Shot No.

Shot Type Action Mise En Scene

1 Long shot (Establishing) of protagonist. Stationary shot of the

girl slowly moving

around the studio stood

in front of lights to

reveal a silhouette.

The girl will be wearing black

jeans and a dark top; this

is so that the silhouette will

stand out more. Lighting

will be shinning down

on the girl to show her

silhouette,

through movement.

2 Crosscuts – Medium shot. Hand held camera shows the girl stood with her back to the camera.

Wearing a long floaty dress stood in a field. Lighting will be natural for a typical frost

morning.

3 Long shot Stationary shot of a horse moving towards the camera at a distance.

In an open misty field. Lighting will be natural for a typically frosty morning.

4 Medium/Close up shot. Stationary shot shows her stroking a horse.

Wearing a long floaty dress stood in a field.

5 Long shot (Establishing) of protagonist. Stationary shot of the

girl slowly moving around the studio stood in front of lights to reveal a silhouette.

The girl will be wearing black

jeans and a dark top; this is so that the silhouette will stand out more. Lighting will be shinning down on the girl to

show her silhouette,

through movement.

6 Close up shot Stationary shot of the girls face showing her hair blowing

in the wind.

For this shot we need the weather to be windy so that the girls hair

can flow representing his freedom.

Lighting will be natural for

a typical frosty morning.

7 Close up shot. Stationary shot of the horse moving towards the camera, this time closer to

the camera than before.

In an open misty field. Lighting will be natural for a typically frosty

morning.

8 Long shot. Stationary

shot of the girl slowly

moving around the

studio stood in front of

lights to

reveal a silhouette.

The girl will be

wearing black jeans and a

dark top; this is so that the

silhouette will stand out

more. Lighting

will be shinning down on the girl to show her

silhouette, through

movement.

9 Extreme close up shot. This shot will

show the horses

nostrils breathing in

the cold frost air

Set in the

frosty field the air blown will

be natural for a typical frosty

morning.

10 Long shot/Establishing shot This shot will be of the sunrise early on a morning

in the field.

Misty, lighting due to the cold frosty morning.

11 Medium\Close up Hand held

camera shows the girl staring

with a blank expressionless

face with her hair blowing

in the wind.

Misty, lighting

due to the cold frosty

morning.

12 Medium shot Stationary

shot reveals the girl

gripping on to her dress. It will show the bottom part of her torso and the top part of her legs.

Misty, lighting

due to the cold frosty

morning. She will be wearing a long floaty dress.

13 Continuous shot. Hand held shot reveals

the girl letting go of her dress and it blowing in the wind.

Misty, lighting due to the

cold frosty morning. She will be wearing a long floaty dress.

14 Cutaway and close up. Hand held

shot sows the girl holding

her cheek. Hair blowing

in the end with minimal

background showing.

Girl will be lip

syncing the words to the

song followed with the

action.

15 Continuous shot. Hand held.

Hair blowing in the end

with minimal background

showing.

Girl will be lip

syncing the words to the

song.

16 Long Shot. Fixated camera. The girl will galloping on the horse with her hair blowing in the wind, this will be in slow motion.

She will be wearing all black so it doesn’t confuse the audience that the girl is on the horse because she WAS chasing

after his love. 17 13 cutaway shots.

1. Medium shot.

Fixated

camera. The girl will be

laying down in the field

with he camera above

her. Her eyes will be closed,

reminiscing

She will be

wearing the big floaty

dress wrapped around her.

Her hair will laid out

behind her.

over her love.

18 2. Long shot. Fixated

camera of the horse

running.

Misty Field.

19 3. Close up. Hand held camera shows the girls face.

She will be wearing the big floaty dress, with

minimal natural make up.

20 4. Medium shot. The girl will

be beginning to crouch

down towards the floor with

her hands over her face.

She will be

wearing the big floaty

dress, with minimal

natural make up.

Misty field. 21 5. Close Up The girl and

boys hands will nearly be

touching back to back.

The light will

be behind their hands

metaphorically saying that there’s ‘something in the way’ of their love.

22 6. Close Up Fixated shot of the girl

stroking the horse.

This will metaphorically

show her kindness.

23 7. Medium shot. The girl will

be crouching down towards

the floor with her hands

over her face. This will be

the main shot we will keep

on cutting back to through out

13 fast shots.

She will be

wearing the big floaty

dress, with minimal

natural make up.

Misty field.

24 8. Medium shot The shot will reveal the

connections between their

shoulders. They will be

touching but only revealing

half of their bodies. The camera will be hand held.

The girl and boy will be

stood side by side looking

out on to the field.

Boy will be wearing a

plain grey or black top with skinny jeans and the girl will be wearing either the floaty

dress or black vest top/net

dress. 25 9. Close up. Fixated

camera shot. Reveals the

girl scrunching on

to her dress.

Floaty nude

netted coloured

dress.

26 10. Extreme Close Up. Fixated Camera shot

revealing the girls hair blowing in the wind.

The natural light will hit

her hair with the natural the wind.

27 11. Medium shot. The girl will

be crouching down towards

the floor with her hands

over her face.

She will be

wearing the big floaty

dress, with minimal

natural make up.

Misty field. 28 12. Medium shot. Fixated

camera. The girl will be

laying down in the field

with he camera above

her. Her eyes will be open,

reminiscing over her love.

She will be

wearing the big floaty

dress wrapped around her.

Her hair will laid out

behind her.

29 13. Extreme Close Up Showing her eyes.

Her eyes will be teary which

will show her emotion.

30 Medium Shot and Cross Cut. Stationary

shot. A flash of

lights fill the camera lens.

A shot of the

lights represent the

impact of the loss of love

has left her.

31 Long Shot Stationary shot of the

girl on the horse galloping on the field.

The field will be misty with

natural lighting. We are hoping it will be quite dark on the morning. She will be wearing all black with her

hair blowing in the wind.

32 Cross Cut to the studio. Stationary shot of the girl vigorously moving around the studio stood in front of

lights to reveal a silhouette.

The girl will be wearing black jeans and a dark top; this is so that the silhouette will stand out

more. Lighting will be shinning down

on the girl to show her

silhouette, through

movement. 33 Cross Cut to field. Medium Shot. The girl will

be lip syncing to the camera. Scrunching

her hair.

The girl will be stood in the misty field with natural light wearing

the floaty dress.

34 Jump Cut. Medium Close Up The girl will be scrunching her dress.

The girl will be stood in the misty field with natural

light wearing the floaty

dress.

35 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29

SHOT 35 – 50 ARE THE

SAME AS SHOTS 17-29

SHOT 35 – 50 ARE THE

SAME AS SHOTS 17-29

36 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-

29

SHOT 35 – 50

ARE THE SAME AS

SHOTS 17-29

SHOT 35 – 50

ARE THE SAME AS

SHOTS 17-29

37 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29

SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29

SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29

38 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-

29

SHOT 35 – 50

ARE THE SAME AS

SHOTS 17-29

SHOT 35 – 50

ARE THE SAME AS

SHOTS 17-29

39 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29

SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29

SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29

40 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29

SHOT 35 – 50 ARE THE

SAME AS SHOTS 17-29

SHOT 35 – 50 ARE THE

SAME AS SHOTS 17-29

41 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-

29

SHOT 35 – 50

ARE THE SAME AS

SHOTS 17-29

SHOT 35 – 50

ARE THE SAME AS

SHOTS 17-29

42 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29

SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29

SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29

43 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-

29

SHOT 35 – 50

ARE THE SAME AS

SHOTS 17-29

SHOT 35 – 50

ARE THE SAME AS

SHOTS 17-29

44 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29

SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29

SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29

45 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29

SHOT 35 – 50 ARE THE

SAME AS SHOTS 17-29

SHOT 35 – 50 ARE THE

SAME AS SHOTS 17-29

46 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-

29

SHOT 35 – 50

ARE THE SAME AS

SHOTS 17-29

SHOT 35 – 50

ARE THE SAME AS

SHOTS 17-29

47 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29

SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29

SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29

48 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-

29

SHOT 35 – 50

ARE THE SAME AS

SHOTS 17-29

SHOT 35 – 50

ARE THE SAME AS

SHOTS 17-29

49 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29

SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29

SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29

50 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29

SHOT 35 – 50 ARE THE

SAME AS SHOTS 17-29

SHOT 35 – 50 ARE THE

SAME AS SHOTS 17-29

51 Long Shot Cross cut to

the field. The shot reveals

the man appearing

from the smoke. Slowly

walking.

It will be

significantly darker and a

lot more smoke will

appear. He will just be

wearing skinny jeans and a

grey or black plain t shirt.

52 Deep focus. The girl will be the main

focus, revealing the

girl having her head down

with the man still walking

towards her, slightly

blurred out.

It will be significantly

darker and a lot more

smoke will appear.

He will just be wearing skinny

jeans and a grey or black

plain t shirt. The girl will be wearing the floaty dress.

53 Deep focus The man will then be the

main focus, an over the shoulder shot will show him still walking

towards the girl.

It will be significantly

darker and a lot more smoke will appear. He will just be

wearing skinny jeans and a

grey or black plain t shirt.

The girl will be wearing the

floaty dress.

54 Medium Shot The girl turns to see the

man. They begin to walk towards each other.

It will be significantly

darker and a lot more smoke will appear. He will just be wearing skinny jeans and a grey or black plain t shirt.

The girl will be wearing the

floaty dress. 55. SHOTS WILL BE PLACED WITHIN THIS PART

OF THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY AND GIRL WALKING TOWARDS EACH OTHER.

SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO

SHOTS 17-29, MIXED WITH THE BOY AND

GIRL WALKING

TOWARDS EACH OTHER.

SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO

SHOTS 17-29, MIXED WITH THE BOY AND

GIRL WALKING

TOWARDS EACH OTHER.

56. SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY AND GIRL WALKING TOWARDS EACH OTHER.

SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO

SHOTS 17-29, MIXED WITH

THE BOY AND GIRL WALKING TOWARDS EACH OTHER.

SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO

SHOTS 17-29, MIXED WITH

THE BOY AND GIRL WALKING TOWARDS EACH OTHER.

57 SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17-29,

MIXED WITH THE BOY AND GIRL WALKING TOWARDS EACH OTHER.

SHOTS WILL BE PLACED

WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY AND GIRL WALKING

TOWARDS EACH OTHER.

SHOTS WILL BE PLACED

WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY AND GIRL WALKING

TOWARDS EACH OTHER.

58 SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY AND GIRL WALKING TOWARDS EACH OTHER.

SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17-29,

MIXED WITH THE BOY AND GIRL

WALKING TOWARDS

EACH OTHER.

SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17-29,

MIXED WITH THE BOY AND GIRL

WALKING TOWARDS

EACH OTHER. 59 SHOTS WILL BE PLACED WITHIN THIS PART

OF THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY AND GIRL WALKING TOWARDS EACH OTHER.

SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17-29,

MIXED WITH THE BOY AND

GIRL WALKING TOWARDS EACH OTHER.

SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17-29,

MIXED WITH THE BOY AND

GIRL WALKING TOWARDS EACH OTHER.

60 SHOTS WILL BE PLACED WITHIN THIS PART

OF THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY AND GIRL WALKING

TOWARDS EACH OTHER.

SHOTS WILL

BE PLACED WITHIN THIS

PART OF THE

SONG SIMILAR TO SHOTS 17-29, MIXED WITH

SHOTS WILL

BE PLACED WITHIN THIS

PART OF THE

SONG SIMILAR TO SHOTS 17-29, MIXED WITH

THE BOY AND GIRL

WALKING TOWARDS EACH OTHER.

THE BOY AND GIRL

WALKING TOWARDS EACH OTHER.

61 Medium Shot This shot will

reveal the girl and man

finally meeting. They

look at each other. They

don’t touch. The light

behind them signifies the ‘block’

between them that they cant be together because he left.

It will be

significantly darker and a

lot more smoke will

appear. He will just be

wearing skinny jeans and a

grey or black plain t shirt. The girl will be

wearing the floaty dress.

62 Medium Shot Mixture of

colours of powder paint

will hit together.

Shot will a

black background so

the paint stands out.

63 Long Shot Shots will begin to

overlay to really emphasise the feelings and thoughts. She will be in the studio

infront of the lights and smoke.

Girl will be wearing along

black to create a strong silhouette.

64 AGAIN SHOTS WILL BE REPEATED. MIXTURE OF THE GIRL IN THE STUDIO

INFRONT OF THE LIGHTS, HER ON THE HORSE, JUST THE HORSE, HER LIP SYCNING AND THE BOY. FROM 3:06-3:44

AGAIN SHOTS WILL BE

REPEATED. MIXTURE OF THE GIRL IN THE STUDIO INFRONT OF THE LIGHTS, HER ON THE HORSE, JUST THE HORSE,

HER LIP SYCNING AND

THE BOY. 3:06-3:44

AGAIN SHOTS WILL BE

REPEATED. MIXTURE OF THE GIRL IN THE STUDIO INFRONT OF THE LIGHTS, HER ON THE HORSE, JUST THE HORSE,

HER LIP SYCNING AND

THE BOY. 3:06-3:44