SHOWCASING WEST COAST MAGAZINE ARTISTS · 2020. 5. 23. · by Yvonne Maximchuk Crystalline glazes,...
Transcript of SHOWCASING WEST COAST MAGAZINE ARTISTS · 2020. 5. 23. · by Yvonne Maximchuk Crystalline glazes,...
ISLANDARTSMAGAZINESHOWCASING WEST COAST
ARTISTS
Summer 2015 • Vol. VIII - Issue II
www.is landar tsmag.ca
• Art Events • Exhibitions • Workshops • Supplies
Joy Olsen
Zulis Yalte
rock cod by Heather Mary Brown
Feature Artists
MAGAZINEISLANDARTS WINNERS
Art Contest Pets & People
THIS CONTEST SPONSORED BY:
IRON OXIDE ART SUPPLIES, #5 VICTORIA RD. NANAIMO BC
Enter our Summer Contest: Still Life - Closes July 15thGo online to enter: www.islandartsmag.ca/members
First Place: Parrot Pair by Sheryl Sawchuk from Chemanius BC www.sherylsawchuk.comHere’s a colourful pair of birds brimming with personality.
Sheryl receives a gift certificate from our sponsor Iron Oxide Art Supplies. Happy shopping!
Second Place: Object of My Affection by Carla Stein from Nanaimo BCwww.roaeriestudio.com
Cheese, please! This is a dog of utmost patience.
Third Place: Mystery Woman by Gabriel Tacheture from Victoria BCwww.pixreflections.com
She’s a mystery woman that I photographed in my studio.
Honourable Mention:Havana Cigar Lady by Heather Hughson from Campbell River BC
You see them all around Old Town Havana; older womenin brightly coloured clothes, smoking a cigar. Thank you cigar lady!
ISLAND ARTS Magazine 3
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4Crystalline Glazeby Yvonne Maximchuk
8 - 10Summer Events
12Feature Artist Joy Olsen
13Feature ArtistZulis Yalte
14Arts in Oak Bayby Barbara Adams
16How to Ship Artworkby Susan Schaefer
19Plein Air Painting - part 2
by Patricia Banks
this issue
Look For the Fall issue
September 2015
Advertising Deadline
July 21st.
Departments:17 Workshops / Classes21 Services22 Marketplace
ISSN 1918-252X Island Arts Magazine
Published By:
© 2015 Susan Schaefer, Artist
All photographs taken by S. Schaefer unless otherwise noted.
All rights reserved. No part of this publication including photographs and
advertisements may be reproduced by any means for public or private use without prior written
permission by the artist, Susan Schaefer
Articles and opinions expressed in the Island Arts Magazine are those of thewriter and not necessarily those of thepublisher. The publisher assumes
no liability.
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MAGAZINE
ISLANDARTS
Mountain Reflection, 24 x 24”Susan Schaefer • www.youngatart.ca
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4 ISLAND ARTS Magazine
Front Cover Photo: courtesy of Yvonne Maximchuk
This is a high-fire (@1250 c or 2300 f) Cone 10 reduction kilnwhich holds about 180 pieces of wheel-thrown and hand builtporcelain tableware. To close up the kiln we build a double ofwall of bricks.
Al Munro built this 'downdraft' kiln from the bricks of a previ-ous kiln. It's form is a 'catenary' arch, like the ancient Romanarches, thus self-supporting. Note the 'cone plaque' placed onthe fourth from bottom shelf, which will be seen through a peep-hole created with a brick that can be pulled out. When the conesmelt over, you know the kiln is up to the desired temperature,which, in this case takes about 14 hours.
The Art of the Crystalline Glazeby Yvonne Maximchukwww.yvonnemaximchukcom
Crystalline glazes, of all thelovely ways one can glaze aclay form, are the most dazzlingand most captivating. The crys-tals can resemble frost on an icepond, tiny snowflakes fallingfrom a dusky sky, the bloom ofmyriad flowers or the seed podof the dandelion. They are end-lessly fascinating and all-con-suming to the potter learning the ways of the glaze type and theeffects of the firing and combinations of colouring oxides.
In nature, crystals form in a cooling or evaporating solutionunder certain conditions of temperature or pressure. The potterattempts to emulate crystal growing conditions in the heat ofthe kiln with specific materials. Ceramic glaze recipes gener-ally include alumina, which is a viscous material that bonds aglaze to a pot and prevents the glaze from running off the potduring the firing. Alumina, however, prevents the developmentof crystals in a glaze so it cannot be used. The crystalline glazeis composed of silica, zinc and a frit (a manufactured compoundwhich has been fired to a molten state, cooled, then ground to afine powder) along with small amounts of coloring oxides. Theglaze must be freshly mixed, and applied up to three times asthickly as a common glaze application, in order to compensatefor the slow migration of the glaze down the pot.
After overcoming all the production technicalities, the potterwho does not have an electronic controller on the kiln (me!)must then proceed on the accumulated experiences of othersand begin the experiential process of repeated firings to achievethe development of crystals. There is a narrow window of 72degrees, at very high temperatures, within which crystals willform. The kiln must be heated up quickly (with fewer pieces inthe load), then cooled quickly after reaching the target temper-ature, and then heated up again to a slightly lower temperature.This temperature must be held for three to four hours to enablethe crystals to grow in the glaze matrix, all the while inexorablysliding downwards. The firing can take ten to twelve hours or
more of close attention.
All these factors radically in-crease the production costs forthe crystalline glaze potter.We hope the end result isworth it to the pottery lover. Itcertainly is to the potter whenthe kiln is at last cool enoughto open and there sit the pots,sparkling with snowflakes,crystal and stars.
~
The painting of Salt SpringIsland (BC) wildlifeartist, W. Allan Hancock,
titled “Blossoming – MourningDoves,” has been unveiled as the
image of the 2015 Canadian Wildlife Habitat ConservationStamp and Print.
The Canadian Wildlife Habitat Conservation Stamp and printare produced each year through unique partnerships amongWildlife Habitat Canada, the Canadian Wildlife Service of En-vironment Canada, and Canadian wildlife artists.
Allan’s career as a wildlife artist began in 1989. His artworkhas contributed to numerous fund-raising projects for wildlifeand habitat conservation projects. His winning artwork has alsobeen featured on the 2005 (Harlequin ducks) and 2011 (Amer-ican Wigeon) Conservation Stamps.
www.yvonnemaximchuk.com250-974-8134 • Email: [email protected]
Experience A Full Glass of ArtWatercolour and Acrylic
Seascapes, Pottery, Art Retreats with
Yvonne Maximchuk at SeaRose Studio
in the Broughton ArchipelagoArt Retreats • Shop the Gallery
An onion can make people cry but there has never been a vegetable invented to make them laugh. ~ Will Rogers
ISLAND ARTS Magazine 5
www.Margeryblom.com email:[email protected]
MARGERYBLOM
~ Oil Painter ~
Resident ArtistThe Old School House,
122 Fern St., Qualicum Beach
Visit Studio #3 to viewMargery’s work
Raintree Studio & GalleryGreg Swainson - Watercolour Artist & Instructor
5101 Island Highway West, Qualicum Beach, BC V9K 1Z1Check out website for classes and workshops:
www.raintreestudio.ca [email protected]
Kristiansen CustomFraming & Art Gallery
510 Industrial WayPort Alice, BC
Tel/Fax 250-284-3956
PACK THE PARK
The “Call for Entry” was a real phone call from a real person!Christy Mitchell representing ORIGINALS ONLY ComoxValley's incomparable art show and sale, called and asked formy participation.
It seems this was not done for the benefit of our publication butfor me, as an artist. All area artists are receiving or have receivedpersonal calls. As Christy Mitchell and Bill Kerr explained, “After years of high levels of artist participation the recruitinghad been let lapse a bit”. Christy pointed our that all show work-ers are in fact the artists, who at the same time are striving to getnew work completed. Nevertheless Bill and Christy are deter-mined to Pack the Park.
Bill related, “As long time exhibitors, the two of us are trackingdown all former exhibitors as well as new artist arrivals to theValley and realizing considerable success in our recruiting.”Christy confidently reports, “Our goal of more than sixty ex-hibiters will surely be met.” This will provide enough revenueto implement the broadest advertising coverage ever, assuringgood attendance, and result in very high sales potential. Packthe Park is our motto.
Dates for Originals Only show are August 8th & 9th, from 10am to 5 p.m. at the Marina Park, Comox BC. Artists who havedelayed signing up should visit www.originalsonly.ca to com-plete and submit the registration form.
IT IS A GREAT SHOW.
6 ISLAND ARTS Magazine
Join the Island ArtsMagazine Club and receive FREEDirectory ListingOpen to All ArtistsEverywhere
http://islandartsmag.ca/members
Wayne NganWayne Ngan is one of Canada's most distinguished potters. In1983 he received the prestigious Saidye Bronfman Award as anoutstanding Canadian craftsman. A collection of his work is onpermanent display in the new Canadian Museum of Civiliza-tion in Ottawa.
Wayne Ngan's pottery is recognized as embodying – more sothan any other Canadian potter – the form and spirit of thegreat traditions of Far Eastern pottery: the shapes and formsof Japan and Korea and the simple elegance of China's SungDynasty.
Coming to Vancouver from Canton at the age of 14, he strug-gled with language and poverty. He put himself through theVancouver School of Art by working nights in a sawmill. Hegraduated in ceramics in 1963 and moved to Hornby Island.
for more information on this artist, contact: Eclectic Gallery www.eclecticgallery.ca
810 Shamrock Street, Victoria, BC250-388-4123 • 1-800-964-1281
Email [email protected] www.matthewsdisplay.com
ATTENTION ARTISTS:Gridwalls, Displays & Packaging
Perfect for your Summer Art Shows
I was very embarrassed when my canvases began to fetch high prices. I saw myself condemned to a future of nothing
but masterpieces. ~ Henri Matisse
366 Campbell Street (Box 381) Tofino, BC. V0R 2Z0
P: 1-800-668-2208F: 1-250-725-3120
E: [email protected]: markhobson.com
“Crystal Cove”, acrylic 32 x 64”giclées available
photos by John Taylor
ISLAND ARTS Magazine 7
Galleries in the HeART of Sooke BC
Original fine art by VancouverIsland artists, including originalpaintings, glass, ceramics,jewellery, fibre, metal and gifts.
South Shore Gallery
2046 Otter Point Road
250-642-2058
www.southshoregallery.ca
Barking DogStudio2054 Otter Point Road250-642-6677
Celebrating the art of over 50 local artisans,accessories and re-purposedfurniture.www.barkingdogstudio.ca
Follow Us on Facebook
“Beauty Within”by Wendy Oppelt
Congratulations to Barking Dog Studio - winner of retail andservices business excellence award from the Sooke Region
Chamber of Commerce
www.barkingdogstudio.ca
MARY FOX POTTERYChalice with Lithium glaze
The Gallery at Mattick’s Farm250-658-8333
www.thegalleryatmatticksfarm.com109-5325 Cordova Bay Rd. Victoria BC
HeatherBrown
artist - potter
www.heathermarybrown.ca
Phone (250) 956-4629 905 Ravenhill Road, Port McNeill, BC V0N 2R0
Look what I found on the Beach.....by Heather Mary Brown
I have friends that own cabins outon the North West coast of the is-land and they are always phoningto let me know of the glass ballsthey recovered after a particularlywicked storm hit the coast. Theylive all year round in the tiny vil-lage of Winter Harbour and thushave a bit of an advantage when itcomes to finding these glass balls.
The glass balls are actually floats that the Japanese use to keepthe top edge of their fishnets buoyant. When the net gets torn,or disintegrates, the glass ball ends up floating with the currentsto far off shores. The Northern tip of Vancouver Island is a bitof a catch-all for the flotsam and jetsam of the Japanese Currentand so it is a perfect spot for finding these balls. Unfortunatelythe rocky coastline of the rugged outside shore takes its toll onthese glass balls, so it is a lucky day when you find one intact.The longer the balls float in the current the more “stuff” is stuckto them. They can be any size, from 4 inches across to over 1 ½feet. The larger ones seem more fragile, but if you scan everymass of kelp you come across, you may be fortunate enough tofind one tangled in the blades of the kelp. Once they reach shorethe waves and rocks lessen the chances of finding one intact.
Well the upshot of the story is that I felt bad for the people thatcome to the north island to explore the beaches and never finda glass ball. I started making these pottery ones to “seed” thebeaches. Sometimes the clay balls will have a glaze decal onthat says “Look what I found on the beach at Winter Harbour….” with a round logo of pottery hands forming clay on thewheel, and my business email address. It’s a win-win situation!
~
8 ISLAND ARTS Magazine
3rd annual Alberni Art Rave FestivalJune 20th & 21st in Port AlberniFree weekend family event
Set on the shore of the Alberni Inlet, HarbourQuay, the Alberni Art Rave Festival offerssomething for everyone. The gallery groupshow with a fine representation of Island tal-ent runs all week. The weekend offers a smor-gasbord of art displays, demo's, music andperformance art.
Artist's market • hands-on family art workshops for all ages • exciting chain saw carving • on-going schedule of music andspoken word...and more! alberniartrave.org
ISLAND ARTS Magazine 9
Judi Pedder ~ Exhibition Watercolours & Silk Paintings
July 21 - August 9 Pearl Ellis Gallery, 1729 Comox Ave. Comox BC
250-339-7081 • www.judipedder.com
Sheryl Fremlin and Judi Pedderare having an exhibition at the Pearl Ellis Gallery,1729 Comox Ave., Comox, B.C. Join them for the artists’ reception on Saturday, July 25th from 1-4 p.m.
“Kindred Spirits” exhibit runs from July 21st to August 9th
sherylfremlinfineart.com250-339-9744
Sabine Lecorre and Aurélia Bizouard invite you toTwo For Art
They will be creating new paintings every day, and experimentingwith the colours and the textures of the West Coast.
Come by to experience art as it happens or to stop for a chat!July 6 to 9, from 10 am to 4 pm
Community Arts Centre, 9565 Fifth Street at Tulista Park, Sidney, BC, Gallery contact: 250-656-7400
sabinelecorremoore.com • aureliabizouard.com
17th Annual Arts on the Avenue with 56 artists again this year. Juriedart from painters, pottery, fabric art,glass, First Nation Arts, Jewellery andmore… will be under the big whitetents for show and sale. Kids art, music
and artisan food to take home. August 23, 10 – 4 pm underthe big white tents on First Avenue, Ladysmith BCwww.artsontheavenue.ca
10 ISLAND ARTS Magazine
Robert Held - Art Class
www.robertheld.com Phone: 250-586-4353
Open: Mon - Sat. 10 - 5
708 E. Island Hwy.Parksville BCat the Orange Bridge
Sea-Change Interior & Landscape Art
5489 South IslandHwy. Union Bay. BC
250-335-1784 • www.sea-change.caemail: [email protected]
ISLAND ARTS Magazine 11
For more information please contact:Impressions Custom Framing
990B Shoppers Row, Campbell River250-286-1612
CALLING ALL ARTISTS4th Annual River City Arts FestivalSaturday July 25th, 2015
10:00 am -5:00 pm , Downtown Campbell River
Island Arts Magazine ART CONTEST
Summer 2015 - Still LifeOpen Date: Apr 16th, 2015 – Close Date: Jul 15th, 2015
Fall 2015 - AbstractOpen Date: Jul 16th, 2015 – Close Date: Oct 15th, 2015
Winter 2015 - As You Like It (al guste)Open Date: Oct 16th, 2015 – Close Date: Jan 15th, 2016
You must be a member of the IAM Club (free membership)Entry Fee: $10.00 per entry
Call for Aviation ArtistsAnnual Fly-in, Texada Airport, July 19, 2015
Categories;Paintings: Oil, Acrylic and WatercolourAviation Drawings; Conte, Graphite, InkAviation Sculptures in any mediaAircraft Models: with dioramaAircraft Models: without/dioramas
For more info. please contact 604-223-2588 • www.texada.org
Call to Artists
My garden is my mostbeautiful masterpiece.
Claude Monet
12 ISLAND ARTS Magazine
Joy OlsenRaised in Prince Albert, Saskatchewan, Joy first began creatingin clay at the age of 12. She migrated to North Vancouver as ayoung woman and was magnetically drawn to the sea and it’screatures. In 2000 Joy renewed her love of working in clay andvirtually ‘picked up’ where she left off at age 12 by fashioningwhimsical sea-related creatures and bowls.
Now living on Gabriola Island, she has immersed herself in ce-ramics to express her deep reverence for nature.
Why have you chosen clay as your medium?
Clay is a medium I first used as a child. The smooth malleabletexture and the fact it is from the ground we walk upon dailyappeals to me. I love the feel of porcelain clay. It is creamy, hasa temperament and memory of how it was worked through theprocess of creation. I love the variety of ways I can finish my
vessels using different firing methods, such as raku, pit fire,wood fire, salt fire and electric fire. It excites me to imagineearly peoples creating with clay for thousands of years and touse some of those primitive approaches today. Glazes paintedonto clay turn a different colour when fired up to 2100F andas the minerals in the clay melt into one another, the whole artpiece is strengthened. I love the complexity of balancing thechemistry of glazes, mineral clay composition and the formsand textures to manifest a piece of art. There is an element ofsurprise, so I never know what the exact outcome will be.
Tell us about the inspiration for your Tidal Pool series.
As a child I absorbed my parent's excitement and passion forobserving the natural world around me. When I moved to the coast from the Prairies in 1974, I explored West Vancouverbeaches, I delighted in finding crabs, snakes, worms, clams,sand dollars and barnacles. They were great discoveries to sharewith my then young daughter and her friends. Twelve years agoI visited Gabriola and became excited by the abundance of sealife in the tidal areas and unique rock formations, that enthu-siasm streamed into my clay world. I enjoy observing the finerdetails of animals in pools to help me translate that to clay. Icannot help but be influenced by the beauty around me andhope to pass on through my art an awareness, appreciation andconcern for the beauty, diversity and fragility of our surround-ing sea and shore.
What are you most proud of in your career?
I feel a sense of accomplishment that my work is identifiableas having been made by me, I have developed my own style.As well I feel a sense of achievement that dedicated study andexperimentation with formulas, has resulted in an ability tomake my own glazes, which increases my freedom of expres-sion.
What do you like to do in your spare time?
Taking pottery workshops, traveling, spending time with fam-ily and friends, photographing nature and architecture and goingon adventures with my partner are favorite past times.The bonus of all the things I enjoy doing in life, is that they allcontribute to my pleasure and to the ideas I take into the claystudio. ~
www.joyolsen.ca
ISLAND ARTS Magazine 13
Zulis Yalte The Comox Valley nurtured Zulis’ childhood with its wild, lushlandscape. This beginning expanded throughout the years to aconsistent, simultaneous passion for art and healing.
Zulis obtained a degree in nursing in 1972. She worked in di-verse cultures throughout the world, including many CanadianIndigenous communities, while making art in bits and pieces astime permitted.
In 1985 Zulis attended the Emily Carr College of Art and De-sign in Vancouver, BC. Following 2 years of concentrated art;her creativity and innate humor became intricately interwovenin healing work with children, youth, and families. She workedin psychiatry as a nurse/counselor and bio-field (or energy) ther-apist for 10 years incorporating many creative and healingskills. In July 1997 she moved permanently to Gabriola Island.
What is your medium of choice?
I am an artist who chooses the medium by what ‘wants’ to comethrough. My work is primarily intuitive with images arising in-ternally. When I am with a material for a few minutes I begin tosense or in my mind’s eye ‘see’ an image that is ready for re-
Collaborative Commission
The young man who began the nearby food farm - WatercliffFarm, asked Joy and I to create a ‘donation’ bowl for the farmthat he wanted to surprise his work partners with.
Joy and I had never collaborated on any art piece before so itwas moving into new creative territory… and it wasn’t easy!We took 40 non-kiln hours to create and finish it and in theend gifted it to the young farmers.
lease. As a result I work in several different media. I have stud-ied a number of techniques to allow me a wide ‘palette’ for ap-proaching the project. I have studied printmaking, stone andceramic sculpture and encaustic, watercolour and acrylic paint-ing as well as photography and video production.
Are you still involved with healing arts?
I have come to appreciate thedepth and degree of healing thatcomes not only from the practiceof artmaking, but also from beingin the presence of nurturing,heart-created art. Art that comesfrom the heart, the intuitive, is aform of spiritual practice and aswell, a potent healer – for theartist and the art recipient. Yes Ipractice the healing arts in theform of my artmaking practice(s).
What do you like to do in your spare time?
High on my favourite activities list is walking on a beach to ex-plore below the tideline looking at critters or examining stonesand bits of driftwood. I love to sing. We have a scooter to get usto the beach in summer and that ride not only adds fun to ourday but allows me energy for walking the beach. I collect drift-wood to add to fences or gates in our garden. I enjoy photogra-phy and capturing moments of life in nature and people.
I also love building things - shelves, benches or birdhouses andto tend our garden to keep track of our local bird visitors, racoonand daily deer. ~
www.zulisyalte.com
14 ISLAND ARTS Magazine
since 1983
Nanaimo North Town Centre
#123 - 4750 RutherfordRoad, Nanaimo BC
V9T 4K6
Open 7 Days a Week (mall hours)
250-756-6136
www.myartclub.com/art.10.galleryEmail: [email protected]
• Original Artwork• Jewellery • Pottery
• Glass Art
ART 10GALLERY
Birdwoman and Familiar Share Dreams 3 Spouted Vessel
Art that Makes a Difference at
The Green Bough
Visit us during the Thanksgiving Studio Tour #35 on the Map
1411 Moby Dick's WayGabriola Island, BC V0R 1X5
250 247-7255
Joy OlsenCeramics
www.joyolsen.ca
Zulis YalteSculpture & Paintingwww.zulisyalte.com
State of the ARTS in Oak Bay isCause for Excitement! by Barbara Adams
Oak Bay Summer Art 2014, with its artfully painted pianos andlarge sculptures introduced the community to permanent publicart. The project was certainly an overwhelming success for thecommunity and tourists. As Oak Bay Arts Laureate, I receivedhundreds of verbal comments and many written anecdotesdemonstrating a high level of interest in having art in the com-munity. We are working on a collaboration of the municipality,business and private donors to purchase one of the pieces, the“Salish Sea” by Chris Paul.
An eight by four foot steel cut-outvertical sculpture, The “SalishSea”, is located on Turkey Head(Marina parking lot). It is excep-tionally photogenic and capturesthe imagination of the communityand visitors alike.
The “Salish Sea” cutout, as a vi-sual presence in its location, en-gages the viewer and provides:
• An aesthetic recognition the First Nations play an integral rolein our history, present and future.• A unique opportunity for the community and visitors to expe-rience the connection the First Nations have with our geogra-phy…… “view the Salish Sea through the eyes of the FirstNations”, opening us to recognize the power of other points ofview.• A complement to our beautiful natural scenery.• An opportunity to see the passion and talent of one of our localfine artists, for the community and visitors to interact with, andengage in the arts, experiencing its inherent benefits plus an op-portunity for increased economic benefits to artists and busi-nesses.
Oak Bay Summer Art 2015 will include 4 artist painted pianos,3 large sculptures in interesting locations, 12 small and mediumsculptures along the sidewalk in Oak Bay Village, and EstevanVillage as an Art Gallery with all of its 10 businesses offeringpart of their window space to a local artist. We are excited to il-luminate the value of the arts and promote Oak Bay as the cen-ter of the Arts in Greater Victoria.
~
[email protected] (250) 720-6819
Creativesandblasteddesigns onglass, mirror, stone, wood& metal
ISLAND ARTS Magazine 15
SUSAN SCHAEFERFrom the Prairies...to the West Coast...and Beyond
~ Commissions Welcomed ~Any Size to Fit your Space
Call to Discuss Your Special Piece
250-757-8003
www.youngatart.ca
Whitecap Art by Tammie HunterAbstract Landscapes
www.whitecapart.com
Parksville Museum & Archives(PMA) will host nine Artisans’Markets this summer, each Sun-day afternoon throughout themonths of July and August.
We invite applications from Artisans who create visual art inall types of media, people who produce crafts and clothing, aswell as performers such as musicians, vocalists, theatre/mimeartists and magicians. Vendors must work within 50 km ofParksville and make the items they sell. Apply online at:http://www.parksvillemuseum.ca/Markets/apply.htm
Studio on DogwoodDoby Dobrostanski Artist
3502 Dogwood St., Gillies Bay, B.C. (Texada Island)604-486-0334
www.studioondogwood.com
Giclée Reproductions Available
Commissioned custom paintings a specialtyMurals on canvas, any size; priced/square foot32 years experience, hundreds of commissions
Labrador Helicopter, 18 x 36”, acrylic
16 ISLAND ARTS Magazine
How to Ship Artwork by Susan Schaefer
Prairie Whispers - on the RoadLast fall I confirmed an art show for May/June 2015 in WeyburnSaskatchewan. Now that I live in BC, the challenge was how toget the paintings to the gallery?
When I agreed to the contract with the Signal Hill Art Gallery,it was stated that they would pay for shipping one way, plus payme an honorarium. I stated that I would be sending 15 - 17paintings, the size would not exceed 14 x 18". I wanted to keepthe sizes medium for two reasons: first - they would be easier toship, and second - it keeps the selling prices in the mid-range.
Once the contract was signed, all I had to do was create a bodyof work. The show is called "Prairie Whispers...depicting thequiet beauty of the prairies."
After researching shipping prices and insurance, I decided onCanada Post. They not only had the best rates, but there was nolimit to the amount of insurance you could add. If you have aVenture One card then you get a discount. I found that sendingindividual paintings with Canada Post had always worked inthe past. The trick I believe is to purchase additional insurance,that way you have a tracking number and you can follow thepath of your shipment.
I scouted out blue boxes that would fitmy sizes, leaving a little room aroundall sides. Each painting has a piece ofReynolds parchment paper against thepainted side so it won't stick (yes it hasto be Reynolds as it is the only onewith silicone). There is a piece of foamcore (cut to size) between each paint-ing. Then I took 3 paintings and wrapped them with bubblewrap. This 68 litre box contains 9 - 14 x 18 inch paintings.
More bubble wrap on the sides and top, makesit a nice snug box.
My smaller pieces, 12 x 16 inches, went into asmaller blue box. I didn't want to force them,so the last two 12 x 14 inch paintings werewrapped in a cardboard box.
We put gorilla tape around the lids of the blueboxes. We also invested in a strapping kit($55) from Staples. The boxes are markedwith fragile stickers on several sides, pluseach box has two shipping labels. The card-board package is reinforced with copiousamounts of clear packing tape. Can you guessthat I use to work in a mail room?
Safe and secure the three boxes went out withCanada Post for $166 (below my budget of $200). Note fromgallery: Shipment arrived. All is fine. Will hang show nextweek. I'd like to also add that is only took 4 days.
For this article and others please visit my blog:http://blog.youngatart.ca/
Courtney PowellTree & Me
Forest Creations
Call for Appt:250-890-3313
Comox BC
Courtney PowellTree & Me
Forest Creations
Call for Appt:250-890-3313
Comox BC
Old Growth Free Hand Vessels, Bowls and Masks - Guided with FreedomOld Growth Free Hand Vessels, Bowls and Masks - Guided with Freedom
Strawberry Salad - serves 4
1/2 cup plain greek yogurt2 tablespoons white sugar1-1/2 teaspoons white vinegar1-1/2 teaspoons poppy seeds1/2 head iceberg lettuce, torn into bite-size pieces1/2 bunch fresh spinach, washed, stems removed1/4 cup diced red onion16 ounce fresh strawberries, hulled and slicedhandful of chopped walnuts (optional)
Whisk together the yogurt, sugar, and vinegar in a small bowl.Stir in the poppy seeds; set aside.Toss together the lettuce,spinach, walnuts and onion in a large bowl. Drizzle the dressing over the salad and toss to coat. Add thestrawberries and lightly toss again. Serve immediately.
ISLAND ARTS Magazine 17
ISLANDARTSMAGAZINE
Workshops - Classes
artThe Art of Marketing Your ArtworkPresented by Island Arts Magazine
7 Things you Need to know about Marketing
If you have a group of 6 or more, we will be glad to cometo your location and present this one day workshop.
For pricing and scheduling please call Susan or Jeff at250-757-8003 Email: [email protected]
“So many things about the marketing workshop really sup-ported my journey. I found a great deal of information that isvery helpful to me. You two really know your stuff and I willbe recommending your services to others. K.C.
Join the Island Arts MagazineClub and receive FREEDirectory ListingOpen to ALL artists Everywhere.
http://islandartsmag.ca/members
Bringing Light into your LandscapesBrent Lynch, SFCA
Sat. & Sun. Sept. 26 - 27, Qualicum Bay BC
Painting light into art has been the ultimatechallenge throughout the ages. Nature workswith real light while we can hope to capturelight phenomena with the limitations of paint.
The workshop will examine techniques and devices bothproven classical and experimental contemporary. Composition, applications of visual effects, paintingtechniques will be examined and demonstrated.
Open to both acrylic and oil painters (odourless mediums please)
The first 20 years of Brent‘s career was devoted to theapplied arts as an illustrator and designer. Over the pastfifteen years, Brent has turned his attention to his ownartwork. He brings the power that made him one ofCanada’s best illustrators into the pursuit of his personalvision.
Hosted by The Island Arts MagazineLocation: Lighthouse Community Centre, 240 Lions Way, Qualicum Bay Cost: $340. (+gst) includes lunch dailyFor More information, please call: 250-757-8003Register: http://islandartsmag.ca/workshops.shtml
www.paintlifelaughing.com(250) 752-6141
Carrie has a passion for colour in both her acrylic abstracts and expressionistic works. She offers bothindividual and group painting classes in her studioand offers individual sessions using Art Therapy as a tool for healing "life's bumps".
18 ISLAND ARTS Magazine
Fungus, “eww!” Artist conk, “oh yeah!”by Kelly Carter
Highly misunderstood the artistconk, (Ganoderma applanatum) issimply a wood like product. Grow-ing only on dead or dying trees orstumps their removal does not harmliving trees. Hemlock and mapleare the common type in my neck of
the woods. The artist conk is a polypore meaning instead of gillsor teeth it has pores to release its spores. With a woody shelflike form they grow on and out of the sides of tree trunks. Whencut in half the layers reveal the age the same way tree rings do.
The color of the conks varyfrom grays to browns to reds.The main surface or canvas, asI like to call it varies fromwhite to brown to yellow or or-ange depending on the environ-ment it has been growing in.
Once a conk is picked it no longer grows. While fresh the can-vas bruises and marks easily, and can be etched into with some-thing as simple as a stick. I allow a drying period so that I havea harder less fragile canvas to create on with the heat of the Ra-zortip burner I use. Less of an odour comes from burning whenthe conk is dry and very little smoke is created, I use a basic fanto direct any fumes or smoke away from my work area.
Although it is not necessary, I find a coating of gel stain helpsthe burning from fading and it does not discolor the surface.Conks will last a lifetime if keep indoors or dry, however if left
outside they begin to deteriorate,turn green and crumble. I haveexperimented with a variety ofproducts and have had little suc-cess with outdoor use – but I’malways looking for suggestions!
~www.openwings.ca
Kelly Carter
Ucluelet BC
openwings.ca250-266-2214
one of a kind pyrographic art
Zentangles by Elsie Griffiths
A few years ago, I wanted toknow what a Zentangle was,so I did a little research onhow to make them.
If you like to doodle andwant to create somethingwith your hands or just wantto relax and clear your mindfrom pressing issues, Zen-tangles are a great way to doit. I have heard it called “Yoga for the Mind”. Supplies areminimal and can fit into a small box which can be taken any-where with you. You do not have to be an artist to make Zen-tangles. The official “tiles” or using watercolour paper arecut to 3 1/2 inch squares. A 140 lb W/C paper works well forthe fine Micron 01 pens that you will be using along with asmall ruler, eraser & a pencil.
Originally started by a couple called Maria & Rick, a fewyears ago, the idea came from the beautiful coloured Man-dellas created in the sand. Zentangle designs are tradition-ally drawn on white paper with a fine pen and may beenhanced with shading and colours, becoming a ZIA (Zen-tangle Inspired Art).
While sitting enjoying a cup of coffee or tea, why not doodleon good paper and quietly lose yourself in a little square of in-teresting shapes designed by you. Look at that drapery ma-terial, with all those patterns or chairs, all in a row, or photosin the newspaper. Everything you see can be interpreted onyour paper in the form of Zentangles. It’s so much fun andchallenging to see what you can come up with in only a fewminutes of your time – with a black pen and a piece of paper!
The really neat thing is that it might not look so great to youwhile creating your “masterpiece”, but the following glancesat it says: “Hey”, that’s not so bad after all. Best of all, theymake a nice small collection of your ideas to keep or to giveaway as small gift card enclosures, and also the feeling thatyou finally took time to relax and enjoy yourself.
You will become aware of all the patterns & designs aroundyou in your everyday life. It is quite a learning experience.Your hand/eye co-ordination will improve with practice and
best of all it doesn’t have tobe a great work of art as it isjust for you to enjoy. Youcan create 8 or 9 patterns(strings as they are called) oruse those created by otherZentangle artists to insertinto the different areas ofyour Zendala.
~www.elsiegriffithsart.com
ISLAND ARTS Magazine 19
Plein AirPainting by Patricia Banks ~ Artist Part 2: Tips and Techniqueswww.patriciabanks.ca
Everyone can paint En Plein Air! Painting outdoors can be aseasy as sitting in a summer garden or as challenging as scalinga mountain range in a remote Arctic park in the winter. There areno limits. It really is all about the artist's own personal interests,choices, and abilities. So, the most important question is: whatinspires you?
I had the privilege of meeting Stefan Bauman this April. He isan unassuming and generous man, who's PBS film series called"Painting America's National Parks - The Grand View," are abeautiful tribute to the breathtaking scenery of the parks and aninspiring class for Plein Air Painters. Stefan says: "Paint whatyou love...painting is communicating, but make sure you havesomething to say." Very good advice! Inspiration and knowl-edge of a subject are vital. John D. Cogan adds to this by say-ing, "Remember that as an artist, you are telling a story. Thinkabout why the story interests you, and concentrate on those as-pects that will make it interesting for those who will look at yourpainting." With inspiration in hand, what tips and techniquesare needed?
First, choose a medium that works for you: pencils, crayons,pen and ink, watercolours, acrylics, oils, or pastels, or whateverelse you may wish to use. Keep materials to a minimum andlight weight enough to carry. For example, in oils, I limit mypaints to a double primary system, (a warm and cool of eachprimary color - red, yellow, and blue), plus white. With prac-tice, it is possible to mix most colors from these few, includingexcellent darks. Joseph Gyurcsak also advises to "Use a limitedpalette to create unity and harmony." It may take a few tries toreduce supplies and leave the rest in the studio. Set up your pleinair painting supplies inyour studio and do a trialrun. Having only what youneed when you are out-doors, will make the dif-ference between a difficultor an enjoyable paintingouting. Travel light!
Take five minutes and do a few quick thumbnail sketches ofyour composition including three values - light, medium, anddark. This will save time later and help make a successful paint-ing. Work small to start, and focus on only one thing that hascaptured your attention. Kim Lordier's advice is to "Paint like itis just an exercise." Painting outdoors is a tremendous learningexperience that sometimes results in a finished piece. For manyartists, painting en plein air, is for gathering information inpreparation for a larger or more detailed painting done in thestudio. It is the opportunity to paint from life - the great out-doors, and to see nature as it really is.
Keep it simple! What inspires you and what you have to say asan artist, will determine what you do. In my opinion, creativitynourishes the soul, and as Ned Mueller says: "Paint as muchand as often as you can." It's good for you!
~
76 Trombonesheads off toMason City Iowa
Black Creek ArtistDOUG WALKERreports
I built a sculpture call 76 Trombones for the Castlegar sculp-ture walk in 2014. I didn’t build it to win because I had wonpeople’s choice in 2013 so I built it to be in Castlegar for ayear and then be transferred to Mason City Iowa which is oneof the shows related to sculpture walk. Before Mason Citycould get the sculpture the City Of Nelson decided that theywould like to lease it for a year.
Mason City asked me if I would build a version of 76 Trom-bones for them. In the photo above I am standing with thesculpture before I shipped it to Mason City. You may re-member the musical The Music Man and the theme song Sev-enty Six Trombones. Well that song has long been rollingaround in my head and the movie has always been an inspi-ration for me.
Mason City Iowa is River City in the musical. The musicalwas written in Mason City by a resident and the movie wasmade there. www.douglaswalkersculpture.com
“
20 ISLAND ARTS Magazine
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2015 Caribou Artists' Cabin Program
Mount Revelstoke National Park now offers artists a unique op-portunity to stay and create on the mountain, without the needto drive back to town at night. The Caribou Artists' Cabin is nes-tled high on Mount Revelstoke, 1200 metres (4000 ft) abovethe valley below. The Meadows in the Sky Parkway leads rightpast the cabin’s front porch.
The artists' cabin is set among towering subalpine fir and En-glemann spruce trees, less than a ten minute drive from the topof the mountain. Caribou Cabin gives artists an opportunity toexperience the magical Selkirk sunrises and Monashee sunsetsfrom the solitude of the Mount Revelstoke summit. Overnight,there isn't a light visible on any horizon at the cabin and theMilky Way brightens the sky.
The Caribou Artists' Cabin is a rustic log cabin, with wood heat,gas lights and a two storey outhouse! The cabin is well-supplied– artists only need to bring their sleeping bag, water and food,and paints and canvases (or note pad, guitar, clay, laptop, cam-era, trumpet and yarn).
Artists renting the cabin will also have access to the BalsamStudio, just below the mountain summit. It’s a great place towork if the weather’s not perfect. To help artists stay on budget,the cabin and studio together rent for just $22.00. To reserve:250-837-7552
ARTISHOW- Painting the town in Colour and Culture
Artishow, now in its fifth year of operationcreates a vehicle to support our local artisticcommunity and gives them an opportunity toexhibit and promote their work in accessiblevenues. Some of Victoria’s most distinctivehotels in a successful Artist in Residence pro-gram open their lobbies to artists from May toOctober establishing a temporary studio andexhibition space. The Fairmont Empress of-fers artists a 6 month residency as well asopening their lawn to a summer Sunday PleinAir program from June 20 to September 6
where local visual artists paint for the publicin the highly visible harbour front.
ARTISHOW’s first resident artist wasrenowned portrait artist David Goatley in2010 at the Fairmont Empress. Since then wehave expanded to 10 venues. Our goal is tohave Victoria positioned as “The City ofArtists” and with the support of all the partic-ipating hotels, more than 60 artists and ourdedicated sponsors we are coming closer tothat goal every year. For more info. and toparticipate, contact Kerry 250-744-6094 or Barbara 250-686-2272
artishowvictoria.ca
ISLAND ARTS Magazine 21
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22 ISLAND ARTS Magazine
M a r k e t p l a c eTo advertise go online www.islandartsmag.ca/market-place-info.shtml
Island Arts Magazine ART CONTESTS: Open to ALL artists. Theme: Still-life. Results will bepublished in upcoming issue. Deadline July 15th, 2015. Enter as often as you like. www.islandartsmag.ca
3rd Annual Alberni Art RaveFestival held June 20th & 21st inPort Alberni. Artists wanted for thegallery group show, demos andartists market. For more infocontact: alberniartrave.org
EVENTS & EXHIBITIONS2nd Annual WET PAINT SHOW &SALE, August 22nd and 23rd atSaratoga Beach, featuring 10artists with an eclectic mix ofsubjects and styles. Seascapes,landscapes, still life, figurative art,and abstracts in various mediumswill be on display. 8870 ClarksonAve, Black Creek.www.wetpaintshowandsale.weebly.com
DRAW Gallery presents EndlessSummer - Group Exhibit. July 9th to Aug 28th. An exhibitionof paintings, photography, mixedmedia and installations by local andIsland Artists. Artist's ReceptionFriday July 17th from 6 - 8 pm. Visitus online & on location. Thur & Fri12-5 pm. Call 1-855-755-0566 orvisit: www.drawgallery.com
Existential Elders: sixteenprominent, senior BC artistsexplore aging and the meaningof life. An inspiring touringexhibition at The Old School HouseArts Centre, Qualicum BeachJune 29 - July 19. Curator: Marci Katz.
Summer at Eclectic Gallery2170 Oak Bay Avenue Victoria Desiree Bond, Deborah Czernecky,Peter Dowgailenko: June 8-July 11
ACCOMMODATIONSLighthouse Motel, Qualicum Bay,Steps from the ocean. Affordable & pet friendly. 6035 Island Hwy. 250-757-8765www.lighthousemotel.com
Jessie’s B & B and Art GalleryPort Hardy BC 250-949-8953
ART SUPPLIESIsland Blue’s Art Storeart supplies, easels, frames, etc.Easy online shopping and quickdelivery. www.islandblue.com
Paints, papers and pastels. Oh my! Plus easels, canvases,brushes, books drawing suppliesand more. NEW: M.Graham oilpaints. Benjamin Moore House ofColor downtown Courtenay. Open Mon - Sat. 250-334-4132
THE GALLERY @ QUALICUMART SUPPLY - A Full line of FineArt Supplies - Custom PictureFraming - Local Fine Art Gallery -Stationery & Desktop Publishing206 First Avenue W. QualicumBeach 250-752-3471
CALL TO ARTISTS2016 Island Arts MagazineArtists Calendar. Be one of 12artists featured in the calendar.Pick your favourite month. For info. and to reserve your spot email: [email protected]
Kitty Coleman Woodland Gardens in Courtenay BC, Artisans Festival. Sept. 5, 6, 7.Register to be a part of this popular event. call 250-338-6901www.woodlandgardens.ca
Sooke Fine Arts Show July 24 - August 3rdwww.sookefinearts.com
Judy McLaren: July 13-August 15Mark Brennan: August 17-Sept 12
Expanding Dreamscapes The artof Maria Curcic, a Coast Collectivepresentation at the Pendray House.June 17 to 28. 3221 HeatherbellRoad, Colwood. Open Wed-Sun12pm-5pm Meet the artist receptionon Saturday, June 20. 2pm to 4pm.mariacurcic.ca
Hats, Brooches and More!Maria Curcic Millinery - One DayOnly Saturday, July 11. 11am to5pm. Home studio. 441 Pelican Dr.Colwood. 250-884-6244www.mariacurcic.com
Landscape & Birds. Recentworks by Judy HilgemannChemainus Theatre GalleryJune 12 - July 18 Opening reception June 13th, artist will be in attendance from12:00 - 2:00 and 5:00 - 8:00 pmwww.judyhilgemann.com
Light Up the Night a new excitingevent in Ladysmith August 22, 20156:30 to 10:30pm. An evening ofmusic, night market, and light show.FREE for the whole family. First Avenue, Ladysmithwww.artsontheavenue.ca
Vi Isaac will show at ‘Arts Alive inthe Park’,Willingdon Beach,Powell River on Aug 15 & 16. Herstudio will be on the ‘2015 StudioTour’ on Aug 22 & 23, seewww.powellriverartists.com orwww.artbyvi.net
GALLERIES & GIFTSConnect ART and SPIRIT.Experience The Talismanic Art ofCarla Stein. Display studio open by appointment. Commissionsaccepted. 250-618-5326www.roaeriestudio.com
ISLAND ARTS Magazine 23
Proudly Supporting the Arts
DRAW Gallery is pleased to openour 2015 Season with Spring intoART! Group Exhibit. On now untilJune 26th. “How are we connectedto the Natural world around us aswell as to the nature within us."Featuring work by Cynthia Bonesky,Colleen Clancy, Cecil Dawson,Pamela Holl Hunt and ToddRobinson. Visit us online & onlocation. Thur & Fri 12 - 5 pm Call 1-855-755-0566 orwww.drawgallery.com
Mark Hobson Gallery366 Campbell Street, Tofino BCwww.markhobson.com
MERCHANDISEDistributors Wanted acrossCanada for Prints and Art cards.Large selection of Seascapes,Florals & Prairie Sceneshttp://youngatart.ca/galleryTo order: [email protected]
SERVICESGiclée Prints Island Exposures5-183 West Island Hwy.Parksville BC 250-586-5225.
Lighthouse Community CentreQualicum Bay. Available for rentfor your upcoming events. www.communityhall.ca
Parksville Framing Galleryprofessional custom framing, glassand mats, passport & ID photos, #2, 125 McCarter Street. Parksville250-248-8740
Starting a picture framingbusiness? Equipment andmouldings available. Call 250-248-2882.
Websites that work!With over 20 years experience inWeb Development, we will makesure your website is working forCALL Jeff for a free consultation250-757-8003 www.yaadev.com
WORKSHOPS & CLASSESAcademy of Fine Arts, summerworkshops in Acrylic and Oils.Small groups up to 7 students.Workshops in drawing perspective,paper art and exclusive cards . Parksville tel. 250-927-4005
Bringing Light into yourLandscapes instructor BrentLynch. Sept. 26th & 27th, Qualicum Bay. Hosted by Island Arts Magazine. Register:www.islandartsmag.ca
Cheese Making Classes! Learn how to create your ownhome made cheeses from sourcream to cambazola andeverything in between. Classes include lunch and winepaired to cheeses made in class.This is a hands on class, not just ademonstration, you will be making,eating & bringing home cheeses.Cultures to replicate the class areincluded. Call Paula 250-247-8635Gabriola Island, BC.email: [email protected]
Look For the Fall issue Coming out September 2015
Advertising Deadline: July 21st
Maureen MarykaVisual Artist
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