Sonata for Flute and Piano
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Transcript of Sonata for Flute and Piano
Michael Mikulka
Sonata for Flute and Piano
This sonata is dedicated to flutist Timothy Hagen.
Last year, Tim premiered one of my scherzos for flute and piano: he liked it but thought it was too short,
and commissioned me to write him a sonata's worth of it. I took this literally and based the sonata around that scherzo
(it is the 3rd movement). The mood of that scherzo is used to depict a gradual transformation towards insanity:
even in the most peaceful moments, the scherzo and the mood associated with it are inescapable.
The first movement’s main theme is full of over-the-top cheeriness, as the protagonist is still in denial. There are
troubling signs interspersed, however, and the movement begins and ends with a manic and aggressive fanfare.
The second movement lets out some of the grief, but is still struggling to sound pretty and happy.
The third movement is maniacal in a playful way: the flutist is beginning to welcome
the insanity more than they are fighting it.
It is with this acceptance that the fourth movement can finally express much of the hurt that
has been held within for the first half of the piece: the fourth movement is the most introspective
of the composition, and at its completion, the flutist takes a short cadenza to decide how to react.
The opening chords of the fifth movement remove any doubt, and the protagonist
is thrown fully into a bipolar mania, leading to an exciting conclusion.
Flute
Piano
ff mf
Brash and chaotic
q = 162 e = e
ff mf
Fl.
Pno.
ff mf f f
5
ff
Fl.
Pno.
mf f
9
f
2 2
I.
Michael Mikulka
Sonata for Flute and Pianofor Tim Hagen
cantabile
Fl.
Pno.
mp
13
mp
Fl.
Pno.
ff mp
18
f mp
Fl.
Pno.
mf ff
22
f mp
3
Fl.
Pno.
f
rit.
28
ff
Fl.
Pno.
Lightly, over-the-top cheerfully
q = 162 / q. = 10831
mp
Fl.
Pno.
mp
35
p
Fl.
Pno.
p mp
41
mp
4
Fl.
Pno.
mf
44
mf
Fl.
Pno.
mp
48
p
Fl.
Pno.
p
53
mf p
Fl.
Pno.
f
57
mf
5
Fl.
Pno.
mp sub.
f
61
mp mf
Fl.
Pno.
mp mf
65
mp
Fl.
Pno.
70
Fl.
Pno.
mp
76
mp
6
Fl.
Pno.
f
80
mf f
Fl.
Pno.
mp
Abruptly creepy, quasi-insane
83
mp
Fl.
Pno.
87
Fl.
Pno.
p
92
pp
3
7
Fl.
Pno.
mp
97
mf p
Fl.
Pno.
mf
101
mf
Fl.
Pno.
106
mpsub
Fl.
Pno.
mp
110
mf mp
mp
3
3
8
Fl.
Pno.
mf
115
mf
Fl.
Pno.
f
120
f
Fl.
Pno.
mf
125
mpsub
mf
9
Fl.
Pno.
mf f
129
mp mf
Fl.
Pno.
ff
133
ff
Fl.
Pno.
138
10
Fl.
Pno.
mp
Delicately at first, with passion
q. = 48
mp
Fl.
Pno.
146
Fl.
Pno.
mf p
150
3 3
32
II.
2
2 2
2 3
3 3
2
2
11
Fl.
Pno.
mp
153
Fl.
Pno.
mf
156
Fl.
Pno.
mf
159
mf
Fl.
Pno.
f
162
f
3 3 3 3
3
3
2
2
3 3
2
3
2
2 2 2 2
3 3 3 5 5
2 2
12
Fl.
Pno.
mp
164
sub.mp mf mp
Fl.
Pno.
169
mf mp
Fl.
Pno.
175
p
Fl.
Pno.
pp
181
pp
2
2 2
2
2 2 2 2 2 2 2
2
2 2
3
3 33 3
2 2
2
13
Fl.
Pno.
mf
185
mf
Fl.
Pno.
f
pressing forward
189
f
Fl.
Pno.
ff
191
ff
Fl.
Pno.
f
193
f
3 3 3
2
2
2 2
3 3 3 4
2 2
2 2 2 2 2 2
2 2 2 2 2 2 2 2
(accel.)
2 2 2 2 2 2 2 2
14
Fl.
Pno.
f
Moving Forward
q. = 68
197
Fl.
Pno.
mpsub.
poco a poco accel.202
sub.mp
Fl.
Pno.
p mp mf
207
Fl.
Pno.
f
Abruptly faster, slightly out of control
q. = 108211
f
2 2
2
2
2 5
2 2 2 2
15
Fl.
Pno.
215
mp mf
Fl.
Pno.
218
f
Fl.
Pno.
f
221
sub.
mp f
Fl.
Pno.
226
16
Fl.
Pno.
229
Fl.
Pno.
ff
232
Fl.
Pno.
ad lib.
236
Fl.
Pno.
fmp ff
240
fff
mf fff
impassioned
2
17
Flute
Piano
Playfully maniacal
q = 138
f
Fl.
Pno.
sfmp f
251
Fl.
Pno.
255
Fl.
Pno.
mp
259
mf
III.
3
3 3
3 3
3
3
18
Fl.
Pno.
f
262
f
Fl.
Pno.
266
f
Fl.
Pno.
mp
270
mp
Fl.
Pno.
f
274
3
3
3
33
19
Fl.
Pno.
279
Fl.
Pno.
282
f
Fl.
Pno.
p
284
mp
Fl.
Pno.
mp
288
p
3
smoothly
sim.
20
Fl.
Pno.
293
Fl.
Pno.
mf mp
296
mp p
Fl.
Pno.
f
300
mp f
Fl.
Pno.
303
21
Fl.
Pno.
306
Fl.
Pno.
mp
310
mp
Fl.
Pno.
mf
314
mf
Fl.
Pno.
f mp f
317
f mp f
3
6
22
Fl.
Pno.
ff
320
ff f
Fl.
Pno.
sfmp f
325
Fl.
Pno.
329
Fl.
Pno.
332
6
23
Fl.
Pno.
Contemplative and forlorn
q. = 64
p
Fl.
Pno.
338
Fl.
Pno.
p
340
Fl.
Pno.
342
IV.
2 2
2
2
24
Fl.
Pno.
344
Fl.
Pno.
mp mf
346
mp
Fl.
Pno.
mp mf mp
347
Fl.
Pno.
mf f p
348
mf p
4
25
Fl.
Pno.
mf
349
mf
Fl.
Pno.
p
351
f p
Fl.
Pno.
mp mp
353
mp p mf mp
Fl.
Pno.
mf
355
mf mp
2
26
Fl.
Pno.
mp
357
Fl.
Pno.
mf f mf
359
mf
Fl.
Pno.
mf mf f
q = h362
f
Fl.
Pno.
mfsub.
f f
365
f
27
Fl.
Pno.
368
Fl.
Pno.
ff
Pained
371
ff
Fl.
Pno.
poco rit.375
ff mf mp p
Fl.
Pno.
Gently, self-soothing
q = 96383
pp
3 3
28
Fl.
Pno.
p mp p mf
387
mp p mf
Fl.
Pno.
mp p mp p
391
mp p mp
Fl.
Pno.
mf mp mp
394
p mf mp
29
Fl.
Pno.
mf
Opening up396
mf
Fl.
Pno.
f mf p
rit.399
f mf mp
Fl.
Pno.
p
A tempo
q = 96403
p
3
3 3 3
3
(loco)
30
Fl.
Pno.
407
mp
Fl.
Pno.
mf
411
mf
Fl.
Pno.
f
Cantabile
(q. = q)q = 64
414
f
3 3 3 3 3 3 3
3 3 3 3 3 3 3
31
Fl.
Pno.
416
Fl.
Pno.
417
Fl.
Pno.
ff ff f mf
rit.418
ff mp
3 6
3 3 3 3
3 3 3 3
95 5
3 3 3
3 3 3
32
Fl.
Pno.
mp f p mf f
Cadenza, ad lib.
421
Fl.
Pno.
p pp mf
424
Fl.
Pno.
f p mf p
427
Fl.
Pno.
p
attacca
Mv 5
431
3 3
6
35 6 6
sub.
*any multiphonic that includes the notated D
mf sub.
6 6 3
pizz.
3 3
3
33
Fl.
Pno.
mf f
Aggressively, manic
q = 160434
f
Fl.
Pno.
mf f mp
437
mpsub.
Fl.
Pno.
f mf f
440
f
6
V.
6 5
5 6
34
Fl.
Pno.
f mp
443
Fl.
Pno.
f
447
f
Fl.
Pno.
mp sub.f mp
450
sub.mp
Fl.
Pno.
fsub.p
( p ) mf ff
454
fmp
ffmp ff
sub.p
5
(fluttertongue)
6
35
Fl.
Pno.
458
f
Fl.
Pno.
mf mp
461
mf
Fl.
Pno.
p
465
p
Fl.
Pno.
468
2
extremely light
36
Fl.
Pno.
p
474
Fl.
Pno.
478
Fl.
Pno.
482
p
Fl.
Pno.
f
485
mf
37
Fl.
Pno.
489
Fl.
Pno.
mf mp
493
mf mp p
Fl.
Pno.
p sub.
f
497
sub.
ff
38
Fl.
Pno.
p
501
p
sub.p
Fl.
Pno.
mp mf mp p
506
p f sub.p p
Fl.
Pno.
mf
511
p
Fl.
Pno.
f
515
f
( )
cantabile
6
3
39
Fl.
Pno.
517
Fl.
Pno.
p
520
p
Fl.
Pno.
p mp mf
524
mp mf
Fl.
Pno.
p mf
528
mf p
*key click
*
slaptongue
40
Fl.
Pno.
f mp
532
f
Fl.
Pno.
f
535
mp f
Fl.
Pno.
540
Fl.
Pno.
mf f
545
passionately
6
41
Fl.
Pno.
549
Fl.
Pno.
mp mf f
554
mf f mf f
Fl.
Pno.
ff mf fff
559
mf ff
42