TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

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Texture The way melody, harmony, and rhythm are woven together. How dense? Thick Thin

Transcript of TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Page 1: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Texture The way melody, harmony, and rhythm are woven together.

How dense?Thick

Thin

Page 2: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Range Distance between the highest and lowest intervals.

Wide

Page 3: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Range Distance between the highest and lowest intervals.

Narrow

Page 4: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Types of Texture

Monophonic

Polyphonic

Homophonic

Chordal

Heterophonic

Single melodic line.

Page 5: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Types of Texture

Monophonic Single melodic line.

Page 6: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Types of Texture

Monophonic

Polyphonic

Polyphonic

Chordal

Heterophonic

Single melodic line.

Two or more lines moving independently of each other, or in imitation.

Page 7: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Types of Texture

Polyphonic Two or more lines moving independently of each other, or in imitation.

Page 8: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Types of Texture

Polyphonic Two or more lines moving independently of each other, or in imitation.

Page 9: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Types of Texture

Polyphonic Two or more lines moving independently of each other, or in imitation.

Page 10: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Types of Texture

Polyphonic Two or more lines moving independently of each other, or in imitation.

Page 11: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Types of Texture

Monophonic

Polyphonic

Homophonic

Chordal

Heterophonic

Single melodic line.

Two or more lines moving independently of each other, or in imitation.

Melody and accompaniment. Accompaniment = rhythmic & harmonic support.

Page 12: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Types of Texture

Homophonic Melody and accompaniment. Accompaniment = rhythmic & harmonic support.

Page 13: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Types of Texture

Homophonic Melody and accompaniment. Accompaniment = rhythmic & harmonic support.

Page 14: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Types of Texture

Homophonic Melody and accompaniment. Accompaniment = rhythmic & harmonic support.

Page 15: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Types of Texture

Monophonic

Polyphonic

Homophonic

Chordal

Heterophonic

Single melodic line.

Two or more lines moving independently of each other, or in imitation.

Melody and accompaniment. Accompaniment = rhythmic & harmonic support.

Also homorhythmic – similar rhythm in all parts. Hymnic, may not have melody

Page 16: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Types of Texture

Chordal Also homorhythmic – similar rhythm in all parts. Hymnic, may not have melody

Page 17: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Textual ElementsPrimary Melody (PM) Most important melodic

line(s) in a piece of music.

Homophonic – usually onePolyphonic – may be more than one

Page 18: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Types of Texture

Monophonic

Polyphonic

Homophonic

Chordal

Heterophonic

Single melodic line.

Two or more lines moving independently of each other, or in imitation.

Melody and accompaniment. Accompaniment = rhythmic & harmonic support.

Also homorhythmic – similar rhythm in all parts. Hymnic, may not have melody

Single melodic line, multiple variations at same time.

Page 19: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Textual ElementsPrimary Melody (PM) Most important melodic

line(s) in a piece of music.

Homophonic – usually onePolyphonic – may be more than one

Page 20: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Textual ElementsPrimary Melody (PM) Most important melodic

line(s) in a piece of music.

Homophonic – usually onePolyphonic – may be more than one

Page 21: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Textual ElementsSecondary Melody (SM) A melodic line that is

not as important as the PM.

Page 22: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Textual ElementsParallel Supporting Melody (PSM)

Melodies similar in contour to PM, often keep a parallel interval relationship.

Page 23: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Textual ElementsParallel Supporting Melody (PSM)

Melodies similar in contour to PM, often keep a parallel interval relationship.

Page 24: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Textual ElementsStatic Supports (SS)

Sustained chords, pedal tones, repeated melodic or rhythmic figures.

Page 25: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Textual ElementsStatic Supports (SS)

Sustained chords, pedal tones, repeated melodic or rhythmic figures.

Page 26: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Textual ElementsHarmonic and Rhythmic Support (HS, RS, HRS)

Textural elements that support the melody rhythmically, harmonically, or both.

Page 27: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Textual ElementsHarmonic and Rhythmic Support (HS, RS, HRS)

Textural elements that support the melody rhythmically, harmonically, or both.

Page 28: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Textual Reduction

Page 29: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Textual Reduction

Page 30: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Textual Reduction

Page 31: TextureThe way melody, harmony, and rhythm are woven together. How dense? Thick Thin.

Textual Reduction