Society Journal Vol. 3 Issue 3

SocietyThe official journal of the Society of British and International Design

Volume 3 / Issue 3 / 2014 / £8

SO GRAND

Trade Office - Cat Austin - [email protected] - t: 0207 736 9775 - m: 07809 338854

At And So to Bed, we offer an extensive range of bedroom furniture and mattresses in a multitude of finishes.

From the most complicated, bespoke projects to a requirement for multiple hotel beds,

we would love the opportunity to tender.

http://www.andsotobed.co.uk

Welcome / 03 www.sbid.org

Welcome

Vanessa Brady OBE, SBID Founder and President

Volume 3 / Issue 3 / 2014

The SBID International Design Awards 2014 entries are now closed; it’s been an outstanding success with an overwhelming number of entries, exceeding our expectations for yet another year.

The Awards have attracted quality projects on every scale and price point from around the world, continuing to demonstrate our ethos that design is a discipline that requires training, trading standards and a shared financial conduct. The strength of the entries allows us to effortlessly continue with our mission to celebrate all that great design represents.

For some time now, importance has been firmly placed on ‘sustainable business solutions’ by Government, consumers and the design industry. When deciding the theme for this issue, we considered whether we would run the risk of scrutiny as the phrase is often overused. However, having listened to your feedback, we are in the process of making a few changes to bring you an even more targeted and efficient mode of communication. The first of these changes will see Society going online, a move that will increase its reach, audience and diversification. This will kickstart our Go Digital programme, which is tailored to work in the most efficient way possible for you, our members.

By bringing you more streamlined digital processes including a new interactive, user-friendly website, we aim to bring up-to-date and instant industry information, maximising benefits for all!

The cover image is a photograph of the Clexidra lamp by EmC illuminazione. The lamp was entered in the contract product category of the SBID International Design Awards 2012

Introducing Society…This is the seventh edition of Society, the official journal of the Society of British and International Design.

Society is a quarterly publication offering SBID members all the latest news on the activities of the Society and its members, as well as inspirational design ideas and case studies from all corners of the industry.

“ABB is delighted to be a partner of SBID. Our partnership allows us to connect with our target audience, sharing our message that technical home and building automation products are extremely relevant for successful interior design and architecture. Through SBID, we awaken the curiosity for the sector!”

Katrin FörsterInternational Key Account Manager, ABB Group

SocietyThe official journal of the Society of British and International Design

Volume 3 / Issue 3 / 2014 / £8

SO GRAND

Trade Office - Cat Austin - [email protected] - t: 0207 736 9775 - m: 07809 338854

At And So to Bed, we offer an extensive range of bedroom furniture and mattresses in a multitude of finishes.

From the most complicated, bespoke projects to a requirement for multiple hotel beds,

we would love the opportunity to tender.

http://www.andsotobed.co.uk

www.sbidawards.com

14th November 2014

SBID INTERNATIONAL DESIGN AWARDS

WINNERS ANNOUNCEMENT

TAKE YOUR SEAT

http://internationaldesignexcellenceawards.com/

Contents / 05 www.sbid.org

Volume 3 / Issue 3 / 2014

Contents

To receive quarterly issues of Society, email [email protected] for detailsSubscribe

06 NewsThe latest activity from SBID and its members

08 New ProductsShowcasing the best new products from our Professional Partners

12 The 2014 SBID Awards A rundown of thisyear’s finalists

22 Events Trading Places: SBID’s pick of the trade fairs from around the world

24 SBID Business BreakfastsAn insight into our monthly business meetings

26 Q&A: Magali Castillo Vispring’s Global Marketing Director talks about the company’s new philosophy

Special Reports29 Furniture News and Products The latest news and products in the sector

30 Furniture Case Study Promemoria: Introducing the Sharazad

32 Furniture Q&A Ethics and sustainability in the world of furniture and design

Portfolio34 Alan Chan DesignCHINA ROUGE Private Members Club in Macau

36 Inspire Design InteriorsShow homes for a regeneration project

38 Olson Kundig ArchitectsA single-story Hong Kong villa

40 Pascall+WatsonThe final phase of London Gatwick Airport’s South Terminal Departures Lounge

Feature42 Architects at workThe role of architecture in the hotel design process discussed

Education44 Designing for disasterDesigners of tomorrow respond to a brief inspired by the recent UK floods

Business48 Sustainability and TrustThe importance of transparency when going green

50 SBID Healthcare Design Advisory CouncilThe increasing role of design in dementia care

51 Sustainable TechnologyWater-saving innovation in product manufacture

52 Insurance ClaimsHow to protect yourself from a litigious client

54 Industry Voice How do you keep up with industry trends, products and new technology?

The Team

SBID President

Vanessa Brady OBE

Editor

[email protected]

Editorial content

[email protected]

Marketing

[email protected]

Sales

[email protected]

SBID

10 Molasses Row

Planation Wharf,

York Road

London

SW11 3UX

www.sbid.org

Follow us on Twitter

@thesbidsociety

ISSN 2050-8905

FORREST & JONES MOVES TO GRADE II LISTED MANCHESTER HQLeading wall coverings design company Forrest & Jones has revamped the Grade II listed former Lloyds Bank at 53 King Street, Manchester. Bringing the ‘outside in’, the company created a range of exclusive wallpapers featuring the exterior characteristics of the classic building. Following the project, the building’s owners offered Forrest & Jones the chance to relocate their entire HQ to the historic King Street building.

“We were really pleased to be asked and agreed to move in as soon as possible,” said Mark Forrest, Director of Forrest & Jones.

“We had been delighted to take on such a prestigious project in the heart of Manchester because we had long felt that the city would make an ideal base for a company like ours. The opportunity to move our HQ to 53 King Street could not have come at a better time. Business is booming for us but I can see our move to Manchester creating even more work.”

For more information about Forrest & Jones visit www.forrestandjones.com

06 / News www.sbid.org

NewsAKzONOBEL MAKES RECORD INVESTMENT IN TRADE BRANDSLeading global paints and coatings company AkzoNobel has announced a record investment in its trade paint brands as part of a commitment to reinvigorating the painting industry. The £12m investment includes a striking new appearance for Dulux Trade, including new look metal packaging. In addition, a series of product and service innovations will drive the industry to the fore of craftsmanship, quality and professionalism.

The first move will be an overhaul of Dulux Trade

packaging to give the brand a more professional look, helping key industry players to demonstrate the quality, performance and value of trade coatings to their customers.

Beyond creating the new look for Dulux Trade, 2014 will see AkzoNobel retain its focus on quality products and services as well as sustainability, with key improvements across its core emulsion range and new product launches in water-based trim solutions.

www.akzonobel.com/uk

DISCOUNTED HOTEL RATES FOR SBID MEMBERSWith the trade fair season upon us we have arranged a number of special discount rates for SBID members at some of London’s finest hotel groups including Millennium Hotels and Resorts, Park Grand London Lancaster Gate, Park Grand London Kensington; Malmaison London and many more.

To find out about SBID discounted rates, email us at [email protected]

ELEGANCE IN MOTION By POPPy WADDILOVE

London-based artist Poppy Waddilove debuted a cluster of illustrations at the Strand Gallery on 9-13 September 2014. These elegant yet powerful illustrations are “inspired by the line of the body and spontaneity of motion, while giving a timeless elegance to the women portrayed.” The exhibition celebrated the ethereal elegance of Waddilove’s work, which collides art with fashion and the female form.

www.thestrandgallery.co.uk

Hotel Maria Cristina by HBA Ltd

http://www.forrestandjones.com

http://www.millenniumhotels.co.uk/destinations/london.html

http://www.parkgrandlondon.com/hotel-Park-Grand-London-Kensington-16.htm

http://www.thestrandgallery.co.uk

News / 7 www.sbid.org

REDESIGN FOR BüRGENSTOCK RESORTMKV Design is currently designing several projects for the Bürgenstock Resort in Switzerland. Due to open in early 2017, the Palace Hotel, Bürgenstock Hotel, Alpine Spa and the Grand Residences will be imbued with discreet luxury through harmonious design. The inspiration comes from the

exquisite natural beauty of Lake Lucerne and the Alps as well as the legendary heritage of this celebrated resort destination. Each project is completely individual in character and offers unique experiences for guests and residents.

www.mkvdesign.com

METAMORPHOSIS STUDENT AWARDS 2014: WINNERS ANNOUNCED!SBID is pleased to announce the winners of the 2014 Metamorphosis Awards are Sotirios Tseronis (Hotel & Restaurant category) from Cambridge School of Art, Craig Beardall (Retail Space category) from Southampton Solent University and Sofija Leover (Public Space category) and Delita Cole (Work Space category) from London Metropolitan University. As an annual national competition for third-year undergraduates, Metamorphosis is committed to discovering talented students. It also aims to develop nurturing relationships between students and potential employers with the goal of empowering a generation of innovative, employable graduates.

Working closely with industry partners who understand the transition between study and the workplace, the SBID has created mentorship schemes to allow students to establish relationships with key industry leaders, giving them the tools and insight to kickstart their careers.

Each winner will be paired up with one of the four participating industry partners for a year-long mentorship and will receive honorary SBID Membership for a full calendar year. This year’s mentoring companies are MKV Design; MPD London; Blum and Pascall+Watson.

For more on the winners and to find out about next year’s competition, visit www.sbid.org/metamorphosis

To celebrate its 10-year anniversary, show home expert Phoenix Interior Design has launched a new website to showcase a wide range of services and extensive gallery of interiors. Over the past 10 years, Phoenix has established a reputation for producing high-quality specifications and aspirational show homes for some of the UK’s top developers, proving itself as a market leader in its field. “We’re very excited to be celebrating our 10th anniversary,” said Susan

White, Managing Director. “In a competitive and sometimes difficult market we are proud to still be at the forefront of our field. Our ethos has always been to offer an individually tailored, bespoke service and we stay ahead of the game by sourcing the latest trends and designs for our clients. With these core principles in mind, we are looking forward to another fantastic 10 years!”

www.phoenixinterior design.co.uk

PHOENIx INTERIOR DESIGN CELEBRATES 10 yEARS

DESIGNWORKS TILES OPENS CLERKENWELL SHOWROOMFocusing on the contract division, UK tile manufacturer Designworks Tiles launched its new showroom during Clerkenwell Design Week in May. The premises, located at 91 St John Street, offers an extensive range of ceramic, glass, porcelain and mosaic tiles amongst others. The non-traditional space was unveiled along with a range of striking design features.

www.designworkstiles.com

08 / Products www.sbid.org

New ProductsEvery issue we take the opportunity to showcase our Professional Industry Partners’ best products

ABB Busch-priOn® The new generation building control by Busch-Jaeger allows you to control and monitor functions for the entire room. Lighting, heating and timing are all operating functions performed automatically via a rotating control element while the 8.89-cm display screen shows all information in an easy-to-read manner.

The Busch-priOn® is easily programmable and can be effortlessly adapted into any interior environment. Four high-quality design versions are available for selection: glass white, glass black, plastic white high-gloss and stainless steel with fingerprint-resistant coating.

www.busch-jaeger.de

AquafrontThe fully automated, self-cleaning, Flow Through Filtration SystemTM recently developed by luxury aquarium design company Aquafront works by an integrated computer that automatically manages the flow of fresh and waste water, in and out of the aquarium system. These independent aquarium systems are fully fitted with auto feeders, state-of-the-art wifi-adapted computer control systems and a specialised filter that automatically changes the aquarium water.

The product was specifically developed with the avid traveller in mind and designed to allow peace of mind for busy individuals, families and for those who are new to the hobby.

www.aquafront.co.uk

Zip HeatersThe HydroTap G4 range, the newest addition from zIP UK, incorporates the most advanced energy-efficient, filtration and space-saving features of any boiling water product on the market today. Initially available for commercial installation, the new HydroTap G4 models tick the box to help cut energy wastage and provide effective, healthier refreshment for large-scale office blocks through to schools, hospitals and factory buildings.

Advanced insulation and improved electronic technology in the ‘Command-CentreTM’ sees standby energy consumption reduced by up to 55%, whilst zip’s 0.2 micron filter offers the most advanced water filtration system available. A convenient, smaller under-counter unit means this compact model can also be easily sited in a 600mm cupboard. Unlike many models on the market, zip’s HydroTap models remain cool to the touch, during and after use and the fingertip control gives the user greater accuracy.

www.zipheaters.co.uk

http://www.busch-jaeger.de

http://www.zipheaters.co.uk

Products / 9 www.sbid.org

Karonia Anise, Orka and Prism are three of the newest products added to Karonia’s MISTRAL range. The enhanced acrylic 25mm solid surface, has been developed specifically for purpose and built in line with the demands of daily life, providing a surface that is chemically, fire and impact resistant, while simultaneously combining flawless aesthetics to bring life to any interior.

MISTRAL is non-porous and has the ability to be inconspicuously and seamlessly joined making it extremely hygienic and great for creating elaborate designs that flow continuously around your room.

www.karonia.com

MuraspecWith a timeless and stylish finish, Muraspec’s geometric ranges, Optic, Pleat and Solitaire coverings, look elegant in any interior scheme. The selection of contemporary patterns is influenced by the brand’s own Impressions ® sculptured panels; each of the four intricate yet simplistic graphic designs captures a different 3D effect in white and grey tones for a modern look. All Musraspec wall coverings are Fire, CE and IMO rated.

www.muraspec.com

http://www.karonia.com

10 / Productswww.sbid.org

Splinter WorksBorn out of a love for curvy silhouettes and illusion, the Bodice Rocker is a unique object that offers a number of fresh perspectives. Poised vertically it takes on an anthropomorphic sculptural form; while some may perceive a bust, or derrière, others might see an arched foot among the suggestive curvaceous forms. Originally sculpted by Splinter Works founder, artist Matt Withington, the Bodice Rocker was developed with co-founder Miles Hartwell to perform its unique trick. With a light touch, it gently rocks back and pauses in mid-air, as if weightless, inciting a double take by seeming to defy the pull of gravity. In this position it reveals the more familiar profile of a chaise longue, albeit levitating! With a second nudge it draws to the ground where you can sit and stretch out comfortably on soft padded leather. Like all Splinter Works pieces, the Bodice Rocker can be tailored to clients’ requirements. The rocker can be modified for a more ergonomic fit to accommodate a taller or smaller person and scaled appropriately to suit different room sizes.

www.splinterworks.co.uk

Corian® External CladdingDuPont™ Corian® external cladding provides a stunning, high-performance outer finish for any building. Suitable for a new development or to upgrade, enhance or transform an existing property, the panels are available in many sizes and can be curved to provide limitless design opportunities with exceptional appeal. Versatile, long-lasting and energy-saving Corian® cladding systems are designed and produced to meet the most demanding aesthetic and functional demands.

www.cdukltd.co.uk

Axor Starck VThe organic, transparent design of Axor Starck V gives it an exciting, yet subdued presence. Besides serving the technical function of making water visible, the transparency allows the user to experience the process behind the product. The openly designed spout made from crystal glass also contributes to the natural water experience as the water swirls upwards in a vortex through the mixer’s body and freefalls into the washbasin before the eyes of the user.

www.hansgrohe.co.uk

CapleThe DD910WH, a luxury white vertically ascending extractor (one of the first of its kind on the market) has been engineered to achieve high extraction rates and features stylish illuminated touch controls with up to four speeds and six monitor options available. Multi award-winning appliance specialist Caple, have matched the white glass to their Sense Premium collection for a seamless, luxury finish.

www.caple.co.uk

For more information or samples:Call: +44 1274 698 503 Email: [email protected]

Interface.com

DESIGNED FROM THE OUTSIDE INAn awareness of what surrounds us.

Nature provides infinite solutions to some complex questions. Designing in harmony with the world allows us to learn from the ever-present answers found in our planet’s living systems. It’s a thoughtful look at carpet tile unlike any other.

The Human Nature™ Collection by Interface®.A Foundation for Beautiful Thinking.

human nature™

a collection of skinny planks

http://www.splinterworks.co.uk

http://www.cdukltd.co.uk

http://www.hansgrohe.co.uk

http://www.interface.com/US/en-US/global

For more information or samples:Call: +44 1274 698 503 Email: [email protected]

Interface.com

DESIGNED FROM THE OUTSIDE INAn awareness of what surrounds us.

Nature provides infinite solutions to some complex questions. Designing in harmony with the world allows us to learn from the ever-present answers found in our planet’s living systems. It’s a thoughtful look at carpet tile unlike any other.

The Human Nature™ Collection by Interface®.A Foundation for Beautiful Thinking.

human nature™

a collection of skinny planks

http://www.interface.com/US/en-US/global

12 / SBID Awards www.sbid.org

established itself as one of the most prestigious and enjoyable events

in the design industry

Winning a SBID International Design Award

is a high achievement as they are voted for exclusively by leading industry experts both for technical content

and aesthetic creativity using two tiers of judging

processes.

15 categories of design excellence will be rigorously

best KBB Project, best Interior Design Project Over

£1 Million and best Hotel Design.

@SBIDAwards

SBID International Design Awards 2014

www.sbidawards.com

measured. Some of these include

The finalists of this year’s SBID International Design Awards have been shortlisted, the public votes have been counted and the panel of judges have declared their final decision. Responding to a 15% increase in entries from over 30 countries across the globe, SBID President, Vanessa Brady OBE said:

“Quality projects from around the world at every scale and price point continue to represent our ethos; that design is a discipline that requires training, trading standards, a shared financial conduct and unity, then it truly is celebrated. SBID is incessantly dedicated to acknowledging excellence at every level and our Awards serve as the finest way to celebrate this commitment.”

SBID International Design Awards 2014

This year’s finalists...

SBID Awards / 13 www.sbid.org

CITIC Zi Garden/Tangquan Tea Club by Taiwan DaE International Design Career

Diamond Horseshoe at The Paramount Hotel by Stonehill & Taylor

Secret Gardenby KLID (Kris Lin Interior Design)

Espa at Naku Flame Towers Fairmontby HBA/ Hirsh Bender Associates

Saunaby Alpha Wellness Sensations

Blushby Holmes Interiors

The Apartments First Class Suitesby Acumen design associates

JW Marriott New Delhiby Wilson Associates

Crown Metropol Perth Infinity Suiteby Blainey North

Flemings Mayfair Hotel by Suna Interior Design

Andaz Maui at Waileaby Rockwell Group

Refinery Hotelby Stonehill & Taylor

Park Rotana Hotelby GM Architects

The Fairmont Waterfront HotelB+H Architects

Trump International Hotel & TowerII By IV DESIGN

Royal Plaza, Hong Kong by HBA/Hirsch Bedner Associates

EntertainmentSpace

Hotel Design

14 / Portfolio www.sbid.org

Art Select Stones and Woods Collection by Karndean Designflooring

Black Lip and White Lip Mother of Pearl Mosaic by ShellShock Designs

Hoxley & Porter Islington by Forrest & Jones

Spartito by SoFarSoNear

Human Nature by Interface

Century by Camira

Swiss Eco Tap by Bagno Sasso Mobili

Echo by Nathan Allan Glass Studios

Savoy by Zucchetti Kos

Artwood Showroom by Artwood Floors

SensoWash® e Shower-Toilet Seat by Duravit

The Devonshire by Vispring

LiLi Cantonese Restaurant at the Peninsula Paris by Beltrami

Natural Plasters by Clayworks Natural Plasters

Axor LampShower by Hansgrohe

Contract Product

Portfolio / 15 www.sbid.org

Hong Tai by Setmund Leung Design Ltd

Lobby Bar by Cagdas Design Works

High Park Kiev 2 by Nataly Bolshakova Interior Design

Xiamen Baixiang Wutong Hotel by VOA Associates Inc.

Dream House by Vitta Group

A Private Residence in Luxury Village by Architecture and Design by Oleg Klodt

Family Drawing Room by YA interiors

Stripscape by Hon Wong

Sky Kitchen by Moxels

Wilmslow Private Residence by Bibi Interiors

Mary Rose Museumby Pringle Brandon Perkins+Will

Architecture Factoryby Cork Institute of Technology

City Crossingby KLID (Kris Lin Interior Design)

Danish National Maritime Museumby Kossmann.dejong

lululemon athletica - Head Officeby Gustavson Wylie Architects

The National Center for Civiland Human Rightsby Rockwell Group

New Offices of Gazpromneftby Exclusiva Design

Paul H Cocker Architecture Galleryby Gow Hastings Architects Inc

Renewed Dutch Silver Museumby Tinker imagineers

Roedean Schoolby Buckley Gray yeoman

Roker & Mowbrayby Medical Architecture

St. George’s Chapelby Bartlett & Associates

Visualisation

Public Space


Penthouse, River Thames, London by Residence Interior Design

Sushama & Rajan’s Kitchen by Diane Berry Kitchens

St George’s Hill Luxury Kitchen by Stephen Clasper Interiors

Muckamore Kitchen by Canavan Interiors

Edwardian Flat Conversion in Clapham by Harriet Anstruther Studio

Hekarua Bay by Mal Corboy Design Ltd

Chepstow Bathroom by Project One

Elegance by Designer Kitchen

Habitat by Ewelina Niska

Seaton Project by Woodstock Furniture

Upper East Side Apartment by April Russell

When East meets West by Xuan Jing, LLC.

Wimbledon Village by LEIVARS Ltd

Holland Park by Lawson Robb

London Riverside Penthouse by Hill House Interiors

Heathfield House by Keates Interiors of Cheshire

Green Street, Mayfair by AMH Interiors

Ascot Lodge by Maurizio Pellizzoni Design (MPD London)

Improvised Syncopation by Chains Interior

Jizu by Interior Design Philosophy

Church Conversion by Gianna Camilotti Ltd

Pocket House by Cristina Menezes Arquitetura e Decoração

KBB Project

Residential Project Under 1 Million


Brook Green by NS Interiors

Contemporary Classicism by Regina Sturrock Design

Apartment on Tverskoy Boulevard by Architecture and Design by Oleg Klodt

21 ORCHARD COURT by BASE INTERIOR

Ana Isabella Villa by B.Pila Design Studio

Private Villa in Saint Moritz by Exclusiva Design

Penthouse Apartment by Shalini Misra Limited

Cottage Life Refined by Powell & Bonnell

S’IL CREST - Alpine retreat by Ina Rinderknecht Interior Design Gmbh

Belle Epoque by Dream Design

House in Belgravia by TLA Studio

St John’s Wood by IGGI Interior Design

Residential Project Over 1 Million

Trafalgar One Penthouse by Tillman Domotics

Fameed Khalique by Fameed Khalique Ltd

Queens Court Penthouses by Kensington Audio Visual

Make a Splash by Light IQ

Matches Fashion by Paul Nulty Lighting Design

Home Cinema by Inspire Audio Visual

Support Services


The Office Group Gridiron Kings Cross by March & White

Southwell Minster Bookshop & Refectory by Jamie Hempsall

Derindere Fleet Renter Office by TeamFores

Hertz San Diego On-Airport Flagship by B+H Architects

AEI Media by Trifle Creative

Cubalibro by enzo calabrese designstudio ltd

Stoke Newington Apartment by Avocado Sweets

Without Curtain House by Setmund Leung Design Ltd

Carnegie Showroom by marquardt+

Dfs warehouse conversions to extended furniture showrooms by Gwenda Jones Interiors Ltd

Fragrance Lab by Campaign

Brunner Furniture Showroom by McDowell+Benedetti

Bentley Retail CI by FutureBrand

Coco de Mer by Trifle Creative

Zen Resort & Spa Sales Center in YC/JX by Taiwan DaE International Design Career

Galeriile Sabion by S.C. SABION ELEN S.R.L.

Harrods By Appointment Personal Shopping by The Studio at Harrods

Milk Tea & Pearl Boxpark by YAO

IntelligentDesign

Retail Design


West Acre Lodge by Averil Blundell Interior Design

Shangai Eastern Airline Residential by VOA Associates Inc.

Capco/BoldRocket by ThirdWay Interiors and D+DS

Cheyne Terrace by MSMR Architects

Winchcombe Place, Care UK by YTM Group Ltd & The Drawing Room Interiors Ltd

Majesty 135 by Gulf Craft

Skilled Nursing Facility by Hamad Medical Corporation

Birch Grove by JSD

Travelle by Rockwell Group

Estado Puro at Hard Rock Hotel Ibiza by estudiHac

The Velo House by SGS Design

The Qantas Hong Kong Lounge by Sumu Design

Sisterfields Seminyak by Travis Walton Architecture

Forum Restaurant by T.K. Tsui & Associates Ltd

Cafe Deco Shanghai by 4N Architects

Stratus Bar & Restaurant by B+H Architects

Bushman’s Australian Bar & Grill by Stickman Design

Cielo Blanco Leeds by Normal TM

New Build & Development

Restaurant & Bar


FlatBack + Space Saving Pedal Bin by Brabantia

Bodice Rocker by Splinter Works

The Kiss Orange by Sonya Winner

Loop de Loop by William Pedersen Designs

Rainleaf in Suffolk by Rainleaf

Kartell Mirrors by Laufen

Trend Metropolis Collection by Trend GB

VISIONI by Aee Interior Design

Luxury Scottish Highland Wool by Kingsmead Carpets

Metropolis by Santa Margherita

String Light by Flos

Meisterstücke by Kaldewei

SYLKA Carpets by SYLKA Carpets

The Etna Bath by Designer Bathroom Concepts

Aquaduct Commissioned Decorative Grilles by Lateral Design Studio Ltd

Residential Product

Maresfield Gardens by MW Architects

Living by the Sea by Minarc

House In Chelsea by prestige exclusive lifestyle ltd

House for Installation by JAM

Georgian Manor Retirement Revamp by Jamie Hempsall Ltd

The Malt House by Mar City Homes

Minima’s London Studio by minima

Regents Park Residence by The Crawford Partnership

Residential Retrofit


GROHEALLUREBRILLIANT

Bring your bathroom to life with the dazzling precision of GROHE Allure Brilliant. Inspired by the crisp planes and sharp angles of a diamond, this range of taps, showerheads and accessories combines sleek design with ultimate technology. The highly polished and faceted fi nish will add a new dimension to any bathroom while the ergonomic details feel like the last word in luxury.

GROHE.COM/UK

5478 Allure Society Magazine_v2.indd 1 15/09/2014 09:29

http://www.grohe.com/uk/

Events / 22 www.sbid.org

Trading PlacesSBID selects its pick of the most recent global trade fairs…

100% Design Singapore, Singapore1-3 September 2014 www.100percentdesign.com.sg

Bauen & Modernisierenzurich, Switzerland 4-7 September 2014www.bauen-modernisieren.ch

Maison &ObjetParis, France 5-9 September 2014 www.maison-objet.com

Paris Design WeekParis, France 6-13 September 2014www.parisdesignweek.fr

New York International Carpet ShowNew york, United States 7-9 September 2014www.nyics.com

MoOD 2014Brussels, Belgium9-11 September 2014www.moodbrussels.com

Design&Decor Saint-Petersburg, Russia10 -12 September 2014www.designdecor-expo.primexpo.ru

London Design FestivalLondon, UK 13-21 September 2014www.londondesignfestival.com

Oman Office ShowMuscat, Oman15-17 September 2014www.omanofficeshow.com

Architect @ WorkRotterdam, Netherlands 17-18 September 2014 www.architectatwork.nl

100% Design London, UK17-20 September 2014www.100percentdesign.co.uk

The Flooring ShowHarrogate, UK21-23 September 2014www.theflooringshow.com

Events / 23 www.sbid.org

Decorex International London, UK21-24 September 2014www.decorex.com

The Hotel ShowDubai, UAE28-30 September 2014www.thehotelshow.com IMITFairRostock, Germany14-16 October 2014 www.imit-fair.com

Biennale InterieurKortrijk, Belgium 17-26 October 2014 www.interieur.beIndependent Hotel Show London, UK 21-22 October 2014www.independenthotelshow.co.uk

Downtown DesignDubai, UAE28-31 October 2014 www.downtowndesign.com

NeoCon EastBaltimore, United States29-30 October 2014 www.neoconeast.com

Sleep London, UK 26-27 Novemberwww.thesleepevent.com

Info: For more information on upcoming trade shows visit the SBID diary:www.sbid.org/events/diary

24 / Business Breakfast www.sbid.org

Business BreakfastsDedicated to creating successful business partnerships, designed for business.

Our SBID Business Breakfasts meetings are carefully tailored to encourage and create opportunities and synergies for our members. Every month we bring together a selection of handpicked and industry-relevant members in an informal breakfast setting, creating the perfect platform to harness new and existing business partnerships.

Here’s what some of our previous hosts and attendees had to say about their March / April Breakfast Meeting experience:

Host:

March and White March and White is an interior design and architecture company specialising in private homes, residential developments, yachts, hotels, restaurants and offices.

www.marchandwhite.com

Director of Yacht Design Division

What were your thoughts on the breakfast meeting? As newcomers to SBID, we found the concept to be a great idea for introducing suppliers, manufacturers and designers etc in a space, for a short time, talking about their business, service or product. Meeting members that we have never been in contact with or exposed to made the morning event exciting and created a lot of interests and hopeful working relationships for the future.There are members you already know, however it is always good to catch up and have a chat.

Did you find it productive? Keeping the numbers small is key as it allowed us to have meaningful conversations with members and get a better understanding of their business. As a design studio, we are always looking for new ideas, products and suppliers that bring value to our projects and our clients. Meeting new people broadens our contact base in specifying material, product, services and, we hope, vice versa. Making contact with businesses that you may never have thought you would have an association with, but actually do, makes being a member of SBID worthwhile.We look forward to the next SBID meeting in London and look forward to meeting new members!

Attendees:

LWK kitchenA London-based German kitchen specialist that aims to provide high standards of service, based upon the principles of professionalism, honesty, fairness and intimate design knowledge. The team are all extremely committed to this ethos which, when allied with the wide range of high-quality kitchen products supplied, results in a first rate service offered to clients.

www.lwk-home.com

Marketing Manager

What were your thoughts on the breakfast meeting? It was refreshing to meet new faces and many offered services that would certainly benefit our clients; frequently those replacing their kitchens are simultaneously carrying out works in other areas of their home, but in need of specialised craft. March and White were extremely welcoming and it was an enjoyable way to begin the day.

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Did you find it productive?With the appropriate consideration of the guest list that appears to be in place, the concept of the breakfast meeting is certainly one that appeals to us. It didn’t yield any direct business opportunities for us but an education into the technologies and processes that other people within our industry are engaging in is valuable in itself.

New attendee:

Promemoria Promemoria is a world-class Italian furniture atelier deeply rooted in creativity, passion and a love of detail, placing great value on encouraging the appreciation of the history of the objects, beyond their intrinsic value.

www.promemoria.com

Assistant Manager

What were your thoughts on the breakfast meeting? I have been fortunate to attend SBID brunches for over a year and have

been impressed by the team’s ability in selecting companies with diverse specialties which complement each other: this morning succeeded in delivering the same promise. We are always excited when we receive our next invitation.Did you find it productive? SBID brunches have continuously allowed us to found new relationships which enable us to expand the suppliers we work with and put forward on projects.

New attendee:

Harlequin LondonHarlequin London is the leading UK supplier of luxury tableware, lighting and decorative accessories. The company offers a unique service within the luxury interiors market, working closely with interior designers and architects to help them source all the finishing touches necessary to create a truly magnificent interiors scheme. With their unrivalled experience and understanding of this sector, Harlequin’s team is on hand to make

If you would like to attend the next relevant breakfast or host your own, please register your interest to [email protected]

things simple and guide designers and clients through the process of choosing the perfect tableware, decorative accessories and lighting to truly personalise their scheme.

www.harlequin.uk.comAccount Manager

What were your thoughts on the breakfast meeting?It was really helpful to be able to meet other people in the industry and forge new relationships.

Did you find it productive? It was productive in that the host of the event is a client of ours and so it gave us a good opportunity to meet different members of the March and White team and discuss other projects that we perhaps did not previously know about.

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What makes a Vispring bed so unique?Each bed we create is entirely handmade and bespoke to its owner; everything from the fabric covering and size to the spring tension of the mattress. This is why Vispring is such a good resource for interior designers.

In 1901, we invented the pocket sprung mattress and to this day, our craftsmen use many of the same artisan skills to make our beds. We are one of only a few bed manufacturers to make our own springs; we use only the finest-grade Vanadium steel, which retains its strength and suppleness for much longer than carbon steel. Each spring works independently to support the body completely throughout the night – no matter how much a customer tosses and turns.

We spend a third of our lives in bed, and we all know that a good night’s sleep has a positive impact on our lives. Good sleep is crucial for your physical, mental and emotional wellbeing.

What was the biggest motivation behind the rebrand?We sell our beds in 35 countries, and we needed a comprehensive global marketing and communication strategy that supports our three core objectives: to increase awareness and cement Vispring’s position as the ultimate reference in the luxury bed market; to create a consistent brand presence across the world that differentiates us from our competitors and remains sympathetic to local cultures and nuances; and crucially, to increase sales within four years from £35m to £60m, with at least 60 per cent generated internationally.

The company has been renowned in its field for more than 100 years; did this impose any limitations on the direction you wanted to take? With so many years’ experience in the industry, we completely understand the importance of a good night’s sleep. With this in mind, we needed to ensure that while positioning Vispring beds as a luxurious

Q&A: Magali Castillo Magali Castillo, Global Marketing Director of luxury bed manufacturer Vispring, talks to Society about the company’s rebrand and their motivation behind it

product, our customers understand that good sleep should not itself be a luxury. We therefore offer beds at a range of price points to appeal to anyone who recognises the importance of a well crafted and designed, high-quality products.

Our strong heritage is something we are incredibly proud of and we are passionate about sharing our history. What are the key messages for the rebrand? Our new philosophy is based around the idea that to sleep well is to live better. We believe that a day that follows a night in a Vispring bed will be positive and full of potential. This is thanks to the exacting attention to detail that goes in to each and every bed, meaning you wake up feeling refreshed and revitalised.

Luxurious comfort We make our beds using the finest natural fillings together with our signature pocketed springs, so we know that sleeping on a Vispring bed will give you the most comfortable and supportive night’s sleep.

Handmade in BritainEvery Vispring bed is handmade in our Devon factory by our master craftsmen, using highly specialised skills that they

have spent years perfecting. All of our mattresses are side-stitched by hand, giving each bed strength and a perfectly tailored finish.

From the finest natural materials We scour the globe to find the best natural fibres to make our beds. From the UK, we use more Platinum Certified pure British fleece wool than any other bed maker and have exclusive use of real Shetland wool. Looking further afield, we work with some of the world’s most celebrated and conscientious farmers and producers to source fibres such as silk, mohair, vicuña and cashmere. Natural materials are hugely beneficial for use in bed making; not only are they sustainable, but they are hypoallergenic and resistant to dust mites. They work to regulate the body temperature and wick moisture away while you sleep; and crucially they are soft and comfortable to sleep on.

Who does Vispring work with? We work closely with many industry partners; from retailers such as Harrods and ABC Home, suppliers such as the British Wool Marketing Board, hotels like The Dorchester and 45 Park Lane to other complementary brands like Princess yachts. We pride ourselves on having good

relationships with everyone we work with.

Most recently, we have embraced the interior design market; our products fit perfectly with the bespoke ethos of designers and allow them to give their clients a supremely comfortable and supportive sleeping environment in keeping with the rest of the design scheme. We now have a dedicated interior designer team to handle enquiries and ensure the ordering process – right through to the delivery of the bed – runs smoothly.

We assume the website will be a big part of the rebrand. What are your plans for it and when can we expect to see the finished product? The website will definitely be a big part of the rebrand; we are still in the process of redesigning it and we plan to go live in the first

quarter of 2015. We want the new Vispring site to be informative yet clear and concise. It will be user friendly and beautiful to reflect our luxury positioning and the attention to detail that goes into our products.

There have been a few recent additions to the collection, which is your personal favourite?Personally, I love the new Celeno headboard that was designed by Terence Mesguich Jacquemin, a French designer we have started collaborating with. It was the first headboard of its kind for Vispring; it breaks our traditional mould and is more contemporary than some of the designs in our existing range. The Celeno has an oak frame with ebony leather cushions and delicate cream stitching; and we’re really pleased with the finished product and it seems to have been well received so far.

Infowww.vispring.co.uk

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http://flos.com/en/home

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Furniture Special Report

Scènes d’intérieurat Maison & Objet Paris, France5-9 September 2014Speciality: High-end andclassic furniturewww.maison-objet.com

BIFE-SIMBucharest, Romania10-14 September 2014Speciality: Furnitureequipment and accessorieswww.bife-sim.ro/en

FurnicaPoznan, Poland16-19 September 2014 Speciality: Components forfurniture productionwww.furnica.pl

OrgatecCologne, Germany21-25 October 2014Speciality: Office and facilitywww.orgatec.com

The JanuaryFurniture ShowBirmingham, UK13-15 January 2015Speciality: A wide range,from classic to contemporary www.januaryfurnitureshow.com

Salone del MobileMilan, Italy14-19 April 2015Speciality: Home furnishingwww.cosmit.it

Events

8

4

The key furniture trade fairs of 2014:

Ten of the latest furniture products 2

1 Hemingway Design, G Plan Vintage Tonic Charcoal Sofa;

www.hemingwaydesign.co.uk2 Vondom, AND; www.vondom.com3 Cox London, The Lion Paw Table;

www.coxlondon.com

4 Vitra, Workbays by Ronan & Erwan Bouroullec 2012; www.vitra.com

5 Hypnos, Royal Comfort Sovereign bed with Victoria headboard; www.hypnosbeds.com

6 MSL interiors, ARC chairs; www.msl-interiors.co.uk

7 Edra, Boa Sofa; www.edra.com

8 Oxley’s, Centurian Burnt Orange Lounge Chair;

www.oxleys.com9 yTM Furniture, Charles Chair;

www.ytmfurniture.com10 Johnathan Charles, Raised

Veneer Glazed Cabinet; www.jonathancharlesfurniture.com

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Introducing the Sharazad: Centuries of tradition and craftsmanship combine to create the latest

masterpiece in Promemoria’s collection.

Promemoria

From a background of detail, passion and creativity, Promemoria has

well-established roots. The company’s origins date back to the 19th century, to a village on the shores of Lake Como where the Sozzi family ran a business restoring and repairing carriages for the local aristocracy. A specialised business, elite in its day, it was here among the heady fragrances of wood that a distinct craftsmanship began to flourish. This know-how continued through the next four generations and today the world of Promemoria promotes high cultural values, encouraging the appreciation of the history of its products as well as their intrinsic quality.

With a mastery of materials which requires the refined use of all the five senses, the knowledge of the ‘punto sellaio’ stitching – which shows extraordinary perfection – and the treatment of wood in harmony with its natural qualities, the Italian craftsman is the keeper of many design secrets. His knowledge is a rediscovery of ancient working techniques accompanied by a modern industrial approach.The Sharazad was recently presented at Milan’s FuoriSalone; the masterpiece artisan technique is reminiscent of the never-ending stories of the One Thousand and One Nights folk tales. Geometric and non-geometric tales are engraved, like Oriental musharabia, on the doors of

Special Report / 31www.sbid.org

Infowww.promemoria.com

the cabinet, which gently rests on a bronze base. The wooden structure ranges from ebony to copper-brushed ancient oak; the hinges are made of hammered bronze with a special patent from Romeo Sozzi, Promemoria’s chief designer. The base, top and details are also in hammered bronze while the core of the cabinet is shelved, covered in leather and complemented with LED lighting.

The doors of the cabinet are made from a structure enduring the hammered bronze effect and feature strips of leather to emphasise the detailed craftsmanship. Small strips of leather are bonded together and cut into shapes to create the final design on the door while the choice of colour of the hammered bronze brings the leather to life. Each cabinet is entirely handmade in Valmadrera in Italy, with a single door requiring two days of workmanship to create.

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How important are ethics, sustainability and respect for the environment and human rights in the

world of design and furniture?

Andrew Hall, Managing Director and Chief Designer, Woodstock Furniture

“ In the world of furniture, it is so important to create sustainable design; this form of furniture uses renewable resources, which create minimal impact on the environment. As a designer, it’s important to look into this aspect of design so you can demonstrate your respect for the environment, especially as public awareness of environmental issues continues to grow at such a high rate. At Woodstock Furniture, for example, when using wood we source from suppliers of certified timber who manage sustainable and well managed forests.

As luxury, bespoke, British manufacturers, we believe an emotionally durable design will reduce consumption and the waste of resources by creating a long-term relationship between people and products, through design. This concept then produces design to last rather than adhering to a ‘throw away culture’; this becomes more prevalent when you consider the growing problem of waste and its disposal. Woodstock Furniture recycles all

timber at the end of its useful life where waste, offcuts and sawdust are formed into briquettes that are then used to heat our workshops in winter. Reducing our energy use greatly reduces our carbon footprint and the negative effect of waste disposal in the environment. We also ensure we minimise waste in packaging as our products are blanket wrapped where possible to avoid the need for plastics. Kitchens are one of the key rooms in the home where carefully thought-out design can encourage environmentally sound lifestyle choices, such as incorporating recycling units to encourage domestic recycling of green waste, plastic, glass and cardboard. you can specify products and appliances that are highly energy efficient too, such as boiling water taps and induction hobs, not forgetting dishwashers and washing machines, which use less energy and water.”

Maurizio Pellizzoni, MPD London

“Actively considering sustainability, the environment and human rights is paramount to the continued success of the world of design and furniture. We don’t simply buy a product, but something that has a story and has been shaped by many people and factors. If you buy throwaway, cheap and poor quality products, then they will not stand the test of time.

It is key to invest in pieces that have been expertly crafted from quality, sustainable materials in order for them to stand the test of time and define our generation of design. What we are creating now will represent us in years to come, so it is vital that the products we design showcase the very best techniques, technologies and materials available.

In recent years greater emphasis has been placed on where something came from, and who made it. The maker and process are now of equal importance to the finished product, which demonstrates how important ethics, sustainability and respect for the environment and workers have become to consumers.”

Q & A

PortfolioA showcase of some of the most unusual, bold and inspiring new projects. From stunning residential developments to luxurious hotels and other commercial spaces, Portfolio is the place to discover the full potential of interior creativity.


Alan Chan Design

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Contactwww.alanchandesign.com

As the first and only truly integrated resort in Macau, Galaxy Macau™ – the New Palace of Asia – is passionate about bringing unique,

luxurious new experiences to its guests. Wanting to provide a nightlife venue to satisfy the long-awaited expectations of those with discerning tastes for finer things, the resort gave the design brief to leading brand consultant Alan Chan. The result was a contemporary fusion of Oriental and Western cultures, a governing theme in the brand consultant’s work and the trademark of Galaxy Macau’s ‘World Class, Asian Heart’ philosophy of hospitality.

The idea of the ‘Asian Spirit’ was adopted as the core concept, evoking Shanghai’s golden era when it was the economic and cultural capital of Asia. Alan Chan projected a fresh, contemporary take on these themes bringing a unique, luxurious new experience to Galaxy Macau.

Stone and metal were the predominant materials of choice to exhibit the opulence of the CHINA ROUGE private club, juxtaposed with the various textures and materials used in the space’s art pieces and artefacts. The lighting scheme was designed to create a different entry experience for guests. Relatively dark lighting was set at the reception to provide a contrast to the bright environment of the Galaxy Macau lobby as guests step into the setting. The lighting was adjusted slightly in different hallways to lead guests into the octagonal spaces, one by one.

To ensure that art is very much at the forefront of the CHINA ROUGE experience, Alan Chan carefully chose works of art that would enhance the copious interiors. Each piece is exquisite, rare, and selected to set the tone for the bar and lounge with strong visual statements and beautiful details. CHINA ROUGE also houses a number of custom-made artefacts, several of which were conceptualised and created by Alan Chan himself.


Inspire Design Interiors

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Inspire Design was recently given the task of completing four show homes at Buchans Mead, West Sussex, for leading developer Countryside Properties (UK). The project was part of a new government initiative which

aims to support and accelerate the physical regeneration of underperforming cities, towns and neighbourhoods. The programme supports a range of regeneration projects, many on HCA (Homes and Communities Agency) land, where work with local partners helps to bring new opportunities, new homes and new jobs, ultimately supporting the vision of a better built environment.

The design brief was to provide a home that reflects the idea that anything is achievable and to appeal to the affordable homebuyer market. A neutral palate of colours with a burst of yellow tones was introduced to provide the whole look with classical, timeless design.

Contactwww.inspiredesigninteriors.co.uk

Lighting was supplied by The Lite Spot and lamps by RV Astley. The furniture installed was bespoke and supplied by Michael Northcroft and MFUK; all curtains were handmade and interlined using luxury fabrics by French company Casadeco. The timescale from initial design to completion was four weeks and the project was completed within a budget of £27K. Phase one of the development was sold within the first weekend after the launch of the Inspire Design show home.

Olson Kundig Architects



Overlooking the South China Sea near Shek O, a historic fishing village in the southeast corner of Hong Kong Island, this single-story house was designed by

Olson Kundig Architects to embrace the stunning coastal scenery.

The site offers panoramic views in every direction and leans focus toward the cardinal points of north, south, east and west. Concrete, stone, and glass, with metal columns and details, are employed to withstand the climatic extremes. Roof planes admit natural light while providing ample shelter from sun and driving tropical rains.

The house is uncompromisingly modern in its architectural language, but is built around a large central courtyard in a traditional Chinese style. The central axis and broad stretches of glass draw the eye through the house to the sky and the island-studded coastline. Contrasting with the dramatic central space are intimate seating and dining areas, with private areas located at either end of the house.

The grand scale of the home’s meeting spaces (the entry and living room) meant that furniture proportions needed to visually stand out in the space. Richly toned wood and metalwork were used for furnishings and accents, which play against the creamy palette of interior finishes used for the walls and flooring. Among the many custom-designed furniture pieces created for the house, there is a modern interpretation of a traditional Chinese hat chair and a mural painted by artist Mary Ann Peters which lines the central hallway and spans the length of the house, taking as its inspiration – as does the house – from the spectacular surrounding landscape.


Contactwww.olsonkundigarchitects.com


Pascall+Watson have a bulging portfolio of completed designs for both new build and refurbished airport terminal buildings across the UK. In this time they have

developed considerable expertise in integrating the competing demands of function and space needed to make these complex buildings work. Connected with this is a consideration both of the public space occupied by passengers and the commercial offer desired by airport operators.

At the South Terminal in London Gatwick, Pascall+Watson were asked to develop the design for the final phases of a major reconfiguration of the terminal which started a number of years ago by refocussing commercial operations from landside to airside retail areas. In a sequence of major relocations the terminal has been progressively rearranged by relocating and enlarging the passenger search area which in turn presented the opportunity for a major reconfiguration of the passenger and commercial facilities in the Departures Lounge.

The approach adopted by the design team was to make a few significant primary moves that would significantly consolidate the amount of public space available within the existing footprint of the building. Key to this was positioning a new “walk through” Duty Free store, the removal of vertical circulation and general clutter from within the


central court and the strategic re-location of the primary circulation escalators to that they provide a clear direction and views to the upper levels of the lounge. Pascall+Watson’s designers worked closely with the airport operator to understand the nature of the passenger experience at each stage of their journey and how this should be reflected in the quality and volume of space provided in different parts of the building. This is most evident in the reconfigured central court where volume and natural light now are the prevailing features allowing an opportunity for passengers to pause and re-orientate after negotiating the route through one of the largest “walk through” Duty Free shop in Europe.

Creating an attractive and coherent interior inside an existing live operational terminal building is a challenge that requires confident and bold simplicity. At the same time the designer must be able to resolve the multiplicity of physical and operational constraints that are inherent with this type of building. In this refurbishment Pascall+Watson were able to demonstrate their skills as interior designers as well as their understanding of this building type and the challenges it comes with. It was particularly pleasing that the project was completed on a fast track programme as part of the ongoing transformation of London Gatwick Airport.

Pascall+Watson


Contactwww.pascalls.co.uk

Architects At Work

What is the role of the architect in hotel design?

Although an architect’s responsibility varies according to whether the project is a new build, a conversion or a refurbishment, having a profound knowledge of how hotels operate and make money is essential in every scenario. So, most importantly, hotel architects need to create the plan to ensure that the relationship between different spaces is right, that back-of-house corresponds with front-of-house and that the layout means that guests can easily find their way around without too much reliance on signage. The architect sets the stage for the interior decor.

Is design important in creating a successful hotel? What is its contribution, if any?

yes, but personalised attention from staff, perceived value for money and a sense of security are even more important. A successful architectural plan interprets an operator’s objectives into the optimal design for delivering customer service according to that brand’s distinct philosophy. For guestroom design, the most important elements are the functional ones, the three Bs: blackouts, beds and baths, but there’s greater flexibility with the

At April’s Hotelympia show, Vanessa Brady OBE spoke with Patrick Reardon and Conrad Smith, Executive Chairman and Managing Director respectively of ReardonSmith Architects. They shared their views on the role of architecture in the hotel design process and their perspectives on the future of this industry

42 / Portfolio www.sbid.org42 / Featurewww.sbid.org

public areas. ReardonSmith’s job is to debate with our clients if a signature restaurant or a spa really can achieve the desired ROI rather than considering it a mandatory box to tick. Although F&B [food and beverage] areas generate less revenue than guestrooms, smart architectural planning maximises their potential. For example, a street-side restaurant entrance can create the impression of a freestanding venue, which helps to draw in diners.

How is hotel design changing?

A hotel’s basic function has remained the same for years. The last radical revolution was when each bedroom was given its own bathroom; since then, changes have been stylistic and technological. However, as the hospitality industry grows increasingly global, we must anticipate the expectations of different cultures and younger generations. One way we do this at ReardonSmith is by mentoring students. For 2014, the Sleep ReardonSmith Student Award challenges architecture students to design a new business and leisure hotel in the old quarter of a central European capital city. We are looking forward to learning how these architects of tomorrow respond to the challenge. T: 0845 021 3227 www.marshalls.co.uk/commercial/internal-flooring

Driven by our passion and commitment for creating better spaces, Marshalls has designed a portfolio of carefully selected and responsibly sourced Internal Stones for commercial applications. Using our knowledge and expertise, we have assembled the

highest quality materials from around the world to introduce you to natural stone that goes beyond your expectations.

Imagine Better.

Visit us at Stand 11 of

http://www.marshalls.co.uk/commercial/internal-flooring

T: 0845 021 3227 www.marshalls.co.uk/commercial/internal-flooring

Driven by our passion and commitment for creating better spaces, Marshalls has designed a portfolio of carefully selected and responsibly sourced Internal Stones for commercial applications. Using our knowledge and expertise, we have assembled the

highest quality materials from around the world to introduce you to natural stone that goes beyond your expectations.

Imagine Better.

Visit us at Stand 11 of

http://www.marshalls.co.uk/commercial/internal-flooring

44 / Education www.sbid.org

Due to the wild weather, Christmas 2013 and New year was memorable for many in the UK. Heavy rain and

hurricane-level winds caused damage, destruction and loss of life, drastically changing our landscape in a matter of days. The country was in chaos, with some losing everything; there seemed to be no end to the relentless, miserable storms. In a mere two days the UK received 5 billion tonnes of rain, which topped up rivers, lakes and streams. Villages were turned into islands, leaving people feeling like they were living a nightmare.

The winter of 2013/14 was the wettest since records began, with over 50,000 homes left without power. Here at the Arts University at Bournemouth (AUB) it was the start of a new term and students were returning to university with heavy hearts and heavier disruptions to their journeys.

Influenced by the situation unfolding around us, we focused our first-year unit Designing for Disaster on flooding, looking at real-life scenarios and how a designer can aid and assist. The aim was to respond to the news articles, stories and research with solutions that could help those affected by predicted and/or recent floods with respect, sensitivity and expertise.

We set out to research the scale of the flooding, the people affected and the aid required to gain a good

understanding of what our responses could be. Case studies of existing solutions were explored and analysed to help understand the level of support gained in the aftermath, the rebuilding and the re-establishment of infrastructure. Often the period of support and aid offered is minimal so looking at its use and priorities assisted in our responses.

The variety of scenarios our students chose to investigate was vast and included flood barriers, app designs, assistance for evacuation and shelters.

Chloe Woodruff designed a floating platform for farmers to continue to grow a small amount of crops when their land was flooded; Frida yggeseth designed a community centre to shelter and educate as well as to distribute emergency supplies; Kamila Kicinska designed a cultural community shelter constructed from shipping containers.

We also looked at evacuation and proposed solutions. Nina Takahara proposed ‘a modular boat made of expanded polystyrene (EPS) foam covered with nylon and zippers on its units so that it can be attached or removed according to the size of the family. Once attached, a number of these boats can be pulled to safety by a rescue boat.’

Temporary walkways were designed to enable people confined to their homes to reach neighbours, seek

supplies and get to school and work. Jessie Redwood and Ellen Sawyer both designed walkways: Jessie designed a hexagonal modular system, which could be clipped together to construct a path quickly and in any direction; Ellen designed a system for her village which was elevated, with water barriers at door and windows, and gave access for emergency rescue boats. Projects were focused not only on the UK but also with potential for use in international situations.

‘Focusing on the frequent flooding (acqua alta) at the tourist hotspot Piazza San Marco in Venice. My goal was to offer a solution to this acqua alta without permanently obscuring the historical architecture. Acqua alta causes little danger to both locals and tourists but it can cause disruption to their daily lives. Using floating docks as inspiration, the walkways anchor onto designated poles that stock basic supplies such as raincoats, boots and first aid kits. The floating walkways allow commuters to walk around the piazza easily, directing the flow of people in and out of the area whilst avoiding floating debris. The whole construction (poles and panels) can be dismantled and stored so that Piazza San Marco can still be viewed without obstruction.’ – Jane Lee

Chelsea Bernardes was inspired by an image she saw of people in the

Design For DisasterLast winter’s devastating floods provided a focus for students at the Arts University Bournemouth to examine how designers can help in times of crisis, as Sonia Nicolson explains

Education / 45 www.sbid.org

Philippines making their way to and from work and school through flooded streets. She designed an outfit, similar to fishing waders, which people could wear to keep dry in whilst storing their books, food and other personal items.

Some of our students considered a longer term residential solution: Robert Grace looked at existing amphibious buildings and designed a house which could rise and fall with the surrounding water level.

Freya Stevens had family members who were affected by the floods and worked with them to redesign their kitchen so it could be elevated and kept dry and in operation as long as possible.

Finally, we looked at secure flood barriers, ‘Aquiar is an inflatable flood barrier which is a modular, quick and easy to construct, affordable solution to flooding problems. Due to its compact design, Aquiar is easily stored and

can be set up in a manner of minutes creating an effective barrier that can be installed around your house to protect it from flooding.’ - Carmen Kitchin

InfoSonia Nicolson, Senior Lecturer on the BA (Hons) Interior Architecture and Design, Arts University Bournemouth

http://www.rhafurniture.com/

Business / 47 www.sbid.org

BusinessBringing you the very latest business news, advice and professional updates that every interior designer, manufacturer, supplier and construction company needs to stay up-to-date.

http://www.rhafurniture.com/

48 / Sustainability www.sbid.org

Sustainability And TrustIf we want the design and development of buildings to be truly sustainable, we must push for higher standards and wider certification, says Martin Townsend of BREEAM Global

It would be very easy to talk about a wide range of current and emerging topics around the built

environment, but one thread spans them all: the need for transparency and trust.

The increasing demands from regulators and the market for greater sustainability in building developments has, perhaps inevitably, led to a rash of ‘green’ claims for building products and services. The fact that many of these are not backed up with any credible scientific data or third-party certification can make selecting them

for use in a development project something of a lottery. Achieving a more sustainable built environment depends on specifiers being able to trust the claims made for building products, systems and services. Providing impartial, authoritative information that the industry can trust is a key element of the work that BRE does.

One way in which specifiers can be assured that products and services can be trusted to perform as claimed is to select those that have been

appropriately certified. Expert, independent approval and certification schemes ensure not only that sustainability claims are substantiated, but also that the products and services meet performance standards appropriate for their intended use. It is important to remember, however, that there are different degrees of certification offering different levels of assurance.

Another important and growing issue is that of customer concern over construction product

sourcing, which often extends beyond purely environmental issues. The responsible sourcing of materials is often in the headlines and a number of exposés of the extraction of raw materials have revealed poor working conditions and little regard for the environment or those who live nearby.

When determining if a product has been responsibly sourced the wellbeing of the local workforce is just one of the wide-ranging ethical, environmental and social issues that must be

The choices we make when specifying products and services and designing and developing buildings, have major impacts on both the sustainability of our projects and their long-term success. In order to make the best choices, we need information that we can trust.

Sustainability / 49 www.sbid.org

considered throughout the supply chain. A number of schemes, such as Fairtrade, Rainforest Alliance and Marine Stewardship Council, have been established to enable specifiers to identify responsibly sourced materials. BRE has developed standards to look at responsible sourcing and will continue to work with the industry to promote their uptake.

Along with quantifiable improvements – for example, in carbon emissions, resource consumption, waste reduction – less tangible improvements in quality are increasingly being noted in buildings designed with a strong focus on sustainability.

Achieving the standards required by a scheme such as BREEAM requires careful planning, design, specification and detailing, and a good working relationship between the client and project

team. These are also the very qualities that can produce better buildings and better conditions for building users. The greater efficiency and quality associated with sustainability are also helping to make such building more commercially successful. There is growing evidence, for example, that certified and rated buildings provide increased rates of return for investors as well as increased rental rates and sales premiums for developers and owners.

By its very nature sustainability is all encompassing – not limited to any particular sets of products, buildings or issues. Our assessment and certification systems must be widened accordingly if the momentum for greater sustainability in the built environment is to be maintained.

BREEAM has already been expanded from a scheme able to assess

single buildings to one that can be used on almost any type of building in any location. The range of issues addressed by the scheme has also grown, but many more environmental, social and economic aspects need to be considered. The challenge is to broaden the scheme without increasing its complexity – expansion must go hand-in-hand with efforts to make assessments more accessible and transparent. The support and feedback from the industry that we have enjoyed to date will be vital in this process.

The eventual goal is to make sustainability mainstream and routine – involving everybody. We will need to link tools such as BREEAM to BIM (building information modelling) and a wide range of other databases to allow sustainability information to be quickly and easily accessed and design scenarios quickly costed.

It is important that we continue to drive standards that enable innovation and propel higher standards in our buildings. The UK low carbon environmental goods and services market is the sixth largest in the world: it is now worth £112 billion, employing over 900,000 people (source UKTI). It is the professional services sectors that are and will continue to be the primary beneficiaries of export growth because of their world-class expertise, which UK standards have helped to enable. We need standards that inspire design professionals to do better, based on market best practice, not standards that restrict design thinking.

InfoMartin Townsend, Director of Sustainability at BREEAM Global LTDwww.breeam.org

50 / Healthcare and business www.sbid.org

Design And DementiaProfessor June Andrews of the SBID Healthcare Design Advisory Council explains the activities of the Dementia Services Development Centre and why good design is fundamental to improving the lives of dementia sufferers

It is often repeated that there is no cure for Alzheimer’s disease or any of the other causes

of dementia. However, the dementia symptoms can be reduced or delayed by a number of lifestyle factors including exercise and socialising. And one really important factor is design. It’s not just design of furniture and fittings, but whole buildings and streets. Design of parks can make them easier to use. Design of hospitals can make them less dangerous. Every tiny changes can help someone, while big changes can save a lot of trouble and expense.

Design of parks can make them easier to use. Design of hospitals can make them less dangerous. Every tiny changes can help someone, while big changes can save a lot of trouble and expense.

Design for dementia has been one of the major themes of the Dementia Services Development Centre (DSDC) which is about to celebrate its 25th

year. Although based in the University of Stirling in Scotland, we work all over the world. Design is not only about shaping the physical environment to counter the impairments that come with dementia, it involves addressing standards and practices and even behaviour of professional staff. It also involved changing the way people with dementia and their carers engage with the environment in which we live.

As the Director of the DSDC I have a particular responsibility for keeping the show on the road. We are supported by a charity, the Dementia Services Development Trust, and through generous donations from other trusts and even simple fundraising events such as sponsored walks, we get enough resource to undertake original research into what makes a difference. We can also disseminate that research through books, teaching, manuals, workshops and degree courses either free or at heavily subsidised rates. That’s why we need

to keep on the move: as each new development becomes mainstream and the commercial value of dementia-friendly design is valued commercially, other players come into the market and make those innovations available to the public. And we move on to the next challenge.

Doing dementia care well costs less than doing it badly so dementia-friendly design quickly pays dividends for any investment made. The amounts are significant: at least £24 billion was spent on dementia in the UK last year. That’s a commercial opportunity, even before you think about the ethical and human value of the transformational change that can be made to the lives of the 800,000 people affected and their carers.DSDC has a multidisciplinary team of clinical specialists, architects and designers who have developed a unique insight into what can be done. It is not just about the evidence of what makes a difference. Getting that evidence is a start, but there are significant barriers to getting that

evidence implemented. Our experience helps with that. In our work to improve the design of settings including public buildings, care homes, individuals’s own homes, and communities, we use our website to good effect. We’ve got lots of free resources including specific guidance on fixtures and fittings and information about how to get training or support from us in any specific project.

undervalued mechanism for restrictive product sales. Those who see KBB design as an isolΩated and secular practice are only encouraging the status quo where a legacy of free design and shallow product loyalty is underpinning the ethos of a design underclass.

InfoProfessor June Andrews, Director of the Dementia Services Development Centre and member of the SBID Healthcare Design Advisory Councilwww.dementia.stir.ac.uk

Technology and business / 51 www.sbid.org

Sustainable Design that worksQuality and function are at the root of water-saving innovation, says Martin Mongan, Managing Director of Hansgrohe

In a profession that is all about aesthetics, there will always be a tendency to choose products based

on good looks; that is fine with us here at Hansgrohe. Working with talented designers such as Phoenix Design, Patricia Urquiola, Jean-Marie Massaud and Antonio Citterio, attractive, award-winning design is a key feature of all our products. Equally important, however, are quality and sustainability. Hansgrohe has treated water as a precious resource for over 100 years and developed an inspiring portfolio of EcoSmart water-saving mixers, showers and thermostatic controls with no compromise in design, quality or performance.

Whether you are concerned about global warming and want to help save the planet or simply save money on utility bills, it makes sense to buy products that work more efficiently because there is absolutely no compromise. Saving water is a core philosophy that drives product development at Hansgrohe while the user’s behaviour and interaction with the product

is also explored. This results in new archetypes that improve performance and enjoyment such as the Axor Starck Organic mixer, produced in collaboration with Philippe Starck. With the invention of a new spray using 90 individual outlets, the mixer delivers greater skin coverage and sets a new industry benchmark of just 3.5 litres per minute for the normal spray position. The Axor Starck Organic mixer is activated at the end of the spout while the temperature is adjusted at the top; rather than hot being the default, the user must actively choose hot water. Likewise, Hansgrohe’s CoolStart function on established mixer lines means that the default opening position is for cool water.

The company fully supported the Water Label when it was launched by the Bathroom Manufacturers Association; the initiative can help educate consumers by giving a simple visual guide to choosing more eco-efficient products. Using less hot water also means using less energy to heat it, which is

why Hansgrohe introduced a Savings Calculator on their website to help people work out the potential savings on water and fuel bills by using Hansgrohe’s EcoSmart products.

Cost savings is a topic that is really starting to resonate with consumers. Reduced water and energy bills are tangible benefits and the savings are even bigger for businesses. When it comes to hotels, there has been (and still is, in some cases) a tendency to reduce capital costs at the

front end; this can result in quality and reliability issues with bathroom fittings just a few years down the line. Ongoing operational costs for utilities are also unnecessarily high.

A more rational approach to sustainable working is to consider life cycle costs. Bathrooms are not updated frequently yet they are subject to rigorous and constant use, particularly in commercial situations. Quality guarantees are essential in order to avoid costly retrofits.

InfoMartin Mongan, Managing Director, Hansgrohe www.hansgrohe.co.uk

For private residential projects, consider that your client will touch basin mixers in the home around 40 to 50 times a day. With this in mind, it is worthwhile choosing quality products that elevate this from a pleasant function to a rich, sensual experience.

52 / Messy claims www.sbid.org

Claims against interior designers can come in many forms,

they can arise from defective or incomplete design; specifying material inappropriate for its purpose; failing to interpret clients’ needs and/or instructions properly; making changes to designs or specifications without the client’s authority; failing to incorporate changes to designs or specifications; running over time and/or budget; errors when placing orders for bespoke materials which can’t then be returned or general client dissatisfaction.

Whilst it is impossible to

eliminate the risk of facing a claim from an unhappy client or third party, there are steps you can take to help to minimise the risk and impact of a potential claim to you and your business.

Firstly, always meet your client in person if possible to discuss the project before starting any work so that you know what you are both seeking to achieve. It is always easier to do business with someone you have actually met. Take a detailed note of what is discussed at the meeting. That way there can be no arguments about what was agreed. Do you have the necessary experience and

expertise to carry out the work required? Also, are the proposed timescales and budget realistic and achievable? If not, you might have to consider turning down the work if your client is not willing to compromise.

Always send an engagement letter to your client setting out exactly the nature and scope of the work to be undertaken; get your client to sign it and return a copy to confirm they have read, understood and agree its content. Some particular points to consider:

•If your client insists on you using their terms

and conditions (i.e. if your client is a company rather than an individual), check them carefully to make sure that you are not being made to take responsibility for the work of anyone else

•Check carefully to make sure that what you will be responsible for is what was agreed and nothing more

•Cap your liability if you are able to (for example, so it does not exceed the limit of any insurance you have)

•Get contracts drafted/checked by legal professionals if possible

Messy claims and how to avoid themUnhappy clients are a reality in business however there are steps you can take to minimise the impact to you and your design practice, as Russell Sessions of Stackhouse Poland Limited explains

Messy claims / 53 www.sbid.org

Liaise with your client regularly during the project to check that the work being undertaken is to their satisfaction. If not, the earlier any problems are identified, the easier they will be to sort out. Communication is key.

If you or the client requires any changes to the project, these should always be evidenced in writing and sign-off obtained by the client before any changes are carried out.

Claims can be distressing and, importantly, expensive. Even if a claim is made against you without any justification, the costs of defending it can easily and quickly run into many thousands of pounds. Whilst professional indemnity insurance is not a compulsory requirement for interior design professionals (it is for some other professions such as

solicitors), many clients will insist on you having insurance before doing business with you and, in any event, it is something you should consider obtaining to help give you peace of mind in the event that anything does go wrong.

InfoRussell Sessions, Senior Account Executive, Stackhouse Poland Limited

zurich insurance offers comprehensive professional indemnity insurance for interior designers. For a no-obligation discussion visit www.stackhouse.co.uk

If you have to use any subcontractors, vet them carefully before appointing them and ensure that they have their own insurance, preferably at least to the same level as yours. For example, if you send off an antique chair to be reupholstered and it comes back badly damaged, your client will look to you for compensation and you will need to have redress of your own.

54 / Opinion www.sbid.org

Industry VoiceEvery issue, we ask our members a topical question. Here are your thoughts…

How do you keep up with industry trends, products and new technology to keep you current?

Melanie ClearDirector, Clear Architects

We regularly have Continuing Professional Development (CPD) lectures held in our studio, which ensures that all staff fully understand the products we recommend to clients which keeps us up to date on the ranges available from that particular manufacturer or provider, which ultimately benefits our projects/clients.

Equally, trade shows are great for finding new, exciting materials/products. Of course, previously you would have to wait to receive literature but now with the aid of search engines, the added resource introduces all sorts of new products that can change a design direction accordingly.

As a designer, the world really is your oyster when you have so much information at your fingertips!

www.clear.gb.com

Nataly BolshakovaFounder and Designer, Nataly Bolshakova Interior Design

To catch up with current trends and technologies, I regularly visit various design trade shows to get a personal feel of the quality and functionality of the new products. As a result, I am always in direct contact with the best trend-setters in each sector of the industry such as lightening, furnishing and materials, décor and engineer systems. Constant cooperation with them allows me to get a fresh and timely outlook on the latest industry developments.

www.nataly-bolshakova.com

Vivienne Warman Designer, Kitchen Coordination

Before a product is purchased, most people are often advised to do their research. Albeit essential, it can also prove harmful when purchasing a kitchen as many blogs, lifestyle magazines and even the clients themselves all have varying opinions. As a professional, I feel that it is important to keep up with trends by visiting various trade shows such as the Open House Kitchen Show in Germany, 100% Design and Decorex in London. Attending seminars are also significant – SBID have been incredibly useful in being another resource as I never know when I will be asked for something which is outside my remit.

I am very passionate about my kitchens and I am always striving to provide something that is just that little bit different.

www.kitchencoordination.co.uk

http://www.nataly-bolshakova.com

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Society Journal Vol. 3 Issue 3

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Transcript of Society Journal Vol. 3 Issue 3