TEJA KRUŠEC +351 969 659 386 t e j a . k r u s e c @gmail.com

A R C H I T E C T U R E P O R T F O L I O I S E L E C T E D W O R K S I F A C U L T Y O F A R C H I T E C T U R E L J U B L J A N A I L I S B O N

CURRICULUM VITAE5

ACADEMIC PORTFOLIO9 - 22

DRAWINGS25

WORK / WORKSHOPS28 - 29

DESIGN33

CURRICULUM VITAE

1988 Born in Kranj, Slovenia

EDUCATION2012 2013 Faculty of architecture Lisbon UTL FA2008 > Faculty of architecture Ljubljana UL FA2004 2008 Classical Gymnasium Ljubljana1996 2004 Primary school Kranj

SEMINAR PROJECT2009 Planthouse Botanical garden Ljubljana, prof.dr.Tomaž Krušec (Arhitektura Krušec)2009 Housing Celje Celje, prof.dr.Tomaž Krušec2010 Social housing Zgornji Kašelj, Ljubljana, prof.dr.Tomaž Krušec2011 Student house Ljubljana, hosting professor, prof. dr. Jordi Badia (BAAS)2011 Vienna post-war social dwellings Vienna, hosting professor, prof.dr. Luka Skansi2012 Student residences Lisbon, prof.dr.Nuno Mateus

WORKSHOPS2010 Making of a stage for youth centre Medvode, Slovenia2011 Beyond construction Ljubljana, Slovenia, cooporeation with architect Mathias Heyden2011 Easa Decoastruction Cadiz, Spain2012 Easa Wastelands Helsinki, Finland

WORK EXPERIENCE2011 Architectural consultation and visualizations for architectural magazine

EXIBITIONS2009 Student projects In Townhouse Celje2011 Student projects FA UTL, Ljubljana2011 Exibition of designed table FA UTL, Ljubljana

SKILLSDigital: ARCHIcad, AUTOcad, Vectorworks (beginner), Artlantis (Rendering) and animation, Sketchup Adobe Photoshop + Illustrator + InDesign, Microsoft OfficeAnalog: Hand drawing, Foam, Cardboard... modeling

Fluent in Slovenian, English, Spanish, Croatian, basic knowledge in Portuguese and German

ACADEMIC PORTFOLIO

PLANTHOUSETransitions - paths - through the Greenhouse are organized through the openings of the walls, whose thickneses give room to administration and to the rest of the program.

Program “inside the walls’’ enables Greenhouse its transparency. While passing by the building the visitor is surrounded with plants, he can observe them through the windows, and his view doesn’t stop, it continues through the building, into the park.

Basic building material is clay, mixed with cement (besides glass and its steel construction. Similarly, like making concrete walls, the formwork is needed, in which the layers of clay and concrete mixture are compressed. The thick layers of compressed clay are separated by layers of thin clay brick - reinterpretation of old way of building with clay and brick - in the rain, the water flushes down the layers of bricks, which prevents the erosion of the walls. Natural clay walls create good clima, humidity, they func-tion like sound isolation, acumulate heat, don’t harm nature and last but not least, derive from the location itself (Ljubljana marsh).

FLOORPLAN

SECTIONS

SEMINAR_KRUŠEC_projekt_RASTLINJAK v ljubljanskem botaničnem parku_Teja_Krušec_FAA_Ljubljana_2009/2010 _render_03

SEMINAR_KRUŠEC_projekt_RASTLINJAK v ljubljanskem botaničnem parku_Teja_Krušec_FAA_Ljubljana_2009/2010 _render_01

AA

B B

SEMINAR_KRUŠEC_projekt: RASTLINJAK v ljubljanskem botaničnem parku_Teja_Krušec_FAA_Ljubljana_2009/2010 _TLORIS_PRITLIČJA_1:200

SCHEMES:

_____________________________________________________________________________________________________RENDER 3

HOUSING CELJEConsidering the site conditions, the dynamic composi-tion of three volumes is incorporated into the variable geometry of the city quarter and forms a unified whole.

The groundfloor is public, in upper floors are situ-ated the apartements. The part facing the inner yard continues into park and gardening surfaces.Appartements have orientation N-S an E-W. The two blocks facing the road have long corridors - acess to the appartements, and service rooms, which isolate the apartements from noise coming from the street. Third block consists of duplex apartements.

The underground part of the complex presents a dou-ble floor garage. There are 8 different appartement typologies. The construction is reinforced concrete, at its openings closing with zinc sliding panels, so the facade ‘image’ depends on the use of inhabitants.Different appartement typologies enable com-fortable and funtional use of appartments to elder people, invalids, young families, students..

FLOORPLANS

SECTIONS

_____________________________________________________________________________________________________RENDER 1

1.FLOORPLAN 2. FLOORPLAN

VARIATIONS OF FLOORPLANS AFTER RE - BUILDING

B

B

AA

B

B

A A

SECTIONS

SOCIAL HOUSING ZGORNJI KAŠELJLocal inhabitants are directly involved in building process of the house. House is a reflection of their creativity and way of life.

The base of each house/blok is wood prefabricated construction, consisting of: comunicational core with attached sanitary walls, slabs, and perimeter thin pillars.

Such construction enables first floor, to be a reflection of the other two. Change in the rhythm of ‘‘empty and filled‘‘, parts which haven’t yet been rebuilt and parts which have, is noticed on the facade.

Each appartement has a terrace, which is empty by the time of moving in and acoording to the needs, the inhabitants can rebuild it and use it as a new spare room. The materials for extensions are (bricks, copper, plastic boxes, textile cloths, etc.), chosen by inhabitants. Even so diverse collage of different materials behind the ‘‘wire membrane’’ gives a feeling of unified facade.

0,00

0,50

6,00

9,50

3,00

0,00

0,50

6,00

9,50

3,00

REFERING TO LOCATION

SHAPING THE CITY WORKSHOP WITH JORDI BADIA Authors: Teja Krušec and Andrej Vuk _menthor: Jordi Badia - BAAS architects _University of Ljubljana _faculty for architecture _may 2012

02

Continuity of the street, building blocks folow one direction The space in front of the building should offer more posibilities, according to the amount of the people gathering there ....

With a simple gesture of turning the facade toward its interior, we got kind of an open public space (small plazza) in front of the building. Turn-ing the facade also gives direction to user’s views.

Longer side is orientated towards the south and offers views toward Ljubljana’s castle, the shorter gives a view on Plečnik Three bridges....

According to the fact that students’ rooms need a lot of light we faced the challenge - making the window composition, which should as well follow the continuity of the exsisiting street, and be in a relation with the exsisting buildings... Not too modern, yet something, people could get attached to.

So, we decided for brick ‘lace’. system of cladding the bricks enables perforations, letting the light through them, and where more light is needed, the windows step out from the facade.

The continuity of the building block should be preserved. We tried to reffer on heights of the surrounding older buildings, and consequently repeated the V - Shape from the floorplan.

Situacija

Referenčni primer: Ravnikarjev Ferantov vrt Example of perforated facade : Nieto Sobejano, San Telmo Museum Extension

Being aware of city scape, city spaces, the inhabitants of a city and their needs our task was to design a building, that would be on one hand modern in its idea and in relation with old existing buildings. The volume is situated in - between two older existing buildings, connecting on one side the Ljubljanica river and on the other, lively Wolfova street. It combines public space (a library + book store + bar), with student dwellings. The west façade, facing the river, cracks in two different axis, creating a small plazza in front.

Students rooms are two sided, ones facing the street and others the river. Rooms are placed in 5,5 floors, connected with an inner corridor, which is lightened by two voids, stretching from the roof top to the ground floor, and a big 2 floors high common room in the centre of a building. Rooms are de-signed mostly for two students who share common services.

When designing the façade, we were trying to refer to the location. The ma-terial we decided to use is brick, which refers to the works of Ravnikar in vicinity (Ferant square).

The bricks are cladded together so they function like a perforated wall, let-ting the light through. The windows are hidden behind the brick lattice clad-ding. Where more light is needed (student rooms, common room), the win-dows step out from the façade. By that an interesting composition on the façade is achieved.

The V-shape of a floor plan also recalls the roof shape, where the roof cor-nice, also in a V - shape links together the two neighbour buildings of differ-ent roof height.

According to the use of the space, program of the building, use of a mate-rial, the building refers to its location respectively, following the continuity of an existing building block and the street, and in larger scale shaping the city and offering Ljubljanica citizens a new place to gather.

SHAPING THE CITY (work. with Jordi Badia)The volume is situated in - between two older existing buildings, connecting on one side the Ljubljanica river and on the other, lively Wolfova street. It combines public space (library + book store + bar), with student dwellings.

The west façade, facing the river, cracks in two different axis, creating a small square in front.

Students rooms are two sided, ones facing the street and others the river. Rooms are placed in 5.5 floors, connected with an inner corridor, which is lightened by two voids, stretching from the rooftop to the ground floor, and a big 2 floors high common room in the centre of a building. The material used for the facade is brick, which refers to the works of Ravnikar buildings in proximity (Ferant square). The bricks are cladded together so they function like a perforated wall, letting the light through. The windows are hidden behind the brick lattice cladding.

The V-shape of a floor plan also recalls the roof shape, where the roof cornice, also in a V - shape links to-gather the two neighbour buildings of different roof height. According to the use of the space, program of the building, use of a material, the building re-fers to its location respectively, following the con-tinuity of an existing building block and the street.

SECTIONS

SCHEMES

FLOORPLANS

SHAPING THE CITY WORKSHOP WITH JORDI BADIA Authors: Teja Krušec and Andrej Vuk_menthor: Jordi Badia - BAAS architects _University of Ljubljana _faculty for architecture _may 2012

02

Common study room

Bar

Toilletes

A A

B

B

C

C

- 2,7 m

Bookstore

Storage

A A

B

B

C

C

± 0,0 m

A A

B

B

C

C

+ 2,7 m

A A

B

B

C

C

+ 5,4 m

Common room

AA AA

B

B

C

C

+ 8,1 m

A AA

B

B

C

C

+ 10,8 m

A A A

B

B

C

C

+ 13,5 m

A A A A

B

B

C

C

+ 16,2 m

- 4,00 m

± 0,00 m

+ 2,70 m

+ 5,40 m

+ 8,10 m

+ 10,80 m

+ 13,50 m

+ 17,80 m

+ 19,50 m

- 4,00 m

± 0,00 m

+ 2,70 m

+ 5,40 m

+ 8,10 m

+ 10,80 m

+ 13,50 m

- 4,00 m

± 0,00 m

+ 2,70 m

+ 5,40 m

+ 8,10 m

+ 10,80 m

+ 13,50 m

+ 16,20 m

+ 18,90 m

2. Floor

1. Floor

Groundfloor

-1. Floor

4. Floor

3. Floor

5. Floor

6. Floor

Riverside, West facade

East facade

Prerez C - C

Prerez B - B

Prerez A -A

light voids

floor

communications

Wett areas

SHAPING THE CITY WORKSHOP WITH JORDI BADIA Authors: Teja Krušec and Andrej Vuk _menthor: Jordi Badia - BAAS architects _University of Ljubljana _faculty for architecture _may 2012

02

Continuity of the street, building blocks folow one direction The space in front of the building should offer more posibilities, according to the amount of the people gathering there ....

With a simple gesture of turning the facade toward its interior, we got kind of an open public space (small plazza) in front of the building. Turn-ing the facade also gives direction to user’s views.

Longer side is orientated towards the south and offers views toward Ljubljana’s castle, the shorter gives a view on Plečnik Three bridges....

According to the fact that students’ rooms need a lot of light we faced the challenge - making the window composition, which should as well follow the continuity of the exsisiting street, and be in a relation with the exsisting buildings... Not too modern, yet something, people could get attached to.

So, we decided for brick ‘lace’. system of cladding the bricks enables perforations, letting the light through them, and where more light is needed, the windows step out from the facade.

The continuity of the building block should be preserved. We tried to reffer on heights of the surrounding older buildings, and consequently repeated the V - Shape from the floorplan.

Situacija

Referenčni primer: Ravnikarjev Ferantov vrt Example of perforated facade : Nieto Sobejano, San Telmo Museum Extension

Being aware of city scape, city spaces, the inhabitants of a city and their needs our task was to design a building, that would be on one hand modern in its idea and in relation with old existing buildings. The volume is situated in - between two older existing buildings, connecting on one side the Ljubljanica river and on the other, lively Wolfova street. It combines public space (a library + book store + bar), with student dwellings. The west façade, facing the river, cracks in two different axis, creating a small plazza in front.

Students rooms are two sided, ones facing the street and others the river. Rooms are placed in 5,5 floors, connected with an inner corridor, which is lightened by two voids, stretching from the roof top to the ground floor, and a big 2 floors high common room in the centre of a building. Rooms are de-signed mostly for two students who share common services.

When designing the façade, we were trying to refer to the location. The ma-terial we decided to use is brick, which refers to the works of Ravnikar in vicinity (Ferant square).

The bricks are cladded together so they function like a perforated wall, let-ting the light through. The windows are hidden behind the brick lattice clad-ding. Where more light is needed (student rooms, common room), the win-dows step out from the façade. By that an interesting composition on the façade is achieved.

The V-shape of a floor plan also recalls the roof shape, where the roof cor-nice, also in a V - shape links together the two neighbour buildings of differ-ent roof height.

According to the use of the space, program of the building, use of a mate-rial, the building refers to its location respectively, following the continuity of an existing building block and the street, and in larger scale shaping the city and offering Ljubljanica citizens a new place to gather.

SHAPING THE CITY WORKSHOP WITH JORDI BADIA Authors: Teja Krušec and Andrej Vuk _menthor: Jordi Badia - BAAS architects _University of Ljubljana _faculty for architecture _may 2012

02

Continuity of the street, building blocks folow one direction The space in front of the building should offer more posibilities, according to the amount of the people gathering there ....

With a simple gesture of turning the facade toward its interior, we got kind of an open public space (small plazza) in front of the building. Turn-ing the facade also gives direction to user’s views.

Longer side is orientated towards the south and offers views toward Ljubljana’s castle, the shorter gives a view on Plečnik Three bridges....

According to the fact that students’ rooms need a lot of light we faced the challenge - making the window composition, which should as well follow the continuity of the exsisiting street, and be in a relation with the exsisting buildings... Not too modern, yet something, people could get attached to.

So, we decided for brick ‘lace’. system of cladding the bricks enables perforations, letting the light through them, and where more light is needed, the windows step out from the facade.

The continuity of the building block should be preserved. We tried to reffer on heights of the surrounding older buildings, and consequently repeated the V - Shape from the floorplan.

Situacija

Referenčni primer: Ravnikarjev Ferantov vrt Example of perforated facade : Nieto Sobejano, San Telmo Museum Extension

Being aware of city scape, city spaces, the inhabitants of a city and their needs our task was to design a building, that would be on one hand modern in its idea and in relation with old existing buildings. The volume is situated in - between two older existing buildings, connecting on one side the Ljubljanica river and on the other, lively Wolfova street. It combines public space (a library + book store + bar), with student dwellings. The west façade, facing the river, cracks in two different axis, creating a small plazza in front.

Students rooms are two sided, ones facing the street and others the river. Rooms are placed in 5,5 floors, connected with an inner corridor, which is lightened by two voids, stretching from the roof top to the ground floor, and a big 2 floors high common room in the centre of a building. Rooms are de-signed mostly for two students who share common services.

When designing the façade, we were trying to refer to the location. The ma-terial we decided to use is brick, which refers to the works of Ravnikar in vicinity (Ferant square).

The bricks are cladded together so they function like a perforated wall, let-ting the light through. The windows are hidden behind the brick lattice clad-ding. Where more light is needed (student rooms, common room), the win-dows step out from the façade. By that an interesting composition on the façade is achieved.

The V-shape of a floor plan also recalls the roof shape, where the roof cor-nice, also in a V - shape links together the two neighbour buildings of differ-ent roof height.

According to the use of the space, program of the building, use of a mate-rial, the building refers to its location respectively, following the continuity of an existing building block and the street, and in larger scale shaping the city and offering Ljubljanica citizens a new place to gather.

SHAPING THE CITY WORKSHOP WITH JORDI BADIA Authors: Teja Krušec and Andrej Vuk _menthor: Jordi Badia - BAAS architects _University of Ljubljana _faculty for architecture _may 2012

02

Continuity of the street, building blocks folow one direction The space in front of the building should offer more posibilities, according to the amount of the people gathering there ....

With a simple gesture of turning the facade toward its interior, we got kind of an open public space (small plazza) in front of the building. Turn-ing the facade also gives direction to user’s views.

Longer side is orientated towards the south and offers views toward Ljubljana’s castle, the shorter gives a view on Plečnik Three bridges....

According to the fact that students’ rooms need a lot of light we faced the challenge - making the window composition, which should as well follow the continuity of the exsisiting street, and be in a relation with the exsisting buildings... Not too modern, yet something, people could get attached to.

So, we decided for brick ‘lace’. system of cladding the bricks enables perforations, letting the light through them, and where more light is needed, the windows step out from the facade.

The continuity of the building block should be preserved. We tried to reffer on heights of the surrounding older buildings, and consequently repeated the V - Shape from the floorplan.

Situacija

Referenčni primer: Ravnikarjev Ferantov vrt Example of perforated facade : Nieto Sobejano, San Telmo Museum Extension

Being aware of city scape, city spaces, the inhabitants of a city and their needs our task was to design a building, that would be on one hand modern in its idea and in relation with old existing buildings. The volume is situated in - between two older existing buildings, connecting on one side the Ljubljanica river and on the other, lively Wolfova street. It combines public space (a library + book store + bar), with student dwellings. The west façade, facing the river, cracks in two different axis, creating a small plazza in front.

Students rooms are two sided, ones facing the street and others the river. Rooms are placed in 5,5 floors, connected with an inner corridor, which is lightened by two voids, stretching from the roof top to the ground floor, and a big 2 floors high common room in the centre of a building. Rooms are de-signed mostly for two students who share common services.

When designing the façade, we were trying to refer to the location. The ma-terial we decided to use is brick, which refers to the works of Ravnikar in vicinity (Ferant square).

The bricks are cladded together so they function like a perforated wall, let-ting the light through. The windows are hidden behind the brick lattice clad-ding. Where more light is needed (student rooms, common room), the win-dows step out from the façade. By that an interesting composition on the façade is achieved.

The V-shape of a floor plan also recalls the roof shape, where the roof cor-nice, also in a V - shape links together the two neighbour buildings of differ-ent roof height.

According to the use of the space, program of the building, use of a mate-rial, the building refers to its location respectively, following the continuity of an existing building block and the street, and in larger scale shaping the city and offering Ljubljanica citizens a new place to gather.

SHAPING THE CITY WORKSHOP WITH JORDI BADIA Authors: Teja Krušec and Andrej Vuk_menthor: Jordi Badia - BAAS architects _University of Ljubljana _faculty for architecture _may 2012

02

Common study room

Bar

Toilletes

A A

B

B

C

C

- 2,7 m

Bookstore

Storage

A A

B

B

C

C

± 0,0 m

A A

B

B

C

C

+ 2,7 m

A A

B

B

C

C

+ 5,4 m

Common room

AA AA

B

B

C

C

+ 8,1 m

A AA

B

B

C

C

+ 10,8 m

A A A

B

B

C

C

+ 13,5 m

A A A A

B

B

C

C

+ 16,2 m

- 4,00 m

± 0,00 m

+ 2,70 m

+ 5,40 m

+ 8,10 m

+ 10,80 m

+ 13,50 m

+ 17,80 m

+ 19,50 m

- 4,00 m

± 0,00 m

+ 2,70 m

+ 5,40 m

+ 8,10 m

+ 10,80 m

+ 13,50 m

- 4,00 m

± 0,00 m

+ 2,70 m

+ 5,40 m

+ 8,10 m

+ 10,80 m

+ 13,50 m

+ 16,20 m

+ 18,90 m

2. Floor

1. Floor

Groundfloor

-1. Floor

4. Floor

3. Floor

5. Floor

6. Floor

Riverside, West facade

East facade

Prerez C - C

Prerez B - B

Prerez A -A

light voids

floor

communications

Wett areas

SHAPING THE CITY WORKSHOP WITH JORDI BADIA Authors: Teja Krušec and Andrej Vuk_menthor: Jordi Badia - BAAS architects _University of Ljubljana _faculty for architecture _may 2012

02

Common study room

Bar

Toilletes

A A

B

B

C

C

- 2,7 m

Bookstore

Storage

A A

B

B

C

C

± 0,0 m

A A

B

B

C

C

+ 2,7 m

A A

B

B

C

C

+ 5,4 m

Common room

AA AA

B

B

C

C

+ 8,1 m

A AA

B

B

C

C

+ 10,8 m

A A A

B

B

C

C

+ 13,5 m

A A A A

B

B

C

C

+ 16,2 m

- 4,00 m

± 0,00 m

+ 2,70 m

+ 5,40 m

+ 8,10 m

+ 10,80 m

+ 13,50 m

+ 17,80 m

+ 19,50 m

- 4,00 m

± 0,00 m

+ 2,70 m

+ 5,40 m

+ 8,10 m

+ 10,80 m

+ 13,50 m

- 4,00 m

± 0,00 m

+ 2,70 m

+ 5,40 m

+ 8,10 m

+ 10,80 m

+ 13,50 m

+ 16,20 m

+ 18,90 m

2. Floor

1. Floor

Groundfloor

-1. Floor

4. Floor

3. Floor

5. Floor

6. Floor

Riverside, West facade

East facade

Prerez C - C

Prerez B - B

Prerez A -A

light voids

floor

communications

Wett areas

SHAPING THE CITY WORKSHOP WITH JORDI BADIA Authors: Teja Krušec and Andrej Vuk_menthor: Jordi Badia - BAAS architects _University of Ljubljana _faculty for architecture _may 2012

02

Common study room

Bar

Toilletes

A A

B

B

C

C

- 2,7 m

Bookstore

Storage

A A

B

B

C

C

± 0,0 m

A A

B

B

C

C

+ 2,7 m

A A

B

B

C

C

+ 5,4 m

Common room

AA AA

B

B

C

C

+ 8,1 m

A AA

B

B

C

C

+ 10,8 m

A A A

B

B

C

C

+ 13,5 m

A A A A

B

B

C

C

+ 16,2 m

- 4,00 m

± 0,00 m

+ 2,70 m

+ 5,40 m

+ 8,10 m

+ 10,80 m

+ 13,50 m

+ 17,80 m

+ 19,50 m

- 4,00 m

± 0,00 m

+ 2,70 m

+ 5,40 m

+ 8,10 m

+ 10,80 m

+ 13,50 m

- 4,00 m

± 0,00 m

+ 2,70 m

+ 5,40 m

+ 8,10 m

+ 10,80 m

+ 13,50 m

+ 16,20 m

+ 18,90 m

2. Floor

1. Floor

Groundfloor

-1. Floor

4. Floor

3. Floor

5. Floor

6. Floor

Riverside, West facade

East facade

Prerez C - C

Prerez B - B

Prerez A -A

light voids

floor

communications

Wett areas

SHAPING THE CITY WORKSHOP WITH JORDI BADIA Authors: Teja Krušec and Andrej Vuk_menthor: Jordi Badia - BAAS architects _University of Ljubljana _faculty for architecture _may 2012

02

Common study room

Bar

Toilletes

A A

B

B

C

C

- 2,7 m

Bookstore

Storage

A A

B

B

C

C

± 0,0 m

A A

B

B

C

C

+ 2,7 m

A A

B

B

C

C

+ 5,4 m

Common room

AA AA

B

B

C

C

+ 8,1 m

A AA

B

B

C

C

+ 10,8 m

A A A

B

B

C

C

+ 13,5 m

A A A A

B

B

C

C

+ 16,2 m

- 4,00 m

± 0,00 m

+ 2,70 m

+ 5,40 m

+ 8,10 m

+ 10,80 m

+ 13,50 m

+ 17,80 m

+ 19,50 m

- 4,00 m

± 0,00 m

+ 2,70 m

+ 5,40 m

+ 8,10 m

+ 10,80 m

+ 13,50 m

- 4,00 m

± 0,00 m

+ 2,70 m

+ 5,40 m

+ 8,10 m

+ 10,80 m

+ 13,50 m

+ 16,20 m

+ 18,90 m

2. Floor

1. Floor

Groundfloor

-1. Floor

4. Floor

3. Floor

5. Floor

6. Floor

Riverside, West facade

East facade

Prerez C - C

Prerez B - B

Prerez A -A

light voids

floor

communications

Wett areas

SHAPING THE CITY WORKSHOP WITH JORDI BADIA Authors: Teja Krušec and Andrej Vuk_menthor: Jordi Badia - BAAS architects _University of Ljubljana _faculty for architecture _may 2012

02

Common study room

Bar

Toilletes

A A

B

B

C

C

- 2,7 m

Bookstore

Storage

A A

B

B

C

C

± 0,0 m

A A

B

B

C

C

+ 2,7 m

A A

B

B

C

C

+ 5,4 m

Common room

AA AA

B

B

C

C

+ 8,1 m

A AA

B

B

C

C

+ 10,8 m

A A A

B

B

C

C

+ 13,5 m

A A A A

B

B

C

C

+ 16,2 m

- 4,00 m

± 0,00 m

+ 2,70 m

+ 5,40 m

+ 8,10 m

+ 10,80 m

+ 13,50 m

+ 17,80 m

+ 19,50 m

- 4,00 m

± 0,00 m

+ 2,70 m

+ 5,40 m

+ 8,10 m

+ 10,80 m

+ 13,50 m

- 4,00 m

± 0,00 m

+ 2,70 m

+ 5,40 m

+ 8,10 m

+ 10,80 m

+ 13,50 m

+ 16,20 m

+ 18,90 m

2. Floor

1. Floor

Groundfloor

-1. Floor

4. Floor

3. Floor

5. Floor

6. Floor

Riverside, West facade

East facade

Prerez C - C

Prerez B - B

Prerez A -A

light voids

floor

communications

Wett areas

FAMILY HOUSE (LE CORBUSIER)The house was created according to analyses of Le Cur-busier Shodan house in India. The elements reintepreted after Shodan house are:

- connection with nature (inner yard, seen from the children floor, roof terrace)- different levels of floors- children rooms have adjustable door, they can both open into one big room - sleeping areas connected with roof terrace.

SWIMMING POOL

INNER YARD

CHILDREN FLOOR

LIVING AREA

DORMITORY FOR PARENTS WITH A ROOF TERRACE

otro ka soba

kuhinja z jedilnico spalnica star i

terasa

- 4,00 +- 0,00 + 3,00

+ 5,50

+ 5,50

Savna

Kopalnica

Bazendnevni prostor

dnevni prostor

otro ka soba otro ka soba

+ 7,00

+ 9,50

A

A

AA

A

A

A A

A

A

A

A

BB BB BB BB B B

terasa

+ 9,50

B B

+ 5,50

Klet Pritličje 1.Nadstropje Terasa Streha2.Nadstropje 3.Nadstropje

zgodovina in teorija arhitekture 3 _ 2 vaja _ analiza hiše Shodan (Le Corbusier) _ Teja Krušec _ 25080053

- 4,00

+- 0,00

+ 3,00

+ 5,70

+ 12,00

- 6,00

+ 7,20

- 2,00

+ 9,50

zgodovina in teorija arhitekture 3 _ 2 vaja _ analiza hiše Shodan (Le Corbusier) _ Teja Krušec _ 25080053

CHAPEL (LOUIS KAHN)The chapel was designed after analayzing Kahn’s Hurva Synagoge in Jerusalem. The elements I reinterpreted after Kahn synagoge in the chapel are:

- lower central meditation/praying area- material - sillky grey smooth concrete interior and lighter facade

‘The outside of the building belongs to the sun and the interior belongs to the shadows.’’

Zgodovina in teorija arhitekture III I 3 vaja I koncept I Hurva Synagoge (Louis Kahn) I Teja Krušec I 25080053

Jama - MIR.Notranjost kapele je Izolirano, varno, umaknjeno od hrupne oko-lice mesta.

POGLOBLJENOSTprostora molitve - s tem sta vernik in obiskovalec /opazovalec ločena.

Ozek prostor med obstoječima hišama narekuje vzdolžno organizacijo kapele. Kapela se posledično predeli v dva dela : molitveni prostorprostor hodnika.

HODNIKHodnik povezuje in hkrati ločuje prostor molitve od poti skozi kapelo na ulico.

- 0,00

- 1,70

- 4,10

- 9,00

-1,00

- 0,00

- 1,70

- 4,10

- 9,00

-1,00

- 0,00

- 1,70

- 4,10

- 9,00

-1,00

- 0,00

- 1,70

- 4,10

- 9,00

-1,00

Zgodovina in teorija arhitekture III I 3 vaja I tlorisi : 1:100 I Hurva Synagoge (Louis Kahn) I Teja Krušec I 25080053

A AA A A

BBBB

BBBB

AA AA

0. 00 0. 00

-1. 00

1. 70

4. 10

1. 70 9. 00

TLORISI : pritli�ja 1. novoja 2. nivoja strehe

CHILDREN EDUCATION AREASTODAY ‘S CONCRETE PATHWAYS ARE BEING RE-PLACED BY GRAVEL PATHS

URBAN GARDENS CONNECTED TO HORSE TRAINING SCHOOL

THE LAKE WHICH TODAY DOESNT HAVE A CONSTANT CIRCULATION OF THE WATER. WITH A SMALL BUT EFFICIENT TECNICAL INPUT IT WILL AGAIN GIVE PLACE TO NEW FISH AND ANIMAL SPECIES AROUND IT.

CONCERTS

RESIDENTIAL HOTEL BUILDING GROUNDFLOOR AREA MEANT TO BE RENTED FOR SOCIAL EVENTS, CONFERENCESS, WEDDINGS, ETC.

2 NEW NORTH ENTRANCES

HORSE TRAINING SCHOOL

MACAU GARDEN

URBAN GARDENS

AFRICAN RESTAURANT

REQUALIFIED LAKE AREA

ENTRANCE

ENERGETICAL CONCEPT:

GLASS HOUSE, SEEDS STORAGE

TEA HOUSE

TEMPORARY EXIBITIONS BUILDING, CHILDRENEDUCATION SPACES

STORAGE HOUSE FOR SUPPORTING ACTIVITIES(CONCERTS, ETC.)

FAUTL, MESTRADO INTEGRADO EM ARQUITECTURA, DISCIPLINA DE CONSERVAÇAO RESTAURO E REHABILITAÇAO, PROF. JOSE AGUIARPROPOSTA DE REHABILITAÇAO DO JARDIM BOTANICO TROPICAL BELEM, LISBOA

CONNECTING JTB TO THE CITY OF LISBON - AUTORES: AMOS AMIT, IVO COVANEIRO, JOAO MACHADO, JOSE GUIMARAES, TEJA KRUŠEC MAGRA

RESIDENTIAL HOTEL BUILDING GROUNDFLOOR AREA MEANT TO BE RENTED FOR SO-CIAL EVENTS, CONFERENCESS, WEDDINGS, ETC.

TEA HOUSE

2 NEW NORTH ENTRANCES

HORSE TRAINING SCHOOL

MACAU GARDEN

URBAN GARDENS

AFRICAN RESTAURANT

TEMPORARY EXIBITIONS BUILDING, CHILDRENEDUCATION SPACES

REQUALIFIED LAKE AREA

ENTRANCE

GLASS HOUSE, SEEDS STORAGE

STORAGE HOUSE FOR SUPPORTING ACTIVITIES(CONCERTS, ETC.)

RRR OF BOTANICAL TROPICAL GARDEN

in Belem is a combination of allready existing program being revitalised, (re-organised, re-structured,

tecnically upgraded...) and new spaceproposals.

Both together would contribute to

better functioning of the garden in future - in scale of the garden itself, area of Belemand broader

area of the city of Lisbon.

CONCERTS

URBAN GARDENS CONNECTED TO HORSE TRAINING SCHOOL

CHILDREN EDUCATION AREAS

WITH THE HELP OF GEOTERMAL ENERY WARM WATER SUPPLIES FOR SURROUNDING

FACILITIES ARE ENABLED

MAIN ELECTRICITY FLUX AND WATER IRRIGA-TION SYSTEM EXPAND ALONG THE MAIN PATH

WATER DIFUZOR CLEANES THE WATER AND BRINGS IN OXYGEN. THAT ENABLES EXISTANCE OF FISH AND OTHER ANIMALS HABITATS

THE LAKE WHICH TODAY DOESNT HAVE A CONSTANT CIRCULATION OF THE WATER. WITH A SMALL BUT EFFICIENT TECNICAL INPUT IT WILL AGAIN GIVE PLACE TO NEW FISH AND ANIMAL SPECIES AROUND IT.

THE CEMETERIES CAN CONTRIBUTE TO

GREEN AREAS OF THE CITY

REDIRECTING AND TRANSFORM-ING THE TRAFICC WAYS ENABLES CREATING FREE GREEN SPACES IN FRONT OF CHURCH

NEW TRAFFIC (BUS, BIKE) CONNECTIONS “REMIND “THE CITIZENS AND THE TURISTS OF “FORGOTEN“ AREAS.

SOCIAL EVENTS (MARKET, ETC.)LOCATED AT THE ENTRANCE OF THE JBT ARE INVITING FOR THE VISITORS

CONNECTING JBT TO BELEM AND LISBON: BY REVITALIZING NEW GREEN AREAS WE CONTRIBUTE TO

BROADER “GREEN“ PLAN OF THE CITY OF LISBON -A “GREEN RING“ THAT WILL CONNECT THE RIVER WITH

MONSANTO AND UP FROM MONSANTO WILL CONTINUEDOWN TO THE CITY CENTRE.

SQUARE IN FRONT OFPALACIO DA AJUDA WILL BE FREE

OF CARS, ENABELING THE VISITORS, PASSERS-BY TO RELAX IN GREENERY

JARDIM BOTANICO TROPICAL DE BELEMA task of the discipline was to deal with rehabilita-tion, requalification of the area of Jardim Botanico Tropical de Belem, its integration into the natural and cultural area of Belem and Monsanto, furthermore connecting it into a “natural“ ring surrounding broader Lisbon.

SUSTAINIBILITY CONTAINER BUILDINGVIisualizations made for for a discipline for students of Economy university. They were asked to propose a mobile flexible unit on a small interactive place in front of their fac-ulty. The most economic solution were shipping container units produced and offered by slovenian company Trimo.

DRAWINGS

DRAWINGS One of the principals of coming to Lisbon for my Erasmusexperience was a wish to improve my drawing skills. I had an opportunity to attend classes of two amazing teachers that returned me the certainty for drawing.

WORK / WORKSHOPS

WORKING FOR MAGAZINEIn cooperation with a magazine a group of students from Ljubljana’s faculty of architecture was cooperating with people on requalifying and arranging their homes.

Teja Krušec

INTERNATIONAL PRACTICAL WORKSHOPSDuring years of studies i attended some international and regional practical workshops. Here I learned practical skills (screwing, sanding, welding...) and whats most important group cooperating.

Beyond constructionLjubljana, Slovenia 2011

Decoastruction EasaCadiz, Spain 2011

WastelandsHelsinki 2012

Making stage for Youthcentre Medvode, Slovenija 2010

DESIGN

OTHERA sord of an urban nomadic life, which led to ‘temporary‘ settelment in an old family house of my grandparents. It is a place, a garden, an attic, a trash container, where “things“ can be found. Interesting, questionable, histori-cal, usefull, things that are ment to be used and not refused. It is not recycling in a modern urban way (plastic bags and botles, car tires), but trying to understand how the things functioned in past, restore, rehabitate and renew what is necessary to function in contemporary use.

Last summer we thought of buying new garden furniture. What I found in the garden was an old cherry tree root, twice ment to be cut and burned, filled with parasites and soil...

After cleaning, im-pregnating, sanding, debating with crafts-men...She survived, meas-uring 180/120 cm of area, weighing 100 kg it now determinates dining room.

LAST SUMMER I WAS THINKING OF BUYING NEW GARDEN

FURNITURE. WHAT I FOUND THERE, WAS AN OLD CHERRY

ROOT, TWICE MENT TO BE CUT AND BURNED, DAMAGED

FROM PARASITES AND SOIL...