A full-service graphic design agency.

We create corporate identities, printed collateral, websites and first class newspaper and magazine ad campaigns. Established in Chesterfield, Missouri 25 years ago, The Design Company continues to build a reputation for providing superior client service, innovative creative solutions, and market focused results that meet the tightest of deadlines at affordable rates.

The wheels are always turning here.

We “hit the ground running” and have the technique and talent in marketing and extraordinary graphic design work. Whether you’re launching a new business, refreshing a bland website or strengthening an established brand, we’re ready to take your marketing and graphic design project to the next level.

We make you look your best.

Setting your company apart from your competitors is crucial in today’s business environment. A professional and appealing design, whether it’s for a website, a logo, a brochure, business stationery, restaurant menu, magazine or newspaper ad, we can do wonders in creating a positive impression of your company. The Design Company thrives on creating rich, unique high-end graphic design work for our clients.

Industry Experience

We have cross-industry experience with many clients over the years. If your company is not represented in our portfolio, we welcome the challenge. See the highlights of our portfolio at www.sfdesignco.com.

(636) 530-9140Email: sandy@sfdesignco.com

Website: www.sfdesignco.com

3

The Arts Live Advisory Board Ron ThomasGraduated from The Art Institute of Chicago {BFA]; Indiana University [MS]; SIU-E [MFA]. Began the Sculpture and Painting Department at St. Louis Community College @ Meramec and also taught 2D @ 3D Design, Drawing and Figure Drawing and Advanced Special Problems courses. Retired after 40 years. Solo exhibitions at St. Louis Art Museum, Laumeier Sculpture Gallery, The Art Foundry in St Charles and other galleries. Winner of The National Endowment for the Arts for “Excellence in Draw-ing”. Currently experimenting with oils on wood and traveling with artist-wife Harriet to museums and art galleries through U.S. and Canada.Email: Ronwthomas@aol.com

Bryan HaynesThe commercial work of the artist has graced the pages of national magazines, international advertis-ing campaigns, CD covers, posters, and book covers from Agatha Christie to the cover of “Scarlett” the sequel to “Gone With the Wind”. Since graduating of the Art Center College of Design in 1983 his artwork has been represented by Bernstein & Andriulli in New York, Ron Sweet in San Francisco, and Foster Represents in St. Louis. Recent corporate and institutional commissions include murals and large scale paintings for; The Kauffman Foundation in Kansas City, The Missouri Botanical Garden’s permanent collection, The Westward Expansion Memorial Museum at the Arch, Novus International Inc., and the Danforth Plant Science Center. Additional patrons include Disney, Estee Lauder, Warner Bros., Toblerone –Switzerland, Universal Studios, IBM, Nike, Sony Music Corp., and Anhueser Busch.www.artbybryanhaynes.com artbybry@aol.com

Vic BarrI design and work with the North American and exotic hardwoods of the world. I create contemporary jewelry chests and towers. I hand turn a lot of writing instruments, pens and pencils. I’ve begun to do some contemporary table-top sculptural pieces. I design custom pieces to meet the needs of individual clients.Email: VicBarr@sbcglobal.net

Sandy KoldeAfter retiring from a long professional career in health care I now devote my life to art, which has always been a vital interest of mine. I have taken many classes at the Craft Alliance, as well as work-shops at Penland School of Fine Craft and Arrowmont. Contemporary ceramic figurative sculpture is my focus and these sculptures have recently beenshown in exhibits at William Woods University, and the St. Charles Arts Council. I have served on Boards of Directors of several arts organizations and believe strongly that art contributes to the quality of life for all who are interested in either viewing art as a patron or producing art themselves.Email: sandykolde@charter.net

Adam LongAdam Long is a nationally known sculptor in St. Charles, Missouri. Educated in the St. Louis region he has an MFA in Sculpture from Fontbonne University. He has been an art educator for over fifteen years, working in public middle and high schools and the university level. Locally, his work has been featured in articles in the St. Louis Post-Dispatch, Street Scape Magazine, Suburban Journals Weekend, At Home: St. Louis Magazine, the St. Charles County Post, and LifeScape Magazine and shown on the FOX, CBS, and PBS network affiliates. He has exhibited across the region, including shows at the Arts Incubator of Kansas City, the Schmidt Art Center at Southwestern Illinois College, the Baker Arts Center in Kansas, the Foundry Art Center in St. Charles, the O’Fallon Cultural Arts Center, and the St. Louis Artists’ Guild. His sculptures have received prizes and cash awards in numerous juried exhibitions. His work is in many private, national collections. His work can be viewed at www.AdamLongSculpture.com

4

Welcome!The Arts Live we are constantly growing to better serve its increasing number of visitors. Arts and culture are part of a broader creative economy and to make an important contribution of economic growth and cultural tourism. The primary role of the Arts live will always be to celebrate and support the extraordinary achievements of the arts, artists, galler-ies, museums and the performing arts in our community.Our Mission- is to be a catalyst and support a dynamic dialogue between artist, events, galleries, arts organizations and those who work within, participate in or simply enjoy art.Our Vision – The arts Live is the pre-eminent showcase for the arts to be an important part of the art scene. The Arts Live has begun rapidly moving the next generation of internet technology to the arts.The On-line magazine of “The Arts Live” Features Studio Visits increase access for the public to see work and meeting artist, documents art events and happenings in each issue. Enjoy great editorial diversity, articles of exceptional interest and quality written by curators, artists, gallery owners and experts in their field. For more information, please contact us at 314.910.0764.

Joyce Rosen, Founder of “The Arts Live” jrosen@theartslive.com www.theartslive.com Click Here to subscribe: www.theartslive.com/magazine

The Art of GivingYour contribution will be acknowledged on our web site sponsor page and listing page on the Arts Live magazine. Your contribution will vastly enable The Arts Live to continue and expand our coverage of artists, galleries, performance arts and art organizations in the State of Missouri.

Click here Advertise Rates PDFClick here-Connect with Contact page other ways to support The Arts Live

EDITORSLETTEROn-Line Publication

Publisher and Editor Joyce Rosen

Design The Design Company

Sandy Ferrario

Editorial Assistants Sandra Kolde

Advertising Sales

Digital-Media Direct Sandra Kolde

Photography Marion Noll

Goingoutguide Newsletter sign up to receive

Calendar Submit your event See www.theartslive.com

and click submit event.

Web Site: Digital Ninja

Published 4 times per year, Spring, Summer, Fall, Winter

The Arts Live 200 South Brentwood,

Ste. 5B, St. Louis, Mo. 63105

Phone: (314).910.0764

e-mail: jrosen@theartslive.com

www.theartslive.com

5

Winter2013-2014 ContentsFEATURESStudio VisitsOur goal is encouraging the public to meet artist, see new work, make purchases and nurture potential new collectors. Increase access for the public to see work and meet artists, Interviews with contemporary Artists’ working across the United States in a variety of media, painting, Sculpture, fiber, ceramics and photography.

Jill Hackney -Painting 6Ruth Kolker -Painting 14Poetree – Photography 18 International Photography Museum 22Astral Glass Studio 26The Arts Live - database 3 new artists 30Vic Mastis, Sandy Moriarity, Marjorie Williamson

Art Festivals 2014 33

Art View – What is Happening in your World 34

Missouri Galleries & Museums 38 and 39

Advisory Board Is made up of artists, persons of knowledge experience and judgment who have an inter-est in the arts. Ron Thomas, Bryan Haynes, Vic Barr, Adam Long and Sandy Kolde

IN EVERY ISSUE

Dialog with Us An open forum on contemporary

art and culture.

Cover Jill Hackney

Echo XXX

Jill Hackney

7

Jill Hackney

STUDIOVISITS

Carnival in Venice, Italy

Q. When did you first realize you were an artistA. It’s kind of a funny story, but I think I first realized I was an artist when I was maybe 6 or 7 years old and had done a drawing I called “Gone Fishing”. I was so excited about the drawing that my mom even framed it. It was such a validating experience for me. I loved creating that so much that I was determined from then on that I was going to be an artist and live my life in pursuit of that ambition. Q. Description of your art? A. Visually, my paintings are about light, mostly reflected light. My paintings are visual meditations; they are meant to draw the viewer in and help to calm the mind. My work does not confront the viewer, but rather each becomes a vignette of how the world not only looks to me, but how it makes me feel.contains a bit of human objectification along with a dash of spirituality. I also do other work that is almost exclusively about pattern and design. It is all serious work, but nothing should be taken to seriously.

Q. Current Medium. Previous Medium. A. The current medium I use is oil paint. I learned to paint first with watercolors.

Q. Do you have a Favorite Subject MatterA. My favorite subject matter is reflected light. I know that sounds vague, but it’s really just that I love to paint light. Currently in my Echo series I’m focused on painting reflections on water.

Q. Have you been Influenced by what artist and how?A. Many artists have influenced me. When I was in art school I fell in love with the paintings of the Impressionists (Monet, Manet, Degas, Renoir, etc…) and I also loved the Post Impressionists like Van Gogh, Seurat and Cezanne. But back in the early 1990’s I remember going to an exhibit of Andrew Wyeth at the New Orleans Museum of Art and really getting a close view of his paintings. It struck me how Wyeth was able to develop the beautiful tones and natural feel in his work by

Above: Jill Hackney in studioLeft: Echo XXIX 72x72

8

building layer upon layer to create a luminosity. That impressed me so much and really started an evolution in my own work.

Q. What inspires and motivates you?A. I am inspired by so many different things. Sometimes it’s as simple as a beautiful day. Sometimes I’ll be inspired by a thought provoking conversation with a friend. Other times it may be the music that is playing on my iPod or just some happy news that lifts my spirit and drives me to create.

Q. How has your work changed as you developed as an artist?A. Interestingly this is a very tough question to answer. I have always been draw to drawing and painting what I see. Focusing on light, direct and reflected is where my vision has led me. My understanding of light has really matured over time, just because I have focused so much on it. I think what has changed the most for me is the technique I use to apply paint. I use vertical strokes and bristle brushes to create my paintings. The bristle brushes are a bit jagged and leave streaks, or “lines” of paint instead of painting more smoothly. When I keep the strokes going in the same direction, I end up with a myriad of lines that weave together, developing the layers of color and vibrancy that I use to describe light.

Q. What interests do you have besidesA. I am deeply interested in my role as a social artist. I am the former president and continue to be involved with the organization NUNU Arts and Culture Collective which is a 501(c)(3) non-profit member arts organization dedicated to providing a stage/platform/gallery for creative living by facilitating community, economic, and artistic/cultural development. NUNU’s helps create long-term maintenance of well being focusing on social equity, healthy environments and economic stability. This is essentially—a sustainable ecosystem with arts and culture at the core. It is with arts and culture that we are able to strengthen social, economic and inter-generational links and to identify and maintain an incredible level of authenticity.

Q. Studio Space where is it and describe your studio what is it likeA. My studio is attached to my home, but it’s quite an incredible space. It is built along the back of the house and has a cathedral ceiling that peaks at about 30 feet high. It has wonderful natural light. Funny thing about my studio, it was originally designed to be a half basketball court. It’s about 750 square feet and even has a brick fireplace. I could not imagine a better space to create.

9

Above: Echo XXXV is at Duane Reed GalleryLeft: Jill Hackney Studio 3

10

Above: Persimmons 96x36Below: McIntosh Apples 96x24

11

Q. Do you work in your studio every day? A. My work as an artist is my full time job. I generally dedicate weekdays to the studio and the weekends are saved for my family.

Q. What do you do for fun?A. What I do for fun is an interesting question. I love what I do, so my work is fun! I really enjoy putting myself into community projects, meeting people, and working for causes that help to better environment and community. I also love to travel and am always up for a road trip!

Q. What kind of music do you listen to while creatingA. I really enjoy listening to upbeat music when I paint. I tend to use the Pandora app and have stations set to music like Salsa and Dance

Q. Did your family have an influence on your decision to become an artist’s?A. My family did not really influence my decision to be an artist. Fortunately my mom recognized my interest in art and encouraged me by providing art lessons when I was young. Art just seemed to be a force that drove me. When I was in high school I auditioned and was accepted into the New Orleans Center for

Creative Arts. From that point on it was just full throttle for me in the pursuit of becoming a professional artist.

Q. Why does the world need art?A. Art helps us to interpret the world around us. Art brings communities together. Art sometimes confronts us and faces us with difficult issues. Sometimes art is just beautiful to look at and helps us to stop and look at the beauty around us.

Art becomes a visual documentation of world history. It can be really mind blowing when I consider all of the art that exists in my daily life from the glass I drink from, the clothes I wear, the house I live in, the car I drive, the bridges and buildings around me, the furniture, and just about everything man made has been designed by an artist. Is it all “high art” or “fine art,” that is a question that will be argued throughout time. It truly seems to be an aspect of our humanity and I couldn’t imagine it any other way.

12

Jill Hackney—Artist Statement

When I see light on an object I see it in layers. I see not only the color of the object, but also the color of the light, direct or reflected and it’s impact on the object. be light creates a connection in the composition, each object absorbing and reflecting, becoming a mirror of it’s surroundings. I strive to compose a vignette with a sense of a broader environment and a harmony of positive and negative space. I like to use unfinished boards to create my still life oil paintings. The natural texture of the wood often lending it’s own organic layer to the composition. The brushes I use are just simple bristle brushes which I trim. The brushes, feeling like an extension of my arm, leave their own mark which help to create the pattern I use to paint. My strokes are vertical and linear, I use these strokes to paint the total composition. I have really come to enjoy applying the paint in layers, each giving more depth to the image. The layers build up lines of different tones and colors which help me to express the layers of light which washing across my subjects. Every time I begin a new piece I am filled with both confidence and insecurity. Knowing I have created beautiful images, I believe I can get through each new painting, yet the process is always daunting, like jumping off of a cliff. I am always in awe of the work when I am finished.

BirthplaceDover, OhioCurrent HomeBaton Rouge, Louisiana

Price Range of your work$500 - $20,000

Gallery RepresentativesDuane Reed Gallery, St. Louis, MissouriAnn Connelly Fine Art, Baton RougeHarris Gallery, Houston, TexasBlue Gallery, Three Oaks, MichiganMelissa Morgan Fine Art, Palm Desert, California

Web Site: www.jillhackney.comEmail: jillhackneyartist@gmail.com

Right: PurpleOrchids 48x72Left: Red Roses and Green Pears

Sunset in Zimbabwe

15

Left: “Interpretation”mixed-media painting on paper32” x 24”

STUDIOVISITS

Ruthy KolkerR uth Kolker painter and printmaker received her BFA from Webster University. She has received recognition in regional, national and international shows through an extensive exhibition record. Her work is in many public and private collections including Margaret Harwell Art Museum, Kaskaskia College, and A.G. Edwards. For the last 22 years she has been a part-time drawing instructor for the St. Louis Community College Continuing Education. Found objects play a role in her paintings and monotypes. Her abstract paintings and monotypes have a strong visual texture and are often inspired by landscape and natural forms.Combing printmaking with painting offers an exciting journey of discovery. How the two disciplines are layered help to create a strong visual texture. My paintings are often inspired by landscapes and natural forms. Pattern, texture, shape, line and color are woven together to transform the spirit of each composition. I invite the viewer to respond.

These mixed-media paintings on paper were inspired by my interest in landscape and natural forms. By combining printmaking and painting an exciting journey of discovery can be reached. How the two disciplines are layered is key to the composition. Pattern, texture, shape, line and color are woven together to create a visual texture. I invite the viewer to respond.

Abstracted cities offer a place of escape, a space for introspection. I want the viewer to be pulled in different directions, drawn into the real and imagined images of nature. The place where living naturally occurs can be interpreted in different ways. It is my focus to transpose the mood and spirit of each painting into a tactile fabric of paint. The viewer is welcome to determine his or her own narrative.

Q. What interests do you have besides painting and creating monotypes?A. My family, reading, the theater, and travel

Q. Studio Space where is it and describe your studio what is it like?

A. My studio is in my home. Once a week I go to Marcy Saphian’s printmaking studio. Over this summer I purchased a Wright Etching Press which now resides at Yellow Bear Projects.

Q. Do you work in your studio every day? A. I participate in 10 to 12 juried shows a year. I am not disciplined but I do work often in my studio. Recently I bought a Wright Etching Press. Through the generosity of Gina Alvarez and Robert Goetz, it is housed at Yellow Bear Studio Projects. This is Gina Alvarez and Robert Goetz’s printmaking shop and gallery space. Starting in January I plan to teach printmaking workshops several times a year in their studio.

Q. What kind of music do you listen to while creating?A. I love music and have a wide variety that I listen to from light classical, Jazz, light rock and country.

Q. Did your family have an influence on your decision to become an artist’s?A. My parents immigrated to the U.S. as children. (Around age 11 my father came from Austria - Mother as an infant came from Warsaw. On my mother’s side of the family they were artisans. My parents were very modern in thought. My brother and I grew up in Atlanta, GA without any other relatives nearby. I never expressed that I wanted to be an artist. I was interested in speech and drama. I wanted to be a speech therapist and studied at the U. of GA. but I dropped out before my junior year. I believe I was born with unusual fortitude and creative ability which I credit from my mother’s side of the family. I was a late bloomer. I earned a BFA degree in Painting from Webster U. when I was around 40.

Q. Why does the world need art?A. Art is a universal language whether it is fine art, literature, music, dance or theater. It communicates to all aspects of life. Art can help one look beyond your own immediate surroundings.

16

Left: “Concept II”mixed-media painting on paper32” x24” Right: “March II mixed-media painting on paper 32” x 24”

Ruthy Kolker—Artist Statement This body of work begins as a monotype with oil based inks on paper. I then paint into the work. They were inspired by my interest in landscape and natural forms. By combining printmaking and painting, an exciting journey of discovery can be reached. How the two disciplines are layered is key to the composition. Pattern, texture, shape, line and color are woven together to create a visual texture. I invite the viewer to respond. The monotype paintings offer a place of escape, a space for introspection. I want the viewer to be pulled in different directions, drawn into the real and imagined images of nature. The place where living naturally occurs can be interpreted in different ways. It is my focus to transpose the mood and spirit of each painting into a tactile. Birthplace: Dallas, TexasCurrent Home: Creve Coeur, MO

Price Range of your work Price range varies small works $150 to $300 medium works $650 - $850 Large Works $1200 - $1800

Web Site: www.ruthkolker.comEmail: ruthyart@sbcglobal.net ruthy.kolker@gmail.comRuth Kolker (314) 453-9276

Education BFA, Painting, Webster University, St. Louis, Missouri

Partial listing of Exhibits2013 “Indiana Now”, Art Museum of Greater Lafayette. Lafayette, IN2013 “Annual Juried Exhibition”, Jacoby Art Center, Alton, IL2013 “Biennial Quad-State Exhibit”, Quincy IL.2013 “Paperwork In, On & Of Paper VI”, Foundry Art Center, St. Charles, MO Merit Award2012 “Context, Texture”, Art St. Louis, St. Louis, MO2012 “Blur”, Art St. Louis, St. Louis, MO

Did you receive a mysterious poem in the mail?

19

Did you receive a mysterious poem in the mail?

20

Here’s how this made its way to you:A month ago, St. Louis-based artists Mallory Nezam and Henry Goldkamp (that’s us!) began collecting poems from the public—people sent in original work as well as favorites. We then installed 1,000 poems in a grove of trees in Forest Park (St. Louis, MO), hanging like fruit. We opened the installation up for The Winter Harvest on Dec. 14th, a day for the public to come pluck a poem, and mail it it off in a pre-stamped envelope. Visitors braved a freshly-fallen snow day, and sent poems to friends, family, lovers, old addresses, and strangers found from skimming a phone

book on-site. You were one of the recipients.

SOW.PLANT.HARVEST.SCATTER.#thepoetreeproject

Inquiries? thepoetreeproject@gmail.com

Why winter?If it were not obvious enough, there is a great deal of purpose behind absorbing The Poetree Project into the midst of winter. This post is to unfold that molten & integral purpose, and to convince you that this is

as beautiful as we know it is. I assure you, it will not be difficult, friends.As the leaves catch fire within the most recent autumnal force, the power of said natural decor is impossible to miss. We drown in winsome color. Our eyes turn to breaded sops, soaking in the falling gravy. This type

of magic goes undisguised, nearly rude in its appearance. We marvel. We praise.But let us praise intelligently— stash the memory away for lonelier, more pallid days throughout the

winter of contemplation.And that is exactly what will be provided on the day of installation: chopped thoughts to pluck from trees & time; piecemeal words with strangers as brave as you to face the bitter cold, and for what? To think of the quietude between your feet and the snow. To watch lifelessness reign from each small wooden throne, making life more meaningful as any sounding sign of it carries easily through dead air. To harvest individual godlings of wordage which flutter throughtout the once empty space. To gaze longingly at the temptation to wander another’s quixotic thoughtways that demand a closer

look. That’s for what.I do not imagine it would take long to realize the words have always been there, entranced and floating, waiting for you, whether visible or not. Those words were always there for you, pining for

your slow touch, bringing its future out of hibernation. Those words were always there.Words meant only to float again through the post, across the highways, into the hands of the non-expecting and soon-to-be-inspired. And they have been always been there at their kitchen tables

waiting with trembling patience.

Above: Poetree and particpantRight: Letter

Lucky you...you are now part of The Poetree Project.

21

22

International Photography Hall of Fame

Above: Ansel Adams- Moonrise,HernandezRight top to bottom: OrientalViewCamera,

North Gallery

23

The history of photography is celebrated at the International Photography Hall of Fame and Museum (IPHF), now located in the Grand Center Arts District of St. Louis, MO. The museum, which celebrates the art, science and history of photography, recently relocated from Oklahoma City to a 6,000-square-foot gallery at 3415 Olive Street in October 2013. Founded in 1965, the museum’s mission is to educate the public about photographic history; preserve historical items and images; and honor contributors to the art and science of photographic imaging. The permanent collection includes antique cameras and images by such icons as Ansel Adams, Margaret Bourke-White, and Dorothea Lange. The IPHF also inducts individuals who have made notable contributions to photography into its hall of fame.

In addition to its perma-nent works, the Interna-tional Photography Hall of Fame and Museum welcomes traveling exhibits and will host St. Louis Collects: 20th Century Street Photog-raphy from February 7 through April 27, 2014.

The exhibition traces the evolution of street photography through iconic works spanning the century. City streets, daily life and our changing society are seen through the eyes of the masters. The International Photography Hall of Fame is grateful to the St. Louis col-lectors who have agreed to lend their collec-tions for this exhibition. Admission to the museum, located at 3415 Olive Street, is $5 for adults, $3 for students and seniors, and free for children under 18. On the first Friday of each month, the IPHF is open extended hours and provides free admission in conjunction with First Fridays in Grand Center. For more information visit www.iphf.org.

International Photography Hall of Fame

24

Left to right:Yousuf Karsh - WinstonChurchil, Peter Dombrovskis - Morning Light,

Dorothea Lange - MigrantMother

The exhibition traces the evolution of street photography through iconic works spanning the century.

27

Q. When did you first realize you were an artist A. We are a studio with several artists- Gary and Judy Rice, Lance Stroheker, Katelynn McGuire. We work in concert to help each other realize their visions. Each of our Histories is unique.

Q. Description of your art A. Our art ranges from functional to absurd. We love to create things that have a playful nature. . Q. Current Medium - A. Glass, Blown, Cast, Etched, Fused, Slumped, Beads, Jewel-ry and Flat, The initial poll of the studio was stained glass.

Q. Previous Medium - A. The group has backgrounds in ceramics, watercolor, metal-smithing, and alternative construction. Q. Do you have a Favorite Subject Matter A. What moves us in the moment!

Q. Have you been Influenced by what artist and how? A. Influence comes from all corners, from aesthetic to technique.

Q. What inspires and motivates you? A. The natural world is a great inspiration

Q. How has your work changed as you developed as an artists A. In recent years the incorporation of found objects with our glass has been fun.

Q. Studio Space where is it and describe your studio what is it like.A. Our studio and gallery is combined giving our patrons a chance to watch work in progress.

Q. Do you work in your studio every day? A. 40 Hours plus per week.

Q. What do you do for fun?A. We like to Kayak, canoe, garden, fish, cook.

Q. What kind of music do you listen to while creating?A. We all genre and we use different music for different cre-ations.

Q. Did your family have an influence on your decision to become an artist’s? Q. Yes and No

Q. Why does the world need art?A. Our culture will untimely be judge by the art it has created. We believe art stimulates creativity on all levels.

Astral Glass Studio, 133 Front Street, New Haven, MO 63068 573.237.5159

Price Range of your work $5 - $5,000Facebook: Astral Glass Studio and Gallery

Astral GlassStudio and Gallery

STUDIOVISIT

28

29

30

3 NEW ARTISTS on our Artist Database

“Artists straddle the worlds of imagination and industry. Art challenges our ways of

thinking and shows us alternative ways of living.” –Arts Council England

Vic MastisVic Mastis has a unique technique where she layers gold leaf with the oil glazes to create a slight illumination on her land-scapes and florals. Custom metal frames are used in some of her paintings.

Website: VicMastis.artistwebsites.com Email: Vicpastel@aol.com

31

Sandy Moriarty is an award-winning pho-tographer. Her art is displayed in several on-line galleries. Moriarty’s photography won the 2006 Award of Excellence at the 26th Annual Festival of Fine Arts at West Port Plaza and 2007 Award of Excellence at the Cool Art, Hot Jazz Festival of Fine Art at Queeny Park. Her photography has won over six Editor’s Choice Awards for news and media publications and is displayed in over 300 corporate collec-tions across the United States. She is a juried artist of Best of Missouri Hands and Greater St. Louis Art Association,: Ballwin |Missouri Website: http://www.SandyMoriarty.com Email: samoriarty@aol.com

Sandy Moriarty

32

Margorie WilliamsonI’m a (mostly) figurative painter and a graphic designer currently exhibiting with St. Louis Artists’ Guild, Art Saint Louis, and The Foundry Art Centre. University City, Mis-souri Website: marjoriewilliamsongraphics.com Email: margie.williamson@sbcglobal.net

33

April 4 - 6, 2014Queeny Art Fair

Greater St. Louis Art Association Presents Queeny Art Fair at The Greensfelder Recreation Center

Friday 6-9 Saturday 10-6 Sunday 11-4 www.artfairatqueenypark.com

May 9 - 11, 2014Laumeier Sculpture Park

12580 Rott Road, St. Louis Mo 63127Art Fair at Laumeier Friday 6-10, Saturday 10-8, Sunday 10-5

314.615.5278 www.laumeier.org

May 16 -18, 2014Art on The Square Belleville, Illinois

800.677.9255 www.artonthesquare.com

June 6 - 8, 2014Art & Air

Friday 6-10 Saturday 11-10 Sunday 12-5Webster Groves, Missouri

For more information: 314.968.6500http://www.artandair.com

June 7 - 8 , 2014Art in the Park

Saturday 10-5, Sunday, 10-4Stephens Lake Columbia, MO

For more information: 573.443.8838http://www.artinthepark.missouri.org

August 30, 31, September 1 2013Fall Art Fair at Queeny Park

Friday 6-9 Saturday 10-6 Sunday 11-4http://gslaa.org 314.889.0433

September 5 - 7, 2014The Saint Louis Art Fair

Clayton, Missouri For more information: 314.863.0278

http://www.saintlouisartfair.com

September 6 & 7, 2014Cedarhurst Craft Fair, Mt Vernon Illinois www.cedarhurst.org 618.242.1236

Saturday and Sunday 10am-5pm

September 12 -14, 2014Mosaics Missouri Festival for the Arts 20th Annual

Friday 6-10 Saturday 11-10 Sunday 12-5230 North Main, St. Charles, Missouri 63301

For more information:636.946.3433http://www.stcharlesmosaics.org

September 19 - 21, 2014Plaza Art Fair Country Club Plaza 80th

Annual Friday 5-10, Saturday 10-10, Sunday 11-5Kansas City, Missouri 64112

For more information:www.countryclubplaza.com/events/plaza-art-fair

October 4 - 5, 2014Historic Shaw Art Fair

Saturday 9-5 Sunday 10-5St. Louis, Missouri

For more information: 314.771.3101 http://www.shawartfair@aol.com

Fall Queeny Art Fair Greater St. Louis Art Association Presents Queeny Art Fair

at The Greensfelder Recreation Center www.artfairatqueenypark.com

2014

34

ArtMart 2355 S. Hanley Road, St. Louis, Mo 63144 314.781.9999January 18, 2014

Stencil Girl Book Signing & DemoArtist and author Mary Beth Shaw will be on hand January 18, 2014, from 12-2 pm at ArtMart, 2355 S. Hanley Road, St. Louis Mo 63144 314.781.9999 singing her new book Stencil Girl and demonstrating a va-riety of stencil techniques. Julie Snidle will be demonstrating encaustic techniques with stencils. Mary Nasser and Mary Beth Shaw will be demonstrating stencil techniques with scratch-board.

Atrium Gallery4814 Washington Ave, St. Louis Mo 63108

“Flow” Opening reception for the Artist, Friday, January 24, 2014-6 - 8 pmAtrium announces an upcoming exhibition of new paintings by California artist James Kuiper. “Flow” opens January 24 and runs through March 15. These semi-abstract works reflect a changing environment and

call our attention to the fragility and harmony of the natural world--its extreme beauty and delicacy. Kuiper takes note of the incongruity of recognizing this and reconciling it with our current path of life. Appreciation and awe are strong elements, but we persist in our current mode, lamenting the impact, but unable to mitigate the consequences. He depicts his impressions of the wilderness encountered in the California surroundings and infuses the images with an air of romance, nostalgia, regret, and hope. These works are meant to call viewers out of complacency and to focus on the reality of a vanishing wilderness.

The Bonsack Gallery- John Burroughs School755 S. Price Road, St. Louis, Mo 63124 314.993.4040 x 229 www.jburroughs.org

Calendar January 10-February 5, 2014 Shared Ceramic Vision Rival Schools February 7 April 2, 2014 Faculty Show April 4- May 7, 2104 Gail Cassilly Sculpture

OutsideAlturas

ARTVIEW

What is Happening in Your Art World

35

Saint Louis Artists GuildTwo Oak Knoll Park, Clayton, Mo 63105 314.727.6266January 17- March 2 2014 Friday: Opening January 17 6-8:30 A Dream or a Memory Art Group 360 –“Art of the Collective Nancy Exarhu “ Traces” George Myles, “Hecho en Mexico 20 Grados de Latitud Norte”www.stlouisartistsguild.org

Best of Missouri Hands Presents Annual Conference ArtSmart 2014 www.thebestofmissourihands.org.

Join us for an art filled weekend of learning and fun at ArtSmart 2014 “ Art Springs in Springfield”. We hope you can join us at one of the Midwest’s finest

professional development opportunities for artists. You will not find a better value for your hard-earned dollars than this three-day conference.Keynote Speaker: Marc Duke - Artists in the Post-Recession World; Remaking Our Businesses and Careers. The talk keys on the changes in the sale of artwork wrought by the recession, the new challenges those changes have brought to artists and what artists can do to adapt to the new realities of the art marketplace. Much information is drawn from the research we regularly do among 13,000 artists and crafters (we perform four nationwide surveys each year), as well as from the more than 300 fairs and festivals that are our clients. Visuals are integrated into the speech. The speech explores various alternatives for sales, from using the world wide web to whole-saling to art festivals--and some non-tra-ditional approaches, such as private house

parties, fundraisers and art association tie-ins. For more information and to register on-line: http:// www.bestofmissourihands.org or Contact: Andrea Quiro Jira: director@bestofmissourihands.org

Paint Saint Louis Work-shops & Special EventsSponsored by Greater St. Louis Art Asso-ciation, in conjunction with Paint St. Louis February 15 and 16th, 2014 Understanding the Business of Art Inside and Out Join Xanadu Gallery owner Jason Horejs in an intensive, two-day workshop that will teach the business the best-selling author of “Starving to Successful and How to Sell Art, will share insights gained during 20 years in the art gallery business.

Where: Regional Arts Commission, 6128 Delmar Blvd., St. Louis, Mo 63112 For more information and to register on-line: www.gslaa.org

36

MISSOURICape Girardeau

Edward Bernard Gallery 107 West Drive, Cape Girardeau, Missouri 63703 Tel 573.332.7733 www.edwardbernardgallery.com

Mozaic Art Studio #5 North Main, Cape Girardeau, Missouri Tel 573.339.9510 http://mozaicartstudio.com

Columbia

Columbia Art League 207 S. 9th St., Columbia, Mis-souri 65201 Tel 573.443.2131 Email:info@columbiaartleague.org

PS Gallery 1025 E. Walnut, Columbia, Mo 65201 Tel 573.442.4831 Email: info@perlow-stevensgallery.com

Hannibal

Hannibal Arts Council 105 S. Main Street, Hannibal, Mo 63401 573.221.6545 www.hannibalarts.com

Hannibal Alliance Art Gallery 112 N Main St., Hannibal, Mo 63401 573.221.2275 www.hanibalallianceartgallery.com

Kansas City

Nelson-Atkins Museum of Art 4525 Oak Street, Kansas City, Mo 64111 816.751.1278 http://www.nelson-atkins.org

Kansas City

Museum at Corinthian Hall 3218 Gladstone Blvd., Kansas City Mo 64123 816.483.8300 http://www.kansascitymuseum.org

Kirksville

Kirksville Arts Association 117 S. Franklin Street, Kirksville, Missouri 63501 660.665.0500 www.kirksvillearts.com

Parkville

Northland Exposure Artists’ Gallery 110 Main Street, Parkville, Mo 64152 816.746.6300 www.northlandartists.com

Saint Joseph

The Albrecht-Kemper Museum of Art 2818 Grderick Avenue, Saint Joseph, Missouri 64506 Tel 816.233.7003 http://albrecht-kemper.org

Saint Charles

Foundry Art Centre 520 North Main Center St. Charles 63301 636.255.0270 www.foundryartcentre.org

Framations Art Gallery 218 N. Main Street , St. Charles, 63301 636.724.8313http://www.framations.com

Gallery 501 at Art Glass Array 501 N. Kingshighway, St. Charles, 63301 636.724.0288 http://www.artglassarray.com

Missouri Artists on Main321 S. Main Street, St. Charles, Mo 63301636.724.1260

St. Louis

Art St. Louis 123 Pine StreetSt. Louis, Mo 63103 Tel 314.241.4810 www.artstlouis.org

Art Trends Gallery 703 Long Road Crossing Drive, Chesterfield, Mo 63101 Tel 636.536.3266 www.arttrendsgallery.net

St. Louis Atrium Gallery 4814 Washington Ave, St. Louis, Mo 63108 • Tel 314.367.1076 www.artriumgallery.net

Bonsack Gallery at John Burroughs School 755 South Price Road, St. Louis Mo 63124 Tel 34.993.4040 www.jburroughs.org

Bruno David Gallery 3721 Washington Blvd., St. Louis, Mo 63108 Tel 314.531.3030 www.brunodavidgallery.com

Coca 524 Trinity Ave. St. Louis, Mo 63130 http://www.cocastl.org

Galleries & Museums

37

MISSOURIChesterfield Arts 444 Chesterfield Center Chesterfield, Mo 63017 Tel 636.242.1236 www.chesterfieldarts.org

Contemporary Art Museum 3750 Washington Ave., St. Louis, Mo 63108 Tel 314.535.4660 www.contemporarystl.org

Componere Gallery 6509 Delmar Blvd. St. Louis, Mo 63130 Tel 314.721.1181 www.componere.co

Craft Alliance - Delmar 6640 Delmar Blvd. University City, Mo 63103 314.535.7528 www.craftalliance.org

Craft Alliance- Grand Center 501 North Grand Blvd. 63103 314.535.7528 www.craftalliance.org

Duane Reed Gallery 4729 McPherson Ave. St. Louis Mo 63108 314.361.4100 www.duanereedgallery.com

Gateway Gallery 21 North Bemiston, Clay-ton, Mo 63105 Tel 314. www.gatewaygallery.com

Greenberg Van Doren Gallery 3540 Washington Avenue St. Louis 63103

St. Louis Mercantile Thomas Jefferson Library Building, One University Blvd. St. Louis, Mo 63121 314.561.7240 www.umsl.edu/mercantile/about/contact.html

Maryville Morton May Gallery 650 Maryville Library Drive, Creve Coeur Mo 63141 314,529.9381 www.maryville.edu

May Gallery Webster University, Severdrup Building 8300 Big Bend Blvd. Webster Groves Mo 63199 Tel 314.246.7673 www.webster.edu/maygallery

Mildred Lane Kemper Art Museum Washington University One Brooking Drive, St. Louis, Mo 63130 Tel 314.935.4523

Laumeier Sculpture Park 312580 Rott Road, St. Louis Mo 63127 314.615.5278 www.laumeier.org

Mocra 3700 West Pine Mall Blvd. St. Louis Mo 63103 314.997.7170 http://www.mocra@slu.edu

Pulitzer Foundation for the Arts 3716 Washington Blvd. St. Louis, Mo 63108 314.754.1850 Saint Louis Artist Guild Two Oak Knoll, Clayton, Mo 63105314.727.6266 www.stlouisartistsguild.com

Regional Arts Commission 6128 Delmar Blvd, University City 63112 314. 863.6811 www.art-stl.com

Saint Louis University Museum of Art 3663 Lindell, St. Louis Mo 63108 314.977.3399 www.slum.slu.edu

Saint Louis Art Museum One Fine Arts Drive, Forest Park, St. Louis Mo. 63110 314.721.0072 www.slam.org

Sedallia

Daum Museum 3201 West 16th Street, Sedalia, Mo 65301 Tel 660 530.5888 http://www.daummuseum.org

Art Impressions Gallery and Framing 412 S. Ohio, Sedalia, Mo 65301 660.826.4343Liberty Center Association for the Arts 111 W 5th Street, Sedalia, Mo 65301 660.827.3228

Springfield

Springfield Art Museum 1111 East Brookside Drive Spring-field, Mo 65807 417.837.5700 http://www.springfieldmo.gov/art

Galleries & Museums

38

Your support enables The Arts Live to share its magazine, goingoutguide of exhibitions, and educational programs with thousands of visitors each year, help-ing the widest possible audience understand and enjoy contemporary art. We hope that when you think about the Arts Live, you share our feelings of pride and admiration. We welcome your involve-ment and hope you support this project with a donation. So we can build on our success bringing quality art opportunities to the community.

Our Thanks to our current supporters

Sponsors - Current

Brian & Terri VossShirley & Jack WipflerSandy KoldeMarion Noll

Membership – NewBecome a member today. Be the first to re-ceive The Arts Live Magazine, plus the Arts live “goingoutguide for exhibitions, open-ing receptions, happenings, performances. Every contribution made to the arts live will vastly enable us to continue and ex-pand our coverage of Click here www.theartslive.com/contact to use paypal

Every contribution made to The Arts Live will vastly enable us to continue and expand our coverage of artists, galleries, performance arts and art organizations in the State of Missouri. Your contribution will be acknowledged on our web site sponsor page and sponsor page on the Arts Live magazine. Contributing to the Arts live ensures your donation will sustain the web site, on-line magazine, and goingout-guide. We look forward to the future with continuous growth.

Membership Members are vital group dedicated to supporting the Arts Live. Join today. The Arts Live Membership is $25.00 for one year, $45 for two years, and $70 for 3 years. Your gift of any size will impact the arts community

Sponsorship The Arts Live offers excellent opportunities for high visibility and access to well-educated, affluent audiences, while providing vital sup-port of artist studio visits, Gallery to exhibitions and programs that make The Arts Live of Missouri cultural magazine.Benefits include logo/name on goingoutguide, logo/name on sponsor page web site and magazine. Per Year

Art Patron — $250.00 - Art Benefactor — $500.00 - Art Sponsor — $1,000

Benefits You will receive the Arts Live goingoutguide, enhancing your experience in the arts; gallery openings, happenings, art festivals, on-go-ing exhibitions and performances. Spring, Summer, Fall, and Winter, The Arts Live Magazine, Web Site, Artist Database, Gallery, Festivals, and a membership listing.Use our PayPal on contact page- www.theartslive.com/contact or send check to Rosen & Associates, LLC“The Arts Live”, 200 South Brentwood, Ste.5B, St. Louis, Missouri 63105Email: jrosen@theartslive.com web site: www.theartslive.com T: 314-910-0764- F: 314-721-7880

Name________________________________________________________________________________________________________Corporate Name________________________________________________________________________________________________Address_______________________________________________________________________________________________________City_____________________________________________State____________________________Zip__________________________Phone #______________________________________________Email____________________________________________________Amount $_____________________________________________________________________________________________________

The Arts LiveDeveloping, Promoting and investing in the Arts in Missouri