Shakespearean Tragedy Macbeth is a tragedy. According to Aristotle, the tragic hero was a man who...
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Transcript of Shakespearean Tragedy Macbeth is a tragedy. According to Aristotle, the tragic hero was a man who...
Shakespearean TragedyMacbeth is a tragedy.
According to Aristotle, the tragic hero was a man who rose to a high position and then fell---usually to utter death and desolation.
Two forces seem equally powerful in classical tragedy: the tragic flaw (hamartia) and fate.
By the Renaissance, people believed they were in more control of their fate. The Elizabethan tragic hero, therefore, is much more responsible for his own downfall. The “waste of human potential” seemed tragic to the audience.
Order and Disorder in Shakespeare
Many of Shakespeare’s plays revolve around one common theme: disorder.
In each play, the reader must consider how disorder is represented in that play, how order is restored over the course of the events, and what effect of this new order is.
Act I (the exposition) is usually used to establish that at one point in the play’s events there was a social order.
Order and Disorder, con’t
The resolution of Shakespeare’s tragedies is different from the celebratory atmosphere that signals the end of his comedies (the marriages in A Midsummer Night’s Dream).
In a tragedy, the play ends with the death of the main character, who has spent the entire play trying to gain control of the conflict that he himself has created.
NOTE: The character who delivers the last line in a Shakespearean tragedy is the person who will restore the shattered order.
Frye’s Theory of TragedyEncroachment
Complication
Reversal (Peripeteia)
Catastrophe
Recognition (Anagnorisis)
Background to Macbeth
1603 – new monarch ascended the throne after Elizabeth I
James VI of Scotland, who was to become James I of England
Interest in all things Scottish
Raphael Holinshed – History of Scotland – material for a tragedy
In Scottish history of the 11th century, Shakespeare found a spectacle of violence
Macbeth – first published 1623
Background to Macbeth
Macbeth is the last of the four “great tragedies,” and perhaps the darkest.
Intensive study of evil at work in the individual and in the world at large
Celebrates the establishment of the first Stuart king of England
Holinshed’s account of the reigns of Duncan and Macbeth (1034 – 57)
“All Things Scottish”
the slaughter of whole armies and of innocent families
the assassination of kings
the ambush of nobles by murderers
the brutal execution of traitors
stories of witches and wizards providing advice to traitors
Shakespeare appealing to the new interests in London brought about by James’s kingship
Characters
Macbeth – “vaulting ambition” – perversely ambitious, weak, vulnerable, insecure tragic hero
Lady Macbeth – wicked, ambitious, and manipulative (perhaps the fourth witch)
Banquo – general in Duncan’s army; Macbeth’s closest friend – literary foil for Macbeth in the play
Duncan – the king of Scotland
Imagery
Blood imagery – not only a literal sign of disorder but an metaphor for Macbeth’s evil
Seeds and plants imagery – sowing the seeds of new power
Instruments of darkness – witches
Baby imagery – birth of Macbeth’s ascendancy to power
Illness imagery – illness in the body politic and mental illness
Night, colors, weather, sleep
Paradox
“Fair is foul, and foul is fair.”
Reversals – unnaturalness – mirrors the unnaturalness in Scotland
Physical appearance of the witches
Lady Macbeth’s desire for a gender transformation – sexual inversions
disharmony in nature and in man
Literary Foils
Macbeth and Banquo established as literary foils
Macbeth – attracted to temptations and predictions of witches
Banquo – suspicious of witches