TENESSEE WILLIAMS’ A STREETCAR NAMED DESIRE

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TENESSEE WILLIAMS’ A STREETCAR NAMED DESIRE LQ: Do I understand the context of the play and can I predict, using social and historical context, the struggles that will be presented? TERMINOLOGY: onomatopoeia, repetition, alliteration, sibilance, simile, metaphor, personification, personal pronoun, feminism, rhetoric, proleptic irony CONTEXT TERMS: misogyny, equality, gender equality, segregation, marginalisation, segregation, discrimination, alienation, polygamy

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TERMINOLOGY: onomatopoeia, repetition , alliteration, sibilance, simile, metaphor, personification, personal pronoun, feminism, rhetoric, proleptic irony CONTEXT TERMS: misogyny, equality, g ender equality, segregation, marginalisation , segregation, discrimination, alienation, polygamy. - PowerPoint PPT Presentation

Transcript of TENESSEE WILLIAMS’ A STREETCAR NAMED DESIRE

Page 1: TENESSEE WILLIAMS’  A STREETCAR NAMED DESIRE

TENESSEE WILLIAMS’ A STREETCAR

NAMED DESIRELQ: Do I

understand the context of the play and can I predict, using social and

historical context, the struggles that will be presented?

TERMINOLOGY: onomatopoeia, repetition, alliteration, sibilance, simile, metaphor, personification, personal pronoun, feminism, rhetoric, proleptic

ironyCONTEXT TERMS: misogyny, equality, gender equality, segregation,

marginalisation, segregation, discrimination, alienation, polygamy

Page 2: TENESSEE WILLIAMS’  A STREETCAR NAMED DESIRE

Tennessee Williams A STREETCAR NAMED DESIRE

LQ: Do I understand the context of the play and can I predict, using social and historical context, the

struggles that will be presented?

Use the blog:Justuslearning.com > blog >

+ search “Streetcar”

CONTEXTUAL TERMS: colonisation, independence, missionaries, post-colonial, racism, Empire, Victorian, Igbo, traditional customSTRUGGLES: race, cultural domination, alienation, religion

TERMINOLOGY: onomatopoeia, repetition, alliteration, sibilance, simile, metaphor, personification, personal pronoun, feminism, rhetoric

CONTEXT TERMS: misogyny, equality, gender equality, segregation, marginalisation, segregation, discrimination, alienation, polygamy

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CONTEXTUAL TERMS: colonisation, independence, missionaries, post-colonial, racism, Empire, Victorian, Igbo, traditional customSTRUGGLES: race, cultural domination, alienation, religion

TERMINOLOGY: onomatopoeia, repetition, alliteration, sibilance, simile, metaphor, personification, personal pronoun, feminism, rhetoric

CONTEXT TERMS: misogyny, equality, gender equality, segregation, marginalisation, segregation, discrimination, alienation, polygamy

GOOD PROGRESS: I understand the social and political context which influenced the writing of the novel and affects

how it is received by audiences.

EXCELLENT PROGRESS: I understand the social, political and literary context which influenced the writing of the novel and affects how it has been received by both a 1940s/50s and

a modern audience.

OUTSTANDING PROGRESS: I understand the social, political and literary context which influenced the writing of the novel and affects how it has been received by both a 1940s/50s and

a modern audience and can link these issues to my wider reading

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Late 1940s New OrleansExplode the setting….What influences from society, politics, literature may be present?

EXT: Which struggles do we imagine will be present?

CONTEXTUAL TERMS: colonisation, independence, missionaries, post-colonial, racism, Empire, Victorian, Igbo, traditional customSTRUGGLES: race, cultural domination, alienation, religion

TERMINOLOGY: onomatopoeia, repetition, alliteration, sibilance, simile, metaphor, personification, personal pronoun, feminism, rhetoric

CONTEXT TERMS: misogyny, equality, gender equality, segregation, marginalisation, segregation, discrimination, alienation, polygamy

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There are numerous sources around the room:

• Biography of Tennessee Williams

• History of the “Deep South”

• History of New Orleans

• American Theatre Forms

• Play/film reviews

• Immigration in 20th Century to US

• Presentation of 1950s women in US media

CONTEXTUAL TERMS: colonisation, independence, missionaries, post-colonial, racism, Empire, Victorian, Igbo, traditional custom

STRUGGLES: race, cultural domination, alienation, religion

TERMINOLOGY: onomatopoeia, repetition, alliteration, sibilance, simile, metaphor, personification, personal pronoun, feminism, rhetoric

CONTEXT TERMS: misogyny, equality, gender equality, segregation, marginalisation, segregation, discrimination, alienation, polygamy

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You will have short periods of time to carousel around the information sources:• Try to distill to “most

important” 3 facts for each source

• Focus on the influence it may have on presenting the struggle

EXT: can you link the information to your wider reading?

CONTEXTUAL TERMS: colonisation, independence, missionaries, post-colonial, racism, Empire, Victorian, Igbo, traditional customSTRUGGLES: race, cultural domination, alienation, religion

TERMINOLOGY: onomatopoeia, repetition, alliteration, sibilance, simile, metaphor, personification, personal pronoun, feminism, rhetoric

CONTEXT TERMS: misogyny, equality, gender equality, segregation, marginalisation, segregation, discrimination, alienation, polygamy

GOOD PROGRESS: I understand the social and political context which

influenced the writing of the novel and affects how it is received by audiences

EXCELLENT PROGRESS: I understand the social, political and

literary context which influenced the writing of the novel and affects how it

has been received by both a 1940s/50s and a modern audience.

OUTSTANDING PROGRESS: I understand the social, political and literary context which influenced the writing of the novel and affects how it

has been received by both a 1940s/50s and a modern audience

and can link these issues to my wider reading

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Now return to your original brainstorm predictions…

Add to them with the knowledge you now have of the context.

CONTEXTUAL TERMS: colonisation, independence, missionaries, post-colonial, racism, Empire, Victorian, Igbo, traditional customSTRUGGLES: race, cultural domination, alienation, religion

TERMINOLOGY: onomatopoeia, repetition, alliteration, sibilance, simile, metaphor, personification, personal pronoun, feminism, rhetoric

CONTEXT TERMS: misogyny, equality, gender equality, segregation, marginalisation, segregation, discrimination, alienation, polygamy

GOOD PROGRESS: I understand the social and political context which

influenced the writing of the novel and affects how it is received by audiences

EXCELLENT PROGRESS: I understand the social, political and

literary context which influenced the writing of the novel and affects how it

has been received by both a 1940s/50s and a modern audience.

OUTSTANDING PROGRESS: I understand the social, political and literary context which influenced the writing of the novel and affects how it

has been received by both a 1940s/50s and a modern audience

and can link these issues to my wider reading

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Present the predictions to the class.

Active listening: attempt to question, extrend or argue with what is presented

EXT: Can you make further links to our wider reading?

CONTEXTUAL TERMS: colonisation, independence, missionaries, post-colonial, racism, Empire, Victorian, Igbo, traditional customSTRUGGLES: race, cultural domination, alienation, religion

TERMINOLOGY: onomatopoeia, repetition, alliteration, sibilance, simile, metaphor, personification, personal pronoun, feminism, rhetoric

CONTEXT TERMS: misogyny, equality, gender equality, segregation, marginalisation, segregation, discrimination, alienation, polygamy

GOOD PROGRESS: I understand the social and political context which

influenced the writing of the novel and affects how it is received by audiences

EXCELLENT PROGRESS: I understand the social, political and

literary context which influenced the writing of the novel and affects how it

has been received by both a 1940s/50s and a modern audience.

OUTSTANDING PROGRESS: I understand the social, political and literary context which influenced the writing of the novel and affects how it

has been received by both a 1940s/50s and a modern audience

and can link these issues to my wider reading