SPRING2012CONCERTSWednesday 08 February –Monday 14 May

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Welcome to the Spring 2012 Concert Season at theUniversity of Sheffield.

This season we explore links between music, disabilityand health and wellbeing – how historically disability hasaffected the compositional output of certain composers,how music and creativity can improve wellbeing and howmusic has raised awareness for health related causes.We’re pleased to collaborate with our friends at Music inthe Round where Beethoven’s hearing impairment will beexamined in a concert performance and symposiumsession with a panel consisting of experts fromcontrasting disciplines. We welcome the Department ofMusic’s new Director of Performance, pianist Mary Dullea,who brings the Fidelio Trio to perform music by RobertSchumann when BBC Radio 3 presenter Stephen Johnsonwill also share his experiences with bipolar disorder andSchumann’s music. Fresh from a recording of thecomplete piano works, acclaimed pianist Steven Osborneperforms an incredible all Ravel programme – acomposer who experienced dementia.

Over the past year the world has witnessed increasingpolitical unrest across the Arab nations. A year on fromthe start of the Egyptian revolution, singer, musicologistand broadcaster Reem Kelani, who witnessed the protestsin Tahrir Square first hand last January will perform aconcert of music by Egyptian composer Sayyid Darwish.

We’re delighted to be able to collaborate for the first timewith the Sensoria Music Film and Digital Festival. TheTippett Quartet makes a welcome return to the seriesperforming music by prolific film composer Nino Rota. Anoutdoor showing of Rota’s collaborator, Federico Fellini’sinspirational La Dolce Vita will take place too, as will silentfilms The Hunchback of Notre Dame (1923) withimprovised piano accompaniment; and sci-fi spectacularMetropolis – with the original soundtrack performed byUniversity of Sheffield students.

In addition to evening concerts we encourage you to lookat our free lunchtime, gallery and rush-hour concertswhich include a wide range of music performed by ourincredibly talented students.

We look forward to welcoming you to one of ourconcerts this Spring.

Stewart Campbell

Classical World Jazz

Lunchtime Rush-HourEvening

AffordableEclecticEnlightening

We aspire to producea varied programmeof engaging and high quality musicalevents in an informalenvironment. Our concerts areaimed towardsdiverse audiences at a low cost.

�All information is accurate at thetime of going to press but is subject to change.

This year marks 450 years since the death ofgiovanni gabrieli. Both gabrieli andMonteverdi fall in the transitional periodbetween the Renaissance and the Baroque,and the music performed is big, colourful,dramatic and composed for multiple choirsand instrumentalists. Palestrina was one of themost acclaimed composers of the 16thcentury and nicknamed the “saviour of churchmusic” – The exquisite Missa Papae Marcelliwas a response to the Catholic authorities whowere increasingly concerned with thecomplexity and unintelligibility of sacredmusic. Allegri’s Miserere is one of the finestexamples of Renaissance polyphony and wasconsidered so sacred it was once forbidden toperform it outside of the Sistine Chapel. Theconcert also features contemporary brassmusic inspired by themes from Renaissancecomposers.

Dubbed “easily the classiest brass ensemble inBritain” by BBC Music magazine, Onyx Brasshas performed at festivals all over Europe andthe USA to huge critical acclaim. The groupwas founded in 1993 to be a serious yetapproachable brass chamber ensemble andsince then it has been at the pinnacle of theinternational brass chamber music world. Thequintet performs regularly on BBC Radios 2and 3, has made three commercial recordingsand has worked extensively with choirsincluding the BBC Singers.

“One of the finest brass groups in the country”BRITISH BANDSMAN MAgAzINE

Sheffield Cathedral Choir, directed by NeilTaylor are the city's only professional choir. Aswell as providing music for worship at thecathedral they often undertake concertengagements, regularly broadcast live on BBCRadio 3, and have made a number ofcommercial recordings, all to critical acclaim.

“An extremely accomplished group ofsingers…mightily impressive”SHEFFIELD TELEgRAPH

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Evening Concerts

Brass andVoices:Music of theItalianRenaissance

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Onyx BrassAmos Miller (trombone)Brian Thomson (trumpet)Niall Keatley (trumpet) Andrew Sutton (French horn)David Gordon Shute (tuba)

The Schola Cantorum and Songmen of Sheffield Cathedral ChoirNeil Taylor (director)Anthony Gowing (continuo)

Monteverdi: Deus in adjutorium (1610 vespers)Gabrieli: O magnum mysteriumGabrieli: Jubilate DeoAllegri: MisererePalestrina: Missa Papae MarcelliHolborne: Renaissance DancesAndrea Gabrieli: Ricercar del duodecimi tuoni Xavier Montsalvatge: Questions and Answerson a theme of Andrea gabrieli Timothy Jackson: Fantsasia on a theme ofThomas Tallis

WEDNESDAy 08 FEBRUARy19:30, FIRTH HALL(FIRTH COURT)

TICKETS: £8.50, £6(CONCESSIONS-OVER 60S),£3 (UNDER 26S, STUDENTS,UNWAgED)DURATION: 90 MINUTES +20 MINUTE INTERVAL

FRIDAy 17 FEBRUARy19:45, CRUCIBLE STUDIOTHEATRE

TICKETS: £15, £10(DISABLED/UNEMPLOyED),£3 (UNDER 18S/STUDENTS)DURATION: 90 MINUTES +20 MINUTE INTERVAL

Evening Concerts

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Navarra String Quartet

Magnus Johnston (violin)Marije Ploemacher (violin)Simone van der Giessen (viola)Nathaniel Boyd (cello)

Winners of the Outstanding youngArtist Award at the MIDEM ClassiqueAwards in Cannes the NavarraQuartet were formed in 2002 at theRoyal Northern College of Music(where they are now Quartet inAssociation). Over the last two yearsthe Quartet has increasinglydeveloped their international profile,appearing at major festivals andvenues throughout Europe, Russia,the USA and Bahrain.

Beethoven:Quartet in B flat, Op.18, No.6Quartet in E flat, Op.74 (The Harp)Quartet in E minor, Op.59, No.2

”The playing is nothing short of sensational”yORKSHIRE POST

18:45 Pre-concert Talk:Professor William DrabkinBeethoven specialist ProfessorWilliam Drabkin (University ofSouthampton) takes a closer look at the music being performed by the Quartet.

Angus Smith, Artistic Director(Music in the Round) - ChairDr Timothy Baycroft, Historian(University of Sheffield)Dr William Drabkin, Musicologist(University of Southampton)Professor Peter Cropper,Performer (University of Sheffield)Dr Harriet Crook, Audiologist(University of Sheffield)

Each speaker will discuss whyBeethoven and his music are quiteso extraordinary, giving a fascinatinginsight into the composer and theworld around him from a panel ofexperts with contrasting specialisms.

Please note tickets for these eventswill not be available from our normalbox offices, but in person at theCrucible Box Office, by telephoning0114 249 6000 or online atwww.sheffieldtheatres.co.uk

In partnership with Music in the Round

These events are part of theExploring Beethoven Weekend. For more information visitwww.musicintheround.co.uk

SATURDAy 18 FEBRUARy14:00, ADELPHI ROOM –CRUCIBLE THEATRE

TICKETS: £5, £3 (UNDER18S/STUDENTS) DURATION: 2 HOURS

Sound in Silence Beethoven + Hearing Impairment (Part of a series exploring Music, Disability and Health and Wellbeing)

Beethoven’s hearing impairment is well documented and was aslow process occupying over twenty years from its start to hiseventual total deafness. At the age of 23 Beethoven lost the abilityto hear high pitched sounds. By the age of 51 he was totally deafin terms of speech comprehension and social functioning. Inthese years he finished the Missa Solemnis, the Ninth Symphonyas well as a final set of string quartets and piano sonatas – allconsidered some of his finest works.

Maurice Ravel developedprogressive neurological symptomsover the later years of his life. By theage of 52 Ravel was said to be “lostbefore his music” and made unusual“blunders in writing, irregular linesand erasures”. After a car accidentfive years later his symptomsworsened and by the age of 59 hewas unable to write his own nameand lost the capacity to play thepiano. Despite this his auditoryperception was well preserved – henoted that a piano was out of tuneand was able to reproduce notes onit, could identify his owncompositions and was also able toidentify deliberate rhythmic andmelodic mistakes in performances.Ravel ceased composing – his ownwords summarise the situation:“yet I still had so much music in my head.”

Ravel: SonatinegaspardPavaneMenuet sur le nom de HaydnManiere ChabrierManiere borodinSerenade grotesqueMenuet C# minorJeux d’eauPreludeLa Valse

Steven Osborne (piano)Steven Osborne is one of Britain’sforemost musicians, renowned forhis idiomatic approach to a widevariety of repertoire. He has wonnumerous awards and prizesincluding the 2009 gramophoneAward for his recording of Britten’sworks for piano and orchestra.Concerto performances take StevenOsborne to orchestras all over theworld. His concerts are frequentlybroadcast by the BBC and heperforms every year at the WigmoreHall. He has made eight appearancesat the BBC Proms, most recently inSeptember 2010 when heperformed Rachmaninov PianoConcerto No 1.

On his latest CD, “Ravel – TheComplete Solo Piano Music”:

“Steven Osborne, ever a poised,technically impeccable virtuoso,combines clarity with heart. All ashimmering pleasure.”

THE gUARDIAN

TUESDAy 21 FEBRUARy19:30, FIRTH HALL(FIRTH COURT)

TICKETS: £8.50, £6(CONCESSIONS-OVER 60S),£3 (UNDER 26S, STUDENTS,UNWAgED)

DURATION: 90 MINUTES+ 20 MINUTE INTERVAL

Evening Concerts

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Creativity TrappedRavel + Dementia(Part of a series exploring Music, Disability and Health and Wellbeing)

Robert Schumann had a life-long history of medical problemswhich influenced his life and music in many ways. Throughouthis life he had episodic periods of depression whichsignificantly reduced his compositional output. At the age of34 he had a complete nervous breakdown and refused tolisten to any of his music. Ten years later he tried to commitsuicide by jumping in the Rhine. He was admitted into anasylum and died two years later. Schumann created twocontrasting personas – Florestan (spontaneous) and Eusebius(introverted), and these characters repeatedly occur in hiscompositions. This combined with obsessive repeatedrhythms, fleeting phrases, abrupt transitions and radical useof harmony, reflects a musical mind beset with bipolardisorder researchers have argued – yet capable of writingsome of the finest and original music of the Romantic period.

18:45 Pre-concert Talk: Stephen Johnson (BBC Radio 3)

Music journalist and BBC Radio 3 presenter Stephen Johnsonlike Schumann has suffered from bipolar disorder. Stephenwill discuss the music performed by the Trio and presentother examples about the way he hears Schumann’s manicphases in his music, in addition to sharing his ownexperiences of the disorder.

Fidelio Trio

Darragh Morgan (violin)Mary Dullea (piano)Robin Michael (cello)

Since their South Bank debut the Fidelio Trio have appearedat venues across the UK including the Wigmore Hall, KingsPlace, and the Royal Opera House. 2011 performances haveincluded appearances at Symphony Space, New york City, MITBoston, Davenport Artists in Residence at SUNy (StateUniversity of New york), University of Illinois, a Moving onMusic tour of Northern Ireland broadcast on BBC Radio 3 andan extensive tour of South Africa.

Schumann: Piano Trio No. 1 in D minor Op. 63Fauré: Piano Trio Op. 120Korngold: Piano Trio Op. 1

“The …virtuosic Fidelio Trio”SUNDAy TIMES

TUESDAy 28 FEBRUARy19:45, FIRTH HALL (FIRTHCOURT)

TICKETS: £8.50, £6(CONCESSIONS-OVER 60S),£3 (UNDER 26S, STUDENTS,UNWAgED)

DURATION: 90 MINUTES +20 MINUTE INTERVAL

Schumann+ BipolarDisorder(Part of a seriesexploring Music, Disability and Healthand Wellbeing)

Evening Concerts

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Reem Kelani is a Palestian singer,musicologist and broadcaster, bornin the UK and brought up in Kuwait.On 25 January 2011 she was presentin Tahrir square, where shewitnessed firsthand the tenthousand protestors gathering tooppose President Muburak’s regime.Kelani has consequently beencommissioned by BBC Radio 4 towrite and present a documentaryabout the music of the EgyptianRevolution.

Kelani presents a concert of musicby the Egyptian composer SayyidDarwish. Considered by many to bethe father of contemporary Arabicmusic, Darwish is little knownoutside the Arab world and under-appreciated in some musicalestablishments within it. He was thecomposer of the Egyptian nationalanthem in its modern Arabic form,and composed anthems thatsymbolised the 1919 EgyptianRevolution; music which inspiredresistance against British colonialrule. Most recently Darwish’s musichas dominated the protests in Tahrirsquare and elsewhere in Egypt. Hismusic has provided a backdrop tothe most important events inmodern Egyptian history.

“Her voice is holy, strong andseductive, like a call to prayer”LONDON EVENINg STANDARD

TUESDAy 13 MARCH19:30, FIRTH HALL (FIRTHCOURT)

TICKETS: £8.50, £6(CONCESSIONS-OVER 60S),£3 (UNDER 26S, STUDENTS,UNWAgED)

DURATION: 90 MINUTES +20 MINUTE INTERVAL

Evening Concerts

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Arab Spring: Music of the Egyptian Revolution

Following last year’s showing ofPhantom of the Opera, iconic horroractor Lon Chaney appears in anothermasterpiece of the silent film genre.Based on the Victor Hugo novel ofthe same name, The Hunchback ofNotre Dame sees Lon Chaney playthe hunchbacked, inarticulate bell-ringer Quasimodo, who tries to savethe beautiful gypsy girl Esmeraldafrom his evil master Jehan. Thisdramatic tale of murder, kidnap,romance and peasant revolt on thestreets of Paris is brought to life onthe piano by renowned silent filmimproviser Darius Battiwalla.

Darius Battiwalla has given recitals atcathedrals and concert halls acrossthe UK. He has appeared as soloistwith the Halle and LondonPhilharmonic Orchestras, and is aregular organist for the BBCPhilharmonic orchestra. He givesregular chamber concerts withmembers of the Manchesterorchestras and has broadcast onBBC Radio. Recently he hasaccompanied a series of silent filmsat the National Media Museum. 13

Film Screenings

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SUNDAy 22 APRIL 19:30,FIRTH HALL (FIRTH COURT)

TICKETS: £6

DURATION: 100 MINUTES

THURSDAy 26 APRIL 19:30,FIRTH HALL (FIRTH COURT)

TICKETS: £6

DURATION: 150 MINUTES

Film Screenings

The Hunchbackof Notre Dame (1923)

Journalist and man-about-townMarcello has set aside his literaryambitions to become a gossipcolumnist, who spends his daysgoing to parties and sleeping withsocialites in order to get hissensationalist stories.

Federico Fellini’s groundbreakingfilm was hailed by critics around theworld but condemned by the Vaticanfor its treatment of sexual themes,and its alleged blasphemy. La DolceVita is masterfully constructed andmarks the transition betweenFellini’s neo-realist and his later artfilms. Featuring a score by Nino Rota,this fascinating, stimulating andprovocative film put Italian cinemaon the map, in a time where thecountry was emerging from fascism,World War II and post war poverty.

Please note that Firth Hall will beused as an alternative venue ifweather conditions prevent thisfrom taking place outside.

WEDNESDAy 25 APRIL 20:30,FIRTH COURT – THE QUAD

TICKETS: £3

DURATION: 176 MINUTES

AN OUTSIDE FILM SCREENINg.

La Dolce Vita

Fritz Lang's 1927 futuristic masterpieceis widely considered one of the mostinfluential silent films of all time andthe first ever blockbuster of the sci-figenre.

It is the year 2000 and the prosperouscity of Metropolis is flourishing,towering high above the ground with itsbusy suspended streets. The cityhowever holds a secret: the gapbetween the rich and poor is wide. The rich enjoy a care free life on the topfloors unaware of the poor who slaveaway down below, working in order tokeep the above world functioning.Freder Frederson (son of the city’sfounder) meets Maria – a woman whogives hope to the city of workers byprophesying change and a better life forthem. When Freder’s father hears oftheir meeting he enlists the aid of aninventor to devise a devious plan tothwart the inevitable uprising.

Fritz Lang’s masterpiece is incrediblypoignant in today’s society and isbrought to life with the originalsensational score by gottfriedHuppertz, performed by a chamberorchestra of Sheffield UniversityStudents.

In partnership with the SensoriaFestival of Music Film and Digitalwww.sensoria.org.uk

Metropolis

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Nino Rota and Federico Fellini:Masters of Cinema

TUESDAy 24 APRIL19:30, FIRTH HALL (FIRTHCOURT)

TICKETS: £8.50, £6(CONCESSIONS-OVER 60S),£3 (UNDER 26S, STUDENTS,UNWAgED)

DURATION: 90 MINUTES +20 MINUTE INTERVAL

In partnership with the SensoriaFestival of Music Film and Digital

Tippett QuartetJohn Mills (violin)Jeremy Isaac (violin)Julia O'Riordan (viola)Bozidar Vukotic (cello)

Like their namesake, the TippettQuartet draw inspiration from the pastand future alike. They are committedto combining mainstream repertoirewith contemporary works, and havebeen described as ‘bold andinnovative... extraordinary technicalaccomplishment with flair and a brightcommunicative spark’ (The Times).The Tippett Quartet was formed in1998, and has since performed at anumber of prestigious festivals andvenues including the BBC Proms andthe Queen Elizabeth, Bridgewater andWigmore Halls. The Tippett Quartethas released recordings for EMIClassics and frequently appears onBBC Radio 3.

Nino Rota: Invenzioni per Quartettod'Archi Nino Rota: Il Richiamo Quintettod’Archi con voce Nino Rota: Fellini Suite (to include 8½, Amarcord and La Dolce Vita)Nino Rota: Quartetto per archiNino Rota: Il Presepio Rózsa: String Quartet No. 1

Composer of the scores for the firsttwo godfather films, Italian composerNino Rota was the career-longcollaborator of Federico Fellini.Forming one of the most prolificdirector-composer pairings in thehistory of cinema, their films includeLa Strada and La Dolce Vita.

“Their intent is serious, their executioncompelling, their ensembleimmaculate...”

THE TIMES

Orchestras and Choirs

All concerts unless otherwiseindicated are at:19:30, FIRTH HALL (FIRTH COURT)TICKETS: £8.50, £6 (CONCESSIONS-OVER60S), £3 (UNDER 26S, STUDENTS,UNWAgED)DURATION: 90 MINUTES + 20 MINUTEINTERVAL

SUNDAy 26 FEBRUARy

Haydn Jessop Ensemble

Notturni of Haydn

Denis McCaldin (conductor)

TUESDAy 06 MARCHTICKETS: £5, £3 (CONCESSIONS-OVER 60S),£2 (UNDER 26S, STUDENTS, UNWAgED)

New Music Ensemble

TUESDAy 20 MARCH

Programme to include the Requiemby Herbert Howells and new worksby Sheffield students Debra Finchand Peter Cooke.

Tony Bennett, James Bingham,Mark McCombs (conductors)

SUNDAy 25 MARCH

Sheffield University andManchester University WindOrchestras

Peter Meechan: Clarinet ConcertoGeorge Morton: Folk Song Suite Bill Connors: Tales aus dem VoodViennoise

Anthony Houghton, AndyGregory (conductors)

TUESDAy 27 MARCH

Sheffield University ChamberOrchestra

Music to include Honegger:Pastorale d'été and Music by Mozart and Bach.

George Nicholson, CharlieHardwick (conductors)

SUNDAy 06 MAy

Sheffield University SymphonyOrchestra

Tchaikovsky: Overture Swan LakeStravinsky: FirebirdKhachaturian: Piano Concerto

Inja Davidovic (piano)George Nicholson (conductor)

Free Lunchtime Concerts

All concerts are at 13:10 (doors open at12:45) at Firth Hall (Firth Court). Admission is free and tickets are not required. These concerts are designed to be an alternative, informal way to spend part of a lunch hour and members of the audience may arrive and leave between musical items.

Admission: Free and tickets are not requiredDuration: 45 minutes

For detailed programme information pleasevisit: www.sheffield.ac.uk/concerts

MONDAy 27 FEBRUARyDavid Ross (violin)

MONDAy 05 MARCHJulian Payne Prize RecitalJames Bingham (tenor)Andrew Greenwood (piano)

MONDAy 12 MARCHAinsley Gordon Martin (saxophone)Jessica Seton (piano)

TUESDAy 20 MARCHComposers’ Concert

MONDAy 26 MARCHCharlie Hardwick (cello)

THURSDAy 29 MARCHHannah Robins (soprano)

MONDAy 23 APRILRose Donmall (flute)Katie Robinson (soprano)

WEDNESDAy 02 MAySam Giles (violin) James Rhodes (flute)

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Free Lunchtime Concerts

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Orchestras and Choirs

Music in the Galleries

Graves Gallery (above the Central Library)Surrey Street Sheffield S1 1Xz

Millennium GalleryArundel gateSheffieldS1 2PP

Weston Park Museum,Western BankSheffieldS10 2TP

Lift access to the galleries isavailable. Limited seating availableon request.

All concerts start at 13:00Admission: Free and tickets are not requiredDuration: 50 minutes

For detailed programme information please visit:www.sheffield.ac.uk/concerts

FRIDAy 10 FEBRUARyMillennium Gallery – Under the SeaUndergraduate music students

FRIDAy 24 FEBRUARyGraves Gallery – Esmee Fairbourn Exhibition Undergraduate music students

FRIDAy 09 MARCHMillennium Gallery – Family in British ArtUndergraduate music students

FRIDAy 23 MARCHWestern Park Museum – China Journey to the EastSheffield University Chinese MusicEnsemble

FRIDAy 30 MARCHGraves Gallery –Telling Tales ExhibitionComposers’ Concert

In partnership with Museums Sheffieldwww.museums-sheffield.org.uk

Rush-Hour Concerts

Beat the traffic, avoid the publictransport rush and unwind beforegoing home after a hard day’swork. These informal concertsprovide great affordable music forall people, including those withbusy lifestyles who cannot makeour evening and lunchtimeconcerts.

All concerts take place at FirthCourt (Firth Hall) at 17:30. Doors open at 17:00Tickets: £2.50 (only available on the door)Duration: 60 minutes

For detailed programmeinformation please visit:www.sheffield.ac.uk/concerts

MONDAy 19 MARCHPiano Duets

MONDAy 30 APRILSheffield University Big Band

MONDAy 14 MAySheffield University VocalConsort

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Music in the Galleries

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Rush-Hour Concerts

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Venue information, access and ticket purchase

How to book:

In person: University of Sheffield Students’Union Box OfficeMonday – Friday (11:00 – 18:00)Western BankSheffield S10 2Tg

Online: Tickets can be purchased onlinefrom www.sheffield.ac.uk/concerts

Telephone: Tickets can be purchased over thetelephone from Sheffield ArenaTicket Shop (the one stop ticketshop for all local and regionallyticketed arts events) by calling0114 256 5567 (Please note thatonline and telephone tickets go offsale the day before a performance.Tickets will still be available topurchase in person from either theStudents’ Union Box Office or onthe door.)

On the door: Tickets will also be available forpurchase on the door on a first comefirst served basis, half an hour beforeeach concert (Please note that staffdiscounted tickets can only bepurchased on presentation of a validstaff ucard either at the Students’Union Box Office or on the door).

Venue information:Firth Court, Western BankSheffield S10 2TN

Access/Wheelchair users: Firth Court provides easy access forwheelchair users by use of a rampadjacent to the main entrance to thebuilding, and subsequent lift accessto the Firth Hall. Please notify theconcerts team on the day if yourequire a wheelchair space in thehall for a concert (0114 222 0468)

Parking:Free parking is available after 17:00in Durham Road car park (see map.)Limited spaces may also be availableat Tower Court car park (ArtsTower) at 50p per evening.

Venue information, access and ticket purchase

FirthCourt

OctagonCentre

Students’Union

WestonPark Arts

Tower

Alfred DennyBuilding

UniversityHouse

Glossop Road

Western Bank

Upper Hanover StreetNetherthorpe Road

Leavygreave Road

Hounsfield Road

Durham Road

Glosso

p Roa

d

Northumberland Road

Clarkson Street

Western Bank

Mushr

oom

Lane

University of SheffieldTram Stop

Wed 08 Feb 19:30 Firth Hall Brass and Voices: Music of the Italian Renaissance p3/4

Fri 10 Feb 13:00 Millenium galleries Under the Sea – Undergraduate students p20

Fri 17 Feb 19:45 Crucible StudioTheatre Navarra Quartet p5/6

Sat 18 Feb 14:00 Adelphi Room –Crucible Theatre Symposium p6

Tue 21 Feb 19:30 Firth Hall Steven Osborne (piano) p7/8

Fri 24 Feb 13:00 graves gallery Esmee Fairbourn Exhibition p20

Sun 26 Feb 19:30 Firth Hall Haydn Jessop Ensemble p17

Mon 27 Feb 13:10 Firth Hall David Ross (violin) p18

Tue 28 Feb 19:45 Firth Hall Fidelio Trio p9/10

Mon 05 Mar 13:10 Firth Hall Julian Payne Prize Recital p18

Tue 06 Mar 19:30 Firth Hall New Music Ensemble p17

Fri 09 Mar 13:00 Millennium gallery Family in British Art - Undergraduate students p20

Mon 12 Mar 13:10 Firth Hall Ainsley gordon Martin (saxophone) Jessica Seton(piano) p18

Tue 13 Mar 19:30 Firth Hall Reem Kelani p17

Mon 19 Mar 17:30 Firth Hall Piano Duets p19

Tue 20 Mar 13:10 Firth Hall Composers’ Concert p18

Tue 20 Mar 19:30 Firth Hall Sheffield University Chamber Choir p17

Fri 23 Mar 13:00 Western ParkMuseum

China Journey to the East - Sheffield UniversityChinese Music Ensemble p20

Sun 25 Mar 19:30 Firth Hall Sheffield University and Manchester UniversityWind Orchestras p17

Mon 26 Mar 13:10 Firth Hall Charlie Hardwick (cello) p18

Tue 27 Mar 19:30 Firth Hall Sheffield University Chamber Orchestra p17

Thu 29 Mar 13:10 Firth Hall Hannah Robins (soprano) p18

Fri 30 Mar 13:00 graves gallery Teling Tales - Composers' Concert p20

Sun 22 Apr 19:30 Firth Hall The Hunchback of Notre Dame (1923) p13/14

Mon 23 Apr 13:10 Firth Hall Rose Donmall (flute) Katie Robinson (soprano) p18

Tue 24 Apr 19:30 Firth Hall Tippett Quartet p15/16

Wed 25 Apr 20:30 Firth Court _ The Quad La Dolce Vita p13/14

Thu 26 Apr 19:30 Firth Hall Metropolis p13/14

Mon 30 Apr 17:30 Firth Hall SUBB p19

Wed 02 May 13:10 Firth Hall Sam giles (violin) James Rhodes (flute) p18Sun 06 May 19:30 Firth Hall Sheffield University Symphony Orchestra p17Mon 14 May 17:30 Firth Hall Sheffield University Vocal Consort p19

■ Evening Concerts

■ Free Lunchtime Concerts

■ Other

■ Rush-Hour concerts

■ gallery Concerts

■ Orchestras and Choirs

ALL DETAILS OF PROgRAMMES ARE ACCURATE AT THETIME OF gOINg TO PRESS, BUT ARE SUBJECT TO CHANgE

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Keep Informed

Telephone Enquiries:0114 222 0468

Telephone Bookings: 0114 256 5567 (Sheffield Arena Ticket Shop)

Email: concerts@sheffield.ac.uk

Web: www.sheffield.ac.uk/concerts

University of SheffieldDepartment of MusicConcerts

Jessop Building34 Leavygreave RoadSheffieldS3 7RD

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