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Transcript of Street Furniture
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StreetFurniture
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StreetFurniture
Chris van Uffelen
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162 30 Adelaide Street East
Janet Rosenberg + Associates
16 4 Minato-Mirai Business Square
Earthscape
166 Relecting Pools
OLIN
16 8 De Inktpot
OKRA landschapsarchitecten bv
169 Fountain Cameon
Rainer Schmidt Landschatsarchitekten
with GTL Landschatsarchitekten
Garbage
172 Garbage Can Senior 954
Caesarea Landscape Design Ltd.
173 Garbage Can Kiryat Uno
Caesarea Landscape Design Ltd.
174 Envac Disposal Chute
EBD architects ApS
176 Cylinder Waste Container
mmcité a.s.
178 BINA
Gonzalo Milà Valcárcel
Light and Sign
18 2 Wayinding and Interpretive
Graphics
Sasaki Associates
18 6 Signpost
Despang Architekten
18 8 Bargteheide Voice Shower
Matthias Berthold, Andreas Schön
18 9 York University Coordinated
Signage and Wayinding Program
Kramer Design Associates (KDA)
T E N T S
reace
ike and Play
reat Street Games
MA Creative Technology Ltd
iDondolo
itzi Bollani
D 003
overo Adrien Studio
ark Games Science Park
onaUno
IT IN
TORE MUU design studio
ood Mitigation Measures
rimshaw
élib and Mupi
gence Patrick Jouin
helter Imperia
ASTI GmbH
arguerite Bike Rack
HY design international
adhaus – Bicycle Station
sterwold & Schmidt – Exp!ander Architekten
yclo Bicycle Stand
ez+díez diseño
elo Bicycle Stand
mcité a.s.
oundary
ilarete Bollard
edro Silva Dias
aiku Bollard
ez+díez diseño
42 Heaven is a Place on Earth
d e signstudio regina dahmen-ingenhoven
46 Fence as Meetingpoint
Tejo Remy & Rene Veenhuizen
48 Bollard Elias
mmcité a.s.
50 Domplein
OKRA landschapsarchitecten bv
52 The Community Chalkboard
Siteworks-Studio
56 Platorm House
Ryo Yamada
57 Lace Garden
Anouk Vogel landscape architecture
13 Allermöhe Wall
Matthias Berthold, Andreas Schön
60 Our Lights will lead the Way
Sungi Kim & Hozin Song
61 Animal Wall
Gitta Gschwendtner
62 Green Trap
Adrien Rovero with Christophe Ponceau
Ensemble
66140 BoomerangsStudio Weave
70 Center square, Rakvere
KOSMOS
72 Helga Eng Square, University o Oslo
Bjarne Aasen Landskapsarkitekt MNLA
74 Strossmayer Park
Atelier Boris Podrecca
78 National Harbor
Sasaki Associates
T E N T S
126 Sylvia Park
Isthmus
130 Kumutoto
Isthmus & Studio Pacic Architecture
134 South Boston Maritime Park
Machado and Silvetti Associates
136 West Los Angeles City College,
Pedestrian Promenade
SQLA inc. LA
138 HtO – Urban Beach
Janet Rosenberg & Associates,
Claude Cormier architectes paysagistes inc.
140 VivoCity
Sitetectonix Private Limited
14 4 Fountain Promenade at
Chapultepec Park
Grupo de Diseño Urbano
146 Horizons
Will Nettleship
147 Under Road
Vulcanica Architettura
148 Riva Split Waterront
3LHD architects with Irena Mazer
Plants and Water
154Godotdíez+díez diseño
156 Thousand Year Forest
Earthscape
158 A Tree that will grow Dreams
Earthscape
160 Chaariz Drinking Fountain
Estudio Cabeza
161 One North Wacker Drive
PWP Landscape Architecture, Inc.
190 Welcome!
Rainer Schmidt Landschatsarchitek
191 Avenue Honore-Mercier
Michel Dallaire Design Industriel – M
192 OliviO
West 8 urban design & landscape ar
194 Dragonlight
West 8 urban design & landscape ar
195 Weidenprinz Light Tree
Freitag Weidenart, Bureau Baubotan
196 LITA
Gonzalo Milà Valcárcel
197 Peak
West 8 urban design & landscape ar
198 Miguel Dasso Boulevard
Artadi Arquitectos
200 Linea
töper.bertuleit.architekten
Pavement
204 Nowy Square, Krakow
Biuro Projektów Lewicki Łatak
206 Centuries in turn
Will Nettleship
207Wolnica Square, KrakowBiuro Projektów Lewicki Łatak
208 Arizona Canal at Scottsdale W
JJR | Floor
212 Watermap
Stacy Levy
216 Ridge and Valley
Stacy Levy
218 Solarium, Parc des Prés de Lyo
BASE
82 Benches at Elwood Foreshore
ASPECT Studios
86 City Center, Zutphen
OKRA landschapsarchitecten bv
87 Gran Vía de Llevant
Arriola & Fiol arquitectes
88 Storaa stream
OKRA landschapsarchitecten bv
89 Central Park o Nou Barris
Arriola & Fiol arquitectes
90 Sea Organ and Greeting to the Sun
Marinaprojekt d.o.o.
94 Chess Park
Rios Clementi Hale Studios
98 Quincy Court
Rios Clementi Hale Studios
102 Station square, Apeldoorn
LODEWIJK BALJON landscape architects
104 Bohaterów Getta Square
(Zgody Square)
Biuro Projektów Lewicki Łatak
108 Ksiazat Czartoryskich Square
Biuro Projektów Lewicki Łatak
110 General Maister Memorial Park
BRUTO d.o.o.
11 4Wellness Orhidelia BRUTO d.o.o.
116 In Factory
3GATTI
11 8 Kic Village
3GATTI
120 Lazona Kawasaki Plaza
Earthscape
122 City Heart, Palmerston North
CCM Architects, Ralph Johns & John Powell
Landscape Architects
˛ ˛´
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35 0 Fukuoka Bank
Earthscape
352 City Mall, Christchurch
City Mall Alliance – Isthmus, Reset,
Christchurch City Council and Downer EDI
35 6 Boat Seat, North Shore City
Isthmus
35 8 Pier Place Square, Cape Town
Earthworks Landscape Architects
360 Pedestrian Zone Sala
PLEIDEL ARCHITEKTI s.r.o.
362 Benches at Indre Kai
Smedsvig Landskapsarkitekter AS
36 4 The Red Ribbon
Turenscape, Kongjian Yu
36 8 Nakasato Juji Project
Ryo Yamada & Ayako Yamada
369 Benches and Seats Rhodes
Caesarea Landscape Design Ltd.
370 Anonymous Garden
Ryo Yamada & Ayako Yamada
372 Bubble Bench
OLIN
374 Glass Bench
OLIN
376Concrete ThingsKOMPLOT Design
Shelter
38 2 Veil Solar Shade
Buro North
38 6 Street Furniture Franchise
Grimshaw
390 Nicho PT
Pedro Silva Dias
hanghai Carpet
om Leader Studio
lace Aristide Briand
gence APS, paysagistes dplg associés
TE College East
itetectonix Private Limited
roduct Line
urleigh – Surboard Series
treet and Garden Furniture Company
uxtram
ischutz Davidson Sandilands
eo
ischutz Davidson Sandilands
ity o Toronto coordinated
treet Furniture Program
ramer Design Associates (KDA)
Mobilia
BD architects ApS
en
íez+díez diseño
ark Bench Radium
mmcité a.s.
ramway de Bordeaux
gence Elizabeth de Portzamparc
eating
inerlo
Mitzi Bollani
ondel Verses
nouk Vogel landscape architecture
okyo City Bench
tudio Makkink & Bey BV
treetscape Furniture
andellsandberg
25 0 The Big Bench
Buro Poppinga
25 2 Boom Bench
NL Architects
25 4 Topograico Bench
Estudio Cabeza
256 Patrimonial Bench
Estudio Cabeza
25 8 Encuentros
Estudio Cabeza
259 Miriápodo
díez+díez diseño
260 Solar Bench
Owen Song
261 cuc
Foreign Oce Architects (FOA)
262 Bird Bed
Nea Studio
26 4 Park Bench Swinger
Architektin Mag. arch. Silja Tillner
266 Bench Castle 717
Caesarea Landscape Design Ltd.
267 SOL and NET
Diego Fortunato
26 8 Benches Martelo
Caesarea Landscape Design Ltd.
269 Alil Set
Estudio Cabeza
270 West 8 Timber Seat
West 8 urban design & landscape architecture
272 West 8 Swirl Bench
West 8 urban design & landscape architecture
274 Benches at Pirrama Park
ASPECT Studios
276 Wirl
Zaha Hadid Architects
316 Modular Bench Naguisa
Toyo Ito and Associates, Architects
318 Y
Alexandre Moronnoz
320 Intererences
Alexandre Moronnoz
322 Muscle
Alexandre Moronnoz
324 Trottola Spinning Top
Mitzi Bollani
326 liquirizia
Aziz Sariyer
328 mariù
Aziz Sariyer
330 Nido Bench
Esrawe Studio
332 Reverb Chair
Brodie Neill
334 Regency Benches
Julian Mayor
336 Bag Stools
Gitta Gschwendtner
337 Chair that disappears in the Rain
Tokujin Yoshioka Design
338 Šentvid Urban Park
BRUTO d.o.o.
340 Marunouchi Oazo North Building
Earthscape
342 Two generations o Cherry Blossoms
Earthscape
344 Nature and City Bench
Earthscape
346 Earth Thermometer
Earthscape
348 Memory Chair
Earthscape
392 Cabine PT
Pedro Silva Dias
394 Newspaper Kiosks
Heatherwick studio
398 Urban Furniture and Equipme
Buenos Aires
Estudio Cabeza
400 Kubus EXPORT – The transpar
Architektin Mag. arch. Silja Tillner,
Pro. Valie Export
404 Regio Shelters
mmcité a.s.
406 Transer Stations, São Paulo
Bacco Arquitetos Associados
408 Texas Cowboys Pavilion
Miró Rivera Architects
410 Central Park, Parkstadt Schwa
Rainer Schmidt Landschatsarchitek
414 Pavilions or Smokers
BRUTO d.o.o. with Urban Švegl
418 Hortus urbanus
Corbeil + Bertrand Architecture de p
420 Butterly Pavilion
Della Valle + Bernheimer Design, LLP
422 The Amazing Whale Jaw
NIO architecten
424 Pergola, Le Havre
Claude Cormier architectes paysagis
426 City Toilet
Brähmig, Ströer
430 Trail Restroom
Miró Rivera Architects
432 Architects Index
447 Picture Credits
44 8 Imprint
278 Leopold Square, Sheield
Broadbent
280 The Wave
Street and Garden Furniture Company
282 Mollymook
Street and Garden Furniture Company
284 Twig
Street and Garden Furniture Company
286 QIM
Michel Dallaire Design Industriel – MDDI
288 Sot Bench
Lucile Soufet
290 Bancs Circulaires
Lucile Soufet
292 Union Bench Collection
Jangir Maddadi Design Bureau AB
294 Tree Guard Bench
Benjamin Mills
296 Pleamar Bench
díez+díez diseño
298 Ponte
díez+díez diseño
300 Dove
díez+díez diseño
302 SIT Collection
Diego Fortunato
304 LINK
nahtrang
308 SILLARGA / SICURTA
Juan Carlos Ines Bertolin, Gonzalo
Milà Valcárcel
310 Botanic Bench
Street and Park Furniture
312 Tea Tree Gully Seat
Street and Park Furniture
314 SO-FFA
Baena Casamor Arquitectes BCQ S.L.P.
T E N T S
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urnishing their streets by marketi
elements as advertising space (bus
making their use chargeable, such a
ully automated toilets, the Saniset
designed by him. Even though mos
urniture is produced in series, uni
designs are the second pillar o the
The unique pieces are usually much
conspicuous and intended to highl
specic location within the city, or
specic setting. Usually they do no
o single items o a specic type o
urniture, but o ensembles includi
benches, planters, bollards or pave
are analogous to the product lines
productions. These ensembles crea
environments and become sel-serv
individual location – a setting that
its own space. Just like a bench wit
the city square brings people toget
oers a communicative island in th
passers-by. Thus, in the times o “u
living, perhaps street urniture is t
contemporary and topical type o
However, it not only creates the setting o
our public lie between the “wallpaper” o
the building açades, but actually constitutes
a substantial part o urban identity. Usually
unnoticed, manhole covers and street signs
are repeated elements that create a typical
network or each city across its various
districts or streets, connecting the individual
buildings to a conglomerate with common
eatures. This was most obviously and
publicly successully implemented in the
Metro stations by Hector Guimard in Paris
around 1900. I only parts o the greenish,
plant-like metal shapes or maybe even the
lettering “Metropolitain” are glimpsed on a
picture, it is immediately apparent that the
setting is the French capital near the Seine.
Just as typical, but less renown are the
paddle-shaped signs describing the “Histoire
de Paris” (history o Paris), which were
designed by Phillippe Starck or JCDecaux
and set up around the city in 1998. Jean-
Claude Decaux revolutionized street urni-
ture by relieving cities rom the high costs o
Street urniture is a rarely observed topic
and an apparently absurd combination o
words. The term urniture is usually associ-
ated with the private sphere, while the street
is a public space. The combination is even
more bizarre in those Latin languages in
which the word urniture derives rom the
word “mobile,” i.e. something movable,
whereas street urniture is extremely
unmovable, as it is usually bolted or xed to
the foor. However, the derivation o “urni-
ture” rom the French “ournir,” i.e. “to
provide,” precisely describes its unction:
street urniture provides us with comort in
public spaces, giving us inormation, seating,
light, and protection. It thus serves similar
purposes as the regular urniture within the
home, rendering urban spaces livable.
Street Furnitureby Chris van Uelen
A C E
gg| Pieter Lucas Marnette, electrical
distribution box in the style o the Amsterdamschool, Amsterdam 1928
g| Norman Foster and Partners, serial
product “Abribus” bus stop or JCDecaux, Paris 1994
f| Santiago Calatrava architect and
engineer, individual designed bus stop at the
Satolas Station, Lyon 2002
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B O U N D A R Y
E N S E M B L E
P L A N T S A N D W A T E R
G A R B A G E
L I G H T A N D S I G N
P A V E M E N T
P R O D U C T L I N E
S E A T I N G
S H E L T E R
B I K E A N D P L
A Y
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Mitzi Bollani
NiDondolo
NiDondolo looks like a big nest and begins to rotate, twist and turn, and swingslight movement when in use. Children enter it crawling on all ours and saelylying down or sitting up. Its name comes rom a combination o two Italian w(nest) and Dondolo (swing). NiDondolo allows children to develop their sense ocoordination and creativity. The game oers extra interest and excitement owith mental, physical or multiple impairments too. The robustness o NiDondolows its use by adults to meet the needs o those parents who wish to share ththeir very small inant children, or with their older daughters and sons.
P R O J E C T F A C T S
Client: LEURA srl. Completion: 2009. Production: serial production. Design: indesign. Functions: playing. Main materials: steel, sot material.
ii| Game in action, Parco Galleana
i| A sot nest or playing
o| Sketch
KMA Creative Technology Ltd
E C T F A C T S
: The Great North Run Cultural Programme. Completion: 2009. Production: singleDesign: individual design. Functions: playing, interactive light installation. Main
ials: projected light, sound.
reat Street Games
eries o outdoor games used light projection and thermal-imaging technology toe jaw-dropping interactive playing arenas in which human movement triggered spec-ar light eects. The games took place simultaneously in large urban spaces o three-eastern UK locations. Participants in Gateshead, Sunderland and Middlesbrougheted against each other with no previou s preparation. The scale o the a renas created aesthetic impact on the urban environments in which they were placed, drawingnces quite oten by chance as people went about their daily lives. Curiosity drewe in, but it was the intelligence o the language within these games that held thec’s attention and engaged them in problem solving, play and social engagement.
gg| Arena in Gateshead
ii| Screen capture, rom a game
g| Playing on the interactive light instal-
lationi| Arena in Sunderland
A N D P L A Y
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D 003sanne
bike rack can be described as a six bikes vs. one car. The rack uses one parking lot tommodate six bicycles and draws attention to the additional space that is required oraic. It has the silhouette o a car.
Rovero Adrien Studio
E C T F A C T S
ss: Place de la Cathédrale, 1000 Lausanne, Switzerland. Planning partner: Inout /Torres. Client: Inout. Completion: 2006. Production: single piece. Design: individ-
esign. Functions: bicycle stand. Main materials: galvanised steel.
g| Bicycle stand
ii| Elevation and plan
i| Street view
Park Games Science ParkConsisting o a series o devices to be positioned outdoors, the Science Park provteresting and enjoyable way o communicating concepts and principles on subjecing the natural sciences to art, music, architecture, and others. The connectionthe park’s interactive structures is their highly playu l nature. They stimulate plaintimate process o growth based on learning and experimentation in a stimularonment where natural and artiicial elements interact and become one. The potrinsic capacity o games to impart knowledge is used to discover science in ever
ZonaUno / Tobia Repossi
P R O J E C T F A C T S
Client: MODO srl. Completion: 2009. Production: serial production. Design: prodFunctions: playing. Main materials: inbox.
ii| Rotating See Saw
oo| Semiball
i| Speak into the tube
o
| Spinning top
A N D P L A Y
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P R O J E C T F A C T SSTORE MUU design studio
PIT IN
PIT IN is a street object that ulills several unctions that are useul in everyday lie inthe city. For pedestrians it is a pleasant bistro-table oering a practicable opportunity ora short stop. However the target group or this design table are cyclists. They can easilydock with their bikes while the saddles o their own bikes turn into seats. Several prob-lems aced by cyclists nowadays will be solved at one go. For instance, it won’t be neces-sary to carry a bike lock while going to lunch, because one does not need to leave one’sbike. The search or ree seats in crowded areas won’t be necessary either, as the own seatis mounted to the bike.
Completion: 2009. Production: serial production. Design: individual design. Functions: seating,bicycle stand. Main materials: steel, plywood.
T IN, bicycle stand and seating unit in one i| Seating position, eet and arms resting on
the structure
d| Plan and section
i| Side elevation, used as simple bike stand
s| Elevation, pedestrians and cyclists can use
the object
A N D P L A Y
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P R O J E C T F A C T SGrimshaw / Casimir Zdanius
ood Mitigation Measuresw York City
nting excess storm water rom entering the subway system was the primary objec- this project. The designs are located above existing subway vents that in the pastnot exactly pedestrian traic riendly due to their oten deteriorated condition hov-above a signiicant void beneath. Designing elements that unction as bicycle racksenches added additional public value. Each unit is modular up to 1.5 meter incre-
s and extendable to match the tunnels beneath. The elements have enough transpar-o have a street presence even when not in use. Each bench seats up to three people
ach module holds up to eight bicycles.
Address: West Broadway between Chambers and Worth Streets, New York City, NY, USA. Planning
partner: Grimshaw Industrial Design, Billlings Jackson Design, HNTB, Systra, Scape. Client: The
Metropolitan Transit Authority o New York. Completion: 2009. Production: serial production. Design:
product line. Functions: seating, bicycle stand, raised grille to prevent stormwater rom entering sub-
way system. Main materials: stainless steel, galvanized steel rame, recycled regalvanized bar grating
i| Bicycle stand, detail o eight meter option
i| View o eight meter design
s| Part Elevation
ii| Bicycle stand and seating
i| Isometry
A N D P L A Y
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Agence Patrick Jouin /
Patrick Jouin
P R O J E C T F A C T SAddress: Paris, France. Client: JCDecaux SA. Completion: 2007. Production: serial production.Design: individual design. Functions: bicycle stand. Main materials: cast aluminum.
élib and Mupis
et o urban urniture or the city o Paris was commissioned by JCDecaux. 1,400 sta-o Vélib, a contraction o the French words or velo – bicycle, and liberté – reedom,installed throughout Paris at a rate o one approximately every 300 meters, oering20,000 bicycles to the public. The success o these pieces o urban urniture is duet to the plant metaphor that inspires them. The sot curve o the attachment pointss the orm o grass, while the arch o the terminals resembles the shape o trees.egetal reerence, combined with the exclusivity o this series to the city o Paris,
subtle tribute to the arnaus urban contributions o Hector Guimard during the Arteau era.
i| Bicycle station
o| Attachment points
p| Inormation point MUPI (Mobilier urbain
pour l’inormation)
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i| Attachment point, with bike-locking
mechanism
f| Sketch
f| MUPI and attachment points
s| Bicycle station, MUPI and attach
V é L I B A N D M u P IA G E N C E P A T R I C K J O U I NA N D P L A Y
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RASTI GmbH /
Klaus Bergmann
P R O J E C T F A C T SAddress: An der Mühle 21, 49733 Haren, Germany. Client: Rasti GmbH. Completion: 2005. Production
serial production. Design: individual design. Functions: shelters. Main materials: steel.
helter Imperiaen
mperia rooing system is a good opportunity or companies and cities to stylishlynt themselves. The patented „Made in Germany“ design can be produced in variousand colors. The core construction is made o hot-dip galvanized steel and a rooingo galvanized and grey-white coated trapezoidal sheet metal. Imperia can be used asonal shelter or multi-purpose rooing. It oers bicyclists a comortable and secure
ng and locking area. All variations can be adjusted to the respective urban designt harmoniously into the existing setting.
i| Basic construction, made o heat-
galvanized steel and proled sheeting roo cover
p| Fil igree shelter, with transparent roong
A N D P L A Y
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S h E L T E R I M P E R I AR A S T I G M B H
i| Lattice-style version in grey
f| Imperia as a one-sided bicycle shelter
f| Protective roo or bicycles, m
cycles, etc.
s| Timeless and classic design
A N D P L A Y
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P R O J E C T F A C T S YHY design international /
Yoann Henry Yvon
arguerite Bike Rack
oncept o the Marguerite bike rack seeks to motivate city dwellers to use the bike aso-riendly means o transport and is distinguished by a resh and appealing design.mpact mechanism oers enough parking space or numerous bikes in a limited Moreover, the innovative parking devices are very lexible as they can be placed inart o the city, depending on the requirement o the users and the space. The standws o bike holders which are shaped like petals coming out o a centerpiece. Manualment o its petals allows to easily park and lock your bike. The Marguerite bike racka combination o vivid colors, a deliberate mechanism, and eye-catching shapes.
Completion: 2008. Production: single piece. Design: individual design. Functions: bicycle stand. Main
materials: polythene, stainless steel.
i| Bike rack in use
i| Plan
s| Beautiul appearance in the cityscapei| Detail o the centerpiece
A N D P L A Y
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P R O J E C T F A C T S
Osterwold & Schmidt –
Exp!ander ArchitektenAddress: Bahnhostraße 22, 99084 Erurt, Germany. Planning partner: Torsten Braun (light design),Hennicke+Dr.Kusch (structural engineering), IBP Erurt (building electronics). Client: City o Erurt.Completion: 2009. Production: single piece. Design: individual design. Functions: shelter, bicyclestand, oce, workshop, rental. Main materials: polycarbonate panels, steel, ornament lm.
adhaus – Bicycle Stationrt
heme o a bicycle station promises mobility and dynamism in contrast with a ixedon. Based on this concept, a slim structure was developed and placed on a wedge-d plot o land. The bicycle parking station is the irst o its kind oering this par-r application combination in eastern Germany. A total o 270 parking places andxes are located underneath its roo. The translucent açade o the building measur-pprox. 70 meters was made o highly- insulated 8-chamber polycarbonate sheets,lemented by oil ornaments in shades o gold and silver. In addition to its unctionicycle parking station, the building also unctions as an “illuminated shed” to secure
viously unused residual area.
i| Attractive açade o the new bicycle station
p| Building ront, illuminated at twilight
A N D P L A Y
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afostationErfurt 11GmbH
chtlich!
O S T E R W O L D & S C H M I D T – E X P ! A N D E R A R C H I T E K T E N R A D h A u S – B I C Y C L E S T A T I O N
i| Plan and section
f| Detail view, related ornaments at the açade
f| Inside the shelter, up to 270 bic
accomodated here
s| Bicycle station, with Erurt main
the background
A N D P L A Y
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P R O J E C T F A C T Sdíez+díez diseño
yclo Bicycle Stand
combines two essential eatures o street urniture – it has an appealing designs to its rounded orms and is robust thanks to its concrete construction. It is thusul street element, able to resist the elements and vandalism. A main goal o the de-
rs in developing the bicycle stand was to honor and support the cyclists, who maketies and towns more livable with the simple gesture o their daily pedaling. Withersions, on drums or broad locations, or reestanding designed especially or smalls, Cyclo covers all the needs that any municipality, private developer or private citi-an have when parking their bicycles.
Client: Paviments MATA. Completion: 2009. Production: serial production. Design: product line. Func
tions: bicycle stand. Main materials: concrete.
i| Cyclo in use
i| Schemes o dierent models
s| Cyclo in use
i| Detail view
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P R O J E C T F A C T Smmcité a.s. /
David Karásek,
Radek Hegmon
elo Bicycle Stand
esign consists o a curved sheet o steel with support legs and spaces or the bicyclebetween two orked gussets that are connected via a pipe at the highest point. Theure o the Velo bicycle stand is simple and sturdy. O course, t here is a wide range o ls available in various colors and shapes that not only accommodate dierent num- parked bicycles, but also allow its use on one or two sides. Velo is a bicycle stand
a modern look and a great degree o practicality.
Client: mmcité a.s., City o Belast. Completion: 2000. Production: serial production. Design: individual design. Functions: bicyle stand. Main materials: galvanized steel.
i| Side Elevation
i| Detail view
s| Plans
i| Velo model VL140
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B O U N D A R Y
E N S E M B L E
P L A N T S A N D W A T E R
G A R B A G E
L I G H T A N D S I G N
P A V E M E N T
P R O D U C T L I N E
S E A T I N G
S H E L T E R
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g| General view
ii| Geometric construction
i| Detail
E C T F A C T S
ss: Sintra, Portugal. Client: City o Sintra. Completion: 2001. Production: serial pro-on. Design: individual design. Functions: bollard. Main materials: cast iron.
i| Bollards
o| Singel bollard
s| Rendering
P R O J E C T F A C T S
Client: Tecnología & Diseño Cabanes. Completion: 2008. Production: serial prodDesign: individual design. Functions: bollard. Main materials: cast aluminum.
Pedro Silva Dias díez+díez diseño
larete Bollardra
ast iron bollard was commissioned by the City Council o Sintra, a World HeritageThe main idea o this project was to design an object without aces or edges. It has
ganic shape, some kind o bubble, which emerges rom the ground until it reaches itsunctional height. Its base plate ensures solid attachment to the pavement and giveslse impression that the object is standing on the ground, rather than buried in it.
Haiku BollardHaiku has been created to give some connotations o luency and naturalness torigid and monolithic element like the bollard, to acilitate its integration into puThe slight ascendant twisting o its triangular section creates a nice sensationment, similar to the one a light breeze would cause on a smoke column. Haiku isbe a piece that in its repetition becomes a kind o installation in the style o thby Christo and Jeanne-Claude.
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P R O J E C T F A C T S
d e signstudio regina
dahmen-ingenhovenAddress: Swarovskistraße, 6112 Wattens, Austria. Planning partner: Baubüro Swarovski, 4to1 Licht-design. Client: D. Swarovski & Co., Wattens. Completion: 2008. Production: single piece. Design: indi-vidual design. Functions: ence, urban curtain. Main materials: metal mesh, stainless steel.
eaven is a Place on Earthtens
antastic veil has just been completed or the Swarovski works in Wattens, Austri a. Itaces the entire premises so that the entire entrance area becomes a “landmark” and aesis o the arts. It not only veils, but also unctions as a gate. The semi-transparential does not disclose the Swarovski secret. Instead, it allows the onlooker to surmise
en the opposite side o the street is incorporated in the shape o a grove lined withlimes. This creates a luid transition to the public space. Veil, landscaping, illumi-
n and the design o the space merge to become a breathtaking backdrop. The veil iso corrosion- and weather-resistant stainless steel mesh.
i| View along the Swarovskistraße at night
o| Veil and enclosed area illuminated
p| Semi-transparent metal mesh
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D E S I G N S T U D I O R E G I N A D A H M E N - I N G E N H O V E N h E A V E N I S A P L A C E O N E A R T h
i| View upwards
f| Situation
p| Veil mounted to sinuous steel tube
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P R O J E C T F A C T STejo Remy & Rene Veen-
huizen
ence as Meetingpointdrecht
nly are the protrusions and recessions o the playground ence eye-catching, butalso allow or more interaction between those on either side o the ence, providing
nooks and play areas or children. Instead o the initial concept o adding nothingschoolyard, an existing element was used and converted. Part o the ence was
ormed into lounge- and sitting spots or the students in order to create meetings. A distortion o the existing rhythm creates these meeting places on both sides o nce. The work, which covers ive ence parts, replicates the measurements and colorexisting Heras ence.
Address: Willem de Zwijgerlaan 2, 3314 NX Dordrecht, The Netherlands. Client: Primary school “HetNoorderlicht”, Dordrecht. Completion: 2005. Production: single piece. Design: individual design. Func
tions: seating, boundary. Main materials: steel, powder-coating.
i| Seating platorm, in the ence
i| Seatings in use
s| Fence
i| Perspective
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P R O J E C T F A C T Smmcité a.s. /
David Karásek,
Radek Hegmon
ollard Elias
are rarely noticed, the silent guards in urban areas that control driveways and de-he borders o speciic areas. This is because they belong to the class o urban ur- that should not be too prominently seen. The bollard Elias, however, combines itsunction with a street illumination unction and its time to shine is during dusk.
tructured as a rectangular steel pipe equipped with regular slots. This is where thescent tubes are placed in the illuminated models o the series. Elias is a guard thatstly holds back during the day only to shine at night.
Client: mmcité a.s., City o Prague. Completion: 2009. Production: serial production. Design: individual design. Functions: bollard, lighting. Main materials: steel.
i| Detail view, bollard with city arms
i| Plans
s| Illuminated bollard
i| Illuminated bollard
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P R O J E C T F A C T SOKRA landschapsarchitecten
bv / Christ-Jan van Rooij, Hans
Oerlemans, Martin Knuijt, Wim
Voogt, Boudewijn Almekinders
P R O J E C T F A C T S
ompleincht
eart o the city o Utrecht is bui lt on top o a castellum. The potential o the Dompleinevitalize the signi icance o the origin o the city. The Ca stellum wall, at our metersground, acquires a reerence in the street and on the square. The dramatic potentialDomplein is intensiied with a clearly recognisable and mysterious dividing line.
marking is just as silent as the quiet archaeological witness underground. The line o s only interrupted at t he Castellum gates. Fragments o smoke come out o the guttermetal plates and reveal the presence o the ray o light. The line is even more visible
g rain or mist and ater darkness has set in.
Address: Domplein, 3512JE Utrecht, The Netherlands. Construction: Rots Maatwerk. Client: StichtingDomplein 2013. Completion: 2010. Production: single piece. Design: individual design. Functions: ogand light line. Main materials: corten steel, LED lighting.
i| Fog and light line in a museum
ii| Plan
i| Example machine producing og
s| Fog and light line in a street
i| Line in ront o the church
s| Marking by day
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P R O J E C T F A C T S
Siteworks-Studio /
Pete O’Shea
he Community Chalkboardrlottesville, VA
ple wall o black slate extends rom Charlottesville’s pedestrian mall toward a publicitheater while orming a series o spaces between the street and city hall. Winnerhomas Jeerson Center or Free Speech competition, the monument celebrates the
amendment with a public chalkboard: a place or uninhibited expression and dis-e. The wall is joined by a podium set in a gathering area below sculptures o theAmendment’s authors. Facing Thomas Jeerson’s home, Monticello, the monumentnizes history while challenging us to move orward as a nation.
Address: City Hall, Charlottesville, VA 22901 USA. Co-designer: Robert Winstead. Client: ThomasJeerson Center or the Protection o Free Expression. Completion: 2006. Production: single piece.Design: individual design. Functions: monument. Main materials: natural clet Buckingham blackslate, stainless steel, ber optic lighting.
i| General view
p| Children writing on the board
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S I T E W O R K S - S T U D I O
i| Engraved text
f| An artist’s drawing o Lady Liberty
f| Detail o chalk tray, with youn
s| Perspective sketch
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Ryo Yamada
atform Houseporo city
project, set up at a tram terminal, acts as a curtain to visually partition the terminaltwo areas, the sidewalk and the terminal as such. Anyone can reely access the rail-at the tram terminal, yet Platorm House visually helps people in saely getting intoailroad. It also serves as a sign to alert passengers they have arrived at the terminal.onspicuous-looking lattice design made o thin and long timbers sotly and naturally
tions the space without impeding the visibility o each area. The design is inspirede construction style o Japanese shrines in a method that allows people to subcon-sly have a sense o attachment to a nearby local shrine.
J E C T F A C T S
ess: Sapporo, Hokkaido, Japan. Planning partner: Sapporo City University Yamadaio. Client: Sapporo City. Completion: 2008. Production: single piece. Design: indi-al design. Functions: boards, signs, partition. Main materials: woods.
g| Platorm house, wooden side
ii| Perspective
i| Detail Lace GardenAmsterdam
The Lace Garden is the enclosed garden o an existing social housing block. It with a collection o white-lowering shrubs, perennials and bulbs that are intetween the existing and new trees. Along t hree o its edges the garden is deined bseparating it rom the surrounding private gardens. From the south, the garden visible through a standard metal wire mesh ence with a lacy twist. The ence by traditional lace expressed in modern orms.
Anouk Vogel landscape
architecture
P R O J E C T F A C T S
Address: Van Speijkstraat 67, 1057 GN Amsterdam, The Netherlands. Planning
Demakersvan. Client: Ymere. Completion: 2009. Production: serial production.individual design. Functions: ence. Main materials: coated metal wire mesh.
ii| Lace Fence, rom Demakersvan
i| Design sketch
o| Echinops sphaerocephalus
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Matthias Berthold, Andreas
Schön
P R O J E C T F A C T S
i| Design sketch
s| Wall with otoceramics
i| Way through the wall
Address: Railway station Allermöhe, Fleetplatz 1a, 21035 Hamburg, Germany. Client: KOKUS Kom-munikations- und Kunstverein Allermöhe e.V. Completion: 2007. Production: single piece. Design: individual design. Functions: wall, art work. Main materials: otoceramics.
ermöhe Wallmburg
project was launched to ix the destroyed wall, improve the quality o the building,ncrease the deterrent to a repetition o the applied violence. It was implemented withonal touch, emotions, creativity and in close contact to the local region. For this pur-the destroyed glass panes were replaced by individually designed ti les. The residentsasked in a competition to paint, draw, photograph to write entries on the topic o or who I love”. The entries were technically transerred onto tiles, giving every resi-he opportunity to easily participate in the project and contribute to the renovation.
i| Individual designed otoceramic
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Wind turbine
& Lighting
Reector
Battery & Power Generator
Sungi Kim & Hozin Song
ur Lights will lead the Way
co-riendly road lights or the countryside will run on wind-generated electricityed by the passing traic. As a car passes by, the strong gush o wind it creates pro-lectric turbines that power the highway illumination system and load batteries thatthe electricity or use in nights without wind. Wireless data link sensors turn on theng o the roadway 50 to 100 meters ahead o an oncoming automobile.
E C T F A C T S
letion: 2009. Production: serial production. Design: individual design. Functions: nation, bollard. Main materials: polycarbonate.
g| Bollards on the road
ii| Technical sketch
i| Detail
Gitta Gschwendtner
Animal WallCentury Whar
The environmental impact o Cardi Bay’s extensive development is an ongoinand various measures have been taken to mitigate this. The approach taken owork was to assist wildlie and encourage urther habitation. The new housinment o Century Whar will provide 1000 new apartments; and the ’Animal match this with about 1000 nest boxes or dierent bird and bat species, integthe wall. Through consultation with an ecologist, our dierent sized animal hodeveloped, which have been integrated in the custom-made Woodcrete claddivide an architecturally stunning and environmentally sensitive wall or Centur
P R O J E C T F A C T S
Address: Century Whar, Cardi Bay, United Kingdom. Architects for housing
ment: WYG. Client: WYG. Completion: 2009. Production: single piece. Design: idesign. Functions: nest boxes or birds and bats. Main materials: woodcrete.
ii| Close up
o| Overview
i| Front view
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Adrien Rovero with
Christophe Ponceau
P R O J E C T F A C T S
i| Net, detail
s| View through the net
ii| Pont Bessiers
i| Elevation
Address: Pont Bessières, 1003 Lausanne, Switzerland. Client: Lausanne Jardins 2009. Completion:
2009. Production: single piece. Design: individual design. Functions: ence. Main materials: stainlesssteel.
reen Trapsanne
Trap was implemented or the Lausanne Jardins estival by Christophe Ponceaudrien Rovero. It is a giant net suspended under the Pont Bessières. Throughout theal, people could see the center o the net growing and going through all the cables.Trap is a dierent way o thinking o the green wall: not planted but growing ac-
ng to the given condition like spiders building their nets in line with their speciicons.
i| Pont Bessièrs, with the Green Trap
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B O U N D A R Y
E N S E M B L E
P L A N T S A N D W A T E R
G A R B A G E
L I G H T A N D S I G N
P A V E M E N T
P R O D U C T L I N E
S E A T I N G
S H E L T E R
B I K E A N D P L A Y
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P R O J E C T F A C T S
Studio WeaveClient: London Architecture Biennale ‘06, City o London. Completion: 2006. Production: single pieceDesign: individual design. Functions: seating, exhibition space. Main materials: laminated veneerlumber.
40 Boomerangs
oomerangs is a project made up o modular Boomerang elements which may bebled in various permutations. It is able to create site-speciic, luid, playul ormsa simple element that is easy to assemble and reassemble. The irst home o theerangs was a helical timber structure, inhabited by children’s clay sculptures, which
ped the Peace ountain at the center o West Smithield during the London Architec-Biennale 2006. The second homes o the Boomerangs were as play-urniture in the
London and in the playgrounds o each o the three local schools that took partworkshops. Instead o creating one large body, the Boomerangs were used here in
er units.
i| Boomerangs in West Smithield
p| Bird’s-eye view
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S T U D I O W E A V E 1 4 0 B O O M E R A N g S
i| Plans or the use as benches
f| Seating urniture, during the London
Architecture Biennale
f| Modular arrangement o the B
angs resulting in diverse orms
s| Seating urniture, during the Lo
Architecture Biennale
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P R O J E C T F A C T SKOSMOS / Ott Kadarik,
Villem Tomiste, Mihkel Tüür
enter squarevere
estone circles divide the area o the square into dierent sections. A large lanternng over each section provides illumination. The squares vary in size and morphol-
A large concave rock-circle unctions as a ountain, while a circle in the center o thee unctions as a mounded playing area or children. The rest o the square is coveredcubical stones o dierent tones constituting a gray and black lively zigzag pattern.ne side the square is adjoined by a long halyard marking the position o a perspectiveng building with preerably a public unction. It serves as a recreational space ass the main venue or parades and other large-scale events.
Address: Rakvere central square, 44306 Rakvere, Estonia. Client: City o Rakvere. Completion: 2004.Production: single piece. Design: individual design. Functions: seating, illumination, pavement, play-ing, ountain. Main materials: basalt, granite, cobblestone.
i| Lanterns
i| Plan
s| Cobblestone circles, dividing the square
into dierent spaces
i| Seatings
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P R O J E C T F A C T SBjarne Aasen
Landskapsarkitekt MNLA
elga Eng Square,niversity of Oslo
entral part o the library complex at Blindern campus orms one large plan, romh the buildings shoot up. The area orms a terrace rom the north to the south. The
brary square and the Helga Eng Square are connected to the terrace at the southern the University Square. The external spaces at Blindern are grandiose and uniormms o both orm and material. This is relected and emphasized in the design o thepacious squares with gathering spaces, seating areas and bicycle parking. Granitethe old complex was reused as pavers on paths and squares around the new library.
Address: Blindernveien, 0316 Oslo, Norway. Planning partner: Erik Ruud, Peter Aasen. Client: Stats-bygg. Completion: 2000. Production: single piece. Design: individual design. Functions: seating, illu-mination, bicycle stand, sign, ountain. Main materials: granite, wood.
i| View o the campus duri ng winter,
richly illuminated
i| Site plan
s| Bicycle stands
i| Sinuous bench, made o natural stone and
wood
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P R O J E C T F A C T SAtelier Boris Podrecca
rossmayer Parkt
alace o the Roman emperor Diocletian is one o the most amous model examplesadaptation and transormation o a historical structure by subsequent user genera-The palace was turned into a city district and its rooms into homes. In the 19th cen-
a city park was created along the northern wall, which increasingly deteriorated andccupied by ringe groups. The redesign o the park with green islands that rameeserved trees includes extensive new urnishings with various street urniture ele-
s. Furniture such as stone benches and improved and newly designed elements suchntains and light poles additionally enhance the setting.
Address: 21 000 Split, Croatia. Client: City o Split. Completion: 2002. Production: single piece.Design: individual design. Functions: ountain, seating, lighting. Main materials: Dalmatian stone,metal.
i| Fountain
o| Waterall
p| Detail
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A T E L I E R B O R I S P O D R E C C A S T R O S S M A Y E R P A R K
i| Benches
f| Seating area
f| Site plan
s| Park view
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P R O J E C T F A C T S
Sasaki AssociatesAddress: National Harbor, MD 20745, USA. Client: The Peterson Companies. Completion: 2008.Production: single piece. Design: individual design. Functions: seating, plant tub, sign, ountain. Main
materials: granite, aluminum, Teak wood, glass, stainless steel.
ational Harboronal Harbor
nal Harbor is a mixed-use community on the Potomac River near Washington, DC.edestrian spine, Grand Avenue, is inspired by Barcelona’s amed Las Ramblas andcases ountains, public art, vendor kiosks and retail storeronts. The Sasaki designednding system is unique, drawing rom the context o the site. Colors relect thenal pride imbued in the site. Details make abstract reerence to nautical themes, inng with the waterront location. National Harbor’s graphic identity is a combinationtoric typography paired with a contemporary boat icon which gives this new desti-n a sense o belonging to its surroundings.
i| Integrated seatwall
p| Granite ountain and urnishings
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S A S A K I A S S O C I A T E S N A T I O N A L h A R B O R
i| Plaza Plan or National Harbor
f| Streetscape elements emphasize linear
plaza
p| Benches at Harbor overlook
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P R O J E C T F A C T S
ASPECT Studios
(Melbourne Office)Address: Elwood Foreshore, Elwood, VIC 3184, Australia. Planning partner: Martin Butcher LightingDesign. Client: City o Port Phillip. Completion: 2009. Production: single piece. Design: individualdesign. Functions: seating, illumination. Main materials: in-situ concrete, stainless steel.
enches at Elwood Foreshoreood, VIC
lwood Foreshore is the ocus o the beach activity in the Elwood area. The benchesa dual purpose o delineating the oreshore space rom the car park entry and sharedxit. This b order reinterprets the historical blue stone walls that have deined the ver-
ar o the suburban interace with Port Phillip Bay or more than 100 years. Illumina- the oreshore space was a primary concern and was incorporated into the benches,cted by a stainless steel screen. The construction method or the benches was devel-in cooperation with the contractor to incorporate the steel structure as shapes that
de ixing locations or lighting and steel panels to minimize wastage o materials.
i| Bird’s-eye view
o| Benches, serving as seating urniture and
delineation
p| Benches, dierent perspective
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f| Situation plan
s| Benches, illuminated at night
p| Night view
A S P E C T S T U D I O S ( M E L B O U R N E O F F I C E ) B E N C h E S A T E L w O O D F O R E S h O R EM B L E
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OKRA landschapsarchitecten
bv / Christ-Jan van Rooij, Hans
Oerlemans, Martin Knuijt, Wim
Voogt, Boudewijn Almekinders
ty Centerphen
ld Hanseatic city o Zutphen has a beautiul medieval cit y center with narrow streets,s and beautiully shaped squares. Today, the city-center is increasingly turning intoractive, lively place, and accordingly there is a growing need or high quality space.
e the design o public realm reinterprets the history o the ancient hanseatic city,sed urniture has a contemporary design. The small seating elements, which are justt or short breaks, are the monuments o the uture. When empty, they capture thein the dark streets. The choice o indirect lighting gives a airytale-like eect andeven diusion o the light in the street.
E C T F A C T S
ss: Gemeente Zutphen, 7201 DN Zutphen, The Netherlands. Client: City o Zut-Completion: 2005. Production: serial production. Design: product line. Functions: g, illumination, pavement. Main materials: stainless steel, red brick and bluestone.
g| Ziezo, a special developed seat
ii| Illumination
i| Street, detail
Arriola & Fiol arquitectes /
Andreu Arriola, Carmen Fiol
Gran Vía de LlevantBarcelona
This urban urniture is part o a set o multiple seating or table series that caor everything rom sitting down to doing homework, putting down backpackping bags. At the same time, they reer to the dimension o ancestral nature, thossils and shells. Due to their shape, dimensions and materials, these elemenare used to urnish squares like outdoor rooms, eature themes rom the animmineral reerences, and lying objects.
P R O J E C T F A C T S
Address: Gran Vía Corts Catalanes, 08020 Barcelona, Spain. Client: GeneralitaCatalunya, Ajuntament de Barcelona. Completion: 2007. Production: serial prodDesign: product line. Functions: seating, illumination, shelters, ountain, garbadrinking ountain, acustic screens. Main materials: wood, cast stone, anodizedstainless steel, brick.
ii| Fountain Gran Via
oo| Bird’s-eye view Boomerang, urban ossils
i| Boomerang, urban ossils
o
| Details| Detail, Extasi
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E C T F A C T S
ss: Rådhuset, Kirkestræde 11, 7500 Holstebro, Denmark. Planning partner: SchulLandskabsarkitekter, Light- and Theatre Consultant Åsa Frankenberg. Client:
ebro city council. Completion: 2006. Production: single piece. Design: product line.ons: seating. Main materials: concrete, wood.
P R O J E C T F A C T S
Address: Parc Central de Nou Barris, 08042 Barcelona, Spain. Client: Pro Nou BS.A. Completion: 2007. Production: serial production. Design: product line. Fun
seating, illumination, shelters, garbage can, drinking ountain. Main materials
precast concrete, anodized aluminium, stainless steel, brick, tiles.
OKRA landschapsarchitecten
bv / Christ-Jan van Rooij, Hans
Oerlemans, Martin Knuijt, Wim
Voogt, Boudewijn Almekinders
oraa streamstebro
he municipality o Holstebro, the construction o a new cultural center served asspiration to give a new impulse to the structure o its public spaces. By being trans-
ed into an outdoor stage, the public spaces around the cultural buildings, like cinemaance theatre, provide the city with a new élan. The attractive public space acts as ast or urther development.
g| Seatings, next to a ountain
ii| Outdoor stage
i| Bench
Central Park of Nou BarrisBarcelona
Palms and turning orks were placed as abstract shapes playing with light, sound. They are graphic signs placed in high topographical distant points to actthrough the wide open spaces. Used as protection shelters and called ‘peinetas,’ become the symbol o Nou Barris. The Magic Flute series o urban urniture is inthe characters rom Mozart´s opera.
ii| Chair “G“
oo| Lampagena, Magic Flute series
i| Magic Flute series
o
| Lamp Trivoli
Arriola & Fiol arquitectes /
Andreu Arriola, Carmen Fiol
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Marinaprojekt d.o.o. /
Nikola Basic
P R O J E C T F A C T SAddress: Obala Petra Krešimira IV, 23210 Zadar, Croatia. Sound sea organ: Ivan Sta mac. Client: Cityo Zadar. Completion: 2008. Production: single piece. Design: individual design. Functions: urbaninstallations, production o electric energy. Main materials: stone, glass, photovoltaic cells.
ea Organ andreeting to the Sunar
rgan and Greeting to the sun are parts o a comprehensive project o reshaping theontory o the Zadar region. Sea organ is designed in the orm o stairs, inducinge to stop and come down to the sea. The stone staircase is divided into seven sec-containing polyurethane tubes o dierent diameters underneath in which the airhed and accelerated by the waves. Finally the air produces sounds, which come outgh mystic apertures. Greeting to the sun is a circular glazed surace o 22 meters di-r which, by means o built-in photovoltaic cells, changes solar energy into lighting
acle and turns the sound o the Sea organ into light sensations.
i| Sea organ
o| Circular glazed surace, Greeting to the
sun
p| Greeting to the sun
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S E A O R g A N A N D g R E E T I N g T O T h E S u NM A R I N A P R O J E C T D . O . O .
i| Greeting to the sun
f| Sea organ and Greeting to the sun
f| Sea organ
s| Sketch
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P R O J E C T F A C T S
Rios Clementi Hale Studios /
Julie Smith-Clementi,
Mark Rios, Frank Clementi,
Bob Hale
Address: 227 N. Brand Boulevard, Glendale, CA 91203, USA. Client: City o Glendale. Completion:
2004. Production: single piece. Design: product line. Functions: seating, illumination, chess tables,low platorm stage. Main materials: trex (a recycled plastic and wood lumber product), canvas, con-crete.
hess Parkndale
ansorm this rectangular space – once an unused pathway – into a chess park, theners researched the game’s history and based the design on its playing rituals, strate-nd lore. Five playul light towers made rom recycled plastic-and-wood lumber ared with white synthetic canvas ormed in the shape o an abstracted chess piece. Theects reinterpreted the shapes to represent the evolution o the ancient igurines,
ng inspiration in Isamu Noguchi’s amous lamps and the abstract sculptures o Con-n Brancusi. The light towers emit a warm glow and are strategically placed aroundark, inspiring creativity and intellectual challenge.
i| Chess tables
p| 16 regulation-sized chess boards, sitting
among the light towers
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R I O S C L E M E N T I H A L E S T U D I O S C h E S S P A R K
i| South elevation
f| King Tower’s throne to welcome storytell-
ing perormances
f| Lighting is integrated into the tow
structures
s| Site plan
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P R O J E C T F A C T SRios Clementi Hale Studios /
Julie Smith-Clementi,
Mark Rios, Frank Clementi,
Bob Hale
uincy Courtcago
y Court, a remnant o an old downtown street, was transormed into an engaging,g-like sculptural gathering place. The new plaza eatures seven tree-like canopy ele-s made o steel and three tones o translucent acrylic panels that are lit rom abovedark. The “trees” are rooted by sandblasted concrete in an abstracted lea pattern.granite benches and pavers join existing seating and hardscape materials; while aite urniture language is introduced using concrete benches and translucent resinglowing with inner lighti ng. Four large leaves are situated on the ground, seeminglyred on the pavement, the “result” o a strong gust well known to the Windy City.
i| Concrete benches and glowing resin
tables
p| Steel bases with vibrant green translucent
panels
Address: Federal Plaza, Chicago, IL 60610, USA. Client: General Services Administration (GSA). Completion: 2009. Production: single piece. Design: product line. Functions: seating, illumination,tables, sculptural orms. Main materials: steel, translucent acrylic panels, white granite.
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i| Integrated lighting illuminates a canopy o
leaves at night
f| Fallen lea orms bringing an additional
graphic element to cement pavers
f| A playully placed lea that the
City” has blown rom the branches abov
s| Court plan
R I O S C L E M E N T I H A L E S T U D I O S Q u I N C Y C O u R TM B L E
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LODEWIJK BALJON
landscape architects
P R O J E C T F A C T S
i| Water eature
s| Tree grid
ii| Plan
i| Seating varieties
Address: Stationsplein, 7311 Apeldoorn, The Netherlands. Client: City o Apeldoorn, HeijmansVastgoed, BAM Vastgoed. Completion: 2008. Production: single piece. Design: individual design.Functions: water eature, skate pool, tree grid. Main materials: granite.
ation squareldoorn
and-colored paving and the pine trees in this shell-shaped space directly reer to thecape o the region. The elegant surace radiates quietness and exclusive simplicity.aving o yellow Portuguese granite runs up unto the tree trunks. Line drains, treeand lighting poles are integrated in a craquelure-like pattern. A series o elements
er enlivens the space. A young crowd is attracted by a dry pool or skaters. Anothertive object is a water table made o blue-gray granite. A red steel provision or thedeines an oversized tree grid and a number o robust seating elements are placedrystals in the polygon cracks.
i| Water eature
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Biuro Projektów Lewicki
Łk / P Lk,Kzmz Łk
P R O J E C T F A C T SAddress: pl. Bohaterów Getta, 30-547 Krakow, Poland. Client: City o Krakow. Completion: 2005. Pro-
duction: single piece. Design: individual design. Functions: seatings, illumination, shelters, plant tubsbicycle stands, garbage cans, signs, pavement, memory hall, shops. Main materials: syenite, basalt,porphyre and granite cobblestones, bronze, galvanized steel, concrete.
ohaterów Getta Squaregody Square)kow
43, ater the Nazis had liquidated the ghetto area, Zgody Square was ull o use-hings – a meaningul trace o the absence o their owners. Innumerable wardrobes,, sideboards and other urniture items had been abandoned there, which had beend rom one place to another no one knows how many times. By using the whole areasquare, the story o this place is now told. The remembrance o those who are no
r with us is expressed by an accumulation o ordinary objects. Chairs, a well with a, rubbish bins, tram stop shelters, bicycle stands and even traic signs, stripped o everyday practical unctions, have acquired a symbolical aspect.
i| Night view
o| Foggy athmosphere
p| Tram stop shelters with chairs
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B i u r o P r o j e K t ó w L e w i c K i Ł a t a K B O h A T E R ó w g E T T A S Q u A R E ( Z g O D Y S Q u A R E )
i| In the wintertime
f| Tree tub
f| During the Jewish Culture Fe
d| A monument, a sculpture, a p
urban urniture
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Biuro Projektów Lewicki
Łk / P Lk,Kzmz Łk
P R O J E C T F A C T S
i| Pavement, old porphyre cobblestones and the
new granite onesi| Plan, section, axonometric view
s| Bench with a garbage can
i| Benches, with litter baskets
˛siazat Czartoryskich Squarekow
ew square was completely created rom stone. The dierentiation o the loor levelsates various unctional areas. The introduced stairs prevent cars rom blocking thein ront o the museum buildings. Stone urban urniture like benches with litter
ts, were created. The material o the relie is a porphyry road cube originating romnia near Krakow. The deposit was used up long ago. An appropriately chosen gran-d delicate graining was used as an addition to the porphyry surace. The richness o s provided by a single material and the possibilities o its dressing were used – romk, via a cut, to lamed, bush hammered and polished suraces.
´
Address: pl. Ksiazat Czartoryskich, 31-015 Krakow, Poland. Client: City o Krakow. Completion: 2006.Production: single piece. Design: individual design. Functions: seatings, illumination, garbage cans,pavement. Main materials: bohus granite, strzegom granite, old porphyre cobblestones, bronze.
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P R O J E C T F A C T SAddress: Ljubno ob Savinji 3333, Slovenia. Sculptures: Primož Pugelj. Client: General Maister society.Completion: 2007. Production: single piece. Design: individual design. Functions: seating. Main materi
als: stone, concrete, metal.
eneral Maister Memorial Parkbno ob Savinji
memorial park is designed as an abstract three-dimensional spatial illustration o orthern border mountain ridges, which Maister’s soldiers ought or in 1918. Thespace-deining elements are reinorced concrete preabricates. They separate singleular areas, raming the terrain as retaining walls. The whole embankment is se-against inundation with solid stone blocks, protecting the park like a stone shield.
ted parts o walls are transormed into benches, incorporating litter bins and lights.out o welded metal rods, the sculpture represents a stylized image o General Mais-lowed by his horse and soldiers.
i| Bench, at water access
p| Park on the riverbank
BRUTO d.o.o. / Matej KucinaˇM B L E
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B R U T O D . O . O . g E N E R A L M A I S T E R M E M O R I A L P A R K
i| Sculpture, with ront wall
f| Illuminated sculpture
f| Night view, rom the bank
s| Cross section
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P R O J E C T F A C T S
i| Fence
s| Bollards, benches and ence on the
promenade
i| Illumi nation bollards
BRUTO d.o.o. / Matej KucinaˇAddress: Zdraviliška cesta 24, 3254 Podcetrtek, Slovenija. Planning partner: ENOTA architecture. Cli-
ent: Terme Olimia d.d. Completion: 2009. Production: single piece. Design: individual design.Functions: seating, illumination, protecting ence. Main materials: wood (bench), steel poles (ence).
ˇ
i| Roo promenade
ellness Orhideliacetrtek
ew wellness center is situated in the densely built-up area o the health resort andcomplex Olimia. The colossal acility is entirely built below ground; thereore the area o the new complex is designed as an urban park. The luxuriant acility ei-y deines the space, which is lin ked to the surrounding area o other hotels and bathsgh slopes, stairs and terraces. The main elements are the paved entrance squares,sh pathway that leads across the roo o the underground building, the wooden ter-that sweep gently to the open-air pools, and the green areas o the roo complex.
ˇ
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3GATTI P R O J E C T F A C T S
i| Site plan
s| Bird’s-eye view
i| Benches, water bassins and plant tubs
creating horizontally aspects
Address: 1147 Kangding Rd, 200042 Shanghai, China. Client: Shanghai Shang ‘an Development andAdministration Ltd. Completion: 2006. Production: single piece. Design: individual design. Functions
seating, lightning. Main materials: corten coated with epoxy.
Factorynghai
ctory is a redevelopment project or an abandoned industrial area in the center o ase megalopolis. The suraces lie vertically and horizontally; they are opaque, trans-t (the eect o the “walls” created by a succession o metal rods), changeable (theican vine varies its aspect every season), but above all they relect the light (likeeated steel o the benches and the horizontal suraces o the “ceiling”). The resultpace which interacts with the density o the environment, particularly in the mainyard, where a touch o the rods can generate a vibrating sound, and where the la mps,ng at dierent levels, swing with the wind.
i| Mirror stainless steel benches
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3GATTI P R O J E C T F A C T S
ii| North elevation
i| Master plan
i| Wooden deck
s| Bird’s-eye view
Address: Block 8-2, Zhengmin Road, Yangpu District, 200433 Shanghai, China. Client: Shui On De-velopment Limited. Completion: 2009. Production: single piece. Design: individual design. Functions: seating, illumination, shelters, plant tub, boards, signs, hazards and traps. Main materials: woodendeck, acrylic board, steel structure.
c Villagenghai
bjective o this project was to redesign an angle o urban landscape in Shanghai.ces and solids are itted together. The suraces consist o olded slips o paper whichmaterialize into wooden ootboards, and the solids are advertising light boxes. These
create the spatial and unctional wealth o the project, as they could orm ramps,es, lounging chairs, traps, lower vases, rooing, luminous totems and even hazardsaps. The objective was to provide a certain danger element or the users o the area
k them awake rom the usual urban monotony and to stimulate them mentally andcally by making them interact consciously with their surroundings.
i| Mansard wooden urniture
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P R O J E C T F A C T S
i| Entering the plaza
s| Bird’s-eye view
i| Perspective view, Lazona Kawasaki Plaza
Address: 72-1 Horikawa-cho Saiwai-ku Kawasaki city Kanagawa, Japan 212-0013. Architect: RicardoBoill Leví and Yamashita Sekkei Inc. Client: Toshiba / Mitsui Fudosan Group Ltd. Completion: 2006.Production: single piece. Design: individual design. Functions: seating. Main materials: concrete.
azona Kawasaki Plazawasaki
hopping mall, which celebrated its opening in September 2006, is located next tontral station and constitutes the center o the business district o the city o Kawa-
Alternating pavement patterns are used to create a vivid and colorul setting, under-by artistic ittings placed at several locations. Among the most remarkable eaturessetting and constituting a kind o signature o the designer are the white concretecutting through the dierent layers o pavement. This way, the concrete pathways
nate the structure o the area and establish its optical ocus.
Earthscape
i| Streets on the plaza, fanked by white seats
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P R O J E C T F A C T S
CCM Architects, Ralph Johns
& John Powell Landscape
Architects / Guy Cleverley,
Ralph Johns
Address: Palmerston North, 4410 New Zealand. Client: Palmerston North City Council. Completion:
2007. Production: single piece. Design: individual design. Functions: seating, illumination, ountain,tree guards. Main materials: hardwood timber, stainless steel, granite, concrete.
ty Heartmerston North
master plan or the regeneration o the city’s central park was implemented in stag-palette o seating, lighting and structural urniture elements celebrates the uniqueical, spatial and experiential characteristics o each section. The main pedestrianughare eatures contemporary lighting that reerences the line o the railway thatto run through the city. At the core o the area the clock tower was ully restored,ased in height and creatively illuminated to reinorce its role as an urban monument.ng was integrated into the seating elements, tree guards and the ground plane as
as customized vertical elements to support a high level o amenity and ater darkhe Coronation Garden provides generous seating, with the geometry ocused on theted and restored stone ountain.
i| Bird’s-eye view
p| Combination o seating elements and
lighting
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C C M A R C H I T E C T S , R A L P H J O H N S & J O H N P O W E L L L A N D S C A P E A R C H I T E C T S C I T Y h E A R T
i| Group o public seats
f| Coronation Garden
f| Feature lights
s| Row o benches, at the edge o E
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P R O J E C T F A C T S
Isthmus / David Irwin,
Tim Fitzpatrick, Grant
Bailey, Yoko Tanaka
P R O J E C T F A C T S
ylvia Parkkland
main design elements are simple vertical steel poles, painted with vibrant colors thate and excitement to the space. These poles are populated randomly (like trees inst) with dierent heights and colors. Inormal gathering spaces are interspersed
n the poles to provide opportunities or weekend markets, arts, perormance andct displays. Organically shaped seats are also provided to urther contrast with the
bridge structure. The seating is hollow and made rom iberglass and using a two-mould. The Isthmus concept was designed and manuactured by Valentin Design.
Address: 286 MT Wellington Highway, MT Wellington, Auckland, New Zealand. Manufacturers: CSPPaciic, Valentin Design. Client: Kiwi Income Property Trust (KIPT). Completion: 2008. Production: single piece. Design: individual design. Functions: seating, ilumination, vertical steel poles. Main ma-
terials: berglass, steel.
i| Seats and colored poles
o| Pathway to the shopping center
p| Below the south-eastern arterial road
overpass
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I S T H M U S S Y L V I A P A R K
i| Vertical steel poles
f| Seat and colored poles
f| Lighting incorporated in selected
s| Concept model
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P R O J E C T F A C T S
ishms & Sd Pf ah-tecture / D. Irwin, S. McDou-
gall, E. Williams, G. Marriage,
D. Males, P. Mitchell
umutotolington
utoto reconnects Wellington with its harbor, extending the cities urban grid to meetater. Traces o the past are preserved through robust urniture and a landscape
etic that echoes the maritime nature o Wellingtons waterront. At the Kumutotom mouth new pedestrian bridge strengthens the connection between the orgottencourse and the harbor and acts as an anchor point along the waterront promenade.uence o seating terraces spills down to the water’s edge allowing people to interactly with the water or seek shelter rom the wind. In the more sheltered urban spaces
cession o lighting towers overlook large loating timber and concrete rat seats de-d to accommodate multiple groups and uses.
Address: Kumutoto, Wellington Waterront, Wellington, New Zealand. Client: Wellington WaterrontLtd. Completion: 2008. Production: single piece. Design: individual design. Functions: seating, illumi-nation, shelters, bridge. Main materials: timber, concrete, steel.
i| Lighting and rat seats, Whar Plaza
p| Laneway lighting cubes
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I S T H M U S & S T U D I O P A C I F I C A R C H I T E C T U R E K u M u T O T O
i| Kumutoto bridge and terraces
f| Kumutoto Stream mouth
f| Kumutoto Plaza pallet seats
s| Kumutoto Bridge, seats and balu
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Machado and Silvetti
Associates
P R O J E C T F A C T S
i| Pergola and caé
s| Elevation, caé with pergolai| Caé detail
Address: “D” Street and Northern Avenue, Boston, MA 02210, USA. Landscape architect: The Halvorson
Design Partnership. Interpretive graphics: Flanders + Associates. Artists: Ellen Driscoll in collaboration
with Make Architectural Metalworking (“Aqueous Humor”), Carlos Dorrien (“The Waves” and “Passage
rom the sea”). Client: Massachusetts Port Authority. Completion: 2004. Production: single piece. Design:
individual design. Functions: seating, pergola, caé. Main materials: granite, teak, ipe wood, copper.
outh Boston Maritime Parkon
ting rom collaboration with a local landscape architecture irm, the landscape andectural elements create a seamless and ully integrated overall design. The park isived as a single design with three distinct zones uniied through a consistent ma-palette and design methodology. The largest zone at the northern end o the park
des a raised lawn panel with a continuous staircase lining Northern Avenue. Twopergolas mark the transition to t he central zone. The middle zone contains a low caéure and outdoor seating areas, while the southern end o the park is conceived as aintimate area o benches and densely planted shade trees.
i| Seating area with artwork
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SQLA inc. LA / Samuel Kim P R O J E C T F A C T S
ii| Arts/Tech Patio, table, chair and umbrella
i| Benches, at inside parameterii| Sculpture Lawn
i| Arts Walk, rom south
Address: 10100 Jeerson Boulevard, Culver City, CA 90230, USA. Architect: ACSA inc. Client: WestLos Angeles City College. Completion: 2010. Production: serial production. Design: product line.Functions: seating, illumination, garbage can, patio tables, umbrellas. Main materials: metal.
i| Sketch north view, across Arts Walk to
Arts/Tech Patio
p| Sketch areial view o Arts Walk, Sculpture
Lawn to Arts/Tech Patio
est Los Angeles City College,edestrian Promenadever City, CA
roject represents the irst phas e o a 300 meter-long pedestrian promenade designednjunction with the new Science and Math buildings in the college. Most o the phaseortion consists o one portion o the promenade traverses in ront o the Fine Artslex Buildings, thus the names “Arts Walk”, “Sculpture Lawn”, and “Arts/Tech Patio”.oardwalk concrete paving pattern is bordered by concrete banding along the build-çades and provides modulation or the spacing o trees, pole lights, bollard lightsenches. The sunken “Arts/Tech Patio” paved in decomposed granite will acilitateaé Bar, planned or second phase. The site urnishings include benches, litter recep-, as well as patio tables with carousel seats and umbrellas.
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Janet Rosenberg & Associates,
Claude Cormier architectes
paysagistes inc. / Janet
Rosenberg, Claude Cormier
P R O J E C T F A C T S
i| View to lake
s| HtO Plan
i| Promenade
Address: Queens Quay blvd, Toronto M5J2G8, Canada. Collaborator: Hariri Pontarini Architects. Cli-
ent: City o Toronto. Completion: 2007. Production: single piece. Design: individual design. Functions
seating, sun shades. Main materials: wood, perorated steel and stainless steel pole, concrete.
i| Adirondak chair
tO – Urban Beachonto
ucceeds in bringing people to the water’s edge while providing a space or dierento activities. It quickly became Toronto’s icon, giving an identity to Toronto rom
ater’s edge with its multiple yellow umbrellas. The name is a play on the ormula or, H20, as it brings water and the city together, eliminating any barriers between Lakeio and the downtown area. As visitors enter HtO, they walk uphill through greenplanted with willow trees and silver maples, then they descend down towards an
se o sand peppered with tall yellow umbrellas, and a wooden boardwalk literally atater’s edge to experience the connection to the water.
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P R O J E C T F A C T S
Sitetectonix Private LimitedAddress: 1 Harbour Front Walk, Singapore, Republic o Singapore. Architects: Toyo Ito Architects.Client: Mapletree Investments Pte Ltd. Completion: 2006. Production: single piece. Design: productline. Functions: seating, plant tub, paving. Main materials: natural stones, granites, pebbles, timber,stainless steel.
voCitygapore
VivoCity development consists o an integrated mega-mall. The landscape conceptated site urniture like seating into the hardscape and sotscape design. Along theront, the North Plaza was conceptualized as a series o ground “waves” o earth-d lawn mounds that recall the sea by rhythmic ups and downs. The stone walls
me inormal seating while the lawn itsel constitutes a welcoming surace or relax-At the waterront promenade a series o amoebas ramble along the timber decking,
ding planting and seating opportunities. The amoeba-shaped planters contain earthds to separate the busy stone through-are on the promenade rom the tranquil at-here on the timber decking.
i| Wave pattern promenade, planting and
integrated seating
p| Seating planters, planted with Dalbergia
trees
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S I T E T E C T O N I X P R I V A T E L I M I T E D V I V O C I T Y
i| Section and elevation, showing integration
o planting, planters and seating along promenade
f| Aerial o North Plaza, with earth-orm
lawn mounds
f| Amoeba-shaped planters, alon
enade timber decking
s| Lawn mounds, used as casual sea
lounging
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Grupo de Diseño Urbano /
Mario Schjetnan
P R O J E C T F A C T S
i| Plan and section o ountain promenade
s| Fountain promenade
i| Furniture, cascade detail
Address: Av. Reorma, Chapultepec Park, C.P. 11560 Mexico City, Mexico. Planning partner: MarcoArturo González. Client: Mexico City Government, Citizen’s Regent Group and Revive ChapultepecBoard o Donors. Completion: 2007. Production: single piece. Design: individual design. Functions: seating. Main materials: painted steel.
ountain Promenade athapultepec Park
ico City
rt o a second phase o its restoration, an enti rely new element has been added to theultepec Park at Mexico City. A ountain promenade orms a line rom the Museumthropology to the Tamayo Museum. Formerly, there had been no link between thesemportant institutions. Grupo de Diseño Urbano created a striking visual and pedes-connection with a 250 meter grade change and basins that loat independently to
mize earthquake damage. Between the basins are beds o blue agapanthus and blueplanted among preexisting junipers, Aleppo pines, eucalyptus, and casuarinas. The
ct eatures black concrete and basalt pavers; cobblestones are placed around trees tot iniltration.
i| Furniture detail and ountain, next to
Tamayo Contemporary Art Museum Plaza
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Vulcanica Architettura /
Eduardo Borrelli, Aldo di
Chio, Marina Borrelli
Under RoadNaples
Under Road is a project to complement the existing bridge that was interruptesquare in Capodichino-Naples. It is designed like a singular powerul piece o stture matching the existing hi storical square at its eet. Today, the lie o the squarchaotic: too much traic, parking everywhere, a bus terminal and subway undertion. While any new urban urnitu re project is useless at this location, the bridgitsel can be the shaping element o the urban context. The dynamism o the siteied by the design o the new bridge piers li ke modern obelisks bent by the speedboidal monoliths with a strong inclination enhancing the view o the historical s
P R O J E C T F A C T S
Address: Piazza Di Vittorio, Naples, Italy. Client: City o Naples. Completion: onProduction: single piece. Design: individual design. Functions: shelter, illuminaMain materials: concrete, steel.
ii| Model
i| Pier under construction
o| Rendering, view rom the square
s
| Elevations
orizonston
project creates a gateway to a university campus on the pedestrian walkway rom theparking lot to the center o the ca mpus. Located in Dayton, Ohio, t he home o Orville
Wilbur Wright, the university is also the site o the Wright archives. In addition, theround Dayton was an important center o Native American culture. The project hasubjects: irst the imagination o the Wright brothers who aspired to look over theon, and second, the history o Native Americans in the lower Miami River Valley.
E C T F A C T S
ss: Wright State University, Dayton, OH, 45435, USA. Client: Ohio Arts CouncilWright State University. Completion: 2002. Production: single piece. Design: indi-
l design. Functions: pavement, gateway and connects to the campus. Main materi-
rick, concrete, glass block, glazed concrete block.
Will Nettleship
gg| Cloud gate, detail
ii| Pavement, detail
g| Cloud gate
i
| Detail
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3LHD architects with Irena
Mazer / Tanja Grozdanic,
Silvije Novak, Marko Dab-
rovic, Sasa Begovic
Address: Obala Hrvatskog Narodnog Preporoda, 21000, Split, Croatia. Urban elements: Numen / ForUse. Light design: Novalux. Client: City o Split. Completion: 2007. Production: individual design. De-
sign: product line. Functions: seating, illumination, garbage can, drinking ountain, sunshades. Main
materials: concrete, wood, steel.
va Split Waterfrontt
ty o Split and its Riva waterront promenade, the paradigm o its history and char-are among the most interesting and most unique sites in the Mediterranean – anized, public, open space, 1700 years old, situated in ront o Diocletian’s Palace. Thelar Roman orm o the palace became the ramework that shaped the city. Similarly,
nsions, materials and the modularity o concrete elements in Riva directed the posi-o all other elements o the public space. A total o 250 meters long and 55 metersthe Riva waterront is the main public square, the venue or all kinds o social
s, a promenade by day and a parade by night, the site o sport events, religious pro-ns, estivals and celebrations.
i| Benches
o| Sunshades with integrated illumination
p| Riva promenade
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3 L H D A R C H I T E C T S W I T H I R E N A M A Z E R R I V A S P L I T w A T E R F R O N T
i| Bird’s-eye view
f| Drawings o the benches
f| Benches, detail
s| Bird’s eye-view, with closed sun
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B O U N D A R Y
E N S E M B L E
P L A N T S
A N D
W A T E R
G A R B A G E
L I G H T A N D S I G H T
P A V E M E N T
P R O D U C T L I N E
S E A T I N G
S H E L T E R
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P R O J E C T F A C T Sdíez+díez diseño
odot
e the urban area as a place or casual meetings, expected dates and unexpected haz-a space or looking at both the past and the present, or or projecting dreams onto
orizon; a place or sharing our solitude or exploring pleasurable discoveries; an en-ment with tranquil isles oering rest to the stroller or reader and any other traveler.im o this project was to create squares where those who have recently arrived canand streets where those who are already here can discover other worlds. Thereore,
esigners created Godot, a sedate bench, intimately associated with timeless elementshe surrounding trees.
Client: ESCOFET 1886. Completion: 2005. Production: serial production. Design: individual design.Functions: seating. Main materials: concrete.
ii| Details o the internal anchor
i| Placement scheme
i| Detail
s| Seatings
i| Row o seatings
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P R O J E C T F A C T S
i| Sketch
s| The light turns on when someone
approaches
i| Detail car ront
Address: Lazona Kawasaki, 72-1 Horikawa-cho Saiwai-ku Kawasaki city Kanagawa, Japan 212-0013.Client: Toshiba / Mitsui Fudosan Group Ltd. Completion: 2006. Production: single piece. Design: indi-vidual design. Functions: plant tub. Main materials: reinorcing bar.
Earthscape
housand Year Forestwasaki
e car park o the Lanzona development in Kawasaki’s redevelopment project, treesbeen planted into decorative modiied cars whose light turns on when someone ap-hes. Over time, the trees will grow bigger, and the cars will be covered in greenery.the symbol o single plants, the message that “a orest can begin here” is trans-
d.
i| Side elevation
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P R O J E C T F A C T S
i| Plant tup, with olive tree
s| Hollowed out in the shape o a dove
i| Locks in the tree, the keys are buried in the
surrounding lakes
Address: Lazona Kawasaki, 72-1 Horikawa-cho Saiwai-ku Kawasaki city Kanagawa, Japan 212-0013.Client: Toshiba / Mitsui Fudosan Group Ltd. Completion: 2006. Production: single piece. Design: indi-vidual design. Functions: plant tub. Main materials: white marble.
Earthscape
Tree that will grow Dreamswasaki
ive tree was chosen as a symbol or the rebirth o Kawasaki city. It carries the mes- the whole Lanzona project. A ew dozen locks hang on the tree branches while theo these locks were buried in the surrounding lakes. Maybe you will be the one tohe key (to the uture), and unlock them! Inside the tree rame, hollowed out in theo a dove, cards in egg-shaped capsules with the wishes and messages o the sta
bers who worked on the Lazona Kawasaki project were buried. The positive thoughtsn these capsules will provide nourishment or the olive tree to grow and supportsaki city’s rebirth.
i| Bird’s-eye view
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hafariz Drinking Fountainrendering o the traditional neighborhood water spout, this dispenser solves the is- providing drinking water in public spaces. Ideal or rereshment ater park gamescling, or during summer walks, the Chaariz stands proud waiting or thirsty adultshildren. A totem and a user-riendly play object, its steps and grab holes on the sides
w children to saely climb up and drink.
J E C T F A C T S
t: public and private clients. Development team: Diana Cabeza, Leandro Heine,o Jarczak. Completion: 2001. Production: serial production. Design: product line.tions: drinking ountain. Main materials: cast iron, grit blastined and color polyes-hermosetting powder coating.
Estudio Cabeza /
Diana Cabeza
g| Use situation
ii| Paseo del Buen Pastor, Córdoba, Argen-tina
i
| Close up
PWP Landscape
Architecture, Inc.
One North Wacker DriveChicago, ILThe landscape or an oice tower in downtown Chicago is a block-long 12 mpedestrian passage which is visible through the glazed wall o the building’s lobbrunning just below the sidewalk precluded conventional tree wells – a problem special hemispherical armatures that sustain ground-covers and allow the roothe street trees to remain above ground. The raised tree wells – placed nine m– carved stone benches, and the lat lamed-granite cobbles o the pavement seinorce a human scale. The terrace at the North Franklin Street entrance contalarge bench planters, each with a treeless hemisphere loating in a pool o water
P R O J E C T F A C T S
Address: 1 North Wacker Drive, Chicago, Il 60606, USA. Architects: Lohan CapGoettsch Architects. Client: John Buck Company. Completion: 2002. Production
piece. Design: individual design. Functions: Seating, plant tub, ountain. Main m
stone, granite.
ii| “Floating bench”, serving as a raised-tree
planter
oo| Underground vaults, required the creation
o a sophisticated system o raised soil andirrigation systems to support the trees.
i| Section, through raised hemispherical
planters
o| Planters, which seem to foat above the cobble
paving
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P R O J E C T F A C T SJanet Rosenberg +
Associates /
Janet Rosenberg
0 Adelaide Street Eastonto
nated by two majestic Gingko trees, this courtyard oers an intriguing counterpointgeometry o the surrounding architecture. A bold sweeping granite arc, lanked by
nt stainless steel walls, directs visitors to the main entrance o the building. Sawnio Limestone cubes, scattered along the water’s edge, are both a sculptural presenceseasons and an ideal place to sit, meet, and people-watch. A simple water ountain
ns out the noise o the surrounding city, while the monochromatic planted darkyews provide a strong contrast to the building. The highly detailed stainless steel
urnishings and planters were all custom-designed or this project.
Address: 30 Adelaide Street East, Toronto, ON, Canada. Planning partner: Quadrangle Architects. Client: Dundee Realty Management Corporation. Completion: 2002. Production: single piece. Design: individual design. Functions: seating, ountain, plant tub, public plaza. Main materials: sawn lime-stone, stainless steel.
i| View into the courtyard rom the street
i| Custom designed planter
s| Layout plan
i| Fountain
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Earthscape P R O J E C T F A C T S
i| Pathway, crossing the water bassin
s| General view
i| Floor plan
Address: 3-6 Minato-Mirai Nishi ward Yokohama city Kanagawa, Japan. Planning partner: MitsubishiEstate. Client: Tokio Marine & Nichido Fire Insurance Co., Ltd. Completion: 2004. Production: singlepiece. Design: individual design. Functions: ountain. Main materials: stone, concrete.
inato-Mirai Business Squareohama
hama grew up with the sea. These days, it is still growing towards the sky throughonstruction o high rise buildings on landills. This pond exists on the boundaryen the sea and the sky. On the pond, the words relating to the sky will appear, re-d in the water’s mirror surace, and disappear. The words relating to the sea willr rom the bottom ater the water has gone. This way, people can rethink their ownnce by reminding themselves o their origins – people originate rom the sea andup on land.
i| Bird’s-eye view
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P R O J E C T F A C T SOLIN / Lucinda R. Sanders
i| Cyclist cooling o with one o the poolsi| Site plan o the Museum o Jewish Heritage
s| Elevation showing how the water fows over
the pools
eflecting Poolsw York City
Museum o Jewish Heritage was in need o a new landscape to connect the East Wingsion to its surroundings. OLIN’s design creates a place unique to the Museum yettive o the larger Hudson River landscape. At the ront entrance, relective poolsished black granite set a contemplative mood. Water slowly rises rom open jointsgranite ten centimeters below the surace. As the water lows over, it clings to the
o the ountain and runs through a custom-made stainless steel trough where theis captured and recycled below ground. The relecting pools oer an attractive anding amenity while also serving as an inconspicuous vehicular barrier to meet the
um’s security needs.
Address: 36 Battery Place, New York, NY 10280, USA. Planning partner: R.J. Van Seters. Client:
Museum o Jewish Heritage. Completion: 2007. Production: single piece. Design: individual design.Functions: ountain, vehicular barrier. Main materials: polished granite, stainless steel, concrete.
i| Refecting Pools at Battery Place
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OKRA landschapsarchitecten
bv / Christ-Jan van Rooij, Hans
Oerlemans, Martin Knuijt, Wim
Voogt, Boudewijn Almekinders
e Inktpotecht
hly requented area, the use o the railway grounds, and the desire to create a lei-area came together in this project, starting with the modular loor. It oers a varietyes in an area with limited space and lighting. Movable urnishings, such as mobileers on rails and loose patio chairs, create a dynamic setting. Whenever more seatinguired or more privacy is needed, the urnishings can be moved accordingly. I thevehicle requires more space, everything can be simply pushed aside. In addition,objects, such as a patio loor with movable chairs and parasols, enhance the lex-o the space.
E C T F A C T S
ss: Gebouw De Inktpot, Moreelsepark 3, 3511 EP, Utrecht, The Netherlands. Client:
l. Completion: 2004. Production: single piece. Design: product line. Functions: seat-lant tub, ountain. Main materials: concrete, granite.
gg| Fountain and plant tub
ii| View over ountain and plant tub
g| Bird’s-eye-view
i
| Movable plant bins
Rainer Schmidt Land-
schaftsarchitekten with GTL
Landschaftsarchitekten
Fountain CameonNeubiberg
Within the scope o the general planning o Campeon, the new headquarters oin the Unterhaching district o Munich, a rooed caé area was created or visemployees within the site‘s green space. A reduced water pool serves as a lararea as well as a contemplative design element. The water table is ramed by a n made o Corten steel. Linear seating elements along the length o the pool invito linger near the water.
P R O J E C T F A C T S
Address: Am Campeon 1–12 , 85579 Neubiberg, Germany. Planning partner: TELA, USA. Client: Mo To Projektmanagement GmbH. Completion: 2006. Product
single piece. Design: individual design. Functions: seating, water bassin. Main m
Cortensteel, wood.
ii| Bench, detail
i| Pool with benches
o| Campeon pool
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B O U N D A R Y
E N S E M B L E
P L A N T S A N D W A T E R
G A R B A G E
L I G H T A N D S I G N
P A V E M E N T
P R O D U C T L I N E
S E A T I N G
S H E L T E R
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Caesarea Landscape
Design Ltd.
arbage Can Senior 954square-shaped garbage can with stainless steel cover its best in modern orthogonalonments. It has a square casing holes pattern that reveals its metal thickness o just
millimeters, while the upper reinorcement inner ring and the rounded lower basemade o metal that is our millimeters thick. Concealed legs in rubber inish and a gal-zed, oven-painted, 0.5 millimeters thick, inner container in pure polyester completeesign.
J E C T F A C T S
t: “G” Kar Saba-shopping center. Completion: 2009. Production: serial production.gn: product line. Functions: design solutions or collection o garbage. Main materi-
perorated metal, stainless steel.
g| Garbage can, with ashtray
ii| Situated next to a wall
i| Next to a bench
Garbage Can Kiryat UnoThe decorative wastebasket has a unique design pattern with a cylindrical volmetal cover is galvanized and enameled. There are versions with rubber ootinment base..
P R O J E C T F A C T S
Client: Prestigious Mall in the city Kiryat Uno. Completion: 2008. Production: sduction. Design: product line. Functions: design solutions or collection o garbmaterials: laser-processed casing metal.
Caesarea Landscape
Design Ltd.
i| Caesarion 948LK, detail
o| View o garbage can in a shopping mall
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P R O J E C T F A C T SEBD architects ApS
nvac Disposal Chute
’s disposal chute or mobile suction was designed or the disposal o householdand o waste in urban spaces. It is both physically smaller and much simpler to
te than previous solutions. The chute is one small part o the extensive mobile suc-nstallation. The hatch is easy to open and enables two-handed delivery, while the the opening minimizes the risk o accidentally entering garbage that is too large.roduct is easy to match with the given surroundings. The curved horizontal bars iny steel serve the dual purpose o giving the product an architectural identity andng o vandalism without appearing aggressive.
Client: ENVAC Denmark A/S. Completion: 2008. Production: serial production. Design: product line.Functions: garbage can. Main materials: painted steel, stainless steel.
i| View o the urban model
i| Detail, protection bars and opening
s| Street model, view with contexti| Plans “street” and “urban” version
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P R O J E C T F A C T Smmcité a.s. /
David Karásek,
Radek Hegmon
ylinder Waste Container
mbling an oversized layered cake or bobbin, the exterior o the Cylinder waste con-is a pleasant alternative to its more bulky counterparts. Its ribbed outer casing iso black polyethylene. The waste container hidden inside is made o sturdy steelas a smooth surace or easy cleaning. A concrete base or steel eet can be attachedcontainer body. In addition, the container body can also be attached to a steel pipe.
der is available in two diameters.
Client: mmcité a.s., Santa y Cole. Completion: 2000. Production: serial production. Design: individualdesign. Functions: garbage can. Main materials: black polyethylene, concrete, galvanized steel.
i| Cylinder in a park area
i| Model with concrete oot
s| Plans
i| Model with larger diameter
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Gonzalo Milà Valcárcel /
Martina Zink, Gonzalo Milà
Valcárcel
P R O J E C T F A C T S
i| Sketch plan
s| Garbage cans on Barceloneta beach,
Barcelona
i| Detail
Client: Santa & Cole. Completion: 2004. Production: serial production. Design: individual design.Functions: garbage can. Main materials: polyethylene.
NA
main part o this two-piece polyethylene garbage bin is a container which holds thege bag pinned to a sae astening device. The lid is locked by means o a metal pegayonet itting, which prevents unauthorized manipulation. The article’s unctionalresides mainly on this lid since it prevents the waste rom spilling and reduces theive visual impact o a container illed to the brim. There are two dierent models –riginal model is designed or beach installation and eatures a tapering body andt-illed bottom that guarantees stability when buried in the sand; the second modeligned to be directly astened to the ground.
i| Bird’s-eye view, Barceloneta beach,
Barcelona
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B O U N D A R Y
E N S E M B L E
P L A N T S A N D W A T E R
G A R B A G E
L I G H T A N D S I G N
P A V E M E N T
P R O D U C T L I N E
S E A T I N G
S H E L T E R
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P R O J E C T F A C T S
Sasaki AssociatesAddress: Baton Rouge, LA, USA. Planning partner: Washer-Hill Lipscomb Architects, Covalent Logic,Inc. Client: City o Baton Rouge. Completion: 2007. Design: product line. Design: individual design.Functions: sign. Main materials: aluminum, glass.
ayfinding and Interpretiveraphicsn Rouge
e City o Baton Rouge, Sasaki created the program, design, and implementation o a
town wayinding system to better serve visitors. Imbued with a rich heritage stem-
rom a succession o French, English and Spanish rule and Native American culture,
esigners drew rom the city’s rich visual vocabulary. District identity icons were de-
d as well as inormation kiosks, street name signs, and interpretive graphics with
contemporary interpretations o the city’s history and culture. More than simply way-
g, the elements, shapes, patterns, and details oer a visual display o the city’s his-
Heritage trail markers with historic commentary add additional depth to the system.
i| Kiosk, the design is adapted to the context
p| Signage detail, inormation is given about
the history o Baton Rouge
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S A S A K I A S S O C I A T E S w A Y F I N D I N g A N D I N T E R P R E T I V E g R A P h I C S
i| Arrival circulation diagram
f| Sign detail
p| Fingerpost
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Despang Architekten P R O J E C T F A C T S
i| Sketch
s| Detail
i| Prototype
s| Tramway station
Address: City, 31275 Karlsruhe, Germany. Client: Karlsruher Verkehrsbetriebe. Completion: 2002.Production: serial production. Design: individual design. Functions: sign. Main materials: steel, brass,stainless steel, LED.
i| Station square
gnpostsruhe
ublic realm with its sensory overload is subject to increasingly new demands. Theor comort and orientation o the modern mobile society take their toll. A small ob-
which is ound repeatedly in the city o Karlsruhe, emerged rom the complexity o icity. A hard outer casing o made o U-300 structural steel with a lexible unctionalencompasses the installation. The visualization o the tectonic principle is imple-ed through the materialization o the surace properties. The outer casing consists o gh micaceous iron ore coating and the illing o processed brass, which increases theort o the venue through the application o LED light technology.
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Matthias Berthold, Andreas
Schön
argteheide Voice Showergteheide
oned purely as a sculpture in a park or public square, this shower may be initiallying, yet it is much more t han meets the eye. T he shower head does not release water;
ad, it has a loudspeaker installed inside. With the push o a button, the shower pres-exts and sound recordings on the topic o water by residents o Bargteheide. Theycollected and created during various interactions initiated by the artists. On therm underneath the shower, glistening metal letters are chaotically displayed, look-
ke drops let over rom the last use. Playing with the shower becomes a spectacle orone spending time at the park.
E C T F A C T S
ss: Rathausstraße / Mittelweg, 22941 Bargteheide, Germany. Client: City o Bargte-Completion: 2008. Production: single piece. Design: individual design. Functions:
oject. Main materials: audio electronic, high-grade steel, concrete.
gg| Shower head
ii| The shower, next to the village pond
g| Base
i
| Start button
ii| Pedestrian wayinding, map directory
oo| Pedestrian wayinding, nger blades
i| Vehicular wayfinding, parking or build-
ing IDo| Vehicular wayfinding, destination
York University Coordinated
Sgng nd wyfndng PgToronto
KDA was responsible or designing a new vehicular and pedestrian wayindinand a comprehensive interior sign program or the 55-acre university that was cleato use, communicated the university’s new brand identity, respected the a rchiteccampus, and presented a consistent and timeless esthetic. KDA’s design addresconcerns, provided more navigational night routes, and relected the tradition o iand green-space openness o this contemporary learning and research institution
Kramer Design Associates
(KDA) / Jeremy Kramer
P R O J E C T F A C T S
Address: 4700 Keele Street, Toronto, ON M3J 1P3, Canada. Client: York Universpletion: 2003. Production: serial production. Design: individual design. Functio
Main materials: powder coated steel poles, cast connectors, screen printed mes
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elcome!nich
xhibition sign was conceived within short notice or the exhibition o the Bayerischesonalmuseum entitled “The House o Wittelsbach and the Middle Kingdom – 400 yearshina and Bavaria”. It consists o the word “Welcome!” in Chinese characters. The over-
characters were erected on the lawn-covered ground loor o the museum’s rontwhich was also designed by Rainer Schmidt Landschatsarchitekten and completed05. The characters consist o 3-dimensional wooden elements mounted on a steelIn addition to its use as a popular photo moti or Chinese visitors, the construct islar among children and adolescents who enjoy playing and sitting on it.
J E C T F A C T S
ess: Prinzregentenstraße 3, 80538 Munich, Germany. Planning partner: Atelier. Client: Bayerisches Nationalmuseum. Completion: 2009. Production: single piece.
gn: individual design. Functions: sign. Main materials: steel, wood.
g| Side view, welcome sign in springtime
ii| Chinese photo session
i| School excursion, the large seating area
s
| Photo montage, design sketch
ii| Bird’s-eye view, rendering
oo| Top decorations
i| Perspective, rendering
o
| General view, impression o a sailing ship
Michel Dallaire Design
Industriel – MDDI
Avenue Honore-MercierQuebec City
The purpose o this project was the transormation o the ormer Duerin-Monhighway access to Quebec city into a more accessible and riendly boulevard owhile respecting the historical status o the city as designated by UNESCO. Thtual approach was intended to express the military, historical and maritime chQuebec. The boundary stones in black granite evoke cannon barrels while the wimasts recall the 3-mast vessel that is the symbol o Quebec city.
P R O J E C T F A C T S
Address: Avenue Honore-Mercier, Quebec City, Canada. Planning partner: WAA – w
asselin ackaoui. Client: City o Quebec. Completion: 2005. Production: serial product
Design: product line. Functions: illumination, bollard. Main materials: granite, stainl
berglass.
Rainer Schmidt
Landschaftsarchitekten
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West 8 urban design & land-
scape architecture
P R O J E C T F A C T S
i| Artist impression OliviO, Jubilee Gardens,
London, UK
o| Artist impression OliviO or Noorderpark,
Amsterdam, The Netherlands
i| OliviO, Town Square Middlesborough, UK
Planning partner: Se’lux. Client: dierent governmental and private organizations. Completion: 2000current. Production: serial production. Design: set o parts. Functions: illumination.Main materials: aluminum.
iviO
OliviO range o luminaries and poles was developed in collaboration with the Ger-manuacturer Se’lux and has been installed or several West 8 projects throughoutorld. OliviO was born out o a desire or an energy eicient, timeless, universal out-source o illumination. OliviO is now available in a ull range o sizes, pole or wallted and in various colors. The conical shape combined with a spherical top gives thent a rotund and happy appearance. The lamp can be rotated by means o a structur-
djustable hinge in which the power supply cables have been integrated invisibly.
i| First OliviO, Bridges Kanaaleiland Bruggen,
Belgium
p| OliviO, Town Square Middlesborough, UK
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ragonlightenhagen
nlight was designed as part o the Amerika Plads neighborhood. The inspiration o xisting dragon lighting columns led West 8 to design a more abstract version, henceng a unique version, which helps to give the quarter a strong and evocative atmo-e. The light itting, which allows the light to come out o the beak o the Dragon, is
uced by Se’Lux, who is also responsible or the specially dimensioned poles. In totalwill be around 25 Dragonlights located at Amerika Plads.
E C T F A C T S
ss: Amerika Plads, 2100 Copenhagen, Denmark. Planning partner: Metaalgieterijin Bergen op Zoom and Se’Lux. Client: City & Port o Copenhagen. Completion:
Production: serial production. Design: product line. Functions: illumination. Main
ials: aluminum, magnesium, steel.
West 8 urban design &
landscape architecture
g| Dragonlight at night
ii| Dragonlight during the day
i| Detail paw
Freitag Weidenart,
Bureau Baubotanik
Weidenprinz Light TreeHartenholm
The light tree is a botanically structured light sculpture made o living plants. I
unction, the light tree combines a conventional street lamp with any kind o city
equally suitable or decorating public squares as well as other public venues in w
ventional illuminants are diicult to integrate in the natural context. A light tree
grows roots and thus makes any type o oundation superluous. In the course o
the plants interweave and the membrane’s mounting rings grow inside the plant
P R O J E C T F A C T S
Address: private garden, 24628 Hartenholm, Germany. Planning partner: FerdiLudwig, Bauer Membranbau. Client: private. Completion: 2006. Production: serproduction. Design: individual design. Functions: illumination. Main materials
wooden plants, stainless steel rings, PVC membrane, high-voltage neon tube.
ii| Top o the lamp
i| General view
o| Detail
s
| Sketch
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TAlight installations can be used as street urniture to illuminate open spaces and
but they can also serve or private gardens to illuminate the path to the entrance ortting area on the terrace. This peculiar lighting “milestone” results in a very pleas-ect thanks to its marble screen that projects a light which is both unobtrusive and
e. These traits liken it to a domestic beacon. The lights are also especially appropriateatural spaces because with their neutral color and their inconspicuous design they dosrupt the natural appeal o the surroundings. As they are available in dierent sizes
can be individually adapted to the environment.
E C T F A C T S
: Macaedis. Completion: 2003. Production: serial production. Design: individualn. Functions: illumination.Main materials: Blanco Macael’s marble.
Gonzalo Milà Valcárcel
g| Lights
ii| Sketch
i| Detail
s
| Plan
P R O J E C T F A C T S
Client: dierent governmental and private organizations. Completion: 2000. P
serial production. Design: product line. Functions: illumination. Main materials
minum, galvanized steel and (semi-)translucent plastic.
Peak
The Peak is a light ixture or the outdoor illumination o parks, squares and othsettings. The design consists o both a pole and a luminairy at a total height o 5The main material o the luminair y is cast aluminum and galvani zed steel or thglass is made out o translucent or semi-translucent plastic. The irst Peak was dePark JB Lebas in Lille, France and has been used subsequently in several West 8
West 8 urban design &
landscape architecture
ii| Peak at Lippenplein, Knokke, Belgium,
2007
o| Detail
i
| Street view
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Artadi Arquitectos /
Javier Artadi
P R O J E C T F A C T S
i| Site plan
s| Colored pavement
i| Green columns, at night
Address: Miguel Dasso Street, San Isidro, Lima, Peru. Client: Municipality o San Isidro. Completion:
2007. Production: single piece. Design: individual design. Functions: illumination, pavement. Main
materials: concrete bricks, marble, steel structures, acrylic.
iguel Dasso Boulevarda
el Dasso Boulevard is one o the most traditional streets o San Isidro. Its urbanure is divided into three sections with controlled perspectives at both ends; next topular caés and bookstores these create an urban area that is unique to the district.esign proposal can be summarized in two basic interventions o great impact: a pav-sign which uniies both ronts o the urban space, and the incorporation o a “green
mns” chain, which would act as the new symbols constituting the boulevard’s spine.
i| Green column
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töpfer.bertuleit.architekten P R O J E C T F A C T S
i| Mittlerer Ring Leipzig
s| Linea variations
i| Detail
Client: hess AG. Completion: 2006. Production: serial production. Design: product line. Functions: illumination. Main materials: aluminum, steel, glass.
nea
is distinguished by simple elegance and versatile application possibilities. It is basede reduction o the appearance to the key elements: pole and extension. Its clear andact shape allows its application in various urban situations. The lamp can be used inent variations. With light point heights located at our and a hal, six, and eight me-t can be used as street lighting in all standard situations. The light casing consists o num, while the pole is made o galvanized painted steel, and the light cover, whiche opened without tools, is made o single-pane tempered saety glass.
i| Various lamps, Mittlerer Ring Leipzig
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B O U N D A R Y
E N S E M B L E
P L A N T S A N D W A T E R
G A R B A G E
L I G H T A N D S I G N
P A V E M E N T
P R O D U C T L I N E
S E A T I N G
S H E L T E R
B I K E A N D P L A Y
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Biuro Projektów Lewicki
Łk / P Lk,Kzmz Łk
P R O J E C T F A C T S
i| Concrete pavement
s| Studying the past
ii| Square plan
i| Cross section, view o the south açades
Address: pl. Nowy, 31-056 Krakow, Poland. Client: City o Krakow. Completion: 2011. Production: sin-gle piece. Design: product line. Functions: seating, illumination, shelters, bicycle stand, garbage can,clocks, signs, pavement, temporary vending stands. Main materials: concrete with basalt gravel.
owy Squarekow
dentity o a place consists o orms, materials and views, as well as people’s memo-The matrix o identity o Nowy Square is an attempt to record those memories. Bass– a stamp and an engraved picture initiates a projection rom past times. There willign-board o “Ziarno” company and the logo o the now non-existent Youth Culturee, personages o councilors and dodgy legends o the local underworld. Some signse pressed in horizontal and vertical plains o the surace during construction, othersppear later. The material o the images will ade in time and there will be new onesring in their place instead.
i| General view o the square
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enturies in turnon
project or the center o a university campus reshapes the land orms and createstral courtyard or a new art building plus an entrance plaza or an old theater andeters o walkway. The university has an “Ivy Ceremony” or entering students dat-
ack to the nineteenth century. The project represents the ivy ceremony with ivyssed in geometric paving patterns, abstract sculptures, and literal images stampedwalkways.
E C T F A C T S
ss: William Woods University, Fulton, MO 65251, USA. Client: William Woodsersity. Completion: 1999. Production: single piece. Design: individual design. Func-
seating, pavement. Main materials: paving brick, concrete, earth orms.
Will Nettleship
gg| Courtyard
ii| Central post, a geometric version o ivyleaves
g
| Walkway to lakei| Ivy circle
s| Sketch, seating area
Biuro Projektów Lewicki
Łk / P Lk,Kzmz Łk
ii| Square plan
i| Place or exhibitions, concerts, meetings
o| General view
s| Sculpture-ountain, with seatings on thebase Wolnica SquareKrakow
The most suitable looring material or this setting, given its attraction to userand quality, is exotic teak hardwood. The wood will be prepared in the orm o large-sized slabs, roughened at the surace to prevent slipping. The basic elemea bench – a pile o planks stapled together that transorms into a glass lamppolength the bench will change the angle o the seat and the back, oering varioupossibilities. A stand or bikes and the pedestal or the ountain with a Bronisławsculpture will be constructed on the same basis.
P R O J E C T F A C T S
Address: pl. Wolnica, 31-060 Kra kow, Poland. Client: City o Krakow. Completion:
Production: single piece. Design: set o parts. Functions: seating, illumination, shel
tub, bicycle stand, ountain, garbage can, pavement. Main materials: exotic wood,
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P R O J E C T F A C T S
JJR | Floor /
Kristina Floor, FASLA
izona Canal atcottsdale Waterfronttsdale, AZ
sdale Waterront is a high density mixed use development comprised o a seriesblic plazas that link retail and residential components with public art installationsa linear park in ront o the Arizona Canal in the heart o downtown Scottsdale,
na. The design uses the bold orms and colors o native cactus lowers such as sa-, prickly pear, barrel cactus, and ocotillos within the hardscape patterns to uniy thend create dynamic spaces. These abstracted lowers deine plazas, courtyards andring areas where orms are cast into vibrantly colored concrete paving, seat wallsountains.
Address: Scottsdale, AZ 85251, USA. Production: Weitz Construction. Client: Golub & Company, Cityo Scottsdale, Opus West Architects. Completion: 2007. Production: single piece. Design: individualdesign. Functions: hardscape plazas. Main materials: colored concrete.
i| Cactus lower plaza
o| Cantilevered stage, at public amphitheater
p| Donald Lipski’s “The Doors” sculpture,
aligns with Cactus
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i| Conceptual site plan
f| Stylized prickly pear blossom
f| Sandblasted thorn paving, det
s| Prickly Pear Plaza and Amph
A R I Z O N A C A N A L A T S C O T T S D A L E w A T E R F R O N TJ J R | F L O O RM E N T
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P R O J E C T F A C T S
Stacy Levy
atermapnnewood
rmap details a section o the Delaware River watershed surrounding the Friends’al School. Tributaries o the Delaware and Schuylkill Rivers are deeply sandblastedluestone pavers. The names o the waterways and surrounding towns and cities ared into the stone. The terrace is sloped slightly s o that rainwater will run i nto the run- the tributaries and then into the largest runnel o the Delaware River. Freshwaterorganisms ound in local waterways are blasted into the bench tops, with brackish
marine organisms blasted on the teaching bench. This way the outdoor classroomathering space contains two views o the local watershed – one miniaturized andreatly enlarged.
Address: Fannie Cox Center or Science, Math and Technology, Friends’ Central School, WynnewoodPA 19096, USA. Building Architect: Graham Grund. Client: Friends’ Central School. Completion: 2003.Production: single piece. Design: individual design. Functions: seating, ountain. Main materials: sandblasted Pennsylvania Bluestone.
i| Bench detail
p| Watermap with kid
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S T A C Y L E V Y w A T E R M A P
i| Girl sitting on bench
f| Bench detail
f| Bird’s-eye view
d| Map detail
s| Drawing o Watermap
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Stacy Levy
dge and Valleynsylvania
ocal Spring Creek Watershed o the Ridge and Valley region is recreated in a blue-terrace, punctuated by three boulder ‘ridges’ that rise rom the terrace and createg walls. All local streams and waterways are depicted with runnels carved six mil-
er deep into the stone. When it is dry, this terrace is a scale map o the geology andshed o this area. But when it rains the visitors‘ pavilion roo drains onto the terracehe rainall lows across the carved waterways, creating a miniature watershed. Therk is both a sculptural object and an engineering system, allowing visitors to cel-
e the hydrological cycle.
i| Overall view, dry
P R O J E C T F A C T S
i| Ridge and Valley plan, with waterfow
s| Seating detail
i| Just ater a rainstorm
Address: The Arboretum at The Pennsylvania State University, University Park, Pennsylvania, PA16802, USA. Planning partners: Philip Hawk & Co Stone Masons, MTR Landscape Architects. Client:
The Pennsylvania State University. Completion: 2009. Production: single piece. Design: individualdesign. Functions: seating, ountain. Main materials: sandblasted Pennsylvania bluestone.
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BASE P R O J E C T F A C T S
i| Wooden pathway
s| Relaxing zone, with lightingsi| Detail, backside
Address: Parc des Prés de Lyon, 10600 La Chapelle-Saint-Luc, France. Planning partner: AAVP + ON. Client: Community d’Agglomération Troyenne. Completion: 2007. Production: single piece. Design: individual design. Functions: sun deck. Main materials: wood.
olarium, Parc des Prés de LyonChapelle-Saint-Luc
ask was to restore the public park, which was originally created in the 1970s. For thisse, the paths, entrance areas, most o the plants and the recreational acilities, whichimarily aimed at young people, were renovated and expanded. In addition, a skat-
ark, more playgrounds, a miniature gol course, a itness trail and much more wasned and added to render the entire setting more attractive and diverse. On an unusedn at the center o the park, a 170 squaremeter solarium with a relaxation zone wasd, turning the park into the setting or an overall exciting but also relaxing experi-
i| Wooden deck, acing south
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hanghai Carpetnghai
esign ocuses on the contrasts between state-o-the-art digital media and the humbleials o daily lie. Most o the new outdoor spaces are located as an “excavation” ives below street level. Overhung by SOM’s crystalline boxes, the design o the ground
ves digging to uncover a new place rich with historic, rustic and recycled materials,as metal, stone, brick, and timbers. Organizing the center is a very compressed ver-o this idea, a graphic “carpet” o these materials carved as a 200-meter bas-relie anded by a Timber Bamboo orest.
E C T F A C T S
ss: Shanghai University District, Shanghai 200444, China. Architects: SOM San Fran-
Client: Shui On Properties. Completion: ongoing. Production: single piece. Design: in-
ual design. Functions: pavement. Main materials: stone, brick, bamboo, stainless steel.
Tom Leader Studio
gg| Model, detail
i| View o “data stream”
g| Car parking, model detail
s
| Section, tower plaza
Agence APS, paysagistes
dplg associés
Place Aristide BriandValence
Facing south and the setting sun, protected rom the Mistral, the place Aristienjoys a privileged location in the town center o Valence. The project revealscal nature o such a place by installing a palm grove on a “carpet o wood” aevoking the “Mediterranean” spirit o Valence. Under twenty-six Chinese palmcomortable seats are arranged in groups o two or three, inviting the passer-by the rays o the sun as it sets behind the mountains o the Ardèche in complete twhile still in the center o town. In the middle o the square a small stream ecity’s cultural heritage.
P R O J E C T F A C T S
Address: Place Aristide Briand, 26000 Valence, France. Planning partner: Ateliemière, Cap Vert Ingenierie. Client: City o Valence. Completion: 2007. Producti
piece. Design: individual design. Functions: seating, ountain, pavement, bolla
ii| Bird’s-eye view
oo| Bollards
i| Square view
o
| Wooden deck, details| Section
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P R O J E C T F A C T SSitetectonix Private Limited
ITE College EastSingapore
The paving design originates rom the social and interactive Central Forum gatheringspace at the heart o t he site. Flanked by three bui ldings, the “Tropical Sun” icon generatesrays on the pavement that radiate out along the three landscape concourses, each with itsown character. The outwardly radiating intent strongly presents the holistic identity o the site, pulling one’s attention towards the major central gathering space. This pavingslides down the seats and steps o the amphitheater around the Forum Stage. Above, aroo garden is created with the same “Sun Ray” patterning originating rom the skylight
which directly overlooks the origins o the paving on the ground level.
Address: 10 Simei Avenue, Singapore 486047, Republic o Singapore. Architect: RSP Architects, Sin-gapore. Client: Institute o Technical Education. Completion: 2005. Production: single piece. Design: individual design. Functions: paving, seating. Main materials: natural stones: granites, pebbles, lime-stone, slate, stainless steel.
ersection o Paving “Rays”, with
r bandi| Urban orest walk, towards the central
orum
d| Section
i| Paving and planting pattern
s| Central orum amphitheater
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B O U N D A R Y
E N S E M B L E
P L A N T S A N D W A T E R
G A R B A G E
L I G H T A N D S I G N
P A V
E M E N T
P R O D U C T L I N
E
S E A T I N G
S H E L T E R
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P R O J E C T F A C T SStreet and Garden Furniture
Company / David Shaw
urleigh – Surfboard Serieseigh Heads, QLD
alia’s Gold Coast is an iconic tourist location and home to some o the world’s mostus suring beaches. In developing the site or Burleigh Heads it was the intention ton a series o urniture items that relect elements o the suring culture. The overall
make direct reerence to surboards, with the choice o colored timbers relecting50’s board designs that were prevalent during the period when the site emerged as
or suring destination. The support rames or the seats and tables are reerences toic orms, and are manuactured rom stainless steel or maximum protection againstrrosive nature o the environment.
Address: Burleigh Heads, Gold Coast, QLD 4220, Australia. Client: Gold Coast City Council. Comple-
tion: 2003. Production: serial production. Design: product line. Functions: seating. Main materials: stainless steel, timber wood.
i| Surboard setting, including a table and two
benches
i| Sections o a bench with backrest and a table
s| Rear view o bench with backresti| Side elevation o bench with backrest
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Lifschutz Davidson
Sandilands
P R O J E C T F A C T S
i| New tram station, on Avenue de la Liberté,
Luxembourg
uxtramembourg
cheme or the revival o Luxembourg’s tram system is inspired by the city’s topogra-nd transport heritage. It is based on three simple ideas: irst to remove unnecessaryr, second to install high-quality paving with street urniture and inally to conigure
oulevards and public spaces to respond to the surrounding buildings rather than to traic. Restoring simplicity and sensitivity to the streets will activate the publicwith caés and shops. The architects o the line had the urther opportunity to re-the city’s squares, working alongside the City o Luxembourg to create a new stan-
o urban space or Europe.
i| Totem display unit, with real time inorma-
tion display
s| Exploded tram shelter, showing the
modular elements
ii| Elevation o the new tram station, at
Place de Paris, Luxembourg
i| Seat design, using stainless steel and ormed
natural stone seats
Address: City o Luxembourg, Luxembourg. Client: Luxtram. Completion: 2014. Production: serialproduction. Design: product line. Functions: seating, illumination, shelters, garbage can, signs, tramshelters, digital displays, catenary system. Main materials: bronze, stainless steel, stone.
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P R O J E C T F A C T SLifschutz Davidson
Sandilands
Geo
Geo is a coordinated street urniture system that provides a coherent and elegant way o servicing public space; opposed to the usual visual pollution o urban streetscapes. Geois a modular, post-based system comprising three technically and aesthetically integratedcategories o lighting, urniture and signage. The design is easy to maintain, minimal anddurable and maximizes the potential o each element to accommodate existing require-ments and emerging technologies. Each element is also designed or easy maintenance,security and cleaning. The range includes lighting, bus stops, bus shelters, seating, bol-lards, cycle racks, telephone boxes and cans.
Manufacturer: Woodhouse plc. Completion: ongoing. Production: serial production. Design: productline. Functions: seating, garbage can, illumination, bicycle stand, sign, shelter, bollard. Main materi-
als: stainless steel, wood.
nches o the Geo system, simple orms
evations, showing some o the elementsi| Garbage can
s| Detail view, illuminated bollardi| Finger post and bollards
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Kramer Design Associates
(KDA) / Jeremy Kramer
P R O J E C T F A C T SAddress: Toronto, ON, Canada. Client: City o Toronto. Completion: 2008. Production: serial produc-tion. Design: product line. Functions: transit shelters, waste receptacles, benches, public washrooms,bike racks, inormation columns, public posting columns and multi-publication structures. Main
materials: TPO composite plastic, aluminum cast pedal (waste receptacle), polycarbonate, aluminumsaety glass (shelters).
ty of Toronto coordinatedreet Furniture Programonto
its street urniture design, KDA contributed to the evolution o city streetscapes.omprehensive design was selected or the city o Toronto’s irst-ever, 20-year streeture contract. KDA’s powerul designs included transit shelters, waste receptacles,es, public washrooms, bike racks, inormation columns, public posting columns
multi-publication structures. More than 26,000 individual pieces o urniture will beyed over the next twenty years. Additionally, KDA has designed a program o coor-ed street urniture amenities or the City o Toronto including bollards, tree grates,g systems, wayinding signs, street lamps, planter boxes, and kiosks.
i| Bus shelter and waste receptacle
p| Bus shelter
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K R A M E R D E S I G N A S S O C I A T E S ( K D A ) T O R O N T O C O O R D I N A T E D S T R E E T F u R N I T u R E P R O g R A M
i| Shelter elevations
f| Waste receptacle
f| Inormation column
s| Transit shelter
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P R O J E C T F A C T SEBD architects ApS
Mobilia
Mobilia is urban space inventory developed as a building set o components that unite thequality o industrial production with the opportunity or individual layout in relevance tothe actual project. The b ench is a component that by itsel or added to a course o lines a ndcurves becomes an integrated part o the urban space. The bench is produced in moduleso two meters length in straight or curved sequences with the smallest diameter o ourmeters. This provides entirely new geometric options related to industrially produced in-ventory or urban spaces. The dustbin is developed with a ocus on simpliied expressionwhile simultaneously giving the product unctionality.
Client: GH orm. Completion: 2002. Production: serial production. Design: product line. Functions: seating, table, garbage can, toilets, signs. Main materials: cast iron, steel, wood.
ble and benches o the Mobilia line
ctions o the bench
i| Dustbin
a| Mobilia bench
i| Dustbin, detail view
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díez+díez diseño P R O J E C T F A C T S
i| Placement scheme
s| Individual banks
i| Individual bank, detail
Client: mago:URBAN. Completion: 2010. Production: serial production. Design: product line. Func-
tions: seating, plant tub, boards. Main materials: concrete.
en
ppears like a piece o urban urniture, used like an individual bench or architecturalr, coupled with a totally innovative character. It exhibits a calm spirit and balanceould be deined as essentialist. This element has been created rom a process o ab-ion reerring to the idea o rock as a natural shape. It can be easily integrated intoal and architectural spaces. Its geometry diers rom the prevailing rationality and
malism, and can even be considered organic. Zen establishes a luid communion be-n the environments where it is installed and the potential user. Since it is based on a
Zen has no predeined orientation.
i| Inographic o the total program,
currently in development
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P R O J E C T F A C T S
Park Bench Radium
The key element and highlight o the design o this park bench is the basic rame moldedout o a single sheet o metal. Seen rom the ront, this gives the bench a very delicateand slim appearance. The metal basic rame can also be equipped with wooden seats andbackrests. In addition, there are various surace structures available that allow matchingthe bench to a variety o settings. The series includes benches with and without back rests
as well as stools in simple yet exciting designs.
mmcité a.s. /
David Karásek,
Radek Hegmon
Client: mmcité a.s., Prague Airport, City o Pecs. Completion: 2005. Production: serial production.Design: product line. Functions: seating. Main materials: galvanized steel, metal sheet or solid wood-en boards.
dium Bench, with wooden backrest and
ans o the models LR130 and LR160
i| Stools, also part o the Radium line
s| Radium bench in a park areai| Detail view, dierent suraces are used
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Agence Elizabeth de
Portzamparc /
Elizabeth de Portzamparc
P R O J E C T F A C T S
i| Shelter, lights and garbage can
s| Product line
i| Lights and shelter by night
Address: Bordeaux, France. Client: CUB (Communauté Urbaine de Bordeaux). Completion: 2004.Production: serial production. Design: product line. Functions: seating, illumination, shelters, garbagecan, boards, sidewalk barriers. Main materials: cast iron, glass, wood.
amway de Bordeauxdeaux
eth de Portzamparc designed a complete product line or the new Tramway de Bor-. The irst development phase included a 44.6-network o 124 stations. It relectsmporary public traic with an elegant and modern design. With gentle, thin ormsenerous use o glass it stays modestly in the background, drawing attention only oncond glimpse. Made o milled and welded steel sheet as well as cast aluminum, thediscrete and eminine shape is sturdy enough or everyday use.
i| Shelter
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B O U N D A R Y
E N S E M B L E
P L A N T S A N D W A T E R
G A R B A G E
L I G H T A N D S I G N
P A V
E M E N T
P R O D U C T L I N E
S E A T I N G
S H E L T E R
B I K E A N D P L A Y
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Mitzi Bollani
nferlo
rlo is a small, colorul low seat, which “pops up” to meet a variety o seating require-
s. Finerlo takes up very little space and thus can provide an amusing rest at bus stops
lters. It oers a resting place or weary travelers in areas where there are no benches.
mber o seats can be arranged together to create an inormal relaxation place.
E C T F A C T S
: MODO srl. Completion: 2005. Production: serial production. Design: individual
n. Functions: seating. Main materials: iron.
g| Sketch,seating
ii| Red chanterelles, in Bibbiena
i| People at a bus stop, in Poggibonsi
P R O J E C T F A C T S
Address: Vondelpark, Oud Zuid, Amsterdam, The Netherlands. Planning partne
Selbing. Client: City o Amsterdam. Completion: 2011. Production: serial produ
sign: individual design. Functions: seating. Main materials: cast iron, coated wo
Anouk Vogel landscapearchitecture
Vondel VersesAmsterdam
The inal step in the renovation o the Vondelpark is the replacement o the p
ture, which today consists o an agglomeration o standard elements rom die
ods. Vondel Verses takes its inspiration rom the original ideas o the Vondelp
is designed in a romantic English landscape style. The park contains a medley o
characters that come together as a whole. This variation is relected in the appl
dierent motis in the rames o the benches, inspired by the lora and auna o
tion. The vegetal motis are continued in the design o the lamp p ost, which sub
a daodil bud, and the kiosk, which is covered by a pattern o ivy.
ii| Sparrow bench
i| Lime bench
o| Pairs of bench profiles
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Studio Makkink & Bey BV
okyo City Benchyo
ripper is based on a study o the dierent postures people assume on the street dur-
day, while learning, sitting, or squatting. Seven postures were ixed and shaped in
ave-like orm o this work. More ormal pieces o “urniture” were integrated in this
– like a dining table or chairs. Working initially rom an appreciation o European
and culture, in this case the designers have chosen to abricate the works using a
o iberglass, printed with a white lower pattern on pink-colored polyester.
J E C T F A C T S
ess: Tokyo, Japan. Planning partners: Silvijn v/d Velden, Christiaan Oppewal.
t: Droog Design. Completion: 2002. Production: single piece. Design: individual
n. Functions: seating. Main materials: wood, berglass, polyester.
gg| Main elevation
ii| Detail, integrated dining table and chair
g| Production process
i| Side elevation
sandellsandberg /Thomas Sandell
Streetscape FurnitureTokyo
Roppongi hills, one o Japans largest integrated property developments, stem
the concept o living, working and shopping in close proximity to eliminate
ing time. Thomas Sandell and sandellsandberg were commissioned to design
lation or one o the outdoor spaces and decided to create a seating arrangeme
shape and material that correspond to the modern, playul and inviting eel o t
streetscape.
P R O J E C T F A C T S
Address: Roppongi Hills, Tokyo, Japan. Client: Mori Building Society. Completi
Production: single piece. Design: individual design. Functions: seating. Main ma
thermoormed Corian, with injected polyuretan oam.
ii| Total view
i| Site image, with people
o| Detail
s| Sketch
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P R O J E C T F A C T SBuro PoppingaClient: Grijsen park & straatdesign. Completion: 2007. Production: serial production. Design: individu
al design. Functions: seating. Main materials: coated cast aliminum, hardwood.
he Big Bench
ig Bench by Buro Poppinga was developed or Grijsen park & straatdesign as a dura-
oduct or contemporary public spaces. Great eort was exerted to make it look good
the ront as well as the back. It is meant to be a modern version o the classic park
made rom castings and shelves. It has an H-shaped proile and consists o 90- to
m boards. A particular distinguishing detail o the bench is that not all o its wood
pped between the castings. The ront shel o the seat and the top shel o the back
nue across the entire length o the bench. These ree b oards are attached to the bench
her boards, the seat and backrest, which in turn are connected to the castings.
i| The Big Bench, perspective view
i| Side elevation
a| Looking beautiful rom the back as well as
rom the ront
i| Isometric drawing
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P R O J E C T F A C T SNL Architects
oom Bench
xtraordinary street object is a crossover o a hi-i unit and a bench and caters to the
to enjoy one’s own music in public. It especial ly appeals to the younger generation
ike to share their music. The Boom Bench eatures eight 60-watt co-axial speakers
wo subwooers that can be accessed through Bluetooth. The Boom Bench is a type
per-sized docking station. Everyone can connect his/her player or cell phone to the
ier to play his/her music with 95 dB high-quality sound. It is a new kind o street
ure that will not only shape the public visually but also acoustically.
Planning partner: Scott Burnham. Client: Droog Design. Completion: 2008. Production: serial produc-
tion. Design: individual design. Functions: seating, hi- unit, docking station. Main materials: ply-
wood, stainless steel.
i| Boom Bench with integrated hi- system
i| Group of kids enjoying the acoustic bench
s| Front view
i| Bench in use
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P R O J E C T F A C T SEstudio Cabeza /Diana Cabeza
ii| Close up
i| Layouts
Client: Government o Buenos Aires and private clients. Development team: Diana Cabeza, Martín
Wolson, Diego Jarczak. Completion: 2003. Production: serial production. Design: individual design.
Functions: seating. Main materials: pre-cast concrete with color aggregate, natural nishing.
opografico Bench
us, unsymmetrical and irregular, this bench’s undulating surace slides like the
glides like wet sand and draws watermarks like on a still damp surace. Its topo-
ic expression evokes subtle ergonomic qualities, while its concrete materiality is
riendly. Consisting o a basic module 1.80 x 0.70 x 0.40 meters with or without a
est, it can be conigured in numerous and varied ways, or example matched side-to-
back-to-back or in combinations o both with chemical or mechanical anchors.
i| Area version and row lay out
i| Bench, with backrest row
s| Bench, without backrest row
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P R O J E C T F A C T S
atrimonial Benchnos Aires
bench was especially designed or the historical center o Buenos Aires. It is made
e-cast concrete with an incorporated o-white color aggregate, typical o turn-o-
ntury Buenos Aires açades. With or without a backrest and a base unit measuring
meters in length, it can be installed in individual units or assembled into a long
nuous row o benches. Furthermore, as benches with or without backrests can also
mbined to be approached rom either side, very singular conigurations may be ob-
d. The bench is ixed to an on-site concrete base.
Address: Historical center o the City o Buenos Aires, Argentina. Development team: Diana Cabeza,
Alejandro Venturotti, Diego Jarczak. Client: Government o the City o Buenos Aires. Completion:
2008. Production: serial production. Design: individual design. Functions: seating. Main materials:
pre-cast concrete with color aggregate, natural nishing.
i| Bench, with and without backrest row
p| Use situation
i| Layouts
s| Close Up
Estudio Cabeza /Diana Cabeza
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ncuentrosnos Aires
uentros” is inspired by the rocks o “Playa Negra”, a black South Atlantic beach on
oast o Tierra del Fuego. It pays homage to the end o the world and acts as a bridge
n distant places o the earth, celebrating the encounter with nature and the eeling
knowledgement and delight. “Encuentros” proposes an evocative encounter place, to
to rest, to see and be seen and eventually to come in touch with onesel and nature.
J E C T F A C T S
ess: Tribuna Plaza, Casa Foa 2009 Edition, City o Buenos Aires, Argentina.
lopment team: Diana Cabeza, Alejandro Venturotti. Client: City o Buenos Aires.
pletion: 2009. Production: single piece. Design: individual design. Functions: seat-
Main materials: red and brown Sierra Chica Argentine granite.
i| Different compositions
p| Detail, red and brown granite
i| Singel, double and tripple seats
díez+díez diseño
Miriápodo
The bench was created as a potentially ininite seat element that, in a lateral wa
across spaces, cities and ields, squares and buildings, accommodating people
erent needs, allowing diverse uses while being in a continuous metamorphosis
satility o its composition and unction lies in the completely ree modulation o
basic elements that orm the initial program, which are the leg and the slat. Both
articulate and ix around a joint once the desired position is set. This allows t
rom a basic seat o 50 cm to seats o any length, adopting curved, straight, mix
P R O J E C T F A C T S
Planning partner: Trem diseño industrial. Client: Tecnología & Diseño Cabanes.
tion: 2005. Production: serial production. Design: product line. Functions: seatin
materials: cast aluminum.
ii| Bench, with backrest
i| Infographic, dierent possibilities o
compositions
o| Detail
Estudio Cabeza /Diana Cabeza
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olar Benchul
Bench rees itsel rom the design concepts o traditional benches. It is a new ap-
h to the concept o a bench. While serving the traditional unction, this bench be-
s a Wi-i hot-spot also oering nightly illumination through its thin-ilm solar bat-
Eco-riendly, it is made o aluminum and recycled plastics in addition to the solar
y. It oers the public utilization o natural electricity charged by sunlight. Eventu-
t is an element o an “Eco City”.
E C T F A C T S
ss: Nonhyun-dong, 70-7, 135-010, Seoul, South Korea. Planning partner: Byungmin
Seonkeun Park. Client: Samsung Electronics. Completion: 2008. Production: single
Design: individual design. Functions: seating, Wi-Fi, lighting. Main materials:
c, solar panel.
Owen Song
g| Solar benches
ii| Variations in colors
i| Detail, Wi-Fi spot
s| Plan
cucThe bench cuc can be constructed at any desired length by assembling the mo
ments in a row. The c urved silhouette o the seating area is convexly/concavely in
also enabling a change o direction within the row. cuc was designed or the Par
ditoris de Barcelona as part o the Forum de les Cultures Barcelona 2004. The i
concrete elements, weighing 229 kilos each, are available in light grey or sa nd y
Foreign Office Architects(FOA) / Farshid Moussavi,Alejandro Zaera-Polo
ii| Row of seats
i| In use
i| Single element
P R O J E C T F A C T S
Manufacturer: mago:group. Client: Barcelona Park. Completion: 2005. Productio
production. Design: individual design. Functions: seating. Main materials: conc
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P R O J E C T F A C T S
Client: private. Completion: 2006. Production: serial production. Design: product line. Functions: seat-
ing. Main materials: aluminum.
d bed in use
an and section
p| Bed of alminum wings, dierent versions
Nea Studio /Nina Edwards Anker
Bird Bed
The Bird Bed, a piece rom the Arctic Furniture Line, is a daybed or two. Its durable sur-
aces make it ideal or relaxing in urban streets and parks. The daybed lexes comortably
under the body’s weight. Its proile resembles a bird in light whose ‘wings’ carry the user
so that he seems to be hovering in mid-air. There are two dierent versions o the seating
object available. The garden version is dug into the ground (preerably medium hard soil
or a sidewalk), while the version with a base can be bolted into the ground. Fabricated o
2.5 millimeter-thick high gloss painted aluminum, it appears slender and light.
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P R O J E C T F A C T SArchitektin Mag. arch.Silja Tillner
ark Bench Swinger
ench “Swinger” was developed as part o the revitalization o the Gürtel ring road o
na. Its dynamically curves correspond to the new spirit and image o the central ring
area, while its ergonomic shape invites passers-by to sit down and relax. The battens
ergonomically rounded back and seat are made o cedar wood, while t he basic rame
de o lat bar steel. Whether standing on its own or as part o a group, the bench
onderul addition to the appearance o the city. Its mix o esthetics and sturdiness
s it an ideal city urniture item.
Client: City o Vienna. Completion: 1998. Production: serial production. Design: individual design.
Functions: seating. Main materials: wood, steel.
i| Park bench “Swinger” in the city o Vienna
i| Elevations
s| Close-up view
i| Delicate and simple form
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Caesarea LandscapeDesign Ltd.
J E C T F A C T S
t: Park in Ceasaria. Completion: 2010. Production: serial production. Design: prod-
ne. Functions: seating. Main materials: cast iron, wooden beams.
ench Castle 717bench with an elegant and unique look its into a dyna mic context. Legs and arm rests
made o high-quality cast iron GGG-40 in the colors gray, black and blue. Eight boards
able in dierent kinds o wood connect the cast-iron sides. It is available in various
: 1.40, 1.10 or 0.70 meters.
g| Side elevation
ii| Perspective
i| Detail
Diego Fortunato
SOL and NETSOL consists o a 35-kg cha ir made o UHPC, h igh perormance concrete. The sea
placed on a single narrow tube structure, which is bolted to the ground. It has has
nism that allows the chair to turn arround like an oice chair. Available in black a
it is acid treated and water repellant. The waste basket/ashtray NET with the sam
structure is made o reinorced cast stone.
P R O J E C T F A C T S
Client: ESCOFET 1886. Completion: 2005. Production: serial production. Design
line. Functions: seating, garbage can. Main materials: polymer concrete (chair),
orced cast stone (garbage can).
ii| Urban chair SOL
i| Plan, seat
o| Garbage can NET, in combination with chair
SOL
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enches Martelo
modern-looking, smooth-lined metal bench and the wavy, comortable bench without
upport have a square seat p eroration pattern. It is galvanized and enameled in pure
ster and matches the RAL color key. Available in dierent combinations, the dier-
ptions include anchoring to the pavement, rubber ootings, and solid cement legs
a rough texture in white or gray as well as handles.
gg| Bench Martelo 791 and garbage can
Caesarion 958BM
ii| Benches Martelo 792
g| Benches Martelo 791
i| Bench Martelo 746
Caesarea LandscapeDesign Ltd.
E C T F A C T S
: Gold Internet, municipality o Aula, shopping center in Carmiel. Completion:
Production: serial production. Design: product line. Functions: seating. Main mate-
perorated metal, decorated stone base in dierent shades.
Estudio Cabeza /Diana Cabeza
Alfil Set
The built-in chess board is ideal or parks and other recreational areas where u
indulge in games, such as chess, checkers, cards, etc. Its color combination ren
pre-cast reinorced unit lexible applicable or a number o dierent uses and
options while requiring very little maintenance. Embedding bases are included
or two, three or our seats. Without the base, the elements can be embedded in
built-in concrete. When an adequate base is provided they can also be embedde
ground on a suitable substratum.
P R O J E C T F A C T S
Development team: Diana Cabeza, Mario Celi, Diego Jarczak. Client: public and
clients. Completion: 2000. Production: serial production. Design: product line. F
Set o table and seats, drinking ountain. Main materials: precast reinorced co
with black color aggregate, natural nishing.
i| Sets of tables and seats
oo| Table, with chess board
o| Sets and singel seats
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West 8 urban design &landscape architecture
P R O J E C T F A C T S
i| Long linear Timber seat at Schouw-
burgplein, Rotterdam, The Netherlands, 1993
s| Timber seat at Leidsche Rijn Park, The
Netherlands, 1993
i| Timber seat at Neude, Utrecht, The
Netherlands, 1998
Client: dierent governmental and private organizations. Completion: irst version 1993. Production:
serial production. Design: product line. Functions: seating. Main materials: wood, steel.
est 8 Timber Seat
y, 20 years ater the long linear timber seat was constructed on the Schouwburg-
in Rotterdam, the bench concept as an outdoor meeting place continues to be a suc-
The monumentality o the seat relates well to the scale o its environment, while its
ming character invites passersby to linger. Ergonomically, it provides comort and
ction. The design principles have stood ‘the test o time’ and are now eagerly copied
anuacturers o street urniture. The speciic orm and the scale o seat and backrest
tute the basis o a amily o benches, regularly used in other West 8 projects. They
remarkable outdoor objects and readily relate to their varying contexts.
i| Timber seat at Lippensplein, Knokke,
Belgium, 2006
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West 8 urban design & land-scape architecture
P R O J E C T F A C T S
i| Segment of swirl-bench, dierent
conguration
s| Artits Impression Swirl-bench, Libarary
University o Utrecht
ii| Swirl-bench in Luxury villag
1995
i| Different configurations
Client: various. Completion: irst version 2005. Production: serial production. Design: set o parts.
Functions: Seating. Main materials: polyester concrete.
est 8 Swirl Benchbench‘s generous circular shape, made up o dierent segments, can be easily placed
ariety o locations. Due to its size it can accommodate quite a ew people at once. The
n the middle allows people to sit down acing either inwards or outwards, provid-
ther a little intimacy or the possibility to turn away rom the others and take in the
undings. The seat is relatively low and wide and thereore comortable to sit on. The
’s “belly buttons” act as little drainage holes. Each segment is made out o two cast
that are joined together and that are available in various colors and textures. In ad-
to the donut shape, other conigurations are also possible.
i| Swirl-bench, Libarary University o Utrecht
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P R O J E C T F A C T SASPECT Studios(Sydney Office)
5 5
enches at Pirrama Parkney, NSW
rie or the Pirrama Pa rk was to develop a new public park or a post-industrial piece
d on the Pyrmont peninsula. The prime location o the site on Sydney’s waterront
d the opportunity to create a memorable public park area or local residents and the
community. The brie also required appropriately scaled community acilities and
c realm elements including shade canopies, benches, a kiosk and toilets to be included
n the design. The custom-designed benches are part o a suite o urniture designed
e site. The bench eatures recycled timber a s the seat and backrest, ixed to a solid but
nt piece o concrete that wraps around to become a ‘mat’ or the users’ eet.
Address: Pirrama Rd, Pyrmont, Sydney NSW 2009, Australia. Planning partner: Hill Thalis Architec-
ture, Urban Projects, CAB Consulting. Client: City o Sydney Council. Completion: 2009. Production:
single piece. Design: individual design. Functions: seating. Main materials: concrete, timber.
i| Robust park bench o timber and concrete
i| Site plan of Pirrama Park
s| View at twilight
i| Side perspective
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Zaha Hadid Architects P R O J E C T F A C T S
i| Sculpture, usable as a bench
s| Side view, center part
i| Back side
Address: City Art Square, 1 Yuen Wo Road, Sha Tin, N.T. Hong Kong, China. Planning partner: Patrik
Schumacher. Client: Sun Hung Kai Properties Ltd. Completion: 2008. Production: single piece. Design: in-
dividual design. Functions: seating, sculpture. Main materials: EPS oam reinorced with fberglass shell.
irlg Kong
s a typical piece o art that unctions as street urniture. It was conceived to relect
tensity o a hyper-acceleratory orce within an elastic tactile orm. As the curvature
surace dynamically and seamlessly twists and turns, dynamic orm and unctional
hings are seamlessly integrated. Swells provide areas or seating while stretches in
rm urnish opportunities to recline. A generous upward sweep provides shade and
s present views o the surroundings. Dierent-sized voids allow or a variety o
iential possibilities o entering into and interacting with t he sculpture or visitors o
es, who are always surrounded by a cloud o swirling orces liting o the ground.
i| General view
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P R O J E C T F A C T SBroadbent /Stephen Broadbent
eopold Squareeld
nning collection o grade II la ndmarked Victorian school buildings in Sheield, Eng-
were careully renovated and contemporary new buildings added to this mixed-use
opment, with a new public square at its heart. Broadbent was commissioned through
ndscape architects Planit-ie to produce sculptura l seating units or the public square,
h would celebrate some o the lie and history o the old Sheield Central School.
bent engaged ormer pupils who provided personal memories, either as written
ments or drawings. These were modeled and cast into the bronze seating units.
Address: Leopold Square, Sheield S1 1RG, United Kingdom. Landscape Architects: Planit-ie. Client:
Ask Property Developments. Completion: 2007. Production: single piece. Design: individual design.
Functions: seating. Main materials: bronze.
i| Detail of typography
i| Graffiti proposal
s| Leopold seats and fountain
i| Overview of Leopold Square and seats
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P R O J E C T F A C T SStreet and Garden FurnitureCompany / Surya Graf
The WaveAlexandra Headland
While having an obvious unction, the brie or the Wave bench was to be a ocal point
along the boardwalk while itting harmoniously into the oreshore landscape. The design
took direct inspiration rom its coastal location, relecting many aspects o this environ-
ment and liestyle. The overall orm, the shaping details in the timber, and the curved
metal leg details are all reerences to aspects o the ocean. In addition, the design allows
various users to individually decide how they wish to use the seat. Relying on CAD tech-
nology to produce a quality product in a quick and cost eective manner, the design uses
timber and metal components, which are durable and easy to maintain.
Address: Pinch Point, Alexandra Headland, QLD, Australia. Client: Sunshine Coast Regional Council.
Completion: 2007. Production: single piece. Design: individual design. Functions: seating. Main materi
als: timber, steel.
ew at sunrise, showing the right bench
an
i| Timber shaping detail
s| The Wave at Boardwalk Lookout
i| Steel leg and curved framing
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P R O J E C T F A C T SStreet and Garden FurnitureCompany /Miranda Lockhart
s| Backrest detail
ollymooklymook Beach
ts o the coastal location along with unctional considerations became the key ele-
used to develop the Mollymook designs. The platorm seats allow or a variety o seat-
sitions or users to enjoy views, breezes and the sun as conditions change throughout
y. The laser-cut pattern details in the steel backrests resemble the shapes let by wave
n in sand. This eect is enhanced by the back to back seating arrangement, which plays
ight and shadow eects that change according to the viewers’ position. Just as wave
n continually changes patterns in the sand, this sense o change is emphasized with
ovement o the sun creating shadow eects when light passes through t he pattern.
Address: Mollymook Beach, Mollymook, NSW 2539, Australia. Client: Shoalhaven City Council. Com
pletion: 2006. Production: serial production. Design: product line. Functions: seating. Main materials:
stainless steel, timber wood.
i| View of the bench against sunset
i| Reflections and patterns in the backrest
s| Elevations
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P R O J E C T F A C T SStreet and Garden FurnitureCompany /Alexander Lotersztain
wig bane
is a modular seating system designed or public spaces that encourages diversiica-
nd interaction among people. The single component modular design allows or a
y o positional combinations, and t he creation o “conversation pockets” throughout
osen landscape. The design is extremely robust and ea sily maintained, which makes
l suited to high-wear outdoor environments. While the Twig is manuactured rom
st concrete, the roundness o the orm suggests a visual sotness. Twig is a very
ural element that blurs the boundaries between the built orm and external space,
uggests new ways o ormal and inormal outdoor living.
Address: Southbank Institute o Technology, 66 Ernest Street, South Brisbane, QLD 4101, Australia.
Client: Southbank Institute o Technology, Cox Rayner Architects, Gamble McKinnon Green Land-
scape Architects. Distribution: Street and Garden Furniture (North America, Oceania), Escoet (EU,
middle East, Asia). Completion: 2007. Production: serial production. Design: individual design. Func-
tions: seating, plant tub. Main materials: concrete.
i| The Twig, robust and appealing
i| Possible layout plans
s| Double function as planter and seating unit
i| Detail view
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P R O J E C T F A C T SMichel Dallaire DesignIndustriel – MDDI
Mntreal
main objective o this project was to design a complete amily o urban urniture that
y identiies, distinguishes and valorizes the Quartier international de Montreal. Ad-
d material technologies were used, with aluminum as the basic material in a variety
nsormation processes, such as extrusion, sand-casting, pressurizing, die-casting,
umerical machining. The thematic visual vocabulary was inspired by the contrast o
rcle with the absolute vertical rectitude. The project includes a variety o elements
dem lighting ixtures and posts, street and park benches, bicycle holders, trash-bins,
ign supports, and special hardware components.
Address: Daoust Lestage Inc, 3575 St Laurent, Montreal, QC H2X 2T7, Canada. Client: QIM. Comple-
tion: 2003. Production: serial production. Design: individual design. Functions: seating, illumination,
bicycle stand, garbage can, signs. Main materials: aluminum, IPE wood.
i| Seating, view rom back
i| Seating, side view
s| Seatings, overview
i| Seating backside, lamp and garbage can
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Lucile Soufflet P R O J E C T F A C T SPlanning partner: TF France. Client: TF France. Completion: 2008. Production: serial production.
Design: individual design. Functions: seating. Main materials: steel.
i| Soft Bench, view rom above
o| Sketch
p| Soft Bench, with undulating seat
oft Bench
Bench is a street object with a amiliar line which suddenly undulates and twists to
lexible and relaxed seating on a hal o its length. Used or seating in the classical
on or or a casual horizontal position, its design allows users to take the time to en-
to the object and its unctionalities. It raises the issue o public and private spaces,
shape o appropriate urban urniture that allows relaxing and contemplating the
and the landscape. Its simple but unusual orm and its delicate rame constitute the
al character o this bench.
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P R O J E C T F A C T SLucile Soufflet
Bancs Circulaires
The irst bench was commissioned by the Brussels city council in 2003 or a little square
in the center o Brussels. The city council required a metallic railing around a tree in the
middle o the square that could also unction as a bench. The designer proposed to enlarge
the railing and simply to maintain the theme o sitting around a tree. This bench unolds
in a circle, extends itsel and returns around the tree. Part o the concept was to play with
the making process and produce a circular shaped element in the bench. At each end, the
proiles gradually deorm themselves and back rests slowly appear to create seats acing
each other. Dierent models o the bench based on the same pr inciple were created later.
Client: Cities o Brussels, Mons, Luxembourg. Completion: 2003. Production: single piece. Design:
individual design. Functions: seating. Main materials: steel.
cular benches on Grand Place, Mons
ctions o dierent parts o the bench
i| Plan
s| Grand Place, dierent perspective
i| Different arrangement o the bench
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P R O J E C T F A C T S
Union Bench Collection
Designer Jangir Maddadi knew that to create a piece o public urniture would require a study
o the public itsel. Ater th ree years o intensive research into seating behavior, Maddadi
melted the need or individualism and the desire or social contact in a product that heralds
a revolution in the traditional street bench by changing its physicality altogether. The subtle
simplicity o this piece o urban urniture constitutes an elegant contrast to the robust
concrete and wood construction. The island-like arrangement o up to three semi-spherical
seats gives users a 360-degree v iew no matter where they choose to sit. A widespread seat-
ing area creates comort when sharing the bench with strangers or riends.
Jangir MaddadiDesign Bureau AB
Completion: ongoing. Production: serial production. Design: product line. Functions: seating, plant
tub. Main materials: concrete, wood.
ion Bench 8-seater with plant tub
ns
i| The black collection, scattered on a public
square
s| 12-seater, in orthogonal arrangement
i| 12-seater, arranged around a tree
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P R O J E C T F A C T SBenjamin Mills
Tree Guard Bench
Tree Guard Bench is designed to provide both tree protection as well as an elegant seating
solution. The unexpected appeal o the design lies in its ability to transorm. Tree Guard
Bench is intended to change intuitively with the needs o the space in which it occupies,
seamlessly shiting orm to coincide with the rising and setting o the sun. This provides
extra tree protection at night and enhances the use o its surroundings in the day. The
role o street urniture is considered in a holistic manner here, resulting in a mesmerizing
and sculptural design that aims to challenge our perceptions o how public seating should
look and perorm.
Completion: 2009. Production: single piece. Design: individual design. Functions: seating, tree guard.
Main materials: aluminum.
ee Guard Bench, seating position at
e
y to night transformation
i| Exploded section
s| Transformation sequence
i| Tree Guard Bench in a public square
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P R O J E C T F A C T Sdíez+díez diseño
eamar Bench
dea o this bench model was inspired by a rock, or recovering o “the natural” in
ban environment. It combines the heavy characteristic o rock with a luid pattern
surace – bringing two dierent elements together in one body. The bench has a
lar structure and consists o two main elements. The irst element is straight, mea-
g two meters in length and 80 centimeters in width. The second element is curved
overs 45 degrees. In combining both elements the most dierent bench orms can
anged – rom circular via curved to linear compositions. The single elements weigh
ximately 1,500 and 1,000 kilograms. They are placed immediately on the loor.
Client: GITMA. Completion: 2006. Production: serial production. Design: individual design. Func-
tions: seating. Main materials: concrete.
i| Elevation, robust concrete bench
i| Scheme, possible arrangement
s| Modular structure, the bench can be
adjusted to its environment
i| Elevation
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P R O J E C T F A C T S
ii| Plan
i| Small bench
d| Combination of two long benches
i| Chairs
s| Perspective
Client: Paviments MATA. Completion: 2009. Production: serial production. Design: individual design
Functions: seating. Main materials: concrete.
díez+díez diseño
Ponte
Ponte managed to create a precise balance in developing a bench with contemporary
orms. Reined with a touch o classicism, it can be easily integrated into areas such as
traditional urban centers, historical sites, parks and gardens, where the placing o more
innovative concepts would be problematic. Its longitudinal curvature coupled with the
downward inclination o the seat that is shaped like a drainage duct acilitates the re-
moval o water trapped in the seating area. As a result, the bank contains areas with seat
heights that dier by three centimeters rom its middle towards the ends, allowing people
with dierent heights to ind their ideal seat.
ng bench
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díez+díez diseño P R O J E C T F A C T S
i| Placement scheme
s| Curve of seats
i| Linear composition
Client: Paviments MATA. Completion: 2007. Production: serial production. Design: individual design.
Functions: seating. Main materials: concrete.
ove
ove program consists o two seating elements with attachments, one concave and
her convex, and a third lat piece that unctions in both o the other two positions.
be said that Dove is a amily o benches with the same genetic proile. These three
nts have an incredible versatile composition and can be placed individually or in
s, as well as in curved rectilinear or mixed, opened or closed ormations. It is an
ic element with smooth and pleasant suraces that invites to stop and rest, to medi-
r simply to relax. The elements are made o concrete and can be combined by simply
ng them side by side.
i| Row of concave and convex seats
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P R O J E C T F A C T SDiego Fortunato
T Collection
IT Collection is a modular system o concrete seating elements that are special not
n their rounded suraces but also in the way they are combined. It consists o cubic
g elements o dierent length that orm benches or stools. Backrests o dierent
h can join the seating elements. They are shaped to be simply placed behind the
es or stools and provide a comortable public seating accommodation. The rounded
o the bodies not only gives them a beautiul countenance but also prevents the
urniture rom getting soiled, as rainwater can easily drain o.
Client: ESCOFET 1886. Completion: 2005. Production: serial production. Design: product line. Func-
tions: seating. Main materials: concrete.
i| SIT Collection at Maison de Quartier in
Sédan, France
i| Elevations
s| SIT Collection in Sant Pere Pescador,
Girona
i| Long backrest and bench in black
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nahtrang / Ester Pujol,Daniel Vila
P R O J E C T F A C T SClient: ESCOFET 1886. Completion: 2009. Production: serial production. Design: product line. Func-
tions: seating. Main materials: steel, concrete, bamboo wood.
NK
INK bench is an extremely light, urban-style seating element, with a high ormal
nt. Its structure, recalling the essence o the popular classic olding stool, is simple,
tive and balanced, with echoes o the East. A modest little gem whose proportions
it easy to integrate into the environment. LINK’s subtlety o orm and smart com-
on o materials – steel and concrete or steel and bamboo wood – make it a balanced
nt in the urban landscape or or contract urnishing. The series includes the LINK
, LINK stool, LINK table and LINK wall seat models, all with two seat options, made
ncrete or bamboo.
i| Bamboo wood stool, placed indoors
o| Perspective view, bamboo wood bench and
stool
p| Bamboo wood bench and stool
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N A H T R A N G L I N K
i| Frontal view of the set
f| Concrete bench and stool, perspective
view
f| Bench diedric and sketch
s| Side view in perspective
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Juan Carlos Ines Bertolin,Gonzalo Milà Valcárcel
P R O J E C T F A C T S
i| La Marbella beach, Barcelona
s| Barceloneta beach, Barcelona
ii| La Marbella beach, Barcelona
i| Sketch
Client: ESCOFET 1886. Completion: 1996. Production: serial production. Design: product line. Func-
tions: seating. Main materials: steel-reinorced reconstituted stone.
LLARGA / SICURTA
urban chaise longue is made o steel-reinorced reconstituted stone, which was spe-
ly designed or this project. The object is destined or gardens, promenades, rest
and parks or comortable sitting and enjoying the surrounding nature. The ergo-
c design eatures an inclined backrest and slightly inclined leg s upport. Both o these
ons are intended to improve the blood circulation, or example ater exercise. Sil-
provides a decent and deinitely laid-back way o sitting in public spaces.
i| Benches, Forum, Barcelona
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P R O J E C T F A C T SStreet and Park Furniture /Michelle Herbut
Botanic Bench
The Botanic Bench was designed to suit a speciic site in South Australia. Inspired by the
growth and organic nature o the plants at the Botanical Gardens, the aim was to simulate
the bench ‘growing’ out o the ground and to take advantage o the resulting curve. This
adds another possibility to the ways the bench is utilized, by using it as the much sought
backrest that nature so oten omits. The resulting bench is unique in its appearance, with
its round and organic orms it blends harmoniously into the background o a park land-
scape. The design company o Street and Park Furniture was asked to help the designer
with production and manuacturing issues.
Client: University Project. Completion: 2004. Production: single piece. Design: individual design.
Functions: seating. Main materials: aluminum, timber, stainless steel.
i| Deatil view
s| Perspective view
ew of Botanic Bench
fferent elevations
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P R O J E C T F A C T SStreet and Park Furniture
ea Tree Gully Seatdbury
ity o Tea Tree Gully is moving orward with dynamic developments. One o these
opments was to create a visual impact with a uniquely designed range o street ur-
e, introducing modern and innovative techniques into local constr uction and design.
and Park Furniture worked in collaboration with a design irm to create a range o
ng urban urniture, including seats, tree guards, bins, bollards, encing and banner
The Tea Tree Gully Seat displays an astonishing cu rved rame structure t hat creates
t and vivid countenance despite the robustness o the materials.
Address: 571 Montague Road, Modbury, SA 5092, Australia. Planning partner: Arketype. Client: City
o Tea Tree Gully. Completion: 2004. Production: serial production. Design: product line. Functions:
seating. Main materials: hardwood timber, aluminum, galvanized mild steel.
i| Seat with curved supporting rame
i| Side elevation
s| Front view
i| Side view o the seat
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Baena Casamor ArquitectesBCQ S.L .P. / Toni Casamor,David Baena
P R O J E C T F A C T S
i| Elevations
s| Flexible arrangement of the space,
adapts to the users habits
i| Furnitures, like a ew blocks o black basalt
Address: Illa 10 urban development in Sant Cosme, Carrer Anoia, Cardener, Ronda Sud, Avgda. Onze
de Setembre, 08820 El Prat de Llobregat, Barcelona, Spain. Manufacturer: ESCOFET 1886 SA. Client:
Incasòl. Completion: 2007. Production: serial production. Design: product line. Functions: seating.
Main materials: cast stone.
i| SO-FFA elements, t together to allow any
combinations
O-FFArat de Llobregat
FA benches were originally designed as neutral pieces o urniture or any location
e the designers thought a ew blocks o black basalt would it. In non-urban areas,
ing can be u sed to sit, a low wall, a trunk tree or a rock. Since there were no properly
stones or the project, they were built tak ing care with angles and h ow they could it
her to allow any combination. The designers were also interested in the way young
e use a bench; or example when sitting on the back with their eet on the seat. So
oup o ‘stones’ was supposed to accommodate all these positions and any others.
urban elements were built with simple geometries and o solid concrete, so they
be used as ree-standing elements.
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P R O J E C T F A C T SToyo Ito and Associates,Architects
Client: Escoet. Completion: 2005. Production: serial production. Design: individual design. Functions
seating. Main materials: reinorced cast stone.
odular Bench Naguisa
urniture made o concrete was designed to serve as a bench that can adapt to the
o towns or large parks. It can have sot curves like the low o the river, with an
ling dignity that arouses people’s imagination. For the design o this urniture, cir-
arc pieces o about our meters in length are used as modules. The curved surace
e they are gouged serves as the seating side and the organically consecutive shape
ons as a backrest allowing users to lean their backs or rest their arms to ind their
avorite seating position.
i| Benches in urban context
i| Benches in park context
s| Plans
ii| Bench, completely closed like a ring
i| Bench, sot curves like the fow o the river
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Alexandre Moronnoz P R O J E C T F A C T S
5090°
120°
150°
6 0
D = 200
D = 120
D = 250
D = 150
48
1 0 0
1 5 0
1 2 5
plans Y bois rétifié (en mm)
i| Plan
s| Detail
i| Scalable park and garden furniture
Production: Prototype Concept. Technical partner: RETItech. Client: VIA, prototype. Completion:
2006. Production: single piece. Design: individual design. Functions: seating. Main materials: laser-cu
retied wood, mechanical assembly.
a design or scalable park and garden urniture: its length can be deined reely
s base width is also variable. This unconventional outdoor seating idea consists o
es o vertical slats o laser-cut wood. They are linked together by adjustable assem-
xings, oering a wide range o coniguration options. The quality o the “retiied”,
mally treated) wood allows the urniture to withstand outdoor weather conditions.
named or the geometric shape o its basic module, which is thus transormed rom
al moti into a unctional orm.
i| Detail
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P R O J E C T F A C T S
i| Plan
d| Design studies
i| Detail
s| Bench
Address: Les Jardins du Fleuriste, Av. Sobieskilaan and Av. de Robiniers, 1020 Brussels, Belgium.
Planning partner: Parkdesign / Pro Materia. Client: BGE-Brussels-Environnement. Completion: 2007.
Production: serial production. Design: individual design. Functions: seating. Main materials: laser-cut
bent and soldered steel, electroplated zinc, epoxy paint.
Alexandre Moronnoz
InterferencesBrussels
The unique urban park bench, installed in Les Jardins du Fleuriste, has a calm and organic
exterior and a renetic, moving, exposed interior. A balance between order and disorder,
movement and stability characterizes the volume. Equally at home amidst urban bustle or
swaying grasses, Intererence is an eye-catching addition to any landscape. The dimen-
sions may be extended to suit each setting. At once urban and organic, relective o its
environment (a public space marked by constant movement), this park bench balances
order with chaos in a spirit conducive to riendly encounters.
side, detail
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Alexandre Moronnoz P R O J E C T F A C T S
i| Detail
s| Design sketch
i| Making of
Address: Cité du Design, 42000 St-Etienne France. Completion: 2008. Production: serial production. De-
sign: individual design. Functions: seating. Main materials: steel, primary zinc epoxy powder coating.
uscletienne
ectacular to gaze at as it is comortable to rest on, Muscle is a counterproposal to
ional sti and motionless street urniture thanks to its dynamic orms and puri-
nes. It is a piece that compliments both contemporary architectural structures and
rn landscape designs. The bench oers the possibility o sitting or lying down in
nse to the surace’s relie. Like the ibrous structure o a muscle, the cut metal sheets
with compression and tension to maintain the rigidity o the resting platorm. The
th gun metal gray epoxy inish relects the light and adds to the sense o lightness.
e sun passes through the metal bars, the shadows mix with the actual piece, adding
other dimension.
i| Bench
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P R O J E C T F A C T SMitzi Bollani
ottola Spinning Top
unusually shaped urniture resembles a spinning top, whose sot and playul shape
s in intriguingly with parks or playgrounds and invites older dwellers to rest and
as a seat whereas children are encouraged to use it as toy. Its biomorphic design
dierent possibilities or sitting or lying down as people like, it can be a lexible,
or rotating seat where a number o children can play together, discovering how the
hey move directly aects the movements o the top. It is a street object which not
ombines dierent uses but also unites dierent age groups.
i| Trottola, as part o a public playground
i| Sketches
s| Organic form blends perect with green
spaces
i| View of Trottola within a backyard
Client: MODO srl. Completion: 2005. Production: serial production. Design: individual design. Func-
tions: seating, play. Main materials: ber glass.
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P R O J E C T F A C T SAziz Sariyer
uirizia
izia is a multi-unit bench that can be combined in a modular manner to create a va-
o dierent orms. It can be adapted to the location in which it is used, regardless o
her it is an open plaza or a narrow courtyard. The cross-section o each element dis-
a horizontal and a vertical axis melting into a cross with sot and rounded shapes.
orizontal axis orms the seating whereas the vertical axis constitutes both the back-
nd the oot. The curvature o the whole structure does not only prevent the bench
overturning but also gives the object a slender and playul appearance. liquirizia is
o aluminum and can be delivered in dierent colors and inishes.
Client and manufacturer: altreorme. Completion: 2008. Production: serial production (limited edi-
tion). Design: product line. Functions: seating. Main materials: aluminum.
i| liquirizia, modular seating urniture
i| Possible arrangements
s| Front elevation
i| Detail view, section
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P R O J E C T F A C T SAziz Sariyer
ariùis a console table with a stately size and surprising sot and elegant shapes. Its slen-
urved shape gives the structure a warm and eminine appearance. However, stability
o gained rom this geometry – a sinuous curve providing balance and enabling the
ure to rest on a very small oot surace. Visually, the table surprises the perceiver
changing looks according to the viewer’s position and angle. mariù is made o alu-
m and is well balanced, sel-supporting its wide igure with harmony on only one
meter thick S-shaped line. It is a harmonious designed piece o public urniture that
robustness while being esthetically appealing at the same time. mariù can be deliv-
n dierent colors and inishes.
Client and manufacturer: altreorme. Completion: 2008. Production: serial production (limited edi-
tion). Design: individual design. Functions: console table. Main materials: aluminum.
i| Perspective view
i| Slender countenance, side elevationi| Detail view, sharp edge and emblem
s| Concept rendering
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Esrawe Studio /Hector Esrawe
P R O J E C T F A C T S
i| Sketch
s| Perpective view
i| Bench in use
s| Detail
Address: Paseo de la Reorma avenue, C.P. 06600 Mexico City, Mexico. Client: City o Mexico City.
Completion: 2007. Production: single piece. Design: individual design. Functions: seating. Main materi
als: coated metal.
do Benchico City
ench was developed based on an invitation to artists, architects and designers to de-
an urban bench is placed at the Paseo de la Reorma. The proposal was or an element
would “embrace” the user, generating a rather intimate space in relation to the outside.
on sketches and models, a random structure was approached that evokes a “nest”
ymbol o protection and isolation. The exhibition ‘Diálogo de Bancas’ at the Paseo de
orma was a success. When this urban urniture was placed there, the citizens made
ar use o it to rest their eet, to meet someone, or just to sit there or a while.
i| The form of the bench evokes a nest
symbol
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P R O J E C T F A C T SBrodie Neill
everb Chair
old, emerging geometry o the Reverb Chair is the striking new edition o the ever-
ssive urniture orms by Brodie Neill. Hand-ormed and mirror-polished rom sheet
num, the single inverted skin is unctional, yet poised in a sculpturally dynamic
The highly relective surace ampliies the tapering typology through a transition
curvaceous seat into the elliptical vortex o the back stabilizer. Inspired by the re-
ration o sound, the Reverb Chair’s membrane lows outward beore returning back
tsel. Born rom the pursuit to push materials to their limits, the luting orm is both
ess in structure and in surace.
Client: The Apartment Gallery. Completion: 2009. Production: single piece. Design: individual design.
Functions: seating. Main materials: nickel plated aluminum.
i| Highly reflective surface
i| View from back
s| Side view
i| Design sketches, screen shots
s| Detail
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P R O J E C T F A C T SJulian Mayor
egency Benchesdon
enches at Regency Apartments can be seen as a mixture o seating urniture and
ure. Their orm was developed as a reaction to the site, a luid series o volumes
ed by their position near the water and to the layers o history contained within.
uraces are made up o a complex series o planes that act as angled mirrors to the
nt light, allowing the shapes to react to light conditions and the color and brightness
sky. The artwork on the benches was created by students at the nearby Millbank
ry School as part o a series o workshops exploring the history o the area. Art,
n, education and public use are melted in this well-thought out project.
Address: Regency Apartments, Regency Street, Pimlico, London SW1P 4AD, UK. Client: Westminster
City Council, London. Completion: 2006. Production: single piece. Design: individual design.
Functions: seating, sculpture. Main materials: stainless steel.
i| Sculpture and seating furniture
i| Elevations
s| Perspective view
i| Deatil view, artwork on the planes
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Gitta Gschwendtner
ag Stoolsdon
ask was to investigate the tangible link b etween design and the city in an insta llation
e Design Museum Tank exploring the theme “Consume”. In reerence to material
mption, Gitta Gschwendtner created Woodcrete stools cast rom moulds based on
shopping bags. Their individual, irregular orm evolves during the casting process
he Woodcrete is made up rom a mixture o concrete and wood ibers which make it
t and environmentally-riendly material. The stools provide the visitor with a place
oy the view o London, taking in its sights and sounds and presenting an alternative
materialistic consumption prevalent in our lives today.
E C T F A C T S
ss: temporary installation at the Design Museum Tank, Shad Thames, London
YD, United Kingdom. Client: Design Museum. Completion: 2008. Production: single
Design: individual design. Functions: seating. Main materials: woodcrete.
g| River view
ii| White Bag Stool
i| Tank view Chair that disappears in the RaTokyo
The “Streetscape Project” – to which 11 designers were commissioned to design
urniture – has been completed in 2003 in the Roppongi Hills in Roppongi, Tok
that disappears in the rain” was designed as part o that project by Tokujin Yo
the rain this chair exhibits a similar eect as shards o glass that are dropped
with their outlines gradually disappearing. The chair is made rom a massiv
glass that is crated by special techniques, the same cutting relex plate materi
giant observatory telescopes.
P R O J E C T F A C T S
Address: Roppongi 6 chome (Keyakizaka St.) Tokyo 106-0032, Japan. Client: M
ing. Completion: 2002. Production: single piece. Design: individual design. Fun
seating. Main materials: glass.
Tokujin Yoshioka Design
i| Seat, in use
oo| Perspective view
o| Piece of glass
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P R O J E C T F A C T S
i| Promenade with passage
s| Wood bench detail plans
i| Benches on the promenade
Address: 1000 Ljubljana, Slovenia. Tunnel and bridge architecture: Elea iC. Client: DARS. Completion:
2010. Production: single piece. Design: product line. Functions: seating, garbage can. Main materials:
wood (seating), steel, plastic, concrete (garbage can).
BRUTO d.o.o. / Matej Kucinaˇ
entvid Urban Parkljana
ramework o the park is based on a pattern o cycle tracks, pedestrian paths and
verse concrete walls that constitute the ribs o the coniguration. The individual ex-
ons along the communication axis create lat areas in orm o tectonic interruptions
basic construction that can be used or dierent urban programs. Th is arrangement
the impression o visually broadening the space and at the same time constitutes
ment o articulation or creating the inner program-areas. Due to its spatial concept
oadside position, the park deinitely has an urban character which is relected in the
street graphics, bright colors, urban street equipment, and lighting elements.
i| Wooden bench and garbage can
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P R O J E C T F A C T S
i| Site plan
s| Steps with leaves
i| Bird’s-eye view
Address: 1-6-5 Marunouchi Chiyoda-ku Tokyo, Japan 100-0005. Architects: Mitsubishi Jisho Sekkei
Inc., Nikken Sekkei Ltd., Yamashita Sekkei Co. Ltd. Client: Mitsubishi Estate Co. Ltd., Marunouchi
Hotel, Nippon Lie Insurance Company. Completion: 2004. Production: single piece. Design: individu-
al design. Functions: seating, signs. Main materials: black granite.
Earthscape
arunouchi Oazo North Building yo
oal o this project was to inscribe memories into the land and make a connection
the uture. The rectangles etched into the exterior and the irst loor entrance are
plans o two o the previous uses o this location, a Hosokawa Family Samurai
e, and the Transit Authority Building, recreated in their original positions. Sceneries
each o these two time periods were engraved above them. The objects positioned
e landscape (such as benches) were intended to remind people o the memories o
y and the land, such as grasslands, orests, and ields o lowers, while also evoking
ture, as well as the present, allowing them to once again recognize the connections
en the past and the uture.
i| Steps with flowers
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P R O J E C T F A C T S
i| Plan
s| Bird’s-eye view
i| Black granite, engraved with the history o
the actory, and the old actory landscape
Address: Lazona Kawasaki, 72-1 Horikawa-cho Saiwai-ku Kawasaki city Kanagawa, Japan 212-0013.
Client: Toshiba / Mitsui Fudosan Group Ltd. Completion: 2006. Production: single piece. Design: indi-
vidual design. Functions: seating. Main materials: black granite.
Earthscape
wo Generations of herry Blossomswasaki
our cherry trees that used to blossom in the Toshiba Horikawa-cho actory site were
planted to the entrance o Lazona Kawasaki, and now serve to greet people as they
the acility. The black, ring-shaped bench positioned around one o those trees is
ved with the history o the actory, and the old actory landscape. Additionally, a
rom this bench is located on the ar side o the river. It has been engraved with a
o cherry blossoms in ull bloom, while a cherry blossom sapling was planted here
p people imagine the uture landscape.
i| Seating bench, around an old cherry tree
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P R O J E C T F A C T S
ii| Color conept, nature bench
i| Cross section, nature bench
s| Nature bench
ii| Color conept, city bench
i| City bench
s| Nature bench, by night with light sculpture
Address: Lazona Kawasaki, 72-1 Horikawa-cho Saiwai-ku Kawasaki city Kanagawa, Japan 212-0013.
Architect: Ricardo Boill Leví and Yamashita Sekkei Inc. I llumination: Sola associates. Client: Toshiba
/ Mitsui Fudosan Group Ltd. Completion: 2006. Production: single piece. Design: product line. Func-
tions: seating. Main materials: DuPont Corian.
ature and City Benchwasaki
wo kinds o benches constitute part o “the axis o the city” and “the axis o nature”
Kawasaki plaza. The city bench was decorated with urban motis, while the nature
was decorated with natural motis. For this purpose, the colors o the urban land-
s o Kawasaki city and the surrounding nature were analyzed and applied to the
s, which have either a geometric or an organic proile.
Earthscape
i| Lazona Kawasaki, nature benches (let) and
city benches (right)
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P R O J E C T F A C T S
i| Bird’s-eye view
ii| Detail
i| White cubes, symbolizing summer
Address: Central Gov‘t Bldg. No.7, 2-2-3 Kasumigaseki Chiyoda-ku Tokyo, Japan 100-8959. Architect:
Kume Sekkei, Taisei Corporation,Nippon Steel Corporation. Landscape: Ohtori Consultants. Client:
Kasumigaseki No.7 PFI. Completion: 2007. Production: single piece. Design: individual design. Func-
tions: seating. Main materials: various stone.
Earthscape
arth Thermometeryo
ting on and touching this chair, you can experience the temperature (seasonal and
-warming) o the earth. The bench, which is a minimalist cube made rom stones
gray scale between white and black, reveals the minute dierences between each
s relexivity and absorptive capacities, and demonstrates the relationships between
and color, and the heat energy that light possesses. In summer, the white cubes
letely relect light waves, and are pleasingly cool to touch. In winter, the black cubes
b plenty o light, providing warmth to people who sit on them. In this way, people
ave their own conversations with the sun through the personal experience o sitting
e cubes.
i| Black cubes, symbolizing winter
p| Earth thermometer, experience by sitting
on and touching the stones with dierent colors
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P R O J E C T F A C T S
i| Sketch
s| General view
i| The engraved shadow, overlapped with the
shadow o the current buildings and plants
Address: Central Gov‘t Bldg. No.7, 2-2-3 Kasumigaseki Chiyoda-ku Tokyo, Japan 100-8959. Architect:
Kume Sekkei, Taisei Corporation,Nippon Steel Corporation. Landscape: Ohtori Consultants. Client:
Kasumigaseki No.7 PFI. Completion: 2007. Production: single piece. Design: individual design. Func-
tions: seating. Main materials: black granite.
Earthscape
emory Chairyo
Memory Chair preserves the shadow o the ormer Ministry o Education Building
s plants as it stood on July 11th, 2003, 1:47 PM and 15 seconds, the moment it was
ked down. This engraved shadow overlaps with the shadow o the new Central Gov-
ent Building and plants, and brings to mind memories o the location and the low
e.
i| Shadow of the buildings and plants,
rom July 11th, 2003, 1:47 PM and 15 seconds
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P R O J E C T F A C T S
i| Sketch
s| The five benches
i| Detail of the panels, based on the silk and
Hakata-style textiles
Address: 2-13-1 Tenjin Chuo-ku Fukuoka, Japan. Architect: MHS Planners, Architects & Engineers.
Client: Fukuoka Bank. Completion: 2008. Production: single piece. Design: individual design. Func-
tions: seating. Main materials: black granite.
Earthscape
ukuoka Bankuoka
benches are installed in the main branch o the Fukuoka Bank, in the Hakata Re-
o the Fukuoka preecture. For the benches, panels based on silk and Hakata-style
es that are traditionally produced in this region were used. Lights are built into the
es, which illuminate the traditional patterns at night.
i| Slits of the light
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P R O J E C T F A C T S
City Mall Alliance – Isthmus,Reset, Christchurch CityCouncil and Downer EDI
Address: 222-282 High Street, 76-166 Cashel Street, Christchurch, New Zealand 8011. Client: Christ-
church City Council. Completion: 2009. Production: single piece. Design: individual design. Functions
seating, illumination, plant tub, barrier. Main materials: granite, hardwood timber, stainless steel.
ty Mallstchurch
hristchurch City Mall redevelopment is an upgrade o the central city pedestrian
nto a shared street. Conceptually the project draws on the rich garden city history
ristchurch and the broader alluvial plane landscape. A collection o custom-designed
ure elements was developed using local stone materials along with stainless steel
ardwood timber. Lighting was included to create visual highlights and meet saety
rements. The streetscape design contains a number o coordinated elements includ-
e Stewart Plaza Seats, Hack Circle Seats, Cashel Mall Seats, Planter Boxes, a Stage,
ightpole Climbers.
i| Stewart Plaza Seat, with integrated
illumination
p| Hack Circle Seats, placed along the tram
line
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C I T Y M A L L A L L I A N C E C I T y M A L L
i| Drawing o the Stewart Plaza Seat
f| Deatil view o the Hack Circle Seat
f| Detail of natural stone used o
Circle Stage
s| Perspective view o Cashel Stree
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P R O J E C T F A C T SIsthmus / Evan Williams
Boat SeatNorth Shore City
The Boat Seat is inspired by the small timber boats oten ound pulled ashore in clusters
along Auckland’s harbour edge. Rather than mimic the boats orms the seats have a dis-
tinctively modern aesthetic distinguished by a ‘wandering’ stainless steel channel. This
uniying element orms part o the mounting rame that the ‘vitex’ hardwood timber
boards are ixed upon. Slatted timber closing panels to the ends o the seating elements
allow access to the mounting points on the concrete plinths. The dynamic arrangement o
the seating allows or inormal seating and or groups to gather within the plaza spaces.
Address: Beach Front Lane, Browns Bay, North Shore City, Auckland 0630, New Zealand. Client:
North Shore City Council. Completion: 2008. Production: single piece. Design: individual design.
Functions: seating. Main materials: hardwood timber, stainless steel.
ght view towards seaside
etch o Boat Seat
i| Boat Seat perspective
s| Night view over the plaza
i| Detail, Boat Seat
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P R O J E C T F A C T SEarthworks LandscapeArchitects
Pier Place SquareCape Town
The oreshore area o Cape Town was built on land claimed rom the sea. The concept or
Pier Place Square was to design a space that is didactic in its relection o history while
at the same time commenting on the current users and inner city lie in Cape Town.
Charcoal cobbles were used in a sea o white to resemble tiny bits o marine and other
debris let ater the waves pull back and lines in underwater sand ripples, debris-cobbles
will also accumulate around the sculptures like energy particles. The sculptures resemble
lie in the surrounding buildings and people living on the streets o the oreshore. The
benches reer to sand dunes loating above the ground plain.
Address: Pier Place Square, Heerengracht Street, Cape Town, South Arica. Artists: Egon Tania (sculp
tures), Andrew Phillips (benches). Client: City o Cape Town. Completion: 2008. Production: single
piece. Design: individual design. Functions: seating, illumination, sculpture. Main materials: galva-
nized steel, wood.
ulpture, seated on a curved bench i| Curved bench, viewed rom abovei| Perspective drawing
s| Arrangement of benches
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PLEIDEL ARCHITEKTI s.r.o. P R O J E C T F A C T S
i| Site plan
s| Benches in line
i| Garbage can and benches
s| Benches on the square
Address: main square and main street, City o Sala, Slovak Republic. Client: City o Sala. Completion:
2007. Production: serial production (seating, garbage cans, lights), single piece (sculpture “3 Epochs”,
ountain, podium). Design: product line (by mmcité a.s.), individual design (by Imrich and Ondrej
Pleidel). Functions: seating, illumination, garbage cans, bicycle tracks, inormation boards and columns,
drinking ountain, sculptures, ountain with podium. Main materials: stone, concret, metal, wood.
edestrian Zone Sala
pedestrian zone was created as a part o the larger town center o Sala. The main
se o the architectural work was to solve an inconvenient transport situation con-
ng transit in the direction o the town center. The aim was also to create new public
s or citizens and visitors. The public spaces are itted with special equipment or
ent public activities, e.g. a podium with a water surace and street urniture. The
space is interlaced with greenery.
i| Pillars, representing the three prehistorical
epochs
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Smedsvig Landskaps-arkitekter AS /Arne Smedsvig
P R O J E C T F A C T S
i| Bird’s-eye view
s| Site plan, detail
i| Detail bench
Address: Indre kai, 5525 Haugesund, Norway. Planning partner: Prosjektkonsult AS, Cowi AS. Client:
Municipality o Haugesund. Completion: 2008. Production: single piece. Design: individual design.
Functions: seating with lighting inside. Main materials: Norwegian oak.
enches at Indre Kaigesund
esund is a small west-coast town o 30,000 inhabitants. The inner quay is situated close
town center, and is requented by erries with several departures a day. The quay with
taurants and workshops is also a popular harbor or private yachts along the coast. The
vement o the quay was built in our sequences, the remaining stages consisting o a
round and an amphitheater connecting the southern parts with the town main street.
ew design includes an outdoor loor o granite, cobblestones and wood, as well as new
ure such as wooden benches, lighting, and acilities or private yachting.
i| Wood bench
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Turenscape / Kongjian Yu P R O J E C T F A C T SAddress: east bank o Tanghe river between Gangcheng street and Beihuan street, Qinhuangdao City
China. Planning partner: Lin Shihong. Client: The Landscape Bureau, Qinghuangdao City, Hebei Prov
ince, China. Completion: 2008. Production: single piece. Design: individual design. Functions: seating
illumination. Main materials: ber steel.
he Red Ribbonhuangdao City
d ribbon” spanning ive hundred meters extends against a background o natural
n and vegetation, which integrates the unctions o lighting, seating, environmental
pretation, and orientation. While preserving as much o the natural river corridor
ssible during the process o urbanization, this project demonstrates how a minimal
n solution can achieve a dramatic improvement to the landscape.
i| The red ribbon runs across a for mer
garbage dump and has a strong contrast with the
native wol tail grass.
p| Running through the grove and bendingwith the terrain
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T U R E N S C A P E T h E R E d R I b b O N
i| Site plan
f| Sunset
f| The red ribbon in snow
s| Concept sketch
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E C T F A C T S
ss: Juji Nakasato Tokamachi-city Niigata, Japan. Client: Art Front Gallery & Niigata
cture. Completion: 2006. Production: serial production. Design: product line. Func-
seating, table. Main materials: scrapped woods.
P R O J E C T F A C T S
Client: City o Ramat Hasharon, Capital Jerusalem. Completion: 2009. Producti
production. Design: product line. Functions: seating. Main materials: perorated
decorated stone base in dierent shades.
akasato Juji Projectamachi-city, Niigata
roject created a roadside public park in an agricultural region. The site had previously
occupied by an old house that was demolished as a part o road extension construc-
Thematically, the architects sought to memorialize the character and spirit o the de-
hed home and other traditional homes in the area, and to capture the essence o the
munity. Much o the material used was drawn rom what was let o the demolished
, while space has been provided or local residents to plant lowers and grass.
Ryo Yamada & Ayako Yamada
gg| Bench, in ront o a house
g| Seating, next to a memorial
i| Layout plan
g| Combination of seatings
Benches and Seats RhodesThe densely perorated seats o the Rhodes series generate a transparent look
peroration pattern has a metal thickness o two or three millimeters and or
boid holes. The bench is carried by 2.5“ tubular legs in variations with rubber
or anchored on cement in gross texture. All reinorcements and components
o six-millimeter-thick metal. Galvanized and oven-painted in pure polyester,
matches the RAL color key.
ii| Benches Rhodes 756, with waste baskets
Ceasarion BM958 and pergola Marquess 439/1
oo| Seats Rhodes 767
i| Benches Rhodes 756
o| Seats Rhodes 767
Caesarea LandscapeDesign Ltd.
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Ryo Yamada & Ayako Yamada
P R O J E C T F A C T S
i| Seating
s| Plan and plan detail
s| Different levels, creating seatings and tables
Address: Shower Street Sapporo, Japan. Client: Sapporo City. Completion: 2008. Production: serial
production. Design: individual design. Functions: seating, boards, table. Main materials: wood.
nonymous Gardenporo
welcoming outdoor space can be utilized not only by one person, but by a whole
. Like the sense o reedom provided by park benches, the lexibility o these ar-
ments oers a sense o peace and can be pleasantly shared by many people. Re-
d simple patterns allow this arrangement to adapt to uture changes as the design
pt took into consideration the inclusion o additional pieces o urniture and simple
ications. Mass-produced wood materials were used to allow easy maintenance and
e application in other areas. All the works including planning, designing and con-
ion were completed by the architect Ryo Yamada.
i| Several seatings
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P R O J E C T F A C T SOLIN / Richard Roark
ubble Benchmana Bay
na Bay is a vibrant community on Grand Cayman with a sustainable, urban mis-
The Bubble Bench, designed by OLIN speciically or the project, contributes to the
ic antasy theme o its downtown Gardenia Cinema Courtyard. Azure blue, glowing
e and deep sea green colors recall the plants and corals ound in the dramatic rees
unding Grand Cayman. At night, the Bubble Benches have an iridescent glow, with
reminiscent o water ripples and spheres at varying heights like air bubbles rising
the deep. The eect celebrates the otherworldly beauty o the sea, which so many
to Grand Cayman to experience. The Bubble Benches provide playul, unique seat-
rectly inspired by natural beauty.
Planning partner: Epoch Product Design. Client: Cayman Shores Development Ltd. Completion: 2009.
Production: single piece. Design: individual design. Functions: seating, illumination. Main materials:
thermo-ormed acrylic, stainless steel.
i| Bubble Bench in use, comortable or lying
and sitting
i| Bubble Bench assembly
s| Benches and illuminated fountain
i| View at dusk, illuminated bench
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P R O J E C T F A C T SOLIN / Lucinda R. Sanders
ass Benchw York City
only blocks rom Ground Zero, the Museum o Jewish Heritage required a peri-
, including an entry plaza, to secure the landscape around the building while simul-
usly welcoming and complementing its institutional mission. The solution was an
ent contradiction: glass benches as security. Generous translucent benches made
ycled glass were designed to be welcoming, delicate and ephemeral, masking the
nal structure which unctions as an impenetrable security barrier. Set deep into the
ete below, imperceptible steel posts within the benches perorm like bollards, pre-
ng vehicular access. At night the benches are illuminated and create a hauntingly
iul and memorable blue glow.
Address: 36 Battery Place, New York, NY 10280, USA. Planning partner: Domingo Gonzalez Architec-
tural Lighting Design, Joel Berman Glass Studios, Dewhurst Macarlane & Partners. Client: Museum o
Jewish Heritage. Completion: 2007. Production: single piece. Design: individual design. Functions:
seating, illumination, barrier. Main materials: ipe wood, stainless steel, textured cast glass, concrete.
i| Curved Glass Bench
i| Glass Bench assembly
s| Night view, Glass Bench spreads blue light
i| Light fixtures resting below the wood top
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KOMPLOT Design / BorisBerlin, Poul Christiansen
P R O J E C T F A C T S
Address: Rigshospitalet, Copenhagen University Hospital, Blegdamsvej 9, 2100 Copenhagen, Denmark
Planning partner: Danish Technological Institute. Client: NOLA Industrier AB, Sweden. Completion:
2009. Production: serial production. Design: individual design. Functions: seating, plant tub, space or-
ganizing, açade protection. Main materials: sel tightening concrete, powder coated stainless steel rod.
oncrete Thingsenhagen
ete Things is a series o outdoor concrete urniture dealing with the relation be-
n the individual and the collective in public space. They consist o simple geometric
s with a pavement-inspired grid that takes on the shape o the user, keeping the
ory o somebody once seated in them. Draining holes in the bottom o the cavity on
tersections o the grid pattern o “channels” keep the seating surace dry. Drawn in
r by thin lines o steel rods it becomes a weightless “wirerame” ghost-image o the
, very “material” concrete chair.
i| Chairs and tables, in ront o air ground o
CODE 09, Copenhagen
p| Close up view
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K O M P L O T D E S I G N C O N C R E T E T h I N G S
i| Waiting area, at the Copenhagen University
Hospital
f| Concrete chair
s| Wireframe, ghost version o Concrete chair
f| Chairs and tables
s| Close up view
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B O U N D A R Y
E N S E M B L E
P L A N T S A N D W A T E R
G A R B A G E
L I G H T A N D S I G N
P A V
E M E N T
P R O D U C T L I N E
S E A T I N G
S H E L T E R
B I K E A N D P L A Y
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P R O J E C T F A C T S
Buro North / Soren LuckinsClient: Victorian Eco – Innovation Laboratory. Completion: ongoing. Production: serial production.
Design: individual design. Functions: shelter, solar collection, education. Main materials: aluminum,
membrane.
eil Solar Shade
Veil Solar Shade is a concept or Australian primary school yards to integrate solar
y harvesting in a both pragmatic and evocative orm. Utilizing inormation about
mption and energy as an educational tool, this interactive concept explores the vi-
onnection between energy and the environment. It eatures a broad solar panel
ce that is rotated throughout the day by children to best suit the position o the sun.
nderside o the shade provides visual eedback to instantly indicate the quantity o
y being collected. Correct solar orientation will generate a positive visual message,
rect orientation will indicate a low amount o power collection.
i| Solar shades rom kid’s perspective, showing
visual eeadback LEDs
o| Solar shade can be easily rotated towards the
sunp| Detail view
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f| Sketch
s| Elevation
p| Solar shades in a school yard
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P R O J E C T F A C T S
Grimshaw / NicholasGrimshaw
Planning partner: Grimshaw Industrial Design, Billlings Jackson Design, STV. Client: Cemusa Inc.
Completion: 2007. Production: serial production. Design: product line. Functions: seating, toilet, shel-
ter, newsstand. Main materials: steel, glass.
reet Furniture FranchiseYork
haw worked with Cemusa on an exclusive range o street urniture to be installed
perated in New York City over the next 20 years. The range comprises a bus shelter,
stand, and automatic public toilet. Robustness and durability were key design driv-
n order to allow the urniture to endure an unremitting street environment. Con-
ed rom recyclable components, including high-resistance tempered laminated glass
tainless steel, the high quality urniture is made o sel-inishing materials which
withstand heavy use. Contextually, the design needed to be distinctive whilst blend-
to the urban landscape with minimal visual or spatial intervention.
i| Bus Shelter, perspective view
p| Newsstand, perspective view
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G R I M S H A W S T R E E T F u R N I T u R E F R A N C h I S E
i| Side elevations, bus shelter
f| Bus shelter, perspective view
f| Toilet
s| Bus shelter, ront view
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P R O J E C T F A C T SPedro Silva Dias
cho PT
ublic telephone column was irst conceived or the 19 98 Lisbon World Fair (Expo’98),
ater applied all across Portugal. Initially, the project consisted o a triangular plan
n with rounded aces. The glass shelter is a geometrical development o the basic
An interior steel structure supports a modular system o stainless steel panels. The
ure develops in three vertical modules and three horizontal modules reaching a total
e. The horizontal module development permits the application o one, two or three
hones to the central panels. The signage elements are applied on the superior pa nels,
the inerior panels allow access to the interior o the column.
Client: Portugal Telecom. Completion: 1998. Production: serial production. Design: individual design.
Functions: telephone column. Main materials: stainless steel.
i| Nicho telephone column at Lisbon Expo’98
i| Detail view
s| Exploded perspective, dierent models
i| Public telephone in use
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P R O J E C T F A C T SPedro Silva Dias
abine PT
aining the morphological line and materials used on the public telephone column
ously created or the same company, the aim o this project was to design an object
at transparency that can it into any urban typology. The plan, based on a triangle,
hereore adapted to the unctional needs o a small interior space. Putting the tele-
e in one o the triangle corners reduced the residual space needed or the standard
angular plan equipment. The body o the telephone booth consists o the two glass
s involving the stainless steel column. The curved outline visually reduces its di-
ons, while allowing more versatile orientation in public spaces.
Client: Portugal Telecom. Completion: 2007. Production: serial production. Design: individual design.
Functions: telephone booth. Main materials: steel, glass.
i| Steel column, ramed by curved glass wings
i| Exploded perspective
s| Detail view, glass wings mounting
i| Cabine PT, perspective view
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P R O J E C T F A C T S
Heatherwick studioClient: Royal Borough o Kensington & Chelsea. Completion: 2007. Production: serial production. De-
sign: individual design. Functions: kiosk. Main materials: wood, glass, patinated brass.
ewspaper Kioskssington & Chelsea
ew kiosks designed or selling newspapers at a number o locations throughout the
gh o Kensington & Chelsea will replace the dull rectangular boxes with roller shut-
hat render them dead and unwelcoming by night and with lat suraces that make
a target or graiti. The aim was to design a kiosk without lat suraces on the out-
hat looks good at night as well as during the day, with a dierent kind o opening
osing mechanism to make the vendor’s lie easier. The new kiosk thus has a distinc-
orm – the result o a more ergonomic arrangement o magazine shelves which also
rs the outside a less obvious target or vandalism.
i| Newspaper kiosk closed
p| Rear view
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H E A T H E R W I C K S T U D I O N E w S P A P E R K I O S K S
i| Detail view
f| Stepping-outward form
f| Isometric view
s| Front elevation, showing kiosk h
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P R O J E C T F A C T SEstudio Cabeza /Diana Cabeza, LeandroHeine, Martín Wolfson
ban Furniture and Equipmentnos Aires
n elements must respond to the geographical and cultural environments that sur-
them and be able to blend with its general disposition and particularities. These
nts are intended to be placed on sidewalks. Endowed with a ront and a back part,
llow people to walk throughout their perimeter and use them in dierent ways and
dierent directions. This creates continuity between the private realm and the open
c space and coners a more dynamic perception o the city while avoiding the urban
ways that these elements usually generate. The project ocuses on preserving the his-
l heritage o the city, while providing modern urban elements or everyday lie. The
system o urban elements was created with the idea o accessibility.
Address: City o Buenos Aires, Argentina. Graphic design: Osvaldo Ortiz, Gabriela Falgione, Pablo
Cosgaya, Marcela Romero. Client: Government o Buenos Aires. Completion: 2005. Production: serial
production. Design: product line. Functions: shelters, signs. Main materials: cast iron, painted steel,
steel structure, laminated green glass with translucid PVB.
i| Bus shelter
i| Plans and views
s| Bus shelteri| Signage system
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P R O J E C T F A C T S
Architektin Mag. arch. SiljaTillner, Prof. Valie Export
Address: Gürtel Boulevard, Brücke Friedmanngasse 3, 1160 Vienna, Austria. Planning partner: Inge-
nieurbüro Vasko & Partner, F&A Fenster-Glas-Sonderkonstruktionsbau GmbH. Client: MA 57, Frauen
büro. Completion: 2000. Production: single piece. Design: individual design. Functions: artwork,
exhibition space, stage. Main materials: glass.
ubus EXPORT –he transparent Roomnna
Glass Room” is an independent transparent room which was inserted under a bridge
Gürtel main ring road in Vienna. It is intended or use by art exhibitions in the
est sense. On the side acing the ring road, a door has been installed. The p ermeabil-
the bridge towards both ring road sides is emphasized by the absolute transparency
glass construction. The bearing elements are our glass rames, which consist o two
and a binding beam located on top. The glass panes made o laminated saety glass
xed in between. For the cube to appear to “ loat”, it is illuminated rom the inside by
t strip positioned on the loor.
i| Glass structure below the bridge
p| Transparent glass cube
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A R C H I T E K T I N M A G . A R C H . S I L J A T I L L N E R , P R O F . V A L I E E X P O R T K u b u S E X P O R T
i| Night view, the cube is illuminated rom
ground level
f| Section and plan
p| Night view, the structure seems to hover
weightlessly
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P R O J E C T F A C T Smmcité a.s. /David Karásek,Radek Hegmon
Regio Shelters
The Regio bus shelters with their glazed exteriors only minimally impact the appearance
o the urban landscape. Curved bearing structures provide them with a modern and rath-
er delicate style. The Regio series includes several models, which are all made o wood,
glass and steel. From an open system without side walls to shelters enclosed rom three
sides, all public transportation requirements can be ulilled. The structure o the roo
varies also within the system rom plan lat roos, via tilted roo structures, to wing-like
variations. As a modern piece o urban urniture, Regio combines esthetics with simplic-
ity and durability.
gio bus shelter, total view
ans of Regio Rg210b
i| Detail view, rame and glazing
s| Detail view, wooden bench and glazing
s| Deatil view, glazing xture
Client: mmcité a.s., TEC Gembloux. Completion: 1998. Production: serial production. Design: product
line. Functions: shelter. Main materials: steel, glass, wood.
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P R O J E C T F A C T SBacco Arquitetos Asso-ciados / Jupira Corbucci,Marcelo Consiglio Barbosa
ansfer StationsPaulo
esign o the transer stations emerged rom the synthesis between the problems
by the municipal administration and a project idea that sought to change some
tablished concepts. It was proposed that the stations should not “have a açade”
nimize intererence with the neighborhood. Working with the longitudinal section
s the problem o modules and intererence with the neighborhood with a dierent
ective and another way to oer shelter. The portico is designed with two curves in
tremities, creating continuity between loor and roo and deining the concept o a
d and aerodynamic object – automotive aesthetics coupled with image technology.
Address: Av.9 de Julho, Av. Rebouças and others, São Paulo, SP, Brasil. Client: SPTrans. Completion:
2004. Production: serial production. Design: product line. Functions: bus stop shelters. Main materi-
als: steel.
i| José Maria Lisboa stop
i| Getúlio Vargas stop, detail
s| Bird’s-eye view, station on 9 de Julho avenue
ii| Types of arrengements of the primary
module
i| Designed curve
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P R O J E C T F A C T SMiró Rivera Architects /Juan Miró, Miguel Rivera
xas Cowboys Paviliontin
addition to the alumni center grounds extends the uses o the acility by creating an
or pavilion amidst the trees. Flanking the ootball stadium, it oers a location or
ame events and post-game parties, lectures and presentations. The speakers, A/V
ctions and moveable spotlights provide lexibility or various events, which thanks
egral ans, indirect lighting and roll-down sunshades, can occur all year round and
y time o day. The expressive structure o the pavilion takes its roots rom the ex-
alumni center trellises. The beams, trusses and glass roo orm a system balanced
two brick columns and stabilized by post-tensioned stainless steel cables.
Address: The University o Texas at Austin, Austin, TX, USA. Client: The Texas Exes. Completion:
2004. Production: single piece. Design: individual design. Functions: multi-unction outdoor pavilion
Main materials: steel, glass and brick.
i| Side elevation
i| Section
s| Side elevation at night, with the shades
down
i| Close up view of the steel structure
s| Pavilion at night, with the University o
Texas ootball stadium in the background
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Rainer SchmidtLandschaftsarchitekten
P R O J E C T F A C T SAddress: Oskar-Schlemmer-Straße, 80807 Munich, Germany. Planning partner: André Perret Archi-
tekt, Munich. Client: City Tec, Munich. Completion: 2002. Production: single piece. Design: individual
design. Functions: pavilion. Main materials: steel.
entral Park, Parkstadtchwabing nich
entral park o Parkstadt Schwabing is ramed by six to ten-loor service buildings.
eate human proportions, large pergolas measuring 10 x 10 x 10 meters structure the
Allocated to the pergolas, thematic gardens create small-scale leisure areas in the
park space. The thematic gardens relect the vicinity and visual connection to the
The themes include a rock garden, a orest garden, a mountain lake garden, or an
e oothills garden.
i| View along the main axle of t he central
park
p| View of the pergola, near the orest garden
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f| Overview plan
d| Perspective view of the moun
garden
i| Draft sketches
f| Layout
R A I N E R S C H M I D T L A N D S C H A F T S A R C H I T E K T E N C E N T R A L P A R K , P A R K S T A d T S C h w A b I N GT E R
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P R O J E C T F A C T SAddress: Vojkova 78, 1000 Ljubljana, Slovenia. Client: Mobitel d.d. Completion: 2008. Production: sin-
gle piece. Design: individual design. Functions: shelters, seating. Main materials: steel construction,
composite decking, polycarbonate plates.
BRUTO d.o.o. with UrbanŠvegl / Matej Kucina
ˇ
avilions for Smokersljana
new restricted indoor non smoking rules it became necessary to design a smoking
on or a big Telecom company. Series o mobile modular units were designed, which
e combined on dierent structures. All units are made o 3 x 3 x 3 meter steel cube
ures and they have various membranes and details. They can be joined together and
ned in several ways and sizes to build a modular pavilion structure.
i| Steel cube in green, small structure unit
o| Big structure unit
p| Pavilion interior, big structure unit
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B R U T O D . O . O . W I T H U R B A N Š V E G L P A V I L I O N S F O R S M O K E R S
i| Site plan
f| View through the pavilion
f| Single unit
s| Design sketch
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Corbeil + BertrandArchitecture de paysage
P R O J E C T F A C T SAddress: Old Montreal, Montreal, Canada. Graphic design: FEED. Landscape designer: Stéphane Ber-
trand, Jasmin Corbeil. Designer “Tête-à-tête” black furniture: Ineke Hans. Client: Flora International
Montréal. Completion: 2007. Production: single piece. Design: individual design. Functions: shelter.
Main materials: galvanised steel, recycled polymer, translucent synthetic abric, remnants o slate,
Canadian hemlock lumbers.
i| General site plan
s| View from the back, with hemlock board
walk
i| Inside view, with Humulus japonicus (Hop)
wall
s| Side view, with printed screen
ortus urbanusntréal
e a hortus conclusus (cloistered garden), this proposal more closely resembles a
s apertus (open garden) or hortus urbanus (city garden), anchored in a resolutely
mporary setting – a signiicant indicator o which is the residual land that is its
ation. Hortus urbanus experiments with vegetation and common place materials,
posing them in a creative collection a nd diverting them rom their intended vocation
onstruct their meaning. Wood, galvanized steel, recycled polymer, translucent syn-
abric, remnants o slate, a nd birch trees come together to orm a whole.
i| Front view, with the board walk transormed
in bench at the rear
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Della Valle + BernheimerDesign, LLP
P R O J E C T F A C T S
i| Sketch
s| General view
i| Interior
s| View of trees through laser-cut steel
skin
Address: Philbrook Museum o Art, 2727 South Rockord Road, Tulsa, OK 74114, USA. Client: Phil-
brook Museum o Art. Completion: 2005. Production: single piece. Design: individual design. Func-
tions: shelter. Main materials: steel.
utterfly Paviliona
Valle Bernheimer’s design or a garden structure at the Philbrook Museum o Art is
on the spirit and etymology o the word “pavilion”, which is derived rom the French
on, meaning butterly. The cocoon-like Butterly Pavilion is also inspired by the en-
ogical transormation o the silkworm into the butterly. During metamorphosis, the
orm pupates, spinning itsel an intricate chamber. The Butterly Pavilion resembles a
n, not spun o silk but etched and cut rom plate steel. Using laser cutting technology,
inutive 8’ x 16’ pavilion was abricated rom wood decking and steel tubes.
i| View through laser-cut steel skin
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P R O J E C T F A C T S
NIO architecten
i| The shelter is giving a frame to the
adjacent buildings
s| Plan and elevations
i| Bird’s-eye view
he Amazing Whale Jawddorp
beginning o the year 2003, a bus station was built on the orecourt o Hooddorp’s
ne Hospital. Located in the middle o a square, this acility block is a public area in
rm o an island that serves as a junction or the local bus service. The design o this
o building is generally neutral, but here the aim was to create a strong, individual
that was less austere and generic. Hence, the building was designed in the tradition
car Niemeyer as a cross between white Modernism and black Baroque. The building
mpletely made o polystyrene oam and polyester and constitutes the world’s largest
ure made o synthetic materials (50 x 10 x 5 meters).
Address: Voorplein Spaarne Ziekenhuis, 2130 AT Hooddorp, The Netherlands. Client: Schiphol
Project Consult. Completion: 2003. Production: single piece. Design: individual design. Functions: bus
stop. Main materials: polystyrene oam, polyester.
i| Sitting area
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Claude Cormier architectespaysagistes inc.
P R O J E C T F A C T S
i| Making of
s| Swarms of pink, purple, green, blue
balls, bluring with the existing fourish o
climbing leaves
i| Interior view
Address: City Hall, 76084 Le Havre, France. Curator: Claude Gosselin, Centre Internationale d’art con
temporain de Montréal. Client: Le Havre Biennale d’art contemporain. Completion: 2006. Production:
single piece. Design: individual design. Functions: pergola. Main materials: plastic Christmas balls.
ergolaHavre
he inaugural year o Le Havre’s Contemporary Art Biennale, Claude Cormier de-
d a pop art piece or the City Hall’s grand pergola. Pergola is a tribute to Le Havre-
artist Monet, oreather o impressionism: 90,000 plastic balls are arranged into an
o the wisteria blooms that igure in many o the artist’s oeuvres. The balls come in
ivid colors – an abstracted impressionist palette – and climb towards the abundant
ght, creating an exuberant play o color, light and shadows underneath. As with
o the designers‘ projects, the deliberate insertion o the artiicial shakes up precon-
d ideas – but the insta llation also aims, more simply, to delight visitors.
i| The Grand Pergola, in ront o the City Hall
(by Auguste Perret, 1957)
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P R O J E C T F A C T S
Brhmig, Strer /Lutz Brhmig, Udo Müller
Client: Ströer Out-o-Home Media AG. Completion: 2008. Production: serial production. Design: indi-
vidual design. Functions: toilet. Main materials: stainless steel, polycarbonate.
ty Toilet
ity Toilet was developed in compliance with the highest saety and hyg ienic require-
s. It is equipped with a separate clean ing unit in which the entire WC bowl is cleaned
ried ater every use. The handicap-accessible acility eatures two toilet bowls that
eaned alternately, always keeping one available or use. A separate cabinet also con-
two urinals, allowing the city toilet to be used by three persons simultaneously. The
o both cabins is cleaned and dried automatically in adjustable cycles. Prior to every
ng process, sensors ensure that no one is inside the acility.
i| Discrete esthetics, appearance o the City
Toilet
p| Interior view, one o two toilets
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B R ä H M I G , S T R ö E R C I T y T O I L E T
g| Floor cleaning
i| Toilet bowl cleaning
f| Section
f| Interior view
s| Detail view, urinals
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P R O J E C T F A C T SMiró Rivera Architects /Juan Miró, Miguel Rivera
ail Restroomtin
estroom was conceived as a sculpture in a park, a dynamic object along the active
It consists o vertical Corten steel plates whose width and height vary in size. The
s orm a spine that coils at one end to orm the restroom walls. The plates are stag-
in plan to control views and to allow penetrating light and resh air. Door and roo
abricated rom steel plates as well. The restroom is handicap-accessible and, in ad-
to a chest o drawers, urinal, sink and bench inside, it includes a drinking ountain
hower outside. The plumbing ixtures are made o heavy duty stainless steel and
is no need or artiicial light or mechanical ventilation inside.
Address: Lady Bird Lake Trail, Austin, TX, USA. Client: The Trail Foundation. Completion: 2008.
Production: single piece. Design: individual design. Functions: toilets. Main materials: Corten steel.
i| View looking down on restroom
i| Interior
s| Entrance area
i| Elevation and restroom plan
s| Close up of Corten steel panels
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ArcIndex
ArchitectsDesigners andManuacturers
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Via D. Vitali, 329121 Piacenza (Italy)T +39.0523.757086F [email protected]
p 13, 324, 246
BRÄHMIG GmbH
Robert-Bosch-Straße 1001454 Radeberg (Germany)T +49.3528.4197900
p 426
Broadbent
Droppingstone Farm, New Lane, HarthillChester CH3 9LG (United Kingdom)T +44.1829.782822F [email protected]
p 278
BRUTO d.o.o.
Mesarska 4d1000 Ljubljana (Slovenia)T +386.1.2322195F [email protected]
p 110, 114, 338, 414
BASE
259, rue Saint-Martin75003 Paris (France)T +33.1.42778181F [email protected]
p 218
Bureau Baubotanik,Storz Schwerteger GbR
Innerer Nordbahnho 170191 Stuttgart (Germany)T [email protected]
p 195
Bauer Membranbau
Neulandstraße 1985354 Freising (Germany)T +49.8161.4965565F [email protected]
p 195
Matthias Berthold, Andreas Schön
Palmaille 2822767 Hamburg (Germany)
p 58, 188
Mitzi Bollani
Artadi Arquitectos
Camino Real 111O 701 San Isidro Lima (Peru)T [email protected]
p 198
ASPECT Studios (Melbourne Oice)
Level 1, 30–32 Easey StreetCollingwood, VIC, 3066 (Australia)T +61.3.94176844F [email protected]
p 82
ASPECT Studios (Sydney Oice)
Studio 61, Level 6, 61 Marlborough StreetSurry Hills, NSW, 2010 (Australia)T +61.2.96997182F [email protected]
p274
Bacco Arquitetos Associados
Rua General Jardim 645, cj 21São Paulo, SP (Brasil)T [email protected]
p 406
Baena Casamor ArquitectesBCQ S.L.P.
C.Sant Magí 11–13, 1r08006 Barcelona (Spain)T +34.93.2372721
p 314
LODEWIJK BALJON landscapearchitects
Cruquiusweg 101019 AT Amsterdam (The Netherlands)T +31.20.6258835F [email protected]
p 102
BAM Vastgoed
Runnenburg 93981 AZ Bunnik (The Netherlands)T +31.30.6598988
p 102
TTI
Ciancaleoni 34Rome (Italy)
0645.221358978.2299321gatti.com
gatti.com
118
D architects
arevica 13/4HR-10000 (Croatia)1.23202001.2320100hd.comhd.com
e Aasen LandskapsarkitektA
ien 1aslo (Norway)[email protected]
ro Adrien Studio
ITECTS INdEX
Chemin des roses 111020 Renens (Switzerland)T [email protected]
p 14
altreorme
viale Alcide de Gasperi, 1623801 Calolziocorte (Italy)T +39.0341.6381F [email protected]
p 326, 328
Agence APS, paysagistes dplg associés
31, Grande rue2600 Valence (France)T +33.4.75785353F [email protected]
p 221
Arriola & Fiol arquitectes
Carrer Mallorca 2898037 Barcelona (Spain)T +34.93.4570357F [email protected]
www.arriolaol.com
p 87, 89
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ITECTS INdEX
C/ José de Cadalso, 68, 2ºD28044 Madris (Spain)T +34.91.7069695F [email protected]
p 34, 41, 154, 238, 259, 296, 298, 300
Droog Design
Staalstraat 7a/b1011 JJ Amsterdam (The Netherlands)T +31.20.5235050F [email protected]
p 248, 252
Earthscape
2-14-6 Ebisu Shibuya-kuTokyo, 150-0013 (Japan)T +81.3.62773970F [email protected]@earthscape.co.jp
p 120, 156, 158. 164, 340, 342, 344, 346, 348, 350
Earthworks Landscape Architects
Po box 48205, KommetjieCape Town 7976 (South Arica)T +27.21.828708517earthworks@tiscali.co.zawww.earthworkslandscapearchitects.com
p 358
EBD architects ApS
Struenseegade 15A, 22200 Copenhagen N (Denmark)T +45.32.965700F [email protected]
p 174, 236
Michel Dallaire Design Industriel –MDDI
322, Peel StreetMontreal, QC H3C 2G8 (Canada)T +1.514.2829262F [email protected]
p 191, 286
Della Valle + Bernheimer Design, LLP
20 Jay Street, Suite 1003Brooklyn, NY 11201 (USA)T +1.718.2228155F [email protected]
p 420
Despang Architekten
Am Graswege 530169 Hanover (Germany)T +49.511.882840F [email protected]
www.despangarchitekten.de
p 186
díez+díez diseño
Corbeil + BertrandArchitecture de paysage
p 418
Claude Cormier architectespaysagistes inc.
5600, De NormanvilleMontreal, QC H2S 2B2 (Canada)T +1.514.8498262F [email protected]
p 138, 424
CSP Paciic
306 Neilson St, OnehungaAuckland 1642 (New Zealand)T +64.9.6341239F +64.9.6344525www.csppacic.co.nz
p 126
d e signstudio reginadahmen-ingenhoven
Plange Mühle 140221 Düsseldor (Germany)T +49.211.30101200F [email protected]
p 42
North
35 Little Bourke Streetrne, VIC 3000 (Australia)
dio Cabeza
1249DEY Buenos Aires (Argentina)1.477261831.47770811
studiocabeza.comtudiocabeza.com
254, 256, 258, 269, 398
area Landscape Design Ltd.
70ea 30889 (Israel)4.62630064.6263062
aesarion.co.ilesarion.co.il
173, 266, 268, 369
Architects
2182ton (New Zealand)[email protected]
ENVAC AB
Fleminggatan 7, 3 tr112 26 Stockholm (Sweden)T +46.8.7850010www.envacgroup.com
p 175
Epoch Product Design
810 NW Wallula Ave.Gresham, OR 97030 (USA)T +1.503.6674100F [email protected]
p 372
ESCOFET 1886 SA
Ronda Universitat 2008007 Barcelona (Spain)T +34.93.3185050F [email protected]
p 154, 267, 284. 302, 304, 308, 314, 316
Esrawe Studio
Culiacan 123 Piso 5Colonia Hipódromo Condesa (Mexico)T [email protected]
p 330
Pro. Valie Export
www.valieexport.at
p 400
Foreign Oice Architects (FO
55 Curtain RoadLondon EC2A 3PT (United Kingdom)T +44.207.0339800F [email protected]
p 261
Diego Fortunato
Rosselló 25508008 Barcelona (Spain)T +34.629.778107F [email protected]
p 267, 302
Freitag Weidenart
Gartenstraße 2185354 Freising (Germany)T +49.8161.91576F [email protected]
p 195
GH orm
Bækgaardsvej 644140 Borup (Denmark)
p 236
GITMA
Sangroniz 248150 Sondika (Spain)T +34.94.4710613F +34.94.4536121www.gitma.es
p 296
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hess AG
Lantwattenstraße 2278050 Villingen-Schwenningen (Germany)T +49.7721.9200F [email protected]
p 200
Isthmus
PO Box 90366Auckland 1142 (New Zealand)T +64.9.3099442F [email protected]
p 126, 130, 352, 356
Toyo Ito and Associates, Architects
Fujiya Building, 1-19-4,Shibuya, Shibuya-kuTokyo, 150-0002 (Japan)T +81.3.34095822F +81.3.34095969www.toyo-ito.co.jp
p 140, 316
JCDecaux SA
17, rue Soyer92523 Neuilly-sur-Seine (France)T [email protected]
p 20
JJR | Floor
1425 N. First Street, 2nd FloorPhoenix, AZ 85004 (USA)T +1.602.4621425F [email protected]
p 208
GTL Landschatsarchitekten
Grüber Weg 2134117 Kassel (Germany)T +49.561.789460 F [email protected]
p 169
Zaha Hadid Architects
Studio 9, 10 Bowling Green Lane
London EC1R 0BQ (United Kingdom)T +44.20.72535147F [email protected]
p 276
Heatherwick studio
364 Gray‘s Inn RoadLondon WC1X 8BH (United Kingdom)T +44.20.78338800F [email protected]
p 394
Heijmans N.V.
Graasebaan 655248 JT Rosmalen (The Netherlands)T +31.73.5435111
F +31.73.5435220www.heijmans.nl
p 102
en park & straatdesign
straat 13H Winterswijk (The Netherlands)43.51695043.513050ijsen.nljsen.nl
shaw
ade Street
rk, NY, 10013 (USA)2.79125012.7912173imshaw-architects.commshaw-architects.com
86
o de Diseño Urbano
do Montes de Oca 4, Col. CondesaCity, 06140 (Mexico)[email protected]
Gschwendtner
2–4 Southgate RoadN1 3JJ (United Kingdom).072492021ttagschwendtner.com
ttagschwendtner.com
36
ITECTS INdEX
Agence Patrick Jouin
8, Passage de la Bonne Graine75011 Paris (France)T +33.1.55288920F [email protected]
p 20
Sungi Kim & Hozin Song
224-1010 Chungmu-APT, Jaegung-dong, Kunpo-siKyounggi-do [435-764] (Republic o Korea)T [email protected]
p 60
KMA Creative Technology Ltd
12 St Denys Court York, YO1 9PU (United Kingdom)T [email protected]
p 12
KOMPLOT Design
Amager Strandvej 502300 Copenhagen S (Denmark)T +45.32.963255F [email protected]
p 376
KOSMOS
Rävala Pst. 8-808Tallin 10143 (Estonia)T +372.6.312050
p 70
Kramer Design Associates (KDA)
103 Dupont StreetToronto, ON M5R-1V4 (Canada)T [email protected]
p 189, 232
Tom Leader Studio
1015 Camelia StreetBerkeley, CA 94710 (USA)T +1.510.5243363F [email protected]
p 220
LEURA srl.
Via Vitali, 329100 Piacenza (Italy)T [email protected]
p 13
Stacy Levy
576 Upper Georges Valley Rd,Spring Mills, PA 16875 (USA)
p 212, 216
Biuro Projektów Lewicki Łata
ul. Dolnych Młynów 7/731-124 Krakow (Poland)T +48.12.6335920, T +48.12.6338693F [email protected]
p 104, 108, 204, 207
Lischutz Davidson Sandilan
Island Studios, 22 St Peter‘s SquareLondon W6 9NW (United Kingdom)T +44.208.6004800F [email protected]
p 228, 230
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aedis
la del Río, Macael, Km 1,7Macael (Spain)50.12637050.126078acaedis.comacaedis.com
hado and Silvetti Associates
rrison Avenue, Suite 301
MA 02118 (USA)7.42670707.4263604achado-silvetti.comachado-silvetti.com
r Maddadi Design Bureau AB
ånggatan 38(Sweden)
8.41046066angirmaddadi.seangirmaddadi.se
o:group, mago:URBAN
ustrial Masia d‘en Barreres, s/n - P.B. 25Vilanova (Spain)3.8148661agogroup.com
agogroup.com
261
o Makkink & Bey BV
ITECTS INdEX
Overschieseweg 52 a3044 EG Rotterdam (The Netherlands)T +31.10.4258792F [email protected]
p 248
Marinaprojekt d.o.o.
M. Krleze 1Zadar (Croatia)T +385.23.333716F [email protected]
p 90
Julian Mayor
106 Sclater StreetLondon E1 6HR (United Kingdom)T [email protected]
p 334
Gonzalo Milà Valcárcel
c/ Fusina 6, ent-1º08002 Barcelona (Spain)T [email protected]
p 178, 196, 308
Benjamin Mills
p 294
Miró Rivera Architects
505 Powell StreetAustin, TX 78703 (USA)T +1.512.4777016F [email protected]
p 408, 430
mmcité a.s.
Bílovice 519687 12 Bílovice (Czech Republic)T +420.572.434290F [email protected]
p 36, 48, 176, 240, 360, 404
MODO srl.
S.S.Padana Superiore 11, n°2820063 Cernusco sul Naviglio (Italy)T +39.0292.592024F [email protected]
p 15, 246, 324
Alexandre Moronnoz
67, rue de Paris93100 Montreuil (France)T [email protected]
p 318, 320, 322
nahtrang
c/ Arcs 8, 2n-1a c.p.08002 Barcelona (Spain)T +34.93.3427844F [email protected]
p 304
Nea Studio
110 Bleecker Street, No 4 DNew York, NY 10012 (USA)T [email protected]
p 262
Brodie Neill
57–60 Charlotte RoadLondon EC2A 3QT (United Kingdom)T [email protected]
p 332
Will Nettleship
526 Pinehurst AvenuePlacentia, CA 92870 (USA)T +1.714.5793636F [email protected]
p 146, 206
NIO architecten
Schiedamse Vest 95a3012 BG Rotterdam (The Netherlands)T +31.10.4122318
p 422
NL Architects
Van Hallstraat 2941051 HM Amsterdam (The Netherlands)T +31.20.6207323F [email protected]
p 252
NOLA Industrier AB
Repslagargatan 15b118 46 Stockholm (Sweden)T +46.8.7021960F [email protected]
www.nola.se
p 376
Numen / For Use
Canisiusgasse 13/161090 Vienna (Austria)T [email protected]
p 148
OKRA landschapsarchitecten
Oudegracht 233511 AB Utrecht (The Netherlands)T +31.30.2734249F [email protected]
p 50, 86, 88, 168
OLIN
Public Ledger Building, Suite 1123,150 South Independence Mall WestPhiladelphia, PA 19106 (USA)T +1.215.4400030F [email protected]
p 166, 372, 374
Osterwold & Schmidt – Exp!aArchitekten
Brühl 2299423 Weimar (Germany)T +3643.7736580F [email protected]
www.osterwold-schmidt.de
p 30
Studio Paciic Architecture
Level 2, 74 Cuba StreetTe Aro 6011 (New Zealand)T +64.4.8025444F [email protected]
p 130
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ments MATA
1 Zona Industrial del SudEsparreguera (Spain)3.77713003.7771704
mata.comvimentsmata.com
98, 300
DEL ARCHITEKTI s.r.o.
Sala (Slovak Republic)31.7704913
@salamon.skeidel-architekti.sk
er Boris Podrecca
adgasse 8enna (Austria).427210.4272120
Poppinga
sstraat 145 hsE Amsterdam (The Netherlands)0.6811637
oppinga.nlppinga.nl
ce Elizabeth de Portzamparc
104 rue Oberkamp 75011 Paris (France)T +33.1.53633232ino@elizabethdeportzamparc.comwww.elizabethdeportzamparc.com
p 242
PWP Landscape Architecture, Inc.
739 Allston WayBerkeley, CA 94710 (USA)T +1.510.8499494F [email protected]
p 161
RASTI GmbH
An der Mühle 2149733 Haren (Germany)T +49.05934.70350F [email protected]
p 24
Tejo Remy & Rene Veenhuizen
Uraniumweg 173542 AK Utrecht (The Netherlands)T +31.30.2944945T [email protected]
www.remyveenhuizen.nl
p 46
Rios Clementi Hale Studios
639 N Larchmont Blvd.Los Angeles, CA 90004 (USA)T +1.323.7851800F [email protected]
p 94, 98
Janet Rosenberg + Associates
148 Kenwood AvenueToronto, ON M6C 2S3 (Canada)T +1.416.6566665F [email protected]
p 138, 162
Adrien Rovero withChristophe Ponceau
Chemin des roses 111020 Renens (Switzerland)T [email protected]
p 62
Samsung Electronics
Samsung Main Building. 250,Taepyeongno 2-ga, Jung-gu, Seoul (Republic o Korea)T +11.82.2.7277114F +11.82.2.7277985www.samsung..com
p 260
sandellsandberg
Östermalmsgatan 26A114 26 Stockholm (Sweden)T +46.8.50653100F [email protected]
p 249
Santa & Cole
Parc de Belloch Ctra. C-251, Km. 5,6
08430 La Roca (Spain)T +34.938.619100F [email protected]
p 178
Aziz Sariyer
Acisu Sk Cem Ap. No.11 D.3 34357 BesiktasIstanbul (Turkey)T +90.212.3271585F +90.212.2588032
p 326, 328
Sasaki Associates
64 Pleasant StreetWatertown, MA 02472 (USA)T +1.617.9263300F [email protected]
p 78, 182
Rainer Schmidt Landschats-architekten
Klenzestraße 57c80469 Munich (Germany)T +49.89.2025350F +49.89.20253530mail@Schmidt-Landschatsarchitekten.dewww.schmidt-landschatsarchitekten.de
p 169, 190, 410
Pedro Silva Dias
Travessa das Necessidades 9, 2°135-220 Lisbon (Portugal)T [email protected]
p 40, 390, 392
Sitetectonix Private Limited
22 Cross Street, #02-52/54 China Square CentralSingapore 048421 (Singapore)T +65.6327.4452F [email protected]
p 140, 222
Siteworks-Studio
826 C Hinton AvenueCharlottesville, VA 22901 (USA)T +1.434.9238100F +1.434.2956611wilson@siteworks-studio.comwww.siteworks-studio.com
p 52
Smedsvig Landskapsarkitekt
Øvre Korskirkesmau 2b5018 Bergen (Norway)T +47.55.210470
p 362
Owen Song
2 College Street No. 2373Providence, RI 02903 (USA)T [email protected]
p 260
Lucile Soulet
7 rue de la Hutte1495 Sart-Dames-Avelines (Belgium)T +32.71.954553F [email protected]
p 288, 290
ITECTS INdEX
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ITECTS INdEX
inc. LA
lino Street No. 204eles, CA 90013 (USA)3.38317883.6130878inc.comlainc.com
RE MUU design studio
211 Shinkoiwa katsushikaku240024 (Japan).58799085
3.58799086oremuu.comoremuu.com
et and Gardenture Company
3662risbane, QLD 4101 (Australia).38441951.38449337
streetandgarden.com.au
reetandgarden.com.au
280, 282, 284
et and Park Furniture
/ 19 Heath Streete 5160 South Australia (Australia)
8.832967508.83296799streetandpark.com.aureetandpark.com.au
312
Ströer Out-o-Home Media AG
Ströer Allee 150999 Cologne (Germany)T +49.2236.96450F [email protected]
p 426
Tecnología & Diseño Cabanes
Parque Industrial Avanzado Avenida de la Ciencia, 7
3005 Ciudad Real (Spain)T +34.926.251354F [email protected]
p 41, 259
Architektin Mag. arch. Silja Tillner
Margaretenplatz 7/2/11050 Vienna (Austria)T +43.1.3106859F [email protected]
p 264, 400
Tokujin Yoshioka Design
9-1 Daikanyama-cho, Shibuya-kuTokyo 150-0034 (Japan)T +81.3.54280830F [email protected]
p 337
töper.bertuleit.architekten
Am Friedrichshain 210407 BerlinT +49.30.53214780F [email protected]
p 200
Turenscape
Zhong Guan Cun Fa Zhan Da Sha,12 Shang Di Xin Xi Road,Haidian DistBeijing 100085 (China)T +86.1.3801193799F [email protected]
p 364
Valentin Design
p 126
Anouk Vogel landscape architecture
Nieuwe Teertuinen 17-XI1013 LV Amsterdam (The Netherlands)T [email protected]
p 57, 247
Vulcanica Architettura
Piazza Matteotti 780133 Naples (Italy)T +39.081.5515146F +39.081.5515146studio@vulcanicaarchitettura.itwww.vulcanicaarchitettura.it
p 147
WAA – william asselin ackaoui
55 Mont-Royal Avenue West, Suite 805
Montreal, Quebec, H2T 2S6 (Canada)T +1.514.9392106F [email protected]
p 191
Studio Weave
33 St. John‘s Church RoadLondon E9 6EJ (United Kingdom)T [email protected]
p 66
West 8 urban design & landscapearchitecture
Schiehaven 13m3024 EC Rotterdam (The Netherlands)T +31.10.4855801F [email protected]
p 192, 194, 197, 270, 272
Woodhouse plc
Spa Park, Leamington SpaWarwickshire CV31 3HL (United Kingdom)T +44.1926.314313F [email protected]
p 230
Ryo Yamada
2Jo- 9Chome, 5 -1-202, Hiragishi Toyohira
Sapporo (Japan)T +81.11.8879487F [email protected]
p 56, 368, 370
YHY design international
Terenzio 12Milan 20133 (Italy)T [email protected]
p 28
ZonaUno
Via Mazzini, 720123 Milan (Italy)T +39.0289.690231 F [email protected]
p 15
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Andrzej Pilichowski-Ragno, Krakow Piston Design, Austin (TX) 408, Sabine Puche 318, 319Laia Puig, Barcelona 178 (po
196 (portrait), 308 (portrait), 30Shen Qiang, Shanghai Kiran Ridley Mariela Rivas Sabina Saritz, Vienna 40Anne von Sarosdy, Düsseldor Michael Schoner Ryan Schude, Los Angeles (CA)
Se‘lux 193 a. r., 193 b., 194 l., Scott Shigley, Chicago (IL) Helen Smith-Yeo, Singapore, Sitetectonix
Juliusz Sokołowski, Warsaw 108 (portrait), 204 (portrait),
Christian Spielmann, Hamburg 58 (Rupert Steiner, Vienna Stipe SuracUrban Švegl
Daniel Swarovski & Co. töper.bertuleit.architekten, Berlin Roel van Tour Chris van Uelen, Stuttgart 8, 186, 187visualh ouse, London 229 a. l., 22Matt Wain, London 228 (portrait), David Walker, ©2002, PWP Landscape
Architecture, Inc. Herbert Wiggerman Wilky Photography Ed Wonsek, Arlingto n (MA) 80Woodhouse plc, Leamington Spa Wright State University, Dayton (OH) Casimir Zdanius / Grimshaw New York
Hernan Zenteno 255 a. l., 255
All other pictures, especially portraits and plamade available by the architects.
Cover ront: ??????????????Cover back: let: ??????????????
Martin Hogenboom 422 (portrait)Bjorn van Holstei n 250–251João Jacinto, Lisbon 40 (portrait), 390 (portrait),
392 (portrait)Mario Jelavic, Split 148, 149 b., 150 a., 151 b.Zoé Jobin 62 (portrait)Richar d Johnson, Toronto 232–233Pernille Kaaber, New York (NY) 262–263Ott Kadarik 70–71Miran Kambic 110–115Rik Klein Gotink, Harderwijk 103 a., 103 m., 103 b.KMA Creative Technology Ltd 12 b. r.Nelson Kon, São Paulo 406–407Pawe_ Kubisztal, Krakow 105–109Craig Kuhner, Arlingto n (TX) 78–79, 81Alain Laores t 286–287Stephan Lee 134–135Andrew Lloyd, Melbourne 82–85Soren Luckins, Melbourne 382 (portrait)Björn Lux, Hamburg 58–59Equipo Macaedis, Macael Almería 196mago group 261Dan Males, Isthmus, Wellington 132
Ezio Manciucca, Lecco 326–329Beat Marugg, Barcelona 87 a. l.Brian McCall, KDA 189Paul Mccredie 122–125Ana Mello, São Paulo 406 (portrait)Peter Mitchell, SPA, Wellington 133Mori Building 337 r. a., 337 r. b.Ben ter Mull 51, 86 a. r.Ramon Muntades 308, 309 a. l.Robert Newald, Vienna 264 (portrait), 400 (portrait l.)Adam van Nieuwenhuizen and Zeenat Johnstone
358–359Monika Nikolic, Kassel 264–265Lorena Noblecilla 198–199North News & Pictures Ltd 12 a. l., b. l.Mustaa Nuhoglu, Istanbul 326 (portrait), 328 (portrait)Daniel Nytot, Berlin/Copenhagen 379 a.Markn Ogue 394 (portrait)Masahiro Okamura 337 (portrait)OKRA and Schul & CO Landskabsarkitekter 88Koji Okumura / Forward Stroke, Tokyo, Courtesy o
Earthscape 120–121, 156,159 a. r., 161 a. r., 344–345
Andres Otero 62–63Christobal Palma 394–397Hans Pattist 422Jacque s Perron 424–425
Je Ahn, London 66–69Shigeki Asanuma, Tokyo, Courtesy o Earthscape
157 a. r., 157 b., 158, 159 b., 160, 161 b.,164–165, 340–343, 346–349
Paul Bardagjy Photography, Austin (TX) 409 b. l.,409r., 430
Valerie Bennett 261 (portrait)S. Bertrand, Montreal 418–419studio bisbee 288–289Domagoj Blazevic, Split 149 a.Tom Bonner, Los Angeles (CA) 94–97Nicolas Borel 242–243Chris Brown 208–211Radek Bruneck y 422 a. l., 422 a. r.Dolores Cáceres 160Lana Cavar, Zagreb 148 (portrait)Cemusa Inc. 386–387Chuck Choi, Cambridg e 213, 215 a., 215 b. r.Josep Codina, Toni Casamor 314–315Julio Cunill, Barcel ona 178, 179 b.Mike Curtain, Brisbane 226–227Dart Realty (Cayman) Ltd. 373 b.Simon Devit t, Auckla nd 126–131, 352–357
Ryan Donnell 166 (portrait), 374 (portrait)Steve Double 276 (portrait)Epoch Product Design 372Escoet 87 a. r., b. l., 316–317Damir Fabijanic , Zagreb 74–77, 151 a.Enrico Fantoni 254Fillioux&Fillioux 319 a. r.Neil Fox, Toronto 139-139, 162, 163 l.Je Gahres / Grimshaw New York 19 b.GH orm 236–237B. Gigounon 288 (portrait)Glowrog Studios, London 228Francisco Gomez Sosa 144–145Florian Groehn, Sydney 224 (portrait), 275 b.,
280–285, 284 (portrait)Iann Gross & Emilie Müller 14Steen Groß, Weimar 30–33Jeppe Gudmundsen-Holmgreen, Copenhagen
376 (portrait), 378 b. l., 378 b. r.V. Tony Hauser, Toronto 138 (portrait l.), 162 (portrait)Philip Hawk, Lemont 217 b.Luke Hayes, London 336Olivier Helbert 218–219Irena Herak 110 (portrait), 114 (portrait),
338 (portrait), 414 (portrait)hess AG, Villingen-Schwenningen 200Barrie Ho Architecture Interiors Ltd 276–277
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