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    TEASER

    OVER BLACK:

    SUPERIMPOSE:

    The children of blood revel in destruction and death.

    Lured by promises of eternal glory from the fallen one,

    they seek to create a kingdom of fire and blood.

    ~ Book of Dromecion; Tiriesai 5:8.

    FADE IN:

    EXT. DEPOT - TA VERION

    An establishing shot of a bustling, futuristic depot.Through a glass view port we see sleek, white hoveringtrains pull into the platforms where crowds wait to board.

    FOCUS ON DBRONZE who walks through the depot, WHISTLING tohimself as he searches for something or someone through thecrowds.

    ANNOUNCER (O.S.)(filtered)

    Platform six will depart in

    twenty menaats. All passengersplease make your way over,ensuring boarding idents areready for verification.

    EXT. DEPOT PLATFORM

    A crowd of people exit from a train. Theres a buzz ofconversation as people chat amongst themselves.

    We follow a person in the crowd, a dark skinned, lean,muscled man in his early thirties. He carries a heavyduffel bag slung over his shoulder.

    Theres something in his confident swagger that tellspeople that hes not someone you should mess with. Thepeople closest to him in the crowd giving him a wide berth.

    Dbronze spots him with a grin and walks over. He pulls theman into a manly, BEAR HUG.

    DBRONZELong time no see, Trey.

    (CONTINUED)

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    TREYForty four years too long.

    (smirks; off Dbronze)Always knew ya were a soft touch,Debrozorias.

    They BREAK from the hug and start to casually walk togetherthrough the depot.

    DBRONZEDont be callin me that here. Yaknow I prefer Dbronze.

    TREYJust wanted ta see that look onya face when I said it. Worksevery time.

    Dbronze shakes his head with a rueful smile. They pause asthey reach a set of glass doors. Through this we can seethat A.T.Vs, A.S.Ps and various other transports are parkedjust outside.

    DBRONZEYa tolska.

    (beat; nods)My A.T.Vs just out here.

    EXT. WAREHOUSE - MORNING

    An establishing shot of a decrepit warehouse in the middleof nowhere. The peeling paint of the warehouse suggests itsdefinitely seen better days. The rotting wood that boardsthe broken windows indicates it hasnt been used in quite a

    while either.

    INT. WAREHOUSE- MORNING

    Inside the dank, gloomy warehouse, a solitary illuminationpanel FLICKERS intermittently, providing some light.

    MAN (O.S.)You sure know how to pick them.

    PULLBACK to reveal four human-looking men dressed in afuturistic version of street clothes- all casual shirts andpants. All have a deep, yellow skin complexion. These menare YORLUNDS.

    The closest person to the first man, MAN #2, gives him a

    withering look.

    2.

    CONTINUED:

    (CONTINUED)

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    MAN # 2Were getting paid a verygenerous fee so cease your

    whinin.

    MAN(nervously looks around)

    Well, whats taking them so long?

    FIFFT! A black and crimson robed figure appears stalkingout of the darkness.

    He removes his hood to reveal an attractive, brown hairedman in his early thirties. He seems to ooze a mix ofdangerous charisma, confidence and a menacing ruthlessness.

    ROBED FIGURE

    My apologies. I lost track of thetime.

    MANWeve been waiting here for solarhours, Rushkos.

    RUSHKOSThat you will be richly rewardedfor, in all due time.

    (beat)Can I see it?

    Man # 2 glances to another man in his crew, who HEFTS up aheavy brown case.

    Man #2 opens the locks to the case revealing a two footlong, weathered cylindrical column.

    Its filled with a viscous crimson red liquid. There areancient, almost faded alien symbols etched over itssurface.

    Rushkos appreciatively runs his hand over it as he takesthe column from the case and examines the ancient etchings.

    RUSHKOS (CONTD)Ahh, youve done well. Rahab thefourth acolyte, is notoriouslydifficult to find.

    He seems entranced by the crimson red liquid inside thecolumn until-

    MANOur payment?

    Rushkos looks up, annoyed at the interruption.

    3.

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    (CONTINUED)

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    RUSHKOSI do appreciate the effort takento secure Rahab. However, yourservices are no longer needed.

    At this, FIFFT! Six other black and crimson robed peopleinstantly appear from the darkness. They easily surroundthe hapless yorlund mercenaries.

    MAN # 2But we retrieved what you asked!

    RUSHKOS(turns to leave)

    Exactly. Youve served yourpurpose and for that Ill beeternally grateful.

    (beat; nods to theothers)

    As the brena will be, for yourgenerous sustenance.

    Rushkos leaves.

    We STAY ON the four yorlunds, as they fearfully aim theirguns at the six robed figures who step menacingly closer.

    The six throw off their hoods to reveal hungry men withmalevolent, red eyes. A tattoo of a heart surrounded bythorns on each of their foreheads.

    JUMP CUT TO:

    Rushkos, who continues casually walking, the unusualcolumn, reverently CLASPED in his palms. There are offscreen sounds of panicked pulse fire and loud, agonizedscreams of fear and pain.

    A slim, attractive robed woman walks toward Rushkos.

    WOMAN(bows her head)

    One of our contacts has succeededin locating, both Dumah and thefool, who tried to double crossus.

    Over Rushkos shoulder we see the six robed persons are nowbent over, on their knees, resembling a rabble-like pack inthe midst of a frenzied feeding. With the requisiteanimalistic growls and hisses as they feast. Their robeslargely spattered with white blood.

    BACK ON Rushkos who hands the red filled column carefully

    over to the woman as she passes him a thick file.

    4.

    CONTINUED:

    (CONTINUED)

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    THE FERATU CHRONICLES

    "The Brothers Grim"

    Story byAmy and Jamie Rees

    Teleplay byAmy Rees

    Copyright Amy & Jamie Rees

    MZP-tv

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    ACT ONE

    FADE IN:

    EXT. ISA MAIN BASE - NIGHT

    An establishing shot of the base. A typically vivid sunsetstreaks the sky above.

    FOCUS ON one particular white, domed tent.

    INT. ISA TENT - NEXT

    PRESTON and SARA sit together on the bed. Prestons armdraped over her back holding her in a relaxed embrace. Hishead rests against her shoulder listening intently.

    SARASo thats basically my progresssince we last spoke.

    PRESTONBack up I want to hear more aboutall this haikeri business.

    (beat; wary)You quickly glossed over it.

    Sara goes to roll up her sleeve but Preston places his handgently to stop her.

    PRESTON (CONTD)Ive already seen it. I need youto tell me what it means.

    SARAWell, basically its a respectedposition that a non-feratu personcan be given in feratu society.Im like....an advisor, really.

    PRESTON

    Thats all? There isnt a catchor something else youre nottelling me?

    Hes concerned but theres a level of authority mixed withsuspicion that tinges his tone.

    SARATrust me. Im getting closer touncovering who could be involvedin the disappearances.

    PRESTONCould be?

    6.

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    SARATheres at least five differentgroups who are potential suspects-Tazul and her people included. Ijust need more evidence to

    indicate who to rule out.(off Preston)

    What?

    PRESTON(sighs)

    Just be careful alright?

    SARAI always am.

    PRESTON

    Look I dont want a repeat ofwhat happened last year.

    Saras mood darkens instantly at Prestons mention of this.She abruptly pulls out of his embrace. Her back to him asher face turns away.

    We STAY ON a haunted Sara who looks close to tears at somedredged up memory.

    PRESTON (O.S.) (CONTD)(gently)

    I couldnt handle it if somethinghappened to you.

    BACK ON Preston who looks guilty. He pulls Sara in for ahug and she doesnt resist, relaxing into it.

    PRESTON (CONTD)I dont enjoy reminding you butit needed to be said.

    Sara stays silent, her head almost absently resting againstPrestons shoulder. He leans in for a kiss but she breaksout of the embrace and shuffles off the bed.

    SARAIm tired.

    A confused Preston watches as she walks out of his tentinto the night.

    EXT. THE GOLDEN BOAR - TA VERION

    An ancient tavern thats in relatively good up keep,

    considering, comes into view.

    7.

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    A weathered sign depicting a golden tusked pig with alienlettering beneath it swings here.

    TITLE OVER: THE GOLDEN BOAR

    Laughter, cheers, music and the sounds of rousing, raucous

    almost drunken singing drifts from its doors.

    INT. THE GOLDEN BOAR - TA VERION

    A large, old fashioned tavern packed full with customers.

    Round wooden tables are crowded around by groups ofchatting people.

    Trophies of stuffed tusked pigs and wood cuttings of scenes

    of hunting and battle decorate the stone walls.

    A man stands in front of a blocky, brightly colouredflashing device. He presses a button and heavy rock-like,alien music BLASTS out. To the cheers of his comrades at anearby table.

    Women carry trays of pitchers to the many tables.

    We follow one particular woman, a pretty brunette in herlate twenties as she carries a tray of empty plates andmugs.

    Shes aware but not bothered by some of the more lecherousstares of the more drunken customers. This is LETTYBRADSHAW.

    She finally makes her way across the crowded tavern to abusy counter. Despite its impressive length itsovercrowded with people.

    She SLIDES the tray into a metal flapped slot beforeturning to face the busy counter. Letty smiles as she spotssomeone off screen.

    REVERSE ANGLE shows Dbronze and Trey sitting at thecounter, each holding a large mug of amber liquid.

    LETTYDbronze! Ive missed seeing youfor the last monen. You haventbeen seeing other taverns, haveyou?

    Dbronze smiles warmly at her.

    DBRONZE

    Id never do that. Got yanked toborder detail without warnin.

    8.

    CONTINUED:

    (MORE)

    (CONTINUED)

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    (beat)Plus I know how jealous ya get.

    Letty hits his arm playfully.

    LETTY

    Ill have you know Im fightingoff suitors each and every day MrMazakelli.

    (spots Trey)Youre one of Dbronzes youngerbrena, right?

    (off Trey)Nice to finally meet you. Whichone are-

    TREYIm Trey. So whats he been

    sayin bout me?

    LETTY(laughs)

    All good things. Dont worryabout that.

    (beat; glances offscreen)

    Dbronze see that blonde byherself near the music player.

    Dbronze goes to turn but Letty whacks his arm.

    LETTY (CONTD)Dont look! Ive put a good wordin for you. Its all up to younow.

    Dbronze looks uncertain before he chugs his ale down inone gulp.

    DBRONZELo Mokol.

    (breathes deep)Here I go.

    He leaves. Trey gives Letty a this aint going to endwell look.

    LETTY(chuckles)

    Hes not that bad.

    Trey raises his eyebrow with a come on expression.

    LETTY (CONTD)Second thought, Ill go get you

    something stronger to drink.

    9.

    CONTINUED:DBRONZE (CONT'D)

    (CONTINUED)

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    Letty disappears amongst the bustling chaos of the counter.

    MAN (O.S.)Trey Mazakelli, long time no see.

    Treys expression sours as he turns to the direction of thevoice. Its Ezekial with Tomsky closely following behind.They give him a devilish smile.

    EXT. AURELIUS ROYAL PALACE - GARDENS

    Tazul feints to the left as a wooden staff comes intoframe. It misses her by an inch. Shes dressed in a simplewhite singlet and pants.

    TAZULThat wasnt even close.

    We PULLBACK to reveal her opponent is Selene clad in ablack singlet and pants.

    Tazul gracefully twirls her staff and goes to trip Seleneslegs out from under her but she jumps and FLIPS, landingbehind Tazul.

    Selenes about to hit out at Tazuls back when her staff isquickly met by Tazuls.

    TAZUL (CONTD)Now I know youre just letting meoff easy. Any other time Id beeating dirt, right about now.

    (beat; off Selene)Whats on your mind?

    Selene HITS out at Tazul. She manages to block it at thelast second, her staff vibrating from the force.

    SELENEWhy didnt you tell me Sara was

    your new haikeri?

    Tazul pushes her staff up and off Selenes staff beforelashing out at Selenes mid section.

    TAZULWhy didnt you tell me the sieto,Dimitri contacted you?

    Selene BLURS easily avoiding Tazuls attempt.

    SELENE

    At least you didnt have to findout second hand.

    10.

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    (CONTINUED)

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    Tazul jumps and runs up a stone statue before she FLIPS infront of Selene, staff raised to attack.

    TAZULSaras not the exendenti for the

    enemy, last time I checked. Itwouldve taken a sieto to voiceme.

    Selene stops sparring, leaning against her staff.

    SELENE(hurt)

    You trust herover me?

    TAZULThats not what I-

    An angry Selene immediately BLURS off, the staff clunkingon the ground.

    TAZUL (CONTD)(sighs)

    Meant.

    :

    INT. THE GOLDEN BOAR - TA VERION

    Dbronze sits at a table chatting to a stunning blondewoman in her thirties. She looks only half-interested inDbronze as her eyes still roam the tavern.

    DBRONZESo there we were, me and Tazulsurrounded by as many rakesh astha eye could see. Somehow in thafall wed stumbled upon a n-

    BLONDE WOMAN(bored)

    Dont you talk about anything

    else? I know youre a soldier-

    DBRONZEChief Captain, actually.

    BLONDE WOMAN(rolls her eyes)

    Whatever. Its still boring me,to the point of contemplatingsuicide. How about we change thesubject?

    11.

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    (CONTINUED)

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    DBRONZE(hopefully)

    Ya follow pro-Euschon?

    Off the womans bored expression as she shakes her head we:

    FOCUS ON Trey at the counter where Ezekial and Tomsky flankeither side of him.

    TREYWhat the fress dya want?

    TOMSKYThat anyway to greet an old-

    (off Treys look)Business acquaintance.

    EZEKIALYou know why were here. He justwants it back, no stringsattached.

    TREYI dont have it anymore. Got abetter offer.

    (smiles)Tell Rushkos he can go fresshimself.

    EZEKIALHe thought you might say that.

    Tomsky places five images on the table.

    ANGLE ON the images reveal that theyre surveillance typeimages of his family- his mother and four younger brothers-Tvolt, Gregory, Mabius and Morgan. All taken unaware atwork and at home.

    TREY(sighs)

    Fine. Ya got me ya fressin

    thabockas. When do you need itby?

    EXT. AURELIUS ROYAL PALACE - GARDENS

    Selene still in her sparring clothes sits on a large stonestep. Theres an impressive aurelius stone fountain thatsprays water nearby.

    She smokes away on a chaatu stick in deep thought. A shadow

    falls across her as someone approaches but she feignsignorance.

    12.

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    (CONTINUED)

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    TAZUL (O.S.)Ive always trusted you. ItsDimitri I-

    SELENE

    You think Ill fall for his drez?

    TAZULNo but Dimi-

    (sighs)Hes the exendenti for his clanits his duty to-

    SELENE(snaps)

    Im not some naive pudanz! I knowwhat Dimitris capable of. Do you

    know what Saras capable of? TheVoicenet-

    TAZULWas an accident-

    SELENESo she claims. She didnt justinnocently wander there. She hasan agenda you refuse to see. Yetyou make her your haikeri.

    (beat; softer)Im not good enough anymore?

    Tazuls expression softens at Selenes tone, a mixture ofhurt, anger and frustration.

    TAZULShes my haikeri notmy bloodsesn. You dont need to fight formy attention.

    Selene doesnt respond as she sullenly stares out, smokingher chaatu stick for a tension-filled beat.

    SELENE(hmmph)

    Shes always monopolising yourtime.

    TAZULShes going to return to her homeeventually. Whether that be a fewsolar days or monens away. Its atemporary arrangement at best.

    Tazul pulls out two maroon and gold thick bracelets, alien

    symbols etched on it.

    13.

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    (CONTINUED)

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    TAZUL (CONTD)(off Selene)

    I promised Id bring you backsomething.

    Tazul slides her bracelet onto her left wrist.

    She cocks her left wrist suddenly and SHINK! A tiny blackdart buries itself in the neck of the aurelius stonefountain.

    TAZUL (CONTD)Poisoned dart. On contact themolten dwalt core bursts. Brunomade it to my uniquespecifications.

    Selene slides her bracelet on and stands.

    SELENECapacity?

    TAZULA maximum of twenty four. Goodfor a range to 2,000 mescas.

    Selene cocks her wrist eliciting a dart that HITS thestatue in the eye- far higher than Tazuls previous shot.

    TAZUL (CONTD)Is that a challenge?

    SELENE(half-smiles)

    Maybe. Think you can do better?

    INT. THE GOLDEN BOAR - TA VERION

    We return to Dbronze and the blonde woman at the table.

    BLONDE WOMANYoure really sweet but Imlooking for someone whos notso...boring.

    DBRONZE(awkward)

    Well, ahh, Ill leave ya to-alone with ya drink then.

    He gets up from the table and walks towards the musicplayer. His face flickers with embarrassment and hurt for a

    a brief second.

    14.

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    (CONTINUED)

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    As he walks to the music player- he passes a table full ofexceptionally pale, extremely muscled skin heads. These areARCADIANS. They give him a collective glare but he doesntseem to notice.

    Dbronze presses a button and an alien version of a sappy,love ballad full of sadness and angst blasts out.

    He nods along to it for a beat, his eyes closed.

    ARCADIAN (O.S.)Ai, turn that drez off!

    Dbronzes eyes SNAP open and an arcadian in his latetwenties is at the music player. He goes to change the songbut Dbronze grabs his arm.

    DBRONZEIm listenin to that ya arcadiandrez kicker!

    The man roughly pulls out of Dbronzes grip.

    ARCADIANNot any-

    THWACK! Dbronze grabs the man and brutally SMASHES hishead repeatedly against the music player. Blood STREAKS thebrightly coloured screen as the man slides down, beateninto unconsciousness.

    CRACK! Dbronze reels as a stool smashes against the backof his head.

    He turns, catching a glimpse of the mans friends. Andtheyre pissed off.

    INT. THE GOLDEN BOAR - COUNTER

    Trey is in the midst of an intense conversation with

    Ezekial and Tomsky.

    TREYI fressin got it, alright?

    He looks up distracted at the sounds of fighting. TreysPOV shows Dbronze fighting off the five arcadians in agood, old fashioned bar brawl.

    Trey turns to say something to Ezekial and Tomsky buttheyre no where to be seen amongst the bustle of thetavern.

    15.

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    (CONTINUED)

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    Dbronze viciously ELBOWS one man in the face, his headsnapping back with a sickening crack.

    Two men tackle and hold a struggling Dbronze on the groundas another two jump into the fray, now taking turns to

    punch Dbronze in the stomach.

    A hand comes into frame, painfully SLAMMING these two intoeach other, stunning them. They slump to the ground, toreveal Trey.

    He vindictively kicks them on the ground repeatedly.

    TREY (CONTD)Never start a fight with a bousa,we never travel alone and-

    Dbronze viciously head butts one of the arcadians holdinghim and CRACKS the other with a solid back hand to theface.

    DBRONZEYall always get tha fressindrez kicked out of ya every time.

    Trey extends his hand to Dbronze but he shrugs off theassistance, getting to his feet unsteadily.

    A SLOW PAN around the two, reveals the area around them isa complete mess.

    The closest few tables and chairs are entirely trashed, themusic players screen is cracked and blood smeared and allthe six arcadians lay sprawled out, beaten and bloody.

    Tan shirt law enforcement officers attempt to make theirway across in the crowded tavern.

    TREY(off tan shirts)

    So...strip club?

    BLACK OUT:

    END OF ACT ONE

    16.

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    ACT TWO

    FADE IN:

    EXT. HUB TOWN - TA VERION

    A more seedier part of the city. All of the establishmentshere have a multitude of flashing signs. This is TaVerions red light district.

    Dbronze and Trey STUMBLE out from a building with aflashing sign of a brightly coloured female that smilesseductively before flashing her breasts.

    Dbronze is vastly more unsteady on his feet than Trey.

    DBRONZE(slurred)

    Ive still got three places tasshow ya.

    TREY(chuckles)

    Ya got plenty a time ta show meall of Ta Verions pleasurespots. I aint goin anywhere,anytime soon.

    (beat)I gotta do somethin now so

    (off Dbronze)Home or-?

    DBRONZE(slurred)

    The palace.(off Trey)

    Not tha flesh palace.Tazuls....ya know her place.

    INT. AURELIUS PALACE - TAZULS BEDROOM

    Tazul watches as Selene THROWS a dagger at an image of apompous looking man in his forties, dressed in the strikingrobes of a senator.

    THUNK! It lands in the mans forehead. Selene raises hereyebrow with an I win smirk as the previous dagger isburied in his mouth.

    TAZULAah, but my shots worth morepoints. Itd be more entertainingif he became mute.

    Selenes about to retort when-

    17.

    (CONTINUED)

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    BAM! Trey bursts in with a passed out Dbronze slung overhis shoulders.

    SELENEWhat fressing happened?

    TREYMe and Dbronze went down to Hubtown and he mighta had too muchale.

    Selene and Tazul give Trey a sceptical expression that saysand what else?.

    TREY (CONTD)And ahh, there might be some tanshirts lookin for us after a

    little incident at the GoldenBoar.

    SELENE(rolls her eyes)

    Not again.

    Trey dumps Dbronze on Tazuls four poster bed. He looksanxious to leave.

    TAZULWhere do you think youre runningoff to?

    TREYIve got an appointment I need takeep.

    Tazuls nose crinkles as she gets a strong whiff ofsomething unpleasant.

    TAZULAt least help him out of theseclothes first.

    EXT. MANSION - TA VERION

    An establishing shot of a stately multi-levelled stonehouse with an equally imposing thick stone wall thatsurrounds it.

    We PUSH IN through the bars of the intimidatingly highmetal gates to enter the neatly manicured grounds. Twoguards dressed in blue uniforms are on patrol.

    18.

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    EXT. MANSION - TA VERION

    The far side of the grounds as someone dressed all in blacknimbly LANDS after jumping the wall here.

    CLOSE UP reveals its Trey who slips on a black balaclava,with holes cut out for his eyes.

    Theres a black backpack tightly strapped to his back fromwhich he quickly pulls out a pair of goggles and slidesthem over.

    He looks down at his waist and we ANGLE ON a black beltwith a silver metal panel, that flashes every few seconds.Trey pushes in a sequence-

    BZZT! He disappears completely from sight.

    We see from Treys POV as he stealthily creeps through themansions grounds.

    A deep green stemmed bush with bright blue leaves LOOMS upas Trey hides from sight.

    ZILM! Everything tints green and we see the fine, innernetworks of the bush as everything goes into x-ray detail.

    We see a guard, his heart visible and tinted green, beatingand pumping blood steadily as he walks near the bush.

    ANGLE ON a green tinted, skeletal hand as FIFT! A dartshoots out, the inner fluid compartments seen as it SOARSthrough the air.

    It HITS the guard. The dart can be seen in x-ray detail,injecting some fluid into the mans vein as it impacts. Theguard dropping out of sight.

    ZILM! Everything returns to the previous view of the vividdeep green stemmed bush with its brightly blue leaves.

    The bush and grounds seem to BLUR as Trey sprints. We see

    the prone guard on the ground just before a smooth slategrey wall that comes into sight.

    His right hand comes into shot briefly as SHINK! Afuturistic-looking, grapple hook SHOOTS up and into theroof.

    TILT UP as a hand tugs on a thin cord before it clicks intoa black belt.

    ZZZ! The wall and glass panels of the various levels of themansion WHIZZ past extremely, disorientatingly fast.

    19.

    (CONTINUED)

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    Everything JOLTS as we come to a stop at a clear glasspanel.

    CLOSE UP on the panel reveals a black and white tiledfloor, a stone pedestal in the center of the room. A two

    foot glass cylinder with thick crimson liquid held atopthis.

    A silver box comes into view pressed against the glass.With a faint THWUMP, the box vibrates and a large circle ofglass is silently pulled away.

    ZZZ! We TILT UP on the grappling hook as it retracts fromthe roof and towards Trey.

    Black and white marble LOOMS right up as if its just aboutto hit before the view changes quickly to that of the room

    upside down.

    It changes again to the black and white marble, the roomand then the floor again.

    Before FWIPP! The pale yellow stone pedestal comes intoaight.

    CLOSE UP on the two foot glass cylinder reveals ancient,almost faded arcane symbols. Two metal hands each witheight claws hold the cylinder tightly within the stonepedestal.

    We ANGLE ON a black bracelet on Treys wrist. A panelslides open at which he pushes in a sequence. Lines andlines of alien symbols ROLL across the screen before-

    HISSS! The eight claws slowly open. Treys hands come intoshot again as he carefully pulls the cylinder free.

    END OF TREYS POV as he expertly slides the cylinder intohis black backpack.

    As he eyes the smooth hole in the glass panel that he camethrough before.

    INT. PRESTONS TENT - MORNING

    Sara shovels a mouthful of cereal into her mouth from abowl as she reads from a glossy magazine.

    Preston walks into the tent, his hair wet and a towel slungover his shoulder.

    20.

    CONTINUED:

    (CONTINUED)

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    PRESTONDespite there being less people,the hot water still manages torun out.

    Sara doesnt respond continuing to seem interested in whatshes reading. Preston turns to her.

    PRESTON (CONTD)Im not sorry about what I saidbut Im sorry if I shook loosesome painful memories, alright?

    SARAApology accepted.

    (beat; smiles)But youll still have to work

    hard to make it up to me.

    Preston nuzzles his head against her.

    PRESTONLets see what I can do.

    He lunges forward, scooping her out of her seat andcarrying her.

    SARA(laughs)

    What are you doing?

    Preston lowers her on his bed with a suggestive smile.

    PRESTON(sly)

    Anything you want me to.

    He kisses Sara passionately.

    EXT. BLOOD REAPER TEMPLE - UNKNOWN

    Trey knocks on a weathered and pitted metal door. A slot inthe door slides open revealing a pair of green eyes thatcritically appraise him.

    DOOR MAN (O.S.)The crimson sun will rise.

    TREYWhen the blood of the fatherflows free.

    The slot slides closed as CLUNK the door unlocks. Treypushes the door inward to enter:

    21.

    CONTINUED:

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    INT. TEMPLE - UNKNOWN - CONTINUOUS

    The hall is deserted. Lit torches line the walls here,flickering and casting shadows.

    Trey takes a deep breath preparing himself and with adetermined expression he walks down the hall.

    INT. TEMPLE - UNKNOWN

    Rushkos looks over a weathered parchment with a crimsonrobed acolyte. A huge bald hulk of a man in crimson robesguards Rushkos. This is DRONNIC. He glares at someoneapproaching off screen.

    NEW ANGLE reveals it to be Trey.

    RUSHKOSRelax Dronnic hes here to repaythe debt.

    Dronnic sullenly stays put as Trey carefully removes thetwo foot long cylinder and presses it into Rushkosoutstretched, waiting palms.

    RUSHKOS (CONTD)(eyes the etchings)

    Dumah the fifth. Well done.(smiles; to Dronnic)

    See? With the right motivationanythings possible.

    TREYIve fulfilled my part now, soleave me the fress alone. Imdone.

    RUSHKOSYou only retrieved what I hadoriginally, very generously

    enlisted you to do in the firstplace. You still owe me a favour,which I shall call upon wheneverit suits me.

    TREYThat all?

    Dronnic gives Rushkos a confused and disappointed, Thatsall? look.

    RUSHKOS

    (shrugs; off Dronnic)Im in a generous mood.

    22.

    (MORE)

    (CONTINUED)

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    (to Trey)Consider it a once offconsidering our long businesshistory.

    TREY

    (half smile)Ya wont regret it.

    INT. AURELIUS PALACE - TAZULS BEDROOM

    Dbronze snores loudly the maroon bed sheets pulled overhim.

    Theres the sound of running water farther back in the roomdrifting from a marble door.

    Dbronze snorts as he wakes up with a start. Its obviousfrom his disorientated expression hes got no idea how hegot here.

    He sits up. The maroon sheets falling away to reveal hisbare, muscled upper body and the impressive tattoo on hisright arm. Three interconnected spheres- the DJIBOU CLANCREST.

    He relaxes as he realizes where he is finally.

    TAZUL (O.S.)Youre finally awake.

    Dbronze looks to the sound of her voice. Tazul closes themarble door behind her. Her hair is loose and dripping wetwith only a pale yellow towel pulled around her body.

    DBRONZEWhat happened? How the fress didI end up here?

    TAZULYou cant remember?

    DBRONZELast thing I remember me and Treywere in a bar brawl with somearcadian thabockas at the GoldenBoar.

    TAZULThats all?

    (pouts; hurt)Last night was unforgettable forme at least.

    23.

    CONTINUED:RUSHKOS (CONT'D)

    (CONTINUED)

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    Dbronze looks confused for a second before he quicklypeeks under the sheets.

    DBRONZE(wary)

    Wheres my clothes?

    Tazul gives him a mischievous what do you think happened?look.

    At this, Dbronze swallows awkwardly, unsure exactly whathe should do or say for a beat until-

    Tazul starts laughing.

    TAZULIm just fressing with you.

    (beat; corrects herself)Not literally though. The look onyour face just then waspriceless.

    Relieved, Dbronze chuckles as he HURLS a pillow at her,which she quickly dodges.

    DBRONZEYa had me there for a sieto, yatolska!

    INT. ROYAL HALL OF RECORDS - TA VERION

    PULL BACK from a gothic, airy high domed ceiling coveredwith a detailed mural of an intense ancient battle. Thevibrant colours of the carving are weathered by age but arestill impressive nonetheless.

    Innumerable stone shelves stocked with ancient scrolls,dusty leather bound tomes and even stone tablets stretch asfar as can be seen.

    In the forefront, the shelves here are cluttered by morerecent additions judging by the vibrant coverings of thevolumes.

    FOCUS ON a wizened old man, the records keeper, whowhistles as he places a particularly thick tome on a highshelf.

    We STAY ON him as he descends the ladder. He steps off thelast rung and turns to face Ezekial.

    24.

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    INT. STUDY - BLOOD REAPER TEMPLE

    Succutha places a thick, cracked red book on a shelf here.Rushkos almost giddy with excitement grabs Succutha andkisses her hungrily. Shes taken by surprize at first but

    passionately returns the kiss.

    SUCCUTHA(amused)

    What was that for?

    RUSHKOSCant I just demonstrate myaffection for you, without youquestioning me?

    SUCCUTHA

    I take it by your good moodMazakelli retrieved the Dumahspinnarek.

    RUSHKOS(nods)

    Everythings finally falling intoplace. Hes almost here, hispresence is so close I can almosttaste it.

    Succutha seductively strokes his chest.

    SUCCUTHANows your moment to shine andshow up those who doubted you allthese centuries.

    Rushkos pulls Succutha closer. Their bodies intimatelyclose.

    RUSHKOSIll have my wicked way with youlater but first weve got a darkritual to prepare for.

    Rushkos and Succutha now hand in hand skip out.

    MONTAGE:

    INT. MAIN ALTAR ROOM - BLOOD REAPER TEMPLE

    Rushkos and Succutha watch as the robed initiates eagerlywash and polish the metal of the pentagram seal here.

    25.

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    INT. MAIN ALTAR ROOM - BLOOD REAPER TEMPLE

    Rushkos pushes one of the glass cylinders full of viscouscrimson, a SPINNAREK, down into a slot of one of the pointsof the seal.

    Rushkos glances up at Dronnic who holds another spinnarekand inclines his head to Succutha. He passes it to Succuthawho eagerly slots another in.

    INT. STORAGE CELLS - BLOOD REAPER TEMPLE

    Succutha lovingly rests her head against Rushkos shoulder,still hand in hand as they walk through a hall past dankcells. Miserable looking people are mannacled to the walls

    in every cell.

    Succutha points at a bald, beefy man shackled to a wall byhis neck and arms.

    INT. RUSHKOS QUARTERS - BLOOD REAPER TEMPLE

    Rushkos stands still on a stool as two robed initiates fithim with an elaborate crimson robe embrodiered with sliversof rubies and teeth.

    END MONTAGE.

    EXT. NOBLES BOULEVARD - TA VERION

    Dbronze, Selene and Tazul walk down a wide street whereimpressive mansions line either side of them.

    SELENEWhy cant Andrew Roper give areport of what was stolen to the

    tan shirts, like everyone else?

    TAZULZaizel needs his support to passsome legislation in the senateand as he insisted on someoneimportant handling his case.

    (sighs)Zaizel owes me.

    DBRONZEBetter be somethin important- I

    cant stand that pompous tolska.

    26.

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    TAZULYou dont have to come.

    Dbronzes about to retort but is distracted as Trey jogsover to join the three.

    TREYPalace guards pointed me in tharight direction. Mind if I tagalong?

    Dbronze looks to Selene and Tazul who both shrug a whynot?. He falls in step with them as they continue totrudge along the street.

    INT. ROYAL HALL OF RECORDS - TA VERION

    The old records keeper scans a readout on the flickeringholographic screen of a metal voice net hub here.

    EZEKIALHurry it up old man.

    RECORDS KEEPERYou cant expect me to locate itwithin a sieto, its a rare text.

    ANGLE ON the old mans trembling left hand thatsurreptitiously presses a red button under the voicenet hubplatform.

    EZEKIALFind it or Ill slit yourwrinkled, scrawny throat. Youwouldnt want me to mess thislovely place now?

    The records keeper fixes him with a disapproving look.

    RECORDS KEEPER

    Theres no need for that. Followme.

    The old man hobbles off, Ezekial following him intently.

    BLACK OUT:

    END OF ACT TWO

    27.

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    ACT THREE

    FADE IN:

    EXT. NOBLES BOULEVARD - TA VERION

    Dbronze, Trey, Selene and Tazul still stroll along thestreet here.

    DBRONZESo whered ya end up afterdroppin me off?

    TREY(smirks)

    The House a Pain. Worth everydacon. If ya inta that, acourse.

    Selene arches an eyebrow at Treys story, she doesntcompletely buy it but she stays silent.

    MAN (O.S.)(filtered)

    Alarm triggered at the Royal Hallof Records. Closest enforcementunit please investigate.

    Tazul glances down at a small black aurelian crest pinnedto her shirt. She presses the center of it.

    TAZUL(into it)

    Im within a hundred mescas. Illgo check on it.

    (off everyone)What? Its an excuse to skipRopers isnt it?

    At that, the four hurry off.

    INT. HALL OF RECORDS - TA VERION

    FOCUS ON a battered and scarred brown tome as its pulledtowards us from a shelf. PULL BACK to reveal the oldrecords keeper as he holds the book to his chest.

    RECORDS KEEPERHere we are, the Dolichus Codex.

    Ezekial SNATCHES it from the old mans grasp.

    28.

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    RECORDS KEEPER (CONTD)(hmmph)

    Didnt ya parents teach youmanners young man?

    Ezekial gives him a half-amused, half youre not serious?look. Before he resumes flipping through the book until hestops at a particular entry with a grin.

    ANGLE ON the page shows a diagram of a seal with apentagram. A column can be seen placed at each point. Aperson sits in the center of it.

    The old man STARTLES as Tomsky appears from the shadows.

    TOMSKYWeve got company.

    (pointedly; looks at oldman)

    Someone must have triggered thealarm.

    Ezekial rips out a clump of pages from the book and shovesit within his coat. He throws the codex at Tomsky whoeasily catches it with a grin.

    They share a significant look before Tomsky runs off again.Ezekial grabs the records keeper by the scruff of his neck.

    EZEKIALLets go greet your would-berescuers.

    INT. ROYAL HALL OF RECORDS - TA VERION

    Dbronze, Trey, Tazul and Selene burst onto the scene here.

    They silently separate into two groups. Dbronze and Treyheading right whilst Selene and Tazul head left.

    INT. ROYAL HALL OF RECORDS - TA VERION

    Selene and Tazul stalk among the deserted hall and the mazeof bookshelves.

    EZEKIAL (O.S.)Took your time.

    Ezekial appears from his hiding spot, the records keeperheld tightly against his chest in a tight head lock.

    29.

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    Selene and Tazul share a conflicted look. Selene wants totry but Tazul doesnt want to risk it.

    EZEKIAL (CONTD)Youre going to let me walk away

    or-(tighten his grip)

    Youll have his death on yourhands.

    SELENEYoure going to kill himregardless.

    Tazul gives Selene a sharp dont encourage him look.

    EZEKIAL

    (chuckles)Not necessarily.

    (menacing)Now step aside.

    Tazul begrudgingly moves out of his way but Selene stillstands there for a beat longer before relenting.

    INT. ROYAL HALL OF RECORDS - TA VERION

    Trey and Dbronze carefully search this particular stretchof the records hall. This area is cluttered with dusty,rarely used scrolls and books.

    Dbronze gestures to his ear suddenly.

    DBRONZE (V.O.)Someones coming this way. Illtackle, ya bash.

    Trey nods as they quickly hide themselves out of sight.Dbronze ducks behind a counter whilst Trey crouches behinda shelf.

    Tomsky walks into view. As he passes Dbronzes hidingspot, Dbronze JUMPS out to tackle him.

    Tomsky instinctively jumps out of reach, gracefully flipsin midair and lands on the counter. Dbronze SLAMS into theshelf as he misses, dazing himself.

    Trey bursts out of his spot behind the shelf rushing Tomskyfrom behind. Both tumble over the counter, grappling andwrestling.

    A recovered Dbronze gets to his feet and pulls out a pairof thick metal cuffs.

    30.

    CONTINUED:

    (CONTINUED)

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    DBRONZE (CONTD)Hold im steady.

    Trey atop the squirming Tomsky finally manages to PIN hisarms as Dbronze snaps the cuffs on.

    INT. ROYAL HALL OF RECORDS - TA VERION

    Selene and Tazul watch as Ezekial drags the helpless oldrecords keeper with him as he hurries off.

    Everything enters SLOW MOTION as Ezekial reaches the hall.He turns around with a malevolent smile and a daggerMATERIALIZES in his hand.

    He ruthlessly plunges the dagger into the old mansstomach, tossing him effortlessly aside like a rag doll.

    We return to normal time as Ezekial sprints off. Tazulrushes to the record keepers side, already ripping hershirt and trying to STAUNCH the wound.

    TAZUL(soothes to old man)

    Stay with me.(to Selene)

    Ive got it. Do what you do best.

    Selene BLURS disappearing in a blink as she gives chase.

    INT. ROYAL HALL OF RECORDS - TA VERION

    Dbronze cocks his head, picking something up as he holdsthe now cuffed Tomsky.

    DBRONZEIm goin ta help Selene. Can yahold him?

    TREYCourse.

    Dbronze shoves the shackled Tomsky into Treys arms andruns off.

    We STAY ON Tomsky as he gives Trey a significant, knowinglook.

    31.

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    EXT. ROYAL HALL OF RECORDS - TA VERION

    Selene BLURS onto the domed roof here. She scans the areafor any signs of Ezekial. But the roofs deserted.

    SELENEFressing impossible!

    Selene SNAPS her head at a soft, scraping sound as the doorto the roof cracks open...

    She aims her pulse pistol, ready to take the persons headoff. Its Dbronze!

    He holds his hands up in a calm down, dont shoot, pose.

    DBRONZE

    (off Selene)Great minds think alike, ai?

    (beat)At least we got one of them. Yacan question him all ya want,come on.

    INT. ROYAL HALL OF RECORDS - TA VERION

    Selene and Dbronze walk onto the scene. A stunned Treylies sprawled out on the ground. Tomsky is no longer in hisgrasp. Blood oozes from a nasty gash running across Treysleft cheek.

    He grunts in pain as he shakes his head.

    SELENEWhat happened?

    A concerned Dbronze comes closer to check Treys wound buthe waves him off.

    TREY

    Im fine. The thabocka tried taescape and I...

    He trails off as we follow Treys line of vision.

    ANGLE ON the ground reveals Tomsky sprawled out behind thecounter, his neck at an odd angle.

    32.

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    INT. HALL OF RECORDS - TA VERION

    PUSH passed the tan shirt enforcement officers as theyscour the area.

    Two white uniformed women, wearing armbands with bluecrescents, MEDICS, carry out the records keeper on astretcher. Tazul follows them to the hall.

    TAZULWill he be alright? I staunc-

    MEDIC 1Hes stabilised. But we reallyneed to transport him to themedical center.

    Tazul anxiously watches them as they disappear down thehall with the stretcher. A tan shirted officer in hisforties approaches and taps her on the shoulder.

    TAN SHIRTCould you give me a run down onwhat happened?

    OFF Tazul about to recount what just happened.

    INT. ROYAL HALL OF RECORDS - TA VERION

    Back on scene with Dbronze, Selene and Trey.

    DBRONZE(to Trey)

    I saw some medics round here. Goget that gash checked out.

    TREYI told ya Im-

    (off Dbronze; wearily)Ill see ya later then.

    Trey leaves.

    DBRONZESo long for havin someone taquestion.

    SELENEHe might still have his uses.

    They both crouch beside Tomskys corpse to examine himfurther. Dbronze rolls Tomsky onto his back.

    33.

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    Theres a flash of recognition now that he has a chance toget a good look at his face. This look quickly dissolves toconcern.

    SELENE (CONTD)

    (catches the look)What is it?

    DBRONZENothin.

    Selene methodically pats Tomsky down looking for anythingout of the ordinary. She pauses at a bulge near the waistband of Tomskys trousers. Shes about to shove her handdown there when-

    DBRONZE (CONTD)

    (sly)Didnt know ya were inta thatkind of thing.

    Selene gives him a please look at that before she shovesher hand underneath. After a second of fishing around shepulls out the scarred, leather book.

    DBRONZE (CONTD)Dolichus Codex? How the harnsthat supposed ta help?

    SELENEIm not sure but I know someonewholl have a fressing idea.

    INT. PRESTONS TENT - NIGHT

    A bare chested, Preston SNORES away on his side of the bedas a restless Sara attempts to sleep, a pillow pressed toher ears. With a frustrated sigh, she tosses the pillowaside.

    SARAMay as well do something useful.

    She throws the blanket off. Clad only in her undergarmentsshe grabs for an oriental patterned silk dressing gowndraped across a chair.

    Sara ties it as she crosses to a table where a thin, laptop-like device sits.

    She presses a button and the screen switches on, alreadyopen to a document. An image of a smiling Tazul and Sara

    clinking glasses together, sits beside detailed graphs andDNA sequences underneath the title:

    34.

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    (CONTINUED)

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    With your fatal wound and myselfhaving particularly strongerregenerative abilities than most,Elrond believes your body wasundergoing severe withdrawal.

    SARAThe freaky, vivid dreams, thecold sweats, the shakes...everything was because of that?

    (off Tazul)Why didnt you just tell me?

    TAZULI wasnt sure if you were goingto be staying here long enoughfor me to explain and then... Iwasnt sure how to tell you, how

    youd react.(beat; sincerely)

    I shouldnt have kept it fromyou. You have my word that Iwont keep information from youagain.

    Saras face flickers with guilt for a brief moment at hervulnerability.

    SARAApology accepted. Does Elrondknow a way to stop my bodycraving your blood?

    TAZUL(nods)

    He recommends a staggeredwithdrawal with a haikeriinfuser. Every time your bodydesires blood, you simply injectmy blood, decreasing the volumeuntil you no longer need it.

    SARA

    (unsure)So where do we stand?

    TAZULA haikeri can be at any one timea number of things, a closeconfidant, trusted advisor,paramour, kin. What it means forus, is up to you.

    Tazul pulls out an elegant gold armband from within herjacket.

    36.

    CONTINUED:TAZUL (CONT'D)

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    TAZUL (CONTD)If you do decide to stay it wouldmean a great deal if you acceptedthis. If not, Ill happily abideby your decision.

    SARAWhat does it mean?

    She indicates the engravings on the armband, two aliensymbols etched inside an aurelian clan crest.

    TAZULIt indicates to others thatyoure under my protection as myhaikeri.

    SARA(off Tazul; sighs)

    Can you just give me some space?I need time to absorb all this.Ill let you know when Ivedecided.

    TAZULOf course. Ill leave you to yourthoughts.

    She smiles hopefully at Sara before leaving, as we:

    SMASH CUT TO:

    INT. PRESTONS TENT - NIGHT

    Sara who seems to pause briefly, still conflicted beforeshe commences determinedly scrawling on the monitor with adigital input pen as, we:

    EXT. LOFT - HUB TOWN

    An establishing shot of a respectable looking, two storeybuilding. It stands out with its low key grey amidst themore garish, colourful establishments in the seedier partof Ta Verion.

    Dbronze, Tazul and Selene walk up to the barred metal doorof the building.

    DBRONZEA man dont live out here for thesoothin quiet is all Im sayin.

    Both women shake their head at Dbronzes comment. Tazulpresses a button on a black speaker beside the door.

    37.

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    DBRONZE(awkward)

    Nah, thats alright.

    Tazul and Selene share an amused look at that.

    TAZULSo what were you able to findout?

    KIRTLANDThe pages missing from theDolichus Codex were from Section409 and coupled with the robberyfrom Ropers place-

    SELENE

    (suspicious)Howd you get access to lawenforcement records?

    KIRTLAND(smiles)

    Varnell hooked me up, in exchangefor me hooking him up, with oneof the dancers at Tavellastheatre.

    Kirtland winks suggestively before he points a small blackwand at a metal voicenet hub.

    A large image of the now familiar diagram of a seal with apentagram is projected against the wall.

    KIRTLAND (CONTD)(gestures to image)

    Section 409s dedicated to somehardcore, dark intiation ritualsand ceremonies associated withDushok worship.

    (beat; off the three)I know youre all asking so

    whats some pompous senatorshouse being robbed got to do withthis?

    CLICK! An image of a two foot glass cylinder full ofviscous crimson appears.

    KIRTLAND (CONTD)This is what was stolen fromRopers, at least according tohis inventory reports. Itscalled a spinnarek, thats

    ancient tongue for essence orvitae holder.

    39.

    CONTINUED:

    (MORE)

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    (beat; off the three)Which means your dealing withBlood Reapers.

    SELENEIs that supposed to mean

    something to us?

    CLICK! A stylized sketch of a robed person with a foreheadtattoo of a heart surrounded by thorns appears.

    KIRTLANDSpeaking as a cults expert theBlood Reapers rank up there asone of the most bloodiest cultsdedicated to Dushok worship. Itsrumoured theyre heavily intocannibalism as well. Theyre very

    insular so theres no extensivedetail on them.

    (gestures to image)An initiate bears this tattoo.

    FOCUS ON Dbronze whose expression hardens as the piecesfall into place.

    DBRONZEI gotta go. Give me a voice whenya find anythin else.

    He rushes off before Selene or Tazul can protest.

    BLACK OUT:

    END OF ACT THREE

    40.

    CONTINUED:KIRTLAND (CONTD)

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    ACT FOUR

    FADE IN:

    INT. APARTMENT - TA VERION

    A dimly lit spartan apartment. Theres a small glass tableand chair visible here. The glass table rattles at a loudPOUNDING on the door. A shirtless, half awake Trey rushesinto frame.

    TREYIm comin hold ya fressinnoctil.

    He opens the door and CRACK! He reels back from a hardpunch to the face, stumbling.

    TREY (CONTD)What tha fress?

    Dbronze storms in, roughly hauling Trey up against thewall.

    DBRONZEI shoulda fressin known ya cantchange. Ya just needed me to beya cover story for when ya robbedRopers place.

    Trey viciously HEAD BUTTS Dbronze causing him to stumbleback from the blow. He takes full advantage of this,grabbing Dbronze and kneeing him in the stomach beforesmoothly bringing down his fists on Dbronzes back,dropping him.

    TREYIf ya had asked me bout it,instead of jumpin taconclusions. Id of told ya why Idid it.

    Dbronze clutches his stomach and coughs as he gets to his

    feet.

    DBRONZEThats brahmin drez and yafressin know it.

    He KICKS out at Trey but he easily slides, nimbly avoidingit.

    TREYYa sound just like da. Aintsurprizin given ya the golden

    child. Destined to be hissuccessor and all that drez.

    41.

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    DBRONZEIve never bought into that. Iprefer ta focus on the present.

    Dbronze swiftly KICKS up the small glass table up and at

    Trey without warning. It SHATTERS as it hits him full on inthe face. He drops to the ground, stunned.

    At this, Dbronze rushes over to Treys downed form andCLICKS on a thick pair of metal shackles on his wrists.

    INT. BLOOD REAPER TEMPLE - RUSHKOS QUARTERS

    Rushkos relaxes in a large tub of blood that gently BUBBLESevery few seconds. Succutha strolls in wearing a very

    short, red silk robe barely covering her modesty.

    SUCCUTHAEzekial just voiced. Hes on hisway with section 409. Tomsky wascaptured but that Mazakelli onyour payroll took care of that.

    Rushkos stretches his arms and leans against the tub with asmile.

    RUSHKOS(smiles)

    Hes certainly made a goodimpression. Voice him and see ifhes interested in replacingTomsky, then come join me.

    CLOSE UP on Succuthas eye as we delve into the black ofher pupil.

    FLASH TO:

    INT. VOICESCAPE

    Theres an etheral, gaussian feel as Succutha relaxes in athrone made of bones. Disturbing paintings of bloodsacrifices decorate the blood red walls.

    TREY (O.S.)Ya voiced?

    REVERSE ANGLE to reveal an intrigued Trey who raises aneyebrow at the surroundings.

    42.

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    TREY (CONTD)(off the surroundings)

    Dont take this tha wrong way butya got a twisted mind if this istha place ya feel most

    comfortable.

    SUCCUTHAIts the council room of thetemple I grew up in.

    (off Treys expression)You broached the topic not me.

    TREYThere a point to all this or didya simply want to chat?

    SUCCUTHAHow typical of a djibou, straightto business, females must lovethat.

    TREY(smirks)

    I havent got any complaintsyet.

    SUCCUTHA(rolls her eyes)

    Rushkos wishes to extend aninvitation to join our ranks asa blood brother. As Tomskysmurderer, it would not only befitting you take his place, itwould also honour his greatsacrifice.

    Treys face flickers uncertainly, the guilt over hisactions still fresh.

    TREY(defensive)

    I was only carrying out thefavour owed to Rushkos, is all.

    SUCCUTHADont be so modest. Youre trackrecord displays a certainruthlessness we strive to create.Youre perfect brother material.

    TREYYa fressin me around arent ya?

    43.

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    SUCCUTHAIm completely serious. Believeme. You dont want to be anunbeliever when Dushoks bloodguardian rises.

    TREYIll think on it.

    SUCCUTHAYou do that. But dont take toolong, its a limited time onlydeal.

    SMASH CUT TO:

    INT. BLOOD REAPER TEMPLE - RUSHKOS QUARTERS

    Succutha seductively eyes Rushkos as he sits in the tubfull of blood. Shes just about to disrobe when she noticessomething off screen.

    Succuthas POV shows Dronnic standing to the right of thetub near a large silver tap.

    RUSHKOSDronnic wed appreciate someprivacy right now.

    Dronnic bows his head in acknowledgement, hes about to gowhen-

    RUSHKOS (CONTD)Oh, do you mind topping us upbefore leaving? The last dropsare always the sweetest.

    Dronnic pushes down on a lever and theres a low GURGLINGas blood pours from the tap, filling the tub higher.

    Theres a slow PAN along the tap to a silver purring eightclawed contraption that holds the now twitching bald, beefy

    man seen from before. Thin clear tubes are inserted intohis arms, legs and chest draining his blood.

    The corpses of three other men slumped lifelessly a littlefurther back.

    INT. LOFT - HUB TOWN

    Selene and Tazul sit at a table with piles of batteredtexts and scrolls in front of them. Each currently scans

    through a dusty, old book.

    44.

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    TAZULI thought the whole point of thevoice net was to eliminate texts.

    KIRTLAND

    More to streamline access,actually. I dont upload mycollection as the informationcontained in most of these wouldbe dangerous in the wrong hands.

    SELENEYoud rather they stole itpersonally from you, with thevery real possibility of beingkilled in the process.

    KIRTLANDWhyd you think this place is sowell secured?

    (beat; sly)Though if youre that concerned,about my welfare you could alwaysclosely guard my person.

    Tazul smirks at this as she scans her text. Selene lets thecomment slide.

    The three lapse into a companionable silence for a beatuntil-

    KIRTLAND (CONTD)Aha! Found it.

    (beat; more serious)This doesnt look good at all.

    Kirtland holds up a scroll that shows:

    An ancient stylized sketch of a person with blood red eyes.The blood reaper tattoo is emblazoned on their forehead,with a crimson hued shadowy figure seeming to hover abovethem.

    INT. APARTMENT - TA VERION

    Dbronze DUNKS a pitcher of water over Treys face. Hesputters awake and glares venomously at Dbronze.

    TREYYa cheated. Id of beat ya in afair fight.

    45.

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    DBRONZEYa should know by now there aintno fressin thing as fair.

    Trey shrugs his shoulders conceding the point. He attempts

    to move but struggles as he does. At this, he glances down.

    TREYIs all this necessary?

    We TILT down to see that Treys knees and ankles aretrussed up and shackled with thick chains.

    DBRONZEIt is.

    (beat; stern)Im goin ta ask ya questions and

    ya goin to answer every one.

    TREYOr what?

    DBRONZE(anguished)

    Dont make me, have to....

    Treys arrogant, confident exterior noticeably falters atDbronzes tone.

    TREY(sighs)

    Alright. Ill tell ya everythin.What ya need ta know?

    INT. BLOOD REAPER TEMPLE - MAIN ALTAR

    Rushkos watches as five of his initiates drag fivestruggling, gagged and trussed up men to each point in thepentagram seal. Hes now dressed for the ritual in hiselaborate crimson robes, the slivered rubies and teeth

    glittering.

    He approaches the closest point of the pentagram. A stocky,robed initiate holds out a trembling, man with blacktussled hair. Rushkos strokes the mans face gently.

    RUSHKOS(soothing)

    Dont be afraid. You should feelhonoured to be part of thebeginning of a new age.

    46.

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    He LUNGES, biting a chunk out of the mans neck. BloodSPURTS from the mans fatal neck wound as the initiatelowers him to the seal.

    Dark, arterial blood drips down the channels of the seal

    flowing into the center.

    Rushkos smiles at the assembled brethren his mouth andcheek spattered with blood.

    After Rushkos lead, the four other initiates grab theirsacrificial victims, about to bite-

    We STAY ON Rushkos as we hear muffled shouts of pain.

    Rushkos glances at the seal, all five sacrifices now lie oneach point of the pentagram. The seal starting to glow a

    faint red as their life blood drips down the seal.

    RUSHKOS (CONTD)Ill leave you to it brena.

    INT. APARTMENT - TA VERION

    Trey still trussed up looks to Dbronze expectantly,awaiting a response.

    TREYFressin go on then. Give me theusual spiel.

    He holds his cuffed hands up awkwardly.

    TREY (CONTD)(agitated)

    Go on. Im waitin. Tell me howmy selfish, greedy, dishonourableways havent just shamed thefamily, it almost got themkilled. Do it!

    Treys on the verge of breaking down as his self-confidentmask crumbles. A jumbled mess of emotions just under thesurface- shame, guilt, misery and self-loathing.

    TREY (CONTD)(miserable)

    Das right. I have no fressinbusiness callin myself aMazakelli.

    47.

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    DBRONZEYa listen and ya fressin listengood. I dont want ta hear thattalk ever again.

    He squeezes Treys arm to get his attention.

    DBRONZE (CONTD)Ya messed up there aint nodenyin that. But ya not goin tofix anythin by sitting here andbitchin. Ya really want to patchthings up with Da and the rest ofthe family?

    (off Treys nod)Clean up ya life first. Startinwith this little problem.

    TREY(small smile)

    Lo Mokol, brena. Ya know I dontthink Ive ever actually fressinthanked ya for always beinthere, standin up for me when noelse would.

    DBRONZEAnd ya dont ever need to.

    (beat; smiles)Ive got a plan to take thesemaman fressers out, ya in?

    TREY(smiles)

    What can I do to help?

    INT. BLOOD REAPER TEMPLE - RUSHKOS QUARTERS

    Succutha glances at herself in a long mirror as she givesherself a look over. Ensuring shes presentable, with not a

    strand of hair out of place. She smiles satisfied.

    Shes already dressed for the ceremony in lavish crimsonred and black robes but unlike everyone else its coveredwith slivered rubies similar to Rushkos.

    TREY (V.O.)Ive been thinkin on itSuccutha. And Id like ta accepttha invitation, if it aint toolate?

    48.

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    SUCCUTHA (V.O.)(smiles)

    Its never too late to embracethe truth of who you are. Rushkoswill be pleased.

    TREY (V.O.)Where do I meet ya? Same place asbefore or what?

    SUCCUTHA (V.O.)Securitys tight due to theceremony. Just meet me at thegated entrance to the temple andIll bring you in, alright?

    INT. BLOOD REAPER TEMPLE - ENTRANCE HALL

    Rushkos, with Dronnic doggedly flanking him, approachesSuccutha and Trey as they enter the dimly-lit hall.

    RUSHKOSSo what changed your mind?

    TREYIve been thinkin over this fora fressin while. Currency cantbeat immortality, ai?

    Rushkos smiles and embraces Trey in a manly hug, much tothe displeasure of Dronnic.

    RUSHKOSWelcome to the family.

    They break from the hold.

    RUSHKOS (CONTD)Ill have Dronnic fit you withrobes appropriate for the

    occasion. See you at theceremony.

    Rushkos and Succutha, hand in hand, briskly stroll away,their flowing robes dramatically sweeping away at thechange in pace.

    Dronnic glares at Trey warily before inclining his head ina follow me gesture.

    ANGLE ON the floor to see a feminine shadow that secretlyfollows the two.

    49.

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    INT. BLOOD REAPER TEMPLE - MAIN ALTAR

    Dronnic and a now robed Trey make their way to the front asthey push passed the throngs of black and crimson robedinitiates. Succutha nods in acknowledgement as the two join

    her.

    Rushkos sits in the center of the seal. Its a deepbaptismal font, thats now half full of blood. His robesand legs soaking up the sacrificial blood.

    Five robed blood reapers each pull a lever on each of theslots above the spinnareks. Viscous, dark blood from thecylinders snake down to the seal.

    RUSHKOS(slowly)

    Tresa Aetio Ral Liscatu Dresciim!

    The pentagram on the seal glows a brighter red.

    RUSHKOS (CONTD)Liena rascemi oosta est Dushok!

    At this, the pentagram symbol GLOWS even brighter, toblindingly painful levels.

    The bright red light DISSIPATES after a beat.

    The blood in the center basin starts to BUBBLE. Rushkos andeveryone in attendance watches this intently.

    FOCUS ON Rushkos awe filled expression before we PULLBACKto reveal a crimson masculine figure that starts to slowlycoalesce into existence from the blood.

    BLACK OUT:

    END OF ACT FOUR

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    ACT FIVE

    FADE IN:

    EXT. BLOOD REAPER TEMPLE

    Five hundred aurelius soldiers in pale yellow uniformssurround the entrance. They seem to be waiting for a signalfrom someone.

    INT. BLOOD REAPER TEMPLE - MAIN ALTAR

    Back to the ritual where every pair of eyes in the room ison the bloody creature that seems to be taking in thesurroundings with an ever increasing sentience.

    BAM! Three robed figures start FIRING pulse pistols attheir surrounding brethren. Not expecting this at all, theclosest blood reapers slump as theyre hit.

    Trey SNAPS into action throwing an unexpected vicious righthook that lays out Succutha easily.

    The hoods slip off the three hostile initiates to revealDbronze, Selene and Tazul.

    TAZUL (V.O.)Now!

    EXT. BLOOD REAPER TEMPLE

    The soldiers STORM the temples entrance.

    INT. BLOOD REAPER TEMPLE - ENTRANCE HALL

    The soldiers rush down the hall, as they ruthlessly BLASTaway at any blood reapers in sight.

    INT. BLOOD REAPER TEMPLE - MAIN ALTAR

    The throngs of cult members exploit their far greaternumbers to stall the four from interrupting the ritual.

    Trey ducks a vicious JAB to the face from an enragedDronnic. Hes faster than Dronnic and he knows it- tauntinghim as he WEAVES and ducks each and every blow.

    Tazul SWINGS her sword gracefully, mercilessly cutting downany blood reaper in her path.

    51.

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    She decapitates one, thrusts her blade deep into the chestof one and slices open another as she gradually makes herway through the crowd.

    Selene expertly SNAPS the neck of any blood reapers foolishenough to swarm her.

    Dbronze GRABS a blood reaper and hurls him bodily into agroup of charging initiates. The group BOWLED over quiteliterally, all of them knocked off their feet.

    The aurelius soldiers RUSH onto scene throwing themselvesinto the action.

    PAN across the battling forces to rest on the seal wherethe crimson entity, a BLOOD GUARDIAN, mutters something inan incomprehensible, ancient tongue.

    Rushkos seems to understand it as he rises.

    ANGLE ON the long red claws that extend from its extremelyelongated fingers.

    SHINK! Rushkos grunts in pain as the entity impales itsclaws deep into his chest.

    His body convulses as the entitys form seems to quicklyDISSIPATE its essense crawling into Rushkos and underneathhis skin.

    Rushkos clutches at his chest painfully before his bodyviolently seizes and spasms erratically on the ground.

    He STOPS his body going very still.

    INT. BLOOD REAPER TEMPLE - MAIN ALTAR

    Trey continues to taunt Dronnic who lashes out with abrutal KICK to Treys mid section. Trey stumbles from theimpact but regains his footing quickly.

    TREYFace it, Im just better than ya.Must burn ya up inside thatRushkos didnt listen to ya boutme.

    Dronnic clutches at his throat. Theres a metallic dartembedded there. His eyes roll back in shock, gurgling andspluttering before he SLUMPS to reveal Selene.

    TREY (CONTD)Ai, dont go killin a brenas

    mark before hes finished.

    52.

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    SELENEThis isnt some fressing sparmatch for your amusement. Werehere to eliminate a dangerouscult. More killing less taunting.

    She disappears amongst the chaos before Trey can retort.

    Dbronze viciously BASHES a blood reaper against the stonefloor over and over again, until his beaten body goes limp.

    Tazul cleanly decapitates another initiate, blood SPRAYINGthe area. Shes finally made her way through the crowd inher section.

    Tazul eyes the prone Rushkos a few feet away.

    INT. BLOOD REAPER TEMPLE - MAIN ALTAR

    PAN across the crazy melee of pale yellow uniformedsoldiers and black and crimson robed cult members as theyscrap.

    Selene effortlessly takes on four blood reapers at a time,easily blurring to avoid their attacks. She smoothly KICKSout, catching one in the face then slits the throat ofanother with a dagger, snaps the neck of one and guts thelast with her other dagger.

    CRACK! Selene stumbles from a blow to the head.

    NEW ANGLE reveals Ezekial who smirks.

    JUMP TO Tazul as she runs up and agilely FLIPS up and overthe seal to where Rushkos lies.

    ANGLE ON Rushkos face as his eyes instantly SNAP OPEN,blood red.

    He RISES to his feet, in stereotypical Dracula fashion, as

    if an invisible force is yanking him up rather than usinghis feet.

    Tazul doesnt waste any time charging in and SWINGING hersword at Rushkos.

    Rushkos instinctively DUCKS the blades arc a first andthen a second time, and another as Tazul comes at him at afurious pace.

    Rushkos shouts in pain as she SLICES off his right hand.

    SWITCH FOCUS to Ezekial as he throws a hard JAB to Selenesface but she shrugs it off.

    53.

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    EZEKIALDo you really think you can stopover two centuries of planning?

    Selene blurs, runs up the wall and lands behind Ezekial.

    She sweeps his legs out from underneath him.

    SELENEI always like a challenge.

    BACK TO Tazul as she presses her advantage, coming atRushkos at an even more lightning quick pace.

    The blade BLURRING as she elegantly turns and swings it ina complicated pattern of arcs. The blades movement flowingas if its an extension of her own hand.

    Rushkos stumbles, losing his footing as he attempts toavoid Tazuls sword. SHINK! The sword slices into Rushkosneck DECAPITATING him.

    SLOW MOTION as his body falls to the ground, his headsliding away whilst blood SPRAYS.

    However, the blood spilling out from the wounds, his neckand wrist TUG back at the severed hand and head.

    The wrist and head seamlessly, fluidly reattaching as theblood flows back into Rushkos body, the flesh knittingback together!

    Return to normal time as Rushkos CRACKS his neck to theside, rolling his shoulders with a malevolent smile.

    Tazul has a classic, what the hell expression, stunned atthe turn of events.

    Rushkos narrows his blood red eyes and Tazuls HURLEDbodily by an invisible force into a stone wall.

    Shes viciously SLAMMED into the wall three times.

    Tazul slides down bloodied and unconscious. The woundshealing instantaneously as she lands with a thump on theground, her sword CLANGING as we:

    INT. BLOOD REAPER TEMPLE - MAIN ALTAR

    Dbronze as he roughly throws three men off him. He PLOUGHSthrough the robed figures that try to swarm him with theirsuperior numbers.

    54.

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    FOCUS ON Ezekial as he jumps to his feet, ready for anotherround. He goes to throw a brutal uppercut to a nowdistracted Selene, concerned with something off screen.

    She snaps Ezekials arm and twists it backwards with a

    sickening CRACK, without breaking a sweat.

    Ezekial GROANS as Selene presses down on his now brokenarm.

    In a BLUR, she slides out one of her daggers and smoothlySLITS Ezekials throat. Before disappearing in a BLINK.

    Ezekial clutches as his throat futilely, blood spraying ashe sinks to the floor.

    INT. BLOOD REAPER TEMPLE - MAIN ALTAR

    Rushkos STALKS over to the unconscious Tazul a wicked,leering expression on his face. He gestures towards him andTazuls prone body is tugged upwards and over to him.

    He grabs her shoulders and pulls her close, his fangsextended, about to take a bite ....

    SMACK! Dbronze bashes a pulse cannon against the back ofRushkos head.

    Rushkos drops the prone Tazul and WHIRLS on Dbronze.

    Selene BLURS over and swings Tazuls arm over her shoulderbefore whisking Tazul out of harms way.

    Rushkos effortlessly dodges Dbronzes brutal blows.

    CRACK! Tired of playing, Rushkos hits back with a soliduppercut that sends Dbronze reeling.

    He follows up with a vicious KICK that drops Dbronze.

    INT. BLOOD REAPER TEMPLE - ENTRANCE HALL

    Were in a deserted part of the temple, the sounds of thebattle drifting here.

    FOCUS ON Selene who watches the still prone Tazul for abeat. She gently moves a folded up jacket under Tazulshead.

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    INT. BLOOD REAPER TEMPLE - MAIN ALTAR

    Rushkos stalks over about to finish Dbronze when BAM! Treytackles him bodily.

    TREYDont go messin with aMazakelli.

    He starts PUMMELLING Rushkos.

    TREY (CONTD)Ya wont live to regret it.

    SWITCH FOCUS to Succutha who coughs as she stirs.

    Her eyes WIDEN as she takes in the chaos. Aurelius soldiers

    furiously battling with the robed brethren.

    She quickly gets to her feet and rushes off.

    BACK ON Trey as he continues to pummel Rushkos despite thefact that he seems unhurt or simply unaffected by the blowsrained down upon him.

    SNAP! Rushkos catches Treys arm and uses it to spin Treybodily before releasing him.

    Trey SAILS through the air and smack right into Dbronze ashes picking himself up.

    Rushkos stalks over but a slender female arm comes intoview, stopping him. We TRACK UP the arm to reveal itsSuccutha.

    SUCCUTHACome here, bembeino.

    She pulls Rushkos in for a passionate kiss.

    INT. BLOOD REAPER TEMPLE - MAIN ALTAR

    Selene BLURS through the melee reaching Dbronze and Trey.

    Both untangling themselves and shaking their heads to clearthem.

    They glare at Rushkos whos currently locked in apassionate, intimate embrace with Succutha. They look justabout to rush in and throw themselves into it again.

    SELENE

    (rolls her eyes)Brute force isnt going to work.

    56.

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    Didnt the combined drez kicking,convince you of that?

    DBRONZEYa got a better idea?

    INT. BLOOD REAPER TEMPLE - MAIN ALTAR

    Rushkos comes up for air as Succutha rests her head againsthis chest.

    SUCCUTHAYouve finally succeeded.

    His blood red eyes seem to glaze over and he TOSSES herroughly to the ground.

    He drops to his knees, clutching his head painfully.

    Succutha gets to her feet and warily approaches as Rushkosseems to convulse.

    SUCCUTHA (CONTD)(concerned)

    Rushkos?

    His head SNAPS up with a malevolent, evil grin and helunges at Succutha, pulling her to him. She painfully gaspsas his fangs sink deep into her neck.

    INT. BLOOD REAPER TEMPLE - MAIN ALTAR

    We return to Dbronze, Selene and Trey as they regroup.

    SELENEWe need something that willsolidify Rushkos somehow so hecant pull that same trick hepulled with Tazul.

    TREYHow bout freezing?

    He pulls out a magazine from within his robes. It containsclear bullets, a white liquid can be seen inside.

    TREY (CONTD)High quality icitrite roundsstraight off tha black market. Inever leave home without em.

    57.

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    SELENE(smiles)

    That could work.

    INT. BLOOD REAPER TEMPLE - MAIN ALTAR

    Rushkos hungrily feeds on Succutha for a long beat despiteher violent struggling. Her struggles die down as she goeslimp in his arms.

    He drops her to the ground as he clutches his headpainfully again.

    He CONVULSES and Rushkos seems to come back to his senses,his mouth and chin now smeared with Succuthas blood.

    Rushkos spots her sprawled out on the floor beside him. Heseems confused and disorientated until he recognizes thetaste of blood in his mouth.

    His face registers with horror at the realization of whatshappened. He rushes over to her side in an instant.

    RUSHKOS(gently)

    Succutha come on.

    He shakes her gently trying to rouse her. He bites hiswrist, the blood dripping as he quickly presses it to herlips. She doesnt respond.

    RUSHKOS (CONTD)(desperate)

    Drink.

    He opens her mouth and lets the blood drops fall on hertongue. She seems unresponsive- the blood not seeming tohave an effect. Its too late.

    Tears slowly roll down his face.

    RUSHKOS (CONTD)Please. I cant do this withoutyou.

    He holds her body close to his, rocking her gently. Hummingsoftly to her as if she were asleep.

    He stops as he hears the sounds of boots approaching.

    SELENE (O.S.)Not everything youd thought it

    would be?

    58.

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    NEW ANGLE reveals Dbronze, Selene and Trey standing behindhim.

    DBRONZE(almost sympathetic)

    Thats the thing about these darkrituals ta fallen ardens, yanever know what theyre goin toreally cost.

    Rushkos gently places Succuthas body down. With an enragedSNARL he leaps at Selene who blurs out of reach.

    Dbronze and Trey both go to grab Rushkos who easily SHRUGSoff their attempts and slams them together.

    BAP! Selene lets off a barrage of bullets.

    MACRO BULLET SHOT:

    Six bullets ROAR across to Rushkos, he bends and WEAVES,exceptionally fast. Very matrix-like in his ability.

    Selene smirks as she BLURS over in an instant. The pistolplaced against his head.

    SELENEDodge this.

    She shoots him four times in the head. Misty, white vapourstreams from the gun.

    Rushkos jerks as the bullets IMPACT his head. The bulletwounds healing themselves, almost instantly.

    He stumbles, clutching his head, painfully. Frost starts toinch across his face but his body ruthlessly fights it offfor an extended beat.

    Dbronze and Trey grab him, holding him as he convulses.

    His head finally succumbs to the icitrite, SOLIDIFYING and

    freezing solid.

    Dbronze nods to Trey.

    DBRONZEIll let ya have the honours.

    SMASH! Trey cracks Rushkos in the face. It SHATTERS fromthe impact. Shards of frozen flesh, blood and bonespattering the ground.

    59.

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    EXT. AURELIUS ROYAL PALACE - GARDENS

    Tazul holds out a staff to Selene, both in their sparringclothes again.

    SELENEYou almost got yourself killedagain.

    TAZULEmphasis on almost.

    (beat; off Selene)You worry too much.

    Tazul twirls her staff expertly.

    TAZUL (CONTD)

    Come on, Im curious to find outhow our second round will fare,now youre not so distracted.

    SELENE(half-smiles)

    If you insist.

    INT. THE GOLDEN BOAR - TA VERION

    A bustling scene with the tavern full to capacity. We PUSHpassed the drunken, raucous chanting of a group of soldiersto the packed counter where Trey and Dbronze sit with amug of ale each.

    TREYIm fressin serious. Im gointo stay outta all that drez. Thataint what Im all bout anymore.

    Dbronze CLAPS a hand on Treys shoulder.

    DBRONZE

    I could get ya a job in thamilitary.

    (beat; off Trey)Ai, Tazul managed to fressin getSelene in. Should be a piece ofnishka.

    Trey goes to top up his mug but he realizes its empty.Dbronze CLICKS his fingers at a barmaid that hurries past.She turns, its Letty.

    DBRONZE (CONTD)

    (sweetly)Can I get another pitcher of ale?

    60.

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    LETTYI shouldnt even be serving you.Youre lucky I managed to talk myuncle out of laying charges,again.

    DBRONZEIll promise to be good.

    LETTY(sighs)

    Alright. But if my uncle comesdown, I never saw you.

    DBRONZE(shrugs)

    Thats fair.

    She rushes off and Dbronze watches her retreating figurefor a beat with smile. Trey catches the look with a knowinggrin.

    TREY(off Letty)

    Ya interested in her?

    DBRONZEShes nice and all but I dontthink of her that way.

    TREYThen ya wont mind me takin ashot, ai?

    Dbronze chuckles as he brings his mug to his lips and onthis, we:

    BLACK OUT:

    END OF SHOW

    61.

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