SUMMARY

General Sector

Lafayette Sector

Design

Editors

Solo and two person shows

Exhibitor list 2018

Petit Palais

Avenue Winston Churchill

Domaine national du Louvre et des Tuileries

Place de la Concorde

Musée national Eugène Delacroix

Place Vendôme

Parades for FIAC

Conversation room

Cinéphémère

Gallery Night

Exhibitions in Parisian institutions

Opening hours

Admission fees

Access

Organisation

45th Edition

195 Galleries

31% Of French Galleries

1900 Inauguration

Of the grand palais

2021 Move to the ephemeral

Grand palais on the

champ-de-mars

2023 return to the renovated

grand palais

75 000 Annual visitors

7 Exhibition sites

27 Represented countries

1954 Opening of the

oldest participating gallery:

Nächst St. Stephan Rosemarie

Schwarzwälder

2017 Opening of the youngest

Participating gallery:

bonny poon

10 Galleries in the

Lafayette sector

17 performances

4 Conference cycles

27 Solo shows

PRESS RELEASE The 45th edition of FIAC will be held in Paris from 18 to 21 October 2018 and will host 195 galleries in the nave and exhibition

rooms of the Grand Palais. The 2018 selection – including many of the most influential specialists worldwide in the fields of modern

art, contemporary art and design – will present the finest examples of artistic creation since the turn of the twentieth century; modern

masters through to the latest trends, notably represented in the Lafayette Sector.

FIAC Galleries will bring together 195 galleries from 27 countries including 3 countries new to FIAC in 2018: Greece, Peru, Ireland.

Among the exhibitors, the return of 15 international galleries is noteworthy: Hauser & Wirth (London, Somerset, New York, Los

Angeles, Hong Kong, Zürich); Gmurzynska (Zürich, St. Moritz); The Breeder (Athens); Canada (New York); Ghebaly Gallery (Los

Angeles); High Art (Paris); Rodolphe Janssen (Brussels); Kerlin (Dublin); Gabrielle Maubrie (Paris); Modern Art (London); Salon 94

(New York); SpazioA (Pistoia); Tim Van Laere (Antwerp); Tucci Russo (Torino); Anne de Villepoix (Paris).

The 45th edition of FIAC is likewise characterised by the participation of 18 galleries who will be exhibiting for the first time:

80M2 Livia Benavides (Lima); Andréhn-Schiptjenko (Stockholm); Antenna Space (Shanghai); Bergamin & Gomide (São Paulo);

Boers-Li (Beijing, New York, Hong Kong); Ben Brown Fine Arts (London, Hong Kong); Gerhardsen Gerner (Oslo, Berlin); half

gallery (New York); Paul Kasmin (New York); Magician Space (Beijing); Skopia (Genève), including 7 in the Lafayette Sector:

Arcadia Missa (London); SANDY BROWN (Berlin); DOCUMENT (Chicago); Jan Kaps (Cologne); LOMEX (New York); Edouard

Montassut (Paris); Bonny Poon (Paris).

Modern and contemporary design will again be present following its return in 2017. Five iconic galleries of international repute will

exhibit: Jousse Entreprise, Galerie kreo, LAFFANOUR – Galerie Downtown, Eric Philippe, and Galerie Patrick Seguin.

FIAC Projects (formerly On Site) will present some forty sculptures and installations in situ at the Petit Palais, on the Avenue

Winston Churchill (pedestrianized once again during FIAC week) and around the Grand Palais. For the artworks exhibited in the Petit

Palais, FIAC Projects is conceived in collaboration with Marc-Olivier Wahler, Director of the Eli and Edythe Broad Art Museum at

Michigan State University.

FIAC Hors les Murs, organized in partnership with the Louvre Museum, will present an ensemble of over twenty outdoor works in

the Tuileries Gardens, together with a solo exhibition of Rebecca Warren at the Musée National Eugène Delacroix. On Place

Vendôme, FIAC Hors les Murs extends a carte blanche invitation to Elmgreen & Dragset to invest this emblematic Parisian site, in

collaboration with Perrotin. An extension of the Hors les Murs promenade at the jardin des Tuileries, FIAC also inaugurates an

ephemeral village of architectural projects on Place de la Concorde.

FIAC Programmes presents, for the duration of the fair, a freely accessible programme of performances (Parades for FIAC),

conferences (Conversation Room), and film screenings (Cinéphémère) with no charge.

FIAC 2018 at a glance: 195 galleries including 33 new exhibitors, from 27 countries (Germany, Austria, Belgium, Brazil, China,

South Korea, United Arab Emirates, Spain, the United States, France, Greece*, Hong Kong, Ireland*, Israel, Italy, Japan, Kosovo,

Mexico, Norway, the Netherlands, Peru*, Portugal, United Kingdom, Sweden, Switzerland, Tunisia) including 3 new participating

countries (Greece, Peru, and Ireland).

Press Contacts - Brunswick Arts

Amélie Cognard, Annabelle Turkis and Pierre-Edouard Moutin

fiac@brunswickgroup.com

+33 (0)1 53 96 83 83

www.fiac.com @fiac #fiac

195 galleries

FIAC GALLERIES The exhibition spaces of the Grand Palais (FIAC Galleries) are deployed between the Nave of the Grand Palais and upstairs, the Salon

d’Honneur, the Galeries Supérieures and the Salon Jean Perrin.

For the new edition of this international event, the General Sector of FIAC brings together a carefully selected group of 195 modern

and contemporary art galleries, design galleries, and editors.

The contingent of French galleries includes major names in the field of modern art, notably: Galerie 1900-2000, Applicat-Prazan,

Le Minotaure, Natalie Seroussi, Galerie Zlotowski; and in contemporary art, such as: Air de Paris, Art : Concept, Chantal Crousel,

frank elbaz, gb agency, In Situ – Fabienne Leclerc, Karsten Greve, Lelong & Co., kamel mennour, Nathalie Obadia, Perrotin, Almine

Rech, Thaddaeus Ropac, Templon, Georges-Philippe & Nathalie Vallois etc.; together with galleries renowned for their role as

discovers and tastemakers, such as Allen, Balice Hertling, Gaudel de Stampa, Marcelle Alix, High Art and Jocelyn Wolff to name a

few.

The 2018 edition confirms the central role of FIAC on the European scene, with the renewed presence of leading such as: Alfonso

Artiaco, Buchholz, Capitain Petzel, Sadie Coles HQ, Continua, Massimo De Carlo, Konrad Fisher, Bärbel Grässlin, Max Hetzler,

Xavier Hufkens, Peter Kilchmann, Krinzinger, Simon Lee, Mai 36 Galerie, Giò Marconi, Victoria Miro, Neu, neugerriemschneider,

Eva Presenhuber, Esther Schipper, Sprüth Magers, Michael Werner, White Cube, Zeno X; and powerful influencers such as

ChertLüdde, dépendance, Karma International, kaufmann repetto, König Galerie, Mezzanin, Neue Alte Brücke, Peres Projects,

Francesca Pia, Plan B, ProjecteSD, Rodeo, and ZERO..., among others.

The strength of FIAC is also reflected in the significant percentage of North American galleries present (Canada, United States,

Mexico), a strength which they have in many ways contributed to building. Among the 20% participation of North American

exhibitors, there are market leaders, such as: 303 Gallery, Blum & Poe, Gavin Brown’s enterprise, Paula Cooper, Gagosian Gallery,

Gladstone Gallery, Marian Goodman, Anton Kern, David Kordansky, Metro Pictures, Nahmad Contemporary, Pace, Regen Projects,

Skarstedt, Van de Weghe and David Zwirner. They have all made FIAC a regular fixture in their exhibition calendar, as have

prescribers such as C L E A R I N G, Gaga, Karma, Labor, Overduin & Co. or Reena Spaulings Fine Art.

This year, FIAC spreads its outreach into Asia. Ten galleries from the region are participating: Antenna Space (Shanghai), Boers-Li

(Beijing, New York, Hong Kong), Edouard Malingue (Hong Kong, Shanghai), Vitamin Creative Space (Guangzhou, Beijing),

Hyundai (Seoul), Kukje (Seoul), Magician Space (Beijing), PKM Gallery (Seoul), Experimenter (Kolkata), and SCAI THE

BATHHOUSE (Tokyo). The same goes for South America, with the notable entry of a gallery from Peru: 80M2 Livia Benavides

(Lima) and one from Brazil: Bergamin & Gomide (São Paulo), along with Mendes Wood DM (São Paulo, Brussels, New York). The

international art scene represented at FIAC also includes galleries from the Middle East and North Africa, such as: Green Art

Gallery (Dubai), Dvir Gallery (Tel Aviv, Brussels) and Selma Feriani (Tunis, London).

The General Sector galleries were selected by a committee consisting of internationally renowned gallerists, representing

complementary fields of expertise, geographic zones, and generations: Olivier Antoine (Art : Concept, Paris), Florence Bonnefous

(Air de Paris, Paris), Daniel Buchholz (Buchholz, Berlin, Cologne, New York), Gisela Capitain (Capitain Petzel, Berlin), Mark

Dickenson (Neue Alte Brücke, Frankfurt), Joseph Nahmad (Nahmad Contemporary, New York), Christophe Van de Weghe (Van

de Weghe, New York), and Paolo Zani (ZERO…, Milan).

The 10 galleries selected for the Lafayette Sector were chosen out of over 150 applications, for the quality of their exhibition

programmes throughout the year, and for the special project they create for FIAC presenting one or two emerging artists represented

by the gallery. The Lafayette Sector was created in 2009 by FIAC and its official partner, the Galeries Lafayette group, to encourage

young galleries in their chosen path by providing financial support to facilitate their presence at FIAC.

The 10 participants benefit from financial support from the Galeries Lafayette Group, the Official Partner of FIAC, to a level of 50%

of the price of their stand (25m²). FIAC covers accommodation costs for non-Parisian participants for the duration of the fair together

with set-up and dismantling periods. This ambitious programme thus offers strategic visibility to young galleries and artists during one

of the leading rendez-vous of the art world and market.

The particularly exciting group formed by the ten 2018 participants originate from 5 countries (Germany, the US, France, the UK and

Switzerland). They wholly illustrate the courage and dynamism of the young international gallery scene and its commitment to

discovering and promoting the work of emerging talents: Arcadia Missa (London), SANDY BROWN (Berlin), DOCUMENT

(Chicago), Lars Friedrich (Berlin), Jan Kaps (Cologne), LOMEX (New York), Edouard Montassut (Paris), Bonny Poon (Paris),

Queer Thoughts (New York), and Truth and Consequences (Geneva).

While the last two galleries are present in the Lafayette Sector for the second time (Lafayette Sector regulations permit a maximum of

two participations), 3 galleries from the 2017 selection have entered the General Sector: Experimenter (Kolkata), Freedman Fitzpatrick

(Los Angeles, Paris), and LambdaLambdaLambda (Pristina), confirming the pertinence and effectiveness of the support apparatus

provided by the Galeries Lafayette Group.

Artists featured are Hannah Quinlan and Rosie Hastings at Arcadia Missa, Kamilla Bischof at SANDY BROWN, Paul Mpagi

Sepuya and Julien Creuzet at DOCUMENT, Min Yoon at Lars Friedrich, Jean-Marie Appriou at Jan Kaps, Robert Bittenbender

at LOMEX, Maggie Lee and Riccardo Paratore at Edouard Montassut, FPBJPC at Bonny Poon, Puppies Puppies and David

Rappeneau at Queer Thoughts, and Liz Craft at Truth and Consequences.

The galleries of the Lafayette Sector were selected by a jury comprising Guillaume Houzé, (President of Lafayette Anticipations –

Fondation d’entreprise Galeries Lafayette, Paris), Mark Dickenson (Gallerist, Neue Alte Brücke, Frankfurt), Rebecca Lamarche-

Vadel (Curator, Palais de Tokyo, Paris), Elisa R. Linn (Curator, km temporaer, Berlin), François Quintin (Managing director,

Fondation d'Entreprise Galeries Lafayette, Paris), and Matt Williams (Independent curator, London).

FIAC confirms its desire to host modern and contemporary design galleries at the Grand Palais, with the return of 5 internationally

renowned exhibitors who successfully participated last year in the re-establishment of this sector initiated by FIAC in 2004: Jousse

Entreprise, Galerie kreo, LAFFANOUR – Galerie Downtown, Eric Philippe, and Galerie Patrick Seguin.

FIAC was the first fair in the world to create a design sector within its walls.

FIAC is honoured to include publishers among its exhibitors: Galerie 8 + 4, GDM, Florence Loewy, and mfc-michèle didier. Two new

exhibitors join the Publishers sector of FIAC in 2018: Éditions Dilecta (Paris) and TCHIKEBE (Marseille).

The 2018 edition of FIAC will present a number of solo exhibitions at the Grand Palais:

Alicja Kwade (born in 1979, lives and works in Berlin) at 303 Gallery

Rita Ponce de Leon (born in 1982, lives and works in Mexico City) at 80M2 Livia Benavides

Hannah Quinlan & Rosie Hastings (born in 1991) at Arcadia Missa (Lafayette Sector)

Robert Colescott (born in 1925) at Blum & Poe

Zoë Paul (born in 1987, lives and works in Athens) at The Breeder

Kamilla Bischof at SANDY BROWN (Lafayette Sector)

Ann Craven (born in 1967, lives and works in New York) at Shane Campbell

Krishna Reddy (born in 1925, lives and works in New York) at Experimenter

Ali Cherri (born in 1976, lives and works in Beirut & Paris) at Imane Farès

Min Yoon at Lars Friedrich (Lafayette Sector)

Katharina Grosse (born in 1961, lives and works in Berlin) at Gagosian

Michel Journiac (born in 1935) at Christophe Gaillard

Genieve Figgis (born in 1972, lives and works in Dublin) at half gallery

Jean-Marie Appriou (born in 1986, lives and works in Paris) at Jan Kaps (Lafayette Sector)

Nicole Eisenman (born in 1965, lives and works in New York) at Anton Kern

Roger White (born in 1976, lives and works in Middlebury & Brooklyn) at Labor

Robert Bittenbender (born in 1987) at LOMEX (Lafayette Sector)

Fredrik Værslev (born in 1979, lives and works in Drøbak) at Giò Marconi

Sofi Brazzeal (born in 1984, lives and works in New York) at Martos Gallery

Thomas Bayrle (born in 1937, lives and works in Frankfurt) at Mezzanin

Grayson Perry (born in 1960, lives and works in London) at Victoria Miro

FPBJPC at Bonny Poon (Lafayette Sector)

Liz Craft (born in 1970, lives and works in New York) at Truth and Consequences (Lafayette Sector)

Maryan (born in 1927) at Venus Over Manhattan

Derrick Adams (born in 1970, lives and works in New York) at Anne de Villepoix

Mimmo Jodice (born in 1934, lives and works in Napoli) at Vistamare

Wang Yin (born in 1964, lives and works in Berlin) at Vitamin Creative Space

Other galleries have chosen to present a dialogue between two artists, such as:

Daniel Turner (born in 1983, lives and works in New York) and Maurice Blaussyld (born in 1960, lives in Lille) at Allen

Anita Molinero (born in 1953, lives in Paris) and Richard Baquié (born in 1952) at Thomas Bernard - Cortex Athletico

Paul Mpagi Sepuya (born in 1982, lives in Los Angeles) and Julien Creuzet (1986, lives in Paris) at DOCUMENT (Lafayette Sector)

Karen Sylvester (born in 1957, lives in New York) and Vikky Alexander (born in 1959, lives in Montreal) at Downs & Ross

Esther Ferrer (born in 1937, lives and works in Paris) and Sanja Ivekovic (born in 1949, lives and works in Zagreb) at espaivisor

Lucie Stahl (born in 1977, lives and works in Berlin) and Raúl de Nieves (1983, lives in New York) at Freedman Fitzpatrick

Maggie Lee (born in 1987) and Riccardo Paratore (born in 1990, lives in Milan) at Edouard Montassut (Lafayette Sector)

Puppies Puppies and David Rappeneau at Queer Thoughts (Lafayette Sector)

Alexander Brodsky (born in 1955, lives in Moscow) and VKhUTEMAS Workshop at Richard Saltoun

Luca Bertolo (born in 1968, lives in Alpi Apaune) and Esther Kläs (born in 1981, lives in Barcelona) at SpazioA

Robert Barry (born in 1936, lives in Teaneck) and Stéphanie Rollin & David Brognon (Paris, Luxembourg) at untilthen

*Galleries joining the fair in 2018

Galerie 1900-2000, Paris

303 Gallery, New York

80M2 Livia Benavides, Lima*

Martine Aboucaya, Paris

Air de Paris, Paris

Allen, Paris

Andréhn-Schiptjenko, Stockholm*

Antenna Space, Shanghai*

Applicat-Prazan, Paris

Art : Concept, Paris

Alfonso Artiaco, Napoli

Balice Hertling, Paris

Bergamin & Gomide, São Paulo*

Thomas Bernard - Cortex Athletico, Paris

Blum & Poe, Los Angeles, New York, Tokyo

Boers-Li, Beijing, New York, Hong Kong*

The Breeder, Athens*

Ben Brown Fine Arts, London, Hong Kong*

Gavin Brown's enterprise, New York, Roma

Buchholz, Cologne, Berlin, New York

Shane Campbell, Chicago

Canada, New York*

Capitain Petzel, Berlin

Cardi, Milano, London

Ceysson & Bénétière, Paris, Luxembourg, Saint-Étienne, New York

ChertLüdde, Berlin

C L E A R I N G, New York, Brussels

Sadie Coles HQ, London

Continua, San Gimignano, Boissy-le-Châtel, Beijing, Habana

Paula Cooper, New York

Raffaella Cortese, Milano

Chantal Crousel, Paris

Ellen de Bruijne Projects, Amsterdam

Massimo De Carlo, Milano, London, Hong Kong

Delmes & Zander, Cologne

dépendance, Brussels

Downs & Ross, New York

Dvir Gallery, Tel Aviv, Brussels

frank elbaz, Paris, Dallas

espaivisor, Valencia

Experimenter, Kolkata

Imane Farès, Paris

Selma Feriani, Tunis, London

Konrad Fischer, Düsseldorf, Berlin

Freedman Fitzpatrick, Los Angeles, Paris

Gaga, México D.F., Los Angeles

Gagosian Gallery, Paris, New York, Beverly Hills, London, Hong Kong

Christophe Gaillard, Paris

Gaudel de Stampa, Paris

gb agency, Paris

Gerhardsen Gerner, Oslo, Berlin*

Ghebaly Gallery, Los Angeles*

Gladstone Gallery, New York, Brussels

Gmurzynska, Zürich, St. Moritz*

Laurent Godin, Paris

Marian Goodman, Paris, New York, London

Bärbel Grässlin, Frankfurt

Green Art Gallery, Dubai

Karsten Greve, Paris, Köln, St. Moritz

half gallery, New York*

Hauser & Wirth, London, Somerset, New York, Los Angeles, Hong Kong, Zürich*

Max Hetzler, Berlin, Paris

High Art, Paris*

Xavier Hufkens, Brussels

Eric Hussenot, Paris

Hyundai, Seoul

In Situ - Fabienne Leclerc, Paris

Catherine Issert, Saint-Paul

rodolphe janssen, Brussels*

Jousse entreprise, Paris

Annely Juda Fine Art, London

Karma, New York

Karma International, Zürich, Los Angeles

Paul Kasmin, New York*

kaufmann repetto, Milano, New York

Kerlin, Dublin*

Anton Kern, New York

Peter Kilchmann, Zürich

König Galerie, Berlin, London

David Kordansky Gallery, Los Angeles

Krinzinger, Wien

Kukje, Seoul

Labor, México D.F.

LambdaLambdaLambda, Prishtina

Le Minotaure, Paris

Simon Lee, London, Hong Kong, New York

Lelong & Co., Paris, New York

Loevenbruck, Paris

Magazzino, Roma

Magician Space, Beijing*

Mai 36 Galerie, Zürich

Edouard Malingue, Hong Kong, Shanghai

Marcelle Alix, Paris

Giò Marconi, Milano

Martos Gallery, New York

Gabrielle Maubrie, Paris*

Mazzoleni, Torino, London

Fergus McCaffrey, New York, Tokyo

Mendes Wood DM, São Paulo, Brussels, New York

kamel mennour, Paris, London

Meessen De Clercq, Brussels

Metro Pictures, New York

Mezzanin, Genève

Francesca Minini, Milano

Massimo Minini, Brescia

Victoria Miro, London, Venezia

Mitchell-Innes & Nash, New York

Modern Art, London*

mor charpentier, Paris

Nächst St. Stephan Rosemarie Schwarzwälder, Wien

Nagel Draxler, Berlin, Köln

Nahmad Contemporary, New York

Neu, Berlin

Neue Alte Brücke, Frankfurt

neugerriemschneider, Berlin

NoguerasBlanchard, Barcelona, Madrid

Nathalie Obadia, Paris, Brussels

Guillermo de Osma, Madrid

Overduin & Co., Los Angeles

P420, Bologna

Pace, New York, London, Beijing, Hong Kong, Palo Alto, Seoul, Genève

Parra & Romero, Madrid, Ibiza

Peres Projects, Berlin

Perrotin, Paris, New York, Hong Kong, Seoul, Tokyo, Shanghai

Francesca Pia, Zürich

PKM Gallery, Seoul

Plan B, Cluj, Berlin

Jérôme Poggi, Paris

Praz-Delavallade, Paris, Los Angeles

Eva Presenhuber, Zürich, New York

ProjecteSD, Barcelona

Almine Rech, Paris, Brussels, London, New York

Reena Spaulings Fine Art, New York, Los Angeles

Regen Projects, Los Angeles

Michel Rein, Paris, Brussels

Rodeo, London

Thaddaeus Ropac, Paris, Salzburg, London

Salon 94, New York*

Richard Saltoun, London

SCAI THE BATHHOUSE, Tokyo

Esther Schipper, Berlin

Semiose, Paris

Natalie Seroussi, Paris

Jessica Silverman, San Francisco

Skarstedt, New York, London

Skopia, Genève

Pietro Sparta, Chagny

SpazioA, Pistoia*

Sprüth Magers, Berlin, London, Los Angeles

Stigter Van Doesburg, Amsterdam

Templon, Paris, Brussels

Tornabuoni Art, Firenze, Milano, Paris, London

Tucci Russo, Torino*

Ubu Gallery, New York

untilthen, Paris

Valentin, Paris

Georges-Philippe & Nathalie Vallois, Paris

Tim Van Laere, Antwerp*

Van de Weghe, New York

Vedovi, Brussels

Venus Over Manhattan, New York, Los Angeles

Anne de Villepoix, Paris*

Vistamare, Pescara*

Vitamin Creative Space, Guangzhou, Beijing

Waddington Custot, London

Michael Werner, New York, London

White Cube, London, Hong Kong

Jocelyn Wolff, Paris

Thomas Zander, Köln

Zeno X, Antwerp

ZERO..., Milano

Zlotowski, Paris

Martin van Zomeren, Amsterdam

David Zwirner, New York, London, Hong Kong

Arcadia Missa, London*

SANDY BROWN, Berlin*

DOCUMENT, Chicago*

Lars Friedrich, Berlin

Jan Kaps, Cologne*

LOMEX, New York*

Edouard Montassut, Paris*

Bonny Poon, Paris*

Queer Thoughts, New York

Truth and Consequences, Genève

Jousse Entreprise, Paris

Galerie kreo, Paris, London

LAFFANOUR - Galerie Downtown, Paris

Eric Philippe, Paris

Galerie Patrick Seguin, Paris, London

Éditions Dilecta, Paris*

Galerie 8+4, Paris

GDM, Paris

Florence Loewy, Paris

mfc-michèle didier, Paris

TCHIKEBE, Marseille*

Fonds Municipal d'Art Contemporain, Paris

Collection Lambert, Avignon

Lulu, México D.F.*

May, Paris

Whitechapel Gallery, London*

An ensemble of outdoor works, artistic projects and cultural programmes of unrivaled scope

FIAC PROJECTS FIAC Projects will present sculptures and installations in situ, within the prestigious setting of the Petit Palais, around the Grand

Palais, and on avenue Winston Churchill, pedestrianised again this year during FIAC week. Instigated by FIAC, the pedestrianisation

of the avenue has enabled the reconstruction of the original esplanade of the 1900 World Fair, thus connecting the Petit Palais and the

Grand Palais. The ensemble creates an unprecedented platform to exhibit artworks within an historic museum context.

FIAC Projects is conceived in collaboration with Marc-Olivier Wahler, Director of the Eli and Edythe Broad Art Museum at

Michigan State University. He collaborates with the curatorial teams of the Petit Palais and FIAC’s artistic directors to select the

artworks presented within the Petit Palais.

The Petit Palais will feature works by Dieter Appelt / Françoise Paviot, Paris ; Salvatore Arancio / Semiose, Paris ; Renaud

Auguste-Dormeuil /In Situ - Fabienne Leclerc, Paris ; Cécile Bart / Catherine Issert, Saint-Paul ; Johan Creten / Almine Rech, Paris,

Brussels, London, New York ; John DeAndrea / Georges-Philippe & Nathalie Vallois, Paris ; Bruno Gironcoli / Krinzinger, Wien ;

Kati Heck / Tim Van Laere, Antwerp ; Ahn Kyuchul / Kukje Gallery, Seoul ; Wolfgang Laib / Thaddaeus Ropac, Paris, Salzburg,

London ; Christian Marclay / Paula Cooper, New York ; Philippe Mayaux / Loevenbruck, Paris ; Olivier Mosset / Torri, Paris ;

Luke Murphy / Canada, New York ; Ugo Rondinone / Eva Presenhuber, Zürich, New York ; Thu Van Tran / Meessen De Clercq,

Brussels ; Francisco Tropa / Jocelyn Wolff, Paris ; Felice Varini / Semiose, Paris ; Leon Vranken / Meessen De Clercq, Brussels ;

Reijiro Wada / SCAI THE BATHHOUSE, Tokyo ; Haegue Yang / Kukje, Seoul.

The Avenue Winston Churchill will feature outdoor works by Rosa Barba / Vistamare, Pescara ; Eric Croes / Sorry We’re Closed,

Brussels ; Barry Flanagan / Waddington Custot, London ; Gregor Hildebrandt / Perrotin, Paris, New York, Hong Kong, Seoul, Tokyo,

Shanghai & Almine Rech, Paris, Brussels, London, New York ; Lang & Baumann / Loevenbruck, Paris

Stefan Nikolaev / Michel Rein, Paris, Brussels ; Aurélie Pétrel / Ceysson & Bénétière, Paris, Luxembourg, Saint-Étienne, New York

Pablo Reinoso / Waddington Custot, London ; Kathleen Ryan / Ghebaly Gallery, Los Angeles ; Takis / LAFFANOUR - Galerie

Downtown, Paris ; Theo Triantafyllidis / Onassis Culture en collaboration avec The Breeder, Athens.

In collaboration with Athem & Skertzo, specialists in video mapping, FIAC proposes a new exhibition space: a programme of

especially conceived artist’s works will be projected onto the façade of the Grand Palais, activated every evening from 7pm. Video

works by Claude Closky and Isabelle Cornaro, among others, will be presented.

Videos will also be screened in various metro stations in Paris, in collaboration with the RATP, for the duration of the FIAC.

Tuesday, October 16th

6pm - 9pm VIP Preview of FIAC Projects at the Petit Palais, access to the reception upon presentation of the invitation or the Guest of

honour accreditation

Wednesday, October 17th

10am - 9pm Public opening

Thursday, 18th and Friday, 19th of October

10am - 8pm Public opening

Saturday, 20th and Sunday, 21st of October

10am - 7pm Public opening

Petit Palais

Avenue Winston Churchill, 75008 Paris

FIAC HORS LES MURS FIAC Hors les Murs reaffirms its powerful cultural vocation through the outdoor works programme, which enables the public to

discover artworks exhibited throughout the city, presented at some of the most prestigious and emblematic locations in Paris. FIAC

creates an unrivalled artistic programme accessible to all, while offering exhibitors and their artists a unique opportunity to enter into a

dialogue with the Parisian heritage.

Inauguration cocktail on Tuesday, October 16th, at 2pm at the Café Marronniers, first café on the right in the central alley from the

Place de la Concorde entrance. Access upon presentation of the invitation or your Guest of honour accreditation.

FIAC, in association with the musée du Louvre, presents its Hors les Murs outdoor exhibition in the Jardin des Tuileries, inaugurated

in 2006. Some thirty artworks are displayed in different spaces within the garden, resonating with this heritage setting in the heart of

Paris and responding to its scale, perspectives and history.

Discover artworks and monumental installations by Juliaan Andeweg / Martin van Zomeren, Amsterdam ; Gilles Barbier / Georges-

Philippe et Nathalie Vallois, Paris ; Alexander Calder / Van de Weghe, New York ; Isabelle Cornaro / Balice Hertling, Paris ;

Robert Indiana / Kasmin, New York ; Alicja Kwade / kamel mennour, Paris, London ; François-Xavier Lalanne / Mitterrand,

Paris ; Richard Long / Tucci Russo, Torino ; Mia Marfurt / Allen, Paris ; Olivier Mosset / Torri, Paris ; Kohei Nawa / SCAI THE

BATHHOUSE, Tokyo ; Paulo Nazareth / Mendes Wood DM, São Paulo, Brussels, New York ; Christodoulos Panayiotou / kamel

mennour, Paris, London ; Tere Recarens / Anne Barrault, Paris ; Pablo Reinoso / Waddington Custot, London ; Thomas Schütte /

Pietro Sparta, Chagny ; Vladimir Skoda / Catherine Issert, Saint-Paul ; Michele Spanghero / Alberta Pane, Paris, Venezia ; Keiji

Uematsu / Simon Lee, London, Hong Kong, New York ; Henk Visch / Tim Van Laere, Antwerp ; Franz West / Venus Over

Manhattan, New York, Los Angeles ; Wang Zhan / Pace, New York, London, Beijing, Hong Kong, Palo Alto, Seoul, Genève.

Jardin des Tuileries, 75001 Paris

Inauguration cocktail on Tuesday, October 16th, at 2pm at the Café Marroniers, first café on the right in the central alley from the

Place de la Concorde entrance. Access upon presentation of the invitation or your Guest of honour accreditation.

In an unprecedented development of the Hors les Murs promenade in the Jardin des Tuileries, FIAC inaugurates an ephemeral village

of architectural projects on the most iconic of all Parisian squares, the Place de la Concorde.

Exceptional installations will be presented, forming an ensemble of historic and contemporary architecture and artists’ houses. This

outstanding introduction to ephemeral architecture, nomadic habitats, and utopian living spaces includes emblematic architectures by

Kengo Kuma / Philippe Gravier, Paris ; Jean Maneval / Jousse Entreprise, Paris ; Claude Parent / Philippe Gravier, Paris ; Jean

Prouvé / LAFFANOUR - Galerie Downtown, Paris ; Jean Prouvé / Patrick Seguin, Paris.

Place de la Concorde, 75001 Paris

Inauguration cocktail on Sunday, October 14th at noon at the Musée National Eugène Delacroix, upon presentation of the invitation

or your Guest of honour accreditation

In the continuity of FIAC Hors les Murs in the Jardin des Tuileries, the Musée National Eugène Delacroix opens to FIAC visitors, in

collaboration with the musée du Louvre. Situated in the heart of Saint-Germain-des-Prés, the museum is an unexpected haven of

peace, niched between courtyard and garden. The separate studio building and adjacent garden were entirely designed by the artist

himself. Transformed into a museum by the painter Maurice Denis, it was originally the artist’s apartment and studio. This unique

jewel-like setting will feature works by Rebecca Warren, in collaboration with the gallery Max Hetzler.

Rebecca Warren (born in 1965, lives and works in London) makes sculptures, assemblages and constructions in a variety of materials

including clay, bronze, steel and neon. She has said about her work that “it comes from a strange nowhere, then gradually something

comes out into the light. There are impulses, half-seen shapes, things that might have stuck with you from decades ago, as well as

more recently. It's all stuff in the world going through you as a filter...”

Musée national Eugène Delacroix, 6 rue de Furstenberg, 75006 Paris

Inauguration on Monday, October 15th at 6pm, on the Place Vendôme, followed by a cocktail at the Hôtel d’Évreux, at the 19, place

Vendôme, upon presentation of the required invitation.

FIAC invites an artist to install a major artwork or to imagine a specific project for the Place Vendôme which provides both powerful

inspiration and an exceptional decor for contemporary creation. Like a jewellery box set in stone, the square of the place Vendôme

exemplifies creation, excellence and savoir-faire and has showcased over the years works by Jaume Plensa, Tadashi Kawamata, Paul

McCarthy, Dan Graham, Ugo Rondinone and Oscar Tuazon. In collaboration with the gallery Perrotin, this year FIAC gives carte

blanche to Elmgreen & Dragset to present an in-situ project on this prestigious Parisian square.

Place Vendôme, 75001 Paris

To Whom It May Concern, 2018

For Place Vendôme, Elmgreen & Dragset will install 100 red starfish scattered around the square. In contrast to traditional

monumental public sculptures, the work adopts the horizontality of minimal land art and subtly takes over the plaza like a swarm of

friendly intruders.

According to legend, starfish have been considered reflections of the stars in the sky on the ocean floor. Even though these creatures

do not have brains, they can move and sense the world around them through instincts and reflexes. But these mysterious and magical

creatures have over the last decades become threatened due to environmental pollution.

It is as if rising water has engulfed the very center of Paris, leaving red starfish spread around the square in its wake – a nod to the

Paris Climate Agreement and its challenges. The 100 red starfish remind us not only of the urgency of change today, but they also,

through their ability to regenerate and survive even radical amputations, symbolize hope for regrowth and new living modes.

In conjunction with FIAC, Perrotin Paris presents a solo exhibition of Elmgreen & Dragset from October 13 to December 22, 2018.

The installation To Whom It May Concern has been acquired ahead of its presentation by Dragonfly Collection, it will then go to the

Domaine des Etangs in Massignac, in the Charentes region.

FIAC receives the support of Mirabaud, financial and banking group founded in Geneva in 1819.

Place Vendôme Sponsor:

Media partner - FIAC Hors les Murs:

FIAC PROGRAMMES

For its third edition, the performance festival Parades for FIAC, dedicated to performative practices and dialogue between disciplines

in contemporary art, takes place in various emblematic institutions of the capital including the Palais de la Découverte, the Petit Palais,

the Centre Pompidou, the musée de l’Orangerie, the Grand Palais and its surroundings. This programme lies at the crossroads of

music, contemporary dance, performance, theatre, and poetry, offering a broad range of artistic experimentation in the form of live

actions, opening up new perimeters in the field of artistic performance.

Presented artists: Etel Adnan, Uriel Barthélémi, Ruth Childs, Guy de Cointet, Marcelline Delbecq & Ellie Ga, LEV Dance Company,

Dorothy Iannone, Daniel Linehan, Paulo Nazareth, Roman Ondák, Michael Portnoy, Franz West & Mike Kelley, among others

Free access subject to availability, unless stated otherwise in the agenda

-2pm-7pm Paulo Nazareth, Windmill, 2018

Travelling performance in collaboration with Mendes Wood DM

Follow the itinerary on www.fiac.com, section: FIAC Programmes

-11am-9pm Roman Ondák, Swap, 2011, continuously and on Thursday, October 18th from 11am to 8pm

Performance

With SWAP, Roman Ondák offers visitors the chance to participate in the creation of the artwork.

SWAP is a performance staging a seated performer at a table with an object of their choice. The performer will set about trading this

object with another suggested by a first visitor: the start of a long series of swaps and negotiations, which will be undertaken until the

end of the performance.

In collaboration with Platform, Network of the Regional collections of contemporary art

Upon presentation of a FIAC entrance ticket or accreditation

Grand Palais, Rotunda Alexandre III, level 1, 75008

-7pm Will Benedict, Les Uns et les Autres, 2018

Performance in collaboration with Balice Hertling

Palais de la Découverte, main entrance, avenue Franklin Delano Roosevelt, 75008

-6pm Etel Adnan

Reading in French

A poet, painter and essayist, Etel Adnan was born in Beirut of a Syrian father and a Greek mother from Smyrna. Since the 1970s, at

the crossroads between Arab and Western civilizations, she has created an oeuvre that fuses literary and plastic creation, in particular

with her leporellos. This poet-artist is inhabited by the power of reality, as attests her poetic work on the Lebanese war with two

founding texts, Sitt Marie Rose (1977) and The Arab Apocalypse (1980), and more recently Tolerance (2018), which make her one of

the leading voices of feminism and the peace movement. Some of her texts will be read, in her presence, by the actor Sophie Bourel.

In collaboration with Galerie Lelong & Co.

Petit Palais, Auditorium, 75008

-7pm Michael Portnoy, Portnoy (born 1936) Improvises, 2018, 1h

Performance in English

Internationally renowned performance artist Michael Portnoy has revealed the shocking news that he is in fact 35 years older than he

has claimed to be, and has been disguising his true age throughout his career with prosthetic makeup. In this performance, Portnoy will

present himself to us for the first time without a mask, improvising and confusing us in his inimitable way with the collision of

movement, an alchemical approach to language and alien logics. Art historian Claire Bishop will give a short introductory lecture on

Portnoy’s newly discovered early history in New York in the late 1950s, discussing his influences and antagonisms within the avant-

garde communities of dance, poetry and visual art.

Palais de la Découverte, main entrance, avenue Franklin D. Roosevelt, 75008

Access through the Salon d’honneur of the Grand Palais or the main entrance of the Palais de la Découverte.

-9pm Tribute to Franz West, A Viennese jazz night, 1h

Concert interpreted by Franz Koglmann, Freddie Jelinek, Clementine Gasser

The time of a jazz evening, Franz Koglmann, Freddie Jelinek, Clementine Gasser – friends of Franz West – revive the musical

performances of the artist’s late-1970s vernissages during a unique concert.

In collaboration with the MNAM/CCI, as part of Franz West’s exhibition

Reservation mandatory fw.evenements@centrepompidou.fr

Centre Pompidou, Galerie 2, inside Franz West’s « Auditorium » installation, 75004

-7pm LEV Dance Company (Sharon Eyal & Gai Behar), OCD Love, 2016, 55 min

Contemporary dance

Israeli choreographers Sharon Eyal and Gai Behar present the acclaimed L-E-V company creation, OCD Love. From their hearts, they

embark on a heart-breaking love story. OCD Love is about love, love that always misses, or lovers who keep missing each other.

Out of sync. Like if one person comes to bed and the other gets up. Like something that is full and intact, but has many holes in it. This

work is about the holes. Once again, the dancers perform to pulsating rhythms created and played live by DJ Ori Lichtik.

Performance presented within the context of the France-Israel season

Palais de la Découverte, main entrance, avenue Franklin Delano Roosevelt, 75008

Access through the Salon d’honneur of the Grand Palais or the main entrance of the Palais de la Découverte.

-7.15pm After Guy de Cointet, The Bridegroom Suites I, 2017, 30 min

Two performances in French from The Bridegroom by Guy de Cointet, 1983, readapted by Romain Gandolphe & Axelle Pinot;

Pauline Haudepin & Marianne Deshayes

The Bridegroom is a short "dialogue" between a writer and his niece, Pamela, a mute character, a mime with a masked face, written by

Guy de Cointet in Los Angeles in 1983 on his deathbed. The archives of this ultimate incomplete work – including handwritten notes,

sketches, literary references, typescript, and a posthumous video of a rehearsal – unearth new research by the artist on gestural

language, mime, and choreography. The Bridegroom Suites presents an extension of the original historical play into the field of

contemporary creation, based on its archive materials.

In collaboration with Guy de Cointet Society, Playground M Museum Leuven and Air de Paris.

Upon presentation of a FIAC entrance ticket or accreditation

Grand Palais, Rotunda Alexandre III, level 1, 75008

-8pm Daniel Linehan, Not About Everything, 2017, 35 min

Contemporary dance

A lone silhouette enters the space and begins to turn. The turning begins gently, but it gradually transforms into an insane gyratory motion.

Within the singularity of his obsessive circular motion, performer Daniel Linehan introduces a series of variations, accelerations, and

subtle shifts, creating a funny and complex dance. He subjects himself to strenuous physical and mental processes involving multiple

simultaneous tasks: speaking, thinking, reacting, addressing the audience, etc., without ceasing his perpetual spinning.

In collaboration with the Mona Bismarck American Center.

Mona Bismarck American Center, 34 Avenue de New York, 75116

-2pm Marcelline Delbecq and Ellie Ga, Dialogue, 2017, 25 min

Reading and performance

Taking as its point of departure the seminal On Photography by Susan Sontag, published in 1977, Marcelline Delbecq and Ellie Ga have

embarked on a long conversation in images and words. In this, the two artists broach striking filmic, literary or artistic works, or historic

events from their past, thus comprising a “personal and shared museum” offering a powerful examination of the circulation of images.

In collaboration with d.c.a. / Association française de développement des centres d’art.

Petit Palais, Auditorium, 75008

-3pm Ruth Childs, Particular Reel, 1973, solo, 12 min; Reclining Rondo, 1975, trio, 17 min

Contemporary dance

Since 2015, Anglo-American dancer and performer Ruth Childs has been pursuing a project of re-creation of the first pieces of her

aunt, American choreographer Lucinda Childs. The Dance Concerts by Lucinda Childs in the 1970s were shown in large museum

spaces, dance studios, or outdoors – a concept restaged in the trio Reclining Rondo and the solo Particular Reel, presented on the

fourth floor of the Centre Pompidou.

In collaboration with les Spectacles Vivants – Centre Pompidou

Access upon presentation of a FIAC entrance ticket or accreditation or a ticket for the exhibitions of the Centre Pompidou

Centre Pompidou, 4th floor, 75004

-6pm Dorothy Iannone, The Movie People, 2009-2014, 40 min

Performance

The Movie People (2009-2014) are a series of cut-out figures with accompanying texts relating the stories of unconditional loves, about

lovers who sacrifice their own happiness or even their lives for the sake of the beloved. For Movie People Perpetual Performance the

originally small format works have been transformed into life-sized fabrications for the stage. As each image is presented, a recording of

the artist reading her text is simultaneously played, perhaps a first step toward a new form in Dorothy Iannone’s work.

Coproduced with the Serpentine Galleries, and in collaboration with the Mona Bismarck American Center, Air de Paris and Peres

Projects.

Petit Palais, Auditorium, 75008

-7pm Ruth Childs, Calico Mingling, 1973, 10 min, quatuor; Katema, 1978, 12 min, solo

Contemporary dance

Since 2015, Anglo-American dancer and performer Ruth Childs has been pursuing a project of re-creation of the first pieces of her

aunt, American choreographer Lucinda Childs. The Dance Concerts by Lucinda Childs in the 1970s were shown in large museum

spaces, dance studios, or outdoors – a concept restaged by the quartet Calico Mingling and the solo Katema in the surprising rotunda

of the Palais de la Découverte.

In collaboration with les Spectacles Vivants – Centre Pompidou.

Palais de la Découverte, main entrance, avenue Franklin Delano Roosevelt, 75008

Access through the Salon d’honneur of the Grand Palais or the main entrance of the Palais de la Découverte.

-9pm Franz West & Mike Kelley, A Haute Voix – To Be Read Aloud, 1999, 1h

Saturday, October 13th and Wednesday November 21st, 2018 at Centre Pompidou.

Performance directed by Fanny de Chaillé.

A unique experimentation for the theatre by Mike Kelley and Franz West created in 1999, A haute voix – To Be Read Aloud begins

with a discussion between the two artists, detailing their work and the conditions of its production. Part of the installation Auditorium

by Franz West and on the occasion of his retrospective in Galerie 2, director Fanny de Chaillé presents a reading for two voices in

which the onomatopoeic aspect of the text transcends the content of its message.

In collaboration with the MNAM/CCI and les Spectacles Vivants – Centre Pompidou, as part of Franz West’s exhibition.

Access upon presentation of a FIAC entrance ticket or accreditation or a ticket for the exhibitions of the Centre Pompidou

Centre Pompidou, Galerie 2, 75004

-2pm Daniel Linehan, Medium Medium, 2018, 1h

Contemporary dance

In Medium Medium, Daniel Linehan takes the audience on a guided tour in which he creates a performative dialogue between seven

selected artworks on view and his own artistic work. The artworks speak to him, and he speaks back to them through the medium of

dance, and by reciting poetic fragments from his 2013 book, A No Can Make Space. Linehan engages with the artworks in a playful

and mischievous way, dancing and talking in order to enter into diverse kinds of relationships between his moving body and object,

creating links, parallels, slippages, and tangents. Linehan claims to establish a communication between different mediums, which are

in various states of being alive or not alive.

In collaboration with the Mona Bismarck American Center

Petit Palais, main entrance, 75008

-6pm Uriel Barthélémi, « Article 9 : Nul ne peut être », 2018

Concert and performance

On the occasion of the 70th anniversary of the Universal Declaration of Human Rights, Uriel Barthélémi presents a triptych

performance. The first part, presented here in collaboration with hip hop dancer Entissar Al Hamdany, focuses on the utopian aspect of

Article 9: “No one shall be subjected to arbitrary arrest, detention or exile.” The two performers' respective worlds reveal palpable

tension, a permanent battle between music and dance in the face of an apparent impossibility of dialogue.

Petit Palais, main entrance, 75008

-7pm Hicham Berrada

Performance coproduced with the Palais de la Découverte

Palais de la Découverte, main entrance, avenue Franklin D. Roosevelt, 75008

Main sponsor - Parades for FIAC

From Friday 19th to Sunday 21st of October 2018, FIAC presents a three day conference programme, entitled Conversation Room,

which takes place within the fair, in a dedicated space on the first floor to the right of the grand Escalier d’honneur, showcasing

Olivier Vadrot’s CAVEA mobile furniture collection (loaned by Centre National des Arts Plastiques).

In 2018, FIAC gives carte blanche to Hans Ulrich Obrist, Simon Castets, Julie Boukobza & Tom Eccles to moderate a 4

conference cycle on Friday19th and Saturday 20th of October: The themes of this programme are The Filter Bubble and Contactless.

Filter Bubble was an 89plus group exhibition co-curated by Simon Castets and Hans Ulrich Obrist at Luma Westbau in Zurich in

2016. The term is coined by Eli Pariser in his eponymous 2011 book which designates the way Internet users are increasingly directed

to a personalized information landscape through an algorithmic editing of web content. The panel will examine the continued

relevance of Pariser’s ominous concept in an increasingly polarized political landscape.

Contactless questions how technology is using a utopian idea of frictionless, worry-free living with limited inter-human contact, all in

facilitation of the flow of capital and the furtherance of surveillance. The cycle is proposed in relation to Walead Beshty’s exhibition

Picture Industry: A Provisional History of the Technical Image, 1844-2018 presented at the Luma Foundation in Arles during FIAC.

Additionally, the Conversation Room will host discussion panels by Artagon, in collaboration with Numéro art, Realised in the Jungle:

the entrance of young artist in the art world, moderated by Anna Labouze & Keimis Henni, founders and curators of Artagon, and

Thibaut Wychowanok, editor in chief of the magazine Numéro art, along with conversations moderated by Charles Teyssou and Pierre-

Alexandre Mateos from the Cruising Pavillon on the queer and cruising culture from the 60s to nowadays, its links to the arts and its

political dimension and Time for The Ocean, a not-for-profit association which promotes interaction between Art and the Environment

with a focus on the protection of the Ocean and Coastlines and the preservation of marine and coastal ecosystems.

The Conversation Room presents Olivier Vadrot's CAVEA mobile furniture collection (loaned by Centre National des Arts Plastiques),

which offers a convivial context for the conference programme.

-1pm Art & Environnement: Arctic, new challenges, Moderated by Thierry Grillet

With Marion Semblat, Charles Carmignac, Jean Jouzel and Christophe Ono-dit-Biot

-3pm Filter Bubble, Moderated by Hans Ulrich Obrist, Simon Castets and Julie Boukobza

With Miao Ying ad Yuri Pattison, among others

-5pm Contacless, Moderated by Hans Ulrich Obrist, Simon Castets and Julie Boukobza

With Simon Denny, Camille Blatric, Chrystele Nicot and Aria Dean

-1pm Cruising Utopia: Sex as a political laboratory, Moderated by Charles Teyssou and Pierre-Alexandre Mateos

-3pm Picture Industry: A provisional History of the Technical Image, 1844-2018

Conversation with Walead Beshty & Tom Eccles, among others

-5pm Interview, Amar Kanwar in conversation with Hans Ulrich Obrist

-1pm Public toilets, darkrooms, Grindr: The architecture of radical sex, Moderated by Charles Teyssou and Pierre-Alexandre Mateos

With Rosie Hastings and Hannah Quinlan of the collectif Gay Bar, among others

-3pm Survival Kit: getting ready, Moderated by Anna Labouze & Keimis Henni, founders and curators of Artagon

-5pm Do it yourself: Set about, Moderated by Thibaut Wychowanok, editor in chief of the magazine Numéro art

Visit fiac.com for updates

Free access subject to availability.

Grand Palais, Conversation Room, 1st floor on the right of the grand Escalier d’honneur, 75008

Main sponsor - Conversation Room:

From Wednesday, October 17th to Sunday, October 21st from noon to 8pm.

FIAC and Fondation d’entreprise Ricard present the ninth edition of the Cinéphémère, a short films programme by artists streamed

during FIAC week, from Wednesday 17th to Sunday 21st of October. Some thirty artists’ films have been selected by associate curator

Nataša Petrešin-Bachelez, independent curator, editor and writer. The films are screened in open and free access, in a nomad 14-seat

movie theatre entirely equipped for this purpose, located on Avenue Winston Churchill, between the Grand Palais and the Petit Palais.

At a time of violent racialization and profound ecological crisis, organized governmental abuse of natural resources and common

goods is reinforced, but so are civil and citizen initiatives and resistances. At a time when increasingly “breathing clean air is political,

drinking pure water is political” (Black Quantum Futurism collective), we observe critical artistic positions and voices that engage in

real life situations, activist research and fieldwork across Global North and Global South. This programme of videos and short films

brings together internationally acclaimed artists from various backgrounds whose work is inspired and informed by gendered

ecologies, intersections between racial and ecological issues, pollution, toxicity and environmental racism. The films present narrations

on past, present and future catastrophes through approaches and knowledge that come from Afrofuturism and Arab futurism,

ecofeminist engagement and social justice struggles.

Presented artists: Lawrence Abu Hamdan, Sophia Al Maria, Basma Alsharif, Marwa Arsanios, Sammy Baloji, Ali Cherri,

Joana Hadjithomas & Khalil Joreige, Emre Hüner, Kapwani Kiwanga, Vik Muniz, Uriel Orlow, LaToya Ruby Frazier, Xu

Tan, Koki Tanaka, Charwei Tsai, Robin Vanbesienc, among others.

Find the Cinéphémère 2018 programme on FIAC website: www.fiac.com

Registration at the entrance

Avenue Winston Churchill, 75008

Main sponsor - Cinéphémère:

FIAC Programmes is organized in coproduction with

Media partners - FIAC Programmes:

Gallery night

WHAT’S ON IN PARIS DURING FIAC FIAC's 45th edition will be an occasion to explore the rich and varied exhibition programme on view in Paris this fall.

At the Centre Pompidou, the highly anticipated Franz West retrospective, curated by Christine Macel – the Venice Biennale's last

curator – will be presented alongside an exhibition devoted to Cubism, the Marcel Duchamp Prize, and a monographic exhibition on

Japanese architect Tadao Ando.

Several exhibitions will showcase the links between Japan and France, in particular the Sugimoto exhibition at the Versailles palace,

which will be inaugurated for FIAC week, and Simon Fujiwara's solo show at the recently inaugurated Lafayette Anticipations -

Fondation d’entreprise Galerie Lafayette, featuring a highly innovative architectural proposition by Dutch architect Rem Koolhaas.

The Musée de la Chasse et de la Nature [Museum of Hunting and Nature] will present the beautiful PixCell-Deer piece by artist Kohei

Nawa, in partnership with the Kujoyama Villa.

Contemporary creation in all its forms will take center stage in a series of exhibitions highlighting the diversity of artistic practice and

origins. The traditional carte blanche presented each year at the Palais de Tokyo will go this year to Tomás Saraceno; the Monnaie de

Paris will present the exhibition “liberté, identité, sexualité” by British artist and ceramist Grayson Perry; the Musée de l'Orangerie

will present “contes cruels” [cruel tales] by Paula Rego; the Musée d’Art Moderne de la Ville de Paris will present Israeli

photographer Ron Amir, as well as a monographic exhibition of work by Zao Wou-Ki. Sèvres-Cité de la céramique will present Julio

Le Parc, and the Ricard Foundation will celebrate the 20th anniversary of its Prize, curated this year by French artist Neil Beloufa.

The Vuitton Foundation will present an exhibition confronting works by the painters Egon Schiele and Jean-Michel Basquiat, whereas

the Musée d'Orsay will host a major exhibition on Picasso titled “Bleu et Rose”, while also dedicating part of its programming to

Julian Schnabel. The Musée Maillol will inaugurate an exhibition on Giacometti, and the Galeries Nationales du Grand Palais will pay

tribute to Joan Miró in a monographic exhibition which also features other modern masters. The Musée national Picasso-Paris will

host “Picasso. Chefs-d’oeuvre !”, together with an exceptional exhibition of 50 works by Diego Giacometti.

During this celebration of art and culture which takes place in Paris in October, a great number of festive events will be organized by

Parisian institutions. The week will start with the eagerly awaited dinner at the Musée d'Art Moderne de la Ville de Paris on Tuesday

October 16th, whose profits permit the acquisition of works to enrich the collection. On Wednesday October 17th, the Palais de Tokyo

will host a dinner created by Chef Alexandre Gauthier within the monumental artworks of the ON AIR exhibition, carte blanche to

Tomás Saraceno.

Then, on Thursday October 18th, on the occasion of the Nocturne des Galeries [Gallery Night], some 100 galleries will open until

10pm. For the second edition of You x Art x Centre Pompidou, the Friends of Centre Pompidou invite an artist to create a singular

evening, bringing his visionary world – punctuated by elaborated references to the museum collections – into an immersive

performance that creates a dialogue between artworks and moving bodies.

These events, organized for the benefit of the institutions and their collections, reflect the effervescence of this exciting week devoted

to art and culture.

Lastly, on Friday October 19th, the highly anticipated Bal Jaune [Yellow Ball] of the Ricard Corporate Foundation, a longstanding

partner of FIAC, and Beaux Arts Magazine, will celebrate its 20th anniversary, concluding this week of festivities.

The presence at FIAC of the world's best galleries, in the exceptional surroundings of the Grand, the Petit Palais and its Hors les Murs

venues, as well as the great number of cultural and celebatory events held during this week makes Paris a must this fall.

This year, for the 9th consecutive edition, FIAC stages the Gallery Night, an annual rendez-vous allowing some one hundred

participants to welcome the public for an evening visit to their galleries during the fair. Openings, encounters with artists, book-

signings, along with art and design exhibitions are as many reasons to enjoy this opportunity for a night out in the capital.

This unique event will be held on October 18, from 6 to 10pm. Find the galleries program on the FIAC website and the dedicated map.

Centre Pompidou

Franz West

Tadao Andō

Le Cubisme : Repenser le monde

Prix Marcel Duchamp

Château de Versailles

SUGIMOTO Versailles

Louis-Philippe et Versailles

École nationale supérieure des Beaux-Arts de Paris

Nairy Baghramian

Georges Focus (1644 - 1708), la folie d’un peintre sous Louis XIV

Petit et Grand monde de Robert Walser

Galeries nationales du Grand Palais

Miró, Rétrospective

Eblouissante Venise ! Venise les arts et l'Europe au XVIIIe siècle

Fondation Calouste Gulbenkian

Alberto Giacometti et Rui Chafes. Gris, vide, cris.

Fondation Cartier pour l’Art contemporain

Géométries Américaines – Du Mexique à la Terre de feu

Fondation d’entreprise Ricard

20ème Prix Fondation d'entreprise Ricard, une proposition de Neil Beloufa

Fondation Hippocrène

Multitudinous Seas

Fondation Louis Vuitton

Egon Schiele

Jean-Michel Basquiat

FRAC île de France – Le Plateau

Elad Lassry

Institut du Monde Arabe

Patrimoine d’Orient : une renaissance

Jeu de Paume

Dorothea Lange

Ana Mendieta

Alejandro Cesarco

KADIST

If These Stones…

Lafayette Anticipations – Fondation d’entreprise Galeries Lafayette

Solo show Simon Fujiwara

la maison rouge – fondation antoine de galbert

L’envol ou le rêve de voler

Le BAL

Dave Heath – Dialogues with solitudes

Le Centquatre-Paris

Metaphoria III, une exposition de Lab’Bel

Raphaël Dallaporta - Chauvet-Pont d'Arc : l'inappropriable

Mathieu Pernot - La Santé

MACVAL

Persona Grata

« Open Ended Now », exposition monographique de Melanie Manchot

Magasins généraux

ARTAGON.IV – Heading East! L’exposition internationale des étudiants en école d’art

Monnaie de Paris

Grayson Perry : liberté, identité, sexualité

Musée d'Art et d'Histoire du Judaïsme

Sigmund Freud. Du regard à l’écoute

David Perlov

Musée d’Art Moderne de la Ville de Paris

Zao Wou-Ki, L'espace est silence

Ron Amir, Quelque part dans le désert

Musée de la Chasse et de la Nature

PixCell-Deer de Kohei Nawa

TIERRA DEL FUEGO de Angelika Markul

Musée de l’Orangerie

Les contes cruels de Paula Rego

Installation de Richard Jackson

Musée des arts décoratifs

Tutto Ponti, Gio Ponti archi-designer

Musée d’Orsay

Picasso. Bleu et Rose

Orsay vu par Julian Schnabel

Musée du Louvre

Estampe en couleurs de Raphaël à Rubens. Entre dessin et gravure

Le Baron Campana et sa collection

Musée du Quai Branly—Jacques Chirac

Madagascar. Art de la Grande île

Peintures des lointains

Musée national Eugène-Delacroix

Rebecca Warren

Musée national Picasso—Paris

Picasso. Chefs-d’œuvre !

Diego Giacometti

Musée Maillol—Fondation Dina Vierny

Giacometti - Entre modernité classique et avant-garde

Palais d’Iéna Conseil économique, social et environnemental

Suspension. Une histoire aérienne de la sculpture abstraite. 1918-2018

Palais de Tokyo

ON AIR : Carte Blanche à Tomás Saraceno

Petit Palais, Musée des Beaux-Arts de la Ville de Paris

Valérie Jouve

Sèvres – Manufacture et Musées Nationaux

Julio Le Parc et la Manufacture de Sèvres

Villa Vassilieff

Mélanie Matranga •— •

Newell Harry en résidence dans l’atelier Pernod Ricard

The intention of the Avant-Première project is to draw attention to a community of young galleries and independent space in Paris. Its

purpose is to encourage outside visitors (collectors, curators and curators, councilors, museum groups, etc.) to come to Paris earlier,

before the "fair week", in order to devote time and energy to visit the different galleries and independent spaces that together represent

the new international art scene. If the main objective of this project is to draw attention to the diversity of different artistic initiatives in

Paris, the long-term goal would be to create a new, more up-to-date guide to art in Paris.

In addition to the Paris contingent, ten galleries from Los Angeles have been invited to participate at Avant-Première by occupying

various space throughout the city: a restaurant, a café, a bookstore, a sales area.

Paris Avant-Premières will open on Friday, October 12, from 6pm to midnight (a long evening of opening), as well as a press preview

from 1pm to 6pm.

The Brain: Our Creative Driver!

At the point of intersection between the worlds of art and science lies the realm of creativity. Artists and researchers alike could not

envisage their work without exploration, without confronting different approaches to reality, motivated by their desire to change the

status quo.

At the Brain and Spine Institute (ICM) in Paris, scientists from all over the world are placing their creativity in service to cutting-edge

research in the neurosciences, in order to constantly improve our understanding and knowledge about the brain and spine. Starting with

the infinitely small to find concrete therapeutic solutions is ICM’s promise, a centre for excellence and a world leader in this field.

Since its creation in 2010, the Institute located on the premises of the Hôpital de la Pitié-Salpêtrière, historic heritage in the field of

neurology, has succeeded in its innovative mission of bringing together researchers, doctors, and patients within a single site.

To date, thanks to the power of this “French Silicon Valley of the brain”, supported by institutional or civil-society partnerships and

connected to the cultural, artistic, or sports worlds, major progress has been made on diseases affecting the central nervous system

(Alzheimer’s, Parkinson, multiple sclerosis, epilepsy, Amyotrophic lateral sclerosis (ALS), strokes, brain tumours, psychiatric

problems, tetraplegia, etc.).

Research, like art, has a fundamental need for support in order to exist.

Empowering researchers is essential for accelerating discoveries concerning nervous system diseases and thus allowing men and

women to remain free in their movements and thoughts.

This year, the theme chosen is Alzheimer’s disease, and more specifically, the cutting-edge research by neurologist and researcher

Stéphane Epelbaum.

The publishing house WE DO NOT WORK ALONE, specialized in everyday objects by artists, reiterates this year it’s partnership

with Fiac. After the Love & Hate art work handling gloves by Mathieu Mercier and the tape measure Mêtre-Cool by Annette

Messager, WE DO NOT WORK ALONE proposes this year a new functional object by François Curlet : the Taille-Pipe-Crayon. This

pen sharpener in the shape of Magritte’s smoking pipe and made out of aluminium will be given to each gallery and proposed to the

public in new mobile displays designed specially for Fiac.

practical information

Grand Palais

Wednesday 17th October:

-Press preview: 3pm-6pm

-Vernissage: 6pm-9pm

Thursday 18th October: 2pm-8pm

Friday 19th October: noon-8pm

Saturday 20th October: noon-7pm

Sunday 21st October: noon-7pm

Petit Palais

Wednesday 17th October: 10am-8pm

Thursday 18th October: 10am-8pm

Friday 19th October: 10am-8pm

Saturday 20th October: 10am-7pm

Sunday 21st October: 10am-7pm

FIAC ticket: 38€

Concession ticket*: 25€

Under 12 years old: free

*On presentation of a valid student card, Louvre Jeunes card,

or Louvre Profesionnals card

Grand Palais

Avenue Winston Churchill, 75008 Paris

Metro: lines 1 and 13, Champs-Élysées Clemenceau

Bus: lines 28, 32, 42, 72, 73, 80, 83, 93

Velib: Avenue Franklin D. Roosevelt & avenue Dutuit

Parking: Rond-Point Champs Élysées, Q-Park Tour Maubourg

Access for persons with reduced mobility: We invite you to go directly to the entrance on Avenue Winston Churchill to present your

FIAC badge. An access ramp enables you to enter the Nave of the Grand Palais directly.

Petit Palais

Avenue Winston Churchill, 75008 Paris

Metro: lines 1 and 13, Champs-Élysées Clemenceau

Parking: Rond-Point Champs-Élysées, Q-Park Tour Maubourg

Open access to the Petit Palais via the main entrance or the VIP entrance (rez-de-chaussée), Galerie Sud

Domaine national du Louvre et des Tuileries

Place de la Concorde, 75008 Paris

Metro: lines 1, 8 and 12, Concorde

Open access from 7h30 to 19h30

Musée national Eugène Delacroix

6 rue de Furtsenberg, 75006 Paris

Palais de la Découverte

Avenue Franklin D. Roosevelt, 75008 Paris

Métro: lines 1 et 13, Champs-Élysées – Clemenceau,

Parking: Rond-Point Champs-Élysées, Q-Park Tour Maubourg

Place Vendôme

Metro: ligne 1, Tuileries

ORGANISATION

Michel Filzi

President

Michel Vilair

General Director

Reed Expositions France is a subsidiary of Reed Exhibitions (Reed), the world’s leading events organiser, with a staff of 4,000

employees worldwide.

Reed Exhibitions organises each year over 500 events in 30 countries bringing together more than 7 million participants. The wide

range of events includes trade and consumer exhibitions, conferences and meetings, primarily in the following markets: Aerospace &

Marine, Building & Construction, Business Services, Design; Engineering, Manufacturing & Distribution; Environment & Natural

Resources, Food, Homes, IT & Telecoms; Medical, Health & Beauty; Property & Real Estate; Publishing, Media & Communications;

Recreation and Travel.

As a member of the RELX Group, a world-leading provider of information and analytics for professional and business customers

across industries, Reed delivers contacts, content and communities with the power to transform its customers’ business.

On the French market, Reed is today France’s leading show organiser, with 60 events and two subsidiaries: Reed Midem and Reed

Expositions France.

Reed Expositions France operates in 18 industry sectors, with 44 websites and 45 trade and consumer events in the fields of Art

(FIAC, Paris Photo), Books & Publishing (Paris Book Fair), Building & Construction (Batimat, interclima+elec, idéobain…), Energy

(WNE-World Nuclear Exhibition), Entertainment (Comic Con Paris…), Environment (World Efficiency, Pollutec,...), Franchise

(Franchise Expo Paris), Food Service & Hospitality (Equip'Hôtel,…), Interior Design (Maison&Objet, organised by Safi, a subsidiary

of Reed Expositions and Ateliers d’Art de France), IT (Medpi…), Jewellery (Bijorhca Paris), Marketing (MPV Marketing at

Retail,…), Security & Safety (Expoprotection, APS), Sports & Recreation (Cannes Yachting Festival, Body Fitness, Comic Con

Paris,…), Transport & Logistics (SITL, Intralogistics,…), Tourism (IFTM -Top Resa,…).

More than 20,400 companies and 1,15 million buyers from France and abroad are customers of Reed Expositions France events.

REED EXPOSITIONS France

52-54, quai de Dion-Bouton 92806 Puteaux Cedex Tel: + 33 (0)1 47 56 50 00 – info@reedexpo.fr

Reed Expositions France www.reedexpo.fr Reed Exhibitions www.reedexpo.com

ORGANSATION

Jennifer Flay

Director

Maxime Hourdequin

Deputy Director

Head of exhibitors relations

Margot Dallier

Exhibitors relations manager

Caroline Honorien

Exhibitors relations assistant

Joséphine Fichaux Head of sponsorships

Delphine Denis Sponsorships manager

Antoine Kodio

Sponsorships assisant

Charlotte Ellès

Commercial assistant

Antoine de Lestanville Technical director

François Koenig Technical manager

Marie Gombault

Technical manager

Frédéric Jourdan

Logistics manager

Blanche de Lestrange Deputy Director

Head of artistic programs

Zoé Dailey

Artistic programs manager

Cyrus Goberville

Artistic programs assistant

Bérénice Georges Head of media partners

Clara Bauchet

Media partners assistant

Laura Echard General coordination manager

Sarah Osrodka Publishing manager

Sylvie Garchi

Exhibitor content coordinator

Charlotte Ardon Head of collector

& institutional relations

Laura Pettier

Collector & institutional relations manager

Asheley Gao

Collector & institutional relations assistant

Patricia Falandysz Head of digital content

Maeva Morales

Digital content assistant

Benjamin Tramaille Community manager assistant

Silvana Garnier Sales administration manager

Esther Marquez Sales administration associate

fiac on the champ-de-mars

A TEMPORARY GRAND PALAIS

The installation plan for a temporary Grand Palais on the Champ-de-Mars between 2021 and 2024 has been approved by the Council

of Paris on the 2nd of July.

As the Grand Palais will be closed for renovation between early 2021 and the spring of 2023, this temporary facility is intended to

house the major art, fashion and sporting events usually held in the Nave, such as FIAC.

Holding these events in a central, prestigious space in the capital during these works will help ensure and reinforce their success, as

well as cementing the role of Paris as world capital of art and culture.

Located on the Plateau Joffre on the Champ-de-Mars, the temporary Grand Palais will be written into the history of this space, in the

same tradition as the place it occupied during the great Universal Expositions of the 19th and early 20th centuries. It will be extremely

well-considered from an aesthetic and architectural perspective, fitting seamlessly into the surroundings of the Champ-de-Mars and

representing an exemplary achievement in terms of simplicity and sustainable development.

The temporary Grand Palais will remain open for several months after the newly-renovated Grand Palais re-opens in 2023. The

building will house events and operations linked to the Olympic and Paralympic Games until September 2024. A draft agreement

between the Rmn-Grand Palais and the Paris 2024 Committee has been proposed with a view to this excellent collaboration.

The Grand Palais will begin its renovation and refurbishment works from 1 January 2021. This work will modernise its spaces,

strengthen its standing and appeal and showcase its architectural identity. It will create an ideal setting for exhibitions, cultural and

other major events and, by 2024, for the tae kwon do and fencing events of the Olympic Games. The Grand Palais will re-open in the

spring of 2023, with the exception of the Palais de la Découverte, the renovation of which will be completed by spring 2024.

Press contact – RMNGP

Florence Le Moing

florence.le-moing@rmngp.fr

sponsors

Support for creative endeavors is a core component of the Group’s business and patronage activities, and has been deeply rooted in the

history and beliefs of the shareholder family for over five generations. Led by its Corporate Patronage Division, established in 2010 to

bring together all patronage actions which advance its policy of support to both emerging and confirmed artists, the Group

demonstrates its commitment to all fields of contemporary creation from production to diffusion. Its sponsoring actions are part of a

long-term approach, consistent with the company’s vision and its long-standing commitment to art and design. In March 2018, the

Group opened Lafayette Anticipations – the Galeries Lafayette corporate foundation in the heart of the Marais district in Paris, at 9 rue

du Plâtre, in a building renovated by Pritzker Prize-winning architect Rem Koolhaas and OMA, his architectural firm.

A leading city-center retailer specializing in fashion, the Galeries Lafayette group is a family-run private group with 120 years of

history in retail and commerce. As a committed sponsor of the art and design scene and a major private employer in France with

16,000 employees, the Group is actively engaged in promoting the French “Art of living”. With retail sales of €4.5 billion, the Group

enjoys international recognition through its iconic brands : Galeries Lafayette, BHV MARAIS, La Redoute, Galeries Lafayette - Royal

Quartz Paris, Louis Pion et Guérin Joaillerie, Bazar Chic and InstantLuxe.

More information at: www.groupegalerieslafayette.fr

Since Mirabaud was founded in Geneva in 1819, the partners of the banking and financial Group have always demonstrated an active

commitment to society. Today, this patronage primarily takes the form of support for the contemporary art scene, whether privately or

on behalf of Mirabaud. As a reflection of our society, works of art allow us to see the world from a different or anticipatory

perspective. They also bear witness to history. Mirabaud’s commitment to contemporary art coincides with the Group’s long-term

vision in pursuing management activities with high added value.

Mirabaud supports both established talents and young emerging artists, as well as those contributing to showcasing art. The Group has

established a collection of contemporary as well as older artworks over many years, building a bridge between tradition and modernity.

These pieces are exhibited in various Mirabaud branches in Switzerland, France, Spain, the United Kingdom, Luxembourg, Italy,

Canada and the United Arab Emirates.

In addition to these commitments, within the city of Geneva the Group is a partner of the Museum of Modern and Contemporary Art

(MAMCO), of the Quartiers des Bains association, which brings together contemporary art institutions and gallery owners, and of the

“Geneva Lux” festival of lights. An artwork forming part of this festival illuminates the head office. Mirabaud is also the Lead Partner

of the Zurich Art Weekend, one of the highlights of the international art calendar. The partnership with FIAC, in the context of the

works exhibited at the Place Vendôme, is a demonstration of Mirabaud’s active support for the development and promotion of

contemporary art.

"Our keen involvement alongside FIAC is reflected in the continuation of our active support in the world of contemporary art, being

embraced by the collection that we have been building on for many years now with great passion. We are especially delighted to

formalise our partnership by supporting the work by Elmgreen & Dragset at Place Vendôme – an emblematic location for Paris.

Artworks by this duo never fail to stimulate dialogue and emotions that enrich the way in which we see the world. Reflecting on the

place and role of human beings in the world and to be committed alongside artists – these are values which have been guiding us ever

since the foundation of Mirabaud almost 200 years ago.”

Lionel Aeschlimann, Managing Partner

International law firm Clifford Chance is delighted to sponsor FIAC for the eleventh consecutive year.

Clifford Chance has been developing a programme of support and commitment to sponsorship of the arts. From within its different offices,

the firm leads cultural initiatives which allow Clifford Chance to support up and coming artists or internationally renowned ones.

The firm has been developing its own collection since 1990 by collecting works from internationally renowned artists including

Bridget Riley, Antony Gormley, Richard Hamilton, Julian Opie, Gillian Ayres, Peter Doig and Gary Hume.

Works in this collection are the reflection of the values of diversity, creativity and open mindedness which inspire our Firm and

demonstrate our capacity to propose innovative solutions to our clients.

ART AND TRANSFORMATION

In 2018, Clifford Chance highlights the theme of "Transformation".

At a time when our societies are reinventing themselves, lawyers must take on the challenge of the digital transformation in traditional

legal professions, linked in particular to open data, digitization, blockchain or artificial intelligence.

By introducing new tools and a transformation in their way of working and in their service offerings, lawyers become active players in

this transformation, allowing their clients to grasp the legal challenges of the current and upcoming big modern changes in the best

conditions.

The Fondation d’entreprise Ricard is carrying on the art sponsorship the Ricard Company has been engaged in for more than twenty

years and has been a springboard for a whole generation of artists.

Situated in the heart of Paris, the foundation is a venue for exhibitions, creativity and encounters in the context of art in its most

contemporary forms.

The Foundation organizes between 5 and 6 exhibitions every year and regularly invites external curators. It is also a place of exchange

and discussion: every month the public is invited to take part in debates in a spontaneous and convivial atmosphere.

The Fondation d'entreprise Ricard also helps to fund the publication of artists' monographs and collective works.

Created in 1999, the Fondation d’entreprise Ricard prize was the first one to be dedicated to an emerging artist from the French art scene.

Every year a different curator is invited to organize an exhibition at the Foundation that presents a new group of artists under 40.

The prize is then awarded to one of the artists, by a jury composed of art collectors, museum directors and the curators of the previous

Ricard prize editions. With the award comes the purchase of a work that is donated to the Centre Pompidou to join its permanent

collection. The Fondation d’entreprise Ricard additionally supports the realization of a project by the prize-winner abroad.

www.fondation-entreprise-ricard.com

Amid the celebration of its 190 years of creation, Guerlain renews its participation in the FIAC’s private itinerary this year and presents a

thematic exhibition dedicated to the avant-garde of contemporary art at the House of Guerlain, at number 68, Champs-Elysées.

In keeping with Guerlain’s long-lasting tradition of collaborating with artists since 1828, the 68 anchors its cultural heritage in the

current times, develops bridges between the arts, creates chemistry between genres and talents.

Shop opening hours: Monday to Saturday, 10.30 am – 8:00 pm, Sunday: Noon – 20:00

Hiscox, fine art specialist insurer

Hiscox, an international group listed on the London stock exchange, has more than 50 years’ unique experience dealing with issues

related to works of art and exceptional assets. Hiscox is an insurer of choice of the largest French and European galleries, museums

and collectors.

Hiscox offers insurance cover tailored to the needs of art professionals and private clients alike, with cover specially designed to

optimise the protection of their assets.

Our added value at your service: as specialists, we understand the value of a high-quality service and a simple and flexible approach,

with confidentiality assured. That is why when we insure you, we also offer the following benefits:

a strong service culture, enabling us to meet your requirements

in-depth knowledge of the world of art in France and internationally, as well as of collectors, gallery owners and artists, in

order to offer you a personalised policy

a network of experts and restorers specialised in works of art who can be called on at a moment’s notice in the event of an

incident.

We observe the online art trade report since 5 years : Online art trade report

Claims settlement philosophy: we pay particular attention to the claims management process to ensure it is as flexible as possible. We

think that your claim is fair and we do not try to interpret the policy to your disadvantage. If the claim needs to be paid, we pay for it.

That's our philosophy, and our profession.

For more information and to obtain a quote, please contact by phone +33(0)5 56 67 71 76 or on www.formulaire-hiscox.fr

Fine Art by Hiscox: https://www.hiscox.fr/assurance-particulier/objets-d-art/

The Collector’s Edition Boxes: Sharing Contemporary Art

Lab’Bel, the Artistic Laboratory of Bel Group launched in 2014 an impressive series of collaborations with major contemporary

artists, each of whom will design a not-to-be-missed Collector’s Edition Box in celebration of The Laughing Cow®’s 100th

anniversary in 2021. These collaborations continue the special rapport that has always existed between the brand and the artists who

have used it as a source of inspiration for nearly a century. Each Collector’s Edition Box is an original work of art in its own right,

made available to collectors at the standard retail price. Each of them presents consumers with a choice: to eat the content or leave

them unopened to preserve its aesthetic value.

By bringing contemporary art to the broadest audience possible in a way that’s both original and offbeat, the Collector’s Edition Box

project epitomizes the philosophy of Lab’Bel since its creation in 2010. Following Hans-Peter Feldmann, Thomas Bayrle, Jonathan

Monk and Wim Delvoye, always curated by Michael Staab, it’s now the turn of German artist Karin Sander to create the 5th

Collector’s Edition Box. This edition will be presented to public for the first time in FIAC 2018, partner of the project since 2016.

In 2004, Maja Hoffmann created the Luma Foundation to support the activities of artists, independent pioneers, and organizations

working in the visual arts, photography, publishing, documentary filmmaking, and multimedia. Originally based in Switzerland and

envisioned as a production tool for Hoffmann’s multifaceted ventures, the Luma Foundation produces, supports, and enables

challenging art projects committed to an expansive understanding of environmental issues, human rights, education, and culture.

In 2013, Hoffmann launched Luma Arles to plan, develop, and manage the Parc des Ateliers, an expansive former industrial site

located in Arles, France. Situated adjacent to the city’s UNESCO World Heritage sites, the Parc des Ateliers serves as the major

programmatic and cultural center for LUMA Foundation’s diverse activities.

Mutina for Art

Mutina enters the world of contemporary art through an ambitious and multi-faceted project called Mutina for Art, which includes

MUT—a dedicated exhibition space within its headquarters—This is Not a Prize—an important prize awarded annually—and

Dialogue, a program of collaborations with artists, galleries and partners as well as international artistic institutions. Sarah Cosulich’s

involvement as curator coincides with the company’s desire to give an articulated structure to its commitment towards contemporary

art, making it a source of influence, experience and, above all, a territory of exchange.

As part of its historical commitment to contemporary art, Renault is pleased to be the official carrier of FIAC.

After having presented two great sculptures by Jean-Luc Moulène, produced in its workshops thanks to a collaboration between the

artist and its high tech engineers, Renault decided to reiterate its collaboration with FIAC.

Founded in 1729, Ruinart is the first established champagne house. The elegance and the know-how of its cuvées have nurtured its

unwavering commitment to art since then.

The House of Ruinart expresses its connection and commitment to art by commissioning well-known artists since 1896, when

Alphonse Mucha created a first artwork. Each year, artists receive ‘Carte Blanche’ and create their vision of the House, to share its

heritage, history, expertise and cuvées.

This year, with the creation of his performance images, the Chinese artist Liu Bolin trains the spotlight on the techniques and know-

how that go into the making of champagne. The invisibility of actual people reveals the hidden imprint of human labour and

highlights Ruinart's close relationship with nature.

PLEASE DRINK RESPONSIBLY.

The Manufacture de Sèvres has been producing high-quality porcelain pieces and artworks since 1740. Royal, imperial and now

national, guarantor of the preservation and transfer of expertise, Sèvres embodies the excellence of France's arts and crafts.

Throughout its prestigious history, Sèvres has always valued artistic collaborations. It now renews them. Guest artists will be seduced

by the material's expressive qualities, the Sèvres palette's chromatic potential, the diversity of shapes available in its repertoire and the

magic of transformation through fire, and they will be inspired by their constant dialogue with the Manufacture's art craftsmen. Thus,

creations are born, which go down in the history of Sèvres prior to being disseminated among collectors and cultural institutions.

Active on the contemporary art scene, Sèvres takes part in the most prestigious international art fairs. These events provide an occasion

to show the extent to which its constantly renewed production can amaze and disrupt art codes.

To collect “Sèvres” is to appropriate a bit of the unique heritage, both material and immaterial, that Sèvres craftsmen have been

creating every day for the past 300 years.

Founded at Paris’ 22 Place Vendôme in 1906, Van Cleef & Arpels came into being following Estelle Arpels’ marriage to Alfred Van

Cleef in 1895. Over the decades, the excellence of the High Jewelry Maison established its reputation across the world. Its emblematic

signatures – such as the Alhambra® motif, the Zip necklace or the Mystery Set™ technique – its selection of Pierres de Caractère™,

exceptional gems that instill an emotion, and the savoir-faire of its Mains d’Or™, the virtuoso craftsmen of Van Cleef & Arpels’

workshops, have given birth to jewelry and watchmaking collections redolent of dreams and enchantment.

Today, the Maison remains faithful to this highly distinctive style characterized by poetry, refinement, creativity and artistic

sensibility. Whether inspired by nature, couture, dance or the imagination, it offers the world a gateway to a timeless universe of

beauty and harmony.

WWW.VANCLEEFARPELS.COM

www.mutina.it

Aesop was established in Melbourne in 1987. Our objective has always been to formulate skin, hair and body care products of the

finest quality; we explore widely to source plant-based and laboratory-made ingredients, and use only those with a proven record of

safety, efficacy and pleasure. A sincere interest in intelligent and sustainable design extends to every aspect of Aesop’s workings.

Alongside our primary activities, we explore and support the arts as an avenue through which to inspire, learn and communicate. Our

diverse interests include visual arts, theatre, music and dance – complemented by enthusiasm for all things bookish, and a fascination

with cinema.

Our formulations and ideas are available in signature stores, shared spaces across the world, and online at aesop.com and

@aesopskincare.

Arjowiggins Graphic is a key player in the circular paper economy. It is N°1 on the European recycled paper market and ranks sixth by

volume among Europe producers of coated paper. It is also the leading European producer of high quality extra-white recycled pulp

for use in graphic papers.

Arjowiggins Graphic’s papers, whether coated or uncoated, are suitable for offset printing and all forms of digital printing technology.

The papers are made from virgin or recycled fibres, white or natural, with a brilliant, semi-matt or matt finish, for use in publishing,

advertising and printed communications.

Arjowiggins Graphic is also present in a number of niche markets for high value added products such as playing cards, labels, flexible

packaging, papers for posters, displays and point-of-sale (POS) advertising, tissue and fire-resistant papers.

With the recent launch of Teknocard, the company has moved into the market for graphic board, with the widest range on the market,

using virgin and recycled fibres.

ARTER, the leading French Agency for artistic production, holds exhibitions and major events in France and worldwide.

At the crossroads of cultural fields, we provide all means of production to art and artists.

The agency obtained the Prestadd label, which certifies cultural and event-based enterprises committed to sustainable development.

We screen the art world to fuel your creative intelligence.

Artstorming is proud to be the exclusive partner of FIAC for the organization of all the guided tours of the fair, for visitors, partners

and corporate visitors.

Artstorming

We share with you our passion for contemporary art.

Artstorming is an agency specialized in developing all resources of a company using art as a privileged medium. We design innovative

and efficient tools and methods to facilitate the understanding of contemporary art and generate new ways of thinking managerial

issues, new ways of inspiring creative talents.

The reputation of our agency is based on the professionalism of our team and the quality of our services. Thanks to our ‘savoir-faire’

and expertise, we collaborate with a large number of world-class corporations and individuals.

After 10 years spent working for multinational corporations, Sophie GONZALEZ, the founder of Artstorming, decided in 2005 to

design an innovative approach to managerial topics and creative thinking thanks to contemporary art.

Our credo

Introducing art in the corporate life of a company is making it a better place to work, more inspiring, motivating, simply a more human

one.

Our mission

Deciphering art and its vision, messages and key learnings within corporations in order to motivate, unleash the creative potential of

the human resources of the companies, strengthen social cohesion in teams thanks to our programs of conferences, guided visits,

creative seminars, tailor-made events…

Inspiring the creative teams through the analysis of cutting edge art practices.

For art amateurs, we also offer training sessions of art history, guided tours of contemporary art galleries and guided visits of museum

exhibitions.

CONTACT

Sophie GONZALEZ

sg@artstorming.fr

tel.: +33 6 16 11 05 67

For more information: www.artstorming.fr

ABOUT BIOLOGIQUE RECHERCHE

For over 40 years Biologique Recherche’s unique methodology has built a strong reputation for astounding effectiveness based on a

clinical approach to skincare, delivering immediate and long-lasting results.

Combined with highly customized protocols and meticulous procedures which recondition the epidermis, Biologique Recherche’s

extensive range of skincare products are highly concentrated in botanical, marine and biological active ingredients that are formulated

with no artificial fragrance in its own laboratory in France.

La Maison Française Biologique Recherche is the partner of choice in over 75 countries for exclusive medical spas and day spas in addition to

the world’s premiere luxury hotel spas. Its flagship, the Ambassade de la Beauté, is located at 32 avenue des Champs Elysées in Paris.

KASPIA RECEPTIONS is pleased to be the official caterer of FIAC.

On this occasion KASPIA RECEPTIONS, part of MOMA GROUP, mobilizes its teams during this major international contemporary

art event.

This famous Maison, located on Place de la Madeleine, has been a natural partner for FIAC, being the reference caterer in the art’s and

fashion’s world: since 1995, KASPIA RECEPTIONS successfully.

EXTEND YOUR STAY IN PARIS WITH THE LOUIS VUITTON CITY GUIDE, A PARTNER OF THE FIAC INTERNATIONAL

CONTEMPORARY ART FAIR

Éditions Louis Vuitton is a pioneering publisher with a catalogue of around a hundred titles.

Its collections focus on travel, art and fashion, comprising city guides, books of drawings, photo books, art books and literary tales.

And because travel is also about art, Éditions Louis Vuitton will be partnering with FIAC through the City Guide.

In their role as unique and influential trend spotters with an eye on the changing faces of the world’s cities, the Louis Vuitton City

Guides have been exploring the most stylish cities for the past twenty years.

The guides put thirty cities under the microscope, offering unique insights into fashion, design, contemporary art, exciting food

choices and culture.

In Paris, New York, London, Shanghai and Tokyo, a team of authors and guest contributors from a wide range of fields take readers on a

highly personal tour, selecting the finest hotels and places to eat, the most fashionable venues and the historical sites that no visitor should

miss.Each city is thus revealed by independent journalists and guests from all horizons.

This year, artist Ding Yi shares his Shanghai, photographers Françoise Huguier and Ouka Leele invite us to discover respectively Paris

and Madrid, and actor Jeff Goldblum accompanies us throughout Los Angeles.

The entire series is available on louisvuitton.com and on the App Store, with 30 cities all over the world and more than

20,000 addresses regularly updated.

Since its inception, the metro has fostered an urban culture that has left its stamp on the collective memory of Ile-de-France residents

and visitors to our capital. Far from being a culture set in stone, it is constantly enriched by the different artists who grace the metro

with their durable or ephemeral performances and exhibits that make passengers’ travel time enjoyable.

Every day RATP group hosts more than 12 million transit riders worldwide. As part of its partnership with FIAC, it also furthers the

mobility of all the exhibitors at the International Contemporary Art Fair.

Follow news about the company: www.ratp.fr / www.facebook.com/RATPofficiel / http://instagram.com/ratp / Twitter @GroupeRATP

As a long-standing partner of the FIAC, the City of Paris provides continuing support to the creative arts and to artists themselves.

With its stand “Fonds municipal d’art contemporain - Ville de Paris” (Municipal Contemporary Art Collection – City of Paris), it

showcases the latest acquisitions of the Fonds municipal d’art contemporain (FMAC, Municipal Contemporary Art Collection), the

only public collection on display at this major art fair. The FMAC is working on providing extended, equal access to contemporary

works of art by displaying them in key areas, frequented on a daily basis by users of municipal public services, to youngers audiences

with “the Fmac goes to school” programme. Partnerships with social actors are also set up.

For the third consecutive year, the partnership between the Public Institution of the museums of the City of Paris and the FIAC has

been expanded with the creation of “Fiac Projects”, section of the FIAC exhibition hosted by the Petit Palais – City of Paris Museum

of Fine Art. This selection of sculptures and installations will be open to all visitors free of charge, as the collections of the museum.

Every year, the Réunion des musées nationaux - Grand Palais presents approximately forty highly-diversified cultural events in Paris,

regionally and internationally. The Grand Palais, one of the French people's favorite monuments, is its prestigious showcase in the

heart of Paris.

Exhibitions, concerts, shows, fairs, performances… the agenda is both demanding and popular, and accessible to all, promoting

cultural democratization through rich and varied cultural mediation.

Alongside events, the Réunion des musées nationaux - Grand Palais spreads culture through its publishing activities, its network of art

bookstores and its photo agency, the leading French agency for art pictures. The Réunion des musées nationaux - Grand Palais also

contributes to enhancing national collections through its acquisitions on behalf of the State.

A Timeless Venue in the Heart of Paris

Installed in the western wing of the Grand Palais, the Palais was created for the 1937 World Fair, with the aim of introducing the

scientific method to the public by way of spectacular experiments conducted daily by scientific mediators. For 80 years, this one-of-a-

kind venue has attracted a wide audience of all ages.

Exploring the Fundamental Sciences

Around fifty experimental demonstrations performed daily, exhibitions, “un chercheur, une manip’” (one researcher, one approach)

presentations devised in close cooperation with the scientific and academic community, spark curiosity and conversation among the

visitors to the Palais. This interactive approach offers the public keys for understanding fundamental scientific principles.

The École du Louvre is once again a FIAC partner and contributes to the FIAC Hors les Murs project with its exhibition programme of

monumental artworks within public space and FIAC Projects, which exhibits sculptures and installations within a historic museum

context.

In the Tuileries Garden, Place Vendôme, at the Musée Delacroix, at the Petit Palais, near the Grand Palais and on around sixty projects

will be installed and each artwork will be presented daily by students from the École du Louvre, from 19 to 22 October, from 3 to 5:30

pm. This original mediation operation, presented to the widest possible audience, represents one form of practical application of the

school’s teachings. Designed as an “IRL” pedagogical exercise, it is coordinated by contemporary art professors and the school’s

teaching staff. In 2017, over one hundred students thus tackled the various constitutive phases of a mediation project (study, research,

documentation, texts, contact with the galleries, the artists, mediation techniques, analysis, report, etc.) and concluded this operation

with the writing of a notice, signed by them and integrated within the online FIAC catalogue. A lively partnership of exchanges and

debates, which also enables the school to reaffirm its ongoing involvement in the study, research, and distribution of contemporary art,

one of the 31 specialised disciplines offered to students from the school’s undergraduate level upwards.

Founded in 1882, a public establishment under the aegis of the French Ministry of Culture, located in the Palais du Louvre, the École du Louvre is an

institute of higher learning that provides classes in art history, archaeology, epigraphy, history of civilisations, anthropology, and museology. The

École du Louvre also enables unregistered students (more than 20 000 audit students) to access certain classes designed for the students and take

specific night classes over summer, in the regions (24 partner cities and museums). An open-minded place of study and research, the school and its

research team hold conferences, study days, and seminars; publish manuals, specialised books, and an online research journal.

The Louvre Museum is delighted to be a FIAC partner for the thirteenth consecutive year. On this occasion, around thirty sculptures

are presented within the Domaine National du Louvre et des Tuileries and at the Musée National Eugène-Delacroix. This collaboration

perpetuates one of the Louvre’s primary missions, that of hosting living artists. The Louvre welcomed 8.1 million visitors through its

doors in 2017 and presented 38 000 artworks, including major long-term decors by contemporary artists such as Cy Twombly’s ceiling

or François Morellet’s staircase. The Tuileries Garden also participates in this promotion of contemporary art, with the presence of

numerous sculptures in the garden, including Penone’s renowned Vowel Tree. Following interventions under the pyramid by the artists

Claude Lévêque, Loris Gréaud, Tony Cragg, Wim Delvoye, and JR, the work Throne by Japanese artist Kohei Nawa will float beneath

the viewing platform of the Pyramid from July 2018 onwards. With its mission of providing a global stage, the Louvre is proud to be

open to a wide range of artistic expressions.

The Petit Palais and Paris Musées are pleased to continue their collaboration with FIAC, initiated in 2016. FIAC Projects brings

together around forty sculptural works and installations chosen by Marc-Olivier Wahler (Director of the Eli and Edythe Broad Art

Museum, Michigan State University), in association with Christophe Leribault, Director of the Petit Palais, and Susana Gállego

Cuesta, Head Curator of the museum. The artworks will be exhibited in the South Gallery, the garden of the museum as well as on the

esplanade in front of the building, being car free for the occasion. This sector will enable FIAC galleries to display artworks in unique

conditions within the exceptional context of the historic Petit Palais.

The Petit Palais is also delighted to participate in the performance festival Parades for FIAC dedicated to performative practices and

interdisciplinarity in contemporary art, at the point of intersection between music, dance, performance, theatre, and poetry.

Ideally located, directly opposite the Grand Palais, the Petit Palais was built specially for the Paris Exhibition of 1900. It became the

City of Paris Fine Arts museum in 1902. Its collection represents the main artistic movements from Ancient Greece right up to the

First World War.

France Télévisions is the first French broadcasting group on the 2017-18 season with 28,2% of audience shares.

France Télévisions’ offer is available everywhere, on all media. It is found on the france.tv web platform and a range of thematic

digital offerings (information, youth, sports, culture, education). It is also available on 5 national television channels, franceinfo, global

information media on all supports, as well as 24 regional branches and 9 global tv/radio/web medias overseas.

On France Télévisions, culture has a special place : in 2017, 9.5 million viewers watched theatre on France 2 channel and nearly 5

million viewers for classical music on France 3.

Cultural brands continue to federate :

- 2.6 million viewers for “Secrets d’histoire” & “Des Racines et des Ailes”

- Over 500 000 for the 10th annual edition of “La Grande Librairie” with 177 authors invited by F. Busnel

- 700 000 for “Stupéfiant” magazine

- 350 000 for “Entrée Libre” on France 5

The Culturebox.fr platform reached 42 million views in 2017 with nearly 670 concerts & shows, 47 theatre performances, 41 dance

shows, 22 festivals…

France Télévisions puts culture at the forefront once again this year as part of its’ partnership with FIAC, notably its’ collaboration

with FIAC Hors les Murs.

artnet is proud to partner with FIAC for the prestigious fairs' 2018 edition. artnet will collaborate on the fair's projects, which will

include performances, film screenings, and conversations with industry leaders as well as renowned artists. Together, artnet and FIAC

will also work to carry the fair's impact beyond Paris' historic Grand Palais, making the participating galleries and fair program

accessible to art lovers worldwide.

artnet is the leading resource for buying, selling, and researching art online. Founded in 1989, artnet's suite of industry-leading

products has revolutionized the way people collect art today. Famed for its ground-breaking Price Database, artnet is also renowned

for its exclusive Gallery Network, widely-read artnet News online magazine, as well as their prestigious artnet Auctions.

Art and creation on ARTE

The European culture channel offers a rich choice of programmes on art, cultural heritage and contemporary creation, available across

all screens and devices. With a keen interest in each and every form of artistic expression, ARTE explores the work of past and present

creators, who confront the world with their unique gaze.

Through upcoming documentaries about Leonardo da Vinci, Caravaggio, Goya, Miró, as well as romanticism, Art Nouveau and

cubism, ARTE uncovers the secrets of iconic masterpieces and artistic movements. The series Les petits secrets des grands tableaux

delves into paintings to explore their era. The VR collection ARTE Trips takes the viewer into a digital journey inside major works of

art. Last but not least, webseries such as Bogostreets and Africa Riding offer us a fascinating tour of Columbian street-art and of the

African “Artivist” scene.

A Nous Paris

Aesthetica

AMA

Art in America

Art Review

Artfacts.net

artpress

Beaux Arts Magazine

BFM Business

CNN

Connaissance des Arts

CURA.

CNEWS MATIN

Elephant

esse

Flash Art

France Culture

Frieze

L'Officiel Art

Le Figaro

Le Journal des Arts / L'Œil

Le Quotidien de l'Art

LEAP

Libération

Blouin Art Info Corp.

Magazine

Monopol

Mousse Magazine

Numéro

Ocula

Paris Première

Ran Dian

Revue 02

Slash

Sleek

Télérama

The Art Newspaper France

The New York Times

Vellum Magazine

Whitewaller

Widewalls.ch