Shot count
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Transcript of Shot count
Shot No. Shot Type Action Mise En Scene
1 Long shot (Establishing) of
protagonist.
Stationary shot of the girl
slowly moving around the
studio stood in front of lights to reveal a silhouette.
The girl will be wearing black
jeans and a dark top; this is so
that the silhouette will stand out more. Lighting will be shinning down on the girl to show her silhouette, through movement.
2 Crosscuts –
Medium shot.
Hand held
camera shows the girl stood
with her back to the camera.
Wearing a long
floaty dress stood in a field.
Lighting will be natural for a
typical frost morning.
3 Long shot Stationary shot of a horse moving
towards the camera at a distance.
In an open misty field. Lighting will be natural for a
typically frosty morning.
4 Medium/Close up shot.
Stationary shot shows her stroking a horse.
Wearing a long floaty dress stood in a field.
5 Long shot
(Establishing) of protagonist.
Stationary
shot of the girl slowly moving around the studio stood in
front of lights to reveal a silhouette.
The girl will be
wearing black jeans and a dark top; this is so that the
silhouette will stand out more. Lighting will be shinning down
on the girl to show her silhouette, through movement.
6 Close up shot Stationary For this shot we
shot of the girls face
showing her hair blowing in the wind.
need the weather to be
windy so that the girls hair can flow representing his freedom. Lighting will be natural for a typical frosty morning.
7 Close up shot. Stationary shot of the horse moving towards the camera, this time closer to the camera than before.
In an open misty field. Lighting will be natural for a typically frosty morning.
8 Long shot. Stationary shot of the girl slowly moving around the studio stood in front of lights to reveal a silhouette.
The girl will be wearing black jeans and a dark top; this is so that the silhouette will stand out more. Lighting will be shinning down on the girl to show her silhouette, through movement.
9 Extreme close up shot.
This shot will show the
horses nostrils breathing in
the cold frost air
Set in the frosty field the air
blown will be natural for a
typical frosty morning.
10 Long shot/Establishing
shot
This shot will be of the
sunrise early on a morning in the field.
Misty, lighting due to the cold
frosty morning.
11 Medium\Close
up
Hand held
camera shows the girl staring
with a blank expressionless
face with her hair blowing in
the wind.
Misty, lighting
due to the cold frosty morning.
12 Medium shot Stationary
shot reveals the girl
gripping on to her dress. It
will show the bottom part of
her torso and the top part of
her legs.
Misty, lighting
due to the cold frosty morning.
She will be wearing a long
floaty dress.
13 Continuous shot. Hand held
shot reveals the girl letting
go of her dress and it blowing
in the wind.
Misty, lighting
due to the cold frosty morning.
She will be wearing a long
floaty dress.
14 Cutaway and close up.
Hand held shot sows the
girl holding her cheek.
Hair blowing in the end with
minimal background
showing.
Girl will be lip syncing the
words to the song followed
with the action.
15 Continuous shot. Hand held. Hair blowing in
the end with minimal background showing.
Girl will be lip syncing the
words to the song.
16 Long Shot. Fixated
camera. The girl will
galloping on the horse with
her hair blowing in the
wind, this will be in slow
motion.
She will be
wearing all black so it doesn’t
confuse the audience that
the girl is on the horse because
she WAS chasing after his love.
17 13 cutaway
shots.
1. Medium shot.
Fixated
camera. The girl will be
laying down in the field with
he camera above her. Her
eyes will be closed,
reminiscing over her love.
She will be
wearing the big floaty dress
wrapped around her. Her hair will
laid out behind her.
18 2. Long shot. Fixated camera of the
horse running.
Misty Field.
19 3. Close up. Hand held
camera shows the girls face.
She will be
wearing the big floaty dress, with
minimal natural make up.
20 4. Medium shot. The girl will be beginning to
crouch down towards the floor with her hands over her face.
She will be wearing the big
floaty dress, with minimal natural make up. Misty field.
21 5. Close Up The girl and
boys hands will nearly be
touching back to back.
The light will be
behind their hands
metaphorically saying that
there’s ‘something in
the way’ of their love.
22 6. Close Up Fixated shot of the girl
stroking the horse.
This will metaphorically
show her kindness.
23 7. Medium shot. The girl will be crouching down towards the floor with her hands over her face. This will be the main shot we will keep on cutting back to through out 13
fast shots.
She will be wearing the big floaty dress, with minimal natural make up. Misty field.
24 8. Medium shot The shot will
reveal the connections
between their shoulders.
They will be touching but
only revealing half of their
bodies. The
The girl and boy
will be stood side by side looking
out on to the field.
Boy will be wearing a plain
grey or black top with skinny jeans
and the girl will
camera will be hand held.
be wearing either the floaty
dress or black vest top/net dress.
25 9. Close up. Fixated
camera shot. Reveals the
girl scrunching on to her
dress.
Floaty nude
netted coloured dress.
26 10. Extreme Close Up.
Fixated Camera shot revealing the girls hair
blowing in the wind.
The natural light will hit her hair with the natural the wind.
27 11. Medium
shot.
The girl will be
crouching down towards
the floor with her hands over
her face.
She will be
wearing the big floaty dress, with
minimal natural make up.
Misty field.
28 12. Medium shot.
Fixated camera. The girl will be laying down in
the field with he camera
above her. Her eyes will be open, reminiscing over her love.
She will be wearing the big floaty dress wrapped around
her. Her hair will laid out behind
her.
29 13. Extreme Close Up
Showing her eyes.
Her eyes will be teary which will
show her emotion.
30 Medium Shot
and Cross Cut.
Stationary
shot. A flash of
lights fill the camera lens.
A shot of the
lights represent the impact of the
loss of love has left her.
31 Long Shot Stationary shot of the girl on the horse galloping on
the field.
The field will be misty with natural lighting. We are hoping it
will be quite dark on the morning. She will be wearing all black with her hair
blowing in the wind.
32 Cross Cut to the studio.
Stationary shot of the girl vigorously moving around the studio stood in front of lights to reveal a silhouette.
The girl will be wearing black jeans and a dark top; this is so that the silhouette will stand out more. Lighting will be shinning down
on the girl to show her silhouette, through movement.
33 Cross Cut to field. Medium
Shot.
The girl will be lip syncing to
the camera. Scrunching her hair.
The girl will be stood in the
misty field with natural light wearing the floaty dress.
34 Jump Cut.
Medium Close Up
The girl will be
scrunching her dress.
The girl will be
stood in the misty field with
natural light wearing the
floaty dress.
35 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29
SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29
SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29
36 SHOT 35 – 50
ARE THE SAME AS SHOTS 17-29
SHOT 35 – 50
ARE THE SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE SAME AS SHOTS 17-29
37 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29
SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29
SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29
38 SHOT 35 – 50 ARE THE SAME
AS SHOTS 17-29
SHOT 35 – 50 ARE THE
SAME AS SHOTS 17-29
SHOT 35 – 50 ARE THE SAME
AS SHOTS 17-29
39 SHOT 35 – 50
ARE THE SAME AS SHOTS 17-29
SHOT 35 – 50
ARE THE SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE SAME AS SHOTS 17-29
40 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29
SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29
SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29
41 SHOT 35 – 50
ARE THE SAME AS SHOTS 17-29
SHOT 35 – 50
ARE THE SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE SAME AS SHOTS 17-29
42 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29
SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29
SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29
43 SHOT 35 – 50 ARE THE SAME
AS SHOTS 17-29
SHOT 35 – 50 ARE THE
SAME AS SHOTS 17-29
SHOT 35 – 50 ARE THE SAME
AS SHOTS 17-29
44 SHOT 35 – 50
ARE THE SAME AS SHOTS 17-29
SHOT 35 – 50
ARE THE SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE SAME AS SHOTS 17-29
45 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29
SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29
SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29
46 SHOT 35 – 50
ARE THE SAME AS SHOTS 17-29
SHOT 35 – 50
ARE THE SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE SAME AS SHOTS 17-29
47 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29
SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29
SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29
48 SHOT 35 – 50 ARE THE SAME
AS SHOTS 17-29
SHOT 35 – 50 ARE THE
SAME AS SHOTS 17-29
SHOT 35 – 50 ARE THE SAME
AS SHOTS 17-29
49 SHOT 35 – 50
ARE THE SAME AS SHOTS 17-29
SHOT 35 – 50
ARE THE SAME AS
SHOTS 17-29
SHOT 35 – 50
ARE THE SAME AS SHOTS 17-29
50 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29
SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29
SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29
51 Long Shot Cross cut to
the field. The shot reveals
the man appearing
from the smoke. Slowly
walking.
It will be
significantly darker and a lot
more smoke will appear.
He will just be wearing skinny
jeans and a grey or black plain t shirt.
52 Deep focus. The girl will be
the main focus, revealing the girl having her head down with the man still walking towards her,
slightly blurred
out.
It will be
significantly darker and a lot more smoke will appear. He will just be wearing skinny jeans and a grey or black plain t
shirt. The girl will
be wearing the floaty dress.
53 Deep focus The man will then be the
main focus, an over the shoulder shot will show him still walking towards the girl.
It will be significantly
darker and a lot more smoke will appear. He will just be wearing skinny jeans and a grey or black plain t shirt. The girl will be wearing the
floaty dress. 54 Medium Shot The girl turns
to see the man. They begin to walk towards each other.
It will be significantly darker and a lot more smoke will appear. He will just be wearing skinny jeans and a grey
or black plain t shirt. The girl will be wearing the
floaty dress. 55. SHOTS WILL BE
PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY AND GIRL WALKING
TOWARDS EACH OTHER.
SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY AND GIRL
WALKING TOWARDS
EACH OTHER.
SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY AND GIRL WALKING
TOWARDS EACH OTHER.
56. SHOTS WILL BE PLACED WITHIN
THIS PART OF THE SONG
SIMILAR TO SHOTS 17-29,
MIXED WITH
THE BOY AND GIRL WALKING TOWARDS EACH OTHER.
SHOTS WILL BE PLACED
WITHIN THIS PART OF THE
SONG SIMILAR TO SHOTS 17-
29, MIXED
WITH THE BOY AND GIRL WALKING TOWARDS
SHOTS WILL BE PLACED WITHIN
THIS PART OF THE SONG
SIMILAR TO SHOTS 17-29,
MIXED WITH
THE BOY AND GIRL WALKING TOWARDS EACH OTHER.
EACH OTHER.
57 SHOTS WILL BE
PLACED WITHIN THIS PART OF
THE SONG SIMILAR TO
SHOTS 17-29, MIXED WITH
THE BOY AND GIRL WALKING
TOWARDS EACH OTHER.
SHOTS WILL
BE PLACED WITHIN THIS
PART OF THE SONG SIMILAR
TO SHOTS 17-29, MIXED
WITH THE BOY AND GIRL
WALKING TOWARDS EACH OTHER.
SHOTS WILL BE
PLACED WITHIN THIS PART OF
THE SONG SIMILAR TO
SHOTS 17-29, MIXED WITH
THE BOY AND GIRL WALKING
TOWARDS EACH OTHER.
58 SHOTS WILL BE
PLACED WITHIN THIS PART OF
THE SONG SIMILAR TO
SHOTS 17-29, MIXED WITH
THE BOY AND GIRL WALKING
TOWARDS EACH OTHER.
SHOTS WILL
BE PLACED WITHIN THIS
PART OF THE SONG SIMILAR
TO SHOTS 17-29, MIXED
WITH THE BOY AND GIRL
WALKING TOWARDS EACH OTHER.
SHOTS WILL BE
PLACED WITHIN THIS PART OF
THE SONG SIMILAR TO
SHOTS 17-29, MIXED WITH
THE BOY AND GIRL WALKING
TOWARDS EACH OTHER.
59 SHOTS WILL BE
PLACED WITHIN THIS PART OF
THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY AND
GIRL WALKING TOWARDS EACH
OTHER.
SHOTS WILL
BE PLACED WITHIN THIS
PART OF THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY
AND GIRL WALKING
TOWARDS EACH OTHER.
SHOTS WILL BE
PLACED WITHIN THIS PART OF
THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY AND
GIRL WALKING TOWARDS EACH
OTHER.
60 SHOTS WILL BE PLACED WITHIN
THIS PART OF THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY AND GIRL WALKING TOWARDS EACH OTHER.
SHOTS WILL BE PLACED
WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY AND GIRL WALKING TOWARDS
EACH OTHER.
SHOTS WILL BE PLACED WITHIN
THIS PART OF THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY AND GIRL WALKING TOWARDS EACH OTHER.
61 Medium Shot This shot will reveal the girl and man finally meeting. They look at each other. They don’t touch.
The light behind them signifies the
‘block’ between them
that they cant be together
because he left.
It will be significantly darker and a lot more smoke will appear. He will just be wearing skinny jeans and a grey
or black plain t shirt. The girl will be wearing the
floaty dress.
62 Medium Shot Mixture of colours of powder paint will hit
together.
Shot will a black background so the paint stands out.
63 Long Shot Shots will begin to overlay to
really emphasise the
feelings and thoughts.
She will be in the studio
infront of the
Girl will be wearing along black to create a
strong silhouette.
lights and smoke.
64 AGAIN SHOTS
WILL BE REPEATED.
MIXTURE OF THE GIRL IN THE
STUDIO INFRONT OF THE
LIGHTS, HER ON THE HORSE,
JUST THE HORSE, HER LIP SYCNING AND
THE BOY. FROM 3:06-3:44
AGAIN SHOTS
WILL BE REPEATED.
MIXTURE OF THE GIRL IN
THE STUDIO INFRONT OF
THE LIGHTS, HER ON THE
HORSE, JUST THE HORSE, HER LIP
SYCNING AND THE BOY. 3:06-3:44
AGAIN SHOTS
WILL BE REPEATED.
MIXTURE OF THE GIRL IN THE
STUDIO INFRONT OF THE
LIGHTS, HER ON THE HORSE, JUST
THE HORSE, HER LIP SYCNING AND THE BOY.
3:06-3:44