The Arms of Achilles: Re-Exchange in the Iliad · PDF fileii “The Arms of Achilles:...

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The Arms of Achilles: Re-Exchange in the Iliad by Eirene Seiradaki A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Classics University of Toronto © Copyright by Eirene Seiradaki (2014)

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  • The Arms of Achilles: Re-Exchange in the Iliad

    by

    Eirene Seiradaki

    A thesis submitted in conformity with the requirements

    for the degree of Doctor of Philosophy

    Graduate Department of Classics

    University of Toronto

    Copyright by Eirene Seiradaki (2014)

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    The Arms of Achilles: Re-Exchange in the Iliad

    Eirene Seiradaki

    Doctor of Philosophy

    Department of Classics

    University of Toronto

    2014

    Abstract

    This dissertation offers an interpretation of the re-exchange of the first set of Achilles

    arms in the Iliad by gift, loan, capture, and re-capture. Each transfer of the arms is

    examined in relation to the poems dramatic action, characterisation, and representation

    of social institutions and ethical values. Modern anthropological and economic

    approaches are employed in order to elucidate standard elements surrounding certain

    types of exchange. Nevertheless, the study primarily involves textual analysis of the

    Iliadic narratives recounting the circulation-process of Achilles arms, with frequent

    reference to the general context of Homeric exchange and re-exchange. The origin of the

    armour as a wedding gift to Peleus for his marriage to Thetis and its consequent bequest

    to Achilles signifies it as the heros inalienable possession and marks it as the symbol of

    his fate in the Iliad. Similarly to the armour, the spear, a gift of Cheiron to Peleus, is later

    inherited by his son. Achilles own bond to Cheiron makes this weapon another

    inalienable possession of the hero. As the centaurs legacy to his pupil, the spear

    symbolises Achilles awareness of his coming death. In the present time of the Iliad,

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    Achilles lends his armour to Patroclus under conditions that indicate his continuing

    ownership over his panoply and ensure the safe use of the divine weapons by his friend.

    Patroclus transgression of the terms of the loan of the arms leads to his death, but also

    signals Achilles return to the battlefield and to his traditional fate. Hector kills Patroclus

    and acquires the arms in accordance with the Homeric mechanism stipulating the

    despoilment of defeated warriors. Interestingly, however, his acquisition constitutes an

    improper exchange, because he did not obtain the arms from Achilles, their legitimate

    owner. Achilles defeats Hector on the battlefield and repossesses his arms. The

    restoration of the arms to Achilles confirms them as his inalienable possessions and

    corroborates the principles of the Homeric exchange mechanisms. Yet it leaves Achilles

    without spoils from his military victory. This study suggests that the ransom that Priam

    offers to Achilles for the release of Hectors corpse symbolises the spoils from the sack

    of Troy, which chronologically will happen after the death of Achilles. Thus the re-

    exchange of the arms leads to the exchange between Achilles and Priam, which in turn

    compensates the former for the loss of honour caused by Agamemnons confiscation of

    Briseis that happens in Book 1. In Book 24, Troy has figuratively fallen, while countless

    Trojan riches are carried to Achilles tent.

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    Acknowledgments

    During my time as a doctoral student in the Department of Classics at the University of

    Toronto, I have been thrice and four times blessed with the help and support of a large

    number of people. My thanks go first and foremost to my dissertation supervisor,

    Jonathan Burgess. A few words here cannot suffice to convey my abiding gratitude. He

    first steered my interest toward the topic and the pattern of exchange in the Iliad and

    constantly guided my thinking throughout my dissertation. His enthusiasm, criticism,

    insight, and dedication made the completion of this project possible. In his unstinting

    support of me, he continued going above and beyond what anyone would be expected to

    do. His excellent scholarship has been both a great influence and an inspiration at every

    stage of this project and has made a big difference in my intellectual development.

    Professors Martin Revermann and Victoria Wohl, as members of my committee,

    helped improving my thesis in countless ways and provided crucial help at crucial

    moments. Martin Revermann has kindly given me feedback not only on various drafts of

    the manuscript, but also on my academic teaching. He has my heartfelt thanks. Victoria

    Wohl has patiently commented on my work already since my dissertation proposal and

    has constantly pushed my thinking in new directions. Her probing questions, her detailed

    feedback, and her own fascinating research on exchange have sharpened my ideas and

    have led me to a clearer understanding of the topic of re-exchange. I owe her my deepest

    gratitude. Hugh Mason, my internal-external reviewer, has given me advice and

    encouragement in all matters of research and teaching throughout graduate school. In

    addition, his stylistic comments on the final draft of my dissertation saved me from

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    various infelicities. Seth Schein, my external reviewer, took an immediate interest in my

    dissertation. He devoted a great deal of time into reading my dissertation and offered me

    generous and prolific comments on issues of exchange and Homeric epic. Furthermore,

    his countless editing suggestions were invaluable in the final revision of my thesis and

    his advice on my future scholarly work was indispensable.

    I am particularly grateful to a few other scholars of my department for their

    tireless efforts on my behalf. Christer Bruun, Regina Hschele, Alison Keith, and Jarrett

    Welsh have offered me unfailing encouragement and assistance through various stages of

    my graduate studies. I would also like to thank my colleagues in the department of

    Classics for providing intellectual engagement and enhancing my graduate experience.

    Finally, it is impossible adequately to express all that I owe to my parents,

    Antigoni and Dimitrios, and to my brother, Konstantinos, for their unconditional love and

    their unwavering support throughout my doctoral studies. Although from afar, their

    unflagging guidance and stimulating discussions have made an incalculable contribution

    to this project from its earliest stages. Their boundless encouragement has shepherded my

    dissertation to its final completion.

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    Table of Contents

    Abstract ii

    Acknowledgements iv

    Introduction 1

    Chapter 1: Re-Exchange in the Iliad 44

    Chapter 2: The Fabula of Achilles Arms 65

    Chapter 3: The Homeric Origin of Achilles Arms 86

    Chapter 4: Cheiron and Achilles Spear 123

    Chapter 5: The Loan to Patroclus 155

    Chapter 6: The Spoils of Hector and the Spoils of Achilles 187

    Conclusion 225

    References 233

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    INTRODUCTION

    Methodology and Outline

    Exchange permeates Homeric epic in various modes and forms to such an extent that it

    often seems a self-evident, expected, and casual feature of the plot. Offers of gifts,

    parental inheritances, personal loans, property thefts executed individually or

    collectively, organised plundering expeditions, raids, and war are some instances

    involving exchange between two parties. The multiplicity of distinct circumstances that

    appear to cause or accommodate transferences of tokens in the Iliad and the Odyssey

    signify that exchange, in general, is a very inclusive and complex operation. The

    diversity and ubiquity of the phenomenon in Homeric society combined with the limited

    sources of wealth featured in the epics inevitably require that certain tokens change hands

    more than once. They are exchanged once, and then re-exchanged, and possibly re-

    exchanged again, frequently under different circumstances and expectations each time.

    That is, their disposition does not constitute a single one-time action, but a longer process

    of continuing circulation.

    This dissertation explores the phenomenon of re-exchange in Homer, exhibited in

    a variety of forms, ranging from voluntary permanent re-gifting or temporary re-

    assignment of possessions to re-appropriation through the use of violence. The extent to

    which re-exchange recurs in the Iliad and the Odyssey and the emphasis that it receives

    from the characters and the narrator each time indicate the importance of this

    phenomenon for both the community depicted in the poems and the story of the poems

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    weaved around this community. The present study illustrates how Homeric epic employs

    re-exchange in order to construct its poetic society, which in turn it uses as a foundation,

    in order to build its plot. In this sense, re-exchange lies at the intersection of Homeric

    society and Homeric poetics.

    There have been many excellent previous studies on exchange in antiquity with

    special attention to Homer in particular. Yet most focus only on gift-giving, or the

    exchange of women as a form of gift exchange.1 A few studies isolate other types of

    exchanges, such as inheritance bestowals, or ransom and spoils.2 And some types of

    Homeric exchange, such as loan stipulations, have been overlooked. This selective and

    inconsistent treatment of exchange is to be expected, given its versatility and dynamism