Slave Narrrative

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    WELCOMEWe will begin

    promptly on the

    hour.

    How to Read a Slave Narrative

    An Online Professional Development

    Seminar

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    GOALS

    To deepen your understanding of slave narratives

    To offer strategies for their presentation in classroom discussion

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    FROM THE FORUMChallenges, Issues, Questions

    How to make slave narratives accessible to students

    How to make slave narratives something more than just another

    story about oppressed people

    How to use narratives to channel students strong reaction to the

    subject of slavery into illuminating and productive discussion

    What common elements do slave narratives share?

    How slave narratives influenced and were influenced by the slavery

    debate

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    William L. AndrewsE. Maynard Adams

    Professor of English

    University of North Carolina at Chapel Hill

    African American LiteratureSouthern Literature

    The Literary Career of Charles W. Chesnutt

    (1980)

    To Tell a Free Story: The First Century of Afro-American

    Autobiography, 1760-1865

    (1986)

    Co-editor ofThe Norton Anthology of

    African American Literature

    (1997)

    Co-editor ofThe Oxford Companion

    to African American Literature(1997)

    General Editor ofThe Literature of the American South:

    A Norton Anthology(1997)

    Series editor ofNorth American Slave Narratives,Beginnings to 1920

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    From How to Read a Slave Narrative by William L. Andrews

    in Freedoms Storyfrom the National Humanities Center

    Key Questions

    What does the title page of a slave narrative tell us?

    What is the significance of the prefaces and introductions found in many

    slave narratives?

    How do slave narratives begin?

    What is the plot of most pre-Civil War slave narratives?

    What is the turning-point in a slave narrative? Is it when the slave resolves

    to escape or when he or she arrives in the North?

    How do most slave narratives end? How do they portray life in the North?

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    What does the title page of a slave narrative tell us?

    "Northerners know nothing at all

    about Slavery. They think it is

    perpetual bondage only. They

    have no conception of the depth of

    degradation involved in that word,

    SLAVERY; if they had, they would

    never cease their efforts until

    so horrible a system wasoverthrown."

    A WOMAN OF NORTH CAROLINA

    "Rise up, ye women that are

    at ease! Hear my voice, ye

    careless daughters!Give ear unto my speech."

    ISAIAH xxxii. 9.

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    What does the title page of a slave narrative tell us?

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    What does the title page of a slave narrative tell us?

    By a principle essential to christianity, a PERSON is

    eternally differenced from a THING; so that the idea

    of a HUMAN BEING, necessarily excludes the idea of

    PROPERTY IN THAT BEING.COLERIDGE.

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    What is the significance of the prefaces and introductions found in

    many slave narratives?

    Mr. DOUGLASS has very properly chosen to write his own Narrative, in

    his own style, and according to the best of his ability, rather than to employ some

    one else. It is, therefore, entirely his own production; and, considering how long

    and dark was the career he had to run as a slave,--how few have been his

    opportunities to improve his mind since he broke his iron fetters--it is, in my

    judgment, highly creditable to his head and heart. . . . I am confident that it isessentially true in all its statements; that nothing has been set down in malice,

    nothing exaggerated, nothing drawn from the imagination; that it comes short of the

    reality, rather than overstates a single fact in regard to SLAVERY AS IT IS.

    --William Lloyd Garrison, Preface, Narrative of the Life of Frederick Douglass

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    What is the significance of the prefaces and introductions found

    in many slave narratives?

    It is not without a feeling of pride, dear reader, that I present you with this

    book. The son of a self-emancipated bond-woman, I feel joy in introducing to you

    my brother, who has rent his own bonds, and who, in his every relation--as a public

    man, as a husband and as a father--is such as does honor to the land which gave

    him birth. I shall place this book in the hands of the only child spared me, bidding

    him to strive and emulate its noble example. You may do likewise. It is an Americanbook, for Americans, in the fullest sense of the idea. It shows that the worst of our

    institutions, in its worst aspect, cannot keep down energy, truthfulness, and earnest

    struggle for the right. It proves the justice and practicability of Immediate

    Emancipation.

    --James MCune Smith, IntroductionMy Bondage and My Freedom

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    What is the significance of the prefaces and introductions found

    in many slave narratives?

    THE author of the following autobiography is personally known to me, and

    her conversation and manners inspire me with confidence. During the last

    seventeen years, she has lived the greater part of the time with a distinguished

    family in New York, and has so deported herself as to be highly esteemed by

    them. This fact is sufficient, without further credentials of her character. I

    believe those who know her will not be disposed to doubt her veracity, thoughsome incidents in her story are more romantic than fiction.

    Lydia Maria Child,

    Introduction by the Editor,

    Incidents in the Life of a Slave Girl

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    How do slave narratives begin?

    I was born in Tuckahoe, near Hillsborough, and about twelve miles from

    Easton, in Talbot county, Maryland. I have no accurate knowledge of my age,

    never having seen any authentic record containing it. By far the larger part of

    the slaves know as little of their ages as horses know of theirs, and it is the

    wish of most masters within my knowledge to keep their slaves thus ignorant. I

    do not remember to have ever met a slave who could tell of his birthday. They

    seldom come nearer to it than planting-time, harvest-time, cherry-time, spring-time, or fall-time. A want of information concerning my own was a source of

    unhappiness to me even during childhood. The white children could tell their

    ages. I could not tell why I ought to be deprived of the same privilege. I was

    not allowed to make any inquiries of my master concerning it. He deemed all

    such inquiries on the part of a slave improper and impertinent, and evidence of

    a restless spirit.

    Douglass, Narrative of the Life of Frederick Douglass

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    How do slave narratives begin?

    READER, be assured this narrative is no fiction. I am aware that some of

    my adventures may seem incredible; but they are, nevertheless, strictly true. I

    have not exaggerated the wrongs inflicted by Slavery; on the contrary, my

    descriptions fall far short of the facts. I have concealed the names of places,

    and given persons fictitious names. I had no motive for secrecy on my own

    account, but I deemed it kind and considerate towards others to pursue this

    course.

    I wish I were more competent to the task I have undertaken. But I trust

    my readers will excuse deficiencies in consideration of circumstances. I was

    born and reared in Slavery; and I remained in a Slave State twenty-seven

    years. Since I have been at the North, it has been necessary for me to work

    diligently for my own support, and the education of my children. This has notleft me much leisure to make up for the loss of early opportunities to improve

    myself; and it has compelled me to write these pages at irregular intervals,

    whenever I could snatch an hour from household duties.

    Jacobs, Incidents in the Life of a Slave Girl

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    What is the plot of most pre-Civil War slave narratives?

    During the first three or four months, my speeches were almost exclusively made up of

    narrations of my own personal experience as a slave. "Let us have the facts," said the people. Soalso said Friend George Foster, who always wished to pin me down to my simple narrative. "Give

    us the facts," said Collins, "we will take care of the philosophy." Just here arose some

    embarrassment. It was impossible for me to repeat the same old story month after month, and to

    keep up my interest in it. It was new to the people, it is true, but it was an old story to me; and to

    go through with it night after night, was a task altogether too mechanical for my nature. "Tell your

    story, Frederick," would whisper my then revered friend, William Lloyd Garrison, as I stepped

    upon the platform. I could not always obey, for I was now reading and thinking. New views of the

    subject were presented to my mind. It did not entirely satisfy me to narrate wrongs; I felt like

    denouncingthem. I could not always curb my moral indignation for the perpetrators of

    slaveholding villainy, long enough for a circumstantial statement of the facts which I felt almost

    everybody must know. Besides, I was growing, and needed room. "People won't believe you ever

    was a slave, Frederick, if you keep on this way," said Friend Foster. "Be yourself," said Collins,

    "and tell your story." It was said to me, "Better have a little of the plantation manner of speechthan not; 'tis not best that you seem too learned.

    Douglass, My Bondage and My Freedom

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    What is the plot of most pre-Civil War slave narratives?

    Every where I found the same manifestations of that cruel prejudice, which so

    discourages the feelings, and represses the energies of the colored people. We reachedRockaway [Long Island] before dark, and put up at the Paviliona large hotel, beautifully

    situated by the sea-sidea great resort of the fashionable world. Thirty or forty nurses were

    there, of a great variety of nations. Some of the ladies had colored waiting-maids and

    coachmen, but I was the only nurse tinged with the blood of Africa. When the tea bell rang, I

    took little Mary and followed the other nurses. Supper was served in a long hall. A young

    man, who had the ordering of things, took the circuit of the table two or three times, and

    finally pointed me to a seat at the lower end of it. As there was but one chair, I sat down and

    took the child in my lap. Whereupon the young man came to me and said, in the blandest

    manner possible, "Will you please to seat the little girl in the chair, and stand behind it and

    feed her? After they have done, you will be shown to the kitchen, where you will have a good

    supper.

    This was the climax! I found it hard to preserve my self-control, when I lookedround, and saw women who were nurses, as I was, and only one shade lighter in complexion,

    eyeing me with a defiant look, as if my presence were a contamination. However, I said

    nothing. I quietly took the child in my arms, went to our room, and refused to go to the table

    again.

    Jacobs, Incidents in the Life of a Slave Girl

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    What is the turning point in most slave narratives?

    Is it when the slave resolves to escape, or when he or she arrives

    in the North?

    This battle with Mr. Covey was the turning-point in my career as a slave. Itrekindled the few expiring embers of freedom, and revived within me a sense

    of my own manhood. It recalled the departed self-confidence, and inspired me

    again with a determination to be free. The gratification afforded by the triumph

    was a full compensation for whatever else might follow, even death itself. He

    only can understand the deep satisfaction which I experienced, who has

    himself repelled by force the bloody arm of slavery. I felt as I never felt before.

    It was a glorious resurrection, from the tomb of slavery, to the heaven of

    freedom. My long-crushed spirit rose, cowardice departed, bold defiance took

    its place; and I now resolved that, however long I might remain a slave in form,

    the day had passed forever when I could be a slave in fact. I did not hesitate to

    let it be known of me, that the white man who expected to succeed inwhipping, must also succeed in killing me.

    From this time I was never again what might be called fairly whipped,

    though I remained a slave four years afterwards. I had several fights, but was

    never whipped.

    Douglass, Narrative of the Life of Frederick Douglass

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    What is the turning point in most slave narratives?

    Is it when the slave resolves to escape, or when he or she arrives

    in the North?

    After dinner Mr. Durham went with me in quest of the friends I had spoken of. They went from

    my native town, and I anticipated much pleasure in looking on familiar faces. They were not at home,

    and we retraced our steps through streets delightfully clean. On the way, Mr. Durham observed that I

    had spoken to him of a daughter I expected to meet; that he was surprised, for I looked so young he

    had taken me for a single woman. He was approaching a subject on which I was extremely sensitive.

    He would ask about my husband next, I thought, and if I answered him truly, what would he think ofme? I told him I had two children, one in New York the other at the south. He asked some further

    questions, and I frankly told him some of the most important events of my life. It was painful for me to

    do it; but I would not deceive him. If he was desirous of being my friend, I thought he ought to know

    how far I was worthy of it. "Excuse me, if I have tried your feelings," said he. "I did not question you

    from idle curiosity. I wanted to understand your situation, in order to know whether I could be of any

    service to you, or your little girl. Your straight-forward answers do you credit; but don't answer every

    body so openly. It might give some heartless people a pretext for treating you with contempt.

    That word contemptburned me like coals of fire. I replied, "God alone knows how I have

    suffered; and He, I trust, will forgive me. If I am permitted to have my children, I intend to be a

    good

    mother, and to live in such a manner that people cannot treat me with contempt.

    Jacobs, Incidents in the Life of a Slave Girl

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    How do slave narratives end?

    I had not long been a reader of the "Liberator," before I got a pretty correct

    idea of the principles, measures and spirit of the anti-slavery reform. I took right

    hold of the cause. I could do but little; but what I could, I did with a joyful heart, and

    never felt happier than when in an anti-slavery meeting. I seldom had much to say

    at the meetings, because what I wanted to say was said so much better by others.

    But, while attending an anti-slavery convention at Nantucket, on the 11th of August,

    1841, I felt strongly moved to speak, and was at the same time much urged to do

    so by Mr. William C. Coffin, a gentleman who had heard me speak in the colored

    people's meeting at New Bedford. It was a severe cross, and I took it up reluctantly.

    The truth was, I felt myself a slave, and the idea of speaking to white people

    weighed me down. I spoke but a few moments, when I felt a degree of freedom,

    and said what I desired with considerable ease. From that time until now, I have

    been engaged in pleading the cause of my brethren--with what success, and withwhat devotion, I leave those acquainted with my labors to decide.

    Douglass, NARRATIVE

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    How do slave narratives end?

    Since I have been editing and publishing a journal devoted to the cause of liberty

    and progress, I have had my mind more directed to the condition and circumstances of the

    free colored people than when I was the agent of an abolition society. The result has been acorresponding change in the disposition of my time and labors. I have felt it to be a part of my

    mission--under a gracious Providence--to impress my sable brothers in this country with the

    conviction that, notwithstanding the ten thousand discouragements and the powerful

    hinderances, which beset their existence in this country--notwithstanding the blood-written

    history of Africa, and her children, from whom we have descended, or the clouds and

    darkness, (whose stillness and gloom are made only more awful by wrathful thunder andlightning,) now overshadowing them--progress is yet possible, and bright skies shall yet shine

    upon their pathway; and that "Ethiopia shall yet reach forth her hand unto God.

    Believing that one of the best means of emancipating the slaves of the south is to

    improve and elevate the character of the free colored people of the north I shall labor in the

    future, as I have labored in the past, to promote the moral, social, religions, and intellectual

    elevation of the free colored people; never forgetting my own humble origin, nor refusing,while Heaven lends me ability, to use my voice, my pen, or my vote, to advocate the great

    and primary work of the universal and unconditional emancipation of my entire race.

    Douglass, MY BONDAGE AND MY FREEDOM

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    How do slave narratives end?

    Reader, my story ends with freedom; not in the usual way, with marriage. I

    and my children are now free! We are as free from the power of slaveholders as

    are the white people of the north; and though that, according to my ideas, is not

    saying a great deal, it is a vast improvement in mycondition. The dream of my life

    is not yet realized. I do not sit with my children in a home of my own. I still long for

    a hearthstone of my own, however humble. I wish it for my children's sake far more

    than for my own. But God so orders circumstances as to keep me with my friend

    Mrs. Bruce. Love, duty, gratitude, also bind me to her side. It is a privilege to serve

    her who pities my oppressed people, and who has bestowed the inestimable boon

    of freedom on me and my children.

    It has been painful to me, in many ways, to recall the dreary years I passed in

    bondage. I would gladly forget them if I could. Yet the retrospection is not

    altogether without solace; for with those gloomy recollections come tendermemories of my good old grandmother, like light, fleecy clouds floating over a dark

    and troubled sea.

    Jacobs, Incidents in the Life of a Slave Girl

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    Narrative (1845):

    but at this moment--from whence came the

    spirit I don't know--I resolved to fight . . .

    He asked me if I meant to persist in my

    resistance.. . .

    just as he was leaning over to get the stick, I

    seized him with both hands by his collar, and

    brought him by a sudden snatch to the

    ground.

    My Bondage, My Freedom (1855):

    Whence came the daring spirit necessary

    to grapple with a man who, eight-and-forty

    hours before, could, with his slightest word

    have made me tremble like a leaf in a

    storm, I do not know; at any rate, I was

    resolved to fight, and, what was better still,

    I was actually hard at it.

    Are you going to resist,you scoundrel?

    said he. To which, I returned a polite "yes

    sir; steadily gazing my interrogator in the

    eye, to meet the first approach or dawningof the blow, which I expected my answer

    would call forth.

    just as he leaned over to get the stick, I

    seized him with both hands by the collar,

    and, with a vigorous and sudden snatch, I

    brought my assailant harmlessly, his fulllength, on the not overclean ground--for

    we were now in the cow yard. He had

    selected the place for the fight, and it was

    but right that he should have all the

    advantages of his own selection.

    Discussion Questions

    To what degree is Fredericks resistance to Covey

    offensive or defensive?

    How does Douglass depict his resistance to Covey in

    1845 and in 1855?

    Are there differences?

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    Narrative (1845):

    By this time, Bill came. Covey called

    upon him for assistance. Bill wanted to

    know what he could do. Covey said,

    "Take hold of him, take hold of him!" Billsaid his master hired him out to work,

    and not to help to whip me; so he left

    Covey and myself to fight our own battle

    out.

    My Bondage, My Freedom (1855):

    By this time, Bill, the hired man,

    came home. . . . Holding me, Covey

    called upon Bill for assistance. The

    scene here, had something comicabout it. "Bill," who knewprecisely

    what Covey wished him to do,

    affected ignorance, and pretended he

    did not know what to do. "What shall I

    do, Mr. Covey," said Bill. "Take hold

    of him--take hold of him!" said Covey.

    With a toss of his head, peculiar toBill, he said, "indeed, Mr. Covey, I

    want to go to work." "This is your

    work," said Covey; "take hold of him."

    Bill replied, with spirit, "My master

    hired me here, to work, and notto

    help you whip Frederick." It was nowmy turn to speak. "Bill," said I, "don't

    put your hands on me." To which he

    replied, "MY GOD! Frederick, I aint

    goin' to tech ye," and Bill walked off,

    leaving Covey and myself to settle

    our matters as best we might.

    Discussion Questions

    To what degree is Fredericks resistance to Coveyoffensive or defensive?

    How does Douglass depict his resistance to Covey in

    1845 and in 1855?

    Are there differences?

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    Narrative (1845):

    Mr. Covey was a poor man; he was just

    commencing in life; he was only able to

    buy one slave; and, shocking as is the

    fact, he bought her, as he said, forabreeder. This woman was named

    Caroline. . . . She was a large, able-

    bodied woman, about twenty years old.

    She had already given birth to one child,

    which proved her to be just what he

    wanted. After buying her, he hired a

    married man of Mr. Samuel Harrison, to

    live with him one year; and him he used

    to fasten up with her every night! The

    result was, that, at the end of the year,

    the miserable woman gave birth to

    twins.

    My Bondage, My Freedom (1855):

    In the beginning, he [Covey] was only able--as he

    said--"to buy one slave;" and, scandalous and

    shocking as is the fact, he boasted that he bought

    her simply "as a breeder."But the worst is not told

    in this naked statement. This young woman(Caroline was her name) was virtually compelled

    by Mr. Covey to abandon herself to the object for

    which he had purchased her; and the result was,

    the birth of twins at the end of the year. At this

    addition to his human stock, both Edward Covey

    and his wife, Susan, were extatic with joy. No one

    dreamed of reproaching the woman, or of finding

    fault with the hired man--Bill Smith--the father of

    the children, for Mr. Covey himself had locked thetwo up together every night, thus inviting the

    result. . . . .

    But, my present advantage was threatened

    when I saw Caroline (the slave-woman of Covey)

    coming to the cow yard to milk, for she was a

    powerful woman, and could have mastered me

    very easily, exhausted as I now was. As soon as

    she came into the yard, Covey attempted to rallyher to his aid. Strangely--and, I may add,

    fortunately--Caroline was in no humor to take a

    hand in any such sport. We were all in open

    rebellion, that morning. Caroline answered the

    command of her master to "take hold of me,"

    precisely as Bill had answered, but in her, it was at

    greater peril so to answer; she was the slave of

    Covey, and he could do what he pleased with her.

    It was notso with Bill, and Bill knew it. . . .

    Discussion Questions

    Compare the portrayal of Caroline in the Narrative and in My

    Bondage, My Freedom.

    What is similar in both portrayals and what differences

    appear?

    Why would Douglass change the portrait in 1855?

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    Narrative (1845):

    This battle with Mr. Covey was the turning-

    point in my career as a slave. It rekindled the

    few expiring embers of freedom, and revived

    within me a sense of my own manhood. It

    recalled the departed self-confidence, and

    inspired me again with a determination to be

    free. The gratification afforded by the triumph

    was a full compensation for whatever else

    might follow, even death itself. He only can

    understand the deep satisfaction which I

    experienced, who has himself repelled by

    force the bloody arm of slavery. I felt as Inever felt before. It was a glorious

    resurrection, from the tomb of slavery, to the

    heaven of freedom. My long-crushed spirit

    rose, cowardice departed, bold defiance took

    its place; and I now resolved that, however

    long I might remain a slave in form, the day

    had passed forever when I could be a slave in

    fact. I did not hesitate to let it be known of me,

    that the white man who expected to succeed

    in whipping, must also succeed in killing me.

    My Bondage, My Freedom (1855):

    Well, my dear reader, this battle with

    Mr. Covey,--undignified as it was, and

    as I fear my narration of it is--was the

    turning point in my "life as a slave."Itrekindled in my breast the

    smouldering embers of liberty; it

    brought up my Baltimore dreams,

    and revived a sense of my own

    manhood. I was a changed being

    after that fight. I was nothingbefore; I

    WAS A MAN NOW. It recalled to lifemy crushed self-respect and my self-

    confidence, and inspired me with a

    renewed determination to be A

    FREEMAN. A man, without force, is

    without the essential dignity of

    humanity. Human nature is so

    constituted, that it cannot honora

    helpless man, although it canpity

    him; and even this it cannot do long,

    if the signs of power do not arise.

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    How to Read a Slave Narrative

    Incidents in the Life of a Slave Girl

    (1861)

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    Narrative (1845):

    This battle with Mr. Covey was the

    turning-point in my career as a

    slave. It rekindled the few expiring

    embers of freedom, and revivedwithin me a sense of my own

    manhood. It recalled the departed

    self-confidence, and inspired me

    again with a determination to be

    free.

    Incidents in the Life of a Slave Girl

    (1861):

    As for Dr. Flint, I had a feeling of

    satisfaction and triumph in the thought of

    telling him. From time to time he told me of

    his intended arrangements, and I wassilent. At last, he came and told me the

    cottage was completed, and ordered me to

    go to it. I told him I would never enter it. He

    said, "I have heard enough of such talk as

    that. You shall go, if you are carried by

    force; and you shall remain there." I

    replied, "I will never go there. In a fewmonths I shall be a mother.

    He stood and looked at me in dumb

    amazement, and left the house without a

    word. I thought I should be happy in my

    triumph over him. But now that the truth

    was out, and my relatives would hear of it,

    I felt wretched. Humble as were theircircumstances, they had pride in my good

    character. Now, how could I look them in

    the face? My self-respect was gone! I had

    resolved that I would be virtuous, though I

    was a slave. I had said, "Let the storm

    beat! I will brave it till I die." And now, how

    humiliated I felt!

    Discussion Questions

    How is Harriets resistance to Flint similar to

    and different from Freds resistance to

    Covey?

    Compare their feelings after their acts of

    resistance.

    Why should they feel so differently?

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    Discussion Questions

    Why does Jacobs pointedly state

    to her reader that she chose asexual liaison with Mr. Sands

    with deliberate calculation?

    What does she risk by making

    such a statement?

    And now, reader, I come to a period in my unhappy life,

    which I would gladly forget if I could. The remembrance

    fills me with sorrow and shame. It pains me to tell you of it;

    but I have promised to tell you the truth, and I will do it

    honestly, let it cost me what it may. I will not try to screen

    myself behind the plea of compulsion from a master; for it

    was not so. Neither can I plead ignorance orthoughtlessness. For years, my master had done his

    utmost to pollute my mind with foul images, and to destroy

    the pure principles inculcated by my grandmother, and the

    good mistress of my childhood. The influences of slavery

    had had the same effect on me that they had on other

    young girls; they had made me prematurely knowing,

    concerning the evil ways of the world. I know what I did,

    and I did it with deliberate calculation.

    But, O, ye happy women, whose purity has been

    sheltered from childhood, who have been free to choose

    the objects of your affection, whose homes are protected

    by law, do not judge the poor desolate slave girl too

    severely! If slavery had been abolished, I, also, could have

    married the man of my choice; I could have had a homeshielded by the laws; and I should have been spared the

    painful task of confessing what I am now about to relate;

    but all my prospects had been blighted by slavery. I

    wanted to keep myself pure; and, under the most adverse

    circumstances, I tried hard to preserve my self-respect; but

    I was struggling alone in the powerful grasp of the demon

    Slavery; and the monster proved too strong for me. I felt

    as if I was forsaken by God and man; as if all my effortsmust be frustrated; and I became reckless in my despair.

    Incidents in the Life of a Slave Girl

    (1861)

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    Discussion Questions

    Why does Jacobs feel the need

    to ask for pity and pardonfrom her reader?

    To what extent is her request for

    pardon qualified by other

    comments she makes in the

    reading from Incidents?

    Incidents in the Life of a Slave Girl (1861)

    Pity me, and pardon me, O virtuous reader!You never knew what it is to be a slave; to be

    entirely unprotected by law or custom; to

    have the laws reduce you to the condition of

    a chattel, entirely subject to the will of

    another. You never exhausted your ingenuity

    in avoiding the snares, and eluding the powerof a hated tyrant; you never shuddered at the

    sound of his footsteps, and trembled within

    hearing of his voice. I know I did wrong. No

    one can feel it more sensibly than I do. The

    painful and humiliating memory will haunt me

    to my dying day. Still, in looking back, calmly,on the events of my life, I feel that the slave

    woman ought not to be judged by the same

    standard as others.

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    Last Shot

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