Semester 2 Listening

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MUS 1001 History of Contemporary Music & Culture II LIST of REQUIRED MUSIC RECORDINGS WINTER 2015 for MIDTERM EXAM (WEEK 8) WEEK 1 BEBOP 1. Charlie Parker’s Re-Boppers, “Koko” (1945) 2. Dizzy Gillespie & His Orchestra, “Things to Come” (1946) (Big Band Bebop) 3. Lee Konitz, “Subconscious Lee” (1946) 4. Dizzy Gillespie & His Orchestra, “Manteca” (1947) (Cubop) - featuring Chano Pozo (congas) 5. Thelonious Monk Quartet, “Misterioso” (1948) 6. Bud Powell Trio, “Un Poco Loco” (1951) WEEK 2 RHYTHM & BLUES 7. Louis Jordan & His Tympani Five, “Choo Choo Ch’ Boogie” (1946) (Jump Blues) 8. T-Bone Walker, “Stormy Monday Blues” (1947) (West Coast Club blues) 9. Big Jay McNeely, “The Deacon’s Hop” (1949) (Honkin’ sax tradition) WEEK 3 URBAN BLUES 10. Johnny Lee Hooker & His Guitar, “Boogie Chillen’” (1948) 11. Little Walter & His Night Cats, “Juke” (1952) (Chicago blues) 12. Big Mama Thornton, “Hound Dog” (1953) (Blues Shouter) 13. Muddy Waters, “(I’m Your) Hoochie Coochie Man” (1954) (Chicago blues) 14. Howlin’ Wolf, “Smokestack Lightnin’” (1956) (Chicago blues) 15. B.B. King, “How Blue Can You Get” [live] (1964) WEEK 4 COVER VERSIONS 16. Big Joe Turner, “Shake, Rattle & Roll” (1954) (Blues Shouter) 17. Bill Haley & His Comets, “Shake, Rattle & Roll” (1954) (rock ‘n’ roll) 18. The Chords, “Sh-Boom (Life Could Be a Dream)” (1954) (doo wop) 19. The Crew Cuts, “Sh-Boom (Life Could Be a Dream)” (1954) 20. Junior Parker, “Mystery Train” (1953) 21. Elvis Presley, “Mystery Train” (1955) (rockabilly) WEEK 5 ROCKABILLY 22. Carl Perkins, “Blue Suede Shoes” (1955) 23. Jerry Lee Lewis, “Whole Lotta Shakin’ Going On” (1957) 24. Buddy Holly, “That’ll Be the Day” (1957) WEEK 6 ROCK ‘N’ ROLL PIONEERS 25. Bo Diddley, “Bo Diddley” (1955) 26. Chuck Berry, “Maybellene” (1955) 27. Fats Domino, “Ain’t That a Shame” (1955) 28. Little Richard, “Tutti Frutti” (1955) PODCAST SERIES #3: JAZZ OF THE 1950s 29. Miles Davis & His Orchestra, “Boplicity” (1949) (cool jazz) –arranged by Gil Evans 30. Gerry Mulligan Quartet, “Walkin’ Shoes” (1952) (cool jazz) 31. Dave Brubeck Quartet, “Take Five” (1959) (cool jazz) 32. Modern Jazz Quartet, “Django” (1960) (cool jazz) 33. Horace Silver & His Jazz Messengers, “Stop Time” (1955) (hard bop) 34. Sonny Rollins Plus Four, “Pent-Up House” (1956) (hard bop) 35. Charles Mingus Jazz Workshop, “Pithecanthropus Erectus” (1956) (third stream) 36. Miles Davis Quintet, “Bye Bye Blackbird” (1956) (hard bop) -featuring Miles Davis (trumpet); John Coltrane (tenor sax); Red Garland (piano); Paul Chambers (bass); “Philly Joe” Jones (drums)

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Sem 2 listening

Transcript of Semester 2 Listening

Page 1: Semester 2 Listening

MUS 1001 History of Contemporary Music & Culture II LIST of REQUIRED MUSIC RECORDINGS WINTER 2015

for MIDTERM EXAM (WEEK 8) WEEK 1 BEBOP

1. Charlie Parker’s Re-Boppers, “Koko” (1945) 2. Dizzy Gillespie & His Orchestra, “Things to Come” (1946) (Big Band Bebop) 3. Lee Konitz, “Subconscious Lee” (1946) 4. Dizzy Gillespie & His Orchestra, “Manteca” (1947) (Cubop)

- featuring Chano Pozo (congas) 5. Thelonious Monk Quartet, “Misterioso” (1948) 6. Bud Powell Trio, “Un Poco Loco” (1951)

WEEK 2 RHYTHM & BLUES

7. Louis Jordan & His Tympani Five, “Choo Choo Ch’ Boogie” (1946) (Jump Blues) 8. T-Bone Walker, “Stormy Monday Blues” (1947) (West Coast Club blues) 9. Big Jay McNeely, “The Deacon’s Hop” (1949) (Honkin’ sax tradition)

WEEK 3 URBAN BLUES

10. Johnny Lee Hooker & His Guitar, “Boogie Chillen’” (1948) 11. Little Walter & His Night Cats, “Juke” (1952) (Chicago blues) 12. Big Mama Thornton, “Hound Dog” (1953) (Blues Shouter) 13. Muddy Waters, “(I’m Your) Hoochie Coochie Man” (1954) (Chicago blues) 14. Howlin’ Wolf, “Smokestack Lightnin’” (1956) (Chicago blues) 15. B.B. King, “How Blue Can You Get” [live] (1964)

WEEK 4 COVER VERSIONS

16. Big Joe Turner, “Shake, Rattle & Roll” (1954) (Blues Shouter) 17. Bill Haley & His Comets, “Shake, Rattle & Roll” (1954) (rock ‘n’ roll) 18. The Chords, “Sh-Boom (Life Could Be a Dream)” (1954) (doo wop) 19. The Crew Cuts, “Sh-Boom (Life Could Be a Dream)” (1954) 20. Junior Parker, “Mystery Train” (1953) 21. Elvis Presley, “Mystery Train” (1955) (rockabilly)

WEEK 5 ROCKABILLY

22. Carl Perkins, “Blue Suede Shoes” (1955) 23. Jerry Lee Lewis, “Whole Lotta Shakin’ Going On” (1957) 24. Buddy Holly, “That’ll Be the Day” (1957)

WEEK 6 ROCK ‘N’ ROLL PIONEERS

25. Bo Diddley, “Bo Diddley” (1955) 26. Chuck Berry, “Maybellene” (1955) 27. Fats Domino, “Ain’t That a Shame” (1955) 28. Little Richard, “Tutti Frutti” (1955)

PODCAST SERIES #3: JAZZ OF THE 1950s

29. Miles Davis & His Orchestra, “Boplicity” (1949) (cool jazz) –arranged by Gil Evans

30. Gerry Mulligan Quartet, “Walkin’ Shoes” (1952) (cool jazz) 31. Dave Brubeck Quartet, “Take Five” (1959) (cool jazz) 32. Modern Jazz Quartet, “Django” (1960) (cool jazz) 33. Horace Silver & His Jazz Messengers, “Stop Time” (1955) (hard bop) 34. Sonny Rollins Plus Four, “Pent-Up House” (1956) (hard bop) 35. Charles Mingus Jazz Workshop, “Pithecanthropus Erectus” (1956) (third stream) 36. Miles Davis Quintet, “Bye Bye Blackbird” (1956) (hard bop)

-featuring Miles Davis (trumpet); John Coltrane (tenor sax); Red Garland (piano); Paul Chambers (bass); “Philly Joe” Jones (drums)

Page 2: Semester 2 Listening

MUS 1001 History of Contemporary Music & Culture II LIST of REQUIRED MUSIC RECORDINGS WINTER 2015

for FINAL EXAM (WEEK 14)

WEEK 8 PODCAST SERIES #4: POST-WAR COUNTRY

1. Bill Monroe & His Blue Grass Boys, “Blue Moon of Kentucky” (1946) (bluegrass) 2. Flatt & Scruggs & the Foggy Mountain Boys, “Foggy Mountain Breakdown” (1949) (bluegrass) 3. Hank Williams & His Drifting Cowboys, “I’m So Lonesome I Could Cry” (1949) (honky tonk) 4. Patsy Cline, “I Fall to Pieces” (1961) (Nashville sound) 5. Buck Owens & His Buckaroos, “Act Naturally” (1963) (Bakersfield sound) 6. Johnny Cash, “Folsom Prison Blues (Live)” (1968) (outlaw country)

& URBAN FOLK REVIVAL

7. The Weavers, “Goodnight Irene” (1950) 8. Harry Belafonte, “Day-O (Banana Boat Song)” (1956) (calypso) 9. Kingston Trio, “Tom Dooley” (1958) 10. Bob Dylan, “The Times They Are a-Changin’” (1963) 11. The Byrds, “Mr. Tambourine Man” (1965) (folk rock)

WEEK 9 AVANT GARDE JAZZ

12. Ornette Coleman Quartet, “Congeniality” (1959) -featuring Ornette Coleman (alto sax); Don Cherry (pocket trumpet); Charlie Haden (bass); Billy Higgins (drums)

13. Ornette Coleman Double Quartet, “Free Jazz” (1961) 14. Cecil Taylor, “Jitney #2” (1974)

WEEK 10 JOHN COLTRANE & MILES DAVIS

15. Bill Evans Trio, “Solar” (1961) -featuring Bill Evans (piano); Scott LaFaro (bass); Paul Motian (drums)

16. John Coltrane, “Giant Steps” (1959) 17. John Coltrane, “Acknowledgement” from A Love Supreme (1964) (Modal Jazz)

-featuring John Coltrane (tenor sax); McCoy Tyner (piano); Jimmy Garrison (bass); Elvin Jones (drums)

18. Miles Davis Quintet, “Masqualero” (1967) (Postbop) -featuring Miles Davis (trumpet); Wayne Shorter (tenor sax); Herbie Hancock (piano);

Ron Carter (bass); Tony Williams (drums) WEEK 11 THE ‘IN BETWEEN YEARS’

19. Frankie Avalon, “Venus” (1959) (teen idol) 20. Chubby Checker, “The Twist” (1960) (dance craze) 21. The Shirelles, “Will You Love Me Tomorrow” (1960) (Brill Building pop) 22. The Ronettes, “Be My Baby” (1963) (wall of sound)

-produced by Phil Spector 23. The Beach Boys, “Surfin’ U.S.A.” (1963) (surf music) 24. The Beach Boys, “Good Vibrations” (1966) (art pop)

WEEK 12 SOUL MUSIC

25. Ray Charles, “I Got a Woman” (1954) 26. James Brown & The Famous Flames, “Please, Please, Please” (1956) 27. The Supremes, “Baby Love” (1964) (Motown sound) 28. Righteous Brothers, “You’ve Lost That Loving Feeling” (1964) (blue-eyed soul)