Secular Music Ppt

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    Historical EssaysThe Spanish Colonial Tradition

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    being separate from or not associated orconcerned with religion.

    As the ritual music of the native religion wasmixed with the new faith, the many forms ofsecular indigenous music assimilatedelements of European secular genres

    introduced from Spain or Mexico

    ecular Music

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    The Traditional reeting song of the !banagof the Cagayan "alley.

    !t is in triple time meter, and accompaniedby the cinco#cinco guitar.

    Berso Golpeado

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    Express a di$erent concept of sound inwhich two alternating clusters of tones areplayed repeatedly to create a continuous,unbro%en sound over which a vocal melodymay be built.

    Cinco-Cinco Guitar

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    are narrative song or poem not associatedwith religion.

    &elating historical events, heroic deeds orhumorous anecdotes that may still be heardin hispani'ed areas.

    ecular Ballads

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    Composo

    (umintang

    Kinds of ecular Ballads

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    A narrative song found in )anaywhich is a vehicle for the spread oflocal news.

    At happy gatherings, ordinarytownsfol% compose and perform

    songs that retell the tales of the lastdevastating typhoon, the exploits ofrebel or bandit leaders and even the

    latest *uicy gossip

    Composo

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    Most famous of all hybrid song forms andstyles.

    &eferred to as the national song during +th

    Century. -riginated from atangas, a province%nown in early times as (umintang.

    A regional "ariant of the Awit, a song in slow

    triple time.

    Kumintang

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    Cast in plosa verse or /uatrains with +0syllables to a line.

    Texts usually dealt with love and courtship.

    !t could also be about more general topics,such as the hypocrisy and the follies ofman.

    1as 2rst noted in a print by 3icolas de la

    Cru' agay dating bac% to +456.

    Kumintang

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    7irst extant example of notation. 7ound in 8ean Mallat9s :;es )hilippines.

    Comintan de la Conquista

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    Cultivated in the native and mesti'o elite ataste for !talian operas and Spanish'ar'uelas such as :8ugar con fuego< ?)layingwith 7ire@

    7amiliarity from these European formsbecame a mar% of gentility

    oung women of good breeding were

    expected to play walt'es, habaneras andma'ur%as on the piano or harp and singpopular arias.

    panish chool ystem

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    Sponsored by prominent families. An informal meeting of people to tal% about

    current a$airs, arts, etc.

    Main activity was reading of Spanish poetryand the performance of light classical wor%sby the !talian composers such as &ossiniand "erdi.

    Tertulia

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    radually, )hilippine songs anddances modeled on theseEuropean forms developed. y the

    +th Century, writers for thepropaganda movement could pointwith pride to song and dance forms

    in the European style developed inthe islands. The most famous ofthese was the (undiman.

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    A lyrical song in moderate triple time. !t is divided into two or three separate

    sections, each with a di$erent melody.

    There is a clear harmonic progression in the1estern sense and even modulation. !t is more li%ely that each section is in a

    di$erent %ey.

    ;yrics are about romantic love.The very soul of the beloved motherland in

    +thcentury.

    Kundiman

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    Most famous (undiman. 7ired the )atriotic sentiments of

    revolucionarios ?revolutionaries@ in thestruggle for liberation from colonial rulefrom +=> to +==.

    Jocelynang Baliwag

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    +.Babanera !t is in duple time meter

    3amed after its placeBavana, Cuba.

    Also %nown as dan'a ordan'a habanera

    Other estern !orms

    "dopted #y the !ilipinos$

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    0. )ol%a 7ast duple time meter

    A lively bohemian dance Exempli2ed by the popular

    :)amulinawen< of the!locos.

    Other estern !orms

    "dopted #y the !ilipinos$

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    5. 8ota A Spanish 7ol% dance

    Bas sections in duple and/uadruple time.

    Other estern !orms

    "dopted #y the !ilipinos$

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    6. Ma'ur%a -riginated in )oland

    sually danced in D or >=time by = to +> couples.

    Other estern !orms

    "dopted #y the !ilipinos$

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    F. )aso Goble A dance in duple time

    meter faster than march

    Other estern !orms

    "dopted #y the !ilipinos$

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    >. &igodon ased on the 7rench Court

    dance. Ganced for state functions

    in duple meter.

    Other estern !orms

    "dopted #y the !ilipinos$

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    4. Marcha !n duple time.

    Exempli2ed by :Alerta(atipunan< and 8ulian

    7elipe9s :Marcha Magdalo

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    =. alse or 1alt' Austrian dance

    !t is in triple time meter. Exempli2ed in the famous

    :Ang Maya< composed bythe 7ilipino 1alt' (ing 8oseEstella in +HF.

    Other estern !orms

    "dopted #y the !ilipinos$

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    A prominent composer#conductor from)andacan whose musical education wastypical of the schooling of the )hilippinesecular musician

    learned his s%ills by ta%ing lessons fromolder musicians, sitting in as assistant andapprentice player and orchestras

    his most famous wor% was the 2rst)hilippine opera, ISandugong )anaguinipIpremiered in +H0, with libretto by )edro)aterno

    %adislao Bonus

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    Another ensemble that was to haveconsiderable impact on the music ofSpanish )hilippines.

    -rgani'ed to provide militarymarching music.

    Also used in ma*or civic parades and

    functions, as well as religiousfestivals and processions.

    Brass Band

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    -pen#air concert held on the eye oftown 2estas.

    The Show o$ of their technical

    prowess and dexterity as well astheir %nowledge of the bandrepertoire.

    &epertoire includes marches andovertures by famous !taliancomposers.

    erenata

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    !ndigenous o$shoot of the brassband.

    Musi&ong Bum#ong

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    !ndigenous o$shoot of the brassband.

    Musi&ong Bum#ong

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    +thCentury Composers consciouslysought to bring indigenous fol% formssuch as the Bele#hele, (undiman,

    alitaw and Japateado into thegenteel art music period.

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    8ulio 3a%pil9s : &ecuerdos de Capi'