Stern Pissarro Gallery

66 St James’s Street London SW1A 1NE ! Stern Pissarro Gallery

SUMMER DISPLAY Contemporary - Modern - Impressionist

ZHANG DALI (b. 1963)

AK-47

Acrylic on vinyl

100 x 80 cm (39 ǫ�[�� ½ inches) Signed on the reverse

2011

DAMIEN HIRST (b. 1965)

Beautiful Cannibalistic Electofetish Fighting in the Lava Beds Who Got My Eyeball?

Paper Spin Painting (with butterflies)

Butterflies and acrylic on paper Diameter: 71.1 cm (28 inches)

Signed lower centre Executed in 2008

Provenance: Private Collection, London This work has been authenticated by the Hirst Authentication Committee, London

ARMAN (1928-2005)

Untitled

Acrylic and sliced guitar on canvas laid on board

102 x 102 cm (40 3/16 x 40 3/16 inches)

Signed on the turnover edge Executed in 2003

Provenance: Private Collection, USA This work is recorded in the Arman Studio Archives, New York under number APA# 8021.03.074.

A.R. PENCK (1923-2012)

The Right Point

Mixed media on canvas

96 x 78.2 cm (37 Ǫ x 30 ¾ inches) Signed lower left, A.R. Penck

Titled and dated 1993 The Right Point a.r. penck on the upper overlay

JEAN-MICHEL ATLAN (1913-1960)

Sans Titre

Oil on canvas

116 x 73 cm (45 ⅝ x 28 ¾ inches) Signed lower right, Atlan

Painted in 1958

Provenance: Private Collection, Lille Literature:

Jacques Pollieri, Atlan, Catalogue Raisonné de l'Œuvre Complet, Paris, 1996, no.599, p. 332

PAUL JENKINS

(1923-2012)

Phenomena A Certain Function Held

Acrylic on canvas 100 x 81 cm (39 Ǫ x 31 Ǭ�LQFKHV)

Signed lower left, Paul Jenkins Signed, titled and dated on verso, Paul Jenkins 1989 “Phenomena A Certain Function Held”

Painted in 1989

PAUL JENKINS

(1923-2012)

Phenomena Winter Harth

Oil and sand on canvas 66 x 122 cm (26 x 31 Ǭ�LQFKHV)

Signed, titled and dated on verso, Paul Jenkins “Phenomena Winter Harth” 1978

ALEXANDER CALDER (1898-1976)

La Noce

Gouache on paper

57 x 77 cm (22 ½ x 30 Ǫ inches) Signed and dated, Calder 74

Provenance: Galerie Adrien Maeght Private Collection, Paris This work is registered in the archives of the Calder Foundation, New York, under registration Number A25116.

MARC CHAGALL (1887-1985)

Étude pour la Nuit de Vence

Oil and India ink on canvas-board on plywood

28.4 x 34.8 cm (11 3/16 x 13 11/16 inches) Stamped signature lower left, Marc/Chagall

Executed circa 1952-56 Provenance: Collection of the artist. Timothy Yarger Fine Art, Beverly Hills, California. This work is accompanied by a replacement photo-certificate of authenticity from the Comité Chagall.

VICTOR VASARELY (1906-1997)

Cyclon

Acrylic on canvas

52 x 51 cm (20 ½ x 20 ǩ�inches) Signed lower right, signed, dated, titled and numbered on the reverse

Executed 1984

Provenance: Galleria Centro Steccata, Parme, Italy. Private collection, Italy. Private European collection. Certificate of authenticity is available.

VICTOR VASARELY (1906-1997)

Laika

Gouache and tempera on cardboard

40 x 32 cm (16 x 12 ½ inches) Signed and dated 1956 lower centre

Titled and inscribed P24 on the reverse

Provenance: Imre Pan Mezei, Budapest, c. 1963. Private Collection, Toronto. Private European collection. Literature: Werner Spies, Vasarely, 1969, p. 13 (a similar work entitled Laika II illustrated, p. 41). Pierre Vasarely has kindly confirmed the authenticity of this work.

FERNANDO BOTERO (b.1932)

Woman with Red Bow and Dog

Mixed media on paper

41 x 30.5 cm (16 ǩ�[��LQFKHV� Signed and dated lower right, Botero 08

This work is accompanied by a certificate of authenticity from the artist.

FERNAND LÉGER (1881-1955)

Étude pour Gaz de France

Mixed media and gouache on paper

Sheet size: 39.5 x 48.5 cm (15 ½ x 19 ǩ inches) Monogram stamp, F.L.

This work is accompanied by a photo certificate from Iris Hansma, Paris, October 4, 2012. On the verso of the work, certificate of authenticity from the artist's widow, Nadia Léger, with another on verso of frame from the Fondazione Pagora di Legnano, 1 October 1972.

JEAN-PAUL RIOPELLE (1923-2002)

Antibes

Oil on canvas

119.3 x 91.4 cm (47 x 36 inches) Signed and dated lower right, Riopelle 66

Signed, dated and titled on the reverse, Riopelle 66 Antibes

ANDRÉ LANSKOY (1902-1976)

Les flammes en Norvège

Oil on canvas

73 x 100 cm (28 ¾ x 39 ⅜ inches) Signed, titled and dated 1960 on reverse

This painting is accompanied by a certificate of authenticity from André Schoeller dated 15 February 1973.

AUGUSTE HERBIN (1882-1960)

Composition

Oil on canvas

130.1 x 59.7 cm (51 ¼ x 23 ½ inches) Signed lower right, ‘Herbin’.

Painted in February 1930.

Literature: Herbin Catalogue Raisonné, 1993, No.667, p.397

AUGUSTE HERBIN (1882-1960)

Composition

Oil on canvas

146 x 97 cm (57 ½ x 38 ¼ inches) Signed lower right, ‘Herbin 37’.

Painted in 1937.

Literature: Herbin Catalogue Raisonné, 1993, No. 732, p.409

MARINO MARINI (1901-1980)

Giocolieri e Cavallo

Gouache on paper mounted on canvas

63 x 43 cm (24 ¾ x 16 ⅞ inches) Signed and dated lower right 1953

Provenance: Estate of Marian Crown, New York. Private European collection. Accompanied by a certificate of authenticity issued by the Fondazione Marino Marini, dated January 13, 2012, numbered 638.

SERGE POLIAKOFF (1900-1969)

Composition in red, yellow, blue, green and gray model for fabric

Gouache on paper

65 x 50 cm (25 ½ x 20 ǫ inches) Signed and numbered lower right, 26950

Executed 1946

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MOÏSE KISLING (1891-1953)

Les Orchidées

Oil on canvas

54 x 73 cm (21 ¼ x 28 ¾ inches) Signed lower left

Painted 1938

Provenance: Galerie Marcel Bernheim, Paris Private Collection Literature: Jean Kisling, ed., Kisling 1891-1953, vol. II, Turin, 1982, p. 211, plate 83 (illustrated)

MOÏSE KISLING (1891-1953)

Portrait

Oil on canvas

73 x 54 cm (28 ¾ x 21 ¼ inches) Signed upper right

Executed 1928 Provenance: Marie-Claude Fischer, Paris, prior to 1982. Acquired by the family of the previous owner, ca. 1985. Private collection. Literature: J. Kisling and H. Troyat, Kisling 1891-1953, Turin, 1982, vol. II, p. 125, no. 96 (illustrated).

EMILIO GRAU SALA (1911-1975)

Young Woman

Oil on canvas

73 x 60 cm (28 ¾ x 23 ǫ inches) Signed lower right

Signed, dated 1952 and inscribed Paris on the reverse

ISSACHAR RYBACK (1897-1935)

Cirque

Oil on canvas

71 x 92 cm (28 x 36 ¼ inches) Signed lower right, I. Ryback

Painted circa 1920s as part of his Berlin circus series.

OSSIP ZADKINE (1890-1967)

The Three Graces

Watercolour on paper

62 x 45 cm (24 ½ x 13 ¾ inches) Signed and dated lower right, O. Zadkine 28

OSSIP ZADKINE (1890-1967)

Untitled

Gouache on paper

54.5 x 70 cm (21 ½ x 27 ½ inches) Signed lower left, O. Zadkine 28

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JULES PASCIN (1885-1930)

Nu, le Bras Levé

Oil and pencil on canvas

72.4 x 59.1 cm (28 ½ x 23 ¼ inches) Signed

Literature: Jules Pascin: Catalogue Raisonné by Krohg, Hemin, Perls and Rambert, Editions Abel Rambert, volume I, illustration No. 236, page 133

KEES VAN DONGEN

(1877-1968)

Portrait de Madame Van Der Velde

Oil on canvas 126.2 x 96.3 cm (49 ⅝ x 37 ⅞ inches)

Signed center left, van Dongen Painted circa 1920-23

Provenance: Private Collection Private Collection (acquired from the above in 2001) Literature: Edmond des Courières, Van Dongen, Paris, 1925, illustrated p. 24 Kees van Dongen (exhibition catalogue), Fondation Pierre Gianadda, Martigny, 2002, no. 72, illustrated in color p. 122 This work will be included in the forthcoming catalogue raisonné being prepared by Jacques Chalom des Cordes under the sponsorship of the Wildenstein Institute.

HENRI HAYDEN (1883-1970)

Vue d’un Village

Oil on canvas

65 x 92 cm (25 x 36 inches) Signed and dated lower left: Hayden 1921

Inscribed verso: Hayden V-1921

Provenance: E.J. van Wisseling and Co., Amsterdam, #S9329 Lucienne Rosenberg, Paris Private Collection, Paris Sotheby’s, London, Impressionist and Modern Art, March 27th, 1985, lot 151 Private Collection, California.

HENRI HAYDEN (1883-1970)

Nature Morte avec Mandoline

Oil on canvas

65 x 81 cm (25 ½ x 32 inches) Signed and dated

Provenance: The Piccadilly Gallery, London. Comte and Comtesse Charles de Limur, San Francisco, acquired from the above in March 1967. Private collection, USA. Accompanied by certificate of authenticity signed by Pierre Célice, dated September 17, 2012.

LOUIS VALTAT (1869-1952)

Bouquet d’Anémones au Fond Rouge

Oil on canvas

41 x 33 cm (16 x 13 inches) Signed lower right

Painted c. 1918

Provenance: Private collection, France. Private European collection. Accompanied by a certificate of authenticity, signed by Julien Valtat.

PIERRE-AUGUSTE RENOIR (1841-1919)

Femme à la Rose, Andrée

Oil on canvas

36.5 x 29.8 cm (14 Ǫ��[ 11 ¼ inches) Stamped signature upper right, Renoir

Painted in 1919

Provenance Private Collection Private Collection (acquired from the above by the present owner in 1993) Literature Bernheim-Jeune (ed.), L'Atelier de Pierre-Auguste Renoir, Paris, 1931, vol. II, no. 656, illustrated pl. 205 (with incorrect dimensions) This work is to be included in the Renoir Catalogue critique being prepared by the Wildenstein Institute from the François Daulte, Durand-Ruel, Venturi, Vollard and Wildenstein archives.

GUSTAVE LOISEAU (1865-1935)

Le Pont Henri IV - Paris

Oil on canvas

54.2 x 65 cm (21 ⅝ x 25 ⅝ inches) Signed

Executed 1918

Provenance: Galerie Art-Mel, Paris


Paysage

Oil on canvas

73 x 60 cm (28 ½ x 23 ⅝ inches) Signed lower left

Provenance: Private European Collection.

MAURICE UTRILLO (1883-1955)

Château de Nangis (Seine-et-Marne)

Gouache on paper

34 x 50 cm (13 Ǫ�[��ǫ�LQFKHV� Signed lower right: Maurice, Utrillo, V,

Inscribed lower left: Château de Nangis (Seine-et-Marne)

Provenance: Galerie Moos, Switzerland Private Collection, Basel

MAURICE UTRILLO (1883-1955)

Rue de Banlieue

Oil on card, laid on panel

44.8 x 58.5 cm (17 Ǫ�[��LQFKHV� Signed lower right, Maurice Utrillo

Painted circa 1914 Provenance: Private Collection, France Literature: Jean Fabris & Cédric Paillier, L'œuvre Complet de Maurice Utrillo, Association Maurice Utrillo éditeur, Paris, 2009, p. 379, no.315 under the title Rue de Banlieue

MAURICE DE VLAMINCK (1876-1958)

Marine

Oil on canvas

73 x 92 cm (28 ¾ x 36 ¼ inches) Signed lower left, Vlaminck.

Literature: This work will be included in the forthcoming ‘Vlaminck Catalogue critique’ being prepared by Maithé Vallès-Bled and Godeliève de Vlaminck under the sponsorship of the Wildenstein Institute.


Rue de Village Animée, 1909

Oil on canvas

46 x 55 cm (18 x 21 ⅝ inches) Signed lower left, G. Loiseau

HENRI MANGUIN (1874-1949)

Toulon, Les Avisos

Oil on canvas

46 x 61 cm (18 ⅛ x 24 inches) Signed lower left, Manguin

Painted c. 1926

Provenance: Acquired from the artist by Marcel Bernheim, Paris in February 1927. Literature: Lucile and Claude Manguin, Marie-Caroline Sainsaulieu, Henri Manguin, Catalogue Raisonné de l'Œuvre Peint, éd. Ides et Calendes, Neuchâtel 1980, no. 851, illustrated. p. 282.

HENRI MANGUIN (1874-1949)

Le Barrage de Suresnes

Oil on canvas

60 x 73 cm (23 ⅝ x 28 ¾ inches) Signed lower left, Manguin

Provenance: Acquired from the Artist in 1939 by Léon Madlyn and has remained in the family since then. Literature: Lucile and Claude Manguin, Marie-Caroline Sainsaulieu, Henri Manguin, Catalogue Raisonné de l'Œuvre Peint, éd. Ides et Calendes, Neuchâtel 1980, no. 1102, illustrated. p. 346.

MAXIMILIEN LUCE (1858-1941)

Rotterdam, Scène de Port

Oil on canvas

54 x 65 cm (21 ¼ x 25 ½ inches) Signed and dated 1907, lower right

Inscribed La meuse (Matin) on the stretcher

Provenance: Private European collection. Literature: Jean Bouin-Luce and Denise Bazetoux, Maximilien Luce, Catalogue Raisonné de l’Œuvre Peint, vol. II, Paris, 1986, p. 366, no. 1486 (illustrated).

JEAN DUFY (1888-1964)

Paris, La Tour Saint-Jacques

Watercolour on paper

44 x 55 cm (17 ¼ x 21 ǫ inches) Signed and dated lower right, Jean Dufy 1922

This work is accompanied by a copy of a certificate from Jacques Bailly dated 10 mars 2010 and will be included in Vol. III of the catalogue raisonné currently in preparation.

ALBERT LEBOURG (1849-1928)

Village et Promeneurs en Bord de Seine

Oil on canvas 39.5 x 72.5 cm (15 ½ x 28 ½ inches)

Signed lower left, a. Lebourg

ALBERT LEBOURG (1849-1928)

Bord de Seine à la Bouille

Oil on canvas 46 x 85 cm (18 ǩ�[��ò inches)

Signed and inscribed lower left, a. Lebourg la Bouille

MAXIMILIEN LUCE (1858-1941)

Printemps Saint-Ay de la Loire

Oil on canvas 64.8 x 50.5 cm (25 ½ x 19 ⅞ inches)

Signed lower right, Luce Inscribed as titled on the stretcher

Executed circa 1910 Provenance: Hammer Galleries, New York Private collection, New York Exhibited: Paris, Galerie Dru, M. Luce, Apr. 11-30, 1921, no. 36 (as La Loire a Saint-Ay), possibly Literature: Jean Bouin-Luce, Denise Bazetoux, Maximilien Luce: Catalogue Raisonne de L' Œuvre Peint, Paris, 1995, vol. 3, p. 177, no. 745, illus.

MAXIME MAUFRA (1861-1918)

Les Bords de la Loire à Poncé

Oil on canvas

54 x 73 cm (21 ¼ x 28 ¾ inches) Signed on the reverse

CAMILLE PISSARRO (1830-1903)

Lisière du Bois

Oil on canvas

25.5 x 37 cm (10 x 14 9/16 inches) Signed and dated lower left, C. Pissarro 67

Provenance : Galerie Romanet, Paris. Private Collection, Switzerland. Exhibited: Pavia, Italy, Visconti Castle’s Stables, Pissarro, February - June, 2014, Cat. No.7.

Literature: Joachim Pissarro and Claire Durand-Ruel Snollaerts (Wildenstein Institute), Pissarro Critical Catalogue of Paintings, 2005, No. 113, Vol. II, p.105.

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Le Ru de Montbuisson, Louveciennes

Oil on canvas

46 x 55.5 cm (18 ⅛ x 21 ⅞ inches) Signed lower right, C. Pissarro

Painted circa 1869

Provenance: Alfred Daber, Paris The Lefevre Gallery (Alex Reid & Lefevre), London (acquired from the above in 1950) Robert Morley, London (acquired from the above in 1951) Annabel Morley, London Dr. W. Eisenbeiss, Zurich Private Collection, USA Exhibited: London, The Lefevre Gallery (Alex Reid & Lefevre), Géricault to Renoir, 1951, no. 23 London, The Lefevre Gallery (Alex Reid & Lefevre), XIXth and XXth Century French Paintings and Drawings, 1960, no. 29 Literature: Christopher Lloyd, Pissarro, London, 1992, no. 8 Joachim Pissarro & Claire Durand-Ruel Snollaerts, Pissarro, Catalogue critique des peintures, vol. II, Paris, 2005, no. 136, illustrated p. 12

ALFRED SISLEY

(1839-1899)

Cabanes au Bord du Loing

Oil on canvas 46 x 55 cm (18⅛ x 21⅝ inches)

Signed and dated lower left, Sisley 96

Provenance: Collection Georges Petit, Paris Sale: Modern Paintings, Hotel Drouot Paris, March 1935, No.56 Private Collection, Paris Literature: François Daulte, Alfred Sisley, Catalogue Raisonné de l’Oeuvre Peint, Lausanne 1959, No. 855 Exhibited: Paris, Galerie Georges Petit, A.Sisley, February 1897, No. 126 Paris, Temps Forts de Drouot Montaigne, 18th - 20th May, 2009 The Comité Sisley de la Galerie Brame et Lorenceau have confirmed the authenticity of this work.


Vachère dans une Clairière

Gouache sur papier cartonné (gouache on card)

25 x 21 cm (9 Ǭ�[��ó�LQFKHV� Signed and dated lower left, C. Pissarro 1890

Provenance: Private Collection, France This work will be included in the forthcoming “catalogue critique des pastels et gouaches de Camille Pissarro” being prepared by Joachim Pissarro and Claire Durand-Ruel-Snollaerts under the sponsorship of the Institute Wildenstein (confirmation dated 29th June, 2007).


Marché au Bétail (Live Stock Market)

Pencil and wash on paper 20.3 x 16 cm (8 x 6 ¼ inches)

Signed with monogram lower left Executed circa 1880-1882

Provenance: Sale, A. Bonin, Paris, 26 June 1931, lot 51. The authenticity of this work has kindly been confirmed by Mr Christopher Lloyd and Dr Joachim Pissarro.


Paysage avec Deux Personnages

Ink on paper

16.2 x 21.6 cm (6 ⅜ x 8 ½ inches) Stamped with the artist’s initials

Provenance: Estate of the artist Schoneman Galleries, Inc., New York Estate of Margo Schoneman This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro

EDGAR DEGAS (1834-1917)

Femme Nue Assise

Charcoal on paper

61 x 42 cm (24 x 16 ½ inches) Stamped lower left, Degas

Provenance: The artist’s studio sale, part III. Galerie Georges Petit, Paris, 7-9 April 1919, lot 274. Edmond Céria (acquired at the above sale). Literature: P.A. Lemoisne, Degas et son œuvre, Paris, 1946, vol. III, p. 698, no. 1200. A. Wofsy, Degas’s Atelier at Auction, Paintings, Pastels and Drawings Sales III and IV – 1919, San Francisco, 1989, no. 274 (illustrated p. 206).

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