Surrealism in paris

21
11-30-2012 Surrealism and Paris, 1920s Scott Scholz

Transcript of Surrealism in paris

Page 1: Surrealism in paris

11-30-2012

Surrealism and Paris, 1920sScott Scholz

Page 2: Surrealism in paris

DADA

✤ Before Surrealism was Dada, an art movement that began in 1916.

✤ Dada was centered in Zurich, Switzerland: Dada participants from around Europe congregated there for the country’s political neutrality in World War I.

✤ Primary figures: Tristan Tzara (spokesperson and author of manifestos), Hugo Ball (poet and owner of main Dada performance space, the Cabaret Voltaire).

Page 3: Surrealism in paris

What is Dada?

✤ Dada wasn’t well-defined, and as a group it wasn’t well-organized

✤ Rejection of a culture capable of self-destruction and world war

✤ Anti-art, anti-logic, anti-reason

✤ At the end of WWI (1918), Dada participants began returning to their home countries, spreading their ideas throughout Europe

Page 4: Surrealism in paris

Dada goes to Paris

✤ Tristan Tzara moved to Paris in 1919, joining the staff of Litterature magazine

✤ Andre Breton, eventual leader of Surrealists, and Tzara had public and private disagreements in 1920 and 1921, leading to the “death of Dada” being declared in 1922.

✤ Personal struggles for dominance within artistic circles, as well as political disagreements.

Page 5: Surrealism in paris

Surrealism is born

✤ In 1924, Andre Breton published the first Surrealist Manifesto, and opened the Bureau of Surrealist Research

✤ Breton and his collaborators combined the tools and techniques of Dada, including collage and “found art,” with elements of Freudian psychoanalysis

Page 6: Surrealism in paris

Automatic processes

✤ Breton defined Surrealism as “pure psychic automatism”

✤ Automatic drawing and writing - moving the pen with as little conscious influence as possible, bringing out the subconscious mind

✤ Emphasis on dream states and analyzing dreams

Page 7: Surrealism in paris

Surrealist Games

✤ Mostly centered around automatic methods mixed with random/chance operations

✤ For recreation (idea generation) and investigation (into the early science of psychoanalysis)

✤ Results are anti-tradition like Dada, but incorporate the subconscious, collective consciousness, dream analysis

Page 8: Surrealism in paris

Influence on contemporary culture

✤ Dada/Surrealist techniques continue to influence modern art, literature, music, and web culture

Page 9: Surrealism in paris

Sampling

✤ Early electronic music

✤ hip-hop

✤ dance/electronica

✤ pop

Page 10: Surrealism in paris

Mashups

✤ Video, audio, textual recombinations of pre-existing materials

✤ Created and shared by a diverse and sometimes anonymous audience

Page 11: Surrealism in paris

Memes

✤ Shared social/cultural bits of information

✤ Often transformed through mashup techniques

✤ “going viral”

Page 12: Surrealism in paris

Let’s play!

✤ Book of Surrealist Games

✤ More games online

Page 13: Surrealism in paris

Automatic Writing

✤ Sit at a table with pen and paper; put yourself in a “receptive” frame of mind, and start writing. Continue writing without thinking of what is appearing beneath your pen. Write as fast as you can. If, for Some reason, the flow stops, leave a space and immediately begin again by writing down the first letter of the next sentence. Choose this letter at random before you begin, for instance, a “T,” and always begin this new sentence with a “T.” Although in the purest version of automatism nothing is “corrected” or re-written, the unexpected material produced by this method can be used as the basis for further composition. What is crucial is the unpremeditated free association that creates the basic text.

Page 14: Surrealism in paris

Questions and Answers

✤ Divide paper into three columns. Write a question in each column.

✤ Below each question, write the context of the question (who/what/when/where/why) in parentheses. These will be context clues for the next player.

Page 15: Surrealism in paris

✤ Fold the paper so that only the context words are exposed, and pass to the next player.

Page 16: Surrealism in paris

✤ The next player answers each question, writes another three questions, and so on.

Page 17: Surrealism in paris

Exquisite Corpse (drawing)

✤ Draw on a section of paper

✤ Fold it so that only a few small lines show, and pass to the next player

✤ The next player continues the drawing, folding, and so on

Page 18: Surrealism in paris

Some examples of this game

Page 19: Surrealism in paris

Exquisite Corpse (writing)

✤ This game creates composite sentences by having each collaborator add one column of sentence parts at a time. Divide a lined piece of paper into five columns:

✤ 1. Article/adjective

✤ 2. Noun

✤ 3. Verb

✤ 4. Article/adjective

✤ 5. noun

Page 20: Surrealism in paris

✤ The first player takes the first article/adjective column, writing an article and adjective on each line of the paper. After reaching the bottom, the player folds the paper so that his or her writing is invisible and passes it to the next player. Each player in turns fills out a column without being able to see any of the finished columns.

Page 21: Surrealism in paris

Questions? Comments?

✤ My email is [email protected]

✤ You may find me online at WordsOnSounds.blogspot.com