Sp13 Module1 Intro-1D
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Transcript of Sp13 Module1 Intro-1D
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CCA architectural analysis antje steinmuller
part d - skin systems
Jason Vereschak, Rania Odeh, Arch.Analysis 2011
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CCA architectural analysis antje steinmuller
Pranay Mowji, Madrid Social Housing (Morphosis)
identifying skin
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CCA architectural analysis antje steinmuller
Pranay Mowji, Madrid Social Housing (Morphosis)
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CCA architectural analysis antje steinmuller
Heidyeh Lavasani, Patio Housing (Neutelings)
grains + zones
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CCA architectural analysis antje steinmuller
Reina Reyes, Void Space Hinged Space (Holl)
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CCA architectural analysis antje steinmuller
Reina Reyes, Void Space Hinged Space (Holl)
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CCA architectural analysis antje steinmuller
Sean Wong, Rue de Suisse (Herzog DeMeuron)
component relationships
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CCA architectural analysis antje steinmuller
Michael Chang, Kitagata Apartments (Sejima)
CC h j i ll
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CCA architectural analysis antje steinmuller
Pamela Pascual, Alessandra Marsh, Arch.Analysis 2011
porosity
CCA hit t l l i tj t i ll
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CCA architectural analysis antje steinmuller
Pamela Pascual, Alessandra Marsh, Arch.Analysis 2011
CCA hit t l l i antje steinmuller
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CCA architectural analysis antje steinmuller
Pamela Pascual, Alessandra Marsh, Arch.Analysis 2011
CCA architectural analysis antje steinmuller
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CCA architectural analysis antje steinmuller
Pamela Pascual, Alessandra Marsh, Arch.Analysis 2011
CCA architectural analysis antje steinmuller
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CCA architectural analysis antje steinmuller
Pamela Pascual, Alessandra Marsh, Arch.Analysis 2011
CCA architectural analysis antje steinmuller
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CCA architectural analysis antje steinmuller
Souzan Kachbi, Moriyama House (Nishizawa)
CCA architectural analysis antje steinmuller
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CCA architectural analysis antje steinmuller
Vanessa Carvalho, Jeff Moody, Arch.Analysis 2011
CCA architectural analysis antje steinmuller
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CCA architectural analysis antje steinmuller
Vanessa Carvalho, Jeff Moody, Arch.Analysis 2011
CCA architectural analysis antje steinmuller
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CCA architectural analysis j
Jason Vereschak, Rania Odeh, Arch.Analysis 2011
dimensional logics
CCA architectural analysis antje steinmuller
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y j
Jason Vereschak, Rania Odeh, Arch.Analysis 2011
drawing sets
CCA architectural analysis antje steinmuller
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y j
Jason Vereschak, Rania Odeh, Arch.Analysis 2011
CCA architectural analysis antje steinmuller
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20/52Jason Vereschak, Rania Odeh, Arch.Analysis 2011
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CCA architectural analysis antje steinmuller
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22/52Jason Vereschak, Rania Odeh, Arch.Analysis 2011
CCA architectural analysis antje steinmuller
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23/52Jason Vereschak, Rania Odeh, Arch.Analysis 2011
CCA architectural analysis antje steinmuller
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Jason Vereschak, Rania Odeh, Arch.Analysis 2011
CCA architectural analysis antje steinmuller
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Jason Vereschak, Rania Odeh, Arch.Analysis 2011
CCA architectural analysis antje steinmuller
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Jason Vereschak, Rania Odeh, Arch.Analysis 2011
CCA architectural analysis antje steinmuller
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Francis Silagon, David Gastaneta, Arch.Analysis 2011
CCA architectural analysis antje steinmuller
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Francis Silagon, David Gastaneta, Arch.Analysis 2011
CCA architectural analysis antje steinmuller
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Francis Silagon, David Gastaneta, Arch.Analysis 2011
CCA architectural analysis antje steinmuller
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Francis Silagon, David Gastaneta, Arch.Analysis 2011
CCA architectural analysis antje steinmuller
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Francis Silagon, David Gastaneta, Arch.Analysis 2011
CCA architectural analysis antje steinmuller
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questions and hypotheses
Cassie McDonald / Eduardo Dana, Arch.Analysis 2012
CCA architectural analysis antje steinmuller
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Cassie McDonald / Eduardo Dana, Arch.Analysis 2012
CCA architectural analysis antje steinmuller
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Cassie McDonald / Eduardo Dana, Arch.Analysis 2012
CCA architectural analysis antje steinmuller
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Cassie McDonald / Eduardo Dana, Arch.Analysis 2012
CCA architectural analysis antje steinmuller
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Cassie McDonald / Eduardo Dana, Arch.Analysis 2012
CCA architectural analysis antje steinmuller
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Colin Deckner, Mateen Mortazavi, Arch.Analysis 2011
CCA architectural analysis antje steinmuller
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l
l
I
lColin Deckner, Mateen Mortazavi, Arch.Analysis 2011
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2 Units
3 Units
4 Units
Public/Amenity
1 Unit
Negative from Highest &Lowest Point
By taking each elevation of 56 Leonard Street, the variancebetweenoors has become aparent. Making a simple bar
diagram made it clear to see exactly how much each oor
deviates from one another. The negative of each edge of eachelevation is also key because it shows the space created
between the building envelope and the building edge.
North
East
Control
Control
Control
Control
Control
Control
Control
Control
i
i
i
li i
i
West
South
i ii
NOBALCONIES
WITHBALCONIES
Colin Deckner, Mateen Mortazavi, Arch.Analysis 2011
CCA architectural analysis antje steinmuller
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With Balconies
Composite of Both
Without Balconies
Mateem M & Colin D.Mateen M & Colin D.
South
West
East
North
With Balconie
South
West
EastNorth
WestEastNorth
South
Without Balconi
Colin Deckner, Mateen Mortazavi, Arch.Analysis 2011
CCA architectural analysis antje steinmuller
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Gustavo DeLeon, WoZoCo (MVRDV)
CCA architectural analysis antje steinmuller
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Chanelle Hurst, Yerba Buena Lofts (Saitowitz)
CCA architectural analysis antje steinmuller
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John Improgo, Nemausus (Nouvel)
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John Improgo, Nemausus (Nouvel)
CCA architectural analysis antje steinmuller
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John Improgo, Nemausus (Nouvel)
CCA architectural analysis antje steinmuller
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I
I I I I I
, ,
,
, , ,
II I
Anesta Iwan, Bobby Leung, Arch.Analysis 2011
CCA architectural analysis antje steinmuller
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I
Il
l
ll l
l l l
l l ll
I
I
OFFSET / SHIFT
By osetting the exterior envelop from the inner wrap-
per, theres a chance for a shift between the openings on
both layers. Because of these shifts, variations are created
between each unit. Through these studies, the rhythm, as
well as the depth of porosity and light penetrations within
the units proves the uniqueness of each unit. The struc-
ture behind the panels, not only holds up the skin system,
but also takes a role in the overall form.
I I I I I II I
Anesta Iwan, Bobby Leung, Arch.Analysis 2011
CCA architectural analysis antje steinmuller
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Anesta Iwan, Bobby Leung, Arch.Analysis 2011
SOLID / VOID (EXTERIOR SKIN)
POROSITY OF MATERIAL
POROSITY OF MATERIAL
COMPOSITE ELEVATION
SOLID / VOID (INNER WRAPPER)
POROSITY STUDY (EXTERIOR SKIN)
I
I
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l
l
l
ll l
I
I I I I Anesta Iwan, Bobby Leung, Arch.Analysis 2011
I
I I
l l
l
Il l
l
ll l
Ill l
l ll l
l
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l
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I I I
ll i i i I i i
i l l l i i
i i i i
i i li li i l i
ll i i l i i i
UNIT 1 UNIT 7 UNIT 8 UNIT 9 UNIT 10 UNIT 11
UNIT 2 UNIT 3 UNIT 4 UNIT 5 UNIT 6
SOUTH ELEVATION
(FRONT)
(REAR)
NORTH ELEVATION
NORTH ELEVATION
(REAR)
(FRONT)
SOUTH ELEVATION
WESTELEVATION E
ASTELEVATION
Anesta Iwan, Bobby Leung, Arch.Analysis 2011
CCA architectural analysis antje steinmuller
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I I I
i i i lii i i i i
il i i il lii ll i i i i i
i
UNIT 1 UNIT 7 UNIT 8 UNIT 9 UNIT 10 UNIT 11
UNIT 2 UNIT 3 UNIT 4 UNIT 5 UNIT 6
SOUTH ELEVATION
(FRONT)
(REAR)
NORTH ELEVATION
NORTH ELEVATION
(REAR)
(FRONT)
SOUTH ELEVATION
WESTELEVATION E
ASTELEVATION
Anesta Iwan, Bobby Leung, Arch.Analysis 2011
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MASKING VS. IDENTIFYING
Formosa exhibits two contrary attitudes: (1) to maskthe units into one intergrated whole and (2) to create
unique experiences within each unit. The skin
creates an irregular pattern that does not disguish
one unit from another from the exterior, while
producing varied interior conditions among the units.
UNFOLDED ELEVATION
TYPOLOGY STYDIES
SOUTH
11TINU01TINU9TINU8TINU7TINU
UNIT 2 UNIT 3 UNIT 4 UNIT 5 UNIT 6
SOUTH ELEVATION
THIRDFLOOR PLAN
SECONDFLOOR PLAN
(FRONT)
(FRONT)
SOUTH ELEVATION
, ,
,
, , ,
B. Leong, A. Iwan
THIRD FLOOR PLANUNIT POROSITY