Ten little classics for violin with piano accompaniment
Transcript of Ten little classics for violin with piano accompaniment
MU 787.1 B
BACH
WORKS, ARR
SCORE + PART
DYNIX# 155886
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Ctn (little ClossiM
for Vtelin an^ ^iano
Arranged byConstance Seely-Brown
CARL FISCHER.
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1. flOarche (X) major) 45arabaiidtt (Cm^or)2.(neiiuet(G minor) iGijuetta (Cmo^or)
3.(nu9ci(e (Dmc^) ftCUenuet (Gm^or)4.Cneiittet (Gmo|or) 9. Gavotte (Gniinor)
5.5arakan(la(Cmigor) ICtCnenuet (Gminori
A/so published for viola solo and piano (04797)
UBW YORK PUBLIC LIBRARY FOB THE PERFORMTMfl ARTS40 LINCOLN CENTEB PLiif
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CARL FISCHER®029 65 Bleecker Street, New York, NY 10012 ISBN 0-8258-2751-5
1. Marche(D major)
Tempo de Marche (J = 84;
JOH. SEB. BACH
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2. Menuet(G minor)
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3. Musette(D major)
Allegretto (J =76)
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Piano
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4. Menuet(G major)
Moderate (J =96)
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5. Sarabanda(C major)
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6. Sarabanda(C major)
Tempo di Sarabanda (=1:58)
JOH. SEB. BACHArranged by Constance Heeli/ - Brown
Violin
Piano
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7. GigueiiaiC major)
Violin
Piano
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8. Menuet(G major)
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9. Gavotte(G minor)
Violin
Piano
Tempo de Gavotte (J: f53)
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10. Menuet(G minor*
Muderato(J =e6)
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«EW TOM^.^JC
LB^T FOR TOE PERFOKMmG ARTS40 LINCOLN CENTER PLAZAwswyoas,wY looas
Selected Music for Violin from the
Carl Fischer Music Library
ACCOLAY.JB.Conc«flo Na 1 1n A Mbrar (Pedman) ..- 15'8
BACH, J S.
Conc»rto No 1 In A Minor lSp«nng) ™ UOO
Cooc»rto No. 2 In E Ua|o« (Spienng)LB03
Concerto No. 3 In Minor lof 2 Violins and Piano (SpieiingI L787
6 Sonata* tor Violin Solo [Auei]1-788
BEETHOVEN. L van
Concwio in D Major, Op. 61 |Auer|L793
SonaU in F Major ( 'Spnng'). Op. 24 (Auef—6an7j L833
Sonata In A Major, Op 47 (Kreutzer Sonata) |Auef-Gan2| UO*
BERIOT, Ch. da
Concerto No. 7, Op 76 - LB2
Concarto No. 9 in A Minor. Op 1 04 [Saengec) LB3
Sc*n« da Ballat (Fanlasia), Op.lOOlCentanoj IB*
BRAHMS, J.
Hungarian Dancea. Volume I [Joachim—Saenger) U90
Sonata No. 1 in G Major, Op 78 [Flesch-Schnabel] 1J09
|Auef-Gan2l1-790
Sonata No. 2 In A Major. Op 100 |Aue(-Gan2l L791
Sonata No. 3 In D Minor. Op 108 [Auer-Ganzl L792
BRUCH. M.
Concerto No. 1 1n G Minor. Op 26 (Auer) L873
Concerto No. 2 In D Minor, Op 44 (Auefj L853
BYTOVETSKI, P.L
Double Stopping — '-"'87
CASORTI.A.
Technic o( the Bow, n». Op. 50 L3*5
CONUS.J.Concerto In E Minor ..._ L899
CORELULa Folia |Auef-Oavidl
^^
DANC1>,C.SAiraVarte*
Senesl-Op 89 1-125
Senesli-Op. 118 1-126-
School cfl Velocity. Op 74 (50 Daily Exercises) (Saengerj L129
12 Eaay Fantaaiaa on Celebrated Melodiea, Op 86
|Saenge<l^^88
Three Uttle Symphonlea, Op 109, 2 Violins and Piano L121
DONTJEtudeaand Caprloe8,Op 35 1-306
24 Preparatory Eierclaaa to Kreutzer^ and Rode's Studies L276
FIORiaO, F.
36Caprice«orEtude8lSingerl L582
FRANCK.CSonata In A Major |Lehmann] L766
GUkZUNOVA.Concerto. Op 82 (Auerj
LBfiO
GOLDMARK.C.Concerto. Op 28 LB69
HANDEL, G.F.
6 Sonataa jAuer—Friedberg) _ I.B46
HOFWANN.R.Rrat Shidiea, The, Op. 25, Book 1 (The Beginner) L200
HRIMALr.J
Scale Studies L114
KAYSER, HE.
ElMiwntary and Progreaalv* Studiaa, Op. 20
(Prelnvnary Eiefoses to Kreutzer's Etudes)
Bookl
Book
Bookl
Complete
.... U15_. L118
.... L117
.... L118
KREUTTER.R.42 StudieilSingerj
- 1-120
Concerto No. 13 L699
Concerto No. 19 In D Minor jAuerj 1856
MAZAS. J. F.
Fifteen Duo* Abecedalres Op. 85, 2 Violins
Book 1 - - - L153
Book 2 - 1-154
Books L155
75 Melodloua and Progresalve Studies, Op. 36 [Saenger]
Book l-Speaal Sludies L100
Boc* II—Bnllianl Studies LIOI
Twelve Little DueU, Book 2
2 Violins L643
Piano Accompaniment L643A
MENDELSSOHN, F
Concerto In E Minor, Op. 64 [Auerj L794
[Dessauer-^ioachimlL321
MENDELSSOHN, LStudenfe Concerto In D Major, Op. 213 [Saengerj L660
MOZART W.A.
Concerto No. 2 in D Major [Auerj L865
Concerto No. 3 In G Major, K.216 [Auer-Slrasser] LB62
Concerto No. 4 in D Major K 218 [Auer-Slrasser) L872
Concerto No. 5 In A Major, K.219 [Auef-Slrasserj LB64
NARDINI. P
Concerto In E Minor [Hauser]1-598
PAGANINI, N
Concerto No. 1 in D Major, IWilhelmJlL605
Molo Perpetuo, Op 11 (Perpetual Motion) [Miltelil L88
PLEYEL, L,
Sli Petits Duo* (Sonatinas), Op B for lor 2 Violins and Piano L147
Six Duoa lex t or 2 Violins L156
Six Pellla Duoe for One or Two Violin*, Op. 48 L157
RIEDING.O.
Concertino in D Major, Op 5 [Saengerj L908
RODE, P.
24 Caprices In Form of Etude* [Singerj 1583
Concerto No 7 In A Minor, Op 9 (David—Ambrosio) L3a2
SAINT-SAENS, C.
Concerto No. 3 In B Minor, Op 61 (Sdiradied*) L372
Introduction and Rondo Caprtccioao, Op 28 (Saengerj L64
SARASATE, P de
Fantasia de Concerto on Motif* front Carmen, Op. 25 L1066
SCHRADIECK, H.
Scale Studie* [Saenger]L641
School of Violin-Technic
Book I—E;<ercises lor Promoting
Dexterity in DiNerenl Positions L177
Book II—Exercises in Double Slops L178
SCHUBERT F.
3 Sonatina*, Op 137 1-420
SETIZFStudent'* Co>K«rto*
No 1 «\ D. Op 7 (First to Seventh Poatton) L590
No 2 in G, Op 13 (First Positron) L591
No 3 in GMmor. Op 12 (first to Fifth Positron) [Hetoon) L59B
No 4 m 0. Op.l5 (Third Positron) (Smger) L590
No 5 m D, Op 22 (Fust Posrtwn) L594
SEVCIK.O.
Exerd*** for the Change ol Position and Preparatory Scale
Studiee.OpS '.140
School of Technic. Op 1
Pan I—Exeroses n me First Position L282
Part II—Exerases r the Second 10 Seventh Positron L283
Pari II—Exeroses lor the Changed Positions L284
School of Bowing. Op. 2
Bookl ~ L291
Book n L29B
Preparatory Trill Studiet lor Developing
die Touch and Strength of the Finger*. Op. 7
Part I—Exerases «i the Firsl Postron L637
Part II—Exeroses in the Second, Third,
Fourth, FilW ana Sixlh Positions L63B
Preparatory Shjdiea In Double Stopping. Op. 9
[Saengerj1-750
SINGER, E.
Daily Shidie* for Developing Ftexiblllty & Independence In
Rngertng L349
srrr, H.
100 ShitSei. Op 32 [Saengerj
Book 1—20 Studies in the First Position LIIO
Book 11—20 Sludies in the Second. Third,
Fourth and Fifth Posibons L111
Book 11—20 Studies lor Change ol Positions L112
Scale Shidle* (Appendix lo Schraiecks Scales) L346
Students Concertino No. 2 In AMlnor Op 108 LB33
Student 8 Concertino No. 3 In D Minor Lfi6«
Technical Studies for Violin Op 92, Book 1
(Exeroses in the Fits! Position) 1500
TARTINI.G.
Art of Bowing, The (L'artdel'afchel) pavid-Wmn] L»
TCHAIKOVSKY, PI.
Concerto In D Major, Op, 35 [Auer] - - LB48
VIEUXTEMPS, H.
Concerto No. 4. Op 31 (WiliekTlj).L3B7
VIOm.J.BConcerto No. 22 In A Minor IMusin) 1575
Concerto No. 23 in A Major [David-AnOrosio! L406
VITAU, TA.
Ciaccona In G Minor [Chartier, Auer, Davidl L861
WESSELY, H
Comprehensive Scale Manual _ 1-907
W1ENIAWSKI,H,
Concerto No 2 In D Minor, Op 22 LOT
SchenoTarantelle Opl6 [SpieringjLB06
Souvenir de Moscow, Op 6 L30e
WOHLFAHRT.FEaaieat Beginning ElemenlaiY H*thod.Op,38 L1061
60 Ehidea, Op 45 [Sharp]
Book IL'Z
Book II L12:
40 Elementary Eierciasa, Op 54 |Sin-Shafp| L^SO Eaay and Melodic Shjdtos, Op. 74 [Shan>|
Book i—Fifsl PosiDon 1-14;
Book ll-TNrd Position L14:
reat Books For
Young Players
THE FAMOUS DETECTIVE
Easy Duets for 2 Violins in the first
positionRamin Entezami
These easy duets in the first position have been
arranged in the order of their difficulty (fingering
patterns, rhythmic development, etc.). They give
beginning players an opportunity to practice
recently acquired skills with fellow students, at the
same level.
05295 (ISBN 0-8258-1065-5)
TWENTY-FOUR DUETSfor 2 Young Violinists
Ramin Entezami
Fanciful titles and clever, attractive music give these
sophisticated pieces great appeal for young
violinists who are ready for slightly more
challenging literature.
05296(ISBN 0-8258-1066-3)
029 — S9.95USA
A quality music product from
CARL FISCHER®65 Bleecker Street. New YorK. NY 10012
httpJ/www.carllischer.com
oQ.
'98A08"0275r
^^ MUS
Introduction
. The purpose of these arrangements is to arouse in the young vio-
lin pupil a desire to study Bach. The technical difficulties of Bach's"So-
natas for Violin Solo" and "Sonatas for Violin and Piano" are so great that it
requires years of practice before a pupil can play them even acceptably.
Piano pupils have the "Inventions" and the "Anna Magdalena Buch", so that
they come to the study of Bach's preludes and fugues with a knowledge of
his individual treatment of accepted forms.
I have arranged four Menuets, one March, two Sarabandas, one Mu-
sette, one Gavotte, and one Giguetta from the "Anna Magdalena Buch", so
that an intelligent and musical violin pupil may begin to enjoy Bach af-
ter but one year's instruction. As in all the great masters' works, the the-
matic material is simple and direct, and it is this classic simplicity which
gives the musical pupil an appreciation for melody and phrase without
which Beethoven and Brahms (Bach's logical successors) remain sealed
volumes forever.
The "Anna Magdalena Buch" is a collection of short pieces for the
Clavier, autographic exercises in themes given by Bach to his second
wife, Anna Magdalena. She possessed a well-trained soprano voice and
it was Bach's greatest joy to further her musical education by giving her
themes and melodies to harmonize and develop. (See "Biography ofJ.S.Bach
by Albert Schweitzer, Breitkopf & Haertel, 1915. P. 98.)
Constance Seely-Browtf
MEW YORK PUBLIC UBR.^JY FOR THE PEPJORMBTC AST340 LINCOLN CENTER ?L.KZk
net; YORK, NY 10023
Violin
Abbreviations
1. Marche(D major)
W. B. \\Tiole BowT. At the Tip
At the MiddleAt the Nut
M.N.
5
L.H. Lower Half
U.H. Upper HalfH Down BowV Up Bow
Bow to be lifted from string,ulso tts guide fur phrasing
Tempo de Marche (J =84)
pocoZ.//V,
JOH. SEB. BACH
Arranged by Constance Seely -Brown
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9
2. Menuet(G minoi)
Violin
Moderato (J = 86)
n y n
JOH. SBB. BACHArranged by Constance Seely-Brown
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Violin
3. Musette(D major)
Allegretto (J = 76)JOH. SEB. BACH
Arranged by Constdnce Seely-Browii
W. B. :=» T.W. B.
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Violin
4. Menuet(G major)
*
Moderate 'J =96)U.H.
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5. Sarabanda(C major)
ViolinJOH. SEB. BACH
Arranged by Constance Seely-Brown
Tempo di Sarabanda fJ:68)
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y
p r r I
(- r r T'-^^?=T o
^ izc
r-'•
T I f
jCE
19817-28Copyright MCMXrUiy Carl rUcktr, Jf«w York
International Copyright eouredCopyright Reneved
6. Sarabanda(C major)
Violin
iIfempo di Sarabanda (J = 58)
n V/
JOH. SEB.BACHArranged by Constance Seely -Brown
=»: P' IS" (»
P % ^!i»
^ in V ^/
2x:
- a - - toco
-o-
I?^ 3a:
cresc. - poco f
t rj rj* m * g ^y*
ir P f r- P r- rI
r ^tV n V
# Ckj
^
t ^r r- r i r
>r ^^i'
in V
/;-
^^m -*>- m«» «
trtf5c. - -poco a poco
« This "Sarabanda" ia a variation of the preceeding one, Bach having written no less than sixteen variations on the sametheme
i9817-28Copyright MCWCVll by Carl FiscTxer.New York
International Copyright secured
Copyright ftofvcd
S&V yOM PUmC UBRARY FOR THE PERTORMINO ARTS40 UNCOLN CENTER PLATANEW YORK, NY 10023
8
Violin
7. Giguetta(C major)
i
Allegro (J^z 176)L .Hn __
JOH. SEB. BACHArranged by Constance Seely - Brown
i^ ww^^r ^ ^
(0)
!^7nf
(0)
J rrr'i;ij ,
'
^(0)
<—-* ^—^-*^/ »
^
(0)
r V ^ i^
XI (0)'
izr
^^Jj l j- JJ 1"mf m
N.
mf'^mS.
rrfr i n^^rr^ r trrrrfrrrrt iP'^rite ^/ ^
i :* ^/»
(0)
f N^ I^^WJ
X «
) This'"Gieuetla" isthe concluding number of the afore mentioned Sarabanda Variations
19817-88Copyright MCMXrUby Carl Fisch«r,Nexn York
Internutional Copyright securedCopyright Reneved
9
Violin8. Menuet
(G major)
*
Moderate (J = 96)L.H.
^
JOH. SEB. BACHArranged by Constance Seely-Brown
4 4 0.Wm¥^ ZP
j* r r f f I
f rr^ «—•—I
—P-
Sy
i*: «-(•- ^ ^ ^ • •
^ i ^^^
*.
n
m mnnn'. -0 •
? Ppoco a poco
(0)
cresc.
jTiu i r^ iii ij ijjj ii jj
I*
L.H.
0, - V . i •^P m 1^ s
j.f uirLjj^ i rJ^^r>
1-tSL-=-3E
19Sir-28Copf/right MCMXVII djt/ Carl Fischer, New Yor
International Copyright secured
Copyrig/i' Renewed
ym^m-'M 10023
10
9. GavotteIG minor)
Violin
teTempo de Gavotte (J : 68)
nL.H,
JOH. 8EB. BACHArranged by Constance See ly -Broken
4 4
w t:ri^J r'rrrtgir ^jj^j> dolce
P' i,t;^i17^
11 tr^^^
0, 4
-r-r-r • i» p^m¥^
i #=Fr r r rir r r r
i r ll^ '
pnif
W •^^ ^ P ^^ ^
i^^'-J]j rci;|[^JJJ |
;,i.;]iJ-]^l rc;J=ff4^5j^-^
0|4 . M n
rrrr^; .^m J ir r M'r r c
4
= f
^V n^r :;^ c;
n g*^ Ji
ip
^t-'' JitJJJJ^ If n*'^ rr i
-^0, •*
iJ- JM J »^ -r
19817-88Copyright MCMXFa by Carl FUehsr, Ne%eYork
International Copyright secured
Copyright Henesed
11
10. Menuet(G minor)
ViolimModerate (J ^ 96)
JOH. SEB. BACHArranged by Cunstance Seely-Brown
^ ^p -
i9-=-
t=^ F » « •
I r p i>•
i ^^iS^
?/// i»
#Fine
• • •
J r J I J ip M ^ p
*Trio
n^ ^ ^
M
P [Xl/ii ULDPdulce z^"'f
*2 ' _ 4"^ n ^^ ^P
O . 4
^#-"'
^-^P f (0)
^^^^^ ^ iJ li n^r I' Lur PlS^
§^ ^
* 'tr
m ULU II ULCJ H»?2/"
Menuet da capo al Fine
C19S17-28
Copyright MCMXVDby Carl Fischer, New York
International Copyright secured
Copynghi Renewed
Violin Literaturefrom the Great Violinists
IVitz Knisler: "The Fritz Krcislcr Collection" for
\ iolin & J'iuno
An()iit.-^taiidiiig
edition
of original compositions,
transcriptions and
cadenzas for violin and
piano. The collection
includes twenty-twoKreisler favorites com-
piled by Eric Wen with a
foreword by Yehudi
Menuhin.
(Cat. No. ATF115)
Ju.seha Heifetz: "New-
Favorite Encore Folio"
for N'iolin & Piano
Tliis fine collection of
fifteen compositions was
selected and edited byHeifetz and presented in
outstanding engravingsand printing. Composi-tions include "Rigaudon," "Zapateado," "Guitarre" in
addition to pieces by Schubert, Mendelssohn, Mozart,
Brahms and Schumann among others.
(Cat. No. 02137)
Fritz Kreisler: "Eight Original Pieces and
.Arrangements" for \ iolin <S Piano
A marvelous edition of
simplified pieces from
the pen of Kreisler.
Contents include "ToySoldiers .Marcli,
'
"Hondino On A 'Iheme"
by Beethoven plus six
other easy pieces for
violin and piano.
(Cat. No. F35()2)
Fritz Kreisler: "Favor-
ite Encore Folio" for
Violin & Piano
A collection of eleven
compositions for violin
and piano selected and
edited by Kreisler.
Includes "Tambourin,"
"Serenade du Tsigone'
and pieces by Brahms,
Bach, Bizet and Mendelssohn among others.
(Cat. No. 01290)
CBRAHM/
HANDa
Joseph Joachim: Brahms
lluni'urian Dances," \o\. I for
\ iolin & Piuno
Original transcriptions by JosephJoachim of these great pieces.
Ihe collection includes the first
five Hungarian Dances.
(Cat. No. I.H'JO)
Leopold Auer: Handel "Six
Sonatas" for N iolin & Piano
Handel's Six Sonatas in tin-
keys of A, Gm, F, D, A and E
were edited l)V Leopold ;\uer
.iiul|>ul)lislii-(i
in a meticu-
lous edition for vioUn and
piano.
(Cat. No. L846)
l>copold Auer: Bach "Six
Sonatas" for
Unaccompanied \i»)lin
Ihe iireat Bach master-
pieces experdy edited byI .1(1 Auer mac ollf
tion of fortv-eight pages.
(Cat. No. L788)