SA248 C4 Synth User Guide - Source Audio Website · 2019-08-30 · SA249 C4 Synth User Guide 5...

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SA249 C4 Synth User Guide 1 C4 Synth User Guide Welcome Thank you for purchasing the C4 Synth. This advanced piece of gear offers all the sound construction tools of a classic Eurorack modular synthesizer and packages them in a compact and easy-to-use effects pedal for guitar and bass. It is essentially a Eurorack modular synth in a box with unprecedented tracking abilities, lightning-fast response, and countless sound options. Out of the box the C4 offers six unique and dynamic synthesizer effects. Connect it to the Neuro Desktop Editor or Neuro Mobile App and unlock this pedal’s true power. Use the Neuro Editors to create your own synth sounds with its classic Eurorack inspired editing interface or simply call up an effect from countless presets created by the Source Audio team or the growing legion of C4 users. Create incredible tones with the C4’s choice of four parallel voices, three oscillator wave shapes, ten-plus envelope followers, twenty-plus modulating filters, distortion, tremolo, pitch shifting, intelligent harmonization, programmable sequencing and more. The pedal comes in a compact and durable brushed aluminum housing with stereo inputs and outputs, a three-position toggle switch, a simple four-knob control surface, and full MIDI functionality via its USB port. The Quick Start guide will help you with the basics. For more in-depth information about the C4 Synth move on to the following sections, starting with Connections. Enjoy! - The Source Audio Team

Transcript of SA248 C4 Synth User Guide - Source Audio Website · 2019-08-30 · SA249 C4 Synth User Guide 5...

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SA249 C4SynthUserGuide 1

C4 Synth User Guide

Welcome ThankyouforpurchasingtheC4Synth.ThisadvancedpieceofgearoffersallthesoundconstructiontoolsofaclassicEurorackmodularsynthesizerandpackagestheminacompactandeasy-to-useeffectspedalforguitarandbass.ItisessentiallyaEurorackmodularsynthinaboxwithunprecedentedtrackingabilities,lightning-fastresponse,andcountlesssoundoptions.OutoftheboxtheC4offerssixuniqueanddynamicsynthesizereffects.ConnectittotheNeuroDesktopEditororNeuroMobileAppandunlockthispedal’struepower.UsetheNeuroEditorstocreateyourownsynthsoundswithitsclassicEurorackinspirededitinginterfaceorsimplycallupaneffectfromcountlesspresetscreatedbytheSourceAudioteamorthegrowinglegionofC4users.CreateincredibletoneswiththeC4’schoiceoffourparallelvoices,threeoscillatorwaveshapes,ten-plusenvelopefollowers,twenty-plusmodulatingfilters,distortion,tremolo,pitchshifting,intelligentharmonization,programmablesequencingandmore.

Thepedalcomesinacompactanddurablebrushedaluminumhousingwithstereoinputsandoutputs,athree-positiontoggleswitch,asimplefour-knobcontrolsurface,andfullMIDIfunctionalityviaitsUSBport.

TheQuickStartguidewillhelpyouwiththebasics.Formorein-depthinformationabouttheC4Synthmoveontothefollowingsections,startingwithConnections.Enjoy!

- TheSourceAudioTeam

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Overview SixPresetPositions:UsetheC4’sthree-positiontoggleswitchandtwopresetbankstosavesixeasilyaccessiblepresets.

GrowingLibraryofPublishedPresets:Forquickaccesstoaworldofgreattones,trysamplingsoundsfromavastcollectionofpublishedpresetscreatedbytheSourceAudioteamandtheever-growingC4NeuroCommunity.

UnprecedentedSoundSculptingOptions:ThepowerfulNeuroDesktopEditor(FreedownloadforMacandWindows)andNeuroMobileApp(iOSandAndroid)offermaximumsoundexplorationpossibilities.UseNeuro’smodularsynthesizerinspirededitortocreatecustomC4Synthpresetsthatcanbeburneddirectlytothepedal,savedtoaprivatecloudbasedlibraryorsharedpublicallywithothermembersoftheNeuroCommunity.

SupremeTracking:Iftrackingmatterstoyou(anditshould),youwillbeamazedbythelightningquick,imperceptiblelatencyoftheC4Synth.

128MIDIAccessibleFactoryPresets–TheadditionofathirdpartyMIDIcontrollerwithUSBhostprovidesaccesstoanyofthepedal’s128Factorypresets.

FourIndependentVoices:MixtogetheranyoftheC4’sfourindependentVoices.AssignanyoftheVoicestoanoscillatorwaveshape,monophonicorpolyphonicpitchshifter,intelligentharmonizer,sequencers,ordrysignaltodistortion,tremolo,andfiltereffects.

ThreeTypesofOscillators:MixandmatchanyoftheC4’sthreeoscillatorwaveshapesforpuresynthesizertones.Choosefromsine,square,andsawshapedoscillators.

ElevenEnvelopeFollowers:Selectfromacomprehensivecollectionofenvelopefollowerswithadjustableattack/decayaswellasADSRtriggeringenvelopes.

25FilterEffects:Choosefromahugecollectionoffilters,controllablewithanenvelopefollowerorindependentlymodulatingLFOs.

14DifferentLFOWaveShapes:UseLFO(LowFrequencyOscillators)tocontrolthemodulationoffilter,vibrato,ortremoloeffects.ChoosefromeightdifferentLFOwaveshapes,includingsine,square,sampleandhold,sawtooth,andmore.

TwoProgrammable16-StepSequencers:Runtwosimultaneoussequencerpatterns.Choosefromseveralpreprogrammedsequencerpatternsorcreatecustompatterns.

StereoInputsandOutputs:UsetheNeuroEditor’spanningcontrolstorouteeachVoicetoanylocationinafullstereospread.

CompactDesign–Thedurable,anodizedaluminumhousinghasasmallfootprintandsturdyhardware.Dimensions:L:4.5in./11.4cmxW:2.75in./7cmxH:2in./5.1cm(includingknobs).

UniversalBypassTM–SelecteitheranalogbufferedorrelaybasedTrueBypass.

USBPort-ClasscompliantUSB-MIDIallowstheC4toworkasaplug-and-playdevicewithrecordingsoftwarerunningonMacandWindowsrecordingsoftwareoranythirdpartyMIDIcontrollerwith

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USBhost.TheUSBportalsooffersconnectivitytotheNeuroDesktopEditorprovidingaccesstodeepeditingpossibilitiesandpedalfirmwareupdates.

ExternalExpressionandTapTempoControl—UsetheControlInputjackwiththeSourceAudioDualExpressionPedal(expressioncontroltomultipleparameters)orTapSwitch(adjustLFOratesonthefly).

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The C4 Synth: How Does It Work? BeforedivingfullyintotheC4SynthanditsNeuroEditor,itisimportanttounderstandthebasicinternallayoutandsignalpath.BelowisasimpleblockdiagramthatillustratestheC4’sSignalPathandResourceBlocks:

Step1.TheVoices:FirstinlinearetheC4’sVoices(therearefourofthem,hencethename“C4”).AssignedeachactivatedVoicetoitsownSoundSource(Sine,Square,orSawOscillator/MonophonicPitch/PolyphonicPitch/DrySignal).MixtogethermultipleVoicestocreateasingleamazingpreset.

Step2.RoutetheVoices:SendeachVoicetoeitherProcessorPath1(Drive1,Filter1,etc.)orProcessorPath2(Drive2,Filter2,etc.).RouteeachindividualVoicethroughyourdesiredblocks:theDrive,theFilter,ordirectlytotheWetMix.

Step3.ProgramYourResourceBlocks:UsetheResourceblocks(blueblocksinthediagram)todothingslikecontrolFilterModulation,setPitchShiftingintervals,programtheSequencers,andmore.

Step4.SetYourOutputPath:DecidewhichVoicegoestowhichoftheStereoOutputs.

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Quick Start Power Topowertheunit,connecttheincluded9VDCpowersupplytothejacklabeledDC9Vonthebackpanel.Whenrunninga3rdpartypowersupply,theC4Synthrequiresanisolated9VDCpowersourcewithaminimumof165mAandacenter-negativeplug.

Warning:Usinganon-SourceAudiosupply,especiallyanunregulatedsupply,coulddamagetheunit.Pleasebeverycautiouswhenusing3rd-partypowersupplies.

Guitar/Audio Connections Usingstandard¼”monocables,connectyourguitar,bass,orotherinstrumenttotheINPUT1jackandyouramp(orthenextaudiodeviceinthesignalchain)totheOUTPUT1jack.Whenrunningastereorig,alsouseInputandOutput2.

Oncethepowerandaudioconnectionshavebeenmade,theC4isreadytoplay.

Brief Knob, Footswitch, and Button Descriptions PleasenotethattheINPUT/SENSandMIX/VOLknobseachcontroltwodifferentparameters.Toaccessthesecondaryparameters(SENSandVOL–printedwithwhitegraphics),presstheALT(AlternativeFunction)buttonlocatedontopofthepedal.UponpressingtheALTbuttontheALTLED(smallLEDonthetopfaceofthepedal)willbegintoblinkindicatingtheaccessibilityoftheAlternateknobparameters.Thesecondaryparameterswillremainaccessiblewhileadjustmentsarebeing

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madethenautomaticallyswitchbacktotheprimaryparametersfivesecondsafterthelastknobadjustment.

INPUT/SENSKnob:AdualfunctionknobthatadjuststhelevelofINPUTsignalgoingtotheprocessor,andalsotheSENSITIVITYoftheenvelopefilter.Toaccessthe

• INPUT(thePrimary(Default)Parameter):Adjuststhevolumeleveloftheinputsignal.GiventhereactivenatureoftheC4’spitchdetectorsandenvelopefollowersandthevaryingoutputlevelsofdifferentinstrumentsandtheirpassiveoractivepickups,itisimportanttosetthelevelofsignalgoingtotheprocessor.TheC4alsoincludesasimpleprocessforcalibratingyourinstrumenttotheINPUTlevel(gototheINPUT/SENSEKnobsectionforcalibrationinstructions).

• SENSITIVITY(theAlternateParameter):Adjustshowreactivetheenvelopefilteristotheincomingsignal.Ifyouliketoplayhard,butstillwantasmoother,morerelaxedenvelopefilter,youshouldturndowntheSENSITIVITY.Forasharperresponsetolighterplaying,turnuptheSENSITIVITY.

MIX/VOLKnob:Adualfunctionknobthatadjusttheoverallwet/dryMIXandalsoadjuststheoveralloutputVOLUME.

• MIX(thePrimary(Default)Parameter):Adjuststhebalancebetweenthenaturaldrytoneoftheinstrumentandaffectedwetsignal.A50/50mixofwetdrysignalresidesatroughly12o’clockontheknob.

• VOLUME(theAlternateParameter)AdjuststhemasterVOLUME/Outputofthepedal.KeepinmindthattheoverallVOLUMEwilllikelyvarydependingonthesignaldensityofthepreset.

CONTROL1andCONTROL2:Thefunctionsoftheseknobsvarydependingontheselectedsynthengine.

EffectSelectorToggleSwitch:UsetheC4’sthree-positiontoggleswitchandtwopresetbankstoeasilyaccesssixdifferentpresets.FirstPresetBank(IndicatedbythegreencenterLED):defaultthecentertoggleswitchselectsbetweenthreepresetsstoredinthefirstbankofpresets.SecondPresetBank(IndicatedbytheredcenterLED):PressingtheALTbuttononthetopsideofthepedalopensaccesstothesecondbankofpresets.AfterpressingtheALTbuttonthesmallLEDatthetopofthepedal’sfacewillstarttoblink,indicatingthatthesecondpresetbankisaccessiblewiththetoggleswitch.UponmovingthetoggleswitchthecenterLEDwillturnredindicatingthecurrentpresetisdrawnfromthesecondbank.

Footswitch:Enablesorbypassestheeffect.Also,pressingandholdingthefootswitchfromthebypassedstatetogglesbetweenthefirstandsecondpresetbanks.

ALT(AlternateFunction)Button:ThesmallblackbuttonlocatedonthetopsideofthepedalnexttotheCONTROLINPUTjack.PressingtheALTbuttontemporarilyputsthepedalintoAlternateControlMode(indicatedbytheblinkingtopcenterLED).AlternateControlModeswitchesfromthePrimarytoSecondaryfunctionoftheINPUT/SENSandMIX/VOLknobs.AlsomovingthecentertoggleswitchwillswitchbetweentheGreenandRedPresetBanks(gotothePresetBankssectionformoreinfo).

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Contents Welcome................................................................................................................................................1

Overview................................................................................................................................................2

TheC4Synth:HowDoesItWork?..........................................................................................................4

QuickStart..............................................................................................................................................5

Connections............................................................................................................................................8

Controls................................................................................................................................................11

AccessingtheGreenandRedPresetBanks.........................................................................................14

ThreeDifferentPresetModes..............................................................................................................14

UniversalBypassTM..............................................................................................................................15

ExternalControl....................................................................................................................................16

NeuroMobileApp&NeuroDesktopEditor.........................................................................................19

Browse,Burn,andPlay!!......................................................................................................................19

TheNeuroDesktopEditor....................................................................................................................19

Daisy-ChainingNeuroCommunication................................................................................................39

MIDIThroughtheUSBPortorNeuroHub...........................................................................................41

C4SynthSpecifications.........................................................................................................................43

Troubleshooting...................................................................................................................................44

FrequentlyAskedQuestions.................................................................................................................45

RubberFeet..........................................................................................................................................46

WasteDisposalNotes...........................................................................................................................46

Warranty..............................................................................................................................................47

VersionHistory.....................................................................................................................................48

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Connections Input Side Connections

Input 1 Thisistheprimaryinputforguitar,bass,orotherinstruments.Itcanalsoacceptline-levelinputsofupto+6.54dBV/8.76dBu.Connectittoyourinstrumentorotheraudiosourceusingamono(TS)¼”cable.

Input 2 Input2actsaseitherasecondaudioinput,thedataconnectionfortheNeuroMobileApp,oraninputforbothaudioandNeuroDatasimultaneously.

Input 2 as an Audio Input ThetipcontactonInput2actsasasecondaryinputforguitar,bass,orotherinstruments.ItisonlyactivewhentheC4isconfiguredwithasignalroutingoptionthatusesstereoinputs.Connectittoyourinstrument(orthepreviouseffectinthesignalchain)usingamono(TS)¼”cable.Bydefault,theC4willauto-detecttheroutingmode.OtherroutingoptionsareavailableusingtheNeuroMobileApporDesktopEditor.Formoreinformationaboutstereorouting,refertotheI/ORoutingOptionssection.

Input 2 as a Neuro App Data Input TheringcontactonInput2actsasadataconnectionfortheNeuroApp.Connectittoyourmobiledeviceusingastereo(TRS)¼”cable.Itcanalsoacceptsimultaneousaudioanddaisy-chainedNeurodatafromanotherNeuro-compatiblepedalinthechain,providedthataTRScableisused.Theaudiosignal(ifapplicable)willbeonthetipcontactoftheplug,andtheNeuroAppdatawillbeontheringcontact.

Input2acceptsdatafromtheNeuroMobileApp.DatafromtheNeuroHubcomesthroughtheCONTROLINPUTport.

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Output Side Connections

Output 1 ThisistheprimarymonoOutput.ConnectthisOutputtoyouramplifier,recordinginterface,orthenextdeviceinyoureffectssignalchainusingamono(TS)¼”cable.

Output 2 Actsaseitheranaudiooutput,thedaisy-chaindataconnectionfortheNeuroApp,orbothaudioandNeuroDatasimultaneously.

Output 2 as an Audio Output ThetipcontactonOutput2actsasthesecondaryaudiooutput.ItcarriesanaudiosignalwhentheC4isconfiguredwithasignalroutingthatusesstereooutputs.Connectittoyouramplifier,recordinginterface,orthenextdeviceinyoureffectssignalchainusingamono(TS)¼”cable.

Output 2 as a Neuro App Data Daisy-Chain Output TheringcontactonOutput2actsasadataconnectionfortheNeuroApp,passingdatafromtheC4tothenextSourceAudioeffectinyoursignalchain.Youcandaisy-chaintheNeuroAppdataregardlessofwhetherOutput2isconfiguredtooutputaudioornot.ConnectOutput2tothenextpedal’sNeuroAppDatainput(Input2)usingastereo(TRS)¼”cable.Theaudiosignal(ifapplicable)willbeonthetipcontactoftheplug,andtheNeuroAppdatawillbeontheringcontact.SeetheDaisy-ChainingNeuroCommunicationsectionformoreinfo.

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Power and Control Connections

DC 9V (Power) Connecttotheincluded9VoltDCpowersupply.Thepowersupplymustberegulatedat9Volts(directcurrent),abletosourceatleast165mA(milliamps)ofcurrent,andtheplugshouldhaveatip-negative,sleeve-positivepolarity(thecentertipisgroundandthesleeveispower).

USB Connectyourcomputer(MacorWindows)totheC4’sUSBport(denotedbythe icon)usingastandardminiUSBcable.TheUSBporthandlescommunicationbetweenthepedalandtheNeuroDesktopEditororadigitalaudioworkstation(DAW).TheC4willalsorespondtoMIDImessagesfromanexternalMIDIControllerwithUSBhostsupport.TheC4isaclasscompliantUSBdevice,meaningthatMacandWindowscomputerswillrecognizeitautomatically.FormoreinformationabouttheC4’sUSBcapabilities,refertotheUSBsectionoftheUser’sGuide.

CONTROL INPUT Port The3.5mmCONTROLINPUTPortconnectstoexternalcontroldevicessuchastheSourceAudioExternalTapSwitch,DualExpressionPedal,NeuroHub,andHotHand3MotionController.Formoreinformation,refertotheExternalControlandNeuroHubsectionsoftheUserGuide.

ALT (Alternate) Button Thesmallblackbuttonlocatedonthetopsideofthepedal,nexttotheCONTROLINPUTjack.PressingtheALTbuttontemporarilyputsthepedalintoAlternateControlMode(indicatedbytheblinkingtopcenterLED).AlternateControlModeswitchesfromthePrimarytoSecondaryfunctionoftheINPUT/SENSandMIX/VOLknobs.AlsomovingthecentertoggleswitchwillswitchbetweentheGreenandRedPresetBanks(gotothePresetBankssectionformoreinfo).

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Controls

Knobs ALT (Alternate) Button ThesmallblackbuttonlocatedonthetopsideofthepedalnexttotheCONTROLINPUTjack.PressingtheALTbuttontemporarilyputsthepedalintoAlternateControlMode(indicatedbytheblinkingALTFunctionLED).AlternateControlModeswitchesfromthePrimarytoSecondaryfunctionoftheINPUT/SENSandMIX/VOLknobs.AlsomovingthecentertoggleswitchwillchangethePresetBank.TherearetwoPresetBanksthefirstisindicatedbyagreencenterLED,thesecondisindicatedbyaredcenterLED.

INPUT/SENSE AdualfunctionknobthatadjuststheleveloftheINPUTlevelsignalgoingintotheprocessorortheSENSITIVITYoftheenvelopefilter.SeetheALT(Alternative)ButtonsectionaboveforinstructionsonaccessingtheSecondaryParameter.

• INPUT(Primary(Default)Parameter):Adjuststhevolumeleveloftheinputsignal.GiventhereactivenatureoftheC4’spitchdetectorsandenvelopefollowersandthevaryingoutputlevelsofdifferentinstrumentsandtheirpassiveoractivepickups,itisimportanttosetthelevelofsignalhittingthepedal’sprocessor.Forhotter,activepickupsitisprobablybestto

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turntheINPUTknobdown.FortraditionalpassivepickupsitwillhelptoturntheINPUTlevelup.

o INPUTCALIBRATIONFUNCTION:WehaveprovidedauniqueInputCalibrationFunctiontoassurethatyouaregettingthebestpossibleinteractionbetweenyourinstrumentandtheC4.TheCalibrationprocessisasfollows:

1. TurntheINPUTknoballthewaydown.2. Continuouslypluckyourinstrumentatyouraveragepluckingvelocity.3. SlowlyturnuptheINPUTknobupuntilthecenterLEDstartsflashingred.

ThisflashingindicatesthatyouhavereachedtheoptimumINPUTlevel.Leavetheknobwhereitis–theprocessiscomplete.

• SENSITIVITY(SecondaryParameter).Adjustshowreactivetheenvelopefilteristotheincomingsignal.Ifyouliketoplayhard,butstillwantasmoothermorerelaxedenvelopefilter,youshouldturndowntheSENSITIVITY.Forasharperresponsetolighterplaying,turnuptheSENSITIVITY.

MIX/VOL Adual-functionknobthatadjustthewet/dryMIXandtheoveralloutputVOLUME.

• MIX(Primary(Default)Parameter):Thewet/dryMIXcontroladjuststhebalancebetweenthenaturaldrytoneoftheinstrumentandaffectedwetsignal.A50/50mixofwetdrysignalresidesatroughly12o’clockontheknob.Fora100%wetsignalturntheknobfullyclockwise-fora100%drysignalturntheknobfullycounter-clockwise.

• VOLUME(SecondaryParameter):AdjustsoveralloutputVOLUMEofthepedal.BeawareofthattheoverallVOLUMEwilllikelyvarydependingonthesignaldensityofthepreset,somakesuretoA/BtestthelevelsbetweenyourbypassedandengagedsignalsandadjusttheVOLUMEaccordingly.

CONTROL 1 & 2 Thefunctionsoftheseknobsvarydependingontheselectedsynthengine.UsetheKnobAssignmentsectionoftheC4NeuroSoundEditortolearnwhichparameterhasbeenassignedtotheCONTROL1andCONTROL2knobs.

Effect Toggle Switch UsetheC4’sthree-positiontoggleswitchandtwopresetbankstoeasilyaccesssixdifferentpresets.FirstPresetBank(IndicatedbythegreencenterLED):bydefaultthecentertoggleswitchselectsbetweenthreepresets(Circle,Triangle,Square)storedinthefirstbankofpresets.SecondPresetBank(IndicatedbytheredcenterLED):PressingtheALTbuttononthetopsideofthepedalinitiatesablinkingpatternfromthesmallLEDonthepedal’sface,indicatingthatthesecondpresetbankisaccessiblewiththetoggleswitch.UponmovingthetoggleswitchthecenterLEDwillturnredindicatingthecurrentpresetisdrawnfromthesecondbank.Followthesameprocesstoswitchbacktothegreenbank.

ALT Button (Alternate Function) ThisisasmallblackbuttonlocatedonthetopsideofthepedalnexttotheCONTROLINPUTjack.PressingtheALTbuttontemporarilyputsthepedalintoAlternateControlMode(indicatedbythe

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blinkingtopcenterLED).AlternateControlModeswitchesfromthePrimarytoSecondaryfunctionoftheINPUT/SENSandMIX/VOLknobs.MovingthetoggleswitchwhilethepedalisinAlternateControlModewillswitchbetweenthegreenandredpresetbanks.

LEDs Engage / Bypass LED TheEngage/BypassLEDabovethefootswitchindicatesiftheeffectisactive(lit)orbypassed(notlit).ThecolorofthisLEDindicateswhetherthecurrentpresetisstoredinthefirstbank(greenLED)orthesecondbank(RedLED).

TheEngage/BypassLEDalsoplaysarolewhencalibratingtheINPUTlevel.GototheINPUT/SENSEKnobsectionofthismanualforinstructionsoncalibratingtheINPUTlevel.

Alternate Function LED ThesmallLEDlocatedbetweentheINPUTandMIXknobsistheAlternate(ALT)ParameterLED.PressingtheALTbuttonputstheC4intoAlternateParametermode,indicatedbytheblinkingLED.Ifaperiodof6secondspasseswithoutmovinganyknobsorthetoggleswitch,theAlternateParameterLEDwillstopblinkingandtheknobswillreturntotheirprimaryparameter.

TheAlternateFunctionLEDalsoindicates(whenlitsolid/notblinking)thatexternalcontrolmode(expression,hothand,orMIDI)isactive.

Footswitch Enablesorbypassestheeffect.Thefootswitchisalsousedtotogglebetweenthefirst(greenLED)andsecond(redLED)PresetBanks.GototheAccessingtheGreenandRedPresetBankssectionofthismanualformoreinfoonchangingPresetBanks.

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Accessing the Green and Red Preset Banks TheC4canstoreuptosixpresets(2banksof3presets)accessiblewithoutaMIDIcontrollerortheNeuroEditor.

• GreenPresetBank(IndicatedbythegreencenterLED):Bydefaultthecentertoggleswitchselectsbetweenthreepresets(Circle,Triangle,Square)storedinthefirst(green)bankofpresets.

• RedPresetBank(IndicatedbytheredcenterLED):PressingtheALTbuttononthetopsideofthepedalinitiatesablinkingpatternfromthesmallLEDonthepedal’sface,indicatingthatthesecondpresetbankisaccessiblewiththetoggleswitch.UponmovingthetoggleswitchthecenterLEDwillturnredindicatingthecurrentpresetisdrawnfromthesecondbank.Followthesameprocesstoswitchbacktothegreenbank.Also,pressingandholdingthefootswitchfromthebypassedstatetogglesbetweenthefirst(Green)andsecond(Red)presetbanks.Note:if“QuickBankSwitchUsingFootswitch”hasbeenselectedfromtheNeuroEditor’s“C4SynthHardwareOptions,”itisalsopossibletochangepresetbankswiththefootswitchwhilethepedalisstillengaged.

Three Different Preset Modes ConnectingtheC4SynthtotheNeuroDesktoporNeuroMobileApp(SeetheNeuroSectionformoreinfo)allowsyoutoselectbetweenthreedifferentPresetModes:Standard(Default),Preset,andWYSIWYG(“WhatYouSeeIsWhatYouGet”).ToselectwhichmodeyourC4operatesunder,gotheC4’sHardwareOptionsMenu(theC4geariconintheConnectionsection)andusethePreset/WYSIWYGmenu.Eachmodeisuniversalappliestoallsixpresetsavailableinthegreenandredpresetbanks.

Standard (Default) Mode InStandardModeeachpresetengageswithapre-programmedpreset,meaningthephysicalpositionsoftheknobsdonotaffectthesoundofthepreset.Itis,however,possibletoreachdownandmakeknobadjustmentsonthefly.If,aftermakingaknobadjustment,thepedalisbypassedthenreengagedwithoutmovingthetoggleswitch,thesoundwillcontinuetoreflectthenewknobpositions.Ifthetoggleswitchismoved(regardlessofwhethertheeffectisengagedorengaged),thepedalwillreverttotheparametersettingsofthesavedpreset.

Preset Mode PresetModeworkssimilartotheStandard(Default)Modewithonekeydifference,itallowsyoutore-savethepresetaftermakingknobadjustments.Soupontheinitialengagementofapresettheknobparameterswillinstantlyjumptotheirsavedvalues,regardlessofthephysicalpositionoftheknobs.However,ifyoudomakeaknobadjustment,thecenterLEDwillstarttoblink,indicatingthateditshavebeenmade.AftermakinganadjustmentyoucansavethenewsettingsbypressingandholdingthefootswitchuntilthecenterLEDstopsblinking(aroundfiveseconds).

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WYSIWYG (What You See Is What You Get) Mode InWYSIWYGModetheC4functionsmuchlikeatraditionaleffectspedal.Itisa”WhatYouSeeIsWhatYouGet”experience,meaningthatthecurrentphysicalpositionsoftheknobswillindicatethesettingsoftheprimaryknobfunctions.Note:Ifyoumovethetoggleswitchtoanewpositionalltheprimaryknobparameterswillmaintainthesettingsofthephysicalknobpositions,butthesecondaryknobfunctions(SENSITIVITYandVOL)willreverttotheirdefaultsettings.

Universal Bypass TM Mosteffectpedalsoffereithertruebypassorbufferedbypass.TheC4Synthcontainstwoseparatecircuitsforbypassmode,allowingyoutochoosethemethodyouprefer.Thetruebypasspathusessignalrelays,whichareelectromechanicalswitches.Thisprovidesanultra-lowresistancepathfromtheinputjackstotheoutputjacks,whichiseffectivelythesameasasinglewire.Thebufferedbypasspathusesextremelylownoisebuffers,whichprovideverylowoutputimpedanceandareeffectivefordrivinglongcablesorlongchainsofeffectsfollowingtheC4’saudiooutput.

Outofthebox,theC4operatesintruebypassmode.Toselectadifferentbypassmode,opentheC4’sHardwareOptionsmenuintheNeuroMobileApporDesktopEditor,thenselectanoptionfromthe“HardwareBypassMode”pulldownmenu.

Werecommendusingthebypassmethodbestsuitedforyoursignalchain.Ideally,thefirstpedalinasignalchainisabufferedinputfollowedbytruebypassintherestofthesignalchain.

Bothbypassmethodshaveprosandconsassociatedwiththem.Bufferedbypassprovidesconsistentinputimpedancesothatifthesourceissusceptibletovariationsininputimpedance(similartoaguitarpickup),therewon’tbeanoticeablechangeintone.Truebypasshasthebenefitofprovidingadedicatedhardwiredbypasssignalpath.TheC4featuressmall-signalrelaysfortruebypassswitchingthatofferreducedpopsandclickscomparedtothetraditionaltruebypassswitchingmethodusingamechanicalswitch.

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External Control

TheCONTROLINPUTportopensavarietyofexternalcontroloptions,allowingfordirectcontrolovermanyoftheC4’sparameters.Itisaninputforthe,SourceAudioTapSwitch,SourceAudioDualExpressionPedal,oradataportfortheNeuroHub.

The Source Audio Tap Switch TheSourceAudioTapSwitchconnectsdirectlytotheCONTROLINPUTwitha1/8”TRRScable.TheTapSwitchcanbeusedforavarietyoftasks.

• TapTempo:ManuallytapintherateoftheLFO.UsetheBeatDivisionpull-downmenuintheLFO1&2blockoftheNeuroEditortoselecttherhythmicsubdivisionofthetaptempo.ThebeatdivisionoptionsareWhole,Half,Quarter,Eighth,Triplet,andSixteenthnotes.

Expression Pedals TheC4’seffectsparameterscanbecontrolleddirectlybyaSourceAudioDualExpressionPedalortheHotHand3WirelessControllerconnectedwitha1/8”TRRScabletotheCONTROLINPUTport.

SourceAudio’sexpressionpedalsareconfiguredasfollows:thetipconnectionispower,thefirstringistheX-axisexpressionsignal,thesecondringistheY-axisexpressionsignal,andthesleeveconnectionisground.

Ground Power

YExp XExp

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AlthoughtheCONTROLINPUTportexpectsa4-contactTRRSplug,itisstillpossibletousea3rdpartyexpressionpedalwitha3-contactTRSplug(Note:youshouldmakesuretheexpressionpedal’sTRSconfigurationisthesameasthegraphicbelow).Usea3-contact1/4”to1/8”(3.5mm)TRSplugconverter-theexpressionpedal’soutputwillbeconnectedtotheC4’sX-axis.Forproperoperation,theconfigurationstepsinthenextsectionmustbefollowedwhenusinganyexpressionpedal,whetherfromathirdpartyorfromSourceAudio.

ExpressionpedalswithTS(TipSleeve)plugswillnotworkcorrectlywiththeC4.

Theresistance/impedanceoftheexpressionpedaldoesnotmatter.TheC4willautomaticallyadjustitselftotherangeoftheexpressionpedalwhenitisconfigured.

Configuring the Expression Pedal UsetheC4Synth’sNeuroSoundEditortoassignexpressioncontroltouptothreeparameters.ExpressioneditingisaccomplishedintheExternalControlblockoftheNeuroSoundEditor.FormoreinfoonassigningexpressioncontroltotheC4gototheExternalControlsectionofthismanual.

Hot Hand 3 Universal Wireless Controller TheHotHand3WirelessEffectsControllerconnectsdirectlytotheC4’sControlInputwitha1/8”TRRScableandcanbeusedtocontroluptothreeparameters.HotHand3workssimilarlytoanexpressionpedal,butratherthanrockinganexpressiontreadletomoveparameters,HotHandmovesparameterswithhandmotionsviaitswirelessring.VisittheHotHand3PageontheSourceAudiowebsiteformoredetailsonHH.TheHotHandhastwoaxesofexpression:XandY.ThesesignalsarecarriedonthetworingsoftheTRRScablethatcomesfromtheHotHandreceiver.

Ground Power

Express ion

Ground Power

YExp XExp

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Configuring the Hot Hand UsetheC4Synth’sNeuroSoundEditortoassignHotHandcontroltouptothreeparameters.HotHandexpressioneditingisaccomplishedintheExternalControlblockoftheNeuroSoundEditor.FormoreinfoonassigningexpressioncontroltotheC4gototheExternalControlsectionofthismanual.

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Neuro Mobile App & Neuro Desktop Editor TheC4Synthwasdesignedtobeasimpleplug-and-playeffectspedal.Straightoutofthebox,theC4offerssixgreatsoundingguitar/basssyntheffects,butconnectingtheC4totheNeuroMobileAppandNeuroDesktopEditoravastLibraryofeasy-to-accessPresetscreatedbytheSourceAudioteamandtheever-growingcommunityofC4Synthusers.TheNeuroEditoralsooffersasuper-powerfulSoundEditorforcreating,saving,andsharingyourowncustomPresets.

Browse, Burn, and Play!! It’sjustthateasy.Ifyoudon’thavetimetodiveintotheSoundEditor,butyouwantaquicklistentothevastlandscapeofsoundstheC4hastooffer,simplyjumptotheCloudandcheckoutalltheavailableUserPresets.Whenyoufindsomethingyourlove,simplyhittheBURNbuttonanduploadthatPresetdirectlytoyourC4andbringittothenextgig.FormoreinfoonBurningPresetstoyourC4gototheCloudsectionofthismanual.

The Neuro Desktop Editor TheNeuroDesktopEditorisanexcellenttoolforaccessing,creating,andorganizingPresetsforyourC4Synth.TheDesktopoffersanexpandedcollectionofdeepeditingparameters,andanadvancedcatalogingsystemfornamingandstoringC4presets.TheDesktopisalsoatoolforinstallingthelatestupdatestoyourC4Synthfirmware.

Downloading and Connecting the Neuro Desktop Editor TheNeuroDesktopEditorisafreedownloadforMacandWindowsPCs.TodownloadtheNeuroDesktop,gototheSourceAudioDownloadspage.IntheSoftwaretabclickanddownloadtheappropriatefile.ThelatestfirmwareversionsfortheentirelineofOneSeriespedals,includingtheC4Synth,areincludedwiththeNeurodownload.Ifthereistroubleinstallingthesoftware,selectSystemPreferences//SecurityandPrivacy//OpenAnyways.

Afterthedownloadingprocess,opentheNeuroDesktopEditorandconnectyourC4SynthwithaUSBTypeAmaletominiTypeBmaledatacable(Warning:don’tuseachargercable).ConnectthecablefromtheminiUSBportonthepedaltotheUSBportonyourcomputer.Onceyou’vemadethe

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connectionablueboxwillappearintheConnectionsfieldoftheNeurointerfaceindicatingthattheC4isreadyforediting.

IfyourC4Synthisinneedofafirmwareupdate,theFirmwareUpdateicon(thearrowicon)willbeframedinyellow.Uponclickingthearrowicon,youwillbeinstructedontheupdatingprocedure.(Note:ItisimportantdisconnectallotherSourceAudiopedalsandturnoffMIDIsoftwareduringthefirmwareupdatingprocess.)

Neuro Desktop Editor User Interface TheNeuroDesktop’suserinterfacefeaturesthreeprimarysections:Connections,PresetEditor,andPresets.

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Connections TheConnectionssectionislocatedontheleftsideoftheNeuroDesktopEditor.ThisfielddisplaysallconnectedOneSeriespedals.Eachconnectedpedaloffersthethreeoptionslistedbelow:

• FirmwareUpdates(ArrowIcon):Clicktodownloadanyrecentfirmwareupdatestotheconnectedpedal.Ifanupdateisavailablethisiconwillbeframedinyellow.Uponclickingtheicon,thesoftwarewillprovideinstructionsonhowtoproceed.

• HardwareOption(GearIcon):OpenstheHardwareOptionswindow.EachSourceAudiopedalhasitsownsetofglobalhardwaresettings.Theattachedpedalwillretainallhardwareoptioneditsuntileithertheoptionisde-selected,oraFactoryResetisperformed.

• SoundEditor(WrenchIcon):OpenstheC4Synth’sSoundEditor,revealingadeepsetofeditingcontrolsforcreatingcustompresets.

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Hardware Options ClickingthegeariconintheC4Synth’sConnectionswindowopenstheHardwareOptionsmenu(seethegraphicbelow).UsetheHardwareOptionswindowtochooseyourpedal’sglobalhardwaresettings.

TheC4Synth’sHardwareOptionsincludethefollowing:

• Preset/WYSIWYG:TherearethreedifferentPresetModesavailableintheC4:Standard(Default),Preset,andWYSIWIY(“WhatYouSeeIsWhatYouGet”).UsethisdropdownmenutoselectthePresetMode.Formoreinfoonthefunctionalityofeachmode,gototheThreeDifferentPresetModessection.

• Hardware:SelectsbetweentwoHardwareBypassModes:TrueBypassorActiveAnalog(Buffered)Bypass.

• MIDIChannel:Selectsthepedal’sMIDIchannel(1through16).• ControlInputOption:SelectsthefunctionoftheexternaldeviceconnectedtotheCONTROL

INPUTport.Optionsinclude:o NeuroHub/ExpressionPedal:EnablescompatibilitywiththeNeuroHub(which

providesfullMIDIfunctionality)oranexternalExpressionPedal(seedetailsintheExternalControlsection).

o TapTempo:ConnecttheSourceAudioTapTempoSwitchtotheTrueSpringandsyncitstremolorateswithexternaltaptempocontrol.

• ExternalLoopSafeMode:CheckthisboxwhenusingthePre-ProcessingExternalLooproutingoption.Itwillpreventyoureffectfromfeedingbackwhenengaged.

• PowerUpState:SelectswhethertheC4isEngagedorBypassedduringtheinitialpower-upprocess.

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• DefaultInput:SelectsthedefaultconfigurationoftheInputjacks.Therearefourdifferentoptions:AutoDetect(Default),SingleInput1,DualInput1&2,ExternalLoop(Pre-Processing).GototheRoutingandOptionssectionfordetailsonalloftheroutingchoices.

• QuickBankSwitchUsingFootswitch(2Seconds):BydefaultyoucanonlyusethefootswitchtoalternatebetweenPresetBank1(GreenLED)andPresetBank2(RedLED)fromthedisengagedstate.CheckingthisboxallowsyoutoalternatePresetBanksquickerANDfromtheengagedstate.

• USBMIDISkipPowerCheck:TheC4canreceiveMIDIPCmessagesviathepedal’sUSBport.ItrequiresMIDIDAWsoftwareoraMIDIhostdevicewithUSB.TheC4shouldrespondtomostdevices,butsomedon’tgenerateenoughpowerfortheC4torecognizethemasaMIDIhost(theMIDIBabyandqCONNECTfromDisasterAreaDesignsaretwoexamples).IfyourC4isnotrespondingtoyourMIDIhostdevice,trycheckingthisbox.

• ShowExpressionPedalCalibration:Ifnecessary,openthiscontrolsettocalibrateexternalexpressionpedals.

Preset Editor ClicktheSoundEditor(wrench)iconintheConnectionssectiontoopentheC4Synth’sSoundEditorinthecentertab.Thisiswhereallofthesoundeditingworktakesplace.TheSoundEditorisbrokenintoseveralsub-sections,eachcontainingauniquevarietyofvirtualknobsanddropdownmenus.ThefollowingisabriefexplanationofeachSoundEditorsub-section.

Master Controls

ThecontrolsthatpopulatetheMasterControlssectionapplytoallfourVoicesintheC4Editor.

• Input1Gain1&Input2Gain:BecausetheC4’spitchdetectorandenvelopefollowersresponddifferentlydependingonthelevelofsignalgoingintothepedalandbecausetheoutputlevelsofdifferentinstrumentsvarysogreatly,itcanbehelpfultoadjustthelevelofsignalgoingintotheeffectsprocessor.ThetwoInputGaincontrolsmakeitpossibletoadjustthelevelfromInputs1&2independently.

• MasterDepth:AmastercontrolforthemodulationdepthofFilter1andFilter2.WhenrunningbothfilterssimultaneouslytheMasterDepthcontroladjustthedepthofbothfiltertoscalewiththeirindividualsettings.

• ModSource(ENV/LFO):Adjuststhemixtureofthemodulationsource.Themodulationsourcereferstothemechanismthatmoves(a.k.a.“modulates”)thefilters.TheC4hastwotypesoffiltermodulation:theenvelopefollower(ENV)movesthefilterbasedontheplayerspickattack,andthelowfrequencyoscillator(LFO)modulatesthefilterbackandforthata

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steadyratesetbytheSpeedcontrolintheLFOandArpeggiatorsection.Turningtheknoballthewaytotheleftprovides100%envelopefollowercontrolandturningtheknoballthewaytotherightprovides100%LFOcontrol.Settingtheknobanywhereinbetweencreatesamixtureofbothtypesoffiltermodulation.

• Bass:Boostsorcutsthelowfrequenciesofthewetsignal.• Treble:Boostsorcutsthehighfrequenciesofthewetsignal.• Mix:Setstheratiobetweenthewetanddrysignal.Placingtheknobatapproximately12

o’clockcreatesa50/50mixtureofwetanddrysignal.• LoRetainFrequency:RatherthanasimpleMixcontroltheLoRetainparameterallowsyouto

splitthefrequencyspectrumofyourwetsignal,meaningthattheC4effectappliesonlytothefrequenciesaboveacertaincut-offpointandleavesthelowerfrequenciesdryandunaffected.TheLoRetainFrequencyadjuststhepointinthefrequencyspectrumwherethissplitoccurs.Asweturnthisknobfromlefttorightthecut-offpointmovestohigherfrequenciesleavingmoreandmoreofyourlowfrequencyspectrumunaffected.

• OutputVolume:Boostsorcutstheoveralloutputlevelofboththewetanddrysignals.• OutputBalance:BalancesthelevelofthewetsignalsgoingtoOutput1(Left)andOutput2

(Right).Settheknobto12o’clockforanevenstereosplittobothOutputs.TurningtheknobleftshiftsthebalancetoOutput1andturningtheknobrightshiftsthebalancetoOutput2.

Voice Controls

TheC4featuresfourindividualVoices.AssigneachVoicetoanyoneofthepossibleoptions:Sine,Square,orSawWaveOscillator,MonophonicPitchShifter,PolyphonicPitchShifter,orthedrysignalrouteddirectlytotheenvelopefiltersand/ordistortionblock.MixtogetheranycombinationwitheachVoice’sdedicatedLevelandPanControls.AllfourVoicemodulesfeaturethesamecontrolset.

• On:ClicktheOnbuttonstoengageordisengageeachindividualVoice.IftheOnbuttonisgreentheVoiceisengaged.

• SourcePull-DownMenu:SelectsthetypeofaudioSourceassignedtotheeachindividualVoice.EachSourcemayonlybeusedoncewithineachpreset.TheSourceoptionsareasfollows:

o StereoInputMix:RoutesboththeInput1&2signalsdirectlytotheenvelopeanddistortionblockswithoutapplyingpitchshiftingoroscillatoreffects.

o PolyphonicPitch1and2:RoutesthedrysignalthroughthePolyphonicPitchshiftingmodule.WiththePolyphonicPitchshiftingmoduleitispossibletoplaychords.UsetheIntervalpull-downmenutoselectanyintervaluptothreeoctavesaboveorbelowtherootnotes.

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o MonophonicPitch1and2:RoutesthedrysignalthroughtheMonophonicPitchshiftingmodule.TheMonophonicPitchShifterappliespitch-shiftingeffectstosinglenotelines(a.k.a.“notchords”).UsetheIntervalpull-downmenutoselectanintervalupordownthreeoctaves.SelectingtheHarmonyoptionfromtheIntervalpull-downmenuallowsforintelligentharmonization–choosethekeyandscaleintheHarmonyblock.

o Saw1&2:AtrueSawWaveOscillatorsynthesizerVoice.TheSawwaveoffersabrightandbuzzysynthtonerichinharmoniccontent.AllofthesynthVoicescanberunwithanyIntervalorIntervalMode.TheycanalsobeusedwiththeSequencers.

o Sine1&2:Thesimplestofthewaveshapeoscillators.Sinewaveoscillatorscreateaverypuresynthesizertonewithnoadditionalharmoniccontentorbuzzingcharacteristics.

o Square1&2:Anotherbrightoscillatorwaveshape.TheSquareWaveOscillatoreliminatingalltheevenorderharmonics,whichgivesititscharacteristic“hollow”synthesizertone.

o MonoInput1&2:Routesdrymonoinputsignalstotheenvelopeanddistortionblocks.

• EnvelopePull-DownMenu:ChooseswhethertheVoice’samplitudemodulationiscontrolledbyEnvelope1,Envelope2,orbypassed(EnvelopeOff).

• OctavePull-DownMenu:Appliesanoctave-shiftingeffecttoanyoftheSaw,Sine,andSawWaveOscillatorsorthePolyphonicandMonophonicPitchShiftingVoices.Choosefromintervalsupordownthreeoctaves.

• SemitonePull-DownMenu:AddsadditionalsemitonestotheoctaveselectedfromtheOctavePull-Downmenu.Eachsemitone=a½steppitchshift.

• IntervalModePull-DownMenu:SelectsbetweenthreedifferentIntervalModes.o FixedInterval:Theintervalremainsfixedbetweentheplayednoteandtheinterval

setintheIntervalPull-Downmenus.o Harmonization:Appliesintelligentharmonizationbetweentheplayednoteandthe

intervalssetintheHarmonymodulefurtherdowntheEditinginterface.UsetheHarmonymoduletoselectakeypairedwithanyofover20differentscales.UnliketheNormalfixedpitchInterval,theHarmonizationpitchintervalsfluctuatetoadherewiththeselectedkeyandscale.PleasenoteInterval1setstheintervalforVoicesassignedtoaSourcelabeledwitha“1”(ex.Square1,Sine1,Saw1).Interval2setstheintervalforVoicesassignedtoasourcelabeledwitha“2”(ex.Square2,Sine2,Saw2).

o Sequencer:TheC4canrunoneortwosimultaneoussequencerpatterns.SelecttheSequenceroptionandchoosefromtheSourceAudiocollectionofSequencerpatternsorcreateyourownCustomSequencesinthemoduleslocatedfurtherdownintheEditor.PleasenotethatVoices1&3areroutedtoSequencer2andVoices2&4areroutedtoSequencer1.

• LevelKnob:SetstheOutputlevelofthecorrespondingVoice.UseeachVoice’sdedicatedLevelknobsasafour-channelmixerforthefinalpreset.

• ProcessorPanKnob:DirectseachVoice’ssignaltoeitherProcessor1ontheleftsideoftheknoborProcessor2ontherightsideoftheknob.

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• Tremoloknob:EachVoice’sdedicatedTremolocontrolsetsthatVoice’sindividualtremolodepth.TherateofalltheVoices’tremoloeffectsaresyncedtothetremolowaveshapeandSpeedknobintheLFOModulelocatedfurtherdowntheEditor.

• LFODropdownMenu:SelectswhetherthetremoloeffectrespondstoLFO1or2.• DetuneKnobandModulateButton:UsetheDetuneknobtoadjusttheVoice’spitcheither

upordown.SelecttheModulatebuttonbelowtheDetuneknobandassigntheeffecttotheLFO1.TheLFO(selectableintheLFO1&2block)continuouslybendsthepitchbackandforthbetweentheoriginalanddetunedpoints.Usethesubsequentpitchmodulationtocreateeithersubtlemovementoramoreintensevibratoeffect.MixoneDetunedvoicewithanotherUn-DetunedVoiceandcreateachorusordoublingeffect.

• FMKnob:AdjuststheFMsynthesis.FMsynthesisappliestoSineWaveOscillatorsonly.FMsynthesisusesanaudiofrequencysignal(eithertheinputsignalortheothersinewave)tomodulatethefrequencyoftheinitialoscillatorcreatinganaddedfrequencyseparatefromtheoriginalone.TurninguptheFMknobcreatesahairyandmoretubularsound.

• FilteringKnob:AdjustsaseparatefilterappliedonlytotheMonophonicPitchShiftingeffect.BasicallyitworkslikeatonecontrolforMonophonicPitchShiftingeffects.

• DestinationPull-DownMenu:SelectswhetherthatVoiceisdirectedtoboththeDistortionandFiltermodules,onlytheFiltermodule,orbypassesbothmodulesandgoesdirectlytotheOutputMixer.

Processor 1 & 2 Distortion

AddsdistortiontoanyofthefourVoices.Distortionisaverycommonlyusedinanalogmodularsynthesizers-itnotonlyaddsintensitytothesound,itshighharmoniccontentheavilyaccentuatesthesoundofthemodulatingfilters.TheC4includes13typesofdistortion,anythingfromasubtledriveeffecttoextremelyfuzzyFoldbackeffects.

PleasenotethatitisonlypossibletorunanyorallofthefourVoicesthroughasingledistortiontypeandthattheDistortionmodulehasonlyonesetofmastercontrols.

• OnButton:EngagesordisengagestheDistortionmodule.• VoiceMixMonitors:ThefourmeterslabeledVoice1through4monitortheProcessor1&2

ratioofeachVoicethroughtheDistortionblock.• DistortionTypeDropdownMenu:ChoosefromanyoftheC4’s13differentdistortiontypes.

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• DriveKnob:Adjuststheamountofdistortion.• CleanMixKnob:Adjuststhemixrationofcleantodistortedsignal.SettingtheCleanMixall

thewaytoleftoffersa100%cleanmix,allthewaytotherightisa100%distortedmix,and12o’clockontheknoboffersa50/50clean/distortedmix.

• OutputKnob:AdjuststheoverallleveloftheoutputsignalcomingfromtheDistortionblock.

Processor 1 & 2 Filters

TheFiltersplayacrucialroleindevelopingthecharacterofyourpreset.Basicallyafilterboostsorcutscertainsegmentsofasound’sfrequencyspectrum.Modulatingthesefilters(a.k.amovingthemupanddownoverthesignal)createsaneffectsimilartomanyofthesoundswehearinthephysicalworld(forexamplethesoundofaninstrumentbeingstruckorthatofahumanvoice).TheC4Synthhasover20differentFilterstochoosefrom.

PleasenotethatunliketheDistortionProcessor,bothoftheFilterProcessorsrunindependently,meaningthatitispossibletosimultaneouslyruntwofilterssimultaneously.TheFiltertypesandparametercontrolsforProcessors1and2willrunindependentlyofoneanother.

• OnButton:EngagesordisengagestheFiltermodule.• VoiceMixMonitors:ThefourmeterslabeledVoice1through4monitortheProcessor1&2

ratioofeachVoiceroutedtotheFilter.• FilterTypeDropdownMenu:ChoosefromanyoftheC4’s28differentfiltertypes.• InvertButton:Invertsthedirectionofthefiltermodulation.Forexampleifasinglelow-pass

filterissettomodulateitscut-offpointfromthelowerfrequenciestothehigherfrequencies,theInvertbuttonwillchangethedirectionofthefiltermodulationandmoveitfromthehigherfrequenciestothelowerfrequencies.

• DepthKnob:Adjuststhebreadthofthefiltermodulation.AstheDepthknobisincreased,sodoesthefrequencyrangeoverwhichthefiltermoves.

• FrequencyKnob:Adjuststhestartingpointofthefiltermodulation.Turningtheknobtotheleftcausesthefiltertomodulateoverlowerfrequenciesandturningtheknobtotherightcausesthefiltertomodulateoverhigherfrequencies.

• QKnob:Adjuststheintensity(alsoreferredtoas“resonance”)ofthefilter.IncreasingtheQknobessentiallybooststheheight(or“level”)ofthefrequencypeaksanddeepensthenotchesinthefrequencycuts.

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• Envelope/LFOSelectorDropdownMenu:SelectswhetherEnvelope/LFO1orEnvelope/LFO2controlsthefiltermodulation.

• PitchTrackingDropDown:EngagingthePitchTrackinginitiatesafunctionwheretheFiltermodulationandPitchTrackingworkintandem,meaningthatthefilterwillmoveitsstartingpointinthefrequencyspectrumbasedonthenotethatisbeingplayed.Therearethreedifferentpitchtofilterfrequencyratios:1/3Octave,2/3Octave,and1Octave.Soforexample,ifyousetyourPitchTrackingto1/3OctaveandplayalowEthenanEuponeoctave,thefilter’sfrequencystartingpointwillmoveup1/3ofanoctavewiththehigherEfromwhereitwasforthelowerE.IfyousettheyourPitchTrackingto1Octave,thefrequencystartingpointwillmoveupafulloctavewhenmovingfromalowEtoEatthenextoctave.

Mix 1 & 2

• Mix1andMix2Blocks:ThefourmeterslabeledVoice1through4monitorthesignalratioroutedthroughProcessors1&2.PleasenotethatsettingtheDestinationofMix1toOutput1OnlyandMix2toOutput2Onlyisnecessaryincreatingstereoeffects.EachVoice’spositioninthestereospreadissetwiththeProcessorPancontrolineachoftheVoiceblocks.

• DestinationDropdownMenus:ChoosethefinalOutputDestinationofProcessors1and2.Itispossibleroutethesignalasfollows

o Output1Only:RoutesallofthatProcessor’ssignalstotheC4’sOutput1jack.

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o Output1+Output2:RoutesallofthatProcessor’ssignalstoboththeOutput1&2jacks.

o Output2Only:RoutesallofthatProcessor’ssignalstotheC4’sOutput2jack.

Envelope 1 & 2

TheEnvelopescontrolamplitudeandfiltermodulationoftheeachC4Voice.BothEnvelopes1and2runindependentlyofeachotherandeachcanbeassignedadifferentsetofVoices.

• AudioInputSelectorDropdownMenu:SelectstheaudioInput(selectfromAudioInput1andAudioInput2)towhichtheEnvelopewillrespond.Thisabilitytoisolatewhichinputsignaleachenveloperespondstoallowsforwhatisknowas“sidechaining”theenvelope,meaningtheenvelopecanreacttoasignalthatisnotnecessarilybeingfedintooneoftheVoicesorbeingheardintheC4’sfinalOutputMix.

• EnvelopeTypeDropdownMenu:ChoosestheresponseoftheEnvelope.TheC4offersseveraldifferentenvelopetypeseachwithadifferentsetofAttack,Decay,Sustain,andReleasecharacteristics.

• SpeedKnob:DependingonwhichEnvelopeTypehasbeenselected;theSpeedcontroladjustshowquicklytheenvelopeopensand/orcloses.

• SensitivityKnob:Adjustshowsensitivetheenvelopeistotheleveloftheincomingsignal.TurningthedowntheSensitivityallowsforharderplaying,requiringthattheplayerpluckharderinordertofullyopentheenvelope.TurninguptheSensitivityincreasesthelikelihoodthattheenvelopeopensfullywithlighterplaying.

• GateKnob:AdjuststhesensitivityofaninternalGateontheEnvelope’scontroloveramplitude.ThismeansthatastheGateknobisincreasedtheamplitudeoftheoscillatorswillmovetozerowhentheystopreceivinganinputsignalabovetheassignedamplitude.TheGatealsoaffectstheEnvelopetoSpeedandEnvelopetoDepthcontrols(locatedintheLFO1&2block).

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LFO 1 & 2

TheLFOs(LowFrequencyOscillators)canbesettocontroltheFiltermodulation,Sequencerrates,orTremolorates(amplitudemodulation).

• LFOWaveShapeSelectorDropdownMenu:Choosefrom14differentLFOwaveshapes.EachwaveshapeevokesadifferentcharacterfromtheFilterandTremolomodulation.ChoosefromarangeofsoundsfromasmoothSinewavemodulationtoachoppierSquarewavemodulation.

• RestartonEnv1TriggerButton:SelectingthisbuttonallowsyourestartanLFOpatterneverytimeanewnoteisstruck.ThiscanbeespeciallynoticeablewithslowmovingLFOratesoroddlyshapedLFOslikethe4SteporRisingSaw.ItisalsousefulwhenusinganLFOtocontrolaSequencerpatternbyallowingyoutorestarttheSequencerpatternwitheachstrikeofanote.

• LFOTimeRatioDropdownMenu:TheC4limitstheusertooneLFOwaveshapeatatime,butitispossibletoruntwoLFOsatdifferentBeatDivisions.Forexample,byselecting“LFO2=2xLFO1,”LFO1wouldrunataquarternotebeatdivisionwhileLFO2runsa16thnotebeatdivision.

• SpeedKnob:AdjuststherateoftheLFO.PleasenotethatifLFO1andLFO2aresettodifferentbeatdivisions,bothrateswillincreaseordecreasetoscaleduringSpeedknobadjustments.

• EnvelopeToSpeed:ReliesontheenvelopefiltertoincreaseanddecreasethespeedoftheLFO.TurningthisknobtotherightcausestheLFOtomodulatefasterastheenvelopeopensthenslowasthenotefadesandtheenvelopecloses.TurningthisknobtotherightincreasesthemaximumLFOmodulationrate.

• EnvelopetoDepthKnob:ReliesontheenvelopefiltertoincreaseanddecreasethedepthoftheLFO.TurningthisknobtotherightcausestheLFOtomodulatedeeperastheenvelopeopensthendecreaseasthenotefadesandtheenvelopecloses.TurningthisknobtotherightincreasesthemaximumLFOmodulationdepth.

• LFO2PhaseKnob:IncreasesthephaseoffsetofLFO2formLFO1.TurningtheknoballthewayupcreatesacompletephasereversalbetweenthetwoLFOs.

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• TapTempoButton:TapthisbuttonintimewithadrummerorrhythmtracktooverridetheSpeedknob’ssettingandmanuallysettheLFOrate.PleasenotethatifLFO1andLFO2aresettodifferentbeatdivisions,bothrateswillincreaseordecreasetoscaleduringTapTempoadjustments.

• BeatDivisionDropdownMenu:SetsthebeatdivisionofLFO1.NotethatthebeatdivisionofLFO2isasub-setofLFO1anditissetintheLFOTimeRatioDropdownMenu.

• HzButton:ProvidesareadoutinHertzwithintheLFOSpeedMonitorWindow.Notethat1.00Hz=60BeatsPerMinute(BPM).

• BPMButton:ProvidesaBPM(BeatsPerMinute)readoutintheLFOSpeedMonitorWindow.• LFOSpeedMonitorWindow:MonitorstheLFOrate.Usethiswindowtotypeinspecific

HertzorBPMratesorusetheupanddownarrowstomakesubtleLFOrateadjustments.• MIDIClock:TheC4’sLFOalsorespondstoexternalMIDIclock,whichitcanreceiveviaeither

theUSBportorthefromaconnectedNeuroHub.

Sequencer 1 & 2

TheC4featurestwosimultaneouslyrunningSequencers.WiththeSequencersitispossibletocreatetwonotepatternsupto16stepslong.TheSequencerscomewith16differentpre-madesequencesallofwhichcanbeeditedintoyourowncustompattern.PleasenotethatSequencer1respondstoVoicesassignedtoaSourcelabeledwitha“1”(ex.Square1,Sine1,Saw1)andSequencer2respondstoVoicesassignedtoaSourcelabeledwitha“2”(ex.Square2,Sine2,Saw2).

• SequenceDropdownMenu:Selectfromanyofour16premadeSequencerpatterns.Useanyofourpatternsasajumpingoffpointtocreateyourowncustomsequence.

• StepSelectorDropdownMenu:Selectthenumberofstepsinyoursequence,anythingfrom1to16steps.

• SemitoneMonitor:Indicatesthenoteofthecurrentstepinsemitones.Asemitoneisequaltoahalfstepintraditionalmusicterms.Eachstepcanbeassignedtoanynoteupordowntwooctavesfromtherootnote.

• StepMonitorBars:The16barsineachoftheSequencersindicateeachindividualstepandnote.Toeditastep,grabitwithyourcursoranddragthenoteupordown–thesemitonevalueofthestepcurrentlybeingeditedwillshowupintheSemitoneMonitor.Youcanalsoclicktheupordownarrowkeysonyourkeyboardtoadjustthenoteoftheselectedstep.

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Pitch Detector

TheC4’sPitchDetectorisanalgorithmthatdetectsthepitchoftheconnectedinstrumentandusesitasaguidetocreatePitchSynthesis,ShiftingorHarmonyeffects.Innearlyeverycasetheuserdoesn’tneedtoworryabouttheresponseofthePitchDetector–thatsaid,wedooffersomeadjustableparametersthatrefinethePitchDetectorandfurtherdecreaselatencyandimprovepitchaccuracy.NarrowingtherangeofnotesyouexpecttoplaythoughtheC4willhelpinprovidingthebestpossibleresponsefromtheC4.

• SourceDropdownMenu:SelectswhichInputsignalthePitchDetectoralgorithmresponds.• LowNoteDropdownMenu:Selectthelowestpossiblenoteyouplantoplay.Youmayselect

anoteaslowasalowBona5-stringbass.• HighNoteDropdownMenu:Selectthehighestpossiblenoteyouplantoplay.Youmay

selectanoteashighasthe24thfretEona6-stringguitar.• Mode:TheC4’sPitchDetectorhasachoiceoftwodifferentmodes.FasterTrackingisthe

defaultmodeanditisthebestoptionwhenfastplaying.HighAccuracyTrackingisthesecondmodeanditisbestforslowerplayingwherepitchaccuracyiscrucial.

Harmony

UsetheHarmonymoduletoassignkeyandscalefortheIntelligentHarmonizationfunction.Selectingthe“Harmonization”fromtheIntervalModeDropdownmenuengagesthisfunction.UnliketheNormalfixedpitchInterval,theHarmonizationpitchintervalsfluctuateaccordingtotheselectedkeyandscale.

• KeyDropdownMenu:SelectstheHarmonykey.

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• ModeDropdownMenu:Setsthescaleormodeoftowhichtheharmonizationadheres.Scaleandmodesinclude:Ionian(Major),Dorian,Phrygian,Lydian,Mixolydian,Aeolian(NaturalMinor),Locrian,HarmonicMinor,LocrianNatural6,Ionian#5,Dorian#4,PhrygianNatural3,Lydian#2,Alteredbb7,JazzMinor,PhrygianNatural6,Lydian#5,Lydianb7,Mixolydianb6,LocrianNatural2,AlteredScale,Half-Whole,Whole-Half

• Intervals1&2DropdownMenus:SelectsthecoreharmonyintervalforeachVoice.Interval1setstheintervalforVoicesassignedtoaSourcelabeledwitha“1”(ex.Square1,Sine1,Saw1).Interval2setstheintervalforVoicesassignedtoasourcelabeledwitha“2”(ex.Square2,Sine2,Saw2).

• Tuning:BydefaultalloftheC4’sharmonizednotesadheretostandardA440tuning.Ifyou’reinstrumentistunedupordownlessthanasemitone,usetheTuning(440Hz)controllertomakefineadjustmentstotheharmonizednotes.

Knob Assign

UsetheControl1KnobAssignandControl2KnobAssigndropdownmenustoselectwhichparameterareassignedtoCONTROL1&CONTROL2knobsonthefaceofthepedal.

External Control

TheExternalControlblockiswhereexternalexpressioncontrolisassignedtodevicesliketheSourceAudioDualExpressionPedal,HotHand3WirelessController,andexpressiondevicesconnectedtoaNeuroHub.AllexternalcontrolexpressiondevicesconnecttotheCONTROLINPUTjackonthetopsideofthepedalwitha1/8”TRRScable.

• ONButton:Engages/disengagesexternalcontrol.• ControlSource:Itispossibletocontroluptothreeparameterswithexternalexpression–

eachofthethreerowsintheExternalControlblockareassignabletoasingleparameter.Use

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theControlSourcedropdownmenustoselectthetypeofexternalcontrollerbeingused.Therearethreedifferentoptionsinthismenu:

o ControlInputX:SelectthisoptionwhenusinganexpressionpedalortheX-axisoftheHotHand3WirelessController.

o ControlInputY:SelectthisoptionwhenusingtheY-axisoftheHotHand3WirelessController.

o Expression(Hub/MIDI):SelectthisoptionwhenusinganexpressioncontrollerconnectedtotheEXPINorSENSORINjacksontheNeuroHub.

o OFF:Usethisoptiontodisengageexpressioncontrolfortheentirerow.• ControlOption:Selectfromalonglistofparametersavailableforexpressioncontrol.• Min(%)andMax(%):Setsthehighandlowpointsofeachparameterreceivingexpression

messages.SettingMin(%)to0andMax(%)to100willassignthefullbreadthoftheparametertotheexpressioncontroller.

Routing & Options

TheC4’sstereoinputsandoutputsofferdramaticstereoeffectsandcomplexsignalroutingoptions,including“sidechain”andtheinsertionofexternalpedalstothesignalpath.MostofthestereoOutputroutingcanbeaccomplishedwiththeeachVoice’sProcessorPanparametercombinedwiththefinalDestinationdropdownintheMIX1&2blocks.(SeetheProcessorPansectionfordetailsonstereorouting)

• InputRoutingOption:SelectstheconfigurationoftheInputjacksperpreset.Therearefourdifferentoptions:

o AutoDetect(Default):Thisisthedefaultsetting–itdetectswhichinputjacksarecurrentlybeingusedandconfigurestheroutingaccordingly.

o SingleInput1:UsethissettingifyouhaveasingleinstrumentcablepluggedintoInput1.

o DualInput1&2:UsethissettingifyouhaveinstrumentcablespluggedintobothInputs1&2.

o ExternalLoop(Pre-Processing):ItispossibletomanuallysetupmostallstereoInputandOutputroutingusingacombinationoftheProcessorPanparameterineachoftheVoiceblocksandtheDestinationdropdownmenuintheMixblocks–thisincludeseffectsloopseitherbetweenVoicesorattheendofthesignalpath.Theone

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routingoptionthatcan’tbesetupmanuallyistheanexternaleffectsloopthatplacestheexternaleffectinfrontoftheC4’sVoiceprocessor.Choosethisoptionifyouwishtocreateapre-Voiceexternaleffectsloop.Seethediagrambelowtogetabetterunderstandingoftherouting.

• PresetRecallState:SelectstheEngaged/DisengagedstateofthepresetwhenrecalledviaaMIDIProgramChange(PC)message.

Presets ThePresetssection,locatedontherightsideoftheC4’sNeuroDesktopinterface,displaysthelocationofallpresetsstoreddirectlytothepedal.ThePresetssectionisalsowhereuserscanbrowse

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thePublishedPresetsofotherC4Synthusers.TherearetwoviewsavailableinthePresetssection-clickontheiconlabeledDeviceorCloud(locatedinthebluesquareonthetoprightcorner)toopeneachviewrespectively.

Device ClickingtheDeviceicononthetop-rightcornerofthePresetssectionopenstheDeviceinterface.Thisviewdisplaysthepresetssavedtoall128possiblelocationsonyourC4pedal.Thisviewalsocontainsbuttonsthatsave,export,import,andpublishpresets:

• SAVEButton:Ifyouhavemadeeditstoapre-existingpreset,usetheSavebuttontoupdatethepresetwithoutchangingitsnameorpresetposition.

• SAVEASButton:AftercreatinganewpresethittheSaveAsbuttonandyouwillbepromptedtonameitandselectitspresetnumber.

• IMPORTButton:Uploadssaved.prefilestoyourNeuroDesktopEditor.UponclickingtheIMPORTbuttonyouwillbeaskedtofindthe.prefile.SimplygotoyourNeuropresetsfolder,selectthedesiredfileandupload.

• EXPORTButton:UsetheExportbuttontosaveapresetonyourcomputer.Presetsaresavedas.prefilesandstoredanywhereonyourcomputer(werecommendcreatingadedicatedfoldertostoreyourpresets).Aftercreatingapreset,hittheExportbutton-awindowwillpopup,askingyoutoname,tag,andselectalocationforthepreset.

• SAVETOCLOUDButton:ItisalsopossibletosaveyourpresettoaprivateCloudbasedstoragelocationorPublishitfortherestoftheC4Synthcommunitytotry.Aftercreatingapreset,hit

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theSAVETOCLOUDbutton.Aboxwillpopupaskingyoutonameitandprovideadescription.ItwillalsoaskyouforYouTubeorSoundCloudlink(thisisoptional).TheYouTubeandSoundCloudlinksarethereforyoutoembedsoundclipsofyourpresetsothatotherscanquicklyhearwhatyou’vecreated.FromthereyoucaneitherSaveittoyourprivateCloudbasedstorage(availableintheMyLibrarytabintheCloudview)orSaveandPublishitfortherestoftheC4community.

• REFRESHButton:HittheRefreshbuttontorestoretheNeuroDesktopeditstothestateimmediatelyafteryourlastSAVEprocedure.

• C4SYNTHPRESETS:Thisfield,belowtheDevicebuttons,displaysallofthepresetssaveddirectlytoyourC4Synth.Theyarelabeled1through128.ThefirstsixpresetpositionsaredirectlyaccessibleviatheC4’sthreetoggleswitchpositionsandtwopresetbanks,therestareaccessibleviaanexternalMIDIhostcontrollerwithUSBconnectioncapabilities.

Cloud ClickingtheCloudicononthetop-rightcornerofthePresetssectionopenstheCloudinterface.ThisviewdisplaystheCommunity,Factory,MyLibrary,andMyPublishedpresetstabs.ClickeachrespectivetabtoopenitsuniquecollectionofCloudbaseduserpresets.TheCloudviewalsoincludesaSearch/Filtersectionjustbelowthetaboptions.

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Browse, Burn, and Play TheCloudoffersaccesstothevastlandscapeofC4presetcreatedbytheSourceAudiostaffandtheever-growingcommunityofC4users.It’saseasyas“Browse,Burn,andPlay.”

ThegraphicabovedisplaystheCloudviewofC4SynthUserPresets.TotestaPreset,simplyclickanywhereonthePresetlisting,instantlythePresetwilluploadtoyourC4pedal.Ifyoulikewhatyouheargotothetop-rightcornerofthatPresetlistingandclickeithertheBURNorDOWNLOADicons.IfyouwanttosavethesounddirectlytooneofthetoggleswitchpositionsonyourC4pedal(oroneoftheC4’s128MIDIaccessiblepresets),simplyclicktheBURNicon(theflame)touploadthepresetdirectlytoyourpedal.AfterclickingtheBURNiconaboxwillpopupaskingwhereyouwouldliketostorethepreset–selectapositionandhitSAVE.ThePresetisnowloadedtoyourC4andreadyforthenextgig.

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TosaveaPresettoyourpersonalLibraryofPresets,clicktheDownloadiconandhitSAVE.ThePresetwillstoreinstantlytotheMYLIBRARYtab.

• COMMUNITYTab:ClicktheCommunitytabtoviewallofthepresetscreatedbytheentireNeurocommunity.Totestapreset,simplyclickanywhereonthepresetlistinganditwillinstantlyuploadtoyourC4pedal.

• FACTORYTab:ContainspresetscreatedbytheSourceAudioteamandothersynthaficionados.• MYLIBRARYTab:Containsallthepresetsyouhavesavedtoyourpersonalpresetlibrary.• MYPUBLISHEDTab:Containsallthepresetsthatyouhavepublishedandmadeavailabletothe

entireC4Synthcommunity.

Daisy-Chaining Neuro Communication IfyouhavemultipleSourceAudioOneSeriespedalsrunninginseries,itispossibletomaintainNeurocommunicationwitheachpedalthroughasingleNeurocableconnection.SourceAudiomakescouplersthataredesignedspecificallyforconnectingmultipleOneSeriesproductsinseries.ThesecouplersareavailableattheSourceAudioReverb.comStore.

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AstandardsetofTSandTRScablesworkaswell(werecommendtheflatTSandTRScablesmanufacturedbyRockboard).TheexamplesbelowexplainhowtomakeyourNeuroDaisy-Chainconnectionsinamonoorstereorig.

Mono Audio Path with Neuro Daisy-Chain Inthecaseofapurelymonoaudiosignalpath,theNeurodatacanbeinputtothefirsteffectdirectlyfromthemobiledeviceandthencarriedontothesecondeffectviaTRScable.

Mono-To-Stereo Audio Path with Neuro Daisy-Chain Inthecaseofasignalpaththatsplitsamonoinputtostereooutputs,theNeurodatacanbeinputtothefirsteffectdirectlyfromthemobiledeviceandthencarriedontoconsecutiveeffectsviaTRScables.Theaudiosignaliscarriedonthesamecable.

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MIDI Through the USB Port or Neuro Hub TheC4respondstoMIDIProgramChange(PC)andContinuousController(CC)messagesviaitsminiUSBport.

TheC4Synth’sUSBportisplug-and-playreadyforDigitalAudioWorkstation(DAW)softwareonWindowsandMaccomputers.TheC4usesclass-compliantdrivers,sonospecialdriversareneeded.JustpowerupthepedalandconnectittothecomputerusingaUSBcable.ThecomputershouldautomaticallyrecognizetheC4,whichwillbeidentifiedas“SourceAudioOneSeries”intheoperatingsystem.

AMIDIhostdevicewithUSBwillalsocontroltheC4.TheC4respondstomostdevices,butsomedon’tgenerateenoughpowerfortheC4torecognizethemasaMIDIhost(theMIDIBabyandqCONNECTaretwoexamples).IfyourC4isnotrespondingtoyourMIDIhostdevice,trycheckingtheUSB-MIDISkipPowerCheckboxintheNeuroEditor’sHardwareOptionsmenu.

MIDI Channel Bydefault,theC4respondstoMIDIChannel1.TheC4ignoresallMIDImessagessenttoitthatarenotonitschannel.TheinputMIDIchannelfortheC4canbechangedintheHardwareOptionsmenuoftheNeuroEditors.NotethattheMIDIInputChannelisaglobalsettingthatisNOTsavedperpreset.NotethatsomemanufacturersbegincountingMIDIchannelsatzero(from0to15),whiletheSourceAudioNeuroEditorsusetheconventionofcountingfrom1to16.

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The C4 Synth and the Neuro Hub CurrentlytheC4SynthcannotreceiveMIDIProgramChanges(PC)andchangepresetsviatheNeuroHub–PCmessagescanonlycomethroughtheC4’sUSBport.However,theC4canreceiveMIDICCmessagesthroughaNeuroHubconnection.

Custom MIDI CC Mapping TheC4SynthhasveryfewdefaultMIDImapping-MIDICCmessagesmustbemappedwiththeNeuroDesktopEditor.CustomMIDICCmappingsareglobal;theywillapplyinallsituations,regardlessofwhichpresetisactive.

TocreateacustomMIDICCmapping,followthesesteps:

1. ConnectyourC4totheNeuroDesktopEditor.2. InthetopbarmenuselectDevice>EditDeviceMIDIMapfromthedropdownmenu.3. TheC4SynthMIDIMapEditorwindowwillopen.ScrolltotheMIDICCvalueyouwishtomap

andselectthatCC’sdropdownmenu.Alistofparameterswillunfold.4. SelecttheparameteryouwishtoassigntothechosenCC.Theprocessiscomplete.

TheC4comeswithcertainfunctionsandparameterspre-mapped.ThefollowingtableliststhecurrentMIDImapping:

Parameter CC# Value Descript ion

External Tap Tempo 93 0-127 ExternallycontroltheLFOrateExternal Expression Control 100 0-127 AssignparameterswithNeuroEditorEngage/Bypass 102 0-127 0-64Bypass,65-127-EngagePreset Recal l (Off) 103 0-127 RecallsanypresetinbypassPreset Recal l (On) 104 0-127 RecallsanypresetengagedEngage/Bypass Toggle 105 any

ForparameterslikeMixandLevel,whicharenormallycontrolledbyknobs,thefullrangeofcontinuouscontrolvaluesfrom0to127willbemappedtotherangeoftheknob.

Fortheengage/bypassfootswitch,continuouscontrolvaluesintherangeof0-63willbypasstheC4andvaluesintherangeof64-127willenablethepedal.

AnyMIDICC,from0to127,canbemappedtoacontrolontheC4.

EachCCnumbercanonlybemappedtocontroloneparameteratanygiventime.IfyouattempttomapaCCthathasalreadybeenassignedtoanotherparameter,thepreviousmappingwillbeoverridden.

SeveralCCscanpotentiallybemappedtothesameparameter,althoughthisisnotveryuseful.

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MIDI Clock TheC4Synth’sLFOwillsynctoMIDIclockmessages(alsoknownasMIDItimingclockorMIDIbeatclock).MIDIclockistempo-dependentandisusedtoensurethatmultipleMIDI-enableddevicesstayinsynchronization.AcommonuseofMIDIclockwiththeC4iswhenrecordingalongtoaclicktrackinaDAW(DigitalAudioWorkstation)runningonacomputer.MIDIclockcanbesenttotheC4directlyoverUSB-MIDIortheNeuroHub.

MIDIClockcanbeenabledwithintheC4onaper-presetbasis.ToenableMIDIClockgotheLFO1&2blockintheNeuroDesktopSoundEditorinterfaceandselecttheMIDIClockbutton.TheC4beginsitsMIDIClocksyncassoonasthefirstMIDIClockmessageisreceived.Ifthetempochanges,therateofMIDIClockmessageswillchangeaswell,andtheC4willadjusttoresynchronizeitselfaccordingly.

UsetheBeatDivisiondropdownmenuintheLFO1&2blockintheNeuroDesktopSoundEditortoselecttherhythmicsubdivisionoftheincomingMIDIClock.TheBeatDivisionoptionsareWhole,Half,Quarter,Eighth,Triplet,andSixteenthnotes.

TheC4doesnotsynctoMIDItimecodecontainingSMPTEtimestamps.

Updating C4 Synth Firmware FirmwareupdatesareachievedusingtheNeuroDesktopEditor.DownloadthelatestversionofNeuroDesktopEditorfromtheSourceAudioDownloadspage.OpentheupdatedNeuroDesktopandconnecttheC4SynthtoacomputerusingaminiUSBcable.IftheC4isinneedofanupdatetheFirmwareUpdatesicon(thearrowicon)intheConnectionsfieldwillbeframedinyellow.SimplyclickontheFirmwareUpdatesiconyouwillbepromptedthroughtheproces

C4 Synth Specifications Dimensions

• Length:11.63cm(4.58inches)• Width:7.00cm(2.75inches)• Height(notincludingknobsandfootswitch):3.71cm(1.46inches)

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• Height(includingknobsandfootswitch):5.61cm(2.21inches)

Weight • 280grams(0.625pounds)

Power • 9VDC,minimum165mA(maximum195mAwhenconnectedtoapowerreliantexternal

controller)• Negativetip(positivesleeve)barrelpowerjack,2.1mminnerdiameter,5.5mmouterdiameter

Audio Performance • MaximumInputLevel:+6dBV=8.2dBu=2VRMS=5.6Vp-p• InputImpedance:1MegaOhm(1MΩ)• OutputImpedance:600Ohm(600Ω)• 108dBDNRAudioPath• 24-bitAudioConversion• 56-bitDigitalDataPath• UniversalBypassTM(relay-basedtruebypassandanalogbufferedbypass)

Troubleshooting General Restorefactorysettings:InordertoreverttheC4toitsfactorysettings,clearingalluserdata,presets,expressionmappingsandcustomeffecttypes,performafactoryresetusingoneofthemethodsdescribedbelow.

Factory Reset using the Hardware Disconnectpower.Whileholdingdownthefootswitch,reconnectpower.ThemainLEDandcontrolLEDwillbelitforafewseconds.WhentheresetiscompletebothLEDswillturnoffandyoucanreleasethefootswitch.

Factory Reset using the Neuro Mobile App UsingtheNeuroMobileApp,gotoHardwareSettingsandchoosetheFactoryResetoption.

Factory Reset using the Neuro Desktop Editor ConnecttheTrueSpringReverbtotheNeuroDesktopEditor.FromthetopbarmenuselectDevice>FactoryReset>whentheConfirmFactoryResetwindowpopsup,select“Yes.”

Noise Powersource:Ensurethatthefactorypowersupplyisbeingused,oranisolatedpowersupplyorpedalpowerportproviding9Vandaminimumof165mA.

Nearnoisesource:Movepedalawayfrompowersuppliesandotherequipment.

Otherequipment:Removeothereffectsfromsignalchain;seeifnoisepersists.

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Badcables:Swapoutaudiocables.

USBgroundloop:WhenconnectedtoacomputerusingaUSBcable,noisecanappearintheaudiosignal.ThisusuallyresultsfromgroundloopnoiseduetotheTrueSpringandcomputerrunningonseparatepowersupplies.Inthecaseoflaptops,disconnectingthecomputer’spowersupplyandrunningitonabatterycanoftenmitigatethenoise.Externaldisplaymonitorsareoftentheprimarysourceofnoise,andpoweringdownmonitorscanalsoresolvenoiseissues.

Unit Appears Dead / No LEDs Lit Effectisbypassed:PressthefootswitchtoenabletheeffectandseeifthemainLEDturnson.

Wrongpowersupply:Usecorrectpowersupply.SeetheDC9V(Power)sectionformoredetails.

Corrodedpowercableplug:Checkpowerplugforcorrosiononsleeve.Swapoutpowersupplyifnecessary.

Frequently Asked Questions What kind of instruments can I connect to the C4’s inputs? TheC4’saudioinputsarehighimpedance(~1MΩ).Itcanaccepthighimpedancesignalsourceslikeguitars/basseswithpassivepickups,aswellaslowimpedancesourceslikeline-levelaudiocircuits,guitars/basseswithactivepickups,electronickeyboards,ormixeroutputs.Theinputcircuitcanhandlesignalsrangingupto5.6Volts,peak-to-peak.

Can I power the C4 directly over USB, without using the 9 Volt supply? No.USBprovides5Volts,buttheC4needs9Volts,sothepedalcannotbepowereddirectlyfromUSB.Makesurethatyouhavepluggedintheincluded9VDCpowersupplywhenconnectingtotheTrueSpring’sUSBport.

When connecting the C4 to a recording interface or mixer, should I used a Lo-Z (microphone) or Hi-Z (line / instrument) input? TheC4’soutputwillbelowimpedancewhentheeffectisactiveorinbufferedbypassmode,butitwillbehighimpedancewhenusingtruebypassmodeandaguitarwithpassivepickups.Therefore,itisrecommendedthatyouuseahighimpedance(Hi-Z)inputonyourrecordinginterfaceormixertoavoidsignalloss.

Can I use the C4 in my amp’s effects loop? Theaudioinputscanhandleupto8.2dBuor5.6Voltspeak-to-peak,whichallowsthemtoworkinmostampeffectsloops.Inordertoavoidclipping,besuretocheckyouramp’sdocumentationandverifythatthemaximumsendlevelislessthan5.6Voltspeak-to-peak.

How do I update the firmware? FirmwareupdatesareachievedusingtheNeuroDesktopEditor.DownloadthelatestversionofNeuroDesktopEditorfromtheSourceAudioDownloadspage.OpentheupdatedNeuroDesktopandconnecttheC4SynthtoacomputerusingaminiUSBcable.IftheC4isinneedofanupdatetheFirmwareUpdatesicon(thearrowicon)intheConnectionsfieldwillbeframedinyellow.SimplyclickontheFirmwareUpdatesiconyouwillbepromptedthroughtheprocess.

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Mac Gatekeeper Macusersmayseethiswarningmessagewhentryingtoopentheupdatersoftware:“Appcan’tbeopenedbecauseitwasnotdownloadedfromtheMacAppStore.”Inordertoruntheupdater,pleaserefertothestepsinthisApplesupportarticle:https://support.apple.com/en-us/HT202491.

Rubber Feet TheC4Synthcomesstandardwithaflataluminumbottom,makingiteasytoapplyVelcroandmounttoapedalboard.Additionally,adhesiverubberfeetareincludedintheC4’sbox.Applyingtherubberfeettothebottomofthepedalcanhelppreventitfromslidingonflatsurfacessuchasahardwoodfloor.

Waste Disposal Notes

Ifpossible,disposeofthedeviceatanelectronicsrecyclingcenter.Donotdisposeofthedevicewiththehouseholdwaste.

ForfullcompliancewithEN61000-4-6standard,inputcablemustbelessthan3metersinlength.

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Warranty Limited Transferrable Warranty SourceAudio,LLC(hereinafter“SourceAudio”)warrantsthatyournewSourceAudioOneSeriesC4Synth,whenpurchasedatanauthorizedSourceAudiodealerintheUnitedStatesofAmerica(“USA”),shallbefreefromdefectsinmaterialsandworkmanshipundernormaluseforaperiodoftwo(2)yearsfromthedateofpurchasebytheoriginalpurchaser.PleasecontactyourdealerforinformationonwarrantyandserviceoutsideoftheUSA.

UnderthisLimitedWarranty,SourceAudio’ssoleobligationandthepurchaser’ssoleremedyshallberepair,replacement,orupgrade,atSourceAudio’ssolediscretion,ofanyproductthat,ifproperlyusedandmaintained,provestobedefectiveuponinspectionbySourceAudio.SourceAudioreservestherighttoupdateanyunitreturnedforrepairandtochangeorimprovethedesignoftheproductatanytimewithoutnotice.SourceAudioreservestherighttousereconditionedpartsandassembliesaswarrantyreplacementsforauthorizedrepairs.Anyproductrepaired,replaced,orupgradedpursuanttothisLimitedWarrantywillbewarrantedfortheremainderoftheoriginalwarrantyperiod.

ThisLimitedWarrantyisextendedtotheoriginalretailpurchaser.ThisLimitedWarrantycanbetransferredtoanyonewhomaysubsequentlypurchasethisproductprovidedthatsuchtransferismadewithintheapplicablewarrantyperiodandSourceAudioisprovidedwithallofthefollowinginformation:(i)allwarrantyregistrationinformation(assetforthontheregistrationcard)forthenewowner,(ii)proofofthetransfer,withinthirty(30)daysofthetransfer,and(iii)aphotocopyoftheoriginalsalesreceipt.WarrantycoverageshallbedeterminedbySourceAudioinitssolediscretion.Thisisyoursolewarranty.SourceAudiodoesnotauthorizeandthirdparty,includinganydealerorsalesrepresentatives,toassumeanyliabilityonbehalfofSourceAudioortomakeanywarrantyonbehalfofSourceAudio.

Warranty Information SourceAudiomay,atitsoption,requireproofoftheoriginalpurchasedateintheformofadatedcopyoftheoriginalauthorizeddealer’sinvoiceorsalesreceipt.ServiceandrepairsofSourceAudioproductsaretobeperformedonlyattheSourceAudiofactoryoraSourceAudioauthorizedservicecenter.PriortoserviceorrepairunderthisLimitedWarranty,thepurchasermustrequestfromSourceAudioareturnauthorization,whichisavailableat:

SourceAudioLLC120CummingsPark,Woburn,MA01801(781)932-8080oratwww.sourceaudio.net

Unauthorizedservice,repair,ormodificationwillvoidthisLimitedWarranty.

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SA249 C4SynthUserGuide 48

Disclaimer and Limitation of Warranty Donotopentheeffectspedalunderanycircumstance.Thiswillvoidthewarranty.

TheforegoinglimitedwarrantyistheonlywarrantygivenbySourceAudioandisinlieuofallotherwarranties.Allimpliedwarranties,includingwarrantiesofmerchantabilityandfitnessforanyparticularpurpose,exceedingthespecificprovisionsofthislimitedwarranty,areherebydisclaimedandexcludedfromthislimitedwarranty.Uponexpirationoftheapplicableexpresswarrantyperiod,SourceAudioshallhavenofurtherwarrantyobligationofanykind,expressorimplied.SourceAudioshallinnoeventbeliableforanyspecial,incidental,orconsequentialdamagessufferedbythepurchaseroranythirdparty,includingwithoutlimitation,damagesforlossofprofitsorbusinessordamagesresultingfromuseorperformanceoftheproduct,whetherincontractorintort.SourceAudioshallnotbeliableforanyexpenses,claims,orsuitsarisingoutoforrelatingtoanyoftheforegoing.Somestatesdonotallowtheexclusionorlimitationofimpliedwarrantiessosomeoftheabovelimitationsandexclusionsmaynotapplytoyou.ThisLimitedWarrantygivesyouspecificlegalrights,andyoumayalsohaveotherrights,whichvary,fromstatetostate.ThisLimitedWarrantyonlyappliestoproductssoldandusedintheUSA.SourceAudioshallnotbeliablefordamagesorlossresultingfromthenegligentorintentionalactsoftheshipperoritscontractedaffiliates.Youshouldcontacttheshipperforproperclaimsproceduresintheeventofdamageorlossresultingfromshipment.

Version History July16,2019:InitialRelease

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