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Alfonso Carrasco MartínezTitle: Nature
2'59'' . 2008
Information about the composition: "Nature" is a sound work influenced by the Hieronymous Bosch’s triptych The garden of delights. The piece emphasizes the idea of the triumph of hedonism and uses sounds of nature mingling among themselves to interpret various icons of this painting, through a sound idea.
Artist bio
Alfonso Carrasco was born in Mexico, where he studied Arts and violoncello, attending the bachelor of music at the University of Xalapa (Veracruz). As part of his musical training, he integrated various orchestras in Mexico, as the Youth Orchestra of the State of Veracruz. He has lived and worked in Barcelona for four years, where he has studied refresher courses of instrumental music at the Conservatorio del Liceu, and the degree of Composition and New Technologies at the Pompeu Fabra University. He participated in concerts of contemporary music in galleries in Barcelona, as in the Space of Contemporary Art Niu.
In 2007, he participated in the 5th International Competition for Electroacoustic Miniatures organized by the Government of Andalusia. In 2008, he took part in the Zeppelin Festival in Barcelona in the Contemporary Culture Centre of Barcelona (CCCB), in the Transhift 08 Festival in Knoxville (Tennessee), the 7th International Image Festival of Manizales (Colombia) and the Fabbrica Europa 08 Festival, in Florence (Italy), where he presented a sound work that was also selected to be broadcasted on the Papesse Italian radio. His works were also selected this year to take part in the Chicago Sound Experience Festival, the Stripart 2008 Festival in Barcelona, the InSonora IV 2008 Festival in Madrid, his work B.I.O was selected to participate in the MOVE new media, the first digital sound fair in Spain which took place in La Coruña.
Contact information:
Email: [email protected]
Web: www.alfonsomartz.net
Benedikt Guschlbauer / ambient animalTitle: ambient animal ruidos de sable
(december 2008)
Info about this composition:
Sweet harmonies don’t exclude noisy drones. Musical styles don’t matter, if it comes to the point when excitation, tension or even silence is created within compositions.
My focus of interest is in the soul of music. from deep within.
Because human beings tend to be guided and faked by bits and pieces of musical expressions which are constantly invading their brains, hearts and souls, i decided in a harsh and lonely winternight to manipulate with soundscapes, destrukt fieldrecordings and fool around with drum modules for the rest of my life in search of sonorical wonderland. grounded and spiraled out. the journey continues.
Beside his sounddesign/composition/production work ambient animal aka Benedikt Guschlbauer is together with Clemens Hausch and Gerald Krist also responsible for the klub moozak event series and the moozak label based in vienna.
Composer's contact information: email and/or web [email protected]://www.myspace.com/oscorlortormusorkhttp://www.myspace.com/klubmoozakhttp://www.moozak.org
Anton Mobin Title : Antre D'eux Duration : 5'59''
> original soundwork for TecnoNucleo | Tao december 2008
Antre D'eux is a ghostly imaginary soundscape. For this meditative piece, Anton Mobin used his own field recordings and he plays live any sequences of sound effects : Crystal Glasses, plexiglass ans thunder drum.
All field recordings were made by Anton Mobin in variable climatic conditions & places (mainly in France). Sometimes inside for light vibrations of air, the other times outside, to capture the play of the nature on trees, and the strom.
Antre is a natural hollow serving as refuge to man. Eux for them. But Antre D'eux is a play on words which means Entre deux, between.
Between like the middle voice... Between earth and sky , there's space for movement... *Poem in french by Steve Oho :
Antre d'Eux, fil naturel Seul protagoniste, le Vent Entre deux saisons Seul, écoutons l'attenteContact:email : [email protected]
site : http://virb.com/anton_mobin | http://h.a.k.free.fr
BIOGRAPHY Born in 1979, Anthony Baron lives in Paris and works between Orléans, Lyon and Paris.Selftaught musician, he turns very fast to an experimental practice with an approach done wonders for the selfconfidence on improvised music for an intuitive music. It is under the name of Anton Mobin, that he produces sound pieces for radio, dance, theatre and that he diffuses his creations under the shape of sound installations, on disks but also during sessions of listening. Since 2006, his sound works are frequently diffused in French radiophonic events : [sonor] #2 #3 (Nantes, France), Festival Longueur d’Ondes (Brest, France), Festival du libre (Nantes, France)… Fascinated in great detail sounds in everyday life, Field recordings and sound effects are the essential elements of his work. Wall of sound, to become landscape, Anton Mobin operates by slidings, where every sound is born inside the other one then comes undone in free style… Since 2007, Anton Mobin & Neurone realize LIVESTUFF on Radio Campus Orléans; a special 3 hours broadcast dedicated to improvised music under all its forms.www.orleans.radiocampus.org Anton Mobin with the collective H.A.K. LoFi RecordEstablished in 2001 by Benoit Hixe & AxDelbor, H.A.K. is a structure steered by artists who wonder about the sound spaces in term of politeness or plastic installations, but also on the various manners to practise the sound today. Since 2003, Anton Mobin works with the label of independant music H.A.K. LoFi Record…And more with affinities : Ayato, Carlos Groenland, Kid Parrot, Der Kommissar, Sarah Monn, Victor Jorge, Analus Boos… ; among whom 170 productions mark out the route !
Clemens Hausch title: tao_f_mix5a
clemens hausch lives and works in vienna. his work spans from experimental music and electronic soundscaping to interactive installation projects. he uses different techniques like synthesis, grain manipulation and sample destruction and misuses field recordings and various material found on his harddisk, in search for some other kind of beauty, hidden somewhere in those frequencies.recent efforts include birth and organisation of klub moozak
together with fellow artists ambient animal aka benedikt guschlbauer and gerald krist.
recent projects/exhibitions:
chairity (2008) in cooperation with peter moosgaard at künsterhaus passage / sound.frame festivalle vernissage (2006) in cooperation with begoña martínez at ragnarhof / soho in ottakringfingerplay (2005) digital etherwave music projectbønk (2004) in cooperation with florian j. gruber at ars electronica 2004concerts played at:fluc & fluc wanne(vienna/austria), jazzatelier (ulrichsberg/austria), künstlerhaus passage (vienna/austria), fleda (brno/czech republic), elektro gönner (vienna/austria), einbaumöbel (vienna/austria), subterrarium (vienna/austria), mogambo (valencia/españa), loamgrui (unterstinkenbrunn/austria)
www.myspace.com/clemenshauschhttp://www.unfinishedbusiness.at/
Criadero en serestitle: tin le mur
Leandro Ramírez .Mariela Arzadun
Criadero de Seres es una intervención sonora puesta en marcha a principios de 2004 por Leandro Ramírez y Mariela Arzadun. La discografía es algo polimórfica y los roles en ese trabajo no son muy precisos. La percepción de pájaros corriendo entre las calles agitadas por los sombreros rígidos amontonados.:.´´´´[el sabor de despellejar una cereza con un sonido delicado que hace levantar la ceja.:.
www.criaderoenseres.com.arwww.myspace.com/criaderoenseres
David j Fonseca a.k.a. dtitle: Líneas
2'38''2008
INFO: Proyecto sonoro electrónico de David j Fonseca a.k.a. d, nacido en Sevilla en 1969. Obras sonoras creadas a partir de grabaciones de campo, destruidas y reinterpretadas. Grabaciones de sonidos urbanos, cotidianos, instrumentos (pianos, guitarras), voces,etc. Loops y pequeños fragmentos de sonidos realizando con ellos un minucioso trabajo y creando bellos e íntimos collages. Música delicada e introspectiva.
BIO: David j Fonseca estudió en el Conservatorio Superior de Sevilla en la especialidad de guitarra. Participó en diversas bandas de rock durante los años 90. A partir de 1998 se comienza a interesar por la música electrónica experimental y electroacústica y desde entonces no ha dejado de investigar y trabajar.Sus principales trabajos hasta hoy son:I. Banda sonora para el espectáculo de danza "La Voz de su Amo" de la
Cía. Belén Maya, Producciones Sonakay (Sevilla)Mercat de les Flors (Barcelona), 2007.
II. Banda sonora para el documental "Caracoles,Bichos y Ladrillos" dirigido por Adán Barajas, Sevilla, 2007.
II. Banda sonora para el documental "Remujeres" dirigido por Ana Jiménez Talavera, Sevilla, 2005.
III. Música para la presentación "La Cueva BajoncilloTorremolinos" para Técnicas Documentales S.L., Sevilla, 2005.
IV. Banda sonora para la obra teatral Moby Dick de Cía. MalukaPeka, Sevilla, 2005.
V. Banda sonora para la obra teatral "Pijamita de madera" de Cía. Teatro Lento, Sevilla, 2005.
VI. Banda sonora para la obra teatral "MalukaPeka" de Cía. MalukaPeka, Sevilla, 2004.
VII. Instalación sonora para la "Semana Cultural de San Jerónimo", Sevilla, 2002.
CONTACT: [email protected]/sonoro69
iRa
Title: Fred Stares at the blank Wall7' 28"2008
Info: ik mik su su poo Live to 2 tracks, MaxMsp
Composer’s contact information: [email protected]
D. Moratillalive impro w laptops, inmersion sound, micromacro procesing sound field recordings GaMes Addiction_ noise digital & analog, sampling from games, glitch Kimberly KLark_ techno minimal maximal dub Trikome_ Kliks & Cuts beats fm tones DJITTER_ plays minimal, experimental, techno, dub on vinyl, cd ,& tracktor.
title: Sign
contact:web: http://grainsize.blogspot.com
http://www.myspace.com/djitter
email: [email protected] msn: [email protected]
Musician and sound editor, radio dj (DJITTER∙)... > Nowadays living halfway between Guadalajara, where he > was born 32 > years ago, and tWorld. He played in places and festivals as important as: "Batofar" Club in Paris 2002, LEM Festival 2002/03 (BCn) "M.A.C.B.A." Museum (Bcn) ExperimentaClub 2002/04 in Madrid, Observatori 2001 in Valencia, Confluencias Festival 2002/2003 Huelva, "La Casa Encendida" in Madrid, Palacco Duccale in Lucca Italia, Club Maria Am Ufer in Berlin Escena Contemporanea 2005 madrid, Universidad de Zaragoza 2006 etc. He received in 2001 the first International award of Electroacoustic Music for the masterpiece "Modo Aleatorio", organised in Spain by S.G.A.E. Resident artist of Gracia Territori Sonor collective in Barcelona during 2002. Follower of the "Residualism" theory, "Post digital music", "Static environments", "Pure listening", "Electoacustic Process". He bases all his music in the manipulation of the digital audio and displacement of many field records and the possibilities of chances and error as a factor of the music. His music is organic and develops, it denotes a great use of the new technologies mainly in the experimental software use. With special attention to the Real time processes.... > As an enthusiast of the use of various names for develop his work. He has published some > CDRoms under the names Games Addiction, Tricome, Kimberly Klark, D. Moratilla, . His cds usually has an interactive track where he has collaborated with many artists of Video and Loops collections. Sound for instalations: "Carrer Virtual" Fiestas gracia 2002 "Car" present in Observatori 2001 Audio Works: Kimberly Klark: "Reverse Mode" Grain Size EP Games Addiction: "Random Movements" Plataformaltw LPVideo Games Addiction: "M.G.S. 1.0" Opsound.org TR Games Addiction: "Discos Noise comp" discosnoise TR Tricome: "PK 1314" Grain Size EP Video Tricome: "Rizophon" Grain Size EP D. Moratilla and Fabel: "Reworks for R. S." Grain Size EP D: MOratilla: "FRee & Tapas" "ConFluencias CdRom" Confluencias.org TR+Video D. Moratilla; "B!as: 2003 Comp." Etat Lab TR D. Moratilla: "Mirando a traves de la ventana" Grain Size LP Video D. Moratilla : "Microsound.org/klanghausen Compilation" TR Fabel vs Kimberly Klark: "Sound Sketches 01" Synergy networks EP D. Moratilla: "La Casa Microscopica Compilation" Montgorecords TR Games Addiction. "Francisco Lopez Absolute Noise Ensemble" Blossoming Noise TR D. Moratilla: "Out of _Room" Grain Size LP Video
Gianmarco CaselliTitle : Eroina Fluida Parte Prima
Duration: 6'46"2006
Info: "Eroina Fluida Parte Prima" is a fixed work realized with FM synthesis. The music is elaborated for the most with FM synthesis. There is only a concrete material: a short human "cough." The music has been realized with CSound. "Eroina Fluida Parte Prima" is like a fantastic novel where everything slowly changes.
Biography:
born 06/08/1975 in Lucca. Gianmarco is gratuated in History of the Music at University of Lettere in Pisa with first class honours (110/110 e lode). Now Caselli is teacher of Italian Leterature and History at high school and work at Edizione Nazionale delle Opere di Giacomo Puccini in Lucca. after studiing of pianoforte, Caselli has been graduated at Musical Institut "Boccherini" in Lucca at twoyears Tecnological Specialization with 110/110. Caselli produces shows of experimental theatre like actor and regist and some of his poems and stories has been signalized in literary prizes. In the last years Caselli has dedicated himself at musical composition and video production; is composition "Hydra II" is between the works that have taken part in FrammentAzioni project (chosen between 716 compositions from 34 countries) in Udine (october 2008)in the music Festival Contemporanea 2008. Caselli's compositions has been played in many musical events. Caselli is President of Cultural Association V.a.g.a. (Visioni Atipiche Giovani Artisti) and is a journalist.
Caselli's music is characterized by minimalism and 70's aesthetics but always there's a looking for melody also in electronic compositions.
Contact:email: [email protected]
ENG (electronoise group)Title: Funeral music for dadaism2008. Tapeoperation, laptop
Info about his composition and any text you deem necessary explaining the submitted work and artistic practice & If you want any photographyRadical free/spontaneous music/art ensemble, The Electronoise Group (ENG) founded in early 2006 by JapaneseAmerican soundArtist, shotahirama. It is a group that are making concrete drone sounds with their freeimprov expression and the ideas from "laptop" "noise" and "Art".Using laptop, tapeoperation, and tapeloop, generated guitar, the project ideal is to express the content of various psycho pathological conditions, especially depressive psychosis, and paranoia. And also making an art design, a photomontage with strong attention to DaDa and Bauhaus.
shotahirama is a JapaneseAmerican concrete sound artist and also known as a photomontage artist, inspired by DaDa (especially NYDada) and Bauhaus. Most people also know him under the name ENG (electronoise group), or Jandeath. He uses laptop and sinewave generator, some tapeoperation and tapeloops, making concretenoisedrone.?He has been documented on a number of projects, each revealing new facets of his wideranging and unique talents on both laptop and tapeoperation. He has recorded and performed with Zbigniew Karkowski (mego/subrosa), Kelly Churko (Canada), Incapacitants (exhijokaidan), and Justice Yeldham (Australia), Darren McClure (the land of), MicloDiet (SOUP), Monooka (Roumania), ASTRO, PainJerk, yuji kondo, enormous O'clock...etc.And in early 2006 he founded his main project, radical free/spontaneous music/art ensemble, The Electronoise Group (ENG). It is a group that are making concrete drone sounds with their freeimprov expression and the ideas from "laptop" "noise" and "Art". And he also founded the NIkO Label, a nonprofit label for free copyright and free expression by laptop expressionism artists?
Composer’s contact information: email and/or web site:
electronoise[email protected]://www.shotahirama.comhttp://www.myspace.com/electronoisegroup
Soma Lepcsenyi aka Bird`n`bassHungary
Title: Bird_n_bassdigital
Bird'n'bass make music from sounds and sounds from music Booking
contact:
www. myspace.com/madaresmely
Israel MTitle: Yumiko2008
Composed for “Intimo Butoh”, a sitespecific project of butoh dance and sound art Butoh Dance Company 0.618
Israel Martínez (Mexico, 1979) is sound artist, empirical composer and he has a degree in communications. He works in different fields: experimental & electroacoustic music composition, sonic installation and sitespecific projects. He has participated in diverse sound art, electroacoustic and experimental music festivals in Mexico as Radar, Visiones Sonoras, Mutek, Muestra Internacional de Arte Sonoro, Instrumenta, Interface and SONOM, as well as multimedia festivals as Transitio MX and Estacionarte. He has also performed and his works have been played at different festivals and concerts in England, France, USA, Austria, Spain, Mexico and Colombia. Israel received the Prix Ars Electronica Award of Distinction in 2007 for his work “Mi vida”.
Contact:www.israelm.comwww.cero618.org
Jacob Gotlib
Title: Tower of Babel (2007, 12:26)
Info about his composition:
The Ancient Greeks and Hebrews believed that human beings were motivated by ideals that they could never, ever reach. Though we know in our hearts that many of the goals and ideals that propel our lives are naive or impossible, they give us meaning, connection, and direction. Like Sisyphus, whose rock always escaped him right as he would reach the top of the mountain, we build and rebuild our Towers of Babel despite disappointments, shattered dreams, and unrealized potentials.
All of the source sounds for this piece are copyrightfree, Creative Commonslicensed samples downloaded from The FreeSound Project. Click here for a list of and links to the samples I used in this piece.
Composer's contact information:
Jazznoize
Title: Audiotone8'34''2008
"Audiotone es una pieza basada en el enfrentamiento de los objetos sonoros de manera dialéctica. La contraposición de esos sonidos tienen hacia una unidad natural, a pesar de las diferentes técnicas utilizadas: Música concreta, dark ambient, técnicas loop, sonidos industriales, guitarras, sampler de voces, noise... Todo ello bajo unas texturas que intentan redefinir el mundo como instrumento sonoro principal, y que defino bajo el concepto de RUIDISMO IBÉRICO".
Contact:
[email protected]/jazznoize17
REPUBLICA IBERICA RUIDISTA (facebook)
Jorge Ramirez
Title: SPDVL (spidvol) 6'23''2007
Descripcion:
La estructura de la pieza es una analogia al tren de pensamiento onírico, en donde una seccion culmina en otra de forma progresiva, siendo muy distintas las secciones pero manteniendo una relacion simbolica…’criptocohesiva’.
Tecnica: Supercollider.
Contacto:[email protected]
Marc Levinthal guitarist, composer and writer.
title: Stuffed Audience Plus One (Gentle Cycle) 13'04'' 2009
He utilizes an array of electronic devices to loop, drone, stretch and otherwise manipulate the output of his guitar, creating music that lives in a rarified zone somewhere between noise and melody.His SF/horror has appeared in various anthologies and magazines including (with John Skipp) "Dark Destiny" II and III, "In the Shadow of the Gargoyle" and (solo) "Eros Ex Machina" and Aboriginal Science Fiction. Marc and John's novel, "The Emerald Burrito of Oz" was published in 2000. A new one is in the works...
Web site: www.marclevinthal.com
www.myspace.com/marclevinthal
email: mlev(at)att(dot)net
Oscar Martin ((noish~)) title: tAoCyberPunK
10'36'' december 2008
((noish~)) Experimental sound work place somewhere between Concrete Music and Postdigital Error Aesthetics. The daily reality and his peripheries are the basic material that I do mutate and deconstruct through the possibilities of the digital code and sometime his errors, generating new units of sensation, with which I build autonomous sound universes. Imaginaries spaces to try open new ways for active hearing and to expand other sensibility to perceive the sound phenomenon.
About the software for the process of deconstruccion and mutation of the input sources ((analogic and digital fields recordings)) i use Pure DAta patches and techniques like granular synthesis, weilets and fourier resynthesis. And other audio tools like audacity and ardour from Ubuntu Studio. After this process we obtain “blocks of sonorous expression” of dimensions and changeable heterogeneity, which already don not refer to a reality but which have entity by themself. With these blocks the piece was created.
For the construccion of tAocyberPunK, i used like input sound sources >> fields recordings from Alpujarra Mountains ((Granada)){rivers,stones,insects} and also sonifications of txt,pdf and html files about the tao phylosophi, by the shell command cat >> and a system of feedback pipes in combination with pure data,and a strong granular synthesis work with all this material.
Contact: [email protected] http://noconventions.mobi/noish
Pangea title: Life under our feets
Pangea works with harsh sounds giving it a floating and hypnotic sense.«The collaborative nature of spanish composer Juan Antonio Nieto has taken him into different journeys. What happens when the continental drift process suffers inversion? The union of intangible terrains is becoming more clear each second. At this point, we know that language is truly unstable and absolutely turbulent. We would like to be in control and arrest this flux of events that surround us... A massive continent of sound once united when structures were inexistent. Pangea reminds you of those times before each of the component continents were separated into their current configuration... If you allow it, these forms are capable to join disperse theories and hypothesis in the depths of your mind.» Sebastian Alvarez
Pangea trabaja con sonidos ásperos dándoles una sensación flotante e hipnótica. "composiciones en las que, inagotablemente, aletean impulsos y drones de cambiante perfil, en espacios saturados donde apenas sí queda sitio para un alfiler. Van recorriendo por su cuenta y riesgo un gran panel de ricas frecuencias que da brillo a una paleta tímbrica estructuradora de extremada variedad y sutileza. Esporádicamente, aterciopelando las abruptas texturas y la crudeza sonora constructivista, se nos acercan cautivadoras entonaciones que agudizan el hipnotismo y avivan la ensoñación." Sarah Vacher
site:http://www.myspace.com/juanantonionieto
scmute
title: TA2
The supreme good is like water,which benefits all of creationwithout trying to compete with it.It gathers in unpopular places.Thus it is like the Tao.(...)We mold clay into a pot,but it is the emptiness insidethat make the vessel useful.(…)We work with the substantial,but the emptiness is what we use.
Contact:[email protected]
Terje Paulsen title: flyswansong
born 1958, kristiansand, norway. have always been very interested in music, soundart & art generally. i am a selftaught artist (graphics, painting, drawing & music). played in rock / punk bands back in the 70's & 80's. i work with very simple tools: a cheap microphone, minidisc, objects & cheap piezos, acoustic guitar, 4 & 12 string bass, and some lovely flutes made by my good friend bernhard günter. i like improvising... i'm inspired by my inner travels, and all what happens just outside our door. on my site, you can see pictures of the view just outside our house, over the fjord. sunrise / sunset
site:www.myspace.com/terjepaulsenhttp://terjepaul.googlepages.com/
Vegetal is Victor Alzina
title: Wu Wei 2008
Previously unreleased; Sound source taken from a live
performance on august 2002, at la Casa de la Cultura, Tijuana, México. Edited & remixed on winter of 2008 in Tijuana, México by Victor Alzina.
contact:
[email protected]/alzinamusica
Vertex Germ proyecto formado por Mario Quiroga debido a su
pasión por las plantas alucinógenas que crecen en México.
Title: Psylocybe Mazatecorum December 2008
site: www.myspace.com/[email protected]@gmail.com
Veshcle title: Because They Ask So Little of Life
An improvised session on turntable, preamplifier, testtone record and Max/MSP. Some mastering, but otherwise as recorded live. I've still got some kinks to work out in regards to using MIDI to control patches, but it's becoming more and more useful to me.
Vehscle is a project organized on reactions to field recordings of our overlooked sonic environment; to the latent functions of instruments; to finding music where none existed before. Individual tracks may contain unadulterated fields; they may be digitally processed beyond recognition, or they may be seminal sonic ideas, from which the final production grew.
Vehscle is mostly the work of one individual, with a growing amounts of material annexed from friends, coworkers, anonymous bystanders (thanks, by the way). The means of production range from solo improvisations on turntable, testtone record and programming, to compositions of fieldrecordings and radio broadcasts (check out the lyrics for details). This is music for neither parties nor ambience. This is music for those times we didn't live, the places we weren't, the people we couldn't meet, the sounds we never heard.
Contact:http://virb.com/vehscle
NAD found its birth by reprocessing pieces of recordings done by Oubys, my ambient outlet.
With NAD I try to focus more on noise and composition directions similar to older forms done in music concrète and other experimentel music years before.I’m quite influenced by the works of Luc Ferrari and Tod Dockstader, so I like their approach of handle sounds and making music with it.I want to take advantage of all kinds of soundsources. From computers to wires used to hang out luggage. So I record sounds, process them with the aid of a sampler and a computer. Sometimes I resample pieces of older recorded stuff.I do also use synthesisers, in a matter of fact, a sampler is a synthesizer too.
It’s a mixing and arranging process.I’m also influenced by processes in nature. For example: cell metabolism, the way enzymes maintain equilibrium in cellporcesses, immunology and so on/
title: Zrum3'43''Date of creation: 17/05/2008
Wannes Kolf 2008
contact:
Yannick Franck title : Coeur Créole 8'48'' . 2008
Yannick franck (né en Belgique en 1981) est artiste sonore et plasticien, ses recherches sont basées sur la captation et l'utilisation d'éléments du réel, qui "perçus dans leurs formes les plus substantielles, s'altèrent d'euxmêmes, au fil des instants qui se succèdent...". Traités et organisés de façon intuitive, ces éléments sont confrontés à la réalité immédiate, recontextualisés. Fragments d'un réel transfiguré, qui dévoillent une attention particulière, un dialogue intimement expressif entre monde physique et ses métamorphoses. Ce rapport poétique à la réalité, qui se développe au sein d’un constant souci d’expérimentation, est alimenté par une réflexion de fond axée sur le réel et ses représentations dans le contexte de la création contemporaine. La dimension intuitive des créations de Yannick Franck prend toute son ampleur lors de ses improvisations électroacoustiques, durant lesquelles il utilise sa voix comme principal instrument tout en combinant une grande variété de sources sonores (instruments, objets, enregistrements de terrain) avec une concentration et une urgence tangibles. Yannick Franck prends part à de nombreux projets et collaborations multidisciplinaires ainsi qu’à plusieurs formations telles Y.E.R.M.O. (en duo avec Xavier Dubois) et Idiosyncrasia. Il est le cofondateur et directeur artistique du label Idiosyncratics Records.
Yannick franck (b. 1981) is a multi field artist from belgium, involved in electroacoustic composition / improvisation and visuals. His creations are often qualified as abstract and meditative. by various experimental practices and processes, yannick franck underlines his relation to the world, observes and transforms the components of reality. shade and light, vibration and resonance are delivered as components of his artworks. The datas of the physical world's permanent alterations, becoming naturally abstract, are asserted as (a)esthetic elements.
Composer's contact information: email : [email protected] : www.myspace.com/yannickfranck
Yuki Aidasound design, programming, guitar.
Title: north
contact:
flickr : http://www.flickr.com/photos/26490692@N08/twitter : http://twitter.com/weeldfacebook : http://www.facebook.com/people/YukiAida/1067200896
http://www.weeld.net/www.myspace.com/liquidweeld
Zn'shñFranck Smith & Elvire Bastendorff
Title: Winter Recordings 7'57'' 2008
Details : Invented and defined by Franck Smith, the term Zn'shñ signifies: the gleam of dark colours. Deliberately antithetic and intentionally enigmatic, Zn'shñ is enthused by Butoh iconography, Japanese Gagaku aesthetic and Tibetan rituals codification. Operating a dual electronic unit (Elvire Bastendorff & Franck Smith), Zn'shñ deepens some very specific works around phonocrafting and noise manufacturing.
"Winter Recordings" : performed by Franck Smith & Elvire Bastendorff (electronics) / Recorded December 2008 in Paris.
Contact:Email : [email protected]
[email protected] Web page : http://www.myspace.com/znshn
