Narrative Theory Analysis of:

This music video can be classified as a narrative video due to the chain of events that follow a story within it. Therefore a number of narrative theories can be applied when analysing the video.

Synopsis

The music video begins with a black and white, long shot of two miners in a dark confined space, as the camera tracks toward them the muffled sound of music grows louder. The music is obviously diagetic as the men then move toward it and begin to remove the roof to reach it. They come across a trap door and push it up, there is a media close of two women's bodies as the camera tracks up changing from black and white to colour through a point of view shot. The miners then climb out of the tunnel in to a large dance studio with two dancers and two judges present. The first miner then walks into the centre and begins dancing with the ladies as the other stands and watches. After a prolonged dance sequence with short cuts in-between of the second miner sitting with one of the dancers, him playing the tambourine and the judges applauding, the second miner begins to fade to black and white and through a point of view shot the audience sees the first miner fading into the light with the dancer. The shot then cuts to an old man stating he went back to the tunnel and never saw ‘Arthur’ again.

Vladimir Propp (1928)

Key aspects of the music video include ‘The Hero,’ ‘The Donor,’ ‘The Helper,’ ‘The Father’ and ‘The princess.’ Propp suggests when an audience reads a media text it deploys its knowledge of these character types in order to decode the meaning of the text.

Although in the beginning of the video we are first introduced to two miners as the black and white shot tracks toward them, through the course of the video it becomes clear which is ‘The Hero,’ later named ‘Arthur’ and which is his ‘Dispatcher.’

The HeroThe second shot is a close up of Arthurs reaction in response to the beginning of the muffled music. This establishes him as a key character. The second shot is another close up establishing the second miner. This beginning sequence of shots may indicate that Arthur is ‘The Hero’ and the other miner ‘The Dispatcher’ purely because he is introduced first. However as the narrative continues it is portrayed that Arthur is the key, dominant character. Through a media close up shot he is scene to start removing the roofing and the other follows. Similarly it is Arthur that lifts the door seen in a close up shot and again he has the first close up of his reaction to seeing the girls followed by the other miner. Through a wide angle shot we then see Arthur begin to exit the tunnel before the other miner, and are left to assume that he exits as we are shown a close up of Arthur.

The Donor This is an object which provides some magic property. This

concept may be linked to the trap door they went through which brought them into the colourful studio where they met ‘The Princess.’ It’s magic property is emphasised by the wide angle shot as the men open the door and the extreme amount of light floods the darkness of the tunnel.

The Princess Within the video there are two female dancers who may be

perceived as ‘The Princess’ as they are the perceived as the reward for ‘The Hero.’ This is conveyed from their first introduction. Through a medium close up shot of their legs the camera tracks up toward their faces as a point of view shot as the black and white fades to colour. This may be an example of ‘The Male Gaze’ (Laura Mulvey 1975) as the audience is aligned with the male protagonist and view the females from his perspective that may be interpreted as sexual objectification as the camera focuses on their body and tracks up in slow motion which is superfluous to the narrative, the shot then cuts back to a close up again of Arthur to view his reaction. As the shot cuts to a wide angle shot of the dancers beginning to dance, due to their synchronisation the audience may perceive them both as ‘The Princess.’

As the narrative continues Arthur begins dancing with the blonde female. The sequence of shots in slow motion convey a dreamlike atmosphere enhanced by the use of exposure and harsh lighting behind them.

At the end of the video as the second miner begins to fade into black and white, Arthur is seen standing with the blonde dancer with bright golden light shining behind them. This visually pairs ‘The Hero’ and ‘The Princess.’

The Helper It is clear that the other miner within the video is ‘The Helper.’ Although throughout the beginning of the video both miners are

scene together, as I explained in a previous slide, the first miner ‘Arthur’ (The Hero) is always shown first in close ups before the second miner and then goes on to join the dancers where as the second miner sits on the side and watches. He is even shown to miss his chance to dance with them as the dancer invites him to join yet he stays seated. Then toward the end of the video he leaves the colourful alternate reality and fades to black and white.

Tzvetan Todorov (1969) Equilibrium – Disruption of Equilibrium – Recognition of

disruption – An attempt to repair the damage – New Equilibrium – Equilibrium

By the time there is a new equilibrium the character is no longer the As the video begins with the miners underground, in black and white, this is a realistic, mundane situation and may be considered the ‘equilibrium.

Then as the miners enter the alternate reality above ground with the dancers this may be considered the ‘disruption’ and is established through the change to vibrant colour and use of slow motion in many shots.

Then as the disruption begins to repair and return to a new equilibrium the second miner fades to black and white showing the transition and goes on to tell the story of returning to the mine.

Roland Barthes (1960) 5 Codes: Action Code - may be considered in this video as the dancing that takes place between the two

female dancers and Arthur. Showing him accustoming to this alternate reality and separating him from the other miner.

Referential Code referring to the information and explanation Semantic Code – the main characters are the two female dancers and two male miners. It is clear

that although the miners enter this alternate reality, where one begins to fit in with the dancers and become one the other watches and then leaves and continues as he always was, a miner, without Arthur. Arthur’s characterisation therefore chances as the narrative progresses.

Enigma Code – this may also be the dancing, as it leaves the audience questioning its meaning and prolongs the narrative as Arthur continues to become happier as the second miner watches until at last the second miner fades back to reality.

Symbolic Code – one interpretation made from the signs within the narrative is that Arthur dies. This may be implied as he is seen to fade into the bright light with the dancer as if at peace and further confirmed when the second miner speaks of the mines collapsing and him never seeing Arthur again. One may then assume that the alternate reality was fake and symbolic of his death.

Claude Levi-Strauss (1972)

In this video the binary oppositions may be the miner dancing, as it is the complete opposite to what miners would usually do and so the meaning behind this may be interpreted as not letting yourself be defined by how other people see you and that you can pursue whatever you wish to pursue.

Further to this there is great contrast between the softness and elegance of the dancers and the bold, extravagant movements of the dirty miner.