddled in CGI. Theyd throw in some er-

satz Joseph Campbell to give the illusion of philosophi-

cal depth and no one would think twice about acting


19/36

18

or script.The critics would still kill you but the foreign

market would eat it up and youd be laughing all the

way to the bank.Just who are you, anyway?

My name is Octavio Rivera. Tavi I think youd

be right for it My script.

I told you, Im fresh out of connections. Thats

what being the host of Who Can Tell?means. Nobody

knows me. Nobody wants to.I have nothing, Mr. Burns. No contract, no agent.

Just a pile of student loans and a hundred twenty pages

of words. Will you read it?

I havent seen a script in years Send it

I have a copy right here.

Tavi takes a screenplay from his backpack, hands itto Ethan.

A writer after allMan of the West Sorry, Tavi,

that titles taken.

I know. Gary Cooper. Julie London. Lee J. Cobb.

1958. Anthony Mann directed. Im bad at titles. The

rest is all mine.Well, at least you steal from the best. Maybe onell

come to me You know that kid who heckled me in

there?

A student. Hates westerns. Probably did it on a

dare.

Who dared him?Who can tell?

Youre not helping yourself.

Point taken.

Ill get back to you.


20/36

19

My numbers on every page.

THE NEXT MORNING:Poolside at Matt Burnss home, an old Hollywood

Hills estate in the Spanish Colonial style complete with

terracotta roof, arched arcades and meticulous gardens

and fountains.

Ethan stands and paces in front of a sinuous woman

in a one-piece bathing suit elongating on a chaise, turn-ing slowly to tan evenly.

Must you stand in my sun? she says. What is that

grinding noise? Darling, are you thinking?

Ethan pauses. Who Can Tell? might go under

and

and may it rest in peace. Now you can help man-age the estate slash assets. Larry was wondering that

just the other day.

Good ol Lar. Lar, whose dream is to see me stand-

ing guard over Matt Burnss sacred memory as if it

were the Tomb of the Unknown Soldier

For my sake, be a good Unknown Soldier. Dontyou hear our friends snickering?

I hear the horselaugh of nine mailmen.

Youre babbling, Ethan.

Who wouldnt babble around here? And when you

say our friends, what you mean is your friends, and

theyd snicker at an old lady falling down a flight ofstairs if she werent wearing this seasons shoes. And if

she were wearing this seasons shoes, theyd steal em

right off her feet. Pretty soon, Susan, Im gonna start

on the bourbon and then


21/36

20

If Matt Burns were alive, hed say

Hed say, A mans got to live his life.

In a second floor bedroom in the hacienda, a fiery

raven-haired beauty in her early 20s wakes to the

sound of Ethan and Susan arguing. She goes to the

window to listen in.

Below, Susan continues. No, Ethan. That was

the movie Matt Burns, the cowboy who preached

about honor slash duty slash all those other American

Dreams. The real Matt Burns knew that was just dia-

logue. The real Matt Burns exploited his talent to sup-port his family. And he never disgraced them. Thats

what he would tell you.

Maybe Im the child of the cowboy.

Then youre the child of fantasy.

What if the guy you married is a child of fantasy?

Last night, at the festival, I got to thinkingThinking? According to the news, you didnt get

past screaming slash fighting. And congratulations.

You made YouTube.

Ethan ignores her. I want to give acting another

shot. Hook up with an indie, maybe. See how that

goesWhy? Does someone want to do a sequel toAtomic

Beasts of Bikini Island? Ethan, youre just not an actor.

Youre a celebrity, like the Kardashians and the cast of

Friends.


22/36

21

Fit for game shows and charity golf tournaments.

Look, Im not asking you.

Whats wrong with game shows and golf? You getsome fame without having to do any work. And you

dont have to face the critics.

The bastards.

Exactly. The mere rumor of you acting would have

Siskel and Ebert working overtime milking snakes to

fill their poison pens.Siskels dead. Eberts not well.

Bit their tails and died of their own venom.

Yes, and if you bit your tongue. Look, this isnt

my idea. I was approached.

Fine. Say you were approached. Does Bobby

know?Youve never supported me.

It wouldnt matter if I did. Ethan, you wont get

one foot in the door.

Fine. To hell with you. Who needs you?

Who needs you? Sounds like the name of a game

show. Another real winner.Ethan looks the house over. The young woman

ducks away from the window.

Susan warns him. Ethan, I hear your wheels grind-

ing. You will not mortgage our future on a pipe dream.

Ill do everything in my power to block you.

Im blocked already. Future? What future? All wehave is a past and even that belongs to my father.

Youre not Matt Burnss son. Matt Burns was a

gentleman. Wipe that look off your face. We never did

anything. I wouldnt have stolen him from my sister.


23/36

22

Well, I would have, if I hadnt already married you.

Lord, I shouldve taken the door prizes and run, the

way she did. No, I had to fall in love. Youth is fool-ish But if I could do it again, youd be calling me

Stepmom and begging me for your allowance slash

pocket money.

Say slash again and Ill slash my wrists!

Dont bleed on the tile. Its Portuguese. Though I

do look good in black.Susan, you are a true swine. Im going for a ride.

Then Ive got some things to do.

As if she hadnt overheard him, the young woman in

the window calls down, You going riding, Dad? Want

some company?

No. No thanks, Maddie, Ethan says as he walksaway.

Susan looks up at Maddie. Your mother would like

some company.

Ive got a book I want to finish, Maddie says.

Maddie moves down the second floor hallway into

Ethans studya suffocating shrine to a lucrative myth

stuffed with relics of Matt Burnss life and career: pho-

tos with stars and presidents; framed letters, props, cos-

tumes, posters. Maddie sees Tavis script on the desk

and begins to read:


24/36

23

FADE IN

EXT. PAINTBRUSH VALLEY. DAY.

A solitary gure, RICHARD LO-

RENZ, 45, rides a silken palomi-

no through a high mountain pass.

Below, he sees a tiny town in a

wild, rugged valley. He takes a

sketchbook and charcoal from his

saddlebag, sketches the unfoldingpanorama. The sound of the wind

distracts him, calls to him and

he abandons his drawing, encour-

aging his mount to race down into

the valley.

Out the window, above the script Maddie reads,Ethan, on a fine mount of his own, races down a high

desert draw, urging his steed to greater speed. In the

distance, Hollywood sprawls out.

LATER:

In an office with a view of the city, Ethan sits acrossa desk from a professional man in a rumpled gray suit.

Look, Ethan, the rumpled man says, the old man

was a national treasure. He set up his legacy like a mu-

seum, held in trust. Income stays in unless theres a

crisis: earthquake, illness, etc. In that event, Susan and

I go to the board andEthan jumps to his feet. Im going postal! Does

that count, Larry? The mental health of the caretaker?

And why would Susan have anything to say about it?


25/36

24

Shes handled the money for years, Larry says.

You never showed any interest. Making a film comes

under the rubric of venture capital slash risk. Youdnever get board approval.

Venture capital slash risk Whos on this board,

Lar? Besides you and Susan?

Subsidiaries. DVD manufacturers, digital provid-

ers, lobby poster printers. Matt Burns, Inc. is a little

gold mine.Why so wary, Larry? You covet my wife?

I could have you up for slander.

I could serve you up on a silver salver, and have you

for lunch, Lar. But Ive got other fish to fry. Ill take

my story to the people. The people will hear me out.

Ethan storms out.Susan enters from an adjacent door.

You heard? Larry asks.

Yes, Susan sneers. Hes been watching Frank

Capra movies again.

What if he goes to the board? Most of the Burns es-

tate is tied up in the Paintbrush Valley Development.Ethan couldnt find the board with a buzz saw.

Hes got blinders on right now.

Say he finds backing and gets the film made. Any

distributors going to demand a partnership with Matt

Burns, Inc.

There are more direct ways to discourage would-be artistes. Larry, youre trembling.

I dont know who scares me more, Ethan or you.

Thats easy, Susan says as she begins to undress

him. Lets go with the grizzly bear and the settlers


26/36

25

daughter today. You roar, Larry. Ill pretend Im scared

just before I pull the trigger.

Larrys mouth opens to roar, but no sound comesout.

Larrys mouth becomes Ethans mouth, open wide

as he yawns then tries to stifle the yawn by sipping cof-

fee. His mug reads Koffee With Kathy Anne. He sitson a sofa on a soundstage. A very attractive, very put

together woman sits next to him.

She looks into a camera. Were here klatsching

with Ethan Burns. Ethan, its been years since you did

a movie. What inner voice told you it was comeback

time?Well, Kathy Anne, Ethan begins, then sips his

coffee. Wonderful coffeewith a capital K, by the

waywell, it wasnt an inner voice at all. It was the

voice of the people, their loving response to the reissue

of my fathers films. Then, working the studio audi-

ence, Youre all Matt Burns fans, arent you?The audience applauds wildly.

Ethan continues. Then, the other day, this wonder-

ful contestant on the show, BabsHi, Babs!says to

me, Why dont they make westerns like that anymore?

And then, that night, this wonderful young writer ap-

proaches me. My fathers spirit moved through me,told me to make this picture.

Whats the name of the picture?

Ethan stumbles now, fumbling for it. Paintbrush

Valley!


27/36

This is the end of this sample.

Want to see how it turns out?

Find out here:

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28/36

126

ABOUT THE AUTHOR

James Balestrieris first play, Scissors, Paper, Stonewas

performed in an abandoned brewery in the seaside college

town of Aberystwyth, Wales. He was hooked. Subsequently,

two of his short plays,Forbidding Mourningand Terrapin,

were performed in New York and in 2008, his solo play,Extraordinary Rendition, selected for the New York Fringe

Festival, was named a Pick of the Week in Time Out.

In 2011, Jamess adaptation ofRip Van Winkleenthralled

young audiences in Sleepy Hollow country at Halloween. A

Milwaukee native, James received his B.A. from Columbia

University and his M.A. from Marquette University. Hewas a Screenwriting Fellow at the American Film Institute

and earned his M.F.A. in Playwriting at Carnegie-Mellon

University. He has taught at Marquette and at the University

College of Wales at Aberystwyth. Director of J. N. Bartfield

Galleries in New York City by day, James writes on the train

as he commutes to Tarrytown, New York where he resideswith a tolerant wife and three excellent children who, if he

has anything to say about it, will make their living in finance

or the sciences, though they are already taking an unhealthy

interest in the arts.


29/36

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The illegitimate brother of the Spanish king spends hislife in an epic quest for acceptance, fighting great battlesabroad and struggling against his resentful half brotherat home, until, with his goal almost in reach, he is at lastforced to choose between love and glory.


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When a peaceful community with magical powers escapesfrom the Salem witch trials, a young man learns that someof his group have broken off and become blood-thirsty pi-rates, taking his beloved with them. Now he must use hisown magic to rescue her and defeat his former comrades.

Fantasy Adventure13 and older

ISBN: 978-1-935655-58-9http://bit.ly/zrUP4V

by Lyle Weldon

by Stephan Marlow & Ken White

A hardball TV sports reporter learns the gambling scandalthat drove her potential Hall of Fame father from majorleague baseball was a setup. Teaming with an idealisticsportscasterher fathers former teammate and her girl-

hood heartthrobshe sets out to clear her fathers name.


13 and olderISBN: 978-1-935655-67-1

http://bit.ly/O096dE

AisleSeatBooks.com


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all releases

by Lyle Weldon

An unhappy elderly woman on the verge of death is given

the opportunity to go back to when she was twenty yearsold and live her life over again. Is she destined to make thesame choices or will she wind up happier than her firsttime through?

Romantic ComedyAll ages

ISBN: 978-1-935655-62-6http://bit.ly/xiEDMy

When a former Delta Force soldier reluctantly agrees totake on one last job for the CIA, he should have knownthat stealing from al Qaeda wouldnt be easy.

Thriller and Suspense13 and older

ISBN: 978-1-935655-60-2http://bit.ly/z0W4ft

by Michael Penhallow

by James BalestrieriThe stymied son of a Western movie icon risks Hollywoodsridicule when he assembles an unlikely crew to produce an epichorse opera of his own. As he trips over his fathers long shadow,a beautiful director, two feuding Native American tribes, andnine very angry mailmen, he finally learns that he might not behis own worst enemy. Now he must find out who is.

Contemporary WesternRomantic Comedy

13 and olderISBN: 978-1-935655-71-8

http://bit.ly/16KCDNh

by Lee A. Matthias

A riveting prequel to the Dracula story. After his bridedisappears on their European honeymoon, a man tracesher to a castle ruin in the Carpathian mountains, and con-fronts its undead inhabitants, determined to restore herto life and bring her home. An apocalyptic war of Good

versus Evil.

Classical Horror13 and older

ISBN: 978-1-935655-56-5http://bit.ly/HHyXxZ

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all releases

by Shelli Wright

Its true, you cant choose your family. But you can choose to pre-tend theyre all dead... like Joe does until a canceled flight forceshim to reunite with the dysfunctional family hes kept secret fromhis very pregnant wife. Now all he wants is to get out of there asfast as he can and leave his past behind. But the past has other

plans.

Comedy13 and olderISBN: 978-1-935655-75-6

http://bit.ly/10qffjN

by Lawna Hurl

Im With

the Band?

A fast-rising young publicist with a preference for alterna-tive music that she shares with her serious musician boy-

friend gets sent on a world tour with the hottest boy bandon the planet. What could go wrong?

Romantic Comedy13 and older

ISBN: 978-1-935655-77-0http://bit.ly/13MvyIh

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The Ballad of Ethan Burns—Free Sample of this Movie Length Tale (TM)

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Transcript of The Ballad of Ethan Burns—Free Sample of this Movie Length Tale (TM)