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    Where Is the History Lab Course?Nancy Shoemaker, January 2009

    When out and about as an ordinary person (walking through the neighborhood, sitting in the dentists chair,

    shopping for lawnmowers), the response I get if I mention that I teach history unnerves me. My new acquaintance

    tells me about their remarkable child who can list every Civil War battle or confesses to having a poor memory

    for facts. When I say, I cant remember any facts either, they look at me suspiciously as though I must not be a

    good history teacher. Whatever I say, I cant seem to sell history as I understand it to people who know that

    the historians job is to accumulate information.

    That most Americans misunderstand what a historian does has consequences for college students. I saw the

    problem repeatedly in my threeyear term as undergraduate director for history at the University of Connecticut.

    Firstyear students entering as history majors often excel at memorization. They do know all the Civil War

    battles. They come to college wanting more of the same, and as they progress through the major, they resistwhat we teachthat history is a series of endless questions; that the seemingly omniscient, authoritative voice of

    secondary sources cannot be trusted; and that historians construct arguments or narratives based on surviving

    evidence. These students discover they are in a major that is incompatible with their interests and skills while

    there are other studentsthose whohate history because they donot like accumulating factswho may have a

    real talent for history as we understand itbut who will never seethe possibilities history offers them. They end

    up in history classes only to fulfill general education requirements. And students forced to take history by

    requirement will not see historys purpose as anything other than the accumulation of information because their

    one history class will most likely be a Western civilization, world, or U.S. history survey class, where they do

    indeed have to memorize several hundred years worth of details, or facts, to pass exams.

    Eventually, the general public might come to see history in a different way. The PBS seriesHistory Detectives

    could change perceptions. A fun and engaging show that solves historical mysteries in archives and at microfilm

    machines, it depicts work on screen that is familiar to me in my life as a historian. However, the shows

    renowned experts in the world of historical investigations (an architecture professor, sociologist, and two

    appraisers) are not academic historians.1They often visit history professors at this college or that university and

    have a conversation in which the professor speaks knowingly about what happened in the past. Consequently, the

    four investigators appear as seekers of knowledge, but the history professors appear only as repositories of

    knowledge.

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    The transformation of history courses to include document analysis will likely also have some effect on public

    perceptions. The historical document has become a kind of a talisman indicating deep historical study, both at

    the college level and in high school social studies.2But primary sources, especially when inserted in textbook

    sidebars or published in document collections, involve students in merely one small aspect of the historical

    research process. Analysis of one or two illustrative primary documents fails to expose students to those aspects

    of history research that give so many historians so much pleasure: the thrill of the chase, the wonder of holding

    an old thing in ones hands, the discovery of something no one else knows, the piecing together of a puzzle.

    These developments are not enough. The history community should actively address public misconceptions by

    critically evaluating certain practices in our curriculum and teaching that we take for granted. We could ensure

    that students left college knowing that history is an inquisitive, not acquisitive, art by turning the curriculum

    around, so that we begin where we now endbegin with research, end with synthesis.

    Currently, most students introduction to college history occurs in a survey course, a synthetic overview of events,

    trends, ideas, and institutions organized by time and geography, sometimes also by a theme. General education,

    where most college students will have their only history experience, does not challenge the perception that

    history is about accumulating information. Any subtleties teachers might bring to lectures and readings that

    would cast history as investigative and interpretive will become lost as students most intense engagement with

    the course material will occur during their rapidfire memorization of the textbook in allnighters immediately

    before an exam.

    History majors will usually experience history as investigation at some point in the curriculum. At the University

    of Connecticut, we require two courses: The Historians Craft introduces new majors to historical research,

    and a capstone senior seminar guides students to complete a major paper based on research in primary sources. If

    we carried the typical history departments curriculum through graduate school, the pattern becomes clearer.

    The dissertation, with its emphasis on original research, is the culmination of historical training, the final test

    demonstrating mastery of the discipline.

    Instead of introducing students to collegelevel history with a survey course, literally weighed down by a 500 to

    600page textbook with timelines and arcane facts, we should devise a laboratory course modeled after that in

    the sciences. Several years ago, while on a universitywide committee to develop new general education

    guidelines, I had to contend with colleagues in the sciences who did not see history as vital to general education

    because, they said, it was just about memorizing facts. That they all tested their students using multiplechoice

    exams when we in history used essay exams did not shake them from their view of history as mere transmission

    of knowledge from teacher to student. To convince them of historys importance, I could have argued a position

    consistent with their conception of history, where knowledge is a commodity like gasoline at the gas pump, and

    the more knowledge one has, the better off one is. But instead, I envied the scientists defense of why science is

    important and particularly their talisman, the lab course. They did not just want science to stay in general

    education. They wanted the lab course to stay. A better metonym for their discipline than the primary document

    is for ours, the lab course replicates scientific inquiry from inception to discovery to interpretation of results.

    Most eyeopening for me was how the scientists, if they were to have only one opportunity to communicate to

    students what science was, wanted that moment to be spent immersed in scientificpractice, not scientific

    content.

    I now have a new mission in my teaching. I no longer teach the U.S. history survey. Introductory surveys only

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    make students knowledge consumers when I want them to discover what it is like to be a knowledge producer. So

    that I could still contribute to general education, I developed an introductory history course called The Historian

    as Detective (unrelated to the television show except for my choosing the sexy word detective over

    research, inquiry, or investigation). I modeled my course after Paul Boyer and Stephen Nissenbaums

    Salem witchcraft course, which they had taught for many years at the University of Massachusetts and which

    eventually led to the monograph Salem Possessed(1974).3My colleague Altina Waller was a great resource. A

    former Boyer and Nissenbaum teaching assistant, she was both a veteran of their course and had also, as an

    instructor, developed variations of the course around other topics such as the HatfieldMcCoy feud and theMemphis Race Riot of 1866.

    For my topic, I chose the most infamous American whaleship mutiny without a published booklength account,

    the 1857 mutiny on theJunior. TheJuniormutiny had drama, mystery and sufficient obscurity to frustrate

    students Googling for an authoritative voice to provide the answer. In a writingintensive seminar, 18

    sophomores spent a semester with all the primary sources I had been able to collect on the topic and produced a

    book, collaboratively researched and written, in which they recounted the events of the mutiny, its aftermath,

    and its larger meaning and significance.4They now know a lot about whales and whaling history, some ocean

    geography, and some of the history of labor, prisons, and pardons in 19thcentury America. More importantly,

    they did the work of real historians and along the way discovered the pleasures of the hunt, felt exhilaration

    when new information transformed understanding, and realized the satisfaction of piecing together bits of

    evidence from the documents to tell a coherent story. They also encountered the frustrations of real historical

    research: the inevitable gaps in the documentary record, questions that remain unanswered, and bad

    handwriting. I have yet to figure out how I will reproduce the experience on a larger scale, but I know that Boyer

    and Nissenbaum achieved that at the University of Massachusetts, where they taught large classes with sections

    led by teaching assistants.

    I am not proposing my course, The Historian as Detective, as the ideal solution. It is one type of lab or, as I

    prefer to call it, workshop course. I can imagine other formats, which might draw more directly on the sciencelab course as a model, so that students would engage in one experiment or one history experience every week

    or over several weeks. Removing the authoritative voice so that students build explanations from the evidence

    itself seems essential, however, no matter the format of the course. Survey courses, even when studded with

    exemplary primary documents ripe for critical analysis, simply cannot teach what professional historians know

    through having experienced historical researchthat knowledge is uncertain and transient and that seeking

    knowledge, satisfying ones curiosity, brings more intellectual pleasure than the smug satisfaction of having a

    stockpile of knowledge in ones head.

    I have changed my own teaching, but the problem of public perceptions cannot be resolved in my classroom

    alone, for it requires a shift in custom by the profession as a whole. When I teach The Historians Craft, our

    sophomorelevel historical methods class, I start with a discussion intended to disabuse students of their faith in

    textbooks. I ask how the authors know what they know and why we should believe it. I then reveal the process by

    which the textbook came into being, tracing various passages back to the monograph that supplied the

    interpretation and then further back to the primary sources that the author of that monograph used as evidence.

    Not surprisingly, the students feel betrayed, as though victims of a baitandswitch. If the textbook does not

    represent what historians do and, moreover, makes invisible the process by which the knowledge within it was

    produced (which is the process they now have to learn as history majors), why are their history teachers assigning

    textbooks? I can teach The Historian as Detective, but I will continue to encounter history majors whose belief

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    that the history discipline aspires to the accumulation of information has been sustained by other courses in the

    curriculum.

    Changing the history curriculum at the introductory level would eventually have an effect on how academic

    historians engage with the wider public, as students we have taught in workshop courses go on to become our

    neighbors, dentists, lawnmower sales representatives, and colleagues in the sciences. Making the research

    experience central to history teaching could also resolve tensions within the historical profession, where research

    and teaching are often pitted against each other as though they are unrelated activities competing for thehistorians time and attention. If everyone recognized research as integral to the identity and purpose of a

    historian, then deans, legislators, and other people in power might realize that archives, historic preservation,

    document digitization projects, and the scholarship of individual researchers are not distractions from teaching

    but vitally important teaching resources.

    Nancy Shoemaker, professor of history at the University of Connecticut, is the author of several books in

    American Indian history, most recently A Strange Likeness: Becoming Red and White in EighteenthCentury North

    America (2004). Her current research is on New England Indians and the American whaling industry.

    Notes1. PBS, History Detectives: Overview, www.pbs.org/opb/historydetectives/about/index.html, accessed

    7/30/2008.

    2. The addition of a DocumentBased Question to Advanced Placement tests in the 1970s is one such marker;

    see Robert Blackey, Advanced Placement European History: An Anatomy of the Essay Examination, 19562000,

    History Teacher 35 (May 2002), 31142. For high school social studies and the primacy of the primary document

    as an innovative teaching tool intended to capture the essence of how historians think, see Sam Wineburg,

    Historical Thinking and Other Unnatural Acts: Charting the Future of Teaching the Past (Philadelphia: TempleUniversity Press, 2001).

    3. Paul Boyer and Stephen Nissenbaum, Salem Possessed: The Social Origins of Witchcraft (Cambridge: Harvard

    University Press, 1974).

    4. www.history.uconn.edu/undergraduate/syllabi/syllabi_s08/Shoemaker135W.pdf; Jenny Bunce, Caroline Ellis,

    Alex Peru, Erin Niles, Sal Faiella, Kyle Larned, Mary Clark, Aimee Ouellette, Elke Johnson, Abigail Zall, Matthew

    Burns, Danielle Adams, Brooks Converse, Conrad Morales Horowitz, Danielle Fulsher, Eric Jacobsen, Greg Pakiela,

    and Melissa Hamilton, God Damn You, Its Me!: Mutiny and Murder Aboard the Whaleship Junior (2008),

    manuscript in my possession.

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