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  • 1. Storyboard Group 3 Eleanor Stapleton, Shannon Fisher, Lydia Rama and Thamina Chowdhury.

2. Manor Drive Establishing shot (E.S)1E.LMAYBE PAN ACROSSCut and face to black. Slow motion slow motionThis will be an shot of the Ex Serviceman club from the outside to allow the audience to become familiar with the location.N/AStatic cameraSoundtrack4 SecondsMid shot. (M.S)2Cut and face to black. Slow motion slow motionL.AThis will be a shot of a sign (if any) displaying the name of the place relating to the name of soap. This will give another chance for the audience to farmiliarise themselves with the location of this soap.N/AStatic cameraSoundtrack3 SecondsPoint of view high angle shot3Cut and fade to black.H.AShot of the main antagonists feet walking to the ex serviceman's club. The clothing item/style may give an enigma clue to the audience in which they can stereotype the character.N/ASoundtrackTracking movement to show the tense atmosphere within this first scene and the build up of this characters story.2 SecondsClose up (C.U)4Cut and fade to black.E.L 3 SecondsIndex: E.L = Eye Level H.A = High Angle L.A = Low AngleThis will be a close up of the main antagonists hand sorting out the clothes that he/she will be wearing.N/AStatic cameraSoundtrackEleanor Stapleton, Shannon Fisher, Lydia Rama and Thamina Chowdhury 3. Manor Drive Close up (C.U)5Shot of the main antagonist looking at hand while opening door to the club/pub.Static to show the angle of the main antagonists eyes.SoundtrackCutH.AN/A2 SecondsPoint of view shot 360 pan.6PAN ACROSSCutE.LThis is the main antagonist panning the room to identify him/herself with characters in the room. The audience may be able to relate with the groups presented in this shot. (stereotypical views)N/ASoundtrackPanning to reveal the setting and other characters which could be enigma codes (Roland Barthes) to scenes later on in the soap trailer which can bring different story lines or clues about the soap. Panning also to show the movement of the characters eyes.4 SecondsOver the shoulder shot. (O.T.S)7CutE.LSLIGHT PAN ACROSSThis will an over the shoulder shot of the antagonist looking at different friendship groups within the pub. He/she will still be walking around the pub/club.N/ASoundtrackTracking to identify the audience with the location more and other characters which the main antagonist associates themselves with.3 SecondsClose up (C.U)8CutE.L 3 SecondsIndex: E.L = Eye Level H.A = High Angle L.A = Low AngleCut to the young group of friends who are laughing with each other and playing spin the bottle. This is the first time the audience are presented with this friendship group. Some may be able to build a personal relationship due to certain characteristics.N/AStaticSoundtrack Eleanor Stapleton, Shannon Fisher, Lydia Rama and Thamina Chowdhury. 4. Manor Drive Close up (C.U)9High angle slow motion shot of a bottle spinning on the table.StaticSoundtrackCut and slow motion edit.H.AN/A3 Seconds10BOTTLE WILL PAN ACROSS TABLEPoint of view shot 360 pan.CutL.AThis is a low angle shot of the bottle stopping on the first character out of 5 around the table. This is going to present each character to the audience in a clearer form.N/APanning to reveal the other group of characters which play an important part in the main antagonists story line.Soundtrack4 SecondsClose up (C.U)11Cut and fade to whiteE.L 2 SecondsTwo shot. (T.S)12CutE.L 2 SecondsIndex: E.L = Eye Level H.A = High Angle L.A = Low AngleCuts to a close up of the characters face then fades quickly to white to show (This shot will show a facial expression in which the audience may be able to connect to.)A flashback of a character lying dead in the middle of the road with the first character crying at the dead character. This would be where the audience can sympathise with characters on screen caregivers Maslow.N/ASoundtrackN/AStatic to show the characters facial expression of shock when they go to look back into the past.StaticSoundtrack Eleanor Stapleton, Shannon Fisher, Lydia Rama and Thamina Chowdhury 5. Manor Drive Close Up. (C.U)13L.ABOTTLE WILL PAN ACROSS TABLE4 SecondsCutBottle spins again and lands on the second character. low angle shot then close up of face then fades quickly to white to show (This shot will show a facial expression in which the audience may be able to connect to.)N/AStatic to show the characters facial expression of shock when they go to look back into the past.3 SecondsMid shot. (M.S)14CutA flashback of a character lying dead in the middle of the road with the second character by the dead characters side in the road.Static N/AH.A 3 SecondsClose Up. (C.U)15L.ABOTTLE WILL PAN ACROSS TABLE4 SecondsCutBottle spins again and lands on the third character. low angle shot then close up of face then fades quickly to white to show (This shot will show a facial expression in which the audience may be able to connect to.)N/ASoundtrackStatic to show the characters facial expression of shock when they go to look back into the past.3 Seconds PAN FROM LEFT TO REVEAL DEAD BODY16E.L 3 SecondsOver the shoulder shot then pan from leftCut fade to black at the end of panning shotIndex: E.L = Eye Level H.A = High Angle L.A = Low AngleA flashback of a character lying dead in the middle of the road with the third character watching from afar. This is when the audience can build a personal relationship with this character as they may be able to farmiliarise themselves with this situation.N/AStaticSoundtrack Eleanor Stapleton, Shannon Fisher, Lydia Rama and Thamina Chowdhury 6. Manor Drive Low angle shot. Then close up.17L.ABOTTLE WILL PAN ACROSS TABLE4 SecondsCutBottle spins again and lands on the fourth character. low angle shot then close up of face then fades quickly to white to showN/ASoundtrack3 SecondsMid long shot. (M.L.S)18CutH.AA flashback of a character lying dead in the middle of the road with the fourth character comforting the crying first character.N/ASoundtrack3 Seconds Low angle shot. Then close up.19L.ABOTTLE WILL PAN ACROSS TABLE4 SecondsStatic to show the characters facial expression of shock when they go to look back into the past.CutBottle spins again and lands on the third character. low angle shot then close up of face then fades quickly to white to showN/AStatic to show the setting of the crime scene to allow the audience to identify with the situation and build personal relationships with certain characters or personally identify.StaticSoundtrack3 Seconds PAN FROM LEFT TO REVEAL DEAD BODY20Over the shoulder shot then front mid shot.CutE.L 3 SecondsIndex: E.L = Eye Level H.A = High Angle L.A = Low AngleA flashback of a character lying dead in the middle road with the fifth character watching from afar with the third character.N/AStaticSoundtrack Eleanor Stapleton, Shannon Fisher, Lydia Rama and Thamina Chowdhury 7. Manor Drive Low angle shot21CutL.ABottle spins again for the last time and lands on the main antagonist Low angle shot. The audience will be presented with a blurred figure to create mystery within the trailer.Static N/ASoundtrack2 Seconds22TILT UPWARDS TO REVEAL FACEClose Up (C.U)Cut Then fade to blackE.LTilt upwards to reveal the main antagonist which is shot in a close up. This will then reveal the main antagonist and will cause a deeper disequilibrium in which the audience will want to know more.Tilting movement to present the main antagonist and their facial expression which can be an enigma code (Roland Barthes) for some members of the audience.N/ASoundtrack5 SecondsEstablishing shot (E.S)23Open from black to the show information and then fade to black.E.LThis is the last shot of the trailer which will contain all the soap trailer information such as: what channel, the time the soap will be aired and on when it will be aired. It will also contain some information to the social media platform to appeal to a wider audience.StaticN/AVoiceover. Manor Drive, Brand new soap coming soon to BBC three.END OF TRAILERIndex: E.L = Eye Level H.A = High Angle L.A = Low AngleEleanor Stapleton, Shannon Fisher, Lydia Rama and Thamina Chowdhury