STEEDMAN, Mark J. 1984. a Generative Grammar for Jazz Chord Sequences

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Music Perception, Fall 1984, Vol. 2, No. 1, 52-77

Transcript of STEEDMAN, Mark J. 1984. a Generative Grammar for Jazz Chord Sequences

  • STEEDMAN, MARK J., PITCH STRUCTURES AND TONALITY: A Generative Grammar for Jazz Chord Sequences , Music Perception, 2:1 p.53

  • STEEDMAN, MARK J., PITCH STRUCTURES AND TONALITY: A Generative Grammar for Jazz Chord Sequences , Music Perception, 2:1 p.53

  • STEEDMAN, MARK J., PITCH STRUCTURES AND TONALITY: A Generative Grammar for Jazz Chord Sequences , Music Perception, 2:1 p.53

  • STEEDMAN, MARK J., PITCH STRUCTURES AND TONALITY: A Generative Grammar for Jazz Chord Sequences , Music Perception, 2:1 p.53

  • STEEDMAN, MARK J., PITCH STRUCTURES AND TONALITY: A Generative Grammar for Jazz Chord Sequences , Music Perception, 2:1 p.53

  • STEEDMAN, MARK J., PITCH STRUCTURES AND TONALITY: A Generative Grammar for Jazz Chord Sequences , Music Perception, 2:1 p.53

  • STEEDMAN, MARK J., PITCH STRUCTURES AND TONALITY: A Generative Grammar for Jazz Chord Sequences , Music Perception, 2:1 p.53

  • STEEDMAN, MARK J., PITCH STRUCTURES AND TONALITY: A Generative Grammar for Jazz Chord Sequences , Music Perception, 2:1 p.53

  • STEEDMAN, MARK J., PITCH STRUCTURES AND TONALITY: A Generative Grammar for Jazz Chord Sequences , Music Perception, 2:1 p.53

  • STEEDMAN, MARK J., PITCH STRUCTURES AND TONALITY: A Generative Grammar for Jazz Chord Sequences , Music Perception, 2:1 p.53

  • STEEDMAN, MARK J., PITCH STRUCTURES AND TONALITY: A Generative Grammar for Jazz Chord Sequences , Music Perception, 2:1 p.53

  • STEEDMAN, MARK J., PITCH STRUCTURES AND TONALITY: A Generative Grammar for Jazz Chord Sequences , Music Perception, 2:1 p.53

  • STEEDMAN, MARK J., PITCH STRUCTURES AND TONALITY: A Generative Grammar for Jazz Chord Sequences , Music Perception, 2:1 p.53

  • STEEDMAN, MARK J., PITCH STRUCTURES AND TONALITY: A Generative Grammar for Jazz Chord Sequences , Music Perception, 2:1 p.53

  • STEEDMAN, MARK J., PITCH STRUCTURES AND TONALITY: A Generative Grammar for Jazz Chord Sequences , Music Perception, 2:1 p.53

  • STEEDMAN, MARK J., PITCH STRUCTURES AND TONALITY: A Generative Grammar for Jazz Chord Sequences , Music Perception, 2:1 p.53

  • STEEDMAN, MARK J., PITCH STRUCTURES AND TONALITY: A Generative Grammar for Jazz Chord Sequences , Music Perception, 2:1 p.53

  • STEEDMAN, MARK J., PITCH STRUCTURES AND TONALITY: A Generative Grammar for Jazz Chord Sequences , Music Perception, 2:1 p.53

  • STEEDMAN, MARK J., PITCH STRUCTURES AND TONALITY: A Generative Grammar for Jazz Chord Sequences , Music Perception, 2:1 p.53

  • STEEDMAN, MARK J., PITCH STRUCTURES AND TONALITY: A Generative Grammar for Jazz Chord Sequences , Music Perception, 2:1 p.53

  • STEEDMAN, MARK J., PITCH STRUCTURES AND TONALITY: A Generative Grammar for Jazz Chord Sequences , Music Perception, 2:1 p.53

  • STEEDMAN, MARK J., PITCH STRUCTURES AND TONALITY: A Generative Grammar for Jazz Chord Sequences , Music Perception, 2:1 p.53

  • STEEDMAN, MARK J., PITCH STRUCTURES AND TONALITY: A Generative Grammar for Jazz Chord Sequences , Music Perception, 2:1 p.53

  • STEEDMAN, MARK J., PITCH STRUCTURES AND TONALITY: A Generative Grammar for Jazz Chord Sequences , Music Perception, 2:1 p.53

  • STEEDMAN, MARK J., PITCH STRUCTURES AND TONALITY: A Generative Grammar for Jazz Chord Sequences , Music Perception, 2:1 p.53

  • STEEDMAN, MARK J., PITCH STRUCTURES AND TONALITY: A Generative Grammar for Jazz Chord Sequences , Music Perception, 2:1 p.53


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