ST. PAUL BIBLE COLlEGE

MUSIC DEPARTMENT

presents

in combined recital

Tuesday, iiay 12, 1964

Eight 0 'Clock p.m.

College Chapel

Diful.E JbW:SEN, Organist

RHODA NELSON, Pianist

DAVID FOX, Clarinetist

Panis Angelicus . (0 Lord Nost J.:oly)

Cesar Franck Arr. by Tedd Smith & Don HUstad

"-.0 Lord most holy, 0 Lord most holy, 0 J,oving Father, Thee would we be praising alrt;ays Help ·us to know Thee, Know Thee and love Thee, Father, Father, Grant us Thy truth and graoe 1 Father, Father, Guide and defend us.

· Trans. - Ronaldson

Diane Jensen and Rhoda Nelson

Prayer - - - - - - - -

I

Choral Vorspi el (0 Sacred Head Now t!ounded

Prelude and FUgue tn Bb

Air- From Overture inD

Dtane Jensen

II

Sonata No. 1~ Opus 120 for Clarinet and Piano

I. Allegro appassionato

II. Andante un poco Adagio

III. .Allegretto gra;dos o

IV. Vivace

Johann S ebastian Bach

Johann Sebastian Baoh

Johann Sebastian Baoh

Johannes Brahms

JJavtd Fox and Rhoda JVelson

III

Sonata No. 2 in D 1Jiinor James J. Rogers

Theodore Dubois Grand (Jhoeur

Diane Jensen

* * * *

0 For a Thousand Tongues CJarl. G. Glaser & T. Ja7711l1J1, Arr. by Tedd Smith & Don Husted

0 for a thousand tongues to sing Ny great Redeemer's praise, The glories of my God and King, The triwnphs of His grace J

Jesus! The name that charms our fears, That bids our sorrows cease: 1Tis music in the sinner's ears, 'Tis life and health and peace.

He breaks the power of canceled sin, He sets the prisoner free; His blood can make the foulest clean, Hts blood availed for me.

Diane Jensen and Rhoda Nelson

Diane Jensen-Student of Janet Ludwigson Rhoda Nelson-Student of Gorden P. Howell David Fox-Student of Earl Handlon

To thes e, our teachers, for their kind patience and advice, we sincerely express our grateful appreciation.

Acknowledgements

Usherettes Joyoe Jensen Karen Schmidt

Lights - - - Jim Brummet

Us 'hers S teve .fl.rmst rong Phil Nelson

THE MUSIC DEPARTMENT

of the

ST • PAUL BIBLE COLIEGE

PRESENTS

in

SPRI:ID RECITAL

Dr • Gordon Howell

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Prof. Harold Brnndi

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COLLEGE CHAPEL

MayS, ~964 8:00 P• M;.

LORRAINE MILLER Pianist &

PROGRAM

JUDI HEINRICHS Soprano

I. Jesu1 Joy of Man's Desiring o • • • • q Bach Chorale from Cantata No. 14 7

II.

Arranged by :rtrra Hess

Prelude and Fugue, No. 5 •• Book I

Lorraine l'Ji.ller

• •

This Day is Mine • • • • • • • •

• • • .:&tchl

• ••• Ware

Care mio ben • • • • • • • • • • • • Giordani (English translation on insert)

Still wie die Nacht • • • • • • • • • • Bohm (English translation on insert)

The Lass with the Delicate Air • • • •• Arne

Judi Heinrichs

III. Sonata in C Minor • • • • • 0 • Scarlatti

Sonata in D Minor • •• • • • • Scarlatti

Lorraine Miller

IV0 Alleluja • •••• • ••• • • • • Mozar~ from Motet: Exsultate1 jubilate

I Want Jesus to Walk With Me • • .Boatner Negro Spiritual

0 Divine Redeemer •• • • • • • • Gounod

Judi Heinrichs

v. Valse . . . . . ~ . (Posthumous)

• • • • • • • • Chopin

Htmgarian • • ., • • • <{Ia 39, No. 12

• • • • •

Lorraine Miller

Acknowledgements

Macdowell

With sincere appreciation to Dr. Gordon Howell and Professor Harold Brundin for thar instruction and kind assistance.

;. .... .

Ushers

Joel Phillips Marlin Skifstad

Escorts'

Roger Morrow Dick Williams

Usheretts

Janice Batdorf Carol Spader

Caro mio ben Dearest, believe

Dearest, believe, When we must part, Lonely I grieve, In my poor heart1 When we must part, Sadly I grieve, In my lonely heartl

Thy faithful slave, Hear him but sigh, Haste then and save him ere he diei Haste then and save, Haste then and save him, Else he must die.

Dearest, believe, When we must part, Sadly I grieve, In my lonely heartt Dearest, believe, When we must part, Lonely I grieve, In my poor heart1

Still wie die Nacht Calm as the Night

Calm as the night, deep as the sea, Should be thy love for met Calm as the night, and deep as the sea, Should be thY love, should be thy love for me, should be thy love for mel

If love like mine glow in thy heart, I am for ever thine. Fervent as steel, and firm as the hills, Should be thy love, should be thy love for me, should be thy love for mel

Accompanist With sincere appreciation to Miss

Darlene Brown for her helpful assistance as accompanist.

MUSIC SEHINAR - FEBRUARY 20, 1964

HmAH TITUS, JR.

Introduction, welcome and instruction to students by J. P. Davies

Re-statement of the Biograpqy . . . . . J. P. Davies

PART I. Analysis of the Piano Concerto No. 1 (1st movement) Daniel Allen - Hoderator

Hiram Titus

A. Discussion of Original Version of Concerto 1. Tape- played by the student orchestra

at Interlachen with Hiram Titus as soloist.

B. New V~rsion discussed. 1. Performance of new version as given

in Chapel.

PART II. Sonata for Flute and Piano by Hiram Titus J. P. Davies - Hoderator

A. Discussion

B. Performance Hiram Titus, piano }~ Wilson, flute

PART III. Related Subjects. L. M. Brown - Hoderator

A. Interlachen Husic Camp 1. Activities 2. Presentation of his Concerto with

orchestra 3. Preview of activities for the coming

sununer. B. r1ethods of Composing

1.. How do you begin the composi~ of a new work?

2. To what extent do you revise a work after the --coztple tion of the ini tal draft.

3. Plans for future regarding new works. c. Open Discussion

PART IV. Hymn Arrangements for Piano and Organ Daniel Allen - Moderator

Concludin~ remarks J. P. Davies - MOderator

--.... --... at~ s~;

Sing to the 1Iot~. all the earth! Sing to the1Iol'~, bless his name:: :tell of

his salvation from ~tty to aflJ. are

his glory tllllOlt9 tht tUllious, his lllftl'­

velons 1VOl'ks tllllOn9 all tht proplrs! : : ~ 96:1-3

DED-IC.f\TION QF .9~GAN

February 25, · 1964

Doxolosy

Invocation • . Dr. Harry T. Hardwick, Chairman

Scripture. . . . . . • .Mr. Daniel Allen

Remarks ••• . . . • • Mr. James P. Davies

Organ Music •••••• •• Mrs. Carolyn J. Dean

Suite Gothique • • L. Boellmann III Movement

Toccata in D Minor. Gordon B· Nevin

Hymn Medley . . .... Arr. C. J. Dean

Presentation to Students •• Rev. S. w: Richardson

Dedicatory Prayer •• . . . .Dr. Harry T. Hardwick

Benediction. • • • • • ••• Mr. Carl Baehne

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THE MUSIC DEP ARTI1ENT OF THE

ST. PAUL BIBLE COLLEGE

Presents

HIRAI'1 TITUS, JR. C0£1POSER-PIANIST

Scherzo No. 3 in c# Minor, Op. 39 • • Chopin

Introduction of Hiram Titus •• J. P. Davies

Concerto No. 1 (lst movement) •• Hiram Titus

Mr. Titus will be assisted with the

Orchestral Accompaniment by:

Daniel Allen

Virginia Lofdahl

Richard Flegle

Piano

Piano

Trumpet

Hiram Titus ... 11inneapolis Composer ... Pim ist

I1r. Titus has been the recipient of numerous

~wards in composition and piano. Most recently

he has received the Interlachen Press scholar-

. ship for outstanding work in composition, the

composition being the Concerto No. 1 which he

is performing in part for the St. Paul Bible

College. As a small boy, he showed much

interest in picking out tunes at the keyboard

which to this date has developed into his

present composing ability. vJe of the St. Paul

Bible College consider it a privilege to have

him perform for us and to share his talent

w:i. th us.

st. Faul Bible College

CHRISTMAS CHAPEL SERVICE December 20, 1963

INVCXJATION l"JT. Merton Tanner

THE SONG of CHRISTMAS

The Stery of the Nativity as told in Christmas Songs, Carols, and Biblical Verses.

by Roy Ringwald

Faculty-staff Octet: A~ Baehne; L~ Brown; A~ Henkaline, I. Werner, J. Davies, J. Mason, c. Shepson, J. Tewinkel

Accompanists: June Smith .. Carolyn Dean

Narrator: Dr. Donald Trouten

1. Adoramus te, Christe Palestrina (1524-1594) An excerpt from an ancient liturgical prayer.

2. The Angel Gabriel Sandys (1833) A portion of a Devonshire carol.

J. Instrumental In~erlude A 16th century melody of unknown authorship is used as background for the narration.

4. Believest Thou the Angel Basque Carol

5. 0 Come, Emmanuel Arr. Helmore A familiar adaptation of an ancient plainsong chant.

6. At Bethlehem City English Carol Two stanzas from 11A Virgin Unspotted."

7. Strange Sight~ Spangenburg

· English From a 16th century German hymn.

B. While Shepherds Watched · Another 16th century hymn.

9. Angels We Have Heard French Setting of the angelic chorus •.

10. To Bethlehem Straight Wainwright From the 18th century "Christians, Awake1"

11. What Child is This . ··English .ballad 16th century 11Greensleeves" tune.

12. Epiphany March Wolf An instrumental exc.erpt from a pantomime.

13 • . We Three Kings Hopkins One of the few American carols.

14. Adeste Fideles Latin One of several instrumental fragments.

15. Gold,. .in ··Honf>r, -o:f the King German A translati.on of a 15th century Latin text.

16. Then Said Herod Swedish A stanza from a 15th century carol.

17. Joseph Then Heard Godts Angel Flemish Carol

18. Joseph Dear, 0 Joseph Mine Gel'ITlan A 13th century carol.

19. Christ is the lord Adam From the 11Cantique de Noel. 11

20. Adoramus . Domine Sicilian

BENEDICTION Dr. Harry T. Hardwick

St. Paul Bible College

CHRISTMAS MUSICALE

December 19, 1963

PRELUDE

Gloria Robert Hall Girls Choir

INVOCATION Mr. James P. Davies

0 Come, All Ye Faithful Wade's (Cantus Diversi) Congregation

Ring the Bells Harry Bollback Marcia Bowers

Down From His Glory arr. from E. di Capus Linda Federle, Colleen Young

0 Holy Night Adolphe Adam David Fo:t

Thou Didst Leave Thy Throne TUnothy Matthews Philip and Rhoda Nelson, Virginia Lofdahl

The Babe In a Manger Mildred Di llon Roxanne Hollstien, Carolyn Morningstar

Carol Spader There's A Song In The Air Karl Harrington

Donald Rupp, Garry Toavs Voices of the Sky H. Alexander Mat thel'Ts

Judi th Heinrichs Go Tell It On The Mountains Negro Spiritual

Arlen Davidson, Philip Lyon David Molzahn, Roger Morrow

The Unexpected Guest Diane Cooper

Reading

No Room . Genevieve, Geraldine,

SWeet Little Jesus Boy Gene Keller

.John .w. Peterson Gwendolyn Franz · .· .

Robert Mac Gims

What Child Is This? Old English Tune Dennis Johnson, , Sylvia Wentworth, Terry Bennett

Hark! The Herald Angels Sing , Felix Mendelssohn Steven Armstrong, Terry Bennett James Case, Dennis Johnson - Trombones

Silent Night, Holy Night Franz Gruber All Participants

BENEDICTION Rev. V. 0, Miller ************

Strings: R. Cook, P. Steffen, R. Miller, c. Mortimer, G. Franz, M. Reeves, G. Vernon, L. Federle, R. Nelson, L. Brown, c. Shepson.

Woodwinds: E. Dale, H. Ratzloff, R. Hollstien, c. Spader, c. Morningstar, ~ Richards.

Brass: D. Johnson, T. Bennett, J. Case, s. Armstrong, R. Maxwell.

Pianists: R. Nelson, v. Lofdahl

Organist: D. Jensen • Vibra-harpist: N. Taylor

0 COME, ALL YE FAITHFUL

0 come, all ye faithful, joyful and triumphant, 0 come ye, 0 come ye to Bethlehem Come and behold Him born the King of angels.

Yea, Lord we greet Thee, born this happy morning, Jesus, to Th~e be all glory giv'n, · Word of the Father, now in flesh appearing,

Refrain

0 come, let us adore Him 0 come, let us adore Him, 0 come, let us adore Him, Christ, the Lord,.

litho in U.S.A. No. b397L Copyright l'lb) Aug~ burg Publishi11g Hou~e

PRAYER OF

~anksgivlng ~ ~ ~ . I ILJ4 11r I r V r J 7 r I J. J J I J j

}Vi 3afh-er to getft-er to ask the.f!otiS hlcss-mg

Girls Choir

J. Allwine J. Hoppel H. Ratzlaff K. Anderson B. Horst M. Richards J. Batdorf D. Jensen G. Sal frank s. Benham J . Johnson J . Schimpp N. Breaze N. Leastman K. Schmidt D. Bruns M. L~ds R. Scott E·. Dale A. Lindquist c. Spader R, Davi~s c. Morningstar P. Steffen M. Eastn1an s. Neal s. Stiles P. Evans R. Nelson N. Taylor s. Hall B, Olson K. Thomas M. Harley M. Pata D. Unruh B. Hess L. Pearson J. tJeigold R. Hollst i en R. Picard s. \Hlltins

Choral Club

R. Abramson G. Franz R. Morrm-7 v. Adams G. Franz D. Opp s. Armstrot;tg R. Gilleland J. Parker R. Badih L. Hable L. Peterson G. Bakk J. Heinrichs M. Reeve J. Barsness D, Johnson J . Renninger E. Beck P. Johnson D. Rupp H. Bell R. Justice B. Scott T. Bennett R. Kim N. Seeley J. Bortel J. Koethe G. Sho~-1ell

M. Bowers s. Kvols M. Skifstad J. Brokopp D. Laszlo J. Skor J . Brunner v. Lofdahl E. Spurlin B. Burnette P. Lyon R. Stellrecht J. Case J . Matthews P. Timmons P, Cloud J . Matthe~-1s . P. Watne R. Cook s. Mertz s. Wen-tt10rth A. Davidson L. 1-1iller M. Westbrook c. Davies R. Miller R. Williams J. Eubank t·l. Mills R. IJilliarns G. Franz

Piani sts: Rhoda Nelson, Virgini a Lofdahl

St. Paul Bible College

THANKSGIVING CHAPEL SERVICE November 27, 1963

ORGAN PRELUDE Diane Jensen

HYMN 8.:: When Morning Gilds the Skies Barnby Congregation

INVOCATION Rev. Stanton W. Richardson

The Heavens Are Declaring Children o~ the Heavenly Father Psalm of Praise Alleluja

Ehret Swedish Folk Song

Ivanov Mozart

Git"ls Choir Lucille M. Brown, Director

I'm Gonna Sing Spiritual Why Art Thou So Heavy, 0, My Soul? Gibbons Come, Thou Fount Nettleton-Fewell

Choral Club James P. Davies, Director

HYMN 281 Praise God Bourgeois Congregation

BENEDICTION Dr. Harry T. Hardl-rick

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ST. PAUL BIBLE COLLEGE C HRIS T I AN A N D MISSI ON ARY A LLI ANC E

June, 1964

Dear Music Graduates:

We in the Busic De;:>artment at SPBC are now basking in the relative calm following the storm of those frantic final weeks of the school year. I say "relat ive calm", because our music area here at "136111 is by no means dormant. There is the usual cleaning up of equipment and records following a busy year -- those 1001 things which are shoved aside for "some more convenient day." And those concentrated weeks of Summer School are now upon us. As a matter of fact, there has scarcely been so much as a 2h-measure rest between the final strains of the recessional at Conmence­ment and the opening bars of the Summer Session movement. Fortunately , however, it's a much slower temoo -- sort of a largo, as cor;1pared "tdth the previous allegro furiosoi

It has been an eventful year in the music department. A fevl highlights come to mind:

The dedication of two new (well, different, anyr..Jay) organs: the Baldwin which was given to the s"cli''ol last fall and now resides in the lounge, serving· as a practice instrument, and the Allen, our much appreciated chapel instrument of vlhich we told you in our recent letter. (1~e want to thank you who have made contributions toward the purchase of this much needed instrument and to remind all of you that there are two payments due: the current June installment of ,:· 2000 and another of the same amount in the fall. Your contribution, however small, is much aDpreciated.) The old Baldwin -- veteran of so many battles has not been actually retired. It is servinf' vJell in the rehearsal room.

The addition of much needed recording equipment. Our engineer's room is now equipped 1d t h so r.1e of the finest A_mpex professional instruments. These ~vere secured primarily for the radio ministry of the college, but is readily avail­able for the use of our department. And a net.v stereo console graces t he office of the department chairman, the gift of a friend.

A ve~r interesting one-morning sem~inar with an extremely talented youthful composer, Hiram Titus, who with the assistance of our own Hr. Allen presented a recital of some of his own works, together ·q·i th a discussion of composinp, methods. Yfr. Titus has won a number of nati onal honors and will doubtless be heard fro m in the field of conte ·\porary composition.

Our recitals of the year, marked bv a proficiency and finesse that sho"tved good preparation from t he standpoint of artistry as vJell as technique.

Our concert tours by the Choral Club and Girls Choir -- longer than usual and extremely pr oductive, musically and spiritually.

The preparati on of a new recording: a high fidelity, 12 inch, LP album by the Choral Glub entitled, "I vJill Sing." It i ncludes most of the numbers used on t his year's concert program and ir/as released during Commencement \r·Teek. It sells for ~" J. 98 and is available t hroufh the Bookstore. Its jacket is most attractively desif·ned and it would make a fine gift item.

ST. PAU L 4, MI NN ES O T A • ENGLEW OO D AT H A MLI N E • T ELEPH ON E MIDWAY 6-?65 5

The presentation of Haydn's 11 Creati on11 oratorio by the combined Choral Club, Girls Choir and the First Covenant Church Choir of 1'1inneapolis. This was a most thrilling exnerience for all of us. The 130-voice choir was assisted by three fine soloists: ttrs. Ruth Bowers Gallanis of Chicago, Phaeon Nels ~n of Ninneapolis, and our o>m Joseph Tewinkel.

Our year's end activities included a gaJa I:fusic Banquet, at which our Choral Club, Girls Choir and Band letters were presented, follmved by a delightful Band Concert. The special pins for the two choral groups were handed out at the annual Husic Theory Chapel. These included a number of ruby-studded pins for 3 and 4 years' service ancl t1.-10 diamond pins for 5 years of membership. These latter rare awards were given to Rhoda Nelson of the Girls Choir and Sylvia Hentworth of the Choral Club. The musical climax of the season was the annual Commencement Musicale, given on Memorial Day . It was well-attended and thoroughly successf ul.

T1.-10 fine enser11bles are now in the field, on month-long tours. Perhaps you will have the opportunity of hearing them in person. One group is traveling through t1Tisconsin, Indiana, Ohio, Pennsylvania and Hichigan while the other group is touring Wisconsin, Illinois, Ohio, Kentucky, Indiana, i'tissouri, Iowa and Nebraska.

Now what about you? iJJhat have you been doing? tfe t hink about you and wonder hol.r the I.ord ha s been using you in His service. Keep in touch, won't you? He want you to feel part of the family. Don't forget to send us any chan&e of address.

JPD:cjd

Enclosures

Sincerely,

- y.._____;___~!J~~ ~ James P. Davies, Chairman

Department of rlusic

c-./. ~ / A '/:· . ~ ...;.j ;~- -~~ ?; ,... i&4..P--···.c..o-c::..<...

Lucille H. Brown, Asst. Chairman

THE CHOIRS OF

ST. PAUL BIBLE COLLEGE

and

FIRST COVENANT CHURCH

present

'Che ereatio~ by JOSEPH HAYDN

THURSDAY, MAY 28, 1964

FIRST COVENANT SANCTUARY

JAMES P. DAVIEs, director

Virginia Lofdahl, pianist; Gordon D. Ahlquist, organist

SOLOISTS: Ruth Bowers Gallanis, soprano (Gabriel); Joseph Tewinkel,

tenor (Uriel); Phaeon Nelson, bass (Raphael)

PROGRAM

WELCOME AND INVOCATION: THE REVEREND PAUL P. FRYHLING

Senior Minister, First Covenant Church

PART THE FIRST

INTRODUCTION: Representation of Chaos

RECITATIVE. Raphael: In the beginning God created the heaven and the earth; and the earth was without form, and void; and darkness was upon the face of the deep.

CHORUS: And the Spirit of God moved upon the face of the waters. And God said, Let there be light: and there was light.

RECITATIVE. Uriel: And God saw the light, that it was good: and God divided the light from the darkness.

AIR: Now vanish before the holy beams/The gloomy shades of ancient night;/The first of days appears./Now chaos ends, and order fair prevails./ Affrighted fly hell's spirits black in throngs:/Down they sink in the deep abyss/To endless night.

CHORUS: Despairing, cursing rage attends their rapid fall./ A new-created world springs up at God's command.

RECITATIVE. Raphael: And God made the firmament, and divided the waters which were under the firmament from the waters which were above the firmament: and it was so.

Now furious storms tempestuous rage,/Like chaff, by the winds impelled are the clouds,/By sudden fire the sky is inflamed,/ And awful thunders are rolling on high./Now from the floods in steam ascend reviving showers of rain,/The dreary, wasteful hail, the light and flaky snow.

SOLO. Gabriel: The marv'lous work behold amaz'd/ The glorious hierarchy of heav­ven;/ And to th' ethereal vaults resound/The praise of God, and of the second day.

CHORUS: And to th' ethereal vaults resound/ The praise of God, and of the second day.

RECITATIVE: Raphael: And God said, Let the waters under the heaven be gathered together to one place, and let the dry land appear: and it was so. And God called the dry land Earth, and the gathering of waters called He Seas: and God saw that it was good.

AIR: Rolling in foaming billows,/Uplifted, roars the boisterous sea/Mountains and rocks now emerge,/Their tops among the clouds ascend./Through th' open plains, outstretching wide,/ln serpent error rivers flow./Softly purling, glides on/Through silent vales the limpid brook.

RECITATIVE. Gabriel: And God said, Let the earth bring forth grass, the herb yield­ing seed, and the fruit-tree yielding fruit after his kind, whose seed is in itself, upon the earth: and it was so.

AIR: With verdure clad the fields appear,/Delightful to the ravish'd sense;/By flowers sweet and gay / Enhanced is the charming sight./Here fragrant herbs their odours shed;/Here shoots the healing plant./With copious fruit th' expanded boughs are hung;/In leafy arches twine the shady groves;/O'er lofty hills majestic forests wave.

RECITATIVE. Uriel: And the heavenly host proclaimed the third day, praising God, and saying:

CHORUS: Awake the harp, the lyre awake,/ And let your joyful song resound./Re­joice in the Lord, the mighty God;/For He both heaven and earth/Has clothed in stately dress.

RECITATIVE. Ut·iel: And God said, Let there be lights in the firmament of heaven, to divide the day from the night, and to give light upon the earth; and let them be for signs, and for seasons, and for days, and for years. He made the stars also.

RECITATIVE. Uriel: In splendour bright is rising now the sun,/ And darts his rays; a joyful, happy spouse,/ A giant proud and glad/To run his measur'd course./With softer beams, and milder light,/Steps on the silver moon through silent night;/The space immense of th' azure sky/ A countless host of radiant orbs adorns./ And the sons of God announced the fourth day/ In song divine, proclaiming thus His power:

CHORUS: The heavens are telling the glory of God,/The wonder of His work dis­plays the firmament;

TRIO. Gabriel, Un"el, Raphael: To day that is coming speaks it the day,/The night that is gone to following night./In all the lands resounds the word,/Never unper­ceived, ever understood.

OFFERTORY: Beautiful Savior . Christiansen

PART THE SECOND

RECITATIVE. Gabriel: And God said, Let the waters bring forth abundantly the moving creature that hath life, and fowl that may fly above the earth in the open firmament of heaven.

AIR: On mighty pens uplifted soars/The eagle aloft, and cleaves the air/In swiftest flight, to the blazing sun./His welcome bids to morn the merry lark,/ And cooing calls the tender dove his mate./From ev'ry bush and grove resound/ The nightin­gale's delightful notes;/No grief affected yet her breast,/Nor to a mournful tale were tun'd/ Her soft, enchanting lays.

RECITATIVE. Raphael: And God created great whales, and every living creature that moveth; and God blessed them, saying.

Be fruitful all, and multiply,/ Ye winged tribes, be multiplied,/ And sing on every tree;/Multiply ye finny tribes,/ And fill each wat'ry deep;/Be fruitful, grow, and multiply,/ And in your God and Lord rejoice.

RECITATIVE. Raphael: And the angels struck their immortal harps, and the wonders of the fifth day sung.

TERZETTO. Gabriel: Most beautiful appear, with verdure young adorn'd,/The gently sloping hills; their narrow, sinuous veins/Distil, in crystal drops, the fountain fresh and bright.

Uriel: In lofty circles play, and hover, in the air,/The cheerful host of birds; and as they flying whirl,/Their glitt'ring plumes are dy'd as rainbows by the sun.

Raphael: See flashing through the deep in thronging swarms/The fish a thou: sand ways around./Upheaved from the deep, th' immense Leviathan/Sports on the foaming wave.

Gabriel, Uriel, Raphael: How many are Thy works, 0 God!/Who may their n urn her tell?

TRIO AND CHORUS: The Lord is great, and great His might,/His glory lasts for ever and for evermore.

RECITATIVE. Raphael: And God said, Let the earth bring forth the living creature after his kind, cattle, and creeping thing, and beast of the earth, after his kind.

RECITATIVE. Raphael: Straight opening her fertile womb,/The earth obey'd the word,/ And teem'd creatures numberless,/In perfect forms, and fully grown./ Cheerful, roaring, stands the tawny lion. With sudden leap/ The flexible tiger ap­pears. The nimble stag/ Bears up his branching head. With flying mane,/ And fiery look, impatient neighs the noble steed./ The cattle, in herds, already seek their food/On fields and meadows green./ And o'er the ground, as plants, are spread/ The fleecy, meek, and bleating flocks./Unnumber'd as the -sands, in swarms arose/ The host of insects. In long dimension/ Creeps, with sinuous trace, the worm.

AIR: Now heaven in fullest glory shone;/Earth smil'd in all her rich attire;/ The room of air with fowl is filled;/The water swell'd by shoals of fish;/By heavy beasts the ground is trod: / But all the work was not complete;/There wanted yet that won­drous being,/That, grateful, should God's power admire,/With heart and voice His goodness praise.

RECITATIVE: Uriel: And God created Man in His own image, in the image of God created He him; male and female created He them. He breathed into his no-strils the breath of life, and Man became a living soul.

AIR: In native worth and honour clad,/With beauty, courage, strength, adorn'd,/ Erect, with front serene, he stands/ A man, the lord and king of nature alL/ His large and arched brow sublime/ Of wisdom deep declares the seat;/ And in his eyes with brightness shines/ The soul, the breath and image of his God./With fondness leans upon his breast/ The partner for him form' d,/ A woman, fair and graceful spouse./Her softly smiling, virgin looks,/Of flow'ry spring the mirror,/ Bespeak him love, and joy, and bliss.

RECITATIVE. Raphael: And God saw every thing that He had made, and behold, it was very good. And the heavenly choir, in song divine, thus closed the sixth day:

CHORUS: Achieved is the glorious work;/The Lord beholds it, and is (well) pleas'd./ In lofty strains let us rejoice,/Our song let be the praise of God.

TRIO. Gabriel and Uriel: On Thee each living soul awaits;/ From Thee, 0 Lord, all seek their food ;/Thou openest Thy hand,/ And fillest all with good:

Raphael: But when Thy face, 0 Lord, is hid,/With sudden terror they are struck;/Thou tak'st their breath away,/They vanish into dust:

Gabriel, Uriel, and Raphael: Thou sendest forth Thy breath again,/ And life with vigour fresh returns ;/Revived earth unfolds new strength/ And new delights.

CHORUS: Achieved is the glorious work;/Our song let be the praise of God./Glory

to His name for ever./He sole on high exalted reigns. Hallelujah.

BENEDICTION: DocToR HARRY HARDwiCK

President, St. Paul Bible College

Forty-seventh Annual

eomJHCIICCJHCJtf

Program

MAY 30, 31, 1964

ST. PAUL BIBLE COLLEGE ST. PAUL, MINNESOTA

PRELUDE

PROCESSIONAL

Baccalaureate

Sunday Morning, May 31, 1964 at Ten forty-five

INVOCATION .. ........ . ......... ........ Reverend Charles Shepson Dean af Students

HYMN NO. 215-"Jesus Calls Us" ............................ . Jude

SCRIPTURE READING .. .. ............. . ..... Reverend Paul Bubna Pastor, Northbrook Alliance Church

PRAYER .. ......... .. . .... .. . .. . ..... . .... Reverend William Conley Chairman, Missions Department

VOCAL QUARTETTE-"0 For A Thousand Tongues" ... Glaser-Mason S. Hall J. Weigold D. Jensen C. Young

ANNOUNCEMENTS .......... . .... . . .... ... Doctor Harry Hardwick President

OFFERING

VOCAL DUET -"Psalm Thirty-four" .............. .. .. Rhoda Nelson Sylvia Wentworth, Soprano- Marlin Skifstad, Baritone

ADDRESS ..... .. ...... . ...... ... ..... .. ... Reverend Gordon Meyer Professor, Minnehaha Academy

HYMN NO. 225-"Use Me Today" ......................... . Stebbins

BENEDICTION .... ~ ...... .. ... . ......... . ..... . Doctor John Gates

RECESSIONAL

POSTLUDE

Chairman, Philosophy Department

Carolyn J. Dean, Organist

June L. Smith, Pianist

Commencement Musicale

Saturday Evening, May 30, 1964 at Seven-thirty 0 ' clock

O RGAN PRELUDE

PROCESSIONAL

INVOCATION . ..... . . . .. .. . . . .. ... . . . . . . ..... . . James P. Davies Chairman, Music Department

A Choral Invocation . ... ..... . . . .... . ... . .... .. . . . . . .... . .. Davies

He Was Wounded . ... . .. . .. . .... .. . . .. . . .. . . . . . .. . ... .... . Craun

The Solid Rock .... .... . ... .. . .. .. .. . ....... . .... . .. Arr. by Cram

So Send I You . ..... . .. . .. . .. .. . .. . . .. . .. ... . . .... . Arr. by Davies St. Paul Choral Club

James P. Davies, Director

-1< Sonata in D Minor ........ . ... . ...... .. .. . .. . . .. . . ...... . Scarlatti Lorraine Miller, Piano

''" Sonata No. 1 Op. 120 (IV Movement) . .. .. . ..... .. . . . . . ... . Brahms David Fox, Clarinet

Rhoda Nelson, Piano

* 0 Divine Redeemer . . . ............... . ... . . .. ... . ... . .... Gounod Judith Heinrichs, Soprano

* Etude in A Flat, Op. 25, No. 1 . ... . ... .. . . . . ... .. . .. . .. .. ... Chopin Norma Seeley, Piano

* Carnival of Venice . ....... .. .. .... . ...... .. .. .. . ... ... ... .. Clark Stanley Sletto, Baritone Horn

Turkish March . .... ..... . .............. . . . ..... . . . . ... . Beethoven

Deep River-Spiritual. ............ . .... . ........... Arr. by Ployhar

Band Richard Flegle, Director

ANNOUNCEMENTS AND OFFERING

* Grand Chorus .... ... . ............... . ..... . .. ... .. .. . . Dubois

Diane .Jensen, Organ

0 Zion Haste . ... .. . .. ....... . . ... .. ... .. . . ... .. . .. . Arr. by Dean

Instrumental Ensemble

God Is Love .. .. .. . ............... . .... . . . ... ..... Peterson-BTOwn

Lead Me To Calvary .... . ... . ....... . .... . . . . ...... . Arr. by Brown

Alleluja from Motet : Exsultate, .Jubilate .. . ... . . . ........... . M ozart

The Heavens Are Declaring .............................. Beethoven

Girls Choir Mrs. Lucille M. Brown, Director

Creation - Excerpts ........ . .... . .. . . . . ........... . ....... Haydn

Recitatives: And God said, "Let There Be Lights" In Splendor Bright

Joseph Tewinkel, Tenor

Chorus: The Heavens Are Telling Oratorio Chorus

Sylvia Wentworth, Soprano; Joseph Tewinkel, Tenor ; Marlin Skifstad, Baritone

BENEDICTION ..... . ...... . . . .......... Reverend Viron 0 . Miller Trea..urer

* These numbers have been selected from the recitals of the year.

Commencement Exercises

PRELUDE

PROCESSIONAL

Sunday Evening, May 31, 1964 at Seven O'clock

INVOCATION . . ...... .. . ... . . . .. . . . .. . Reverend Stanton Richardson Vice-President

HYMN NO. 28-"To God Be The Glory" . . .............. . ..... Doane

SCRIPTURE READING .. ....... . . . ..... ... Reverend John Nusbaum Pastor, Simpson Church

PRAYER ... . . . .. . ....... . ... . ......... . . ... ....... .. Chris Hainlen Director of Public Relations

VOCAL QUARTETTE-"Purer In Heart" ..... . ... . Fillmore-Lundberg J. Tewinkel H. Brundin J. Mason C. Shepson

ANNOUNCEMENTS .......... . ... . ....... Reverend John Nussbaum Pastor, Simpson Church

OFFERINGS

VOCAL SOLO . . ........ ... . ............... . . . .... . ...... . Selected Annette Baehne, Soprano

ADDRESS . ............ . .. . ............. . ..... Doctor Nathan Bailey President, Christian and Missionary Alliance

HYMN NO. 427- "Soldiers of Christ" .... . . . ... . .... . .... . ..... Elvey

PRESENTATION OF GRADUATES .......... Doctor Donald T routen Academic Dean

PRESENTATION OF DEGREES .... . . . .... Doctor Harry T . Hardwick

AWARDING OF HONORS .... . ........... Doctor Harry T . Hardwick

HYMN NO. 417-"Lead On Oh King Eternal" .... . ........... . Smart

BENEDICTION . .. . ......... . . . ... . .... . . Reverend Harry Jueckstock Vice-Chairman, Board of T rustees

Carolyn J . Dean, Organist Darlene J. Brown, Pianist

List of Graduates

CANDIDATES FOR DEGREES

Bachelor of Music

Rhoda Joy Nelson .......................... Clarksfield, Minnesota

Norma Jean Seeley . . . . .. . . ... . . ...... .. ...... St. Paul, Minnesota

Bachelor of R eligious Education

"'' Marlyce Ann Eastman ... . ... . ... . . .. ......... St. Paul, Minnesota

-r.- M ary M. Leimberer . . .... ... . .. . . . .... .. ... .. . . .. Hartwick, Iowa

Bachelor of Science in Missions

Bryce Nuckols ............. ..... .. . ......... .. St. Paul, Minnesota

John A. Wilson .. . ...... .. . .............. . .. Minot, North Dakota

Bachelor of Science in Missions for Nurses

JoAnn R. Young ... .. .. ... .... ... ............. St. Louis, Missouri

Bachelor of Arts in Bible

Dean R. Bacher. ...... . .... . ............... Oil City, Pennsylvania

William H. Farley ................. .. ..... ... . . Whitefish, Montana

Walter L. Frankenberry ................. Morgantown, West Virginia

Clifford D. Malone ...... . . . .. . . . . ....... Watertown, South Dakota

Burley McDonald ......... ........... .... . . Minneapolis, Minnesota

Darwin Dean McKillips . ....... . .. . . .. ... .... . St. Paul, Minnesota

J ames W. O'Hara ............. .... ... .... . Pittsburgh, Pennsylvania

Bachelor of Arts

John F. Matthews ......... .... . ........... Minneapolis, Minnesota

J. Weston Brask .. ... ... ...... . ........... Minneapolis, Minnesota

CANDIDATES FOR THREE-YEAR DIPLOMAS

Kenneth 0. Doughman . . . .. . . ......... . ....... St. Paul, Minnesota

Lois M. Hultberg ...... .... . .. .. . ........... Monticello, Minnesota

Carol David Valder . . . . .. . . ....... . .. .. .. ....... Bethel, Minnesota

* Also received the diploma of the Evangelical Teacher Training Association

GRADUATION HONORS

With Honor

Kenneth 0. Doughman . ........... .... ....... . .... .... . Diploma

John Matthews . .. .. ...... . ................... History Department

JoAnn Young ..... . . . .................... . .. Missions Department

THE ST . PAUL BIBLE COLLEGE

DEPARTMENT OF MUSIC

PRESENTS

Norma Jean Seeley in Her Senior Recital

If ~ f ~ I 18JIC[Cl

FEBRUARY 25, 1964

PROGRAM

I. Sonata in C Minor, Op. 53 • · ••.••• Beethoven

1. · Alleero

2. Adaeio

3· Rondo

II. Children's Corner Suite •••... · •.. Debussy

1 : Doctor. Gradus ad Parnassum

2 . Jimbo's Lullaby

3 • Serenade for the Doll

4 · The Snow is Dancine

5· The Little 5hePherd

6. Golliwoee's Cakewalk

III. · Three Fantastic Dances, Op. 1 ... Shostakovich

1. Allegr_etto

2 . Andantino

3· Allegretto

IV. Etude 1n A Flat, Op. 25, No. 1. . . . .. Chopin

V. Polonaise .m A Flat, Op. 53. · . · . · .• • · . . · Chopin--

Acknowledgement With thanks to Dr. Gordon Howe ll fo~ hi s kind words

of instruction and encouragement.

* * *

USHERS: Robert Jueckstock John Bortel

USHERETTE Geneive Franz

CHILDREN'S CORNER SUITE

The first of six exquisite pieces that form this en­chanting Suite was composed in 1906, the last in 190 8 . The work as a whole is dedicated to Debus­sy' s five-year-old daughter Claude-Emma with this inscription 1 "To my dear little Chou-Chou with her father's apologies for what is to follow." Claude­Emma, who seems to have been mu sically talented, lived to be only fourteen years old.~ dying a little after her father.

• The moveme nts of the Suite are as follows :

l. Dr. Gradus ad Parnassum. Debussy him­self amusingly described this music, which paro­dies solemn musical exercises, as"a kind of pro­gressive$ hygienic 1 gymnastic exercise, to be played every morning 1 fasting; beginning moderato and working up gradually to an animat;l)." One is to imagine a child struggling at the piano with some dreary exercises by Clementi. The music suggests the pouting at the difficulties, the pleasure at the distractions that present themselves.

2. Jimbo's Lullaby. Jimbo- and some believe

•bussy meant Jumbo- was a toy elephant who had . be sung to sleep by Chou-Chou.

3. Serenade for the Doll. This, writes Oscar Thompson, "is a child's caprice, not a toy carica­ture."

4. The Snow Is Dancing. This delicate, fan­ciful music depicts swirling flakes.

5. The Little Sheperd. Thompson describes this section as "a toy vignette, with a touch of the sylvan to companion the Noah's Ark figures - shep:­herd and sheep. 11

6. Golliwog's Cakewalk. This lurching 1 en­tertaining music- 11 rhythm on a rampage, .. Thompson calls it - is the most familiar section of the Suite. ---'""' The melody is something Debussy is supposed to have heard played by the Grenadier Guards in Lon • . In the middle of the piece there is a satiric sugge tion of the Prelude to Tristan.

•