Secular Medieval Latin Song: An AnthologyThe inclusion of secular songs in predominantly sacred...

86
Wissenschaftliche Abhandlungen Band LX/1 Secular Medieval Latin Song: An Anthology by Bryan Gillingham The Institute of Mediaeval Music Ottawa, Canada Musicological Studies Vol. LX/1

Transcript of Secular Medieval Latin Song: An AnthologyThe inclusion of secular songs in predominantly sacred...

Page 1: Secular Medieval Latin Song: An AnthologyThe inclusion of secular songs in predominantly sacred manuscripts and vice versa is but one indicator that the notions of a "Goliardic society,"

Wissenschaftliche Abhandlungen

Band LX/1

Secular Medieval Latin Song:

An Anthology

by

Bryan Gillingham

The Institute of Mediaeval Music

Ottawa, Canada

Musicological Studies

Vol. LX/1

Page 2: Secular Medieval Latin Song: An AnthologyThe inclusion of secular songs in predominantly sacred manuscripts and vice versa is but one indicator that the notions of a "Goliardic society,"

INTRODUCTION

The field of Latin secular song is poorly supported, particularly from a musical stand­point, in the existing literature on the Middle Ages. While there is a wealth of scholarly editions of the poetry dating back to the nineteenth century, there is a noticeable lack of sound musical editions. Then too, the generative social background attending the repertoire has been the subject of whimsical, romantic notions which could benefit from a complete reappraisal. The inclusion of secular songs in predominantly sacred manuscripts and vice versa is but one indicator that the notions of a "Goliardic society," vagabond musicians, student song writers, and the like, may be fictional. Works by such notables as Philip the Chancellor and Waiter of Chatillon are clearly not the tavern fare of profligate students or vagabonds.

John Stevens, in his recent book Words and Music in the Middle Ages (p. 48), mentions with respect to secular Latin song that, " ... there is, to date, neither a comprehensive study nor a substantial anthology ... ," and that, "there is, surprisingly, no published anthology of Latin songs of any scope .... " The immediate objective of this volume, necessarily positivistic in nature, is to fill this scholarly lacuna and in so doing make available in as reliable a format as possible, a fascinating repertoire central to the tradition of European lyric song. Quantitatively, the amount of secular Latin song surpasses that of the Minnesinger and Troubadour traditions and perhaps approaches that of the Trouveres. One could argue that its wide diffusion, across national boundaries, makes it a more representative and important vehicle than the several vernacular lyric corpora. The songs offered here survive i~ various manuscripts which date from the ninth to fifteenth century, although the bulk of them stems from the twelfth and thirteenth centuries. A striking feature of the Latin song tradition is its lengthy reign as a favoured genre. Early pieces stretch back to the classics of authors such as Horace, while on the other extreme copies were still being made in the Renaissance. The tradition was more or less continuous, it would seem, in the intervening millenium.

Given the enormity of the period encompassed and the nature of the repertoire, certain limiting factors were brought to bear in the compilation of this volume. The primary pre­requisites were that a song (obviously) had to have a Latin lyric, that it existed in at least one "musical" setting (this eliminates hundreds of surviving poems that may have been per­formed to music), and that it was "secular" in nature. But what is meant by "secular"? It is no simple matter to dissociate secular and sacred when dealing with medieval culture. In­deed, some of the most famous secular manuscripts, such as the celebrated Carmina Burana itself, contain many sacred and non-liturgical religious works; on the other hand, predom­inantly sacred manuscripts often include secular songs. Within specific pieces, there may be a mixture of sacred and secular elements. For example, a blatantly hedonistic text may sometimes invoke the Deity or the Virgin; explicitly sensual poetry and/or fervid melodic gestures may serve religious praise; and worldly texts sometimes borrow sacred tunes as their melodic vehicle. Usually, however, within a text, there is a clear emphasis on either religious or worldly sentiment. The overall emphasis of a poem has been an important factor for determining inclusion in this anthology. Passing religious references have not been deemed sufficient to disqualify a piece for inclusion as long as the religious affect was overridden by some non-religious element. The acceptance of a wealth of music which could not be called "secular" but also not "liturgical," that is, the so-called "non-liturgical" repertoire, would have swollen this volume far beyond the bounds of manageability. At various times, the

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Latin songs presented here have macaronic accretions in their sources, in such languages as French, Provenc;al or German. Normally, appended or interpolated whole verses have not been replicated in the transcriptions, but odd words or phrases integrated directly into the Latin poems have been given in Italics. Even though monophonic songs are occasionally incorporated into them, polyphonic genres such as the motet have been eschewed here, not only to contain the size of this project, but also because the motet manipulates texts in a different way, that is, in interdependency rather than independency of setting. On the other hand, pieces which are referred to sometimes as "conductus" - that is, monotextual mono­phonic or polyphonic songs - are intimately tied to the repertoire studied here. Sometimes the musical sources consulted for this study exist only in polyphonic form. Since there is every reason to believe that the polyphonic settings were based on monophonic exemplars,1

at times here the tenors have been extracted and presented as monophonic versions; at other times, when space permits, the upper voices have been included in small notes. Scholars have suggested contra/acta as a means of providing tangible music for texts which lack it; a close examination of such potentialities reveals that the reasoning for accepting same is often lacking, or very weak. The application of contrafacta, while an interesting specula­tive venture, seems ill-advised owing to the frequent similarities and abundant paradigms of musico-poetic forms in the Latin of the period. Generally, borrowed melodies have not been applied here.

The diligent student will notice that a few of the pieces included in this anthology perhaps overstep the textual and musical boundaries mentioned above. For example, the song Epithalamia decantans is so fervid and frank that the implicit sexual imagery seems to transcend the basic spiritual purpose; similarly, a few texts from the Song of Songs (notably those in HBI95) are likewise intense in that way. A few other exceptions will be found. The present writer would invite tolerance for the spirit of such works and respect for their undoubted impact on the repertoire as a whole. In most cases, however, there will be little doubt as to the secular nature of the contents of this volume. The poetic themes of these songs will readily be seen to encompass a wide variety. In addition to love and frank sexuality, there are drinking songs, satires (particularly of the Roman Curia), humorous pieces, laments, epitaphs, celebrations of Spring, and rather abstruse philosophical speculations. In short, all manner of human emotions and intellectual pursuits are given expressiOn.

It is also clear that morality, certainly in its manifestations through the humanities, was a more loosely handled and user-friendly concept during the period of this song repertoire than later. It is often forgotten that we view the high Gothic period through the filter of Puritanism and the Reformation. The secular repertory represented here is found in intimate company, in at least some manner, with virtually every other generic type -sacred and secular, polyphonic and monophonic - of the period. It is clear that the writers of some of the most scurrilous poetry had intimate connections with the church; both the religious and secular spheres seemed to be more openly tolerant of one another and the church perhaps more truly "catholic" in its fundamentals than is the case today. Poet-musicians were obviously not making distinctions between the different realms - mixture was the norm. In that sense, the selective extraction of a sub-class, which is what the secular song repertoire is, constitutes an artificial exercise. Nonetheless, some sort of counterfoil to the equally selective accounts of other sorts of music would seem to be eminently in order.

1See Gillingharn, "A New Etiology and Etymology for the Conductus," The Musical Quarterly, 75 (1991), 62.

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As the starting point for this project is the songs themselves, one might refer to the basic theoretical or methodological approach as "positivistic." Indeed, this collection coun­terbalances the naive view that such methods are obsolete. It is essential, first, to establish a reliable body of transcriptions upon which to base critical and stylistic assessments and to discover from the texts themselves source material fundamental for an understanding of the social milieu which spawned them. Where possible (often this is essential), comparative or parallel versions of the songs will be given, drawing variously upon the source textual and musical concordances (including some editions, especially those based on manuscripts which were destroyed in World War II). Original manuscripts (and/or their facsimiles or microform copy) have been employed whenever possible, but always informed by material already in print (especially poetic editions).

It is painfully clear that the repertoire under consideration is a very diffuse one, and perhaps a reason why it has not been thoroughly studied in the past. Source manuscripts are scattered through all of Europe; concordances are plentiful. Examining this material is therefore not an easy task. There are doubtless omissions of sources and songs: sometimes this is deliberate, the result of editorial value judgements; but occasionally, oversights may occur -for which the editor takes full responsibility. As the sources are numerous, this is bound to happen. For various practical reasons (damage, loss, expense, private ownership, etc.), it has not been possible to see all relevant manuscripts. The notion that this work could be completely done in one encompassing sweep is unduly simplistic. We make no pretense that this volume is comprehensive. If new and important pieces are discovered in subsequent research, these will be included as appendices to one or both of the volumes to follow.

This collection is just the starting point for a three-volume study of secular Latin song. It is important to know that much more material has been examined than was used in this book. The second volume will deal with sources, their interrelationships, dissemination, inventories, and the detailed apparatus necessary to support this volume. Although a list of primary sources has been supplied here, a full bibliography will be given in the next volume as well as detailed indices and cross references to other sources. The secular song repertoire is not likely the product of a gang of goliardic boors. The projected third volume, which will draw upon the first two volumes to some extent, will attempt to sketch in a more realistic way than has been the case heretofore, the complex social fabric which allowed this brilliant repertory to flourish.

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EDITORIAL NOTES

There are various procedural details which need explanation in order for this volume to be used in the most effective manner. These matters will be given further treatment in the next volume, but some preliminaries are necessary here. The ordering of the pieces presented below is loosely chronological, however, since few works can be accurately dated and since the date of a manuscript is not a reliable indicator of the dates of its contents (some manuscripts contain pieces which were centuries old at the time of their compilat~on), this ordering must not be interpreted as dogma. Furthermore, concordant sources sometimes are several centuries apart in age. This spread can prove useful for understanding the nature of the repertoire and its transmission, but creates a problem as to which source a piece should be affiliated with - late or early, and its resulting position in this anthology. The end solution is a rather intuitive compromise between chronology and arbitrariness with certain jumps and skips here and there. Some matters of interpretation and presentation are detailed in a preliminary way below to facilitate the immediate use of this volume.

Applied Symbols and Marks

+ -This symbol is used to indicate a conjectural transcription. Various pieces are written in neumatic notations which are not articulate indicators of pitch. Sometimes the pitch relationships can be clarified by comparison with a concordant version, but often such concordances are lacking. Within the range of such inarticulately notated songs there are varying degrees of accuracy. In certain cases one can feel confident about heighting except that the initial or predominant pitch may not be known. In others the pitch discrimination is so little in evidence that one is suspicious that the stafRess neumes could ever be used even for "memory" props within a thoroughly known oral tradition. In spite of the potentially disquieting notion that the pitches are not being accurately related, there is much to be gained by the presentation of neumed pieces in a conjectural way: melodic shape, nature of text setting (syllabic, neumatic, melismatic), and form - all important stylistic features of the genre. Though this information may be partial, it is better to have some insight rather than none at all. Pieces which are conjectural as to pitch are marked with the little cross after the title in the edition.

[ ] - Any material between square brackets is editorial in nature, supplied by the editor or from a secondary source. When blank space is found between the brackets this is an indication of absence of material in the original.

: -Indicates a quilisma or trill-like figuration in the original notation.

B - Indicates a prolongation in the original notation.

' -Indicates an apostrophic neume (closely related to the plica).

1 f - Indicates a plicated note.

- The standard ligature bracket, indicating two or more joined notes, usually in a mensura! context.

X

l 1:

- Indicates compound neumes in a non-mensura! context and sometimes semibreve groupings in mensura! pieces.

- Musica ficta. This has been kept to a minimum. Accidentals have been written in where they appear in the originals, unless they are obviously intended to be used throughout a piece. When ficta impositions are used, flats, sharps and/or naturals are placed above the notes in the conventional manner as suggestions.

Rhythm

Generally no rhythmic values have been imposed on the melodies; only those notations which are clearly mensura! have been so rendered in transcription. Some sources are "quasi" or partly mensura! (for example L316), but even the songs from these, unless clearly men­surated, have been presented in stemless, noncommittal noteheads. Now, this is not meant to imply that this repertoire should be performed in a chant-like Solesmes manner. On the contrary, much of the material is set to metrical poetry and, in order to be sung in a histori­cally correct manner, should, in the opinion of the present writer, be supplied with rhythmic values. But, as it is a relatively simple matter to apply modality, and since editorial imposi­tion of such values still engenders a frenzy in some scholars, a non-aggressive approach has been taken here. This matter, and practical solutions for each of the songs, will be taken up in the second volume of this study as part of the critical discussions. Meanwhile, the reader is referred to the present writer's previous book on the subject.2

Spelling and Text For this repertoire, the poetry is perhaps a more important feature than the music

itself, as much of the interest, conceptual and structural, resides primarily in the words. As with the music, there has been a conscious decision not to impose modern features such as punctuation, or even classical characteristics, such as spelling. The original spellings in the sources have normally been preserved, even if they might seem to be erroneous; when there are parallel versions the differences are quite apparent and performers will need to choose among variants in many cases. There are a few exceptions to the general practice of non­intervention. Proper names are capitalized (this is usually not done in the originals); when there is some doubt as to the nature of a noun that might be considered a personification (such as A m or or Filomela), or in the case of cryptic words, the original has been preserved. Latin abbreviations have been silently written out, however, constructions such as 'e' for the classical 'ae' have been considered as basic elements of the medieval orthography. The letters 't' and 'c' which are often interchangeable, have been left as they appear in the originals, but sometimes the distinctions are negligible forcing an arbitrary choice in a few cases. A lower-case 'u' is invariably used to indicate lower-case 'v' in medieval script; since this usage is so prevalent and consistent, it has been decided to render all such 'u's' as 'v's' in this edition. Similarly, capital 'V' is often used to mean capital 'U' in the sources; their role has been likewise switched. When found in the midst of a text, for whatever reason, capital letters are replicated in the edition.

The nature of medieval punctuation has emerged in the course of this study as a poten­tially important but neglected subject. Improper placement of punctuation, and punctuation

2 Modal Rhythm (Ottawa: The Institute of Medieval Music, 1986).

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of the wrong sort can skew the meaning and distort the metrical organization of the orig­inals. Therefore, only the medieval punctuation (mainly dots) has been preserved here. The use of punctuation seems to be intimately bound up with the emergence of notated rhythm, Silbenstriche and rests and will be discussed fully in the next volume. The only imposition is at the ends of verses where periods might have been left out. As for forms, many of the pieces are strophic, near-strophic, or versiculated (divided up into independent versicles, either repeated - as in sequence form - or not). In the strophic pieces, verse numbers are applied in Arabic numerals before each of the verses; for the versiculated types, Roman numerals are placed at the beginnings of each versicle above the staves. It should be remembered that all such numbering is editorial and simply a convenience for the modern reader; in the medieval sources verses are never numbered and are usually written out in a rambling prose-like fashion. Our presentation helps to keep order, provide for reference, and when verses are written in a 'poetic' way (line by line), assists in perceiving structural features such as rhyme. Medieval scribes did not use hyphens when writing out their music; we do. All hyphens found in the editions are therefore editorial and arbitrary. The notion that there is a proper 'medieval' way of hyphenating is false, not only because hyphens were not used in the Middle Ages, but also, when words are broken up as is often the case at the ends of lines in the manuscripts, the nature of the original breaks is completely whimsical and inconsistent.

Sources

For each of the transcriptions below, the sources are indicated in the upper right-hand corner of the initial page, complete with folio numbers, then, when multiple sources are used, cued by sigla in the ensuing transcription. A complete list of sources and their sigla is found below. Rubrics, which are sometimes found in the originals, are given in parentheses immediately below the titles; all of these are original and to be found in one or more of the sources for the particular piece. When different rubrics survive for the same piece in concordant sources, all of the descriptive phrases are given. When meaningless rubrics are provided (such as Idem and other terms of minimal information), these are not included with the transcriptions.

Xll

A44

Add12195

Add36881

Ar384

Aux243

B.l.16

BC36

BC394

BC455

Bod38

Br103

C223

C58/275

CA 8• 32

CB

Clm18628

Clm4603

Clm4660a

Clm5539

Clm6432

CQBl

D2777

Dd.xi.78

E2615

E274

EZ.II.2

F

F.III.565

Ff.i.17

G383

Gg.5.35

H978

Sources and Their Sigla

- Oxford, Bodleian Library, Additional A44 [13 c.]

- London, British Library, Additional 12,195 [15 c.]

- London, British Library, Additional 36,881 [12 c.]

- London, British Library, Arundel 384 [14 c.]

- Auxerre, Bibliotheque Municipale, MS 243 [1358]

-Cambridge, Trinity College, MS B.l.16 [11, 12 c.]

- Bern, Biirgerbibliothek, Codex 36 [10, 11 c.]

- Bern, Biirgerbibliothek, Codex 394 [10, 11 c.]

- Bern, Biirgerbibliothek, Codex 455 [10, 11 c.]

- Oxford, Bodleian Library, Bodley 38 [10, 11 c.]

- Braunschweig, Stadtbibliothek, MS 103 [15 c.]

- Chartres, Bibliotheque Municipale, MS 223 [13 c.?]

- Zurich, Zentralbibliothek, MS C58/275 [12 c.]

- Erfurt, Stadtbiicherei, Codex Amplonianus, Octavo 32 [13 c.]

- Miinchen, Bayerische Staatsbibliothek, Clm 4660 (Carmina Burana) [1220-30]

- Miinchen, Bayerische Staatsbibliothek, Clm 18628 [11, 13, 14 c.]

- Miinchen, Bayerische Staatsbibliothek, Clm 4603 [12, 13, 14 c.]

- Miinchen, Bayerische Staatsbibliothek, Clm 4660a [13 c.]

- Miinchen, Bayerische Staatsbibliothek, Clm 5539 [14 c.]

- Miinchen, Bayerische Staatsbibliothek, Clm 6432 [12 c.]

-Cambridge, Jesus College, MS QB1 [13 c.]

- Darmstadt, Hessische Landesbibliothek, MS 2777 [13 c.]

-Cambridge, University Library, MS Dd.xi.78 [13 c.]

- London, British Library, Egerton 2615 [13 c.]

-London, British Library, Egerton 274 [13 c.]

-El Escorial, Bibl. del Monestir, MS Z.II.2 [13 c.]

- Firenze, Biblioteca Mediceo-Laurenziana, Pluteo 29.1 [13 c.]

- Firenze, Biblioteca N azionale, Conventi soppressi F .Ill .565 [11 c.]

-Cambridge, University Library, MS Ff.i.17 (1) [13 c.]

- Sankt Gallen, Stiftsbibliothek, Codex 383 [13 c.]

-Cambridge, University Library, MS Gg.5.35 [11 c.]

- London, British Library, MS Harley 978 [13 c.]

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HBI95

Hu

I.E.22

L316

L324

L3307

M20486

M425

MC318

MU156

PA

P1118

P1139

P1154

P7211

P11867

P146

P15139

P3549

P3719

P887

P25408

PNA1544

R74

RC510

VL2854

VL3227

VL3251

VL7260

VRL344

VRL586

VRL1462

- Stuttgart, Wiirttembergischen Landesbibliothek, HB I 95 [13 c.]

- Burgos, Monasterio, El Codex Musical de Las Huelgas [13 c.]

- Praha, Knihovna Narodniho Musea, MS I.E.22 [15 c.]

- Lille, Bibliotheque Municipale, MS 316 (olim 397 & 95) [13 c.]

- Linz, Bundesstaatliche Studienbibliothek, Codex 324 [13 c.] ( olim 80 & Cc.III.9) t

- London, British Library, ~~~e?.:'e 3307 [15 c.]

-Madrid, Biblioteca Nacionale, MS 20486 [13 c.]

- Montpellier, Faculte de Medicine de L'Universite/Bibliotheque, MS 425 [10 c.]

- Monte Cassino, Biblioteca dell'Abbezia, Codex 318 [10, 11 c.]

- Miinchen, Universitiitsbibliothek, Codex 156 (Moosburg Gradual) [14 c.]

-La Prosaire d'Aix-la-chapelle [13 c.]

-Paris, Bibliotheque Nationale, fonds latin 1118 [10, 11 c.]

-Paris, Bibliotheque Nationale, fonds latin 1139 [11, 12 c.]

-Paris, Bibliotheque Nationale, fonds latin 1154 [10, 11 c.]

-Paris, Bibliotheque Nationale, fonds latin 7211 [11 c.]

-Paris, Bibliotheque Nationale, fonds latin 11,867 [13 c.]

-Paris, Bibliotheque Nationale, fonds franc,;ais 146 [14 c.]

-Paris, Bibliotheque Nationale, fonds latin 15,139 [13 c.]

-Paris, Bibliotheque Nationale, fonds latin 3549 [12 c.]

-Paris, Bibliotheque Nationale, fonds latin 3719 [12 c.]

-Paris, Bibliotheque Nationale, fonds latin 887 [10, 11 c.]

- Paris, Bibliotheque N ationale, fonds franc,;ais 25408 [13 c.]

- Paris, Bibliotheque N ationale, nouvelle acquisition latin 1544 [15 c.]

- Ripoll, Arxiu de la Corona d'Arag6, MS Ripoll 74 [11-12 c.]

- Oxford, Bodleian Library, Rawlinson C 510 [13 c.]

- Roma, Biblioteca Apostolica Vaticana, Vat. lat. 2854 [13 c.]

- Roma, Biblioteca Apostolica Vaticana, Vat. lat. 3227 [10, 11 c.]

- Roma, Biblioteca Apostolica Vaticana, Vat. lat 3251 [12 c.)

- Roma, Biblioteca Apostolica Vaticana, Vat. lat. 7260 [14 c.]

- Roma, Biblioteca Apostolica Vaticana, Reg. lat. 344 [13 c.]

- Roma, Biblioteca Apostolica Vaticana, Reg. lat. 586 [10 c.)

- Roma, Biblioteca Apostolica Vaticana, Reg. lat. 1462 [10, 11 c.)

XIV

VRos205

V se

W116

W1565

W5371

W3610

XI.C.9

- Rome, Biblioteca Apostolica Vaticana, Rossi 205 [10, 11 c.]

- Vipiteno (Sterzing), s.c., quarto [14 c.]

- Wien, Osterreichische Nationalbibliothek, Codex 116 [10 c.]

- Wien, Osterreichische Nationalbibliothek, Codex 1565 [13 c.]

- Wien, Osterreichische Nationalbibliothek, Codex 5371 [15 c.)

- Wolfenbiittel, Herzog-August Bibliothek, Codex Helmstadt 677 [13 c.] ( olim Helmstadt 628)

- Wolfenbiittel, Herzog-August Bibliothek, Codex 1099 [13 c.] ( olim Helmstadt 1206)

- Wolfenbiittel, Herzog-August Bibliothek, Codex 3610 [10, 11 c.] (August 56.16.quarto)

- Praha, Knihovna Narodniho Musea, MS XI.C.9 [15 c.]

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Scribere dericulis •• 2

Clm 18628

3. lam tempus est cognoscere quid feminum gentis composite figure . Quid sit casus inflectere cum famuliorum versis quid copula deiuncta quid signat interiectum conmiscere crurus crura

4. Sunt silve resonabiles philomenarem cantibus tarn flores sunt in pratis . sunt virgines placabiles nostris novis amplectibus

~ .. - u .... quam cu- tus mo - di dis- Cl - te

cui us sit formet querite cuius sint declinationes . qualitatis

4. Sit primo coniugato cum sit presentis temporis . bee amo amas amat . Sint nobis frequens lectio scola sit ombra maneria liber puelle facies quam primitiva species legendam esse clamat .

5. Dum ad choream tenditur gradu pluralis numerus dum cantu conclamisatur . Dum sonet sono redditur iungatur latus lateri quod fixum sit vel mobile quod V eneri flexibile dum cantu conclamatur

6. Hie instat disputatio vincant promtssis precibus non tandem ludo pari Amoris sit relatio sit fervor in amplexibus dum demum vemo tempori iam pratis campis nemori potestis colluctari .

74

Clm 6432

3. Sunt silve resonabiles philomenarum cantibus tarn flores sunt in pratis sunt virgines hie abiles vestris novis doctoribus amplectibus que cuius modi discite cuius sint forme queriterit curus qualitis.

4. lam tempus est connoscere quid feminum generis conposita figura quid sit casum inflectere cum famularum versis quod quid si~ interiect~ dum mtscet crun crura .

[remainder lacking in this source]

P3719 if CB

Clm4603

P3719

CB

Clm4603

P3719 if CB

Clm4603

P3719

CB

Clm4603

Sic mea fata

• • i .. • • • .. '----Sic me- a fa - ta ea - nen

Sic mea fata canendo solor . ut nece

Sic mea fata canendo sono I ut nece

• i ... ... ... • ... • pro- xi - m a fa" - cit 0 - !or.

proxima facit holor . roseus effugit

proxima facit dolo I blandus in est meo

• .. :-=-'; ... ... • • • cor- de do !or ro - se - us e

ore color . blandus inest meo cordi dolor

cordi dolor I rosens roseus essunt ore color .

.. .. ... Cu - ra cres - cen - te me-ro-re

cura crescente Iahore vigente vigore la -

cura cresente I Iahore vigente I vigore la -

75

-

... : do so

... • blan dus

• ... fu - git

P3719,j. 88 CB,j. 82r!v Clm4603, f. 177V

"'; .. ... I or ut

• • e - ret

• i ... "--' 0 re

• • ne - ce

• ... me - 0

. -eo - !or.

vi - gen - te ... ... ..,. vi - go - re

.. la

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P3719

CB

Clm4603

P3719

CB

Clm4603

P3719

CB

Clm4603

P3719

CB

Clm4603

P3719

CB

Clm4603

Sic mea fata -- 2

(/1 ... ... ... ben - te

• (/1 1 mi- s~ me - ri - or. tarn ma - le pec-to-ra

bente miser morior .

bente I miser morior.

...----s f21 • • f21 • i • "" ~- ... • • • • mul- tat mo- ri mo- ri "--' a m or a - or a - or a

Hei morior hei morior hei

Heu morior heu morior heu

• • • • • Jz:::=-;, • • • i • ;:?;; • • • et---' mo- ri - or dum quod a m em CO- gor non a - mor.

morior ut quod amem cogor sed non amor.

morior dum quod amem cogor et non amor

Felicitate Iovem supero . si me dignetur quam desidero . si sua labra semel novero .

Si me dignetur quam desidero felicitate Iovem suppero . nocte cum ilia si dormiero

felicitate Iovem Supero si me signetur quam desidero si sua labra semel suxero

11

una cum ilia si dormiero . Mortem subire placenter obire vitam que finire stari (?) potero .

si sua labra semel suxero . mortem subire . placenter obire . vitarnque finire libens potero

solus cum ilia si dormiero mortem subire placentem rubicem vitentem finire libens potero

76

P3719

CB

Clm4603

P3719

CB

Clm4603

CB

Clm4603

CB

Clm4603

CB

Clm4603

Sic mea fata -- 3

tanta si gaudia non rupero . a . potero . a . potero . a . potero . prima si gaudia encepero .

hei potero hei potero hei potero tanta si gaudia recepero .

hi potero hi potero hi poter et ama si gaudium precepero

[Void-]

Vbera cum animadverterem optavi manus ut involverem

ubera cum animadverterem optavi manus ut involverem

simplicibus mamrnis ut alluderem sic cogitando sensi Venerem .

Simplicibus mamrnis ut alluderem per cogitando tranxi Venere

sedit in ore rosa cum pubore . pulsatus amore quod os lamberem

sedit in ore rosa cum pudore pulsatus amore que o suggerem

Hei lamberem hei lamberem hei lamberem luxuriando per caracterem.

o suggerem o suggerem o suggerem .

77

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P3719

CB*

P3719

CB

P3719

CB

Ludo cum Cecilia P3719,f 28V CB,f 37-38

,t:?e I~.·~ cum Ce - ci-li- a ni-chil ti-me- a- tis. sum qua-si cus-

if • • • to- di- a

• • • ..-.... . ~- ...... mar-ces - cant li- !i - a fra- gi - lis e - ta tis. ne

?""". • :-. ;:;s • ~- ;; ' .--=;=~ ?""". ;; ..... , • • • • • ; • ~- • ... • 11 if

su-e cas - ti- ta tis.

2. Tantum volo ludere tantum contemplari . presens volo tangere . tandem oscufari . quintum quod est agere nolo suspicari .

3. Non est florem tangere. non est res secura. unam sino crescere donee sit matura . spes me facit crescere letum reversura.

4. Gratus super omnia ludus est puelle . et eius precordia omni carent felle . sunt que prestant basia dulciora melle.

5. Amor trahit superos molliori nexu . rigidos et asperos duro frangit flexu . capitur rinoscerus virginis amplexu .

*

6. Amor trahit superos Iovem amat Iuno . motus prebens eteris imperat Neptuno . Pluto premens inferos mitis est lioc uno .

7. Ludo cum virginibus horreo corruptas . et cum meretncibus simul odi nuptas . nam in istis talibus turpis est voluptas.

8. Quicquid agant alii ergo nos ludamus . et quam decet fieri ludum faciamus . ambo sumus teneri tenere ludamus.

9. Iovem cum Mercurio [etc.]

This text, given fully in CB, appears to encompass the text for love cum Mercurio. It also contains the first verse of Amor habet [trahit] superos. In any case, it would seem reasonable to use the melody from the former for this text. This material could be inserted before love cum Mercurio and the whole done as one piece. The melody above is from P3719 while the text is from CB. There is a closely related text ([A]mor habet superos) in Florence, Biblioteca Medicea Laurenziana, Bib/. Aedilum, Codex 197, f. 131v (132v). The latter has two more lines per stanza.

78

P3719

P3719

CB

P3719

CB

love cum Mercurio P3719,f 28V CB,f 37V- 38

ill! • ..... l.Io-ve __ cum_ Mer- cu-ri-o ge-minos tenen-te et a Li - bra

Iovem cum Mercurio geminos tenente . et a Libra

. . . . ~- ~ •; . ..-.... . ~- ...... Ve- ne- re Martem ex-pel- !en - -Venere . Martem expellente . nata est Cecilia

• • • Tauro tunc la-ten

Thauro iam latente.

P3719

2. Natus ego pariter sub eisdem signis pari par coniunctus sum legibus benignis . parious est ignibus par accensus ignis.

3. Solus solam diligo quia sola solum . nee est cui liceat inmiscere dolum . non in vanum variant signa nostra polum .

4. Obicit ab aliquo forsitan amatur sed ut solus dixerim ita refellatur . quod ut dicto maneat sic deterrninatur .

*

te. vir - go nos - tra nas-ci- tur

CB

• ;; ..... , 11 .... te.

2. Natus ego pariter sub eisdem signis. par pari coniunctus sum legibus benignis . par pari pari ignibus par accendit ignis.

5. Solus solam diligo sic me sola solum. non est cui liceat inmiscere dolum . non in vanum variant nostra signa polum .

6. Obicit ab alio forsitan amatur . et que semel dixerim ita revelatur . sed ut dictum valeat mox detenninatur .

3. Si valeret Zephirus ista contemplari. Aurora Tynoaridem velles imitari. satis quinque cederent hie exemplari .

4. Si futuram cemeret . cum beor amicam . non dotata Fronesis cederent lecticam . si illam querens coniugem . relinquor antiquam .

7. Est hoc verbum diligo verbum transitivum . nee est per quod transeat nisi per passivum . ergo cum nil patitur nil valet activum

8. Qui vult scire diem banc hec est maior dea . in qua virgo passa est o quam dulcis pena . his ad presens pluribus gaudeat hec cena .

In CB, the text is set up as if it were a part of the poem Ludo cum Cecilio, which begins on f 37r. Also note the different order of stanzas in the two versions.

79

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P3719

P3549

CB

P3719

P3549

CB

P3719

P3549

CB

Nomen a solemnibus

&" ., .. ..

P3719,ff. 41-42 P3549,ff. 164-164V CB,/ 17

lv • No- men a sol- lem - ni - bus. tra- hit Sol-lem- ni - a - cum

• • • • • • • • • No- men a so - lem - ni - bus. tra-hit. So-lem- ni - a - cum

Romen a sollempnibus trahit Sollempniacum .

• • • • • • • sol - lem - ni - zent. i - gi - tur om - nes pre - ter mo- na- cum

• • • • - • - -• • -so - lem - ni - zent i - gi - tur om- nis pre- ter mo- na- cum

sollempnis exigitur omnis preter monachum .

- • - • - • ~ - hl - ~ - ri - li - a re - se - ea - vit Ser- ra- cum

I~ • W qui

-- • • si - bi vi - ri - li - a re - se - ea - vit Ser- ra- cum

qui tibi virilia resecavit Sarracum

98

Nomen a solemnibus •• 2

P3719 - -il - lum hinc ex - ci - pi - mus qua- si de - mo - ni - a - cum .

P3549 ll • W hinc

- - •. • il - lum ex - ci - pi - mus qua- si de - mo - ni - a - cum

CB ilium hinc accipimus tanquam demoniacum .

P3719 • • 11 • • • - -ip - se so - Ius lu - ge - at re - us a - pud e - a - cum.

P3549 I~. • • 11 • • • • • ip - se lu - ge - at pud so - Ius re - us a - e - a - cum.

CB ipse solus lugeat reus aput eacum .

P3719 • • • -• -Ex-ul- te- mus et le - te - mur can - ti - cum le ti-ci-e

P3549 ll • W Ex - ul - te - mus et

• • le - te - mur can - ti - cum le ti-ci-e

CB Exultemus et cantemus canticum victorie .

99

l

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P3719

P3549

CB

P3719

P3549

CB

P3719

P3549

CB

Nomen a solemnilms a• 3

if iiiiiP M , 11!! tiiP 4IIP tiP tiiP tiiP tiiP illit tiiP illit tiiP

tiP

ac red- da- mus quas de- be- mus lau- des re- gi glo- ri - e

if illit 4IIP tiP illit e N illit tiiP • e iiiP • illit e •

ac red- da- mus quas de- be- mus lau- des re- gi glo- ri - e

et clamemus quas debemus laudes regi glorie .

if illit • • illit illit illit • t/1) • [•] • • iiiP • • qui sal- va - vit ur- bem Da- vit a pa- ga- nis ho- di - e.

illit • • • • • • • • • illit • M • • if qui sal- va- vit ur- bem [D]a- vid a pa- ga- nis ho- di - e.

qui salvavit urbem David a paganis . hodie

Pes-turn [a]- gi - tur di - es

if . . . . . . . Pes-turn a - gi - tur di - es

illit iii!P e • "

re - eo - li - tur in

illl! M e iiiP e

re - eo - 1i - tur in

festum agitur . dies recolitur . in qua Dagon frangitur .

100

.61lllto ..... • - - . . . quo Da- gon fran- gi - tur

• tiiP jllll • • fll

qua Da- gon fran- gi - tur

Nomen a solemnibus -- 4

P3719 e e e m illit e iiiP e e e • illit e iiiP • e • 4IIP iiiP 4IIP t~~ •

et A- me-lee vin- ci- tur na-tus A- gar pe1-li - tur le- rhu- sa-l em e - ri - pi- tur

P3549 e t~~ • • illit e • • e • • illit ~ • e e e e 4IIP • • •

et A-me-lee vin-ci- tur na-tus A-gar pel-li - tur The- ru- sa-le m e- ri- pi- tur

CB natus Agar pellitur . Abimelech vincitur . Jerusalem eripitur .

P3719

11 P3549

if 11 • • jl!!! • • • i!ll! i!ll! • • fill • iiiP tJ) • iiiP

et Xpris- ti - a - nis re- di- tur di- em eo- la- mus i - gi- tur.

if EJ}. C1 1 : 11 • • • • • • • • • • iiiP ~ ...

et Xpis-ti- a- nis red -di - tur di- em CO- la - m us i - gi- tur.

11 CB et Xpistianis redditur . dies colamus igitur.

IV. P3719 Hec urbs nobilissima prima re gem habuit . in hac urbe maxima domino conplacuit .

P3549 Hec urbs nobilissima prima re gem habuit in hac urbe maxima domino conplacuit

CB Hec urbs nobilissima primum regem habuit . hec eadem maxima domino conplacuit .

101

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Nomen a solemnibus - 5 Nomen a solemnibus - 6

P3719 in ac propter hominem crucifici voluit . hie super apleror spiritus intonuit . P3719 Tanto lucis claritate superatur sole luna . tanto vicit sanctitate omnes urbes hec urbs una .

P3549 in hac propter hominem crucifigi voluit hie super apleror spiritus intonuit. P3549 Tanto lucis caritate superatur sole luna tanto vicit sanctitate omnes urbes hec urbs una

CB et super apleros spiritus intonuit . Exultemus . CB (VOID--)

V. P3719 Urbs insignis ad quam ignis venit anis singulis . quo monstratur quod amatur omnibus in P3719 non elegit frustra locum Gebuseus areuna . Festum.

P3549 Urbs insignis ad quam ignis venit annis singulis quo monstratur quod amatur omnibus in P3549 non elegit frustra locum Gebuseus areuna . Festum .

CB (VOID~) CB (VOID~

P3719 seculis . honoranda frequentanda regibus in populis. Festum agitur.

P3549 seculis . honoranda frequentanda regibus in populis. Festum.

CB (VOID~)

VI.

P3719 Urbs sacrata celitus ad amata superis . regis tabernaculum templum arche federis .

P3549 Urbs sacrata celitus ad arnica superis regis tabernaculum templum arche federis .

CB Urbs sacrata celitus et amata superis . legis tabernaculum . templum arche et federis .

P3719 hospitalem pauperum et asilum miseris . non timebis aliquod dum in ea manseris.

P3549 hospitalem pauperis et asilum miseris non timebis aliquod dum in ea manseris.

CB hospitale pauperum . et asylum miseris . (VOID,--_,. )

102 103

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Clauso cronos et serato G383, pp. 158-62 CB,ff. 29-29V Clauso cronos -- 2 P1139,f 4'JV

G383 @ e e e ~

" iiiP e e ilil' ... e iilll! e

cro- nos et se - ra- to car- ce - re ver ex it

G383

Clau- so

~m. r"-.

• • tiP • • • •• • • • • • • • I • Pur-pu-ra- to flo- re pra- to ver te- net pri - m a turn

CB Clausus chronos et serato carcere ver exit CB purpurato floret prato . ver tene primatum

P1139 [C]lauso cronos et serato. carcere ver exit P1139 Purpurato flore prato . ver tenet primatum .

G383 if . . to __ _

tll • ~ . . ... ; tll 11 G383 • •

ri- su Io- vis re- se-ra fa- ci- em __ de-te - xit.

• • • • • • • • • • • ex ar- gen- ti re - ni - ten- tis spe- ci - e

• • 11 re na- turn.

CB risu Iovis reserato faciem detexit CB ex algenti renitenti . specie renatum .

P1139 Risu Iovis serenato . faciem detexit . P1139 Ex argenti renitenti . species renatum

11.

if , .... ... , , .....-.,._ • • • • • G383 • • • • • Co-ma ce- lo ru- ti - lan- te Cin- ti - us e - mun dat

G383 • • • • • • • o - do- ra cla- mi- de ves- ti vit re- rum flo- ra

CB [lacking] CB [lacking]

P1139 Coma celum rutilante . Cintius emundat . P1139 lam odora Ream Flore clamide vestium .

G383 .11 G383 ill! • ?' :'; 11 • • • et se- re- no fe- con-dan te a-e-ra __ fe- con - dat. ri - den- ti et flo- ren- ti spe- ci - e I as ci - vit.

CB [lacking] CB [lacking]

P1139 Et sereno fecundante . aera fecundat . P1139 que ridenti et fletenti species lascivum

104 105

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Clauso cronos -- 3

G383 f" ... • • .. iifll! • iifll! iifll! • iifll! • iifll! • I • Ver-nant ve - ris ad a - me- na tig- m a ro- se li li

CB Vemant veris adamena thima rose . lilia

P1139 Vemant veris ad amena tima rose lilia .

if ...---..:. ill! G383 ~-

ill! • • • ill! ill! • ill! • ill! ill! • His al- lu- dit phi-lo- me- na me-rops et lu- ci- ni-

CB hiis alludit filomena melis et lascivia.

P1139 His adludit philomena meris et lucinia

fL • ill! ill! • G383 • .. ill! ill! • • • • I •

Sa- ti ros hos ex- ci - tat et dri- a - dum cho- re -

CB Satiros hoc excitat et driadum chorea

P1139 Satiros hoc excitat e driadum coreas .

if • • • ill! • G383 • • • • ill! ill! ... • re - di - vi vos ex - ci - tat hoc ig - ni - bus Na-pe-

CB redivivis incitat hoc ignibus Napea.

P1139 redivivis incitat hoc ignibus Napeas.

106

• a

• 11 a.

• a

• 11 a.

G383

CB

P1139

G383

CB

P1139

G383

CB

P1139

G383

Clauso cronos -- 4

f VII. • iifll! iifll! • • I •

Hoc Cu- pi- do con- ci

iifll!

tus hoc a - mor in

0 Cupido conscitus hoc amor innovatur .

hoc Cupido concitus hoc amor innovatus .

if • • ill! ill! • • • • • ill! ill!

hoc e - go sol - li - ci - tus hoc tn1 - chi me

hoc ego sollicitus hoc michi mens servatur .

hoc ego sollicitus hoc mihi me furatus .

lfVIII. • ., • • • ill! • • • • ill! • ill! • ill! • ill! ••• ill!

no- va- tur

ill!

fu -

• ill! •

• • ra- tur.

ill! • • ill!

Ignem alo taciturn . amo nee ad placitum . ut quid contra libitum cupio prohibitum .

Ignem alo taciturn amo nee ad placitum ut quid contra libitum cupio proibitum

11

• • ill!. ill!. • ill! ill!.. ill!. ill! if . . . . . . . . • iifll! ill! ··-11

vo-ti Venus meritum ratum fa-cit ir-ri-tum trudit in m-terntum quem rebar emeritum.

CB votis Venus meritum rite facit irritum trudit in interitum quem rebar emeritum .

P1139 votis Venus meritum rite facit irritum trudit in interitum quem rebare meritum .

107

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Clauso cronos -- 5

~IX. liP

G383 'v . · · · . . · . •-:::. St qms a-mans per a-ma-re me- re

Quas fra-gi-les mi-chi cer-no me- de ri pos las pos

• set

,-.. ... • ... • a- m a ri

CB

P1139

G383

CB

P1139

G383

CB

P1139

G383

CB

P1139

Si quis amans per amare mereri posset amari [lacking]

Si quis amat quid amare merere posset amari Que faciles mtchi cemo medelas . Posse parari

if• il! • Ill il! il!

-~"' il! • • ;

vel-let a- mor me-a da- gna me-de tot ste- ri - les i - bi per-do que-re

posset amor michi velle mederi tamdem beare quod faciles ibi perdo querelas absque levare .

Posset amari michi velle mederi . dando beare . tot steriles ibi perdo querelas atque levari .

Ill

ri I as

-se pa-ra - ri

-~"' ; • il! • ::.; Ill : 11

vel mo-de- ra ri abs - que le- va - ri.

I • • • • • ~X. il! • • • • • il! •

• il! • 11

vi- gen-te mot:-te me-dul-li- tus os- sa te- nen-te

[lacking]

Imminet exitus igne vigente . morte medullitus ossa tenente .

1~ ;:.; ........ ;fii ••••••

Quod ca-ro predt-cat hec ma- ce-lanta hoc st- bt vendi-cat us- que peremp- tor.

Hoc amor predicat hec macilenta hoc sibi vendicat absque perempta .

Quod caro predicat hec massilenta hoc michi vendicat usque perempta .

108

G383

CB

P1139

G383

CB

P1139

G383

CB

P1139

G383

CB

P1139

I~

Chmso cronos ·- 6

Dum mala sentio summa malorum pectora saucia plena furorum Est Venus artibus usa nefandis dum bene palliat aspera blandis .

dum mala sentio summa malorum pectora saucio plena furorum [lacking]

2

• • • il! • • : 11 z il! • il! il! • • ; il!

pel-le - re de- bi - ta ni - tor a - mo-rum un- gui- bus a - thra - it 0 - ra pan- dis.

pellere nitor illorum . unguibus atra -

pellere semina nitor amorum . [lacking]

hit omnia pandit .

......

11

Par - ce da - to pi- a Ci-pns a- go - ne et qui- a vincimur arma re-

Parce dato pia Cypris agone . et quia vincimur arma re -

Parce dato pia Cypris agone . Et quia vincimur arma re -

pone et quibus est Venus est et Dione .

pone . et quibus es Venus esto Dione .

109

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F

CB

Ar384

F

CB

Ar384

F

CB

Ar384

F

CB

Ar384

if

A globo veteri

., .. .. A glo-bo ve-te-ri [Lacking in this source~]

cum re - rum fa- ci- em

E globo veteri dum rerum faciem traxissent superi . Que_ causas machine mundane suscitans . de nostra virgine .

[A] globo veteri cum rerum faciem traxissent superi Que causas machine mundane suscitans de nostra virgine .

g ; ' • • • • • • • • • • • ... il ..

F,f. 446V CB, f. 26 rlv Ar384,f.233 v

ill - •

tra- xis - sent su- pe- ri .

• • :77• • mundique se - ri- em pre- dens ex- pli- cu- it et tex- u- it na-tu ra

mundique seriem prudens explicuit et texuit . natura iam dudum cogitans . plus banc excoluit . plus prebuit decoris .

mundi que seriem prudens explicuit et texuit natura . iam dudum cogitans . plus banc extoluit plus prebuit honoris .

if. ; -i i ; 11 • • .;;=;:;; • • • • • • •

1am pre- con- ce - pe- rat quod fu- e- rat fac- tu ra.

if

iam preconceperat . que fuerat factura. dans privilegmm et premium laboris.

iam preconceperat quod fuerat factura . dans privilegmm et premium laboris.

11. eq ... ... ... ... • • • • • In hac pre ce- te- ris to- ti- us 0 -

G • pe - ris

In hac pre ceteris . totius operis . nature lucent opera . Et que puellulus amara singulis solet partiri singula .

In hac pre ceteris totius operis . nature lucet opera . Et que puellulis avara singulis solet partiri singula .

116

• • • • ... na- tu- re lu-cent o -

. .. pe-ra.

F

CB

Ar384

F

CB

Ar384

F

CB

Ar384

F

CB

Ar384

A globo veteri -- 2

; ........ • ... " =; • ; i ... ... ,; • • ... ... • • ... ... ... ... • ... ... ... ... •

tot mu-ne-ra nul-li fa- vo-ris con- tu. lit . sed ex- tu-lit hanc ul-tra ce - te- ra.

tot munera nulli favoris contulit . sed extulit banc ultra singula . huic sedula inpendit copiosus et plenius forme munuscula .

tot munera nulli favoris contulit . sed extulit banc ultra cetera . huic sedula inpendit copiosus et plenius forme munuscula .

. ... ... • • . .. • • • Na-tu-re stu-di-o lon-ge ve-nusta- ta. conten.dit li

... • ... • ; i li- o ru- gis non

Nature studio longe venustata . contendit lilio rugis non crispata . Omnes amantium trahit in se visus . pandens remedium verecundi risus .

Nature studio longe venustata . contendit lilio rugis non crispata . Omnes amantium trahit in se visus spondens remedium verecunda risus

• •••••• frons __ ni- ve-a. sim- pli-ces sy- de- re- a

frons nivea . arcus supercilia discriminant gemelli . lascivia simplicis siderea luce micant ocelh.

frons nivea . simplices syderea luci micant ocelli. lascivia . arcus supercilia discriminant gemelli.

_....,.. . . . , . ~-lu- ce mi-cant o- eel

. ... . . . ., . . . ., .

.. i ; - .. crispa - ta.

li.

Ab u- tri-us-que lu- mi-nis confi- ni- o mo-de- ra- ti li- bra-mi-nis in- di -. .. ti- 0

Ab utriusque luminis confinio moderati libraminis inditio . Allicit verbis dulcibus et osculis . castigate tumentibus labellulis .

Ab utriusque luminis confinio . moderati libraminis indicio Allicit verbis dulcibus et osculis castigatis tumentibus labellulis

117

11

11

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F

CB

Ar384

F

CB

Ar384

F

CB

A globo veteri -- 3

. . . ... . "" .. . va- ri- is e- mi-nenti- a

• • • --=:::::~ • • • pro-<lu- ci- tur ve--nus te

"" • • • ; JP • .. quadam tempe- ran - ti - a .

naris eminentia producitur venuste . quadam temperantia . roseo nectareus Odor infusus ori . panter ebumeus

naris eminentia . producitur venuste quadam temperantia . roseo nectareus odor infusus ori . panter ebumeus

. . . ., ~ :'-. .. . . . ~ ........ . . •; nee mi-nus e - ri gi- tur nee pre- mi- tur in- ius

nee nimis erigitur . nee premitur iniuste . sedet ordo dentium . par niveo candori .

nee nimis erigitur . nee premitur iniuste . sedet ordo dencium par nives candori.

[Music and text lacking in this source ____,. ]

• 11 te.

V. Certant nivi micant lene. pectus mentum. colla gene . sed ne candore nimio evanescat in pallorem .

Rapit michi nectar diis privilegia data donis et gratiarum flosculis . nam natura dulcioris alimenta dans erroris .

precastigat hunc candorem . rosa maritans lilio prudentior natura . ut ex hiis fiat aptior . et gratior iunctura .

dum in st~porem pop:ulis hanc ommbus ostend1t . in risu blando retia venerea tetendit .

Ar384 V. Certant nivi micant lene. pectus mentum. colla gene . sed ne candore nimio . evanescat in pallorem precastigat hunc candorem .

Rapit mihi me coronis . privilegiata donis . et gratiarum flosculis . nam natura dulcioris . alimenta dans erroris . dum in st~porem pop:ulis .

rosam maritans lilio . prudentior natura . ut ex hiis fiat aptior et gratior mixtura.

118

hanc ommbus ostend1t . in risu blando retia veneria tetendit.

CB2

EZ.II.2

CB1

CB2

EZ.II.2

Veris dulcis in tempore + CB, f 64 (CB2) EZ.II.2,f 287 CB,f 36 v (CBI)

if ~ .... n n ~-#'4;.~ •••• ....-. oGo ~-~• 1. Ve - ris dul-cis in tern - po - re___ flo- ren- ti stat sub ar - bo - re ___ _

if • • "" ~ • • ~ ~ .. • "" • • • • • Ve-ri dul- cis in tern- po re flo- ren- ti stat sub ar- bo re

Veris dulcis in tempore. florenti stat sub arbore.

if 11 Pi ~ ?

.-----~ Pi ~ • • • • • • ... • • Iu li - a - na cum so ro - re -- dul - cis a - mor.

if Fil ; ..,_

~ • =- 11 • • ; - ' • • • • ... • • Iu - li - a na cum so - ro - re. dul- cis a - mor.

CB1 Iuliana cum sorore dulcis amor.

Refl:

CB2 if 11 r- -=--;;.? -. ~ • • • • 7 • • ... , ... •

Qui te ea- ret hoc tern - po-re ___ fit vi li - or.

EZ.II.2 if ~ ] .. ----. [ ] [ ] 11 ~ • • • • Qui te cha - ret_ in_ tern- po - re fit vi - li - or.

CB1 Refl: Qui te caret hoc tempore fit vilior.

119

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CB2

EZ.II.2

CBl

CB2

EZ.II.2

CBl

CB2

EZ.II.2

CBl

Veris dulds in tempore -- 2

2. Ec - ce flo-rescunt ar - bo - res la - sci- ve canunt vo - lu - chres __ _

if

ill " .. " " .. -. ; .;,. . . .. • Ec- ce flo- res-cunt ar- bo - res la- sci- ve ea- nunt vo- lu- cres

Ecce florescunt arbores . lascive canunt volucres .

~ _;;;

" • • • • in de te - pes- cunt vir

inde tepescunt virgines dulcis amor.

inde tepescunt virgines . dulcis amor.

--s; .... • .. z;e­ill .. ill

gi-nes. • ill

dui - cis

11 .. ill

a - mor.

. . . . :--;;, :--;;, .-;;;..-.; 3. Ec - ce florescunt li - li - a et vir-gi--nes dant ag- mi - na __ _

Ecce florescunt gramina et virgines dant agmina

Ecce florescunt lilia . et virgines dant agmina .

120

CB2

EZ.II.2

CBl

CB2

EZ.II.2

CBl

CB2

EZ.II.2

CBl

Veris dulds in tempore -- 3

if A A z = " " " " " ; sum - m a de- o- rum car - mi-na

summo deorum carmina . dui.

summa deorum carmina . dulcis amor.

4. Si te-neremquamcu- pi - o __ _

Si vitarem quod cupio proscribis sub exilio

Si tenerem quam cupio . in nemore sub folio .

if r- A :' • • • • • • os cu - la - rer cum gau - di- 0

vel pro regis filio dui.

oscularer cum gaudio.

121

;;

in

;;

A dui -

ill

cis

11 .. ill

a- mor.

.... ~ ~ ~;;._ ne- mo-re sub fo - li - o __ _

............

~-dui -ill

cis

11 .. ill

a- mor.

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L324

CB

Dulce solum L324,f 83v CB, f 50 v C223,f 66 rlv HBI95,f 73

I~ • ·•~i· · . ·~~· ·•~· · ••=~· · · •i:;·•·~ 1. Dul-ce so- !urn na- ta - Its _ pa- tn - e do- mus io - ci tha-la m us

I~ • ~ ••• ;;; ;:-; .. .$i. ~~ •• •• ••• 1:- .,:."ii 1. Dui- ce so- !urn na- ta lis pa- tri - e . do- mus io - ci . tha- la - mus

C223 * I i: ..:.. ' • • V ...... :;.-... ;;~ . .... .... . -~- . do - mus io- ci

HBI95

L324

CB

C223

HBI95

L324

CB

C223

HBI95

1. Dul-ce so- lum na- ta lis pa - tri - e ta - la - m us

2. Dulce solum natalis patrie domus ioci thalamus

I~ • ~ • • • • • • • • • ~ ••. ••· • • ••~·•· •.:;.11 gra-tl- e vosre-lin:Juamautcrasautho-di- e per-i- tu-rusa- mo ris ra-bi - e.

gra- ti - e . vos re- lin:Juam aut eras aut ho- di - e . pe-ri- tu-rusa- mo - ris ra-bi- e. Exul.

. .... . ,.... 11 pe-ri - tu- rus a- mo - ris ra- bi - e exul .

gracie vos relinquam aut eras aut hodie periturus amoris rabie.

I~ • ;;;;; ••• ;;:;G •• ;;-;, •• ;::;, ••• -~:;-••• 2. Va-le tel-lus va-le te so-ci-i quos be- ni-gnofa-vo re

• ;; . 2. Va-le tel- Ius va-le te so - ci - i . quos be - ni - gno fa - vo

• ;~. jiP •

quos be - nig- no

1. V ale tell us valete socii quos benigno amore

* C223 was lost during the war. This version is taken from the facsimile in Walther Lipphardt, "Unbekannte Weisen zu den Carmina Burana," Archiv fUr Musikwissenschaft, XII (1955), 122-142. The ordering of verses (and thus, technically, the incipit) differs in HBI95.

122

re

Dulce solum -- 2

L324

co-lu- i et me ve-ri con-sor-temstU-di- i de-plan-gi-te qui vo-bis __ pe-ri- i.

CB • • co-lu - i. et me dul-cis ex-per-temstU- di- i. de plangi- te qui vo bis pe-ri - i. Igne.

C223 [VOID

HBI95 colui et vos dukes confortes studii me plangite qui nobis perii.

L324 -- .... . . 3.Quod set flo-res m Y blis val-li - bus et quod Tod- naves- ti tur fron di - bus

CB I~ • ~- •• ~· • •;:,. • •• ••• ~ zc . •;-;.. 3.Quot suntflo-res m Ib - ble val-h- bus.quot re-dun-datDo- do- na frondi- bus.

C223 . ... ..... ., ... Y - ble val-li - bus quod Tod- naves- ti - tur fron-di - bus.

HBI95 4. Quot sunt apes my de valibus Quot vestitur Dydona frondibus

L324

et quod ma-nant pis- ces e - quo-ri - bus tot ha- bun-dat a- mor __ do-lo- ri - bus.

CB ;;. • • et quot pis- ces na- tant e - quo-ri - bus. tot ha- bun-dat a - mor do-lo- ri - bus. Usque.

C223 • / --- ••• :;;i. ;;~, 11 . ... . . . . ....... .....,. . . . .... aut quot pis- ces na- tant e- quo-ri - bus tot hab-un- dat a- mor do-lo- ri - bus.

HBI95 et quot natant pisces equoribus tot habundat amor doloribus.

123

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L324

CB

C223

HBI95

L324

CB

C223

HBI95

CB*

CB

CB

Dulce solum •• 3

I~ • •;:;. ••• •;~•;. •;;; •• ;;;, ••• ;;...-..•;. •;;,. 4. Ig-ne no-voVe-ne - nssau-ct- a mensque pn-usnonno vit ta-li- a

I~ • ~ ••• ;:;;-;.-..:;;. •;;; •• •; ••• il"~-.:;;. •;:;.. 4. lg-ne no-vo Ve-ne ris sau-ci- a.mensquepi-a nonno vit ta-li- a.

[music and text excised here ] ___,.. que pia non novit talia .

3. Igne novo Veneris saucia mensque prius non novit talia

... ... ut tes- tan- tur ve- ra prO- ver- hi - a u - hi a - mor i - hi __ _ mi-se- ri - a. ·

.. . ;:;,. 11 . ;;. ... ... ... . ut fa-ten-tur ve-ra pr0-ver-bi- a. u- hi a- mor i- hi __ mi- se-ri- a.Gratis.

~ ............ -~- .. testantur vera pro- ver- b1- a u - b1 a - mor 1 - hi

nunc fatetur vera proverbia ubi amor ibi miseria .

I~ • ~- •• ;;;-;~:;;. •ii';; •• ~ ••• ;~GO. iiii'),. 5. He- u dol- ce quam di - ra pre- mi- a. flamnia ea-let a -man - tes ni- mi - a.

I~ ••••• •; •• ir"ii~. •;; ••• ;;;;;: ••• •..-:;,. 11 no- va nu- trit Ve-nus sus- pi - ri - a . un- gent e- am quan-do dui- ci - a . Nimis.

Semper ad omne quod est mensuram precere prodest. Nam sum mensura non stabit regia cura.

* The fifth verse is lacking in the other three sources.

124

CB

PA

CB

PA

CB

PA

CB

PA

Victime novali finke *

I~ I.

... • ; ; , .... .. , .. Vie- ti - me no - va - li rin - ke

I~ • • .., , , • .... Vie- ti - me pas- ea - li lau -

; ; • • , ses. im- mo- lent

... • .. , des im - mo- lent

• de

CB,f 94 PA,p. 22

• - ci -

; a

... • Xpis- ti - a

; .. - ni.

, - ni.

I~ II~ • • • • • • • • • • •• ~- • • • • • ..... :11 Ses rin-ke ab- stra-xit ves-tes e-quumcappam et pel-les ab- stra-xit con-fes-rim: pos-ses-so-:.

Mors est sor-ti- ta du-el- lo con. fli- xe- re mi-ran.do tan-demtresDe-ci- i vi-ce-runt il-Ium.

I~ • • • • • • • • • • • • • • :11 . - . , - , . , .... . ... . , ·-

A- gnus re- de- ffilt o- ves Cns-tus m- nO- cens pa- tn re- con.c1 - h - a - v1t pec-ca- to- res. Mors et vi- ta du-el- lo con-fli- xe- re mi- ran-do dux vi- te mor- tu- us re- gnat vi- vus

Ill.

I~ • • • • • • • • • • ••••• i50.. ••••••••• ;;J .. ...... Nunc clamat o fortuna quid fecisti pessi-ma. Vestitum ci- to nudas-ti et di-vi-tem e-ge-no coe-quasti. Per tres falsos tes - tes abstraxis- ti vestes. Ses rinke surgantspes mea procedant c1-to mta-bu-le-a .

.., • .. • • .. ... • ... ......................... :11 ..... , , .... , .... , , , Die no-bisMari- a quid vi-dis-ti in vi-a. sepulchrum Xpisti viventis et gloriamvi-di resurgentis. An- ge-li- cos tes-tes su-da-ri-um et vestes . surre-xit Xpistus spes mea precedet suos in Ga ly-1e- am.

IV .

... • ~ ·11 . . ..... -... , ........... "' ..... .. Cre-dendum est ma-gis so- Ii. ses. rinke quatter. vera- ci quamdri tus es ic- tu fal-la- ci. Sci- mus is- tos ab- stra-xis- se ves-tes lu- so -ri- bus ve-re tu no- his vie- tor ses misere- re.

... . .. .., • .. • • • ... ... • ... • :11 • • • • • , .... .. .. Cre-dendum est ma-gis so- li Scimus Xpistum sur- re - xis- se

Ma-ri- e ve-ra- ci quamiu- de- o- rum tur- be fal-la- ci. a mor-tu - is ve- re tu no- his vie- tor rex mi- se- re - re.

* The piece from CB is a part of the so-called "Gambler's Mass" and as such is a parody of the well-known sequence Victime pascali. Given here are the neumed version from CB and the original sequence taken from the Proser of Aix-la-Chapelle.

125

Page 21: Secular Medieval Latin Song: An AnthologyThe inclusion of secular songs in predominantly sacred manuscripts and vice versa is but one indicator that the notions of a "Goliardic society,"

Dum iuventus floruit + Dum iuventus floruit -- 2 CB,f4

I~ .... .. --- :;s A ; -• • .. .. "' • ; .. • .. 1. Dum tu- ven-tus flo- ru it . li CU- it et li bu- it

I~ •• ... ill! .. • • • 4. Vo-lo re. lin - que- re cor- ri ge re __ re - si - pis- ce

I~ - --- ;: -s; ; A --- ----....... • • • • - • • • -• • re de- in- ceps in- ten dam --=

?' :;?'; A --- ::; - ; s • • - ... • • • - -• .. - - ; fa- ce-re quod pla-cu it iux-ta vo - lun-ta tern

r;:., n n .--7•

,...._ ...... -- -:::?'; -11 • • ; • • • • • • • .. .. .. cur-re- re __ per a - ge re car-nis vo - lup - ta tern. se- ri- is __ pro vi ti- is ___ _ vir- tu- tes __ re- pen dam.

I~ ••••• :-. ~"i> .. • .. • 2. A mo-do sic a- ge re. vi ve- re tarn li be- re

I~ •••••• ----....... ~ ;--. A --- :> • • ; • - • • • • • • ; re vi- ri ve - tat e tas. ta- lem vi- tarn du-ce

I~ ••• Gi> • :-';,; ~ ; 11 per-i- mit et__ ex-i mit __ le-ges as - su-e tas.

_;;= :>; - A -s • • • • • ; • - • • • .. • .. • • 3. E- tas il - la mo-nu it. do - cu- it con-su - lu- it

I~ •••••• sic et e - tas an - nu it---

• • ni- chil est

• • • ex- clu sum.

I~ •• no om-ni-a_

?'"""'- : ; # s ::; -s: 11 ~- • • • • ,, • • • - .. • - .. •

cum ve ni a con-tu- lit_ ad u sum.

130 131

Page 22: Secular Medieval Latin Song: An AnthologyThe inclusion of secular songs in predominantly sacred manuscripts and vice versa is but one indicator that the notions of a "Goliardic society,"

Estivali sub fervore + CB, f. 34r/v

... ; ~ i/11 • 1 i/11 i/11 i/11 n ... ;: ~ i/11 i • 1 i/11 i/11 '--"' '--' '--"'

1. Es-ti va- li sub fer - vo- re quando cun-cta sunt in flo- re.

; -• • 1 n ;;: • ........... ... • \ ; - \ i/11 i/11 • • • ~ . • • • ...__./

if.~ to- tus e- ram in ar - do-re sub o - li- ve me-e de - eo- re

if P;; • •• • •• 1 7~. ..__._ . • ••• re de- ti -es - tu fes - sum et ar - do

. -=· . .;--;, • • • 2. E- rat ar - bor hec in pra- to quo- vis

if. R • • • her- ba fon-tem si- ta gra-to. sed et

;::;-:-; • 1 ;~--:.. • 11 ..__._ ne bat mo ra.

. ..-. . ;-~ .. flo- re pie- tu ra- to

• • urn- bra fla-tu da-to.

if ... ~ Pi ? -. 11 ... • • .. • • • • .. • • • sti - lo non pix- is - set Pia- to lo - ea gra ti - 0 - ra.

• • • • • 3. Sub est fons vi va - cis ve- ne. ad est can-tus phi-lo - me -ne.

if. n • i • • • • .. --~ • • Na-ya - dum - que can- ti le - ne . pa - ra dy - sus hie est pe- ne.

if ..-ii • • • .. • • •• n ;:::~ .;~ • • 11

non sunt sci - o lo - ea pie - ne . his io - cun - di o- ra.

132

Estivali sub fervore •• 2

4.

5.

6.

Hie dum placet delectari delectatque iocundari . et ab estu relevari . cemo formam singulari . pastorellam sine pari . colligentem mora .

In amorem vise cedo . fecit Venus hoc ut credo . ades inquam non sum predo . nichil tollo nichilledo . me meaque tibi dedo . pulchrior quam flora .

Que res~ndit verbo brevi . ludos vtri non assuevi . sunt parentes michi suevi . mater longioris evi irascetur pro re levi . parce nunc in hora .

133

Page 23: Secular Medieval Latin Song: An AnthologyThe inclusion of secular songs in predominantly sacred manuscripts and vice versa is but one indicator that the notions of a "Goliardic society,"

Estivali gaudio + CB,f 34v

~'- ... ~t ........... . \..._} .. .... ~t .. 1. Es- ti - va-li gau di- o tel- Ius re - no- va-tur .mi-li -tan- di stu-di-o Ve-nus ex- ci - ta-tur.

gau - det cho -

.. .. .. .. .. .. . . . .. .. .. .. . .. rus iu- ventumdumtur- ha frequens a- vi- urn .gar-ri- tu

..... j .. 11 ....._,.

mo-du-la - tur.

if :e: • • • • • • • • • • • • • • • • • • • • • • • • • • • Quanta suntgaudi- a a- manti et a -ma-to si- ne fel-lis ma-cu-la di-lec-te so - ci- a- to.

1- ·J . ·J ............•.•.... 11 iam re- ver - nant om-ni- a no- his de-lee- ta- hi-li- a hyemps e- ra -di- ea- tur.

if ... .. . 2. Or- nan- tur pra- ta

! 2.

3.

[neumes cease-- ]

[Omantur prata] floribus varii coloris . quorum de1ectatio causa fit amoris . gaudet chorus iuvenum dum turba frequens avium garritu modulatur.

In calore vivido . nunc reformantur omnia . hiemali tedio que vulvere languida tellus ferens gramina decoratur floribus et vestiuntur nemora frondosis arboribus .

4. Annorum officii hec arrident tempora . geminatis socii restaurantur federa . festa colit Veneris puellaris curia . propinat amor teneris amaris miscent dulcia .

134

Remigabat naufragia + CB, f 53r/v

~ I I V •·• .. "' ;;;;; .. .-;:" .. ;; ;;., • •:• .,-;." :---'; • • .. • .. ... •

1. Re mi - ga- bat . nau..fra- gus o - lim

if · . •Q• S • .; ;;; iiG;;;; if-~· • i;;:~. ~ ~; •:. ;o ~-~ ~ tu.fu if o;;oa;;:; •• • • • • • • • •:.;o~ • .-;;;,tGo;;;

re - ha- tur pe- la- gus A- qui-lo- nis or tu.

if .... •i:o ••••••• ·•;;;~.~ ....... . dum na-vis ab e - quo-re di- u quas-sa- re- tur . non fu- it in lit- to- re if . . . . . . . -~.~if-~ • .;-~~~;;;~.;-. :;;;;11 qui con- pa - te - re tur .

If :-~ · •z::~ :.~ P ••• ~ .;;;'ii ~ #i';; • • • • • • • 2. Tand - - - - - dem du-o pu- e- ri por-tum

If . . · •Z:• =~ • i;;:;; £:;; ~ :-~ • •: • ? :.;; . •"'"· •. ~ in ve re. fa if :;;;;~;;;:; .......... Q .... --=~i~~

ti - ga- to pau..pe- ri vi- tarn red-di- de re. If . . . . :=:;, • • • • ii ~ • • • -~ IY.@'· • • iu- ve- num dis- ere - ti - o sig-nant __ e - por turn ce- dit huic

if • • • . • . • A • • ;o~ ... ~;AO •• ft&•~ 11 corn-pen- di - o quie-quid est dis - tor turn.

135

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Ecce gratum et optatum+

if 0:3 • • • R • • • • ;o--. ; -• du 1. Ec ce gra- turn et op - ta - turn ver re

; ......

re

if . . .. -. . . . . . . ..-. ~-~-ra turn~-m ~-turn.~~

if . ..-. . --~ . . . . --~ . iam iam ce- dant tris- ti a es - tas re - dit

if .. • .. • mis se - vi hy- e -

-

• --; ; ----• 11 • - ci a.

2. lam liquescit . et decrescit . grando nix et ethera . bruma fugit . et iam surgit . ver estatis ubera illi mens est misera . qui nee vivit . nee lascivit sub estatis dextera .

3. Gloriantur . et letantur . in melle dulcedinis . qui conantur . ut utantur . premio Cupidinis sumus iussu Cypridis . gloriantes et letantes . pares esse Paridis .

136

CB, f 59

• ;{?";~ • • cit gau - di - a.

• • .. • • nat orn- ni - a.

• • • nunc re - ce- dit

Tell us flore vario + CB, f 60

.. if . . . . . . . . . . . . . . . . sen- ti - tur.

.. . phy-lo... rne-na dul-ci- ter rno...du-lans au- di- tur. sic hy - e - mis se- vi - ci - a

2. Rubent gene coma disgregata frontem cedit parum inclinata tota ridet fades felix et beata que tantis est virtutibus omata.

3. Gracilis sub cingulo de more ista vincit balsamum odore . felix qui cum virgine fruitur sopore . hie dits adequabitur honore .

4. Distant supercylia decenti et equali spacio redenti . os invitat osculum simile poscenti subveni mi domina cadenti.

5. Vulneratus nequeo sanari. nulla vite poterit spes dari . nisi me pre ceteris velis consolari . que cuncta vincis forma speciali.

137

.. •• 11 fi- ni- tur.

Page 25: Secular Medieval Latin Song: An AnthologyThe inclusion of secular songs in predominantly sacred manuscripts and vice versa is but one indicator that the notions of a "Goliardic society,"

Si de more cum honore + CB, f. 60rlv

* ifE· ; -• ; -• ti ; ; -• ti -; ; -• .. .. .. • ... .. de mO-re ,cum ho - no - re, le- te vi- ve - rem,

• • . .. nee do-lo ris, li- brum le - ge - rem. sa - lu - ta - rem ... -.. • • • .. .-. • ]11 if .• ~ me no - va- rem , m undo da- rem no-va car-mi - na.

2. Tamen cano sed de vano statu Veneris . cuius Paris et scolaris sum cum cetheris

• nee

qui noverunt varia . decantare veri dare sua gaudia .

3. In palestra Clitemestra lude fortius .

... me-

gra -

unus vivit quem non vidit mors cum fratribus . eras enim est vicius si me vocet sane docet quintus nudius.

..

.. .,

ro- ris,

• • mi-na

.. .. 4. Cu-tis a - ret , qui - a ea - ret, le- to pec-to - re , cu - rans cu - ro if A • ~-. .-,_ • • • ~::; .-,_ • • • A . ..

de fu- tu - ro. ti-mens tem-po - re. ne-que- o cum ta - li - bus

if· n ac- cu -

; - ., ;: • 11 • • .. • .. .. • .. fl

ba-re ut du - ra-re sub ri- va-li - bus.

* Only the fourth verse (and German appendage) are supplied with neumes. The form appears to be strophic, however.

138

Redivivo vernant flore + CB, f. 61

if . . . ~-- . . . . . ~-- --~ .. . . .. 1. Re- di - vi - vo ver-nant flo- re . tel- Ius que di-u qui mar - cu it. if ... r• . . . [ 1 .. .. .. ..

et ver- na- li sol ea- lo - re pul- so bru - me sta-tu cla- ru it.

[ nearnes lm king if . . . . . . .. -" . nam phy - lo - me - na dui - ci ter . dulcisonis concentibus delectat cor suaviter .

2. Estas nunc tenella . vestit fronde nuditatem . arborum puellaris turba gestit florem contempfari nemorum banc sequatur cum gaudio iuvenum milicia dulcis et leta contio .

3. Ergo leti aspirantes dulcem rerum ad temperiem iocundemur gratulantes. Veneream ad blandiciem. et aurea Cuptdinis ad iacula sit animus velox ad cultum virginis .

139

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Vi:rent p:rata hiemata + CB, f 61 r/v

1. Vi - rent pra- ta hi e ma - ta ter- sa ra- bi If . . ·-li F• .-li .-., .-., ..-., • .,---., .-., .-., flo- rum da - ta mun - do gra - ta . ri - dent fa ci

if . .. . --~ . . . . . --~ ~ ~--so - lis ra - di o ni - tent aJ - gent ru bent can

if . .-. u --~ • --~ ~ u .. .-. • .-. ve - ris ri - tus iu - ra pan - dent or - tu va - ri

.-. 2. A - ves dui - ci me - Jo di a so - nant

... if .. ;-., Fii .-., <i'""ii .-., om- ni vi a. vo - ce pi a VO- Jant

if. ... ... ... ... ... et in ne- mo re . fron - des flo - res et ho

.. • if . --~ . .-. .-li • .-. sunt ar des- cunt iu ni - o res hoc in

3. Congregatur augmentatur cetus iuvenum. adunatur colletatur chorus virginum . et sub tilia ad choreas Venereas salit mater inter eas sua filia.

4. Restat una quam fortuna dante veneror clarens luna opurtuna ob quam vulneror dans suspiria preelecta simplex recta cordi meo est mvecta mutans tristia.

5. Quam dum cemo de supemo puto vigere . cuncta spemo donee cemo solam tenere . hanc desidero ulnis plecti et subnecti loco leto in secreto si contingero.

140

gar-ru

se- du

do

. .--. tern- po

e.

.. e.

... dent

... 11 0.

... le.

... le

res

.. 11

re.

Tempus transit gelidum+ CB, f 6Jv_ 62

... .. .. ... ... 1. Tern- pus tran sit ge - li - dum . mun - dus re no - va - tur.

if . . --~ ~----- ~ u • • u u .. .. ver - que re dit flo - ri - dum for - ma re bus da tur.

~Kf~-~~-~~-~~-~~-~~·~~-~~·~~-~~-~~-~~-~~-~~-~~· a - vis mo - du la tur mo - du Jans le ta tur * if . .-li • • • .-. u .-. • .-.

~-ci ili-oc ct k ci-oc a-~ iam se if . .-li • • .-li • • .-. • .-. iam flo re - a iam fron- de - a si! - va co- mis

*

2.

3.

Ludunt super gramina virgines decore . quarum nova carmina dulci sonant ore annuunt favore . voluchres canore fa vent et odore tell us picta flore corrigitur et scingitur et tangitur amore virginibus et avibus strepentibus sonore .

Tendit modo retia puer pharetratus qui deorum curia prebet famulatus . cuius dorninatus . nimium est latus per hunc triumphatus . sum et sauciatus . pugnaveram et fueram in prirnis reluctatus et 1terum per puerum sum Veneri prostratus .

4. Unam huius vulnere saucius amavi . quam sub firmo federe . rnichi copulavi . fidem coniuravi fidem violavi rei tarn suavi . totum me dicavi quam dulcia sunt basia puelle iam gustavi nee cinamum et balsamum esset tarn dulce favi .

There appears to be a line of music and text missing at this point in verse I.

141

re na- tur

... • • 11 den- sa - tur.

Page 27: Secular Medieval Latin Song: An AnthologyThe inclusion of secular songs in predominantly sacred manuscripts and vice versa is but one indicator that the notions of a "Goliardic society,"

Dum estas inchoatur + CB,f 64

I~ ••• .. in cho- a 1. Dum es - tas tur a - me- no tern po- re

I~ • .,-~ . . . . ., .. .. ---. 11 Phe- bus que do - mi - na - tur pul so fri a - go- re.

I~ • • • • • • • • .,-~ • .,~ • =• • .-::i 2. U - ni - us in a - mo - re pu - el le vul ne - ror

I~ ·-~ • • • • • • • • • .,~ • ~. • ·-~ 11 mul ti - mo- do do - lo - re per quem et at te ror.

• • • • • .. .. . 3. Ut me- i mi-se-ra-tur et me re - ci pi - at

I~ • • • • • • .. .. --. 11 de cli - ne - tur ad me et ta de si - nat. et

142

CB

CB2

CB

CB2

CB

CB2

CB

Ab estatis floribus + CB,f 65 CB,f 105 (CB2)

I~ •••• -. ••• -. •••• -. ••• -. •••••••• 11 1. Ab es- ta- tis flo-ri- bus a- mornos sa-lu- tat .hu-muspic-ta flo-ri- bus fa- ci- emcommu-tat.

1. Ab estatis floribus nos amor salutat . humus picta floribus faciem conmutat .

I~ .............. [VOID ' l· •••• ;.; ••• -11 2.Flo-res a- mo-ri- fe- ri iam ar-ri- dent tem-peri perit absque tempore Vt} ne-re flos eta-tis te-ne-re.

2. Flores amoriferi iam arrident tempori. perit absque Venere flos etatis tenere.

.. .. 3. Om-ni- urn prin-ci- pi- urn di- es est ver- na- lis. ve- re

3. Omnium principium dies est vemalis. vere mundus celebrat

• E L • .;::;,., ....... • • • ~. • di - em su - i na- ta - lis . om- nes hu- ius tern- po- ris di - es

.;::;, .. .;::;, . .. mun- dus ce- le- brat

.. . fes- ta

. .. . Ve- ne- ris

CB2 diem sui natalis. Omnes huius temporis dies festi Veneris

CB [ .. 11 ] ... . reg - na Io - vis om - ni - a hec a - gant sol - lemp - ni - a.

CB2 regna Iuvis omnia . bee agant sollempnia .

143

Page 28: Secular Medieval Latin Song: An AnthologyThe inclusion of secular songs in predominantly sacred manuscripts and vice versa is but one indicator that the notions of a "Goliardic society,"

0 consocii quid vobis+ CB,f 65rlv

... ... 1. 0 con-so-ci-i quidvo-bis vi-de-tur.quidne-go-ci-i vo- his ad op- te-tur.

• • ., ; ., • • 11 if ... le- ta Ve-nus ad nos iam in- gre-di- e- tur il- lam chO-rus Dri- a - dum se-que- tur.

2. 0 vos socii tempus est iocundum . dies otii redeunt in mundum . ergo congaudete . cetum letabundum tempus salutantes iocundum.

3. Venus abdicans. cognatum. Neptunum. venit applicans Baclium oportunum quem dea pre cunctis amplexatur unum quia tristem spemit et ieiunum.

4. Ergo litteris cetus hie imbutus signa Veneris militem secutus . exturbetur autem laicus ut brutus nam ad arcem surdus est et mutus.

5. His nurninibus volo famulari ius est omnibus qui volunt beari quedam excellente populo scolari ut amet et faciat aman.

144

T i

Ob amoris pressuram+ CB,f 66r/v

.. ... .. ... ... ., ... .. " . 1. Ob a - mo- ris pres- su- ram. me den- tis ge- ro cu- ram. a- man- ti va - li - tu- ram .

• • • if . cor es - tu - at in- te- ri- us . lan- gu-et mens quondam pu-ra af- fli- gor et ex- te - ri - us

if ;op- :, ; . [ ] . 11 na - tu -

if ;;. •;. • 2. Si cu- pi- 0 sa-

if :-'; • • • ad Co - rin - ne

if • • • • e - ius que- ren

re iu- ra.

.... • .... ;; . " .. .. • na- ri. aut vi- tarn pro-longa- ri . fes- ti -

-

• pre

• do

• • • • - sen - ti - am. de

• ; ;;: • • • gra - ti - am. sic

3. Hec dulcis in amore est et plena decore . rosa rubet rubore et lilium convallium . tota vincit odore . favum mellis exirnium dulci propinat ore.

4. Non in visu defectus. auditus nee deiectus . eius ridet aspectus . sed et istis iocundius locus sub veste tectus . in hoc declinat melius non obliquis sed rectus.

• qua

; • que-

5. Ubi si recubarem. per partes declinarem . casum pro casu darem nee presens nee preteritum tempus considerarem . sed ad laboris meritum magis accelerarem.

145

• pot -

• ro

• .... " • nem gres-su pa-ri

; • • " • est spes da- ri.

; • • " • re - for-ma- ri.

11

Page 29: Secular Medieval Latin Song: An AnthologyThe inclusion of secular songs in predominantly sacred manuscripts and vice versa is but one indicator that the notions of a "Goliardic society,"

if 1.

if

if

if

if

Amor telum est insignis+ CB,ff. 66v- 67

~];;. ~J- "!']. ..... • • • • • • • .. • • • .. • ......., ....,..., ..., A - mor te - I urn est in- sig- nis Ve-ne-ris vo- lun- ta - tes men-tis gy- rans ce- le- ris

• ; • • a - man-turn

• • vul tu

• ~#-"'

me ti - bi

• - • que ver- sa -

.} .. • • • • • • • • • • • • • ........_

af- flic- ti - 0 cor- dis fi - bras e - li - cis et

~1 • • • • • • '>-- • se - re - no cl a - ri - or pre ce

't #- • • • • • - • ; i ., • sub- i - ci - 0. de- fen- de ne in - vol- vat me

• • • • • • • • • • • tur clau- so cor- dis pes- su - lo in dui- ci

2. Odor eius oris fraglans !ilium amoris iniciat indtcium exigenti osculum nullum prebet homini fastidium . frontis eius decens supercilium os renitet flosculum . equalis illi nusquam reperitur . fe1~x est qui osculis me1lifluis tpsms potltur.

3. Circum gygantes canite concorditer pedem pedt conmittite hylariter. congauaentes iubilo solus so lam veneror hiis laudibus concrepando manuum cum plausibus terso mentis nubilo nam cum totalem video pudicam singulari gaudio tunc potior optans in amicam.

146

con- te - ris

• • te ris .

• • • pro - eel - la .

• ; • • pu- el - la.

if . 1. lam

if • e -

if • a

if • u -

11

lam dudum amoris+ CB,f 67r/v

.. .. .. ; ., ., ; i ; ; • • • ., • .. ., ; • du- dum a - mo- ris mi- li - tern de- vo- turn me ex- hi- bu-

• .. ... ; • ; • ; • ; i • • • • --• • • ~-ius nu- tu me pre- ci - pi ;_ tern stul- to corn- mi- si au - su -

; """""

mans

• ; • nam que

; • • • in pe ri

;;: • • • • • ; • • num- quam me pi - 0 res - pe

2. Si adhuc cessarem penitus michi forte consulerem sed non fugat belli strepitus nisi virum degenerem fiat quod destoero vitam fortune casibus securus offero.

3. Si adhuc vellet diligere amore me continuo et michi deberet vivere dolore nimis ferveo sed cum banc respicio michi videtur quOd feriat me Veneris iaculo.

4. Me sciat ipsa magnanimum . maiorem meo corpore . qui ramum scandens altissimum . fructum guerens in arbore . allegans mgenio non esse locum in amante . metus nescio .

147

; = :; • cu lo

• • • ; ; - xit 0 - cu - lo.

• i.

• i .

i 11

Page 30: Secular Medieval Latin Song: An AnthologyThe inclusion of secular songs in predominantly sacred manuscripts and vice versa is but one indicator that the notions of a "Goliardic society,"

Laboris remedium+ CB,f 67v

if. !J~J- ; ; ~]. ... .. .. ;; ... ~]!]., .. ... #11 ., ., ., ~41;;> .;;;,;;; ~......,..,

1. La- bo- ris re- me-di- urn ex- ul- tan- tes gau-di- urn mi- ti - gat ex- i - li - urn

., ., ;:;. ., • • • • ;:;. ., ., • • ~]; •• 11

vir- gi- nis me-mo- ri - a u - ni - cum so - la - ti - urn . e - ius mi - chi gra- ti - a.

2. Nil proponens temere . diligebam tenere . quam sciebam degere . sub etate tenera . nil audens exigere preter mentis federa .

3. In absentem ardeo Venus enim aureo . nectit cordis laqueo . corporis distantta . merens tamen gaudeo absentis presentia .

4. lam etas invaluit iam amor incaluit . iam virgo maturuit . iam tumescunt ubera . iam frustra conplacuit . nisi fiant cetera .

148

5. Ergo iunctis mentibus . iungamur operibus . mellitis amplexibus . fruamur cum ~audio . flos pre cunctts floribus . collaudemur . ferio.

6. Quam dulcem premere . mel de favo sugere . quid hoc sit exponere ttbi virgo cupio . non verbo sed opere fiat expositio .

if I.

if

Anno novali mea+ CB, !f. 67v- 68

; ; ti{}· "" ~J. ~J- ... ... ... ., ., ., ... ., ., ........... ..........

An- no no- va- li me- a SOS- pes sit et gau- de- at ar- ri- de- at

• ., • ., ;;. ., . ., • cu - i hec cho - re - a in - pli - cat quam re - pli - eo et pre- ci - no

• ., • • pul - chri - or et

;: " ~~ • • ., • ., u "--"' ap ti - or in mun- do non est

2. Fervens ilia mea ignis est sed suavitas et bonitas renitent ex ea provocant me talia ad gaudia tristorque cum suspiriis sub lite Venerea.

3. Hospitalis mea candida et rubea . amabilis Venus amoris dea me tibi subicio . auxilio egens tuo iam caleo que pereo in ea.

4. Collaudate meam pudicam delectabilem . amabilem amo frequenter earn per quam mestus vigeo et gaudeo . illam pre cunctis diligo et veneror ut deam .

149

., ., e - a.

11

Page 31: Secular Medieval Latin Song: An AnthologyThe inclusion of secular songs in predominantly sacred manuscripts and vice versa is but one indicator that the notions of a "Goliardic society,"

Tempus est iocundum+ CB,f. 70v 0 mi dilectissima+

CB,f. 71

*

~~ .. aaa . . I~ • ; • ;?; =1 '!J • • • • • .. t:.< • • • ~

1.0 mi di lee tis si m a vul - tu se - re - nis si m a vir- gi - nes mo- do con- gau - de - te

~~ '! } • '!J. !J'!J. '! } .?! ; • • 11 • • • • • ......, ......, ~-......... ............ '-.,;

et men-tes le - gis se - du - la ut me- a re - fert lit - te - ra. I~ '!J '!J £1£! tit# d !] '!J '!J 11 .. • • • ............ ............ ............ """"'

vos iu - ve - nes. 0 o. to- tus flo - re - 0.

"Rcll.~~ g t:tdd• 0

lam a - m0-re vir- gi- na-li to- tus ar- de- o no-vus nO-vus a-mor est quodpe-re- o. *Refl. I~ !J~±g~+J- • ; 11 • • • • • • • ~~

Man - da- liet man-da- liet min ge - sel le chO met niet.

2. Cantat phylomena sic dulciter 6. Sile phylomena dtro tempore et modulans auditur intus caleo . surge cantilena e pectore 2. Que est hec puellula 5. Circa mea pectora o . o . totus floreo. o . o . totus floreo.

dtxi tarn pre candida . multa sunt suspiria in cuius nitet facie de tua pulchritudine

3. Flos est puellarum quam diligo 7. Tempore brumali vir paciens candor cum rubedine. que me ledunt misere. et rosa rosarum quam sepe vtdeo intus caleo . animo vemali lasciviens . o . o . totus floreo. o . o . totus floreo.

3. Vultus tuus indicat 6. Tui lucent oculi quanta sit nobilitas . sicut solis radii

4. Mea me confortat promissio 8. Veni domicella cum gaudio que in tuo pectore sicut splendor fulguris mea me deportat negatio . veni veni pulchra iam pereo lac miscet cum sanguine. qui lucem donat tenebris. o . o . totus floreo. o . o . totus floreo.

4. Que est puellula dulcis 7. Vellet deus vellent dii 5. Mea mecum ludit virginitas et suavissima quod mente proposui

mea me detrudit simplicitas eius amore caleo ut eius virginea o . o . totus floreo. quod vivere vix valeo. reserassem vincula.

* The p!icated notes (here and following in this piece) could be written as apostrophes.

** Although it is not indicated in the source, the refrain should likely be sung after every verse. * Although not indicated in the source, the refrain should likely be sung after each verse.

150 151

Page 32: Secular Medieval Latin Song: An AnthologyThe inclusion of secular songs in predominantly sacred manuscripts and vice versa is but one indicator that the notions of a "Goliardic society,"

Troie post excidium+

. . . ...

1. Tro - te post ex - ci - di

[ 1. Troie post excidium dux ] Eneas Latium errans fato seguitur sed errat felictter dum in regno taliter . Didonis excipitur si ey ei ei hospes felicior hosP.itavi_t l~gior . . . . . . perc1 - et et et et et et et et et et

2. Troas actos per maria Dido susceptt Tyria. passisque tot naufragia Iarga pan~it h?spicia et Eneam mtmta supplex miratur quoo ita leta nitescat facies larga crispata sit cesaries mox ad sororem properat eique clausam mentem reserat .

3. Anna dux mea lux iste quis sit ambigo quis honor quis color vultu quis intelligo . ut reor veneror hunc nostra conubila poscere id vere portendunt mea sompnia.

4. Ecce quam forti pectore amoris quasi facie . heu sors hunc que per bibula [S]cille traxit pericula.

-pitur.

CB,ff. 73v- 74

urn dux

5. ~i S!ch~i co~iugis mei mmmet pactt rei . non retniherem non cogerem . non lederem huic uni me forsan ludere possem culpe me prius perdere felix Iupiter turpiter culmine de fulmine degestam Cartaginis ordo conmitat dominis.

6. Anna refert assiste mi soror nee resiste amori blando siste iungetur tibi suisque estollet virtutibus Cartago crescit opibus.

7. His accensa Phenissa ni sorore subissa venandisubimagine effusa nimbi turbine antro sub duce latuit eique se supposuit.

8. Propositionibus tribus dux oppositis sylogizat motibus fa.Ilit hec oppositis et quamv~s co$entibus argumentts utitur tame eis brevibus tantum horis fallitur.

9. Et sic amborum in coniugio leta resplenduit etherea regia nam ad amoris gaudia rident clarescunt omnia.

152

Superbi Paridis+

... . ... I. Su - per - bi Pa - ri dis le

"";:; .;:--;; ; -----.. ; ; • • • • •

He - le - ne spe - ci es

• •Z:• .4; ;-.;,. • fit ea sus Tro

......... ; : s .-: ?*

• • • ; ; • • I li

2. Hinc dolens Eneas querit difugium ascendit dubios labores navium velut Cartaginem Didonis ad solium.

3. Hunc regno suscipit Dido Sydonica et plus quam decuit amore saucia moras non patitur iungi connubia.

4. 0 amor inprobe sic vincis omnia sic tuis vinbus redduntur mollia et morti proxima sunt tua gaudia.

5. En.eas~!tur ~gre coJ!ipitur et m I 1am uelreciFJtur quod amans au 1ens ido concutitur.

6. Enea domine qsuid est quod audio Didonem miseram dabis exicio quam dura premia . pro beneficia.

7. Nudum exceperam egentem omnium deos offenderat nostrum conubium quid agam nescio mors est consilium.

8. Anna ~uid audio soror dulcissima . iam vo ant carbasa aura finitima abrumpe miseram mors est asperrima.

153

CB, !f. 74- 75

ve iu di-ci-urn

• a - rna- ta ni - rni urn

• • - ie de po nens

;---;; ;z-;: ----......,_

; .-. 11 • • urn.

9. Dido nobilis spreta relinquitur atque Lavinee thalamus sequitur et A.nna propere pro maga mittitur.

10. 0 ensis perfode fortiter ilia mea pertransiens deme suspiria amantes miseri timete talia.

11. Eneas audiens iam in Italia in quanta obiit Dido miseria et quod dispersa sit eius familia.

12. Mox crines dissipat cum veste serica . qui fortis vicerat tot dampna bellica tunc demum clamitat voce yranica.

13. Non hec credideram Dido quod audio quod interficeres te meo gladio . ut essem tibi mortis occasio .

14. Naves refeceras quassas naufragio et me susceperas plus quam hospicio . et sublimaveras in regm solio.

15. Tu michi fueras vite subsidium sed ego sum tibi mortis exitium quam detestabile est hoc commercium.

Page 33: Secular Medieval Latin Song: An AnthologyThe inclusion of secular songs in predominantly sacred manuscripts and vice versa is but one indicator that the notions of a "Goliardic society,"

Superbi Paridis •• 2

16. Quam vis essem pauper procul a patria preponebar tamen in tui gratia Iarde nobili quem tremit Libia.

17. Quam sepe commovet me clara facies dulcis anhelitus . grata cesaries menbrorum omnium miranda species.

18. Pro hiis exciderant a corde penitus dolores patrie et graves gemitus gentis et coniugis get patris obitus.

154

19. Non semper utile est diis credere nee quicquid ammonent velle perficere nam mstigaverant me te relinquere .

20. Dido possideas sedes Eliseas et inter gaudia Eneam audias pro beneficio reddentem gratias.

Multiformi succendente+ CB,f BOrlv

if ~ ~-.. ;~;7;. • • • G~-~~~;;ii 1. Mul - ti - for- mi sue- cen- den - te Ve- ne- ris scin- til - la;

if • • ~. • WiO. • • ~. • • ~. M+';. • va- gor men- te dis- cur-ren-te. me in - gen- te. cu- ra - turn se- va Scil-la

If ·~· :, • • • • • • • • • • • • ~~ • ..- • ~ nam __ vel - le me - urn quod spe - ra - vi me - li - us vo - turn _

if . • • 11 • • • Di - o - ne - urn ce - dit in con-tra - ri - urn.

Ron.lf ; • • • .•;;>•;;;,:;;;~~ 11 • • • • • • • Sic sic a - mans ra - pi - or pen- du - Ius in va- ri - urn.

• • • • • • • 2. De - li urn fla - gran - tern . pro - can - tern an - he - lan - tern .

1f ;aph- :, • ; ::' • • ; :; '; • • ; • •

pu it ren - nu it pu - du - it res -

if ..••....••........... ~~-am-ple-xa- ri, mi- chi re -fra- ga- ri mi- ti- tur. que pe- ti- tur, sub-ver-ti tur.

If ·;~. • • • • ::.. • •• Miiiii. • • • • • • iii. ~ 11 spes me- a qui- a Cy-the- re- a le- se par- tis re- a ce- dit in con-tra-ri-um.

155

Page 34: Secular Medieval Latin Song: An AnthologyThe inclusion of secular songs in predominantly sacred manuscripts and vice versa is but one indicator that the notions of a "Goliardic society,"

Multiformi succendente mm 2

; • • • • ; • • .. .. ;: • • .. • ... ;::' ;;; • 3. QUid in - su - do Ve- ne - ri. et quid par- CO ver- bis ver - be - ri.

if. .. .. • • • • • • • "' .. ;::' • .. ; mi - chi sic est 0 - ne - ri. iam sub- ri det al - te ri. que

if :· ;"; t;; ;s, • ri - or mo - ri - or mo ri - or.

if . M •••••••• &~· •••• ;li· ......, iam il - I urn vult au - di - re iam dis- cit la - sci - vi - re . iam pa- rat con- sen- ti - re .

if ~ . ~ ~~·i. . . .. .. .. . . ~ mo - - ri - or mo - ri - or mo - - ri - or in qua flee- ti glo - ri - or

if: • • • • ;;;;. • • • • • me non re flee - ti - tur. cur Ve - nus is - tud pa - ti - tur

if ;od;Q. :. - : • • • ;;q; • • • • .;:;; • ~ il que di - li - gi - tur ce - dit in con - tra - ri - urn .

156

Axe Phebus aureo CA 8° 32,/ 89vlr

CB,f 28rlv

CA 'if 321 • • • • • 11 " • • • • • • .,

11 • 11 • " :11 ~

I.

~xe Phe-busau..re-o eel-si-:_: lus.tret.:t:-to-re r0-se-o ra-di-os 71-~s.:et. Ve-nus.ta- ta Ci-be-le fa-ci-e flo-rente. f10-re na-to Se-m~ledatPhebo fa-vente.

CB Axe . Phebus aureo celsiora lustrat et nitore roseo radios illustrat . Venustata Scibiles facie florente florem nato similes dat Phebo favente .

~ II.

CA 8°321 ., • • • ., 11 11 • 11 11 • • • • • 11 11 ., :11 ··~ .....

CB

Au..ra-re-um suavi- umgrati- a tu.-vante. s0-natnemus a-vi- umv(}.Ce m()...(ju..lante. Phi-l0-me-na queru-le cru:.mi-na re-tractat .dumcanendo meru- le carmi-na co.-ap- tat.

Aurarum ne suavium gratia iuvante sonat nemus avium vocem modulante . Philomena querule Terea retractat dum canendo merule carmina coaptat .

~ Ill.

CA8°32~~~~~~~±~.~-~~~~-=A~Y~~~~-~-~~~~.c]~Y~~~~-~~~~-~~~~~~~~-~~~~~~:~II ~ 8 8 • • •

CB

I~ Di- o- ne- a le- ta chO-re- a se- du.-la re-so- net canti- bus ho-rum. lam - que Di- o - ne io- cis a - gO- ne re- le- vat cruci- at cor-da su- o- rum.

lam Dionea leta chorea sedulo resonat cantibus horum . Iamque Dione iocis agone . relevat cruciat corda suorum .

CA ff321 11 ~~~I~V~a~. ~~;;~~~~~~~~~~~~~~~~~~~~~~~~~ 11 •

11 •

11 •

11 • * •bT 11

• 11

• 11

• 11

• - * * Me qu0-que sub-tra- hit il - la so- po- ri in- vi- gi- la- re- que eo- git ! -mo- ri .

CB Me quoque subtrahit ilia sopori invigilare que cogit amore .

~ IVb.

CA 'if 32~~ ~~~~~~~~~~~~~~J~y ~~~~~ ....... ···y·· .... ~ .71' •• Te-la Cu-pi-di-nis au-re-a geS-to ig-ne creman...ti-a. cor- da mo-les.-to.

CB Tela cupidinis aurea gesto ignem comercia corde molesto .

157

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Axe phebus am·eo -- 2

• • • iiiP • t1 j!IP jlt • • • j!!p • • 11 ... ... •&..,.. ...... da- tur ex-pa-ve- o quod- que ne- ga-tur hoc fa- ve- o mente se-ve-ra .

CB Quod michi datur expavesco . quodque negatur hoc faveo mente serena .

CB Que michi cedit hanc caveo que non obedit huic faveo sumque revera

f VI.

CA8°32~~~~~~~~~~~~~~~~~~~±~~ ·- . , . .. . . . . . . . ... - . . ~ ... , , ... , . , , """""'""- ... Fe-lix se-u pere~. seu re-levet per deamplusre-nu-o fl~rJrnpius li-bet il- li-ci- turn.

CB felix seu peream seu relever per earn . Que cupit banc fugio . que fugit hanc cupio . plus rennuo debitum .

CA8°321f • : , • .. l €1 • • , ~ ~ ... ..,..

plus fe- ror in ve ti- turn . plus li- cet -si iii

....... • 11 • ... il- li bi turn.

CB plus feror inventum . plus libet illibitum . plus licet illicitum .

158

Axe Phebus aureo -- 3

VII a.

CA8°32~f~~-~~~~~~~-~-~~~~~~ ·- .. . . . . . . .. . - . . - .. . , .. - . . , ~

0 me- tu- en- da Di- o - ne de-ere- ta . o fu- gi- en- do ve- ne- na se- ere- ta

CB

CA8°321f

CB

CB

CA8°321f

CB

0 metuenda Dione decreta . o fugienda venena secreta .

~ iii - f 11 • • • • • • , , , frau - de ve- ren- da do-lo- que re- pie- ta.

fraude verenda doloque repleta .

* • • .. .. • ..

11 • [•] • • • • , • , , , . .. . fu- ro- ris u- ren-tis et i - re vi- te que CO- git a- ma-ra sub- i- re

Docta furoris inestu punire . quos dat amoris amara subire . plena livoris urentis et ire .

VIII.

.. • .. • .. • .. • .. .. • .. : 11 . , un- dat. mo-re.

, ... Hi ne mi- hi me- tus a - bun- dat hi ne Hi ne mi- hi pal- lor in 0 - re est

Hinc michi fletus abundat hinc fletus inundat . Est michi pallor in ore . est quia fallor amore .

* Note lacking in manuscript.

159

mi- hi fie- tus in -qui- a fal- lor a -

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Exiit diliculo

Clm5539 Ex- i - it

CB Exiit . diliculo rustica

Clm5539

CB puella cum grege cum baculo

Clm5539

Clm5539, f 35 rlv CB, f 38v

rus- ti - ea

sunt in gre - ge par- vu-lo _______ _

CB cum lana novella . Sunt in grege parvulo .

160

T

I

Exiit diluculo •• 2

Clm5539 o- vis et a- sel - la--------------- vi- tu-la cum vi - tu- Io

CB ovis et asella vitula cum vitulo .

Clm5539 ~ ______ _ -ea- per et ea- pel - la 't

I I ......

CB caper et capella .

Clm5539 [lacking in manuscript]

CB Conspexit in cespite scolarem sedere . quid tu facis dornine veni mecum ludere .

161

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Ff.i.17

CB

A44

Ff.i.17

CB

A44

Ff.i.17

CB

A44

Ff.i.17

CB

A44

Ff.i.17

CB

A44

if

Ecce torpet probitas

([ ] omnes ledunt avaricw ... )

.. ;; ..... ill! ...

1. [E] - ce tor - pet pro - hi- tas

Ecce . torpet probitas . virtus sepelitur .

Ecce torpet probitas . virtus sepelitur .

• ;; ' • • • • • • fit iarn par- ea 1ar - gi- tas

• ., • vir - tus se -

• • • par - ci-tas

~ : pe - li

Ff.i.17,ff.Jv. 5 CB,f 43 A44,f 65v

:'; ; =; tur

• ;; : 's, . ... .. 1ar- gi tur

fit iam parca (para) 1argitas . parcitas 1argitur.

fit iam parca 1argitas . parcitas 1argitur.

-=· ... ve - rum di - cit fal - si- tas

verum vincit falsitas . veritas mentitur .

verum dicit falsitas . veritas mentitur .

. . . . ..-.. ;:: ... ve - ri- tas men- ti tur.

11

Refrain [jlfig.~.Ei-~,;;~~~;~ .. ~;ss .... ~!~~~-~~£~;~ .. ~-~jg w 0 . 1 .... d t t d -~1

if

m- nes m - ra e - - un e a res 1 -

Omnes iura 1edunt . et ad res i1 -

Omnes iura 1edunt et ad res il -

;;=' • • ... li - hi- tas

licitas 1icite procedunt .

licitas licite recedunt .

... • • li - ci-te

.. ; -=; • ~ ~ --~; 11

re - ce - dunt

172

Ecce torpet -- 2

Ff.i.17

2. Regnat avaricia regnant et avaria ~~nte q~iv~s noxia mtitur d1tari cum sit summa g1oria censu gloriari.

Ref. Omnes ....

3. Mu1tum habet oneris do das dedi dare verbum hoc pre ceteris volunt ignorare divites quos poeteris mari comparare.

Ref.O[mnes .... ]

4. Cuntis est equaliter insita cupido perit fides turpiter nullus fidus fido . nunc Iunoni lupiter nee Enee Dido.

Ref. [Omnes .... ]

5. [lacking]

CB 2. Regnat avaritia .

regnant et avari . ~~nte q~iv~s anxia mtltur d1tan . cum sit summa g1oria . censu g1oriari .

Ref. [Omnes .... ]

3. Multum habet oneris do das dedi dare . hoc verbum pre ceteris norunt ignorare . divites quos poteris malis comparare .

Ref. Omnes iura 1edunt . et in rerum numeris numeros excedunt.

4. [lacking]

5. [lacking]

173

A44 2. Regnat avaricia .

regnant et avari . ~~nte q~iv~s anxia mtltur d1tan . cum sit summa g1oria censu g1oriari .

Ref. Omnes iura 1edun t et ad res illicitas licite recedunt .

3. Multum habet oneris. do . das . dedi . dare . hoc verbum pre ceteris volunt ignorare divites quos poteris mari comparare .

Ref. Omnes iura 1edunt et in rerum numeris numeros excedunt .

4. Cunctis est equaliter insita cupido . perit fides turpiter . nullus fidus fido . nee Iunoni lupiter nee Enee Dido .

Ref. Omnes iura ledunt et ad mala devia licite recedunt .

5. Si recte discemere velis non est vita . quod sic vivit temere gens hec inpedita . non est enim vivere si quis vivit ita .

Ref. Omnes iura ledunt et fidem in opere quolibetexcedunt.

Page 38: Secular Medieval Latin Song: An AnthologyThe inclusion of secular songs in predominantly sacred manuscripts and vice versa is but one indicator that the notions of a "Goliardic society,"

Ff.i.17

CB

Ar384

Ff.i.17

CB

Ar384

Ff.i.17

CB

Ar384

Vacillantis trutine.

la.

I~ : ••• [V]a - cil - lan- tis tru - ti-ne

V acillantis trutine libramine mens sus pen sa

li- bra- mi

Ff.i.17,ff. 1-JV CB,f 80 Ar384,f 235

"' Ill • tf#

ne mens sus - pen - sa

es - tu - at. in tu- mul- tus an - xi - os.

~ . :-... • .. flue- tu at et es-tu - at in di-ver- sa ra- pi or

fluctuat . et estuat in tumultos anxios .

l~d: [• •]ll ~

• ;=; ;; G; • • .. sever -tit et bi- per - tit mo - tus in

,.--.._ ..... ~-con - tra - ri - os.

11

~ r-:. " .......... .. .. M?.;~~ •#;'; ... ,, ra-ti-o- ne cum Di- o- ne di- mi - can - te cru ci-or.

dum se vertit et bibertit motus in contrarios .

174

Ff.i.17

CB

Ar384

Ff.i.17

CB

Ar384

Ff.i.17

CB

Ar384

Vacillantis trutine -- 2

.. va- ea- re stu - di- o vult Ra- ti o sed dum A- m or

Sub __ li- bra pon- de- ro_ quid_ me - - li-us. aut_ du-bi-us.

Me vacare studio vult Ratio . sed Amor

I~. ;; • • •4J!; • • al - te - ram vult o - pe- ram in di - ver - sa

,.---... • • ra - pi - or

~ I~ ~ .. -.- •• ~ •••• : •••••• .. [ ]• ~.

flue - tu at et es-tu at in diver-sa ra-pi or

alteram vult operam in diversa rapior .

~

• .. ;=; ;; G'; • • • cum Di- o - ne di - mi-can- te cru - ci - or. ]

11

I~·... . , •.. il • il~ Rati-o-ne cum Di-0-nedi-tru- can- te cru ci- or.

ratione cum Dione dimicante crucior .

175

Page 39: Secular Medieval Latin Song: An AnthologyThe inclusion of secular songs in predominantly sacred manuscripts and vice versa is but one indicator that the notions of a "Goliardic society,"

Vacillantis trutine -- 3

Ff.i.17 Refrain if ;;=::s. ; --s ' z:::; .-;;:. • • .. ; ;

0 lan gue- 0

Refrain if n .-:. ::-; F7i?-~

~ CB* : ... . ..--~ •

0 lan - gue 0

Ar384 Refrain 0 langueo

if . ~ .....------..

=· ,;. Ff.i.17 • ~- • • ;; . • • • c:u - sam lan - gue- 0 ris vi - de- 0 nee ea- ve- o vi-

if ..--.. -F- ~ !;>. F CB ill! • ·-· • • ill! • ill!

cau-sam lan guo- ris vi- de 0 vi

Ar384 causam langoris video vi -

if ?""""""-

-~ 11 ill!

~- • ill! ill! ~- • dens et pru dens pe re 0.

Ff.i.17

CB if ;;C?. ~:: ill! ~ • 11 • • • • li •

vens et pru dens pe - re 0.

Ar384 dens et prudens pereo .

* In this source, the refrain is written out once only at the end of the piece.

176

Ff.i.17

CB

Ar384

Ff.i.17

CB

Ar384

Ff.i.17

CB

Ar384

Vacillantis trutine -· 4

II. if ;-;; . .......... {'

• ~-. . •" --• • • ... ~- • iiP •

bra pon- de- ro quid me- li -us et du - bi- us

• • Sub __ li- bra pon- de - ro __ quid_ me li- us . aut __ du- b~us .

if if

* b) Sub Iibra pondero . quid melius et dubius

; ...... • • • • • • • • • • me - cum de li be- ro nunc men- ti re

ill! • • ill! ill! • • • =; ill! ill!

me - cum de li be- ro dum men- ti re -

mecum delibero . nunc menti refero de -

• a. • • ill!

• • ci-as V e - ne - ri - as que me- a mi- chi

• • • •

• • fe ro

; -• • fe - ro

flo - ru - la

if. li- ci - as Ve- ne-re as que me- a mi -chi flo - ru

licias Venerias que mea michi florula det

* Verses are reversed in this source.

177

• de-

ill!

de-

dat

• • la det

Page 40: Secular Medieval Latin Song: An AnthologyThe inclusion of secular songs in predominantly sacred manuscripts and vice versa is but one indicator that the notions of a "Goliardic society,"

Ff.i.17

CB

Ar384

Ff.i.17

CB

Ar384

Ff.i.17

CB

Ar384

Vacillantis trutine -- 5

• • - cu - la que ri - sus

; • • os - cu - la ri - sus que

oscula . que risus que labellula que

• • - ci - es frons na - ris

• que

• aut

• la - bel - lu - la

• • • la bel lu - la.

• • ce - sa - ri es.

que

que

11

if. • ]?; ' • • :: "; ... " res-que ce- sa

z­:. ·~ ;'; •• 11

fa-ci es frons na ri- es.

facies . frons naris . aut cesaries .

Sic - ut in ar - bo- re frons tre - mu-la na - vi - cu - la

• • • • • • in ar-bo re frons tre - mu-la na - vi-cu-la

a) Sicut in arbore frons tremula . navicula

178

Ff.i.17

CB

Ar384

Ff.i.17

CB

Ar384

Ff.i.17

CB

Ar384

if

Vacillantis trutine -- 6

• vis

le - vis • in

ill!

in

• • e - quo- re dum ea

• • • • • • e - quo-re. dum ea- ret

levis in equore . dum caret anchore sub -

si • • di- 0

• con - tra - ri - o

; ; . fla - tu

ret an • •

cho- re sub-

an cho-re ___ _ • sub-

• con-cus- sa flu - i - tat sic

if . si- di o vult rati o . fla - tu concussa flu - i tat sic

sidio . contrario flatu concussa fluitat . sic

• • • • - gi - tat cum tur hi - ne sol li ci tat me

• • • • • • gi - tat sic tur- hi- ne sol- li - ci - tat me

agitat . sic turbine sollicitat . me

179

Page 41: Secular Medieval Latin Song: An AnthologyThe inclusion of secular songs in predominantly sacred manuscripts and vice versa is but one indicator that the notions of a "Goliardic society,"

Ff.i.17

CB

Ar384

Ff.i.17

CB

Ar384

Ff.i.17

CB

Ar384

Vacillantis trutine -- 7

if ;;:::;-. -~. 11 .. ill! jiiiP ;: i iiiiP ji!p .. ...

du - hi- urn - hie A - m or in - de Ra ti - o.

.. • .. ;::;; £; ;;;-_, • .. 11 du- bi - o __ A m or un-de Ra ti 0.

dubio . hinc Amor inde ratio .

if ; - "" .--: .. ; if ?""-.:. z::z:; .. • ~- ;

Ref. 0 lan gue o ... etc.

fi_~:D~-~-~-~·~·~=~=--=~·~·~·~:=:?-~~-~~. g·~~-~·~·~ Ref. icy E:# ~

0 lan - gue o (rem£linder as above)

Ref. 0 langueo etc.

[Ill is lacking in this source.]

[Ill is lacking in this source.]

III. a) Hiis invitat et irritat amor me blanditiis . Sed aliis ratio sollicitat et excitat me studiis .

b) Nam solari me scolari cogitat exilio sed ratio. procul abi vinceris sub Veneris imperio .

Ref. 0 langueo causam langoris etc.

180

..

Non te lusisse*

(De ammonitione prelatorum)

F 1 lu- sis - se pu - de- at . sed lu

CB

A44 l.Non te lusisse pudeat . sed ludum non incidere .

if· ,..-.... .. ,......,_ ,....._ ,......_ •• ~ •• ~· .. F .. ~- • l

lu- sis ti te- me- re et que

CB • et que lu sis- ti te - me-re.

A44 et que lusisti temere . ad vite frugem regere .

F

dum non ___ _

rlv F,f 435rlv CB,f5 A44,f 63v-64

in-ci de-re

ad vi- te fru-gem ver- te- re

• •

ad vi- te fru- gem ver - te- re.

.. -te do - ce- at. ut dig nus pon- ti- fi- ci- o

CB

rum do - ce- at te ra- ti o. ut pulso pro - cul vi- ti- o.

A44 magistra morum doceat te ratio . ut dignus pontificio

* As indicated by the numbering, the order of verses differs in the sources.

181

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Non te lusisse • 2

F r r • di - vi- ni do-no nu - mi-nis ad lau- demXpis--ti no - mi- nis

CB

!"'"' r:. ~ -:i.. .............. 1111 , IV • lau - de munde ___ _ vir- gi-nis

A44 divini dono numinis . ad laudem Xpisti nominis

F ----~-·-- =i . ~ .... ·ti •::"'; ; ; . 11

fun-ga ris _____ __ sa-cer - do - ti- o.

I~ • -~ -~·~ r.- . .-..., .~. •

CB f • ill!

11 mi-nis tres in al ta ri- 0. - -

A44 fungaris sacerdotio.

F VOID--~

CB

A44

CB

A44

1 • - •• ill! •• • ill! - - - --

~ •••••• ..... ~

• • -~ _---.._, ~ • -Q • ··~-

2.Sts pHis. tus - tus. so - bri- us. pru- dens. pu-di - cis. hu - mi- lis.

2.Sis pius . iustus . sobrius . prudens . pudiciis . humilis .

I~ • • ·~ • :;-. ·~ • • • • • -~ • ..-;;,. • • :;-. ••

in lege Dei docilis et ne sis arbor sterilis . tuo te

182

..

Non te lusisse - 3

CB ~ ::-""'\ ::-""'\ .... ~ .--.... if' • ~ I •••• ··- • ... .. • • • • •• • • • • •••••• re - gasap - ti- us of- fi - ci- o . ut dignus pon - ti- fi- ci -o . di- vi-ni do- no

A44 gentis aptius officio . excluso procul vitio . munderis labe

CB

"""\ ::-""'\ ~ ::-""'\ ::-""'\ ~ ~ (';. ~ ::-'\

~ ,. ,. ,. ,. •• ,. ,. .. ..... •. • • • •• • • • • • •• f •• • •

~~- -·- - -·--- - -·-- ill! ill! ill! = ill! 11

nu-mi-nis.adlau-demXpisti __ no-minisfunga ris sa- cer-do- ti-o.

A44 criminis . ut mundus munde virginis ministres in altario.

CB I~ •• ·~· .;. ... ~. sed ec -cle - si-e. sub pi-e -

A44 5.Non des ministris scelerum. non tua sed ecclesie. sub pie-

!"'"'

CB • ill! ill!

bi

A44 tatis specie . non abutaris impie . conmisso tibi

CB if~ ... ~- .... ~ .......... .,.;;;; . ~-pau - perum suf-fra - gi - o . nil a te fe- rat is- tn-o . et tt-btnon al - li- ci - as .

A44 pauperum suffragio . nil a te ferat hystrio . et tibi non allicias

183

Page 43: Secular Medieval Latin Song: An AnthologyThe inclusion of secular songs in predominantly sacred manuscripts and vice versa is but one indicator that the notions of a "Goliardic society,"

Non te lusisse e 4 Non te lusisse - 5

CB CB

fa- mes a- mi - ci- ti - as . de X pis - ti ___ _ pa- tri- mo- ni-o.

A44 infames amicitias . de Xpisti patrimonio . A44 prelati vita vilium vilescit contubernio.

~~- -~ ~ -~ ~

I~ -~. ~

~ ··~ ~ • • • • • • • • • • • • •• • • • • • ••• • • • ••• • • • • •• •• • • • •• • CB CB

mundi ti-e a te re- pel las Ion gi-us. ne do- mu- i . pauca sed ve - ra lo- que- re. . Mm1s-tros m 5. Caute d1spo-

A44 3. Ministros in munditie ate repelle longius . A44 6. Caute dispone domui . pauca sed vera loquere .

if r, • ~ r-;, .~ • • • • • • ~ • CB •• ••• • •• •• • • •• • lu no -rum vi- tarn for - ti- us. pra-vis de- pravat so - ci- us.

CB if . ~ ~ ~ ~ • • • • • •• • • • •• • • • • • • • ••• • • fir mes 0 - pe- re. qui- a non de- cet te - me-re. ver-ba con -

A44 bonorum vitam fortius pravus deprivat socius . A44 verba confirma opere . quia non decet temere .

CB -~ • • CB -~ • • • • Ill

af- fi- cit in- fa mi-e dis- pen - di- 0.

I"' ----.... ............. "\ 'i """'\ if... .. .. .... :,. ~ ... ··~ ...... ) ...... . . ..... os sa-cer- do - tis pol - lu- i menda- ti- o . pruden tium con si- li - o te feu i non

A44 et afficit infamie dispendio . A44 os sacerdotis pollui mendatio . prudentum consilio . te frui non

if. ~ ~ r-;, ~ • • • •• • • •• • • • • • • • • • • ••• • CB CB

sic tra- hi-tur pre- sump- ti- 0. a con-vie- tu si- mi -li urn.

..... •""" .---... .. •• f •• 11

ex- hor-ta- ti-o. dis- pli- ce- at nee te sinistre mo- veat salu- bris __ _

A44 si trahitur presumptio a convictu similium A44 displiceat . nee te sinistre moveat salubris exhortatio .

184 185

Page 44: Secular Medieval Latin Song: An AnthologyThe inclusion of secular songs in predominantly sacred manuscripts and vice versa is but one indicator that the notions of a "Goliardic society,"

Non te lusisse - 6

CB

ut abs- ti- ne- as ab om- ni ma la spe - ci- e . sub fre- no

A44 7. Teneris ut abstineas ab omni mala specie . sub freno

CB • ~ ~ ·'i. • • ••••• ~ • :-;. •• -~ ~ • • • • • • ••• • •••• tern- pe - ran-ti-e. magistra pudici- ti-e. so-bri-e--ta - te flo -re-as.

A44 temperantie . magistri pudicitie . sobrietate floreas .

CB

~ • •• ~ • ••• • • • • • nee va n-o va-go-que de- st-de- ri-o de-cli-nes ad il- le- ce- bras.

A44 ne vario vagoque desiderio declines ad illecebras .

I~ • ..~ ... ~ .. ---;;,. .. .. • -~ ....--. ~ ~ .. -.;. ... CB :=11

sed ce- ce me-tis te - nebras. pur-ga vir - tu - tis ra- di- o.

A44 sed cece mentis tenebras . purga virtutis radio .

I~ • ,.-..., ,.-..., ~ -~

~ • • •• • ••• • ill! •••• • ill! ••• • • CB ill! •

pau-pe-rum om-ni pe- ten ti tri bu- e. 7. Pi-us pro rec-tor -

A44 4. Pi us pro rector pauperum . omni petenti tribue .

186

CB

A44

CB

A44

CB

A44

CB

A44

Non te lusisse - 7

ten- ter ar - gu - e . ma-nus que sa-eras ab lu-e.

malos potenter argue . manusque sacras ablue .

~ r;. • •• .-....... . - -··. I=

a sor-di-do- rum

:-"'\ •••• • . -~ . • •• • • • ~,.....,

•••••••• mu - ne- rum con- ta- gi- o . nul-Ius te pal- pet pre-mi- o .

a sordidorum munerum contagio . nullus te palpet premio .

~ . ~ I • • • •• ~~ •••••••• -~-~-~- -~·.

gra- ti - a. lar- gi - re be-ne fi - ci- a.

[ lacking ] grati . largire beneficia .

~ ~~~ ,---._ ~ ~ ~~~· ~~· • • ..... •

11 sed dig nis be ne fi - ci- 0.

sed dignis beneficio.

187

Page 45: Secular Medieval Latin Song: An AnthologyThe inclusion of secular songs in predominantly sacred manuscripts and vice versa is but one indicator that the notions of a "Goliardic society,"

Procurans odium*

F I~ •• iiiiP @ .., L:o- cu rans o-di - urn

, , ef- fee - tu '-" pro - pri - o

F, f 226 rlv Clm5539, If 38-39 Ma,f 124 rlv CB, f 47v

vis de-tra-henti - urn

Clm55391 ~ • • • 1

• G; ... 1. Pr().Cu rans o- di - urn pro - pri - o vis de-trahenti ef- fee - tu urn

M a I~ •• I • G; • L [;rocu rans ho-di - urn

. ~- ;; ;;--. . ; . , ef- fee- turn pro - pri- o. vix detra-henti urn

CB Procurans . odium effectu proprio . vix detrahentium

F . ; .... • • cordi - urn ip-sa de tracti - o .

• • :,:; • I ..... 51 • G; • I

I

:-a •" ten-ti- o nex-us est cordi- urn ip-sa de - tracti - 0

.,;-.. #7; ... M a ,........... :--. a ~-_........_ :--. ... ~- , I'. ;=; .....

•" gaudet in ten- ci - 0 nex-us est cordi - urn ip-sa de - tracti 0

CB gaudet intentio . nexus est cordium . ipsa detractio .

* The first three versions are polyphonic in the sources. Only the tenors have been reproduced.

188

Procurans odium -- 2

if ~

F • :-. ill! • ;: • • si per con-tra- ri - urn

• £} ,..._ • ...

~- ~ ,

t ab hos- te nes - CJ-0

, hie prO-vi- si - o

Clm55391 J;. • ., V sic per con - tra- ri - urn

• ! J •• -•• • • • t1 :-';; , ,...L=; . ... . . ,

M a

CB

F

M a

CB

~ ab hos-te nes - CJ-0 if . • • . -=-~ • I • tl ?""'..

• • ~- ~ ,

ab hos-te nes - Cl- 0 sic per co1l-tra- ri - urn

sed desiderium ab hoste nescio . fit hie provisio

• rnan-ti urn fe - lix

... sit

... fit

hie prO-vi- si - o

• • , hec prO-vi- si- o

!q ! f ;7;' ; --- ........ ... , con tri ti- 0.

• ! J •=="" --- ; ... , • • in hoc a - rnan-ci urn fe- lix con di ti - 0.

in hoc amantium felix conditio .

189

11

11

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F

Clm5539

M a

CB

Procurans odium •• 3

2. Insultus talium Qrodesse sentio . tollendi tedium fluxit occasio . suspendunt gaudium provo consilio . sed desiderium auget dilatio . tali remedio de spmis hostium uvas vindemio .

2. [lacking in manuscript].

2. [lacking in manuscript].

2. Insultus talium prodesse sentio . tollendi tedium Iluxit occasio . suspendunt gaudium pravo consilio . sic per contrarium auget dilatio . talis remedio de spinis hostium uvas vindemio .

Versus Invidus invidia comburitur intus et extra . Invidus alterius rebus macrescit opimis . Invidia Siculi non invenere tiranm Maius tormentum . qui non moderabitur ire . Infectum volet esse . dolor quod suaserit aut mens . Invidiosus ego non invidus esse laboro . Iustius invidta nichil est . que protinus ipsos Corripit auctores excruciatque suos . Invidtam nimio cultu vitare memento .

190

F

CB

F

CB

F

CB

Vite perdite *

Vi- te per- di- te me le- gi sub-di- de - ram.

I~ •• • - ; ; -• • • • • • • • • l.Vt-te per- di- te me le- gi sub-di- de - ram.

dum fre - gi quod vo- ve - ram . sed ad vi

I~ • =- • • • • ; • • • • • dum fre- gi quod vo- ve - ram. et ad vi

"

cor- ri- gen - dum le - gi . quie-quid an- te per- pe - ram

" I ~

, ---- .. ... .. ... ... ..

I~ ; • • • • • • • • • • • • " cor-ri- gen - dum le - gi . quie-quid an-te per- pe- ram

*

F,f 356 CB,f 4rlv

mi-nus li - ci -

• • • • mi-nus li - ci -

te

•• te

te ves - pe- ram

• • • • te ves - pe - ram

**

pu- e - ri - lis e- gi.

..

• • • A:--..11 pu-e- ri - lis e - gi.

* *The heighting in CB is not clear. The latter part of the transcription attempts to reflect the nature of the source. The version in F ends here; that in CB continues.

191

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Vite perdite •• 2 Vite perdite •• 3

I~ •••• ~;) ; . . . . .. I~ • • • • • • quid Di- a - ne con- ti-ge - rit . fi- ne m con- fe - ro 2. Re-rum ex- 1- tus ___ dum que- ro dis- cu-te - re . ve-rum pe- ni- tus 5.Dum con- st- de- ro

- • • • • ;<". ---.... • if ,.-. . . . . .~.--. . • • • • • • • • • • • • • a fal- so dis- cer- ne re. fal- so fal-lor o - pe- re bra-vi-urn ra - pi - ne quis fu - e rit sci- o. vix e- va-se- rit mens cor- rup -

if --~ G • • • • • • • • • • • • 11 .-. ta

• • •••• . ; . ; • ~ .11 si spe - ro. me vir- tu- turn me- te - re vi - ti - a dum fe ro. fi ne . di - u quam con- tra- xe- rit ma- cu - lam sen ti ne.

I~ •••••• • • • I~ •••• . ;; • • •••• • 6. Pre-ter me-ri - turn me ne-ci non de-de - ro. si ad vo - mi - turn 3. Non sum du-pli- ci per - ple-xus i-ti-ne- re. nee ad-di- di - ci

re - fle- xus a ve- ne re. nee frau..da- vi te- me-re con- iu - gis · If "' • · • ~ · . •"'¥"• • if r• · ••. •=- . • • • • • • • • • •

quem ie - ci re - di - e ro . nee a ver- bo as- pe- ro li - be- rum

if -=~ G • • • • • • • • xus.

if --~ n. .... • - • •• • 11 am ple - xus. Da-li- dam per- se- que-re ne frau- de - tur se me fe ci. ser- vus si ser- vi - e - rit vi - ti- o - rum fe - ci.

• • • •• • • • • • • • • • • • • 4. Fa- mem si- li - qua por - eo- rum non abs-tu - lit. que ad lu - bri - ea 7. I - re Ve-ne - ris in - mu-to ves-ti- gi a . vi- e ve - te - ris

if .-..... • • • • • • • . . if ..-.... . . . . .-. •••••••• • • • er - ro- rum non con-tu lit . sed scrip- tu- ra con-su- lit u- ramin- re - fu - to per de - vi a. vi- a nam-quere- gi- a cur- ri - tur

• • • •• • • 11 • • .. .. • 11 trem mo - rum. que pre-lar - ga pro- tu - lit pa-bu-la do no - rum. in tu to. si - quis ce - dit a - le - a sem- per est in lu - to.

192 193

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Vite perdite -- 4

I~ ... 8. Re- s1

if "--.. Ze-

1f --~ tens

9. Er-go

if n• de

if --~ gi

•••• . . .. . . . so- li- urn. Sy - mo-nis as- tu- ti - am. con-fer Tul- li - urn

.. .. .. • ·=-· • • • • •• .. .. .. no- nis pru-den-ti am. nil con-fer- re sen- ti - am

[•] . . hiis ab - u

.. .. .......... .. • 11

bo - nis. ni fu- gien-do fu- gi- am Da- li- dam Sam - so - nis.

.. • •• • ; .. .. .. • ;:;:; • • • .. • • • ve- ni - am de re-i rni- se- ri a. ut in- ve- ni - am

.. .. • • ;:-;?; • • • • •• • • .. .. .. .. de-i cle-men-ti a. hec et hiis si - rni-li - a que per- e

.. .. . ........ .. . • 11 de so- la par-cens gra- ti- a mi-se- re- re me - i.

194

F

CB

A44

F

CB

A44

F

CB

A44

F

CB

A44

0 curas hominum (Contra curas homini et maxime alicorum)

1. 0 cu- ras ho- rni- num

'-' '-' 1. 0 cu - ras ho - rni .:.. num quos cu - rat

1. 0 curas hominum quos curat curia.

F,f424v CB,f 83 A44,j 63

cu - ri a

.. . • • .. .. £!.;::; .. o ____ quo - rum stu- di - a non ha - bent ter - rni - num .

o quocum stu-di -a non habent terrninum .

o quorum studia non habent terminum .

if~ i*&) I fi::-;. I ••;;;; .. ;; .. • • • •

ta- li-um si fi-dem in- cur- re - ret. des-e- re - ret Pi- la- des A- tri - dem.

talium si fidem incurreret desereret Phylades Atridem.

talium si fidem incurreret . desereret Pilades Atridem .

••• -·· • • • al-tere- nim The - se - us su - urn fas - ti - dit The - se - a .

alter enim Theseus suum fastidit Thesea .

alter enim Theseus suum fastidit Thesea .

195

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F

CB

A44

0 curas hominum -- 2

if~ • .. ·"*f u - bi re -

• • .. gnat Pro- the- us et fa- ti lu - dit a - le - a.

ubi regnat Protheus et fati ludit alea .

ubi re gnat Protheus . et fati ludit alea .

F CB

2. Ab aula principis si nichil habeas . 2. Ab aula principis si nichil habeas oportet abeas . spem vanam concipit . tenuis fortuna omnimoda ad comoda hominum mens una . a quo nichil emungitur opus perdit et operam . quod habenti dabitur tenent ornnes ad litteram.

4. In lucrum vertitur censure levitas . fracta severitas danti remittitur . explicas decreta ad libitum si sonitum dederit moneta . plenis ere sacculis rei pena minuitur . locum die a loculis unde locus si queritur.

A44

oportet abeas . spem vanam concipis tenui fortuna omni moda ad commoda . omnium mens una . a quo nil emungitur opus perdit et operam . quod habenti dabitur omnes tenent ad literam.

3. In levum vertitur censare levitas . fracta severitas danti remittitur. explicas decreta ad libitum si sonitum dederit moneta . plenis ere sacculis pena dei diluitur . locum die a loculis unde locus si queritur.

2. Ab aula principis si nichil habeas . oportet abeas . spem vanam concipis tenuis fortuna omnimoda ad commoda omnium mens vana . a quo emungitur . opus perdit et operam . quod habenti dabitur . tenent omnes ad litteram.

3. In levum vertitur sensure levitas . fracta severitas . danti remittitur . explicas decreta ad libitum . si sonitum dederit moneta . plenis ere sacculis . rei pena diluitur . locum die a loculis . unde locus si queritur .

196

F

A44

F

A44

F

A44

F

A44

Omnis in lacrimas (Planctus super morte Henrici comitis Campanie.)

Om - nis in 0 di-es

la- cri - mas fu- ne - bris

u-ber-ri-mas que te - ne - bris

Omnis in lacrimas uberrimas solvatur oculus 0 dies funebris que tenebris orbem sic induit

fun - dant -or bis

• que ~a-~ - a de- Ii - et - e

SUS- pi - ri - a fons gra - ti - e

fundant que paria suspiria clerus et populus . orbis dehcie . fons gratie totius aruit .

F,ff. 415v- 16 A44,f J3fYiv

sol- va - tur o - cu-lus. mun- dum sic in du - it .

cle- rus et po - pu-lus. to - ti - us a - ru - it .

par s~t do - lor . Iar-gt - ta - te

par est ca\l1ia. mors li-center ni- mis au- sa. vir se - re- nus . gra - ti- a- rum do- nis pie - nus

nu- be tris- ti - ti- e co-mesflosco- mi-tum

par sit dolor par est causa . mors licenter nimis ausa . nube ~sticie Iargitate vir serenus gratiarum donis plenus . comes flos comttum .

. '-' . ter-ras op- pe-ru-it dumno-bis ra-pu- it non im par re- gi- bus fa- tis cru-de- fi - bus

terras operuit dum nobis rapuit solem Campanie . non impar regibus fatis cruoelibus exsolvit debitum.

197

\....-, so- le m Cam - pa - m - e . ex- sol - vit ae - bi- turn.

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F

Ff.i.17

A44

F

Ff.i.17

A44

Adulari nesciens - 2

f I t» .i--;'; -- .:;::~ ;. .......... .,_lfll :; .. .. ~ ._._..,

• "" l~j- •• ; ij

nam quod decet 0- pe-ror. ver- ha sa - le con- di ens

.. 1IJ' .. ~- ..... o - pe- ror __ ver- ha sa - le

sed quod decet operor . verba sale condiens

l~j. • • :q • • --- -?i?; ill! • • • ill! • ne fa-vo-re de- se ror spe vel me- tu

ill! ill! ] ill!

nee fa- vo- re de seror spe vel me- tu

nee favore deseror spe vel metu blandiens .

Ff.i.17 F

2. Magna michi gloria 2. Magna mihi gloria 2. si gue loquor sentiam . si que loquor sentiam salva consciencia salva conscientia sequor amicitiam sequor amicitiam eius nolo gratiam emus volo gratiam . cuius per mfamiam cui us per infamiam comparatur y,ratia . conparatur gratia . Salamonis g oriam Salomonis gloriam nollem per mendacia. nollem per mfamiam.

3. Sed tanta severitas 3. Sed tanta severitas 3. movet michi iurgium movet mihi iurgium nam scio quod veritas nam scio quod veritas sepe parit odium semper parit odium et quOd terre . solium et quod terre solium tenet adhulantium tenet adulantium venenosa levitas venenosa levitas dum pretendit pallium veritatis falsitas.

dum pretendit pallium veritati falsitas.

4. Licet adhulantibus 4. Licet adulantibus 4. ~uicquit volunt dicere

e se solent talibus duiquid volunt dicere

e solent talibus plus quam sibi credere plus quam sibi credere potestates misere potestates misere . ascentantes temere . [lacking] non cordi sed auribus falcis fausti . laudibus bene putant facere.

208

con- di- ens __ _

• f? ;:;: . • 11 blan - di ens.

-~ ·11 . , blan - di - ens.

A44

Magna mihi gloria si gue loquor senciam . salva consciencia sequor amiciciam . eius volo gratiam cui us per mfamiam comparatur y,ratiam . Salamonis g oriam nollem per mendacia .

Sed tanta severitas movet michi iurgium . nam scio quod veritas sepe parit Odium . et qmd terre solium tenet adulacium venenosa levitas . dum pretendit pallium veritatis falsitas .

Licet adulantibus ~uicquid volunt dicere .

e se solent talibus plus quam sibi credere . potestates misere . assectantes temere non corde sed auribus bene putant facere . falsis fusti laudibus .

+

I

F

Ff.i.17

CB

A44

VRL344

F

Ff.i.17

CB

A44

VRL344

Olim sudor Herculis F,f 417rlv Ff.i.17,f 7 (Quorum Hercules qui omnia vicit monstra .•• ) CB,ff. 2JV-24V A44,J. 7orlv rlv VRL344, f 36

; ::;?'; • G'.; • ill! ill! ill! fl. ill! I • • • ill! • •)

lim sudor Her- cu-lis monstra la-te con­dradampno ea- pi-turn fac-ta lo-cu-ple -

ill! [!] [ 0 -li]m su- dor Her-cu -lis [Hy-dr]a damP-no ea- pi- turn

Olim . sudor Herculis monstra late conterens . Y dra dampno capitum facta locupletior .

Olim sudor Herculis monstra late conterens . Y dra dampno capitum facta locupletior .

Olim sudor Herculis monstra late conterens Idra damno capitum facta locupletior .

ill! ill! ill! • •

mon- stra la - te con - te -rens fac - ta lo - cu - pie - ti - or

• • terens ti- or

•• £! ....... ill! ill! •

cla- ris Ion- ge ti -red-de- re so-li -

tu-lis e-ni- tu-it ci- turn non po - tu-it

• ill! --· •• • cla - ris Ion ge ti - tu - lis e - ni - tu - it red -de -re so- la- ti- urn non po - tu- it

pestes orbis auferens claris longe titulis . emicuit . omni peste sevior . reddere sollicitum non potuit .

pestes orbis auferens claris lon_ge titulis enituit . omni peste sevior ledere sollicttum non potuit .

pestes orbis auferens . claris longe titulis enituit . omni peste sevior . reddre sollicttum non potuit .

209

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F

Ff.i.17

CB

A44

VRL344

F

Olim sudor Herculis •• 2

sed ta-men de-flo - ru- it ~ quempu-el la do mu-it

• 4P

sed tan-dem de- flo ru-it quam pu- el - la do - mu- it

sed tandem defloruit . fama prius celebris . quem puella domuit . iugo cessit Veneris .

sed tandem defloruit . fama prius celebris quem puella domuit . iugo cessit Veneris

sed tandem defloruit . fama prius celebris . quem puella domuit iugo cessit Veneris

&. 4P ;;: ; ill!

fa-ma pri - us m-go ces - sit

4P 4P -=· . fa- ma pi - us iu - go ces - sit

..--...

~- 4P ji!P -~ '-"" ce - le- bris Ve - ne- ris

ce - le-bris Ve - ne- ris

~~--g.-~ a •• i .. -~a·-.; I n ,t;'• .~-li~. :11 ce-cisclau-sa la- te-bri';" Y-o-les il-le-ce- b~s ~1- ci~de cap-ti - va - to. vir qui ma- ior su - pe- ris eel urn tu - lit hume - ris Ath.-lan - te fa- ti - ga - to. Am or

Ff.i.17 1~ j •• • •••• ce-cts claU-sa te- ne-bns vir qui ma-ior su-pe-ris

. • . . • a . • . • ~-• • •

Y- o- les il-le- ce-bris Al- ci- de cap-ti- va- to. ce-lum tu-lit hu- me- ris Ath-lan-te fa- ti - ga- to.

: 11

CB cecis clausa tenebris. Yoles illecebris Alcide captivato. vir qui maior superis . celum tulit humeris Athlante fatigato.

A44 cecis clausa latebris . Yoles illecebris Alcide captivato . vir qui maior superis celum tulit humeris Athlante fatigato .

VRL344 cecis clausa tenebris. Yoles illecebris. Alcide captivato. vir qui maior superis eel urn tulit humeris Atlante fatigato . Amor

210

F

Ff.i.17

CB

A44

Olim sudor Herculis •• 3

Refrain I ~ • U• • • A - mor fa-me

••••• 4].1 •• 4P 4P 4P •••

meri-tumde-flo - rat a- mans tempus per-di-tum non

• • • • : - . . . Refmin ~~j• 4 • • • • • ! ;?Ji • A- m or fa- me me- ri -turn de- flo rat a -mans tem-pus per-di- turn non

Refrain

Refrain

Amor fame meritum deflorat . amans tempus perditum non

Amor fame meritum deflorat . amans tempe perditum non Amor ....

VRL344 Refrain Amor fame meritum deflorat . amans tempus perditum non Amor.

F

rat. • ••••

te - mere difflu - e-re sub Ve-n6- re la-bo plo - ~t sed

Ff.i.17 l~j :::;.. ~ ~ ;; : 11 4P • • 4P ,.....

4P • • •• • • p7o- rat sed te-me- re de- flu- e- re sub Ve-ne- re la- bo-rat.

CB plorat . sed rnisere defluere cum Venere laborat .

A44 plorat . sed rnisere defluere sub Venere laborat .

VRL344 plorat. set temere difluere sub Venere laborat.

211

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F

Ff.i.17

CB

A44

VRL344

F

Ff.i.17

CB

A44

VRL344

Olim sudor Herculis -- 4

11.

if . . ~ :-- ; ;; • . :::;:;_ ... ·;; .. . •::'; Ca-cho tns - tts a - li- tus et flamma - rum v~mi -Iu- go ces- sit te - ne-ro sorqmo qui le- ti- fe

iiiP ... fill , ..

tus vel fu-ga Nes- so ro or-ti cus-to-dem

• t::t2; • : ; • fill fill • fill • •

Ca- eo tns - tls a - li - tus Ju- go ces - sit te - ne-ro

et flam- ma- rum vo - mi- tus vel fu- ga Nes- so sop- no qui le- ti - fe- ro or- ti cus- to- dem

Caco tristis alitus vel flammarum vomitus . vel fuga Nesso Iugo cessit tenero . somno qui letifero . orti custodem

Caco tristis alitus et flammarum vomitus vel fuga Nesso lugo cessit tenero sompno qui letifero orti custOdem

Caco tristis halitus et flammarum vomitus . vel fuga Nesso lugo cessit tenero . sompno qui letifero . orti custodem

. . . -du- ph-et non pr~fu-tt di- vi- tis im-pli-cu-it

Ge- ri - on Es- pe- ri - us fron- tis A - che -lo- y- e

- .;;=; du- ph- et nunc pro-fu-it di - vi- tis im- pli - cu-it

- . Ge- ri -eo Hes- pe-ri- us fron- tis A-che -1o- i- e

duplici non profuit . Gerion Hesperius ianitorque divitis inplicuit . frontis Acheloye cornu dedit

duplici non profuit Gerion Esperius ianitorque divitis implicuit frontis Achefoe cornu dedit

duplici non profuit Gerion Hesperius . iacitorque divitis implicuit . frontis Achilfoie cornu dedit

212

• ia- ni- tor - que cor-nu de - dit

........ ./ . ia - ni - tor - que cor- nu de- dit

F

Ff.i.17

CB

A44

VRL344

F

Ff.i.17

CB

A44

VRL344

Olim sudor Herculis -- 5

- - • • ............... • • - - - - ~-Sti- gi - us u - ter- ~ue Co- pi- e a - pro e-

for-ma 0 - ne

tri- pli- ci do- mi-tis

non- ter- ru - it e - ni - tu - it

. ; ' • •

Co- pi-e u - ter - que for - ma tri - pli - ci a - pro le - o - ne do - mi- tis

non ter e- ni -

Stigius . uterque forma triplici non terruit . Copie . apro feone domitis emicuit .

Stigius uterque forma triplici non terruit . Copie . apro . Ieone dormtis enituit

Stigius . uterque forma triplici non teruit copie . apro Ieone domitis enituit

I ;; • • 1 ~< I~. • • ~· •• tem~ap-ti- vum te- nU-it ri- su pU-el -

ra-ces e-quos im- bU-it ti ce -cru- en-

• a • • : 11

la sim- pl-ci. de hos - pi- tis.

ru - it tu - it

Ret

Amor ....

if-1> . n. . .... qu:m ~p-~i-vum te - nu-:t ri - su pU- el- la Thra- ces e-quos im- bu- it cru- en- ti ce- de

;; Ref

:11 : •• • •

quem captivum tenuit risu puella simplici. Truces equos imbuit cruenti cede hospitis .

quem captivum tenuit risu puella simplici . Amor ... . Truces equos imbuit cruenti cede hospitis . Amor ... .

quem captivum tenuit risu puella simplici. Amor ... . Truces equos imbuit cruentl cede hospitis. Amor ... .

213

sim- pli- ci. hos- pi- tis.

A-morfa- me .. . A-morfa- me .. .

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F

Ff.i.17

CB

A44

VRL344

F

Ff.i.17

CB

A44

VRL344

Olirn sudor Herculis -- 6

Ill.

;;=; An - the- i Li - bi- ci lue-tam sus-ti

Tan tis flo-ru e- rat vir-tu-turn ti nu -it ea- sus so- phi - sti-ci tu-lis quem blan dis car - ce- ret

• • • luctant sus- ti- nu- it la- bo-rum ti- tu- lis

ea - su so-phis- ti - ci quem blandis car-ce- rat

Anthei Lybici luctam sustinuit . casus sophistici Tantis floruerat laborum titulis . quem blandis carcerat

Anthei Libici luctam sustinuit . casus sophistici Tantis floruerat laborum titulis . quem bfandis carcerat

Antei Libici luctam sustinuit casus sofistici Tantis floruerat laborum titulis quem blandis carcerat

• • frau- des eo- hi bu- it ea- de- re non ve - tu- it pu - el- la vin cu -lis et dum lam-bit os cu-lis

• • . ;;;;; . l~j· ·i'i ••. frau -des cho- i - bu - it pu- el-la vin- cu- lis

ea-de- re dum ve- tu - it et dum lam-bit os- cu- lis

fraudes cohibuit. cadere dum vetuit. sed qui sic ex­puella vinculis . quem dum lambit osculis . nectar huic la -

fraudes cohibuit . cadere dum vetuit . dunque sic ex -puella vinculis . et dum lambit osculis nectar huic la -

fraudes coibuit . cadere dum vetuit . sed qui sic ex -puella vinculis et dum labit osculis nectar heret la -

214

sed que sic ex­nee- tar huic la-

-jiJ •• • •

sed qui sic ex­nee- tar huic la-

F

Ff.i.17

CB

A44

VRL344

F

Ff.i.17

CB

A44

VRL344

Olim sudor Herculis •• 7

l~j·· g ........ I ·q •i • • •• ~~ • iiiP • • .. • • • ~ .. -•

p[h]-cu-tt lucte no-do- sos ne xus vin - ci-tur et vin - ci-tur dum bel-lu-lis Vene-re-um pro-pi nat vir so-lu- tus o ti- is Ve-

•• pli -CU- it bel- lu-lis

luc-te no-do- sos ne-xus Ve-ne-re- urn pro- pi- nat

vin - ci- tur et vin - ci- tur dum virum so-lu- tus o - ti- is Ve-

plicuit lucte nodosos nexus . vincitur . et vincitur dum bellulis Venereum propinat . vir solutus otiis et

plicuit lucte nodosos nexus . vincitur et vincitur dum bellulis Venerium propinat. vir solutus otiis Ve-

plicuit lucte nodosos nexus vincitur et vincitur dum bellulis Venereum propinat solutis osciis Ve -

[Ref]

• • • • •••••••• :11 la- bi-tur ne-re-is

ma-gna Io - vis so- bo-les ad Y- o- les am-ple-xus. la- l>o- rum me-mo-ri- am et glo-ri- am in-ell- nat.

••• la- bi- tur ma-gna Io.. vis so- bo- les ad Y - o- les am-ple- xus. ne - re-' is la- bo..rumme-mo.- ri - am et glo- ri - am in- cli - nat.

labitur . magna Iovis soboles ad Y oles amplexus . gaudiis . laborum memoriam et gloriam inclinat.

labitur magna Iovis soboles ad Yoles amplexus . Amor .... nereis laborum veniam et gloriam inclinat. Amor ....

labitur . magna Iovis soboles ad Yoles amplexus. Amor ... . nereis laborum et memoriam et gloriam inclinat. Amor ... .

215

[Amor]

Ref

:11. • A- [mor .... ] A-mor ... .

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F

Ff.i.17

CB

A44

VRL344

F

Ff.i.17

CB

A44

VRL344

Olim sudor Herculis •• 8

IV.

if~~~ I~ iO • iO iO ;i.g;: I. M • ;;;ii•l· M • " • '"• I i Sed AI- ci-de for-ti-or aggredi- or pugnamcortraVenerem ut Dui ces no-dos Vene-ris et car-ce- ris blan di se- ras resero de

If & s:d • • " " " " .-:;, " " • AI- ci- de for-ti- or a - gre -di- or

Dui- ces no- dos Ve-ne-ris et car-ce-ris

• • pug-namcon- tra Ye-ne-rem ut blan-di se - ras re- se- ro de

if&

if&

Set Alcide fortior aggredior. pugnam contra Venerem. ut Dulces modos Venens et carceris blandis seris resero. de

Sed Alcide fortior agredior pugnam contra Venerem . ut Dulces nodos Venens et carceris blandi seras resero . de

Set Alcide fortior agredior pugnam contra Venerem ut Dukes nodos Veneris et carceris blandi seras resero . de

...............

~-• ; ........... • • • su - pe- rem banc fu ce - te - ro ad a

;;; f !_f!Jj • su pe- rem banc ce te - ro ad

superem banc fugio . in hoc enim cetero ad alia dum traducor

5) fu a

et superem banc . fugio . in hoc enim cetero ad alia dum traduco

superem banc fugio in hoc enim cetero ad alia dum traducor

• •

r: 0 a

• • f1 - 0

-a

216

• in hoc e nim

dum tra - du cor

• in hoc e nim dum tra - du - eo

..

F

Ff.i.17

CB

A44

VRL344

F

Ff.i.17

CB

A44

VRL344

if& Olim sudor IJerculis •• 9

;(?;, ; -; ... • • ... • • • • • pre - li-o fu - E~ -en-d~ for-ti- us stu - di- a 0 1- eo- n

• • • fu- r- en-0 i- CO-

prelio fugiendo fortius et levius pug -studia . o Lichori valeas . et voveas quod

prelio . fugiendo melius et fortius pug -studia . de Lycori valeas et voveas quod.

prelio fugiendo fortius et melius pug -studia o Liquori valeas et voveas que

• • do for-ri va-

va-le- as

• • ti - us le- as

• • • • • et me-li -us pug-et vo- ve- as quOd

• V • • • et me-li -us pug-et vo- ve- as que

if &;;7';o; Ref

;; •• ~- ··? ;; ;; ,...... : 11 • • • • • • . .; .

na - tur sic que Ve-nus vinciturdum fu- gi-tur fu-ga tur. vo vi ab a-mo-re spiritum solli -ci-tum re- mo vi. Amor ....

Ref

•••• ;;:. • ;;;; • .;;-;. :!1 •• •• sicque Ve-nus vin-ci-tur dum fu-gi- tur fu- ga -ab a- mo-re spi-ritum sol- li- ci- turn re- mo -

natur . sicque Venus vincitur dum fugitur fugatur . vovi . ab amore spiritum sollicitum removi .

natur . sicque Venus vincitur . dum fugitur fugatur . Amor .... vovi . ab amore spiritum solliciter removi . Amor ....

natur sicque Venus vincitur dum fugitur fugatur. Amor ... . vovi ab amore spiritum sollicitum removi. Amor fame ... .

217

tur. Amor fame .... vi. Amor fame

meritum ....

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Ff.i.17

In hoc ortus occidente -· 4

per de ee-lo __ nos

quam u-num __ sunt

till -et de per quam

• ee u

lo num

nos __ sunt __

et de celo nos prospexit liberans ius -

ti an

~ »'t~~~ .... • •

ti an

ti gu

... ti gu

D2777 ticia.

pro- spe u - tra

~ ~ .--.;;;. pro- spe u- tra

228

illll! iilll!

xit li que ea

.. ill!

xit li que ea

a. __ lo. __ ]

jllll iilll!

be- rans put est

illl! ., be -rans put est

: 11

till

ius-in

till

ius

a. lo.

in -

F

CB

A44

D2777

F

CB

A44

D2777

F

CB

A44

D2777

Aristirpe quamvis sero tuo

I.

~~~~ "--"'

F,ff. 416-417 CB,ff. 83-84 A44,f 63rlv D2777,f 3 P146,f 29

if~ ; ~ • • f.h..- I •

A Dy

ris tir-pe quam- vis sero tu-o ta-men tandem quero o-ge-nes quid in-tendas. vis honores vis prebeildas?

... ;;;;; ;;:, ;;;;., . . . I (VOID )

A­Dy-

ris- ti- pe quamvis sero tuo tamen tandem quero o- ge-nes quid intendas. vis honores vis prebendas

Aristippe quamvis sero tuo tamen tandem quero Diogenes quid intendas . vis honore . vis prebendas .

Arystyrppe quamvis sero tuo tamen tandem quero

• • if~ .... ;:;:-; I •• !• • ; iO • • .. • Gj • fru-i consi-li - :. quid Rome fa- ci-am?menti- ri nes hiis prius ex.-pli - ces. presunt eccle - si-is hii qui bus dis

- ci -0. - pli- ces.

frui consilio . quid Rome faciam mentiri nescio . id primum explices . presunt ecclesiis hii quibus displices .

frui consilio quid Rome faciam mentiri nescio . id prius explices . presunt ecclesiis quibus tu displices .

frui consilio quid Rome faciam mentiri nescio

............ ... ... . ~ v ill

po-ten -turn gra - ti -am dat ad- u - la- ti- o. si mordaci ni-tar ve-ro. ni -si te vi - ti -is ip- so- rum im- pli- ces.ca- ruse- ris si corrmendas

potentum gratiam dat adulatio . si mordaci nitar vero . nisi te vitits illorum implices gratus eris si commendas

potentum gratiam dat adulatio . si mordaci nitar vero . nisi te vitits ipsorum implices . carus eris si commendas

potentum graciam dat adulatio si mordaci nitar vero

229

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F

CB

A44

02777

F

CB

A44

02777

Aristirpe quamvis -- 2

~~j •• • • •• -~ I • • • • • •I • • • • ~ verri nutlJ.Uam carus e - : . me- re - tur hys-tri- o vir-tu- tis pre in pre-la-tis vi- te men - das .cul-pa-rum compli-ces mi-nistros see

verri numquam carus ero . meretur histrio virtutis premium . in prelato vite mendas . culparum conplices ministros sceleris

verror nunquam carus ero . moretur hystrio virtutis premium . in prelatis vite mendas . culparum complices ministros sceleris

verri numquam carus ero meretur hystrio virtutis premium

vi ce

ti- urn dui- ci ____ _ te- ris sa-cri ____ _

dum palpat vitium dulci mendatio . amant pre ceteris nostri pontifices .

dum palpat vitium dulci mendatio . amant pre ceteris . sacri pontifices .

dum palpat vicium dulci mendacio .

11.

men pon

mi- urn. le - ris

l~j· •••• g .. • • • •• Nee po-ten tern di di- ci E~ go pro- cui ex - u - les

vi-ti- is a-plau- de-re. nee fa-vo- rem que- re-re simen-ti-ri du-bi-tas.sim-plex e- nim ve- ri-tas

Nee potentum didici vitiis applaudere. nee favorem querere Ergo procul exules si mentiri dubitas . simplex enim veritas

Nee potentum didici vitiis applaudere . nee favorem querere Ergo procul exules . si mentlri dubitas . simplex enim veritas .

Nee potentum didici viciis applaudere nee favorem querere

230

F

CB

A44

02777

F

CB

A44

02777

F

CB

A44

02777

Aristirpe quamvis •• 3

'---' . , . . . cor-de loquensdupplici . ve-ri- ta- te sim- pli - ci mul-tos fa-cit eJHl-les . eo-le nostros pre - su - les

se m- per u-ti so- le- o. mol - Ii-bus blandi - ti -is .

corde loquens duplici . veritate simplici semper !lti soleo .... multos fecit exules . cole nostros presules . mollibus blandttns .

corde loquens duplici . veritate simplici sem~r uti soleo . multos fecit exules . nostros cole presules mollibus blanditiis .

corde loquens duplici veritate simplici semper uti soleo

l. I =:=dJ I V &;; • • • .-; • • • • • • • ·~ • • • ••• ~ •• • • ._..:ll da-re fa-mam do-1~-.0 cuiql;lampreter merita . nee impi.ngo c;api ta pecc;atoris o le.<?.

nee insultans vi-tl-lS verots hosexaspe-res. horum stde-si-Oeres Iru-t bena-ficns.

dare famam doleo quicquam preter merita. nee inpinguo capita peccatoris.oleo. nee insultans viciis verbis hos exasperes . horum si desideres frui beneficits .

dare famam doleo . quicquam preter merita . nee inpinguo capita nee insultans vitiis verbis hos exasperes . frui si destderes horum bepefWitsrum oleo .

dari famam doleo cuiquam preter merita nee impingo capita peccatoris oleo .

Ill.

l~j •••• A • ••• ?;, •••••• d· li ~ • I

Er- go sie-ut C';'_ su-lis . ex-pe- dit ut ta-ce-am.blan-di- ens- ve pla- :_~ Cul-papar-~ci- pi-o ne for-mi- despollu-i. si po-ten-tumper- fru-1

Ergo sicut consulis expedit ut taceam . blandiesve placeam Cu1pe participio ne formidans pollui . si potentum perfrui

Ergo sicut consulis expedit ut taceam . blandiensve placeam Cu1pe participio ne formides pollui . si potentum peifrui

Ergo sicut consulis expedit ut taceam blandiens ve placeam

231

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F

CB

A44

02777

F

CB

A44

02777

F

CB

A44

02777

Aristirpe quamvis --4

fliP .. illii' illt dill e e • I~ j. • " :o

mol- h- bus vis fa-vo -

au- ri- cu-lis p0-ten- ti- urn . qui-bus me vis sic pia- ce re . vi- ti- o par- ti- ci- pes. gau-dent a con-vie- tu pa

re ri

mollibus auriculis . potentuum quibus me vis sic placere vis favore vitio . potentium convictu pari

mollibus auriculis potentum . quibus me vis sic placere vis favore . vitio participes . gaudent a convictu pari

mollibus auriculis potentium quibus me vis sic placere

... 1111 .., ~- .. 1111 .. illii' • .. • .. ... ..,

ad- u-la -su- os si

ri vel ta- ce - re . ni-chil po-nis medi urn. sic-que qua-si fa-ve- am bi confor- ma- ri gy- si par- ti- ci- pes. in promis-sis Pro the- i.

adulari vel tacere . nichil ponis medium sicque quasi faveam tuos sibi conformari . in rezy particeps in promissis Prothey

adulari vel tacere . nichil ponis medium . sicque quasi foveam . suos sibi conformari giez1 participes . sunt promissis Prothey .

adulari vel tacere nichil ponis medium sicque quasi faveam

iiiP • • • • • • a - li - e - ne sub- e- am et se- qua-ces Or-phe- i

';; • • ijllt

"----" , cui- pe par ti sa- cer-ao turn

aliene subeam culpe participium. et sequaces Orphe1 sacerdotum principes.

aliene subeam culpe participium . et sequaces Orphe1 . sacerdotum principes .

aliene subeam culpe participium .

232

illii' .. • : 11

ci- pi- urn. prin-ci- pes.

-

P146

F

CB

A44

02777

P146

F

CB

A44

02777

Aristirpe quamvis -- S

i~ ~ ~ 1fH er rl r r r 'lr rr rlr rr 11F crwrur 11

V a - de re - tro Sa-tha-na. tu - as to!- le fa- bu-Ias . Quicquid e- nim con- su-las

I~~ • • • • '"i •• I •• !• • ~ • • I • • ~ • V a-de re- tro Sa- tha-na . tu -as tol-le fa - bu -las . quic quid e - nim Er- go v~vas mo- di-cus et contentus mo - di- co . nil est o - pus

V ade retro Sathanas . tuas to lie fabulas . quicquid enim consulis Ergo vi vas modicus et contentus modico . nil est opus Cynico

V ade retro Sathana tuas tolle fabulas . quicquid enim consulas .

[Second versicle lacking]

V ade retro satana tuas tolle fabulas quicquid enim consulas

••• consu-las Ci-n~co

~~~r er ElfirJtiJ J rr1r rr r1r rr r!Mr JJ WiJ 11 fa!- st- ta - tis or- ga-na . vo- ces ad- u - !an- tl-urn de- v0-ve-o . nul- h - us que fo- ve- o

~~j· •••• .=1 I ;o •• ;;; • R .'!.]• R.. • ••• ;o ~ • fal- s~ ta-tis or"::' :a-:'a vo-ces ad-u-lant~ urn~ de--voveo. nul-l~usque fo.-ve- o si vis es-se ci - ni-cus.di-cas va-le cu-~ is . et abeas . et nee te sic habe - as.

falsitatis organa . voces adulantium devoveo . nullius que foveo si vis esse cynicus . dicas vale curiis et habeas . et nee te sic habeas

falsitatis organa voces adulantium devoveo . nulliusque foveo

falsitatis organa vocus adulantium devoveo nullius que foveo

233

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P146

F

CB

A44

D2777

P146

F

CB

A44

D2777

Aristirpe quamvis --6

j 11 - vi

-i. I I V~ • • ...-;; • • • • • • • • • • :-- • &; blan-di-en - do :i-: _:m sed palponia nrmen ea ~i . cu-i us sem-per de ut ap-plau-das vi- ti- is. cum per verso perverteris si po- ten -turn gra

-~ ... - cli-na -vi

blandiendo vitium sed pallponis nomen ea vi . cui us semper declinavi ut applaudas vitiis cum perverso perverteris si potentum gratus queris

blandiendo vitium . sed palponia nomen cavi cuius semper declinavi

blandiendo vicium sed palponis nomen cavi cuius semper declinavi

- tus que - ris

1f~r rFhlr rJ •IJ J9r rlr Ew •I~P J ~IJ- J 111 frau-dis ar- ti- fi- ci -urn. tu- urn fac-tum no- xi- urn nos- ce. die er- ra - vi.

~• frau- dts ar - ti fi- ci es- se con - tu - ber-ni

fraudis artifici esse contuberni

fraudis artifici

fraudis artifici

liJ J;J JUSSJJG I j Ji

234

F

CB

A44

D2777

Arlstirpe quamvis •• 7

~~jT r J J 1 J IT V'J. J =11 - - - urn.

is.

urn. is.

urn.

urn.

235

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Fontis in rivulum -- 7

F if $• -~fj ~-:. r:'\ f'C'\,.-..

~ -~. I ••"'r ,...... ··u··· ·j;;;;.. -.

1

Xpis- ti cla- morpau - pe-rum sor - des quas non ter- si - m us

A44 Xpisti . clamor pauperum sordes quas non tersimus .

C58/275 Xpisti clamor pauperum sordes quas non tersimus

D2777 Xpisti clamor pauperum sordes quas non tersimus

F if j • • • • ~- • I • • •fj• ii-~~ I ~- ~- :;~ ae- eu-sa-bunt o- pe-rum pn-mus et no-v1s-s1- mus qua-drans re- qu1-re -

A44 accusabunt . operum primus et novissimus quadrans require -

C58/275 accusabunt operum . primus et novissimus quadrans require -

D2777 accusabunt operum primus et novissimus quadrans require -

F

tm __________ ~-------------------------------------------

A44 tur.

C58/275 tur.

D2777 tur.

242

F

M20486

E2615

HBI95

CB

Die Xpisti veritas* F,ff. 203-204 w2 , ff.33-34v Wt' ff. 7Jrlv (66rlv) M20486, ff. 114-115 HBI9S,ff. 33v-34 CB,f 54rlv E261S,ff. BBV- 89

Die-------------------------------------------- Xpisti ve-ri- tas .

if23 J J IF ITI J JJ mnpf· .... I Die--------------------------------------------- Xpisti ve-ri- tas

if 2 cr a w J IT I J w J m n ii 1 • • • • •

[D]ye ---------------------------------------------- Xpisti ve-ri- tas

if 2 j J J J r IT I J J;j m J] ii •• • • • • • I

Die ____________________________________________ __ Xpisti ve-ri- tas

if-~. • • ;- =-Die __________________________________________ __

• • ••• Xpis-ti ve-ri- tas

...--.... z .-..: ... :---. • • • ell if :-'; ; ~- • Die ________________________________________ ___ Xpis. ti ve-ri - tas.

* For polyphonic sources, only the tenor has been given here. There are other sources containing this piece.

243

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Die Xpisti veritas DD 2 Die Xpisti veritas DD 3

F ... die ea - ra ra - ri - tas . die ra - ra ea- ri- tas u- bi nunc ha - bi- tas?

I~ 4· · ·~·~. ... d: ea- ra ra- ri- tas die ra - ra ea - ri - tas u - bi nunc ha - bi - tas

. . ., " . , . in val- le vi- si- o- nis

I~ ; •· • ·~·~. I I

• '"' • • ;;; ;;, ... • G; ~ • die ra - ra ea - ri - tas die ea- ra ra- ri- tas u - bi nunc ha - bi - tas

;;; ;. ·I. • •••••• • in val- le vi- si- o- nis aut _________________________________________ __

M20486 I~ ;•· • ·~·~. ra- ra die ea - ra ra - ri - tas die ea- ri- tas u - bi nunc ha - bi- tas

M20486 I~: • ~ ,s.., ...... ·I. -..... . in val- le vi- si- o- nis ut __

E2615 I~ ;;• •• ·~•;. ea- ra ra- ri- tas u - bi nunc ha - bi- tas

I . .. I .. ;:;,. .:;. .. . ;;:., .. die ra - ra ea - ri - tas die

E2615 I~. • •••••• • aut----------------------------------------- in val- le vi- si- o- nis

HBI95 I~ ;•· •• .;;-;;. u

;;; ;;; ... , die ea- ra ra-ri - tas d[ic] ra - ra ea- ri- tas bi nunc ha bi- tas.

HBI95 I~ • • . ... . . • • . -~ . aut _____________________________________ _ in val-le vi - si - o - nis

CB I~ ;,; " • • .;;;, •• ra - ra ea - ri - tas . u - bi nunc ha - bi - tas .

... . die ea - ra ra - ri - tas . die

CB I~ ••••••• • • aut _________________________________________ __ in val- le vi- si- o- nis

244 245

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Die Xpisti veritas •• 4 Die Xpisti veritas •• 5

if tll

, ::-"'\

if 1 .---...... F ... ill! tll ill! ••• ••• ill! F ill! ·~·i••l

tll .. f ill! tll tll tll ill! tll tll tll ill! ill! tll tll tll ill! ! tll

ill! tll tll ill! tll < tll ........... aut in thr0-11o Pha- ra- o- nis . aut in a!- to cum Ne-ro - ne. aut in an-tro cum The-o- ne. vel in fi- eel- la cir - pe-a

if tll .. ::-"'\ I I

if ·~~~ . I tll

w2 ... tll ill! ••• .... ·~ I • ill! tll tll tll ill! ,. ill! • • w2 ill! tll tll

ill! tll tll tll tll tll tll -tll tll tll • ill! tll ·~ =··~ aut in thr0-11o Pha- ra -o- nis aut in al-to cum Ne-ro- ne aut in an-tro cum Te- o- ne vel in fis-cel- la cir - pe-a

if I tll • ::-"'\ I

if 1 .---...... wt ... ill tll ill .ill. ,. ill wt ill ·~·i••l

tll ill f ill tll tll tll ill tll tll tll ill ill tll tll tll ill ~ tll

ill tll tll tll ill tll < tll --aut in thro-no Pha- ra- o- nis aut in al-to cum Ne-ro- ne aut in an-tro cum The-o- ne vel in fis-cel- la scir- pe-a

if tll • ::-"'\ I

if .,..-....,._

M20486 ... ill tll ill .ill. ill ·~"'i••l .--.. tll ill

* ill tll

tll tll -tll tll tll •• ill ill ill tll tll M20486 tll ill tll ill tll tll tll ill tll tll

aut in tro-no Fa-ra-o- nis aut in al-to cum Ne-ro- ne aut in an-tro cum Te -o- ne vel in fi -eel- la cir - pe-a

if tll • ::-"'\

if 1 E2615 tll ... ill tll • .ill • ,. ill E2615 ill ·~·i••l tll ill [ ] tll ill tll tll tll ill ill tll ~ tll

tll tll • • ill • ill • ill - ( . aut in tro-no Pha-ra-o- nis aut in al-to cum Ne-ro- ne. aut in an-tro cum The-o-ne vel in fi -cel-la c[

I~ :-;. I~ :s=;; ~ """' HBI95

?

-=-· ?'"'<.. ; ; -s; • ill • ill ill • • • ~-

ill ill HBI95 ;; • • ill • ill ill • ill ill • ill ill • • ill • • • ill ill • ill ill • • aut in thro-no Phara- o nis aut in alto cum Ne- ro - ne aut in an- trocum Theo -ne vel in fis- cel-la scir - pe- a

if ::-"'\

if =:' -----ill ill .... ; ; ......... ill • ll. CB • • ... ll. • • ll. CB =;; • • ll. • • • ll. ll. • ; • • • • • ill ill ill • • ill •

aut in thro-no Pha-ra-o- nis . aut in al-to cum Ne-ro ne. aut in vel in vis-cel-la scyr -pe-a - an-tro cumThe-o- ne.

246 247

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Die Xpisti veritas a• 6

F £}., "" e I

cumM0-y- se plo- ran - te . vel in do- mo R0- mU-le- a cum bul-la ful- mi- nan -

I ,-...I"'"" I .,g ........ t ... 6\P 6\P 6\P ± e ~ l: ., t/~ ..,

cumM0-y- se plo- ran - te vel in dO- mo R0- mU-le - a cum bul-la ful- mi- nan -

........ I ,-...1"""" - I ~.; ....... g ... "' •• e l: • • • ..,

; I

cum MO-y - se plo- ran - te vel in dO- mo R0- mU-le - a cum bul-la ful - mi- nan -

M20486 _...... I ~""""' "" "" ;l. ~;.;; • • e .., • • • """"'

.,.,.,. • e - • • • .., ~.;; • .., e

cumM0-y-se plo-ran-te vel indO-moRO-mU-le-a cumbul-la ful-mi-nan-

E2615 . ... t I

] M0-y- se plo- ran- te. vel in dO- mo Ro-mU-Ie- a cum bul-la ful- mi- na

HBI95

cum Mo-y- se pl0-ran-te vel in do-moRo-mule- a cum bul-la ful- mi- nan

CB .., e •••

cum M0-y - se plo- ran - te. vel in do- mo Ro- mU-le- a. cum bul-la ful- mi- nan -

248

M20486

E2615

HBI95

CB

Die Xpisti veritas •• 7

if r ~Fi_f' ~ ~-rt:fa! ~ 'le~~ w fir :m~ w_ 11

if r ~rrr· ~rrr_may ~ •le ~~ J [Tryrf~ J_ tl ,----, ,----, ,---, ~ ,.----, ,---, ,.----, ~ ~ if r rJ_ rl[" ~ ~IF_ rryf 1J~ J •le r~ rl~· J plr _rr+f !;. ~~~ ,...-----., .-----. ,----, ~ ,.----, ,----, I ,.----, ~ I if r rJ_ rl(~ ~IF_ rry f 1J~ ~--le r~ rl~· J plr _rr+f P· _-·1 ,---, ,----, ..-----=-1 ,.----, ,-----, ~ if r rJ rlr J rlr r®f 1J -·lr rJ rlr J rlr r&fl J -·1

nte. ________ _:_ _____________ =---

~ f .... n ~ . • .• :;-. .---. ~ .--.. ,;: • • "' ;:~ ... r.o nan

[cauda lacking]

249

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,.

Die Xpisti veritas •• 8

HBI95 [cauda lacking] -.

CB [cauda lacking] -

250

Die Xpisti veritas •• 9

• if r rr_nti_FiJ~i '*~'iiTri~ JfJ ~~j]~ 111

"' if·r rr_nti_FIJJ}ijr*Fi'i0i~ JfJ r?JU s'~rii w, if·r rt_Ati_FiJ~ij~~~~i0i~Jfl~~. :W'ii

~ ~ r------1 ~ ,-----, ~r-----1 .-------, r-----1 r---1 ,-----, r--------1 ,-----, *

M2048. if ·r renltrt_riJJ~JiJ ~~rir- r~'iJ J~rir-Jr_ Ji J ~~# :: J 1 il ;:"\ ,----, ,------, r--:'1 ,------, r----1 r------1 ,...-----, ,...---., ,.---, ,-----, ~ .----, *

E26lS if ·r- rr: atrn riJJ4VIJ drir rrtiJ Jrrir-Jr JiJ r';JJIJ J •llil HBI95 [cauda lacking] -. • 11

- te.

CB [cauda lacking] -

te.

* The versions marked end at this point.

251

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F

F

HBI95

CB

F

HBI95

CB

Die Xpisti veritas -- 10

2. Respondit caritas homo quid dubitas . quid me sollicitas . non sum quo musitas . nee in euro nee in austro . nee in foro nee in claustro . nee in bisso vel cuculla . nee in bello vel in bulla . de Ierico sum veniens . ploro cum sauciato . quem dupplex Levi transiens non astitit grabato .

3. 0. V!JX prophetica . o Natan predica . culpa Davitica pater non modica . dtctt Natan non clamabo . neque Davit planctum daoo . cum fit Xpisti rupta vestis . contra Xpistum Xpistus testis . ve ve vobis ypocrite . qui culicem colatis . que Cesaris sunt reddite ut Xpisto serviatis .

Bulla fulminante sub iudice tonante . reo appellante . sententia gravante . P~pe i~itores cerbero surdior~s . in spe vana plores . nam etiam si fores St quens prebendas . frustra vttam pretendas . mores non commendas ne iudicem offendas . Iuptter dum orat dampnem . frustra laborat . sed earls deflorat auro dum se colorat .

• • • • • • • • • • • • • • • •• • • • • • • • • Bul-la ful-mi-nan-te sub iu-di-ce to.nan-te reo ap-pel-lan - te sen-ten-ti-amgra-van-te. Si que-ris pr~ben-das vi- tamfrustra commerrlas mores nonpr~ten - das ne iu- di-cem of- fen-das

if ... ~ ... ~ ~ ... g;;;to;; ... ;;;; ............... ,:-;;;;...,:.. •• Bulla fulminante. sub tudtce tonante reo appellante. sententia gravante __ _

veritas supprimitur . distrahitur et venditur iustitia prostante . itur et recurritur Orpheus gu~m a.uqiit rtu!o deus T~eus . no~ ideo perores . malleus argenteus frustra. tms litt~ns u~mtens . moraben.s per plun!llas kalendas . tandem expectaveris auro ms potentms ml gravus nee Tulhus facundms perorat . sed hos urit acrius

• • • • • • • • • • • • • • • • • • • • •• • • • • • • • • ve-ri- tas op-pri-mi-tur ~is-tr!l-hi- t~r et vendi- t~ ius-ti-t!- a pro-stan-te i- tur et re-cur-ri- tur

frus-tra m- m-te-ns mo-ra-be-ris per plun- mas ka- !en- das tamen ex-pec-ta- be -ris

• ill • • • • .. veri tas opprimitur . bis trahitur et venditur. iustitia prostan te. I tur et recurri tur

252

F

HBI95

CB

HBI95

CB

I~

Die Xpisti veritas a• 11

ad curiam . nee ante quid consequitur quam exuitur quadrante . inferiat ad fores . ubi Protheus variat mtlle colores . a ceteris ferendas . peris p<?nderis preeio nil contendas . quos amplius honorat . mchil reetius calidum Crassus dum vorat .

ad cu- ri- am nee an a ce- te- ris fe- ren

... .. • • te quid con- s~qui -tur quam ex- u- i - tur qua - dran das pa- ri ponde- ris pre-ci- o ni- si con - ten

te. das.

._, .,.. ad curiam nee an - te. Quod con sequitur .nam exu i tur quadrante __ _

........

11

2. Re - - - - - spon- dit ea- ri- tas homo quid du- bi - tas

if :;;~;Q~•••::~~ •••• n . ~ .. • ~;. .. 2. Re spondit ca-ri tas . ho - mo quid du - bi- tas .

253

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Die Xpisti veritas •• 12

HBI95 if • i;; • • • G; ,;;;; • ~ •• 4-; .;; :; .;; .,-;:; .. --;; ;;-. :-;;. :. ;; qui me solli- ci- tas non sumquo mu si- tas

CB if • -:';; ; :s ..:::: :::.. ; ; -s • • • ;; ; • ; • • • • • • • • quid me sol- li ci- tas. non sum quod u si- tas.

HBI95 ; -• ; • ;;: • • • • • • • • • • • • • • • • • • • • • • nee in eu-ro nee in aus-tro nee in fo-ro nee in claus - tro .nee in bel-lo nee in bu - la·.

CB ~--·· ........... . . . . . . . . ; . • nee ___ _ in euronee in austro neein fo-ro nee in clauSio .nee in bysso neein cu-cul- la.

HBI95 . . . . . . . . ;:::;::; . . . . ; :;:; ; .. ;:::;'; . . .. :-. . nee in bis- so velcu-culla . de_ Ie-ri- cho sum ve - ni - ens plo - rans cum sauci- a - to .

CB • • t/1 . . . . -~-- ..... • • • • • • • nee in bel-lo nee in bul-la. de __ le- ri- cho sum ve- ni- ens plo-ro cum sau-ci- a- to.

254

HBI95

CB

CB

CB

CB

if if

Die Xpisti verltas -- 13

• • • ; • • • • • F; • • quem du- plex Le - vi trans- i - ens non as - ti -

• • - • • • • • • • • quem du- plex Le - vi tran- si - ens non as - ti

Si queris prebendas . vitam frustra conmendas . Mores non pretendas . ne iudicem offendas . Frustra tuis litteris inniteris . moraberis per plurimas kalendas . Tandem exeectaberis a ceteris ferendas . Pari pondens precio nil contendas .

• tit

• tit

; -• ;; • • • 3. 0 0 vox pro -phe- ti - ea 0

{?; • • 11 gra - ba- to.

• • 11 gra ba- to.

• • • Na - tan if ;:;-;, .. ~ .. ;:;-;, • ; •• y:; ; • •::. • --~

pre di-ca .cui - pa Da-vi ti- ea. pa-tet nuncmo - di- ea .di cit

If :.::on:,,:.:. ::::d;on:um:.: ~um :,:p;: :P: ::::, :~;,7o~;:.:.:, · ifs;;;; .... · · ..... · · · · · · · .•........ 11

ve__ vob1s y-pochrl:e qm cu hcem eo la t1s . que Cesans sunt redd1- te ut Xp1s to ser- v1- a - tis .

Pape ianitores cerbero surdiores . In spe vana plores iam etiam si fores . Orpheus quem adiit plur deus Tartareus non ideo per ores . Malleus argenteus ruferiat at ad fores. Ubi Protheus variat mille colores .

255

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w* 1

CB

RC510

F

CB

RC510

F

CB

RC510

Celum non animum (De stabilitate)

F,ff. 223v- 224

CB, f. 48 'Jv "}. f. 11 .~. .~. RCSlO,f. JB''v (247''v)

op - ti mum quod mentis ftr- mi- tas

I • • • • • • • • •

Ce-lum non a- ni-mum mu-tat sta-bi-li- tas ftrmans id op-timum quod mentis ftr-mi- tas

••••••••• Ce-lumnon a-ni- mum mu-tat sta-bi-li- tas. fir-mans hiis op- ti-mumquodmentis fu:.mi-tas.

Celum non animum mutat stabilitas . firmans id optimum quod mentis firmitas .

j· I • .. • • .. • • • • • • • • • • • • • • • • •

vo-vet cum a- ni- mi ta-men iu- di- ci- o. nam si tur-piS- si - mi VO-ti con- si- li - o

,...... • • .. • • .. • ..... • • • • • • • • • • • • • • •

vo- vet cum a- ni- mi ta-men iu- di- ci- o nam si tur-piS-si- mi VO- ti con- si- li - o

•..••••• - • 5*· .............. pre-betcuma- ni- mi tan-demiu- di- ci - o. nam sic tur-piS- si - mi vo- ti con-si - li - o

vovet cum animi tamen iudicio nam sic turpissimi voti consilio

vts see-Ius un-pn-mt •

fac-to ne-fa- ri - o

ill • ..,..,~ill • .., I • -'-' = = - • ill ......

vis see-Ius irn-pri-mi fac-to ne-fa- ri - o

• I ill • • ill

il! • • de-bet hec pe- ri - mi fae-ta

• I ill • • ill

ill • • de-bet hec pe- ri - mi fae-ta

•• illillill···ill

·~l. ill • pro- missi- o .

-~J. ill • pro- missi- o.

.... ill • if . . . . . . . . . . vim see-Ius in- pri-mi fac-to ne- fa-ri- o. de- bet hec per-i- mi fac-ta pro-mis-si- o.

vis scelus imprimi facto nefario debet hoc perimi facta promissio .

>I<

Only the Tenor is given from this three-voiced setting.

312

11

11

11

Celum non animum mm 2

F 2. Non erat stabilis gradus qui decidit pes eius labilis domus que occidit .

Non erat stabilis gradus qui cecidit pes eius labilis domus que occidit

I'"'

CB .............. ... . -.. • • •

None - rat sta- bi- lis gra-dus qui ce- ci- dit. pes e - ius la- bi- lis do- mus que cor-ru- it.

RC510 Non erit stabilis gradus qui cecidit pes eius labilis domus qui occidit

F hinc tu considera quid agi censeas dum res est libera . prius delibera

hinc tu considera quid agi censeas dum res est libera sic sta ne iaceas

if • • • • ill • • ill ill • ill • • ill il! ill ill CB ill • • .. . • •

hinc tu con-si- de- ra quid a- gi cen-se- as . dum res est li - be- ra .sic sta ne ia- ce- as.

RC510 hinc tu considera qui agi censeas dum res est libera sic sta ne iaceas

F quam factum subeas . ne die postera sero peniteas .

wt prius delibera quod factus subeas ne die postera sero peniteas.

if • • ill • • • il! ill • • ill • • ill • ill • • ill

11 CB ill ill • • • pri-us de- li - be- ra quod fae-tum sub-e - as. ne di-e poS-te- ra se- ro pe- ni- te- as .

RC510 prius delibera quod factum subeas ne die postera sero peniteas .

313

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Celum non animum •• 3

F CB

3. Facti dimidium Facti dimidium Cepti dimidium habet qui ceperet . hoc qui ceperet habet qui ceperit . ceptum negocium ceptum negocium ceptum negocium si nom omiserit . si non omiserit si non omiserit . non tantum deditus non tantum deditus ne tantum deditus circa principia . circa principia circa principia . ne dum sollicitus ne dum sollicitus verum sollicitus pro finis gloria . pro finis gloria pro finis gloria . nam rerum exitus nam rerum exitus nam rerum exitus librat industria . librat industria librat industria . subit introitus subit introitus subit introitus princeps in curia. preceps incuria. preceps incuria .

4. Coronat militem Coronat militem finis non prelium . finis non prelium . dat hoc ancipitem dat hie ancipitem metam id bravium metam in bravium . iste qui tribuit istud quod tribuit dictat stabilitas . dictat stabilitas . istud quod metuit istud quod metuit inducit levitas inducit levitas . nam palmam annuit dum formam annuit mentis integritas . mentis integritas . quam dari respuit quam dari respuit vaga mobilitas . vana nobilitas .

5. Mutat cum Protheo Mutat cum Protheo figuram levitas . figuram levitas . assumit ideo assumit ideo formas incognitas . formam sui cognitas vultum constantia vultu constantia conservans intimum conservans intimum . alpha principia alpha principia . et . o . novissimum et o novissimum . flectens fit media flectens fit media dans finem optimum . dat finem optimum . mutans in varia mutans in varia celum non animum . celum non animum.

314

RC510

Facti dimidium habet qui ceperit ceptum negocium si non omiserit F non tantum deditus circa principia ne dum sollicitus pro finis gloria . nam rerum exitus librat industria . subit introitus preceps incuria .

Coronat militem finis no prelium dat hoc ancipitem metam id bravium iste quod tribuit dictat stabilitas istud quod metuit inducit levitas Nam formam annuit CQBl

mentis integritas Quam dari respuit vaga mobilitas .

Mutat cum Protheo figuram levitas assumit ideo formas incognitas vultum constantia conservans intimum alpha principia et o novissimum flectens fit media dans finem optimum mutans in varia celum non animum.

RC510

Lenite.r ex me.rito (Ut a peccatis nostris convertamur)

A ... -~ ... ................

A

F, f 224v- 225 CQB1, f lav wl,f nrlv RC510,ff. 14v- 15 (243v- 244)

~ I

,1. Leni- ter ex me-ri- to fe-rendum quidpa-ti-mur .mere -mur ex de-bi-to pe-nasquibus subdimur.

A ... ~ ~ .. ... ... ... ... ........ ... ...

' VOID--+ A

\' VOID--

1\

~ Le- ni- ter ex me -ri- to fe - ren- dum quid pa- ti - mur me-re- mur

" ,. .::---., ,. .. ... ... .... .... ,. ......... ,. ....... --;--

" . .. :-"'\ ........

I I

"1. Leni - ter ex me-ri- to fe-rendumquodpa-ti-mur mere -mur ex de-bi-to pe-nasquibus subdimur

1. Leniter ex merito ferendum que patimur meremur ex debito penas qui bus subdimur

315

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F

CQBl

CB

RC510

Fas et nefas ambulant (De prodigo et avaro)

11 "' ..

11

F, f. 225 rlv CQBl, f. lav CB, f. 1 rlv RCSlO,f. 17v (f. 246v)

1., Fas et ne - fas am - bu -I ant fe- re pas-su pa - ri . pro- di- gus non re- di- mit vi- ti -urn a- va- ri .

" . .. -~

" ~

~ Fas et ne- phas am-bu-lant fe- re pas-su pa-ri pro- di- gus non re- di- mit vi- ci-um a- va-ri

• • • • • • • • • • • ., . . • Ill • • • .. . ne-fas am-bulant passu fe- re pa - ri. prodi-gus non re- di- mit vi-ti- urn a- va - ri.

Pas et nefas ambulant fere passu pari . prodigus non redimit vicium avari .

320

T

F

CQBl

CB

RC510

Fas et nefas ambulant gg 2

11

, . . vrr- tus tem-pe- ran - ti - a qua-dam sin- gu- la- ri de- bet me - di- urn

11 - ~. .. - ....... - .. ~

" ~

~ .~ I

f vir- tus tem-pe - ran-ti- a qua-dam sin- gu- la - ri de- bet me - di- um

I~. I l • • • • I l • • • • • • • • • 11 •

qua- dam sin - gu - la - ri de- bet me-di- urn

virtus temperantia . quadam singulari debet unum medium

321

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Fas et nefas ambulant -- 3 Fas et nefas ambulant -- 4

" F 2. Si legisse memoras ethicam Cathonis in qua scriptum legitur ambula cum bonis . ~

"' F .;

"

CB I~ • ••• • • • • . [ ] ....• ;; . ••• • le-gis-se me-morans e- thi-cam Cato - nis . in qua scriptum le- gi-tur. ambu-la cum bo-nis .

" ad u - trum- que vi ci urn eau- te con - tern-pia - ri.

F cum ad dandi gloriam animum disponis . inter cetera primum hoc considera quis sit dignus donis.

* "' .;

CB if .............................. -11 cum ad dandi gloriam ani mum disponis . inter cetera hoc primum con sidera . quis sit dignus donis .

" CQBl ~ -~ ad u - trum- que vi ci - urn eau - te con- tern - pia - ri.

F * 4. Dare non et con venit non est a virtute . bonum est secundum quid sed non absolute .

CB

CB if· • • 11 • • - • • • • • • • ad u trum- que vi - ti urn eau te con tern pia ri.

F digne dare poteris . et mereritute . famam cinis munere . si me prius noveris intus et incute.

RC510 ad utrumque vicium caute contemplari. * CB ••••••••••••••••••••••••••••••• 11

digne da-re po-te- ris et me-re-ri- tu- te famam muneris .si te pri-us no-ve-ris in- tus et in-cu-te.

* The sources indicated end at this point

* The ordering of the verses, as indicated by the numbering, is different in the two versions.

322 323

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Fas et nefas ambulant GO 5

F 3. Vultu licet Hilari verbo licet blando sis equalis omnibus . unum tamen mando .

CB I~ •• li- cet Hy-la- river- bo li-cet blan- do. sis e-qua-lis om-nibus u-numta-men man-do.

. . . . . . . . . . ; • • • • • Ill

.. . .. . . .. 4. Vul-tu

F si vis recte gloriam promereri dando . primum videas granum inter paleas cui deset quando.

CB ••••••••••••••••••••••••••••• ;=; .11 si vis recte glori- am pnxnere-ri dando primum vide as granum inter pale-as cu-i deset quan-do.

F 5. Si prudenter triticum paleis emundas . famam emis munere . sed caveto cum das

CB . ., ; ............• ; . e- mun- das. famam ernis mune-re. sed ea-ve-to dum das.

F largitatis oleum male ne effundas . in glorior quia codro codrior omnibus habundas .

CB • ., ......................................... 11 lar-gi- ta- tis o -le- urn male non effurrlas . in te glori- or . quia c0-dro c0-dri-or omni-bus ha bundas.

324

M20486

F

A44

RC510

M20486

F

A44

RC510

Qui servare puberem* (Contra scorta et inconstanciam) (De eo qui lavat laterem)

[Q]ui ser-va- re pu-be-rem va-gam claude-re stU- det la- vat la-te- rem

M20486,f wflv F,f 38iV-382 A44,ff. 79 v_ 80 RC510, l8v_l9 (24711_248)

li - tus eo-le - re

Qui ser-va- re pu-be-rem va-gam claude-re stU- det la- vat la-te-rem. lit- tus eo-le- re

Qui servare puberem . vagam claudere studet . lavat laterem . litus colere .

Qui servare puberem vagam claudere studet . lavat laterem litus colere

tunc la- bO-rat cum ex- plo-rat vi- as vi- pe- re no- vit e -nim car- cerem vincla sol-ve-re

tunc la- bO-rat cum ex- plo-rat vi- as vi- pe- re . no- vit e- nim car-cerem vincla sol-ve-re .

tunc laborat . cum explorat . vias vipere . novit enim carcerem . vincla solvere .

tunc laborat cum explorat vias vipere Novit enim caracterem vincla solvere

* In F this piece is supplied with a Tenor and presented in company with other motets. It is not clear whether the piece was first conceived as a motet or conductus.

325

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Quisquis cordis et oculi -- 3

E274

4. Cordi responde! oculus iniuste de me quereris servus sum tibi sedulus exequor quicquid iusseris . nonne tu rnihi precipis sicut et membris ceteris . nuncius sum quo rniseris. non ego . tu te deciperis .

5. Cur dampnatur apertio corpori necessaria . sine cui us obsequio cuncta languent obsequia . si quo fiat irreptio . cum sim fenestra pervia . siquid recepi nuntio que putatur iniuria .

6. Addo quod nullo pulvere quem imrnitiam pulveris . nullum malum te ledere potest nisi consenseris . de corde mala prodeunt nichil invitum pateris virtutes non intereunt nisi culpam comrniseris .

7. Cum sic uterque disputat soluto pacis osculo . ratio litem amputat diffinitivo calculo . reum utrunque reputat . sed non pari periculo . nam cordi causam imputat occasionem oculo .

P11867

Cordi respondit oculus . iniuste de me quereris . servus sum tibi sedulus . exequor quicquid visseris . Nonne tu in suggeris sicut et membris ceteris? Non ego tu deciperis . nuntius sum quo iusseris .

Cur dampnatur apertio corpori necessaria sive cuius obsequio cuncta languent officia . que si fiat receptio . cum sim fenestra previa . siquid recepit . nuntio que reputatur iniuria .

Ad hec quid nullo pulvere . quem imrnitam pollveris . nullum malum te ledere potest nisi consenseris . De corde mala prodeunt . nichil invite pateris . virtutes non intereunt . nisi culpam conrniseris .

Dum uterque sic disputat . soluto pacis osculo . Ratio litem amputat diffinitivo calculo . utrumque rerum reputat sed non pari periculo . Nam cordi tamen inputat . occasionem oculo .

PNA1544

Cordi responde! occulus . iniuste de me quereris . Servus sum tibi sedulus . exequor quicquid iusseris . Nonne tu rnichi precipis sicut et membris ceteris . Non ego tu te decipis nuntius sum quo rniseris .

Cur dampmatur apertio . corpori necessaria . Sive cuius officio cuncta languent officia Si qua fiat irreptio . cum sim fenestra previa Si quid recepi nuncio que putatur iniuria .

Adde quod nullo pulvere quam inrnittiam pollveris Nullum malum te ledere potest nisi consenseris De corde mala prodeunt nichil invitum pateris . Virtutes non intereunt nisi culpam comrniseris .

Dum sit uterque . disputat soluto pacis osculo . Ratio litem amputat diffinitivo calculo . Reum utrumque reputat . sed non pari periculo Nam cordi causam imputat . occasionem occulo

334

Dd.xi.78

Cordi responde! oculus .I iniuste de me quereris .I servus sum tibi sedulus ./ exequor quicquid visseris .I nonne tu rnichi precipis I sicut et membris ceteris ? I non ego tu te decipius I nuntius sum quo tu rniseris I .

Cur dampnatur apercio I corpori necessaria . I sine cuius obsequio I cuncta languent officia ? I quo si fiat irrepcio I cum sim fenestra pervia . I si quid recepi nuncio I que putatur iniuria ? I

Addo . quod nullo pulvere I quem in rnittem pollueris .I nullum malum te ledere I potest nisi consenseris I . de corde mala prodeunt I . nichil invicum pateris . I virtutes non intereunt I nisi culpam conrniseris .

Dum sit uterque disputat I soluto pacis osculo I ratio litem amputat I diffinitivo calculo .I utrumque reum reputat I . sed non pari periculo . I Nam cordi causam inputat I occasionem oculo .

E274

CB

F

E274

CB

F

E274

CB

F

Bulla fulminante * (De Curia Romana)

• • • • • • • Bul- la ful - mi - nan- te sub re - 0 ap - pel- lan- te. sen-

~

• • ., l 1

iu - di - ce ___ ten- ti - a

; --• to gra

E274,ff. 38v- 39v CB,ff. 54 rlv F,f 204

• • nan - te. van - te.

81

• • • • • • • • • --~ ... 12.=11 • • • • 1. Bul- la

re - o ful - mi - nan - te . ap - pel - lan - te .

sub iu - di - ce sen- ten- ti- a

1. Bulla fulminante sub iudice tonante . reo appellante . sententia gravante .

• •

to- nan- te. gra- van- te

• • • • • • • • • • • • • • • • • • • ve- ri - tas sub-pri- mi- tur. dis- tra- hi- tur et ven-di- tur . ius- ti - ti - a pro-stan-te .

• • • • • • • • • • • • • • • • ve-ri- tas op-pri-mitur. dis-tra-hi- tur et vendi- tur. ius-ti- ti- a pro- stan- te

veritas supprimitur . distrahitur et venditur iustitia prostante .

..-...... f • • • • • • • • •

- tur et re- cur - ri- tur ad cu- ri- am . .--­. . . { . • • • • • • • nee an

• te

1- tur et re-cur- ri- turad cn-ri- am nee an - te _______ _

itur et recurritur ad curiam . nee ante qui con sequitur

* See also Die Xpisti veritas, with which this piece is closely related.

335

• • • • • quid con- se - qui - tur

• • • • • Quod con- se-qui - tur.

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E274

CB

F

E274

Bulla fulminante •• 2

if • • • r ··='; 11 • • • • 1 quam ex - u - i - tur qua- dran te.

if • _:;> : ;; =-:'; ; •11 • • ~- :-;I • • • • • • • • • • • nam ex - u - i - tur qua- dran

quam exuitur quadrante .

• • • • • • • • if 2. Pa- pe ia - ni - to - res Cer- be

in spe va- na plo- res.

E274

[2. Pape ianitores Cerbero surdiores . in spe vana p!ores . nam etiam si fores ] Orpheus quem audiit Pluto deus Tartareus . non ideo perores . malleus argenteus

nam

ni feriat ad fores ubi Protheus variat mille colores .

3. Si queris prebendas frustra vitam pretendas . mores non commendas . ne iudicem offendas frustra tuis litteris in niteris . moraberis per plurimas . kalendas tandem expectaveris a ceteris ferendas Paris ponderis pretio nisi contendas.

e -

4. Jupiter dum orat Danem . frustra laborat sed nam deflorat . auro dum se colorat . auro nil potencius . nil gratius nee Tullius facundius perorat . sed hos urit acrius . quos amplius honorat nichil iustius . calidum Crassus dum vorat .

te

• I VOID~ - ro surdiores.

tiam si fores

CB

3. Pape ianitore Cerbero surdiores . In spe vana plore iam etiam si fores . Orpheus quem adiit Pluto deus Tartareus Non ideo perores . Malleus argenteus ni feriat ad fores . Ubi Protheus variat mille colores .

2. Siqueris prebendas . vitam frustra commendas . Mores non pretendas . ne iudicem offendas . Frustra tuis litteris inniteris . moraberis per plurimas kalendas . Tandem expectaberis a ceteris ferendas . Pari ponderis preeio nil contendas .

336

T I

Bulla fulminante •• 3

F

2 . Pape ianitores Cerbero surdiores . in spe vana plores . nam etiam si fores Orpheus quem audiit Pluto deus Tartareus . non ideo perores . malleus argenteus ni feriat ad fores . ubi Protheus variat mille colores .

3. Siqueris prebendas . frustra vitam pretendas . mores non commendas ne iudicem offendas . frustra tuis litteris inniteris . moraberis per plurimas kalendas . tandem expectaveris a ceteris ferendas . Paris ponderis preeio nisi contendas .

4. Jupiter dum orat Dampnem. frustra laborat . sed earn deflorat . auro dum se colorat . auro nil potentius nil gratius nee Tullius facundius perorat . se hos urit acrius quos amplius honorat . nichil rectius calidum Crassus dum vorat.

337

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P146

F

P146

F

F

In precio precium -- 4

if~ J J ''F r---1

r r r r lr I I[ r r lr err vir - tu- tis pre- si - di-um ti bi non as-ti te- rint

"

A

I

• , vir - tu - tis pre - si - di - urn ti - bi non as - ti - te - rint .

J r r I r J J. J J r J. bi con - tu - ber - ni- urn ____ _

A "" .. . A

*

I

nee tu - urn e - le - ge - rint si- bi con- tu- ber-ni - urn

Si nichil attuleris Homere si Veneris plenus tueris litteris . presummens de frivola tua scientiola . cum pius appareas . aulam nostram cecas . pietatis opera non querit sed munera videx huius tempons .

"'

I

This verse is only in F and would appear to belong with the second half of the song.

362

1 P146

F

CB

RC510

11

P146

F

CB

RC510

0 varium fortune (De mutobilitate fortune)

P146, f 3 F, f 35JV CB,f 471'- 48 RC510, f 12- 12v (j. 241- 241v)

ifN. rr 1 r- rr- 1 r rr 1 J JJ 1 rr JJ 1 J J r 1 r· JJ 1 J 1

0 va-ri- urn for-tu- ne lu-bri- cum__ dans dubi - urn tribu-nal m-dt - cum.

va-ri- urn for-tu- ne lu-bricum dat du-bi-urn tri-bu-nal iu - di- cum.

• • • • £:") • • • • • ~ • • • • • f • • • if'• 1.0 va- ri- urn for-tu- ne lu-bri-cum. dans du- bi- urn tri- bu-nal iu - di- cum .

1. 0 varium fortune lubricumlans dubium tribunal iudicum .

if~ rr non

rr If' rr IJ. r J!Ji J ffiO- di - cum pa- nis huic pre-mi- urn.

-----. ,--_

mo - di- cum pa-ras huic pre-mi- urn

• • -----­• • • •• ~ .....__ ••••

non mo - di - cum pa rans hu- ic pre-mi-

non modicum paras huic premium quem colere

363

-· I J Quem cole - re

quem co - le - re

• • • • • urn . quem co - le - re

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0 varium fortune •• 2

,----,

P146 -· rrn r· -· vult tu -. a gra.ci - a. et pete - re ro-te sub - li-mi - a .

F

tu- a vult gra-ti-a. et pe- te- re ro-te sub - li - mi-a

..-... ,-...... ,-...... _....-...._ CB • • • • • • • • • • • • • • • • • • • • •

vult gra-ti - a __ et pe- te - re ro-te sub - li- mi- a

RC510 tua vult gratia . et petere . rote similia

P146 r J I w. JiiJ -· I J Jj IJ rJ IF' men pre - pos - te re de sterto - re paupe - rem

F

dans pre- mi- a ta- men pre- pos - te - re. de ster-to- re pau- pe- rem

CB if~. • • • ~ • :=-. • • • • • • • • • • dans du- bi - a tan-dem pre- pos-te re de ster - to- re pau-pe- rem

RC510 dans dubia . tamen prepostere de stertore pauperem

364

P146

F

CB

RC510

0 varium fortune·· 3

r r 1 r· e- ri - gens. Et fauvel - lum in al - turn

J t±l J J ~

e- ri - gens

if & J JJ I J. FJ I r· ril J. -· 1 w. r r 1 r· r J 1 J w n, ec - clesi - a ducto- re vi-du-quo consu - le fi-des est mortu - a

if &rr rr rr J w J H J r J w. 11 - - - a.

"

I

e- ri - gens de rec - tho- re con- su-lem e - li gens.

• ; . "'; • • • • • • • • • ; • =; • ~11 ri - gens ___ . de re - tho- re con- su - lem e - li - gens ______ _

erigens . de rectore consulem eligens .

F &P146 [void ----'.l> I

CB

RC510

_,.......__ ,.......__ f ••••••••••••••

...-.... nunc ab-di- cat quos pri-us co-lu- it. quos no.-lu- it . ...-.... if& ......... . • • • • • • • • • • • • • • • • •

hec o-pe-ra si-bi contra- ri- a r-

dans mu-ne-ra ni- mis r- ,---....

la - bi-li - a __ mo-bi-li-a sunt fortis fe-dera .que nobi-lespremens debi-li-tat . .. ............ ~. ~ .. .. • • 11

et de- bi- les di- tans no-bi-li- tat ____ _

2. Edificat fortuna dirruit nunc abdicat quos prius coluit quos noluit iterum vendicat . hec opera sibi contraria . dans munera nimis labilia . mobilia sunt sortis federa . que debiles ditans nobilitat . et nobiles premens debilitat .

365

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CB

RC510

CB

RC510

0 varium fortune -- 4

• ... • • Ill

for-tu- ne la- bi-lis __ cur pre-li- o Tro-ia-rum no- bi-les __ nunc

~ ........... ~ ................ ~ .... . 3. Sub- st- dt- o

I & • •

Gre-ci fa - cun di-a .quisglo-ri-amfre-git Karta-gi-nis.sorslu-bri-ce

~ ...... ·~ ........... ~ ~

I & • • 11

* 4. Subsidio fortune labilis cum prelio Troiarum nobilis nunc ruit incendio . quis sanguinis Romam gratiam . quis nominis Greci facundiam . quis gloriam fregit Cartaginis. sors lubrica que dedit . abstulit . bee unica . que fovit perculit .

4. Qutd Da- n- o reg-nas-se pro-fu- it ___ . Pom - pe -

I~ I • • • • • • • • • • • • .---;---,. • io quid Ro-ma

• • • •

tu-ti - us.quampete-re ro-te sub-li-rni- us __ .etgra-vi-us a sumno

~ . . . . .--., . . . . .--., ·~-. ""' . . . . . . .... --;---~

I~~ • - ~ •• 11 ru-e- re. omnis qui se ex-al- tat ho - di e. hu-rni-li- a- bi- tur eras mi-se - re_.

3. Quid Dario regnasse profuit ?Pompeyo quid Roma tribuit? succubuit uterque prelio . eligerem media tutius et peterem celsa sublirnius . ne gravius a sompno ruerem no [ ? ]m fit gravior lapsus a prosperis et durior ab ipsis asperis .

5. Nil gratius fortune gratia . mel dulcius inter dulcia . quam gloria . si staret longius . sed labiter ut oliis marcidum . et sequitur agrum nee flondum . quem aridum eras cemes . igitur inproprium non cedo canticum . o varium fortune lubricum .

* The ordering of versicles differs in this source, as indicated by the numbers.

366

Pt46"'

F

RC510

P146

F

RC510

Omni pene curie (De viviris []a iudicibus nodus visfactis)

P146, f 7v F, f 353 V

w2 , 1144 RC510, f lOv (239 v)

Om- ni pe - ne cu - ri - e pre- si - dent in cu - ri - i

pe - ne cu .......__

ri - e ~

Omni pene curie president in curii

1. Omni pene curie president in curii . 2. Sedent in insidiis pauperem ut rapiant 3. Hodie ius ernitur magno quitem precio .

pe - nes quos iu - sti - ci - e

pe - nes quos iu - sti - ti e 0"\ ~

penes quos iusticie tenor et iudicii

penes quos iusticie tenor et iudicii . a tribus angariis serninudos spoliant . iudici tributtur totique colleg10

*

pre-si-dent in cu- ri- i.

te - nor et iu - di - ci

te - nor et iu - di - ti - i.

It is not clear that this source is mensurally notated.

367

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P146

F

RC510

P146

F

RC510

Omni pene curie •a 2

if r- f' I F' rr I f' F" I jj r#l L" rr I f' I r· f' i ~f J I r· r· tl pi - os li - gant im - pi - e sed sol - vun- tur im - pi - i

pi - os li - gant im - pi - e . ~ ~ !'"'

pi os ligant impie sed solvuntur impii

pios ligant impie sed solvuntur. impii sed referti spo1iis prede magis inhiant . tamen haut proficttur ius sine dispendio

nee dant lo - cum ve - ni e

,. nee dant lo - cum ve - ni -.........__

e

, nee dant locum venie nee sorte premii .

nee dant totum venie nisi sorte premii . ydropis in mediis sitim rebus ampliant . nisi rursus sequitur muneris oblatio .

sed sol - vun - tur im - pi - i . ~ !'"'

ni - si sor- te__ pre - mi - i.

si - ne sor- te pre - mi - i. I ,.......

368

P146

F

CB

A44

Nulli beneficium P146, f 7v

(Bonum consilium ut episcopus sit vere penitens) F, f 334 Wt,f. 108v CB,f6 A44, f 127

~ ,------, r--,

if 2 ;J. r· I r· f' I r· iOJ.l iJ J r I r· J IJJU -·1 J J U;U;JII Nul- li be - ne - fi - ci - urn ius - te ple- ni-tu-<li-nis am- pu - ta - tur Si con - fes- sus fu - e - ris o - re fit confessi-o ad sa - lu - tern

Nul-li be - ne - fi - ci - urn ~

Nul-li be- ne- fi- ci - urn Si con-fes- sus fu- e - ris

ius- te pe- ni- tu- di- nis am- pu- ta - tur.

ius-te pe-ni-tu-di -nis am-pu-ta- tur. o - re fit con-fes- si - o ad sa- lu tern

Nulli beneficium iuste penitudinis imputatur

Nulli beneficium iuste penitudinis amputatur

369

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P146

F

CB

A44

Nulli beneficium -= 2

~ r--1 if J r· w n fi>tJJ 1J -·1J r·l nJ 1 w. J.l w. J 11 n.1 too.-· nul-li rna-ius vi- ci - urn quam in - gra- ti- tu - di- nis irn-pu - ta- tur. cor~ de si con- te- re - ris a ni - mi con- tri - ci- o dat vir - tu- tern

nul- li rna- ius vi - ti - urn quam in - gra- ti - tu - di - nis irn- pu- ta - tur.

nul-li rna- ius vi- ti - urn cor-de si con- te - re - ris

quam in - gra- ti - tu - di - nis am- pu- ta - tur. a - ni- mi con-tri- ti - o dat vir- tu - tern

cui magis vicium quam ingratitudinis amputatur.

nulli maius vicium quam ingratitudinis imputatur .

370

P146

F

CB

A44

Nulli beneficium -- 3

i; r:-1 ,--, r-::J' r-:f 1 I r-71

I+ ~ J r·l J J J 1 J ww 1 J J. 1 J JJ 1 r· rJ IJ. j 11 ~· r 1 r r·l rJ J. ~ 11 er- go pre- sui con-fi - tenses - to ve - re pe - ni- tens qui-a nil con- fes- si- o ut sa - Iu - tern ha- be - as ut vir-tu - tern te - ne- as re- lie - tis pri - o - ri- bus

er- go pre- sui con-fi- tens es- to ve- re pe- ni- tens. qui-a nil con-fes- si- o

er- go pre- sui con- fi - tens ut sa-fu- tern ha- be- as

es- to ve-re pe- ni- ens ut vir- tu- tern te - ne- as

Ergo presul confitens . esto vere penitens . quia nil confessio

ergo presul confitens . esto vere penitens . quia nil confessio .

371

con-fes- si - o pri- o - ri - bus

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P146

F

CB

A44

Nulli beneficium •• 4

* ;i: r----:-1 r--;1 ,.....---;-) ,----, ,----,

lliP J. J I r· J. I J. J I J. J. I r· J. IWJ J tlrr ;UJ fl·IJJJ -·=11 la- vat cu-i con-tri ti - o de- ne - gra tur.

11

,

11

,

tu - am ce - na mo- ri - bus iu - ven- tu tern.

La- vat cui con-tri - ti - o de- ne- gra

..

La- vat cui con-tri - ti - o de- ne- gra tu- amoma mo-ri- bus iu- ven-tu

lavat . cui contritio denegatur.

lavat cui contricio denegatur .

* This source ends here.

-

I

....... '-' ........

372

• tur.

tur. tern.

F

Wl

CB

A44

F

Wl

CB

A44

Nulli beneficium·· 5

Vir tu - te non san-gui-ne __ _

tu - te non san-gui-ne __ _ urn sit con-tem-pne-re __ _

Virtute non sanguine

Virtute non sanguine

de- cet ni- ti sub ho-no-rumcul-mi-ne. cor-de mi- ti fo- ve- as in-no- xi-urn

de-cetni-ti subho-no-rumcul-mi-ne.cor-de mi- ti fo-ve-as in-no-xi-urn contern-pnen-tes et fo - ve- re mu- ne- re nil ha- ben - tes re - le - va- to de - bi - les

decet niti sub bonorum culmine . corde miti foveas innoxium .

decet niti sub bonorum culmine corde miti foveas innoxium

373

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F

CB

A44

F

CB

A44

Nulli beneficium·· 6

re- pri-me fla- gi - ti - urn su- per-hi et im- pi- i .

re- pri-me fla- gi- ti- urn su- per-bi et im- pi- i . et ex- al - tes hu-mi-les in te sit hu- mi-li- tas

su- pre- mi iu- di- ci- i me-mor

su- pre- mi iu- di- ci- i me-mor cui mix-ta sit gra- vi- tas ut le-

deprime flagitium superbi et inpii . supremi iudicii memor .

reprime flagicium superbi et impii . supremi iudicii memor

" ~ ius- te iu - di-ca pre- di- cans non claudi

.....

" ~ ius- te iu - di-ca pre- di- cans non claudi

ne cor- ri - pi- as et se- re - ne le - vi 1\ I I ~

.. ... .. ... iuste iudicans iudica . nil claudica .

iuste iudicans predicans non claudica .

374

.. ea.

~..-· ... -..... ... ..

ea. as.

I: ..... ., .. ... ..

F

CB

A44

F

CB

A44

"

Nulli beneficium·· 7

Cu-i ma-giscom-mit-ti- tur ab e-o plus ex-i- gi-tur.quiddO-mi-no re- tri-bu-is.

Cu - i ma-gis commit-ti - tur ab e - o plus ex- i - gi- tur quid dO- mi- no re - tri- bu- is Cum sub-iec-tis ne pare-as ex-em-plama-la ca-ve-as m sub-iec-tostransfun-de-re

Cui magis conmittitur . ab eo plus exigitur . quid domino retribuis

Cui magis comittitur ab eo plus exigitur . quid domino retribuis

~ ..... .. pro tot que ti- bi tri- bu-it. quid la- cet la-name~u- is gre-gis cu-ius consti-tu-it te pas- torem.

, .. -..,. ..

pro tot que ti- bi tri- bu-1'i. quid la- cet la-namex.-u- is gre-gis cu- i consti-tu-it te pas- torem. namquanto gradus al-ti- or cumgra-vi-o-re pon-de-re tan-to la-ben-ti gra-vi-or lapsus da-tur

/""

pro tot quot tibi tribuit . qui lac et lanam eligis gregis cui constituit te pastorem .

pro tot que tibi tribuit . quid lacet lanam eruis gregis cuius constituit te pastorem .

375

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F

CB

A44

F

lA

" di

"

lA

Nulli beneficium·· 8

Sedca-ve necumve-ne-rit.te dis-tric-tetuncco1He- rat ut rap

Sedca-ve necumve-ne-rit.te dis-tric-tetunccon-te- rat ut rap ne de--spe-res si cri-mi-nis in la-tens pre-ci-pi- ti- urn pes la

Set cave ne dum venerit . te districte deus conterat ut raptorem.

set cave ne cum venerit te districte tunc conterat ut raptorem .

strie-tus iu dex ade- rit . nunc sustinens con si-de--ratpecca

,; di "' strie-tus iu dex ade- rit . nunc sus tinens consi-de-- ratpecca ,.. nam ---------,--- ius-te pe-ni- tu-di-nis be--ne-fi-cium am-pu

CB Districtus iudex aderit non sustinens considerat peccatorem.

A44 districtus iudex ad erit nunc sustinens considerat peccatorem.

376

-

..

-

..

to - rem

to - rem ba - tur

to-rem.

to-rem. ta- tur.

"'

F

P146

D2777

F

P146

D2777

F

P146

D2777

if

Quo me vertam nesdo

I.

n • :• ... :-;--. • Quo In

me ver-tam pre la- tos

F,ff. 426v- 428v P146,f 6 V

D2777,f 3

nes- -ci-o re - -flu- it

Quo -------------- me ver - tarn nes ci- o [1]n -------------- pre - la - tos re flu - it

Quo me vertam nescio

if· . ;. ;;:;:-. ;;=. -~ I ·? G; ill • =; • ill • ;

ill • dum strte- to iu -di ci -- 0 pre la- tos cir- cum - fe - ro

if

quod a Ro- m a de flu - it Ro - ma- nis as - cri - bi- tur

dumstric- to iu - di - ci- o quod a Ro- ma de flu - it

pre - la- tos cir- cum - fe - ro ver - sumest in ha bi - turn

dum stricto iudicio prelatos circumfero

ill ill • fff ill i7"j dum vir - tu - tes pon - de - -

quod Ro-me con - nas - ci - -

.... dum virtu - tes __ pon- de - ro

quod merces non me - ri turn

dum virtutes pondero patrum modemorum

377

... • • • ill ... , ; ro pa-trum mo- der- no- -tur in e- is na-

pa-trum mo -der- no Ro-me die- tat iu

tu- -

rum ra.

ill

rum ra

....

I

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$~· 1:=

W5371

I.E.22

W5371

I.E.22

W5371

I.E.22

W5371

I.E.22

Vinum bonum et suave*

... ... ... Ill

Vi - num bo - num et su - a ve A - ve fe - lix ere - a - tu - ra

... ... ...

W5371, f. 214v I.E.22, !f. BBV- 89

Bo - nis bo - num pre - vis quam per - du - xit vi - na

, , pra pu -

vu m ra

Vinum bonum et suave Baius bonum previs pravum A ve felix creatura quam produxit vina pura

Ill

Dui- ce Om- nis

Ill

ver- nem men- sa

... • • sa-por a-est se - cu

Dulc~ vemem sapor ave ~und~a l~ti!ia. Omms mensa est secura . m tut pumcta.

. -.

ve ra

... ... mun -da- na in tu-

•••

le pu

. --.

... ti - ti ni - ci

a. a

:11

A- ve Per te

li - quor vi mun-dus y

ni cla- ri la res- cit

Cu - ius sa - por Per te bo - nis

si ho

ne pa-~ nor cres - ctt

Ave liquor vini clari Cl!ius sapor siv.e pari . Per te mundus hylaresctt Per te boms honor cresctt

Tu- a Om- nis

... • • • • nos in - e bri - a ri lar - gus e - ru - bes - cit

Tua nos inebriari dignetur potentia. Omnis largus erubescit sum tui copia.

..__..._ dig sum

... Ill

ne - tur tu - i

... po CO

•• ten pi

"'The melody is taken from Cividale, M.A.N., Codex LVIll,ff. 334v-336. The text is a parody of the sequence Verbum bonum et suave whose melody was used above.

464

ti a a.

WS371

I.E.22

W5371

I.E.22

WS371

I.E.22

W5371

I.E.22

Vinum bonum et suave •• 2

gm. I V , , ·"--}

A- ve pul A- ve sa Mo-na- cho -

., era in Ius in rum grex

eo- lo- re mo-des- tis de- vo- tus

Ill • ... j "----"

A- ve fra In gu- lo Cle-rus om -

A ve pulchra in colore A ve fragrans in odore A ve salus in modestis in gulosus mala pestis Monachorum grex devotus Clerus omms orbis totus

... ... • •

Ill

grans in sus ma nis or

Pus a - mis - si o - rum o re ves - tis po - tus

dui - ce li qui se - qui - tur pa

cum ma - gis - ter Bi - bunt ad e - qua - Ies

A ve sapidum in ore . dulce liq_ui vinculum. Pus amtssi omnes vestus sequttur patibulum. Bibunt ad equales potii . cum in ager letius.

1=: • , ... ± ... Ill $

IV .

"----" Fe- lix ven Sup-pli- ea

tus quem mus quos

in - ter- bis Fe - lix os que mun-da Nos in - un

Felix ventus quem interbis Felix os quod tu lavabet Supplicamus . hos humundi Nos in ouda letabunda

Second time only. if [" ... ...

Ut bi - ba - mus men - te

beata labia.

io

] ... Ill

et cun- da

Ut bibamus mente iocunda tua clara pocula. Amen.

465

• • be - a tu - a

• que la da le

ta cla - ra

...

o-do-re la pes-tis bis to- tus

vin - cu - !urn. ti bu- !urn. le - ti - cum.

... va- bet ta- bun-da

... . la bi po- cu

• =11 a la. Amen.

Page 82: Secular Medieval Latin Song: An AnthologyThe inclusion of secular songs in predominantly sacred manuscripts and vice versa is but one indicator that the notions of a "Goliardic society,"

L3307

Contra­tenor

Tenor

CB

A44

L3307

CB

A44

L3307

CB

A44

[0] Potatores exquisiti (Carmen et laus vinum potantium.)

c 11 I - ~ -.

.., I r r . I

1.0 po -to - res ex - qui - SI - -1\ 1111

, ...... r • 0 po - to - res ex - qui - SI -

~

, I

- - - -0 po to

1. Potatores exquisiti . licet si -

1. 0 potores exquisiti licet si -

~ 1.. ..... 1.. 1.. 1.. 1.. r-

.., tis ~i-~e si

r ti - - en bi- bi- tis ex-pe-di

1\ 1.. , I

1\ r--- #

, I I

non

tis sine siti . et bibatis expediti . et cy-

tis sine siti en bibatis expediti et ci -

1\ 1.. 1.. t. I I I _,

eJ ~ ~ b-r . ci fi eb ~~ orum mo 1-ti - 1 er ro repe- t._ )!.._ non ~ ,----.., 1111 r..---, r- -, , r r

non dor -~

, ../ I I I

-dor

phorum inobliti cyphi crebro repetiti non dormi -

phorum inobliti . ciphi crebro repetiti non dormi -

466

L3307, ff. 72 v -74 CB,ff. 89V-90 A44,J. 7JV

~

1

ti li- cet si-ro 1

ti etc.

res.

-,

.. r ·' - t et c1 -

I "------

t.lll..,t.""

dor mi -""""' ""

..... mi - -_ ..

::1

rru - -

L3307

CB

A44

L3307

CB

A44

L3307

CB

A44

Potatores exquisiti -- 2

11 """""' I

eJ I I r r - I ant.~ Et ser-mo- nes in ::- au - ~ - di-

~ • 1111 1 •• I

f r ant. Et ser-mo- nes in - - - au - di -

~ I 1..

, I r I ant. Et ser-mo- nes in - - i - -au d

ant . et sermones inaudi -

antetsermonesinaudi-

c ~ 1.. r-,._ 1.. 1.. 1.. 1.. I

.., ti

. r r si

r r r r pro - li - ant. 2) qui pO-ta- re non po tes - tis

11 - 1111· ~ ~~~~~ /"t'- 11111111 1111 . , ti pro si li

r ant. qui po-ta-renon po - tes tis - - -

"' r. --, 1.. , I r: - - -ti pro s1 h ant.

ti prosiliant. 2. Qui potare non potestis .

ti prosiliant . 2. Qui potare non potestis

~ ....-.! -eJ

pro- ~ur ~ r 'd it 1 ••

r r 1- te qm IC es - tiS.

1111 .n.: ;t

"' •• 1#- 1111- 11111 1P"I 1111 , i- te procul ab his fes - tis non est lo-cus

1\ 1111 .... 1111

, r r ~ r r I- - - - nest te procul ab h1s fes tls pro cui 1 te qmd h1c es t1s. no

ite procul ab hiis festis . non est locus

ite procul ite quid hie estis . non est locus

467

Page 83: Secular Medieval Latin Song: An AnthologyThe inclusion of secular songs in predominantly sacred manuscripts and vice versa is but one indicator that the notions of a "Goliardic society,"

L3307

CB

A44

L3307

CB

A44

L3307

Potatores exquisiti -- 3

A l l I ~

e) locus 6ic modes- tis in - ter kt!s mos

1 r ........., a- gres - tis . mo-des-ti

A .. .. .. .. _c_

V hie mo-des- tis in- ter le- tos etc. A r-----1 ~

,;

A

r r locus hie mo - des - - -

hie modestis inter letos mos agrestis . modesti -

hie modestis inter letos mos agrestis modesti -

I I

I r I r e. Judex est et cer-tus testis

A """"'I .. ..

I

tiS m - ter

""' .. 1""""1

r -ig- na- vi - -

~ ...,

Iu- dex est et cer tus

I r I ,., I.

- ex cer-tos lU d est et tus tes

e . et est sue certus testis ignavie .

e iudex est et certus testis ignavie .

[Verses 3 and 4 are lacking]

CB

3. Si quis latitat hie forte . qui non curat vinum flete . ostendantur illi porte . exeat ab hac coliorte . plus est nobis morte gravis si maneat. si recedat a consorte tunc pereat .

4. Cum contingat te prestare ita bibas absque pare ut non possis pede stare neque recta verba dare sed sit tibi salutare potissimum semper vas evacuare potissime.

testis ig - na - vi

~ I - tis 1 na - vi-g e.

A44

3. Siquis latitat hie forte . qm recusat vinum forte ostendantur ei porte exeat hac de cohorte .

4.

468

plus est nobis gravis morte si maneat. ergo sic a nobis eat ne redeat .

[lacking]

I

le -

e.

e.

L3307

CB

A44

L3307

CB

A44

L3307

CB

A44

Potatores exquisiti -- 4

'I l 1.. - I

•s. I

_ki """""" ~us "'· "' Vi - na non - tat pu ~Vl - nat 'I a

, Vi - na qui non ¥us- tat ptHa etc.

A I

, I """'-J I

[Verse 5 is lacking]

5. Vina qui non gustat pura

l l _i. __.. _i. _1..

• . I. ~u "': 1ra

- • rru- se-ret m vi-no fors le-ni-ter du - ra procul

,. r ..., • .. ""

~ f!----, n

,., I I ......... _ [lacking]

miser iuvat et in cura vino sors lenitur dura procul

11 ~ ~ ~ ~ .. I. 1.. I ., 1"'-1 -. . e)

ergo fit mixtura m us - tus et quam pura delin qui - - --11 ,lji----.., .. , r I

~e I r ~

- - lin - qui - - -A _, .. I

, ../ I I I I

d r ~ e- m- ut -q

[lacking]

ergo sic mixtura . multum enim contra ima delingui -

469

Page 84: Secular Medieval Latin Song: An AnthologyThe inclusion of secular songs in predominantly sacred manuscripts and vice versa is but one indicator that the notions of a "Goliardic society,"

L3307

CB

A44

L3307

CB

A44

L3307

Potatores exquisiti -- S

~.......,......, ~

.. ~n hc Id r ,.., r r T tur. ec e- 1 ere - a - tu - - ra

" • • • • • .. .. ~ \ r r

- tur. In hecde- i ere - - a tu - - ra

" , I I

- - -tur. In hecde 1 ere a tu ra

[lacking]

tur . cum bee dei creatura

" c

t} [r]um- pi tur. 6. De-a le-~ ~o/ iun !~a r 1 1

cor - - tur.

" .. .. . • ..... , r I r cor - rum- pi tur. De - a de-o non iun- gatur de-a deus as-

" I

, I ,.. r r r r I

- - -cor tur. De a de us asper-

" t}

1\ , 1\

~

(lacking)

corrumpitur.

r r Nam

I

per- na- tur ~ l

I ,.. I

6. Dea deo ne iungantur . deam deus asper -

dea deo ne iungatur . deam deus asper -

~ I I .

r. li b: r n r r r r };"' I qUI 1- r ap-pe a - tur ~ ~l~t: ta-te glo-ri-a - tur

~. . .. li- ber-ta-te glo- ri - a - tur

I l l

r I na - tur nam qUI L1 ber a pella - - - -tur h ber - ta te glo - n - a -

CB natur . nam qui liber appellatur . libertate gloriatur .

A44 natur . nam qui liber appellatur libertate gloriatur

470

" L3307 t}

" , " ,

CB

A44

" L3307 t}

1\ , " ,

CB

A44

L3307

Potatores exquisiti -- 6

l ... t. I. I

r r -P' ~ vir - tus e - ius ad - nul-la - tur Ad po- cu - la

n

I I I. """'-l '-vir - tus e - IUS etc.

I -.

. T

- tur VIr - tus e - IUS

virtus eius adnullatur . in poculis et vinum

virtus eius adnullatur ad pocula . et ad mor -

I - -- I .,

m or - tern in frr - ma - tur e - i CO - pu~

r

- tern in-frr - ma -I

r 1 r I

mortem m - fir ma- tur -

debilitatur in copulis.

tern infirmatur ex copula .

[Verse 7 is lacking]

CB

7. Cum regina sit in mari . dea potest appellari . sed mdigna tanto pari . quem presumat osculari . numqu~ Bachus adaquari . se volutt. nee se Liber (li)baptizari . sustinuit.

*

tur

I. e-1

The only manuscript with further verses is A44.

471

r T

e-i CO - pu -

~ eo - pu - la.

7. Cum regina sit in mari . dea potest appellari . set indigna tanto pari . quem presumat osculari . numqu~ Bacus adaquari . se volutt neque Iibeas baptizari sustinuit.

r I

et ad

I

et ad m or

et a[d]

la.

la.

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Potatores exquisiti •• 7

8. Pure sequor tarn purarum puritatum personarum quia constat omne rerum raritate in adis carum ut in vino vis aquarum non proficit sic m aqua vini parum non sufficit .

9. Crua Bacus et sapore corda pro soluit more sumpto Baco meliore dulcts sapor est in ore . vini constat ex sapore letitia recalescit in amore mens saucia .

472

INDEX OF FIRST LINES

A globo veteri, 116 Ab estatis floribus, 143 Adulari nesciens, 207 Alabaustrum frangitur, 284 Albi ne do leas, 17 Amor almus ardens, 461 Amor emptus precio, 352 Amor telum est insignis, 146 Anglia planctus, 279 Anni novi novitas, 457 Anno novali mea, 149 Aristirpe quamvis sera tuo, 229 Articulos senos monachos, 453 Aurea personet lira, 1 Aurelianis civitas, 286 Axe Phebus aureo, 157

Bel/a bis quinis, 66 Bulla fulminante, 335

- see also Die Xpisti veritas

Cantus dicitur autenticus, 452 Carmina qui quondam, 35 Carnalitas luxuria, 440 Celum non animum, 312 Clangam filii, 22 Clauso cronos et serato, 104 Corrosus affligitur, 353 Crus ocelle meum, 72 Cum animadverterem venerando, 304 Cum propter vocum mutationes, 450 Cum sit omnis caro, 340

De ramis cadunt folia, 84 De rupia rupecula, 263 De terre gremio, 91 Debet se circumspicere, 305 Devorabit Fauvellum dominus, 447 Die Xpisti veritas, 243

- see also Bulla fulminante Dulce solum, 122 Dum estas inchoatur, 142 Dum iuventus floruit, 130

Ecce gratum et optatum, 136 Ecce letantur omnia, 82 Ecce modus primus, 70 Ecce mundus moritur, 283 Ecce tempus gaudii, 292 Ecce torpet probitas, 172

473

Eclypsim passus totiens, 280 Eclypsim patitur splendor, 300 Epithalamia decantans dulcia, 68 Erat quedam domina, 462 Est michi nonum, 14 Est tonus sic, 448 Estivali gaudio, 134 Estivali sub fervore, 132 Ex ungue prima teneram, 85 Excuset que vim intulit, 201 Excutere de pulvere, 219 Exiit diluculo, 160

Falvelle qui semper moreris -see Homo (Falvelle} qui semper

Fas et nefas ambulant, 320 Fauvel cogita

-see 0 mens (Fauvel) cogita Fauvellus phro do/or, 446 Fecis avaritie, 347 Floret fex favellea, 437

- see also Redit etas aurea Flos in monte cernitur, 259 Fontis in rivulum, 236

Gaudet Favellus nimium, 445 Gregis pastor Tytirus, 110

Ha Parisius, 444 Hac in die salutari, 277 Hec medela corpora/is, 357 Heu he heu quam subditis, 265 Heu quam precipiti, 46 Homo considera qualis, 338 Homo cur extolleris, 345 Homo natus ad laborem, 220 Homo (Falvelle} qui semper moreris, 386 Hyemale tempus vale

- see De terre gremio

Jam dudum amoris, 147 Jam dulcis arnica venito, 28 Jam entrena plena, 458 Jam ver aperit, 294 Jherusalem Iherusalem, 203 In hoc ortus occidente, 225 In occasu syderis, 295 In precio precium, 359 In ripa Ligeris, 268 Incrassate Falve/le, 443

Page 86: Secular Medieval Latin Song: An AnthologyThe inclusion of secular songs in predominantly sacred manuscripts and vice versa is but one indicator that the notions of a "Goliardic society,"

Inter membra singula, 422 Involutus in erroris, 272 love cum Mercurio, 79

- see also Ludo cum Cecilia

Laboris remedium, 148 Leges sacras passas, 355 Leniter ex merito, 315 Ludo cum Cecilia, 78

-see also love cum Mercurio Luxuriant animus, 274

Mecum timavi, 60 Modestos blanditie, 348 Modus Ottinc, 24 M os florentis venustatis, 456 Multiformi succendente, 155 Mundus a munditia, 401 Mundus finem properans, 128

Nature exigua, 354 Nisi Jailor nil repertum, 83 Nitimur in vetitum, 330 Nomen a solemnibus, 98 Non habes aditum, 298 Non te lusisse, 181 Nonus passus circini, 454 Noster cetus psallat letus, 80 Novum ver oritur, 293 No~us annus hodie, 257 Nubibus atris condita, 38 Nulli beneficium, 369

0 admirabile Veneris ydolum, 54 0 comes amoris, 126 0 consocii quid vobis, 144 0 curas hominum, 195 0 labilis sortis, 382 0 levis aurula, 276 0 mens (Fauvel) cogita, 415 0 mi dilectissima, 151 0 mors que mordes, 287 0 mortalis homo, 52 0 muse Cicilides, 21 0 potatores exquisiti

- see Potatores exquisiti 0 quam formosa, 169 0 Roma nobilis, 57 0 varium fortune, 363 Ob amoris pressuram, 145

474

Odo princebs altissime, 20 Olim in armonia, 349 Olim sudor Herculis, 209 Omne hominum genus, 53 Omni pene curie, 367 Omnia tempus habent, 444 Omnis in lacrimas, 197

Partus semiferos, 281 Phebi claro, 19 Potatores exquisiti, 466 Presul nostri temporis, 256 Presum prees verbum dignum, 438 Procurans odium, 188

Qui cup is esse bonus, 51 Qui opus accelerat, 351 Qui servare puberem, 325 Qui sub Dione militas, 167 Quid frustra consummeris, 258 Quisquis composito serenus, 37 Quisquis (Siquis) cord is et oculi, 332 Quo me vertam nescio, 377

Red it etas a urea, 307 see also Floret fex favellea

Redivivo vernant flore, 139 Remigabat naufragia, 135

Scribere clericulis, 73 Si de more cum honore, 138 Si mundus viveret, 328 Sic mea fat a, 75 Siquis cordis et oculi

see Quisquis (Siquis) cordis Sol eclypsim patitur, 290 Sum noctis socia, 40 Superbi Paridis, 153 Surge arnica mea, 162 Suspirat spiritus murmurat, 343

Tellus flore vario, 137 Tempus est iocundum, 150 Tempus transit gelidum, 141 Trahis suspirium, 115 Troie post excidium, 152 Tunc me discussa, 39

Usus vite veteris, 113 Ut belli son uere, 34

Vacillantis trutine, 17 4 Vale tellus valete

- see Dulce solum Vanitas vanitatum, 396 Vehemens indignatio, 393 Venditores labiorum, 344 Veneris prosperis, 297 Veris ad imperia, 260 Veris dulcis in tempore, 119 Veritas equitas largitas, 404 Veste nuptiali, 289 Vhe proclamet clericorum, 262 Victime novali finke, 125 Vide quo fastu rumperis, 218 Vinum bonum et suave, 464 Virent prata hiemata, 140 Virtus m oritur, 390 Virtutum thronus frangitur, 267 Vitam duxi iocundum, 282 Vite perdite, 191 Vitia virtutibus, 341

475