Tehran Golestan Palace3

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YOU CAN WATCH THIS PRESENTATION IN MUSIC HERE (You have a link on the first slide): http://www.authorstream.com/Presentation/michaelasanda-1430497-golestan3/ Thank you! Talar Salam (Reception Hall) was originally designed to be a museum. After the Takht-e-Tavoos (Iranian’s famous Jeweled Peacock Throne) was moved to the Royal jewels collection at the Central Bank, this hall was designated to hold special receptions in the presence of the king, hence the name Talar Salam.Tourists and envoys from European courts received in the Arg during the reign of Nasser-ol-Din Shah, spoke of this outstanding hall comparing it to its European counterparts. This hall has exquisite mirrors work. The ceiling and walls are decorated with plaster molding. The floors are covered with mosaic. During the reign of Nasser-ol-Din Shah, this hall was used to exhibit Iranian and European paintings alongside gifts presented to the Iranian court. Royal jewels were also exhibited inside glass cases. These jewels are now housed at the Royal Jewels Museum of the Central Bank.

Transcript of Tehran Golestan Palace3

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http://www.authorstream.com/Presentation/michaelasanda-1430497-golestan3/

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Golestan Palace Complex consists of 17 palaces, museums, and Halls. Almost all of this complex was built during 200 years of Qajar kings ruling. These palaces were used for many different occasions such as coronation and other important celebrations.When Agha Mohammad Khan Qajar (1742–1797) chose Tehran as his capital Golestan Palace became the official residence of the royal Qajar family. The palace was rebuilt to its current form in 1865. During the Pahlavi era (1925–1979) Golestan Palace was used for formal royal receptions and the Pahlavi dynasty built their own palace at Niavaran. The most important ceremonies held in the Palace during the Pahlavi era were the coronation of Reza Khan (r. 1925-1941) in Takht-e Marmar and the coronation of Mohammad Reza Pahlavi (r. 1941-deposed 1979) in the Museum Hall. 

Palatul Golestan (Grădina Trandafirilor), azi muzeu, este de fapt un complex de 17 palate, construit aproape în întregime în timpul celor 200 de ani ai dinastiei Qajare. Folosit cu ocazia ceremoniilor importante a devenit reşedinţa oficială a familiei regale atunci când Agha Mohammad Khan a mutat capitala la Teheran. Complexul a fost modificat şi reconstruit în 1865.

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Talar Salam (Reception Hall) was originally designed to be a museum. After the Takht-e-Tavoos (Iranian’s famous Jeweled Peacock Throne) was moved to the Royal jewels collection at the Central Bank, this hall was designated to hold special receptions in the presence of the king, hence the name Talar Salam.Tourists and envoys from European courts received in the Arg during the reign of Nasser-ol-Din Shah, spoke of this outstanding hall comparing it to its European counterparts.

Talar Salam (Sala de Recepţii) a fost destinată iniţial să fie muzeu. După ce faimosul Tron al Păunului a fost mutat la Banca Centrală în colecţia imperială a bijuteriilor, această sală a fost folosită pentru recepţii speciale la care participa şahul, de unde numele de Talar Salam (Sala de Recepţii) Călătorii şi ambasadorii europeni primiţi de şahul Persiei în timpul domniei şahului Nasser-ol-Din au scris despre această fabuloasă încăpere comparând-o cu sălile de recepţii din Europa

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During the reign of Nasser-ol-Din Shah, this hall was used to exhibit Iranian and European paintings alongside gifts presented to the Iranian court. Royal jewels were also exhibited inside glass cases. These jewels are now housed at the Royal Jewels Museum of the Central Bank.În timpul domniei şahului Nasser-ol-Din în această sală erau expuse picturi persane şi europene, cadourile primite de şah, precum şi bijuteriile coroanei (aflate acum în Muzeul Naţional al Bijuteriilor)

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This hall has exquisite mirrors work. The ceiling and walls are decorated with plaster molding. The floors are covered with mosaic.

Talar Salam (Sala de Recepţii), cea mai mare încăpere a palatului, este decorată cu un mozaic de oglinzi cu totul deosebit. Tavanul este decorat cu stuc iar duşumeaua acoperită cu mozaic

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Text: Internet

Pictures: Sanda Foişoreanu

Nicoleta Leu

Arangement: Sanda Foişoreanu

www.slideshare.net/michaelasandaSound: Azam Ali – Mandara

Iran