Solfege bootcamp II: Music sine 1900
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Transcript of Solfege bootcamp II: Music sine 1900
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Solfège Bootcamp
Music since 1900
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A whole step plus a whole step equals a major third.
From Elementary Training for Musicians (Hindemith)
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A scale made entirely of whole stepsis known as the whole-tone scale.
An Olbash original!
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In music without a key signature, sharps and flats often apply only to the note immediately following the accidental.
Melody only from "The Cage" from 114 Songs (Charles Ives, 1906)
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From Elementary Training for Musicians (Hindemith)
From Mikrokosmos, Book I (Bartok)
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A whole step plus a half step equals a minor third
From Elementary Training for Musicians (Hindemith)
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The octatonic scale is composed of alternatingwhole steps and half steps.
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Pitches that sound the same but are spelled differently (e.g. G# and Ab) are called "enharmonic."
"At day-close in November" from Winter Words (Benjamin Britten, 1954)
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In diatonic music, the arrangement of whole steps and half stepsalways follows the same pattern: ...wwhwwwhwwhwwwh...
From Mikrokosmos, Book II (Bartok)
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In modal music, the tonic or "home base" may be a note other than Do.
From Mikrokosmos, Book I (Bartok)
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To preserve to order of whole steps and half steps in keys other than C major, we must add sharps or flats in the appropriate places.
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Linear melodies must always be read vertically as well, i.e. in the proper harmonic context.