Rushes Log

CLIP DESCRIPTION Time DECISION REASON

IMG_0530.MOV Mobile Phone footage from the viewpoint of character that is holding the phone recording what it was like when the two friends were together and the friendship they had.

11:44 Yes This footage captures the friendship between the two friends.

IMG_0532.MOV Mobile Phone footage from the viewpoint of character that is holding the phone recording what it was like when the two friends were together.

00:30 No Enough footage from other clip without the need for this.

MVI_4748.MOV Wide shot of cast member sat in her car on the beachfront trying to control her emotions.

00:30 No Not needed

MVI_4749.MOV Medium Close up on cast member of her sitting in her car. Unfocused in the beginning three seconds however then becomes focused on character and environment around her. Eleven seconds in a phone starts to ring. And actress turns to look at it

00:18 No Unfocused and hard to edit into the story

MVI_4751.MOV Medium Close up on cast member of her sitting in her car. Thirteen seconds in the phone starts to ring and character becomes stress

00:35 Yes This shows the worry of the character as her friend’s phone starts to ring in her car.

MVI_4752.MOV Medium Close on cast member in the car when for the second time the phone rings at fourteen seconds but this time she answers it at twenty-four seconds and has a conversation with the person on the phone. Call ends at one minute twenty-one seconds

01:26 Yes Links her with the crime as she has the phone however in a way she creates a story about her friend leaving

MVI_4753.MOV Beach landscape establishing shot with a slow pan to the left to show the character standing on the walkway.

00:30 Yes Set for opening scene to give a false mood to the audience about what has

happened

MVI_4754.MOV Movement on camera to zoom in on characters head as she looks out to sea. Did have moments of out of focus.

00:12 Yes Shows that the character is ashamed with what she has done and hides her face from the camera.

MVI_4755.MOV Out of focus in the beginning for the first second but then becomes sharp but as camera moves it become unfocused as it moves closer to the cast member. At six seconds character turns to look out at to sea and looks to the side of the camera showing her face.

00:12 Yes This shows the character at this critical moment and how she is feeling

MVI_4756.MOV Camera movement to a extreme close up of characters face.

00:10 Yes Shows the character a little more and also allows the audience to see the little emotion the character is showing.

MVI_4757.MOV Slightly out of focus to begin with on the move towards the character, however the move causes the camera to become unfocused as the camera as it moves to the extreme close up but then the camera spins to the right and out back to sea.

00:16 Yes Allows the footage to move on to what has happened

MVI_4758.MOV POV shot of the beach location from the position of the character

00:05 Yes A POV shot from characters view

MVI_4759.MOV Extreme close up on character’s face as if they are looking out to sea.

00:05 Yes Links with night shot

MVI_4760.MOV Unfocused at the beginning of close up on hands however becomes in focus at three points throughout the clip.

00:09 No Unfocused

MVI_4761.MOV Shallow focus on hands but 00:10 Yes Fore

becomes unfocused at points. shadowing events that are unknown to the audience

MVI_4762.MOV Close up shot of character’s back as she walks to her car and unlocks it before climbing in

00:12 Yes Tracking the action of the character

MVI_4763.MOV Unfocused at the beginning however works as character works. Unlocks her car and before climbing in looks up out to sea before climbing in.

00:14 Yes Character speeds up to try to get away from the place were she had done something horrible.

MVI_4764.MOV POV of character walking away from the beach up the stairs and towards where her car is parked.

00:18 Yes Shows how the character slowly walks away not wanting to remain there

MVI_4819.MOV Extreme close up of body on the beach

00:06 Parts Because of eye moment

MVI_4820.MOV Unfocused at the beginning but then camera moves due to wind and becomes unfocused.

00:09 No Eye moment and camera movement

MVI_4821.MOV Establishing shot of body and a small movement towards character

00:09 No Not needed

MVI_4822.MOV First five seconds not usable due to voices. But then camera movement around body (sticking to the 180 rule) And then the camera tilts up to the sea linking the two places together.

00:25 No Not needed

MVI_4823.MOV Wide angled test shot 00:01 No Test shot of angle and position

MVI_4824.MOV Wide angle shot with moment – actor laughing

00:02 No Actor moved

MVI_4825.MOV Wide angled shot of body then medium fast pan to the left and positioned looking out to sea

00:08 Yes The scene links the location to the precious scene

showing the other character and how the locations are linked.

MVI_4826.MOV Close up angle of actors face on the beach as the body but then eyes open

00:01 No Actor moved

MVI_4827 2.MOV

Steady low angle extreme close up on body’s face

00:06 Yes Flashback scene

MVI_4829.MOV Car door opening and then from a POV angle of the camera climbing into the car.

00:09 Yes This allows the audience to feel like they are the character climbing into the car

MVI_4830.MOV POV shot from driver side seat looking at the steering wheel – camera went out of focus

00:04 No Not needed as collected in another shot.

MVI_4831.MOV POV shot and then a pan shot to the left and down to look at the passenger seat

00:06 No Test Shot

MVI_4832 2.MOV

POV shot and then a pan shot to the left

00:03 No Pan is too quick

MVI_4833.MOV POV shot of sheering wheel 00:14 Yes This shows how a bit more of the mind set of the character in that moment

MVI_4834.MOV Shallow focus to begin with on the sheering wheel set in a POV shot but then when the phone starts to ring the camera move into a pan shot looking at the phone

00:25 Yes Shows the surprise of the actor finding the phone as they hadn’t through of it much

MVI_4835.MOV POV angled shot of sheering wheel and then a pan shot to the phone but this time with more quicker camera movements and a look at who is ringing the phone

00:33 No Camera moved too quickly

MVI_4836.MOV Unfocused angle of the phone and then as the phone rings the actor picks it up and answers it but camera becomes unfocused.

00:22 Yes When the camera is on the phone it gives the audience a feel of looking down at a problem that could destroy everything

MVI_4838.MOV Clip of car unlocking [reflection of camera in the car paint work]

00:16 No Angle wrong and with the reflection it doesn’t work

MVI_4839.MOV Clip of car unlocking [reflection of camera in the car paint work]

00:03 No Reflection on the car

MVI_4840.MOV Clip of car unlocking with the camera mainly aimed at a lower angle

00:04 No Reflection on the car

MVI_4841.MOV Set to the left of the car and with the camera shooting from an angle to capture the car unlocking. [Reflection of camera in the car paint work]

00:05 No Reflection on the car

MVI_4842.MOV Set to the left of the car and with the camera shooting from an angle to capture the car unlocking. [Reflection of camera in the car paint work]

00:03 Yes Small link with one location to another

MVI_4843.MOV Close up of car keys unlocking the car

00:04 No Other clip used

MVI_4844.MOV Unfocused in the beginning of close up of car keys unlocking the car

00:03 Yes Shows a little bit more about how the character wants to get out of the area

MVI_4845.MOV Car starting to move 00:14 No Not needed

MVI_4846.MOV Car pulling away at speed from sea front

00:04 No No needed

MVI_4847.MOV Set shot of inside car moving scene

00:05 No Speaking about scene from camera

MVI_4848.MOV Shallow focus sent on sheering wheel however becomes focused at five seconds however there is talk between actor and camera operator due to the style of scene and the quick movement that happens. As the car moves the camera moves with it showing the quick motion

00:21 No Crew speaking between each other and camera is moved too much due to movement

MVI_4849.MOV Low angled looking up at actor as she is driving away from the beach.

00:37 Yes This shows that this character is the main focus in the narrative

MVI_4857.MOV Night footage of weapon on the ground

00:16 Yes A small look at what the weapon is

MVI_4858.MOV Extreme close up of actor’s face at night

00:01 Yes Links between the two events

MVI_4859.MOV Extreme close up of actor’s face at night – becomes unfocused at time

00:07 No Unfocused

MVI_4860.MOV Extreme close up of actor’s face at night – becomes unfocused at time

00:05 No Unfocused

MVI_4861.MOV Close up angle on hands with the body just in front of her – sign of trying to wash her hands of the attack or blood [night shoot]

00:08 Yes Links the morning and night footage together

MVI_4862.MOV Close up angle on hands with the body just in front of her – sign of trying to wash her hands of the attack or blood [night shoot]

00:14 No Another shot used

MVI_4863.MOV Wide shot of character getting mad and then spotting the brick and going to pick it up

00:11 No Too dark

MVI_4864.MOV Wide shot of character getting mad and then spotting the brick and going to pick it up

00:14 No Too dark

MVI_4865.MOV Set up of fight scene. 00:01 No Actors started to laugh

MVI_4866.MOV Character walks away from the other character – set up in wide angled shot

00:05 No Not needed

MVI_4867.MOV Character walks away from the other character – set up in wide angled shot

00:08 No Not needed

MVI_4868.MOV Plot talk 00:05 No Cast and Crew talk about the plot

MVI_4869.MOV Lighted Night shot- of setting up the fight scene

00:11 No Set shot

MVI_4870.MOV Lighted Night shot- of setting up the fight scene – actor messing around on set

00:06 No Cast messing around on location

MVI_4871.MOV Lighted Night shot- fight scene between the two actors

00:56 Yes Main reason for the storyline

MVI_4867 2.MOV

Light close up on brick but has moments of unfocused

00:05 No Not needed

MVI_4873.MOV Lighted Night shot- of character going after the other with the weapon and goes to hit her – camera moves with the character

00:09 Yes Shows what has happened and why the character is acting a little odd

MVI_4874.MOV Lighted Night shot- of character going after the other with the weapon and goes to hit her – camera moves with the character

00:15 No Rerun of scene

MVI_4880.MOV Interview room scene looking at character who is trying to keep control of her emotions

00:23 Yes Capture the character’s emotion when she knows that she has been found out

MVI_4881.MOV Interview room scene with more camera movement on character

00:20 Yes This scene helps to show the down fall of the character in the scene

MVI_4882.MOV Interview room of police sergeant in interview room – does lose focus at times

00:10 Yes Shows the police officer that has worked out

what happened

MVI_4883.MOV Unfocused at the beginning but then camera moves to look more closely at him in the interview room.

00:14 No Unfocused

MVI_4884.MOV Close up shot of sergeant in the interview room looking at his killer. Becomes unfocused at times

00:14 No Unfocused

MVI_4885.MOV Pan shot over the evidence over the interview room table.

00:18 Yes Trailer

ZOOM0218.MP3

Beach Audio 00:34 No Audio used from footage

ZOOM0219.MP3

Beach Audio 00:21 No Audio used from footage

ZOOM0220.MP3

Phone Ringing Audio 00:22 No Not needed

ZOOM0221.MP3

Voicemail message 00:06 No Not needed for the beginning of the production

ZOOM0223.MP3

Police Charge rights 00:18 Yes Used during trailer to show what is happening in the drama

Lana Del Rey – Gods & Monsters Instrumental.mp3

Instrumental music from the song Gods and Monsters by Lana Del Rey

03:54 Yes Music fits with the theme

Heart Beat [Sound EFFECT]

Sound effect of a heart beat 00:11 Yes Adds tension