Sidnei de Oliveira Partitura e Tablatura Viola...
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Prólogo Sidnei de Oliveira Partitura e Tablatura Viola Caipira
Transcript of Sidnei de Oliveira Partitura e Tablatura Viola...
Prólogo
Sidnei de Oliveira
Partitura e Tablatura
Viola Caipira
Sidnei de Oliveira
Ficha Técnica do CD Prólogo
Produção Musical: Lenara Abreu / Sidnei de Oliveira
Direção Musical: Sidnei de Oliveira / Lenara Abreu
Gravação: AM Áudio Studio
Mixagem e Edição: Batata / Sidnei de Oliveira
Masterização: André Ferraz
Projeto Gráfico: Sul Multimídia
Design e Arte: Renato Pontello
Fotos: Vinícius Pontello
Textos: Sidnei de Oliveira
Tradução: Daniela Lodetti
Apoio: FUNARTE
"Nem sempre encontramos um trabalho de composição tão inspirado e
ao mesmo tempo tão original. Além disso, é ainda mais raro ouvir a
Viola Caipira encaixada em um conjunto instrumental de cordas e
percussão em arranjos com tamanha suavidade e sofisticação. No
presente trabalho, Sidnei de Oliveira nos brinda com todas essas
qualidades associadas a uma técnica transparente, que serve a música
com fluidez e detalhamento brilhante. Conheci Sidnei em 2004 como
jurado do 1º Prêmio Syngenta de Viola, e confirmo agora quão acertado
foi seu primeiro lugar. Parabéns Sidnei por sua trajetória dedicada à
viola e à música brasileira que culmina agora nesse maravilhoso
Prólogo”. (Paulo Bellinati).
Notação Musical
Para a notação musical mais padronizada, referente à mão esquerda e a
mão direita, recomendo visitar a obra de Roberto Corrêa, a saber, o livro
intitulado A arte de pontear viola, assim como o DVD A arte de pontear
viola.
CORRÊA, Roberto. A arte de pontear viola. Brasília, Curitiba: Ed. Autor,
2000.
A arte de pontear viola. Direção: Marcelo Barbosa e Ana Lima. Direção:
Juliana Saenger. Intérprete: Roberto Corrêa. Roteiro: Roberto Corrêa e
Juliana Saenger. Música: Roberto Corrêa. Brasília: Viola Corrêa, 2005.
2 DVD (185 min). Produzido por Viola Corrêa Produções Artísticas.
Para os sinais utilizados nas partituras que não constam na obra acima
citada, abaixo seguem as indicações:
Célula rítmica com a haste virada para baixo, quando não possuir
nenhuma indicação ou sinal, deve ser tocada com o polegar.
Célula rítmica com a haste virada para cima, quando não possuir
nenhuma indicação ou sinal, deve ser tocada com o indicador, médio ou
anelar.
Sinal de ritmo para cima deve ser tocado a partir do 5º par (cordas
graves) para o 1º par (cordas agudas).
Sinal de ritmo para baixo deve ser tocado a partir do 1º par (cordas
agudas) para o 5º par (cordas graves).
Sinal de Talão, tocar somente a corda aguda do par.
Sinal de Ponta, tocar somente a corda grave do par.
As demais indicações encontradas nas partituras seguem exatamente o
padrão universal da escrita musical.
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