Roseberys London - the-saleroom

Roseberys London

Old Master, 18th & 19th Century Pictures

Old Master, 18th & 19th Century PicturesStarted 23 Sep 2020 11:00 BST

70/76 Knights Hill

London

SE27 0JD

United Kingdom

Lot Description

1

German School, mid 16th century- Portrait of Dr Hieronymus zum Lamm, half-length, in a fur-lined coat, aged 44 years; oil on panel,

inscribed, 43x32.5cm Provenance: Lots 1 - 12 are from the same UK private collection. Note: The zum Lamm family are known to have

been a noble family living in Speyer, ...[more]

2

German School, late 16th century- Portrait of Christoff zum Lamm, half-length, with stiff white collar and black coat, aged 39 years; oil

on canvas, inscribed and dated 1599, bears inscribed label to the reverse of the stretcher, 63.5x46.5cm Provenance: Lots 1 - 12 are

from the same UK private coll ...[more]

3

Dutch School, early 17th century- Portrait of Maria Catharina Schoner (1607-1630), half-length, wearing a black gown with stiff lace

collar and gold waist chain; oil on canvas, signed with monogram and inscribed, 74.5x60cm. Provenance: Lots 1 - 12 are from the same

UK private collection.Please refer ...[more]

4

Jacob Frans van der Merck, Dutch c.1610-1664- Portrait of Ludwig Ziegler (1608-1681), half-length, wearing a black silk tunic and white

collar; and a Portrait of Elizabetha Margaretha Spina (1626-1702), half-length, wearing a black silk dress with elaborate white lace triple

collar, her hair dressed ...[more]

5

Dutch School, early-mid 18th century- Portrait of Christian Ziegler (1688-1762), half-length wearing a floral gown and white silk scarf; oil

on canvas, bears inscription and dated 1709, 75x61cm Provenance: Lots 1 - 12 are from the same UK private collection. Note: Christian

Ziegler, born in Frankfur ...[more]

6

Dutch School, late 17th century- Portrait of Christian Ziegler (1658-1729), half-length turned to the right in a black coat; oil on canvas,

dated 1708, 71x67cm Provenance: Lots 1 - 12 are from the same UK private collection. Note: The present sitter, born in Speyer,

Germany, married Anna Sybille Hof ...[more]

7

Johann-Philipp Behr, German, fl. 1740-1756- Portrait of Johannes Ziegler (1745-1809), standing three-quarter length wearing a grey

coat over a floral embroidered blue waistcoat, a spaniel dog seated on a cushion by his side; oil on canvas, signed and dated 1750,

89.5x74.5cm. Provenance: Lots 1 - 12 ...[more]

8

Johann-Philipp Behr, German, fl. 1740-1756- Portrait of Christian Ziegler (1714-1792), half-length, bewigged wearing an olive velvet

jacket over a gold embroidered white silk waistcoat and with a blue velvet cloak; oil on canvas, signed and dated 1749, 87.5x72cm

Provenance: Lots 1 - 12 are from the ...[more]

9

Johann-Philipp Behr, German, fl. 1740-1756- Portrait of Susanna Judit von Stokum (1720-1750) three-quarter length wearing a floral

embroidered grey silk dress and a red cape; oil on canvas, signed and dated 1750, 86.5x72cm Provenance: Lots 1 - 12 are from the

same UK private collection. Note: Susann ...[more]

10

Johann-Philipp Behr, German, fl. 1740-1756- Portrait of Margaretha Elizabetha Ziegler (1719-1751), half-length, standing wearing a

grey silk lace edged gown with green velvet cloak; oil on canvas, 89x73.5cm Provenance: Lots 1 - 12 are from the same UK private

collection.Please refer to department fo ...[more]

11

Johann-Philipp Behr, German, fl. 1740-1756- Portrait of Jacob Ziegler (1716-1750), standing half-length wearing an embroidered brown

jacket and waistcoat with white lace cuffs; oil on canvas, signed and dated 1750, 90x74cm Provenance: Lots 1 - 12 are from the same

UK private collection.Please refer ...[more]

12

Attributed to Johann-Philipp Behr, German, fl. 1740-1756- Portrait of Anna Sybilla Ziegler (1712-1761), half-length, wearing a white

dress with floral embroidery and a red cloak; oil on canvas, 89.5x74.5cm Provenance: Lots 1 - 12 are from the same UK private

collection.Please refer to department for ...[more]

13Circle of Francis Barlow, British 1626-1701- Study of ducks in flight;pen and grey black ink on laid paper, 15.5x15.5cm (mounted,

unframed) Provenance: the private collection of John AbbottPlease refer to department for condition report

14

Hugh Douglas Hamilton, Irish 1739-1808- Portrait of a gentleman, quarter-length turned to the right; black and white and coloured chalk

on blue-grey coloured paper, 16x13cmProvenance: with Abbott & Holder, London, according to the label attached to the reverse of the

frame; the private collection of ...[more]

15Attributed to Benjamin West PRA, American/British 1738-1820- Arcadian landscape at sunset; watercolour, 13.5x21.5cm Provenance:

the private collection of John AbbottPlease refer to department for condition report

16

Thomas Hearne, British 1744-1817- Cottages in a woodland setting; pencil, bears inscription to the reverse, 24x28cm: British School,

mid 19th century- Study of an old ruin and gateway; pen and brown ink and wash, 22x29cm., (2) (unframed)Provenance: the private

collection of John AbbottPlease refer t ...[more]

17

Joseph Farington RA, British 1747-1821- Landscape with trees and buildings in the distance; pen and brown ink and wash on laid

paper, signed, 18x21.5cm Provenance: the private collection of John Abbott Exhibited: Abbott and Holder, Joseph Farington,

1985Please refer to department for condition repor ...[more]

18

Isaac Cruickshank, British 1756-c.1810- Scene in a kitchen; pen and brown ink and watercolour over pencil, 11.5x15cm: Attributed to

George Cruikshank, British 1792-1878- Domestic bliss, possible sketch for Punch, pencil, 11x9.5cm: John Nixon, British 1755-1818-

Drawn at Benham Park, Country Boys, be ...[more]

19

French School, 18th century- Study of a tree; red crayon on laid paper, 22x18.7cm Provenance: the private collection of John

AbbottPlease refer to department for condition reportAmendment: Please note that the former image was wrong. Now the new image is

correct.

20

Ellis Cordelia Knight, British 1757-1837- Rupe Tarpea; watercolour with pen and ink, 32.5x24.5cm Provenance: with Abbott & Holder,

London, according to the label attached to the reverse of the frame; the private collection of John AbbottPlease refer to department for

condition report

21

Dr Thomas Monro, British 1759-1833- Landscape with a church; charcoal on paper, 12x19cm: British School, mid-late 19th century-

Fishermen on the banks of a river with a ruined castle and mountains beyond; pencil on paper, 17.5x24.2cm (mounted, unframed) (2)

Provenance: the private collection of John ...[more]

22

Joshua Cristall, British 1767-1847- At Hastings; pen and brown ink, signed, inscribed and dated 1807, 32.5x26cm Provenance: with

Abbott & Holder, London, according to the label attached to the reverse of the frame; the private collection of John AbbottPlease refer to

department for condition report

23

Attributed to John Hamilton, Irish fl. 1767-1787- Figures with horses and cattle beyond in a wooded mountain landscape; pen and black

ink with touches of watercolour on laid paper, dated 11 July 1801 on the reverse, bears pencil inscription on the reverse, 15x21.3cm

(mounted, unframed) Provenance: t ...[more]

24Dr William Crotch, British 1775-1847- Land Storm, Aug 19 1823 9am, Paddington Fields; watercolour with pencil, inscribed to the

reverse of the frame, 12.5x21.5cm Provenance: the private collection of John Abbott Please refer to department for condition report

25

John Massey Wright, British 1777-1866- Fete Champetre, design for Boccaccio; watercolour, 23.5x17cmProvenance: the private

collection of John Abbott Note: The artist's page on the British Museum website states John Massey Wright was a painter as well as a

book-illustrations designer. The BM has thre ...[more]

26

James Bourne, British 1773-1854- A Cottage at Buchanan with pig bench; pen and black ink and wash and touches of watercolour,

29x42.5cm Provenance: with Abbott & Holder, London, according to the label attached to the reverse of the frame; the private collection

of John AbbottPlease refer to departm ...[more]

27

Edward Hastings, British 1781-1861- Durham from Pelaw Wood; watercolour signed and dated 1845, 24.5x33cm: together with one

other watercolour by the same artist entitled Durham, signed and dated 1841, 27.5x21.7cm., (2) Provenance: with Abbott & Holder,

London, according to the label attached to the ...[more]

28James Howe, Scottish 1780-1836- Couple on horseback with a dog; pen and brown ink, signed, 24x39.2cm Provenance: the private

collection of John Abbott Please refer to department for condition report

29Circle of William Havell, British 1782-1857-Two men standing full-length; pen and brown ink, inscribed Venice, 16.5x11.5cm (mounted,

unframed) Provenance: the private collection of John AbbottPlease refer to department for condition report

30

John Martin RA, British 1789-1854- Bridge over Chaos; mezzotint engraving, proof, published by Septimuss Prowett, 52 Paternoster

Row, 1826, 19x26.5cm., (mounted/unframed) Provenance: the private collection of John AbbottPlease refer to department for condition

report

31

William Innes Pocock, British 1783-1836- Brent Knoll from Mill on Bridgewater Road, (recto), Chepstow Castle, South Gate, (verso),

c.1816; pencil and watercolour, 13x33cm., (mounted, unframed) Provenance: the private collection of John AbbottPlease refer to


32

Thomas Lindsay NWS, British 1793-1861- In the Meadows nr Mortlake; watercolour, titled and dated 20 Oct 1834 in brown pen,

16x24cm Provenance: with Abbott & Holder Ltd., London, according to the label attached to the reverse of the frame; the private

collection of John AbbottPlease refer to departme ...[more]

33

William Henry Hunt, British 1790-1864- Portrait of a girl combing her hair; watercolour, 22x15cm Provenance: with Abbott & Holder,


condition report

34

Arthur Glennie RWS, British 1803-1890- View through an open window; watercolour, 15.5x10.7cm: together with one other watercolour

by the same artist depicting a Horseman Drinking, 16.5x10cm (2) Provenance: with Abbott & Holder, London, according to the label

attached to the reverse of the frame of t ...[more]

35British School, early 19th century- Servants in a pantry and scullery/game room; pen and grey ink and wash, 10.5x7.5cm Provenance:


36

Rev John Louis Petit, British 1801-1868- Lisieux, Normandy; watercolour, titled in pencil, 25.5x17cm Provenance: with Abbott & Holder,


condition report

37

Arthur Algemon Capell, 6th Earl Essex, British 1803-1892- Near Wildbad, Germany, June 1850, Charcoal Burning; watercolour,

inscribed and dated, 10x24.3cm: together with one other watercolour by the same artist depicting a stormy landscape, signed,

9.2x13.4cm., (2) Provenance: the private collection ...[more]

38Henry Harris Lines, British 1800-1889- On the Teme near Worcester; oil on board, signed and dated Oct 27 1855, 33x43cm

Provenance: the private collection of John AbbottPlease refer to department for condition report

39David Cox Jnr., British 1809-1885- Dark Trees; watercolour, 8x13.3cm Provenance: with Abbott & Holder, London, according to the

label attached to the reverse of the frame; the private collection of John AbbottPlease refer to department for condition report

40

George Smith, British 1802-1838- La Cava; watercolour, signed and dated 1833 on the reverse, 16x22.8cm Provenance: with Abbott &

Holder, London, according to the label attached to the reverse of the frame; the private collection of John AbbottPlease refer to


41

John Hayter RA, British 1800-1895- Armenian Man at St Marks; pen and brush and black ink heightened with white over pencil on buff,

signed and dated 1818, 19x12cm Provenance: with Abbott & Holder Ltd., London, according to the label attached to the reverse of the

frame; the private collection of Joh ...[more]

42

David Cox Jnr, British 1809-1885- Landscape, possibly North Wales; watercolour, 45x65.5cm Provenance: with Abbott & Holder Ltd.,


condition report

43

Thomas Miles Richardson Jnr RWS, British 1813-1890- A Spanish Dance, Malaga, c.1850; black chalk and wash with watercolour,

29x20.7cm Provenance: with Abbott & Holder, London, according to the label attached to the reverse of the frame; the private collection

of John AbbottPlease refer to department ...[more]

44

Edward Angelo Goodall RWS, British 1818-1908- At Beaugency; watercolour, 23x30.2cm Provenance: with Abbott & Holder, London,

according to the label attached to the reverse of the frame; the private collection of John AbbottPlease refer to department for condition

report

45

George Haydock Dodgson OWS, British 1811-1880- Durham Castle, c.1860; watercolour, 23x32cm., (mounted, unframed) Provenance:

Walker's Galleries, c.1955, according to the inscription on the reverse of the mount; the private collection of John AbbottPlease refer to


46John Dearman, British act. 1824-1857- Storm, Merrow down near Guildford; oil on canvas, signed and dated 1845, inscribed on the

stretcher, 17.8x15.2cm Provenance: the private collection of John AbbottPlease refer to department for condition report

47

Thomas Faed RI, Scottish 1826-1900- The Governess; watercolour on buff coloured paper, 25x17.5cm Provenance: the private

collection of John Abbott Exhibited: Abbott and Holder at the Alpine Club, 1970, according to the label attached to the reverse of the

framePlease refer to department for conditio ...[more]

48

Charles Samuel Keene, British 1823-1891- Let loose the Gorgonzola; pen and brown ink on paper, bears inscription in the margin,

bears inscription on the reverse, reproduced in Punch 16 February 1889, 17x16cm (mounted, unframed) Provenance: the private

collection of John AbbottPlease refer to depart ...[more]

49

Thomas Bolton Gilchrist Septimus Dalziel, British 1823-1906- Feeding the pigeons; watercolour, 36x54cm Provenance: with Abbott &

Holder, London, according to the label attached to the reverse of the frame; the private collection of John AbbottPlease refer to


50

Charles James Lewis RI ROI, British 1830-1892- Drying nets, rue de Falaise, Boulogne; oil on canvas, signed and inscribed, 34x30cm

Provenance: with Legatt Brothers, 46 Fenchurch St, according to label to the reverse; with Abbott & Holder Ltd., London, according to

the labels accompanying this lot; t ...[more]

51

British School, early 19th century- Portrait miniature of a gentleman, quarter-length turned to the left in a black coat and white stock,

c.1820, oval, 7x6cm (mounted, unframed) Provenance: the private collection of John AbbottPlease refer to department for condition

report

52Edward Hargitt RI, Scottish 1835-1895- A Bit in a Cornfield, painted on the spot; oil on board, signed and dated 1851, bears inscribed

label attached to the reverse, 31x47cm Provenance: the private collection of John AbbottPlease refer to department for condition report

53

George du Maurier, French/British 1834-1896- Shopping; pen and brown ink, signed, 12x18.5cmProvenance: with Abbott & Holder Ltd.,


condition report

54Alfred William Hunt RWS, British 1830-1896- Bidston Marshes, Staffordshire; watercolour, signed, 18.7x26.7cm, Provenance: the

private collection of John AbbottPlease refer to department for condition report

55

Henry Holiday, British 1839-1927- Woman’s Head; soft pencil on paper, 15x11cm Provenance: with Abbott & Holder, London, according

to the label attached to the reverse of the frame; the private collection of John Abbott Note: Through his friendship with Albert Moore and

Simeon Solomon, Holiday was in ...[more]

56

Henry Moore RA, British 1831-1895- Upland Moor with Cattle at Sunset; watercolour, 22x33cm Provenance: with Abbott & Holder Ltd.,

London, according to the label attached top the reverse of the frame; the private collection of John AbbottPlease refer to department for

condition report

57

Sir John James Steuart [Stewart] FRSE, Scottish 1779-1849- Study of horsemen; pen, brown ink and watercolour, 11x12cm

Provenance: with Abbot & Holder, London, according to the label attached to the reverse of the frame; the private collection of John

AbbottPlease refer to department for condition re ...[more]

58

Charles Green RI, British 1840-1898- Clearing Slush in the Suburbs; watercolour, signed with initials and dated 1877, 15.5x20.5cm

Provenance: the private collection of John Abbott Exhibited: Abbott and Holder at the Alpine Club, 1972Please refer to department for

condition report

59Helen Cordelia Angell Colman, British 1847-1884- Flowers on a bank; watercolour, signed, 18.5x30cm Provenance: the private

collection of John AbbottPlease refer to department for condition report

60

Alfred Oliver, British 1886-1921- The River Llwywy (sic); oil on board, signed, 23.5x33.5cm Provenance: with Abbott & Holder, London,


report

61

Helen Allingham RWS, British 1848-1926- Studies of ducks; watercolour, 15.2x17.5cm Provenance: with Abbott & Holder, London,


report

62

Jules Lessore RI, French/British 1849-1892- Ornan, (Brittany), or Jura; watercolour, signed, 24.5x16.5cm Provenance: with Abbott &

Holder, London, according to the label attached to the reverse of the frame; the private collection of John AbbottNote: The view depicted

is Dinan, Brittany.Please refer ...[more]

63

George James Howard, 9th Earl of Carlisle, British 1843-1911- Macon, c.1865; watercolour, inscribed and dated 'Nov 9' in pencil,

17.5x25cm Provenance: with Abbott & Holder, London, according to the label attached top the reverse of the frame; the private

collection of John AbbottPlease refer to depa ...[more]

64

Professor Frederick Brown NEAC, British 1851-1941- A Dining Table Still-Life; watercolour, signed and dated 1919, 22x32cm

Provenance: with Abbott & Holder, London, according to the label attached to the reverse of the frame; the private collection of John

AbbottPlease refer to department for conditi ...[more]

65

Alfred William Rich NEAC, British 1856-1921- The Storm; watercolour, signed, 27.7x37.5cm. Provenance: the private collection of John

Abbott. Exhibited: The Late Alfred W Rich, Memorial Exhibition, April 1923, Walkers Gallery, according to the inscribed label attached to

the reversePlease refer to d ...[more]

66Phil May, British 1864-1903- The vendor; pen and black ink, signed and dated 1897, 18x13cm., (mounted, unframed) Provenance: the

private collection of John AbbottPlease refer to department for condition report

67Attributed to Arthur Rackham VPRWS, British 1867-1939- Portrait of a lady, probably the artist’s wife; pen and brush and black ink,

25x17cm (mounted, unframed) Provenance: The private collection of John AbbottPlease refer to department for condition report

68William Thomas Wood RWS ROI, British 1877-1958- Moonlight on Trees and Barn; watercolour, signed, 37.5x42.5cm (ARR)

Provenance: the private collection of John AbbottPlease refer to department for condition report

69

Frank Reynolds RI, British 1876-1953- The Pledge, (recto) I saw George staggering along with Walter, (verso); watercolour, (recto), pen

and brush and black ink heightened with white, en grisaille, (verso), the verso signed and inscribed, 35x26.5cm (ARR) (sheet) (mounted,

unframed) Provenance: the pr ...[more]

70

Frank Reynolds RI, British 1876-1953- 'Visitor- And how is your newly married daughter?' 'Mrs Reynolds- Oh she's nicely thankyou -

She finds her husband a bit dull - but then as I tells her - the good uns are dull'; pen and black ink, original artwork for illustration,

signed, bears pencil inscripti ...[more]

71Follower of Sir Alfred James Munnings, KCVO PRA RI, British 1878-1959- White horse in shade; oil on board, 30x37.5cm Provenance:


72

Hartmann Schedel, German 1440-1514- Weltchronik, plates XLI, XXXV, CXVII, CXI, 1493; woodcuts with hand-colouring on laid paper,

four, ea. printed on both sides, published by Anton Koberger, sheet 42.7x26cm each, (4) (unframed)Please refer to department for

condition report

73

After Albrecht Durer, German 1471-1528- Pilate Washing His Hands and Agony in the Garden, from The Engraved Passion; engraving,

both bear monogram, one bears date, 11x7cm., ea., (2) Note: The original works by Durer date from 1507-1512; these examples are

circa 1700.Please refer to department for co ...[more]

74Erhard Schön, German c.1491-1542- Portrait of Albrecht Dürer, 1527; woodcut on laid paper, a later impression, 28.8x24.7cm.,

(unframed)Please refer to department for condition report

75Antonio Tempesta, Italian 1555-1630- The Labors of Hercules, 1608; six plates from the suite of thirteen, etchings on laid, each with

pencil inscriptions to the margins, ea. 9x14cm., (6) (unframed)Please refer to department for condition report

76John Speede, British 1552-1629- A Newe Mape of Tartary,1626; hand-coloured engraved map, 39.5x50.7cmPlease refer to department

for condition report

77

Attributed to Guglielmo Caccia, called Il Moncalvo, Italian 1568-1625- Flying Putti holding a veil, crown and swinging a censer; pen and

brown ink, with black chalk and touches of white heightening, on coloured laid paper, 24.4 x 30cm, (mounted, unframed) Provenance:

Sotheby’s, New York, 14th Januar ...[more]

78Circle of Francesco Curradi, Italian 1570-1661- The Flagellation of Christ; red chalk on laid paper, bears inscription on the mount,

13x10cm (unframed, mounted)Please refer to department for condition report

79After Sir Peter Paul Rubens, Flemish 1577-1640- Rape of the Sabine Women; pen, brown ink and watercolour heightened with white,

30x42cm, (unframed)Please refer to department for condition report

80Jean Morin, French c.1605/1610-1650- Hierosme Francque Peintre du Roy, after Jerome Francken; etching, 31x21xmPlease refer to


81

Wenceslaus Hollar, German 1607-1677- Palatium Archiepiscopi Cantuariensis propae Londinum, vulgo Lambeth House; etching with

later hand-colouring, signed within the plate and dated 1647, 15x32.2cm: British School, mid/late 18th Century- 'Lambeth House';

copper engraving with hand-colouring, 18x25cm: ...[more]

82

Attributed to Giacinto Brandi, Italian 1623-1691- A female Saint in glory accompanied by an angel; black, red and white chalk and brush

and brown ink on buff coloured laid paper, bears inscription Disegnata da Giacinto Brandi in Roma 1684 on the reverse, 39.2x24cm:

Italian School, 17th century- The ...[more]

83

Circle of Quentin Matsys the Elder, Flemish 1466-1530- Ecce Homo; oil on panel, 80.5x57.5cm Provenance: Sotheby's, London, 12th

September 2019, lot 108 Note: Matsys's most well-known work is the 'The Ugly Duchess' (1515), his other satirical works include; 'A

Portrait of an Elderly Man' (1513), and ...[more]

84After Raphael, Italian 1483-1520- Madonna of the Goldfinch, detail; oil on board, oval, held in a 19th century carved and gilded

Florentine frame, 21.7x17cm Provenance: Lady Archibald WeigallPlease refer to department for condition report

85

After Raphael, Italian 1483-1520- Madonna del Divino amorre, The Holy Family with John the Baptist and St. Elizabeth; oil on canvas,

48x38cm Note: the original work by Raphael dating from 1516-1518 is held by the Museo e Real Bosco di Capodimonte, NaplesPlease

refer to department for condition repor ...[more]

86Manner of Guido Reni, 18th century- Study of a mother and child; oil on canvas, 48.7x42.5cm (unframed)Please refer to department for

condition report

87Follower of Giacinto Gimignani, Italian 1606-1681- Mary Magdalene in Ecstasy; oil on canvas, 91x121cmPlease refer to department for

condition report

88

Follower Federico Cervelli, Italian c.1625-1700- Cupid awakening Psyche; oil on canvas, 114x145cm Note: Psyche is often represented

with butterfly wings, and the butterfly is her frequent attribute and a symbol of the soul, though the literary Cupid and Psyche never says

that she has or acquires win ...[more]

89

After Hendrick Van Balen, Flemish 1575-1632- The Marriage of Alexander and Roxana; oil on panel, 76.7x110.6 cm., (unframed)

Provenance: Sotheby’s, London, 22nd February 1984, lot 12, (as Flemish School); Sotheby’s, London, The John Gielgud Collection, 5th

April 2001, lot 214, where acquired by the p ...[more]

90WITHDRAWN. Follower of Frans Snyders, Flemish 1579-1657- A bear being attacked by hounds; oil on panel, 36x54.5cm Please refer

to department for condition report

91Follower of Antonio Travi, Italian 1613-1668- Hunting a stag with a classical ruins and mountains, and Figures on a pathway with a

church, village, woodland and hills; oils on canvas, a pair, ea. 41x62.7cm., (2)Please refer to department for condition report

92Manner of Andrea Vaccaro, 18th century- Portrait of a bearded man quarter-length turned to the right wearing a read cloak; oil on

canvas, 53x44cmPlease refer to department for condition report

93

Follower of Adriaen Hanneman, Dutch 1603-1671- Portrait of a man holding a book, standing three-quarter length turned to the right

leaning on the base of a column, with a coat of arms in the background; (VAT charged on hammer price)oil on canvas,

28x21.5cmPlease refer to department for condition rep ...[more]

94Flemish School, late 17th century- Portrait of a man, head and shoulders in a cloth cap; oil on paper laid down on board, tondo, 8cm

dia.Please refer to department for condition report

95Follower of Abraham de Vries, Dutch 1590-1655- Portrait of a man, head and shoulders; oil on panel, oval, 11x8cmPlease refer to


96Manner of David Teniers the Younger, early 19th century- Figures in a tavern; oil on panel, 33x29cmin an early 19th century gilded

composition Neoclassical style frame with applied shell corner ornament

97Manner of Philips Wouwerman, early 20th century- Elegant hunting party in a wood with hounds; oil on canvas, 111.5x190cm Please

refer to department for condition report

98

Follower of Luca Giordano, Italian 1635-1705- The Massacre of the Innocents; oil on canvas, 88.5x156cm Note: Giordano was one of

the leading Neapolitan artists during the 17th century, known for his dramatic mythological and religious depictions on large scale

canvases.Please refer to department for ...[more]

99Manner of Joris van Son, 18th century- Still life of grapes, peaches, cherries, vine leaves with a roemer and a cut orange on a ledge; oil

on canvas, 45x65cmPlease refer to department for condition report

100 WITHDRAWN

101

Genoese School, early 17th century- Two mythological figures; pen and grey black ink and wash on laid paper, ovals, a pair, in shared

mount and glazed frame, 9.5x7cm Provenance: Sotheby's, London, 12th September 2019, lot 517mounted in a glazed gilded moulding

frame

102Follower of Francesco Zuccarelli, Italian 1702-1788- The Annunciation; pen and black ink and wash and scratching out on laid paper,

12x18cm., (unframed)Please refer to department for condition report

103

Pierre-François Huges, called d'Hancarville, French 1719-1805- Antiquités Etrusques, Grecques et Romaines. Tirées du cabinet de M.

Hamilton, (Collection of Etruscan, Greek and Roman Antiquities from the Cabinet of the Honble. Wm. Hamilton); hand-coloured copper

engravings on laid paper, four plates, ...[more]

104

Edward Fisher, Irish 1722-c.1785- The Hon. George Seymour Conway, after Sir Joshua Reynolds PRA; mezzotint engraving, published

17th August 1771 and sold by E Fisher at the Golden Head South side of Leicester Square, 50x35cm Provenance: Charles Robert

Leslie RA.; thence by descentPlease refer to dep ...[more]

105Pierre-François Basan, French 1723-1797- Psyché curieuse and Psyché puniethe, after François Lemoyne, c.1750; etchings with

engraving on laid, a pair, ea., 28.5x32.5cm., (2)Please refer to department for condition report

106

Circle of Giovanni Battista Piranesi, Italian 1720-1778- Figures dismantling and transporting classical ruins in a wooded valley; pen and

black and brown ink and wash with touches of watercolour and white on laid paper, 46.5x70cm., (mounted, unframed)Please refer to


107

John Dixon, British 1720-1811- A Tigress, after George Stubbs ARA; hand-coloured mezzotint engraving, published by July 27th 1798

by J Murphy North Side Paddington Green, 47.8x60.5cm Literature: Lennox-Boyd 1989, George Stubbs: The Complete Engraved

Works (33.11)Please refer to department for condit ...[more]

108French School, mid-18th century- Studies of heads; red chalk on laid paper, bears partial signature in brown pen and ink,

27.2x42cmPlease refer to department for condition report

109

Follower of Michael Dahl, Swedish 1659-1723- Portrait of a lady, traditionally held to be Sarah Woolryche, wife of J Hewley (1627-1710),

half-length turned to the left in blue, read and white drapery, leaning on a ledge;oil on canvas, 74x62cm (unframed)Please refer to


110

Circle of Mary Beale, British 1633-1699- Portrait of a lady, traditionally held to be Duchess de Broglie, half-length wearing a rose

coloured dress set within a feigned stone oval; oil on canvas, 64x77cm Provenance: Private collection, LondonPlease refer to


111Follower of François-Hubert Drouais, French 1727-1775- Portrait of a lady, seated quarter-length turned to the right in a yellow dress

and blue cape; oil on copper, 37x28cmcarved frame

112Follower of William Wissing, Dutch 1656-1687- Portrait of King William III, quarter-length turned to the right within feigned oval; oil on

canvas, 35x28.5cmPlease refer to department for condition report

113Circle of John Closterman, German 1660-1711- Portrait of a gentlemen, half-length turned to the right in a brown cloak; oil on canvas,

78.5x65cm Please refer to department for condition report

114Follower of Rachel Ruysch, Dutch 1664-1750- Flowers in an urn on a ledge; oil on canvas, 107x81cmPlease refer to department for

condition report

115French School, early 19th century- Still life of a chamber stick, a meerschaum pipe, a book and a glass with a lemon; oil on canvas,

bears inscription on the reverse, 35x45.5cmPlease refer to department for condition report

116Circle of John Wootton, British 1682-1764- Greyhound with a grouse in a landscape; oil on canvas, 35.5x45.5cmPlease refer to


117

Giacomo Nani, Italian 1698-1770- Dead birds in wooded river landscapes, and Flowers and ducks in wooded river landscapes; oils on

canvas, a suite of four, 51x76cm., ea., (4)In matching ebonised bolection frames with gilded sight.All canvases have been relined at the

same time onto new stretchers, ro ...[more]

118Giueseppe Mottola, Italian, late 17th/early18th century- View of the Port Naples; oil on canvas, signed and dated 1727,


119

Circle of Johann Heinrich Tischbein the Elder, German 1722-1789- Portrait of a lady, half-length in a blue dress; oil on octagonal shaped

canvas laid down on panel, the frame with oval aperture, 86.7x776cm held in a silvered frame with hand-tooled spandrels and oval

aperture

120

Jean-Laurent Mosnier, French 1742-1808- Portrait of a lady seated three-quarter length wearing a blue dress and white lace apron; oil

on canvas, signed and dated 1792, 115.2x89.9 cm Provenance: Christie's, London, 31st July 1947, lot 138, for £6-6s to Steiner;

Sotheby's 11th July 1990, lot 61; Sothe ...[more]

121

British School, late 18th century- Portrait sketch of a lady, quarter-length; oil on canvas, 38x31.3cm Note: Although the technique and

looseness of the brushstrokes initially suggests a portrait from the early 20th century the present portrait can be dated to around the late

18th century. Similarit ...[more]

122Johann Albrecht Dietzsch, German 1720-1782- Busy tavern scenes; gouache on paper, a pair, both signed, ea. 22.5x16.5cm.,

(2)Please refer to department for condition reportboth in matching early 19th century pressed gilded metal mounted Neoclassical frames

123Manner of Giovanni Battista Zelotti, mid-18th century- Biblical scenes; gouaches on paper, six, 23x13cm ea. (6)each in matching carved

and gilded framed, glazed and mounted. Please refer to department for condition report

124Augustin de Saint-Aubin, French 1736-1807- Au moins soyez discret & Comptez sur mes sermens; engravings with etching on laid, a

pair, 1789, 36.2x26cm ea., (2)Please refer to department for condition report

125Circle of Paul Sandby RA, British 1731-1809- Ancient Beech Tree, Windsor Great Park; pencil, watercolour and bodycolour, signed

indistinctly, 46.5x61cmPlease refer to department for condition report

126

Attributed to John Warwick Smith, British 1749-1831- A view near Lake Albano, c.1810; pen and black ink and watercolour on laid

paper, 33.5x45.3cm Note: In a long artistic career, Warwick Smith produced numerous compositions based on his extensive travels in

Italy between 1776 and 1781. Many were ex ...[more]

127Richard Earlhom, British 1743-1822- Their Most Sacred Majestie's George the III and Queen Charlotte, after Johan Zoffany RA;

mezzotint engraving, 47x58cmPlease refer to department for condition report

128Robert Deighton, British 1752-1841- The Twelve Months c.1781; mezzotints with hand-colouring, twelve plates, published by Carrington

Bowles, 35x25.5cm ea, (12)mounted in matching gilded moulding frames, late 20th century

129Thomas Stothard RA, British 1755-1854- Shepherd’s Return; oil on panel, bears inscribed label attached to the reverse of the frame,

25x30cmPlease refer to department for condition report

130Circle of Frans Swagers, Dutch 1756-1836- Cattle resting in a pasture by the banks of a river; oil on cradled panel, bears inscription on

the reverse, 46x63cm., (unframed)Please refer to department for condition report

131

Circle of Alexander Nasmyth RBA, Scottish 1758-1840- Highland landscape with cottages woodland, a stone bridge and a loch; oil on

canvas, bears old inscription on the stretcher, 35.5x45cmPlease refer to department for condition reportin a gilded composition

Neoclassical style frame, late 20th centur ...[more]

132Attributed to Julius Caesar Ibbetson, British 1759-1817- Back of Chepstow Castle, Monmouthshire; oil on board, bears inscribed label

attached to the reverse, 17.5x28.5cmPlease refer to department for condition report

133

Alexander Nasmyth, Scottish 1758-1840- Rear view of John Wilson’s new house, Elleray; oil on canvas, 45.5x60.5cm Note: This

beautiful painting is very important scholastically because it fills a gap in the research, namely a view of the approach to John Wilson’s

new house Elleray. As well as being a ...[more]

134

George Watson PPRSA, Scottish 1767-1837- Portrait of Janet (Jessie) Ruskin, seated half-length turned to the left in a white dress with

a landscape beyond, c. 1805; oil on canvas, 78.5x63cm Note: Thought to depict John Ruskin's aunt, Janet Ruskin (1783-1828), the

present portrait is likely to have ...[more]

135Circle of Charles Towne, British 1763-1840- Dog with a hare in woodland; oil on canvas, 19.5x26.2cmPlease refer to department for

condition report

136

George Townly Stubbs, British 1756-1815- Dungannon, after George Stubbs ARA; engraving, published by Edward Orme, Bond Street,

London, republished June 4th 1817, plate 20 x 25cm, sheet 26.2 x 35.1cm: Henry Heath, British act. 1824-1850- The Party Wot Drives

the Sovereign; lithograph with hand-colour ...[more]

137Thomas Barker of Bath, British 1769-1847- Rustic figure carrying wood, c.1813; pen and black ink and brown ink wash, signed,


138John Varley OWS, British 1779-1843- On the Broads; watercolour, signed, 8x13.5cm Provenance: with Spink & Son, Ltd., London,

according to the label attached to the reverse of the framePlease refer to department for condition report

139Samuel Prout OWS, British 1783-1852- The Croix de Pierre, Rouen; watercolour, signed, 38.5x27cmPlease refer to department for

condition report

140Charles John Mayle Whichelo, British 1784-1865-St Saviour’s Gate, Bermondsey Abbey; pen and black ink and wash, signed and dated

1804, 16x22.7cmPlease refer to department for condition report

141

Joseph Powell, British 1780-1834- Aira Force near Pattendale, July 24th 1806; watercolour, signed, inscribed and dated, 27.5x19.5cm:

together with a study of a dog in pen and ink and watercolour attributed to the same artist, 8.8x16.5cm., (2)Please refer to department


142Giuseppe Bernardino Bison, Italian 1762-1844- Figures travelling through a wood with cottages in the distance; black chalk heightened

with white on buff coloured paper, signed twice, 27.5x19.3cmPlease refer to department for condition report

143

Fredericus Theodorus Renard, Dutch 1778-1820- Outskirts of a Dutch town, c.1800; oil on panel, signed, 52x63.5cm Provenance:

Collection of James West, according to the label attached to the reverse Note: Fredericus Theodorus Renard was a landscape and

topographical artist from Amsterdam who painted ...[more]

144

Attributed to Jan Baptiste de Jonghe, Flemish 1785-1844- Wooded landscapes with figures, cattle, cottages and distant hills; oils on

canvas, a pair, 24.3x32.2cm., ea., (2) Provenance: Collection of James West, according to the label attached to the reverse of each

Note: Painter, draughtsman, etcher ...[more]

145

Auguste Jean-Baptiste Vinchon, French 1789-1855- A Bridge leading to a villa; oil on paper laid down on canvas, 25x 39.8cm

Provenance: By descent in the family of the artist; Their sale; Hôtel des Ventes Michelcolombe, Tours, 11 Oct. 1998, lot 18, where

acquired by the present owner. Note: Initially ...[more]

146

Auguste Jean-Baptiste Vinchon, French 1789-1855- View of a Tomb in the nave of a Basilica; oil on paper laid down on canvas,

25.5x38.5cm Provenance:By descent in the family of the artist; Their sale; Hôtel des Ventes Michelcolombe, Tours, 11 October 1998, lot

19, where acquired by the present ...[more]

147

Auguste Jean-Baptiste Vinchon, French 1789-1855- A Fountain in a wooded landscape, possibly at Tivoli; oil on paper laid down on

canvas, 22x27.5cm Provenance: By descent in the family of the artist; Their sale; Hôtel des Ventes Michelcolombe, Tours, 11 October

1998, lot 19, where acquired by the pre ...[more]

148

Gotthelf Leberecht Glaeser, German 1784-1851- Portrait of a gentleman, quarter-length turned to the right in a blue coat and portrait of

a lady, quarter-length turned to the left in a black dress with pink ribbon and jewelled pin; oils on canvas, a pair, one signed, 84x54cm.,

ea., (2) (unframed)Plea ...[more]

149Dutch School, late 18th/early 19th century- Portrait of a fisherwoman; oil on copper panel, 13.2x9.5cm., (unframed)Please refer to


150

Henry Moses, British 1781-1870- The Gallery of Pictures painted by Benjamin West Esq. Historical Painter to His Majesty, and

President of The Royal Academy, after Benjamin West; copper engravings, 14 plates plus frontispeice, partially bound, lacking boards,

plates: ea. 24x20.5cm (book)Please refer ...[more]

151

John le Keux, British 1783-1846- Selected examples of Architectural Grandeur in Belgium, Germany, and France, a series of twenty-

four sketches drawn on the spot, after Charles Wild; etchings, pub. by Henry G. Bohn, Convent Garden, London, etched by John le

Keux and other artists, ea. 28.2x24.2cm (a ...[more]

152Attributed to Frederick Nash, British 1782-1856- Westminster Abbey with figures, 1840; watercolour, bears label attached to the reverse

of the frame, 63x47cmPlease refer to department for condition report

153

Richard Dighton, British 1795-1880- Portrait of a huntsman standing full-length holding a riding crop; watercolour, 24x17cm: together

with two other watercolours by the same artist depicting a study of a gentleman standing full-length in a black coat and hat turned to the

right, signed and inscribed ...[more]

154

John Martin RA, British 1789-1854- Christ Tempted in the Wilderness; mezzotint engraving, signed and dated 1826 within the plate,

published by Spts Prowett 62 Paternoster Row Apr 1827. printed by J Lahee, 21x30.5cm: together with one other example of the same

plate, without titles, trimmed to edge o ...[more]

155Attributed to Sebastian Pether, British 1790-1844- Moonlit landscape with a rider by a cottage and woodland; oil on copper,


156Attributed to Sebastian Pether, British 1790-1844- Moonlit river scene with moored shipping, a cottage and woodland; oil on canvas,


157

John Frederick Herring, Snr. British 1795-1865- The Ducklings, 1851; oil on panel, bears labels verso, 25.4 x 30.5 cm Provenance: with

Charles Robertson & Company, London; G.C.C. Atkinson Esq.; with Frost & Reed Ltd., London; Christie’s, South Kensington, 10th

December 2014, lot 89; acquired from th ...[more]

158

After Louis Léopold Robert, Swiss 1794-1835- Le retour de la fête de la Madone de l’Arc, près de Naples; oil on canvas, 53.8x81cm

Note: The original work by Louis Léopold Robert from 1827 is held by the Louvre, Paris inv. no. 7664Please refer to department for

condition report

159

Alfred Joseph Woolmer RBA, British 1805-1892- Evening on the Coast; oil on canvas, feigned oval, signed, bears one inscribed and two

printed labels attached to the stretcher and the reverse of the frame, canvas 81.3x42.7cm, image 53.5x42.5cmframed, in a gilded

composition Neoclassical style frame, l ...[more]

160

Emma Sophia Oliver RI, British 1819-1885- View of Windsor Castle from a distance with woodland and figures in foreground; oil on

canvas, in feigned oval, signed, 27x37cm Provenance: Christie’s, London, 6 February 1981, lot 44 Note: The work may have been

exhibited in Royal Academy Exhibition 1844 as ...[more]

161Attributed to Frederick Waters Watts, British 1800-1870- Wooded river landscape; oil on paper, 11x17cmPlease refer to department for

condition report

162Follower of Sir Edwin Henry Landseer RA, British 1802-1873- A Shetland pony in the highlands with a stag; oil on canvas,

50.7x40.8cmPlease refer to department for condition report

163Joseph Horlor, British 1809-1887- Llansteffan Castle on the River Towy, Carmarthenshire, Wales; oil on mill board, signed, bears

inscribed label attached to the reverse, 25x35.5cmPlease refer to department for condition report

164

After William Yellowlees, Scottish 1796-1855- HRH Frederick Augustus, Duke of York and Albany, 1763-1827; oil on mill board,

30.5x24.7cm Note: The original work by William Yellowlees,is held by National Galleries Scotland ascension number PG 237Please


165

AMENDMENT: please note not signed. Sir Francis Grant PRA, Sir Francis Grant PRA, Scottish 1803-1878- Portrait of Surgeon Richard

Wood FRCS (1779-1860), seated full-length, c.1852; oil on canvas, signed, 173x126cm Note: The sitter is one of the original 300

Fellows of the RCS, Wood was a Senior Surge ...[more]

166

Attributed to Sir Francis Grant PRA, Scottish 1803-1878- Portrait of of Surgeon James Johnstone FRCS, seated full-length leaning on a

table; oil on canvas, 142x112cm Note: James Johnstone was fellow of the Royal College of Physicians, London, and President of the

BMA. He was appointed the first Prof ...[more]

167

José Balaca y Carrion, Spanish 1810-1869- Portrait of a girl standing full-length wearing a white, red and black dress and head piece,

holding a mask, on a terrace with an ornamental urn and flowers; oil on canvas, signed and dated 1858, 126.5x96cm Note: This portrait

depicts a young aristocratic gi ...[more]

168

Anna Teerlink Muschi, Italian 1800-1885- The Violin Player, after Sebastiano del Piombo, c.1845; oil on canvas, signed and inscribed on

the reverse, 70x54cm Note: Anna Muschi, who married the artist Abraham Teerlink in 1836, was based in Rome and became a

renowned copyist of old masters - with visit ...[more]

169Follower of Eugene Lami, French 1800-1890- Study of a grand interior, thought to be of Baron James Rothchild's residence, Rue Lafitte,

Paris; oil on canvas, 28.9x42.6cmPlease refer to department for condition report

170

J Bridges, British, early 19th century- Portrait of an officer of the 46th (South Devonshire) Regiment of foot; oil on canvas, signed and

dated 1828, 91x71cm Provenance: Hammatt Collection, Cape Cod, USA; Parker Gallery, London; Spink USA, 22 & 23 June 2016, lot

621Please refer to department for con ...[more]

171Attributed to Joseph Paul, British 1804-1887- River landscape with sail barges and a cottage with a jetty; oil on canvas, 71x91cmPlease


172

Tommaso Bigatti, Italian act.c.1800- The Archangel Michael defeating Satan, flanked by philosophers; gouache on vellum, bears label

for Francis Harvey Printseller, 4 St James's Street London, attached to the reverse of the frame, 18x35.6cm Provenance: Collection of

James West, according to the label ...[more]

173Neapolitan School, 19th century- Villa Reale di Napoli e Napoli del Carmine; gouache on paper, two, 9.4x14cm., ea., (2)


174Sir John Crampton, British 1805-1886- Sketches of ladies of fashion, c.1870; pen and brown black ink over red crayon on buff coloured

paper, 25x36cmPlease refer to department for condition report

175AMENDMENT: Please note this work is attributed to Henry Harris Lines, British 1800-1889, and not as John Linnell as described in the

catalogue.Attributed to John Linnell, British 1792-1882-The Shepherd;watercolour with scratching-out, 13.8x10.2cm

176

Attributed to John Murray Ince, British 1806-1859- Man fishing in rapids in a river with woodland and hills; Watercolour, 33.5x50cm.,

(unframed) Provenance: from the private collection of the art historian Professor David Loshak, 1919-1996. Professor Loshak was the

acknowledged expert on the works ...[more]

177

Joseph Nash, British 1809-1878- Two studies of a lady in a Elizabethan costume; black chalk heightened with white on buff coloured

paper, 26.5x28cm Provenance: Sabin Galleries Limited, London, No.91 in the Christmas Drawing Exhibition, and J S Maas & Co. Ltd.,

London, according to the labels attache ...[more]

178 David Cox Jnr., British 1809-1885- Craigmiller Castle; watercolour, signed, 20x27.5cmPlease refer to department for condition report

179David Cox Jnr., British 1809-1885- Figures on a village lane; watercolour, signed, 24x31.2cm: together with a study of Aston Hall,

Birmingham in pencil attributed to the same artist, 11x18cm., (2)Please refer to department for condition report

180William Bennett, British 1811-1871- Mountain river landscape with a rainbow; watercolour, signed and dated 1863, 51.5x75cmPlease


181Attributed to John Henry Mole VPRI, British 1814-1886- At the Spring; watercolour, 49x36cmPlease refer to department for condition

report

182

British School, mid-19th century- Still life of apples, grapes, oranges, walnuts, pears and a Delft vase; oil on panel, signed indistinctly

and dated 1868, 66x52.5cmframed, in a gilded composition English Chippendale style frame, late 20th century. Please refer to


183Attributed to Auguste Vyaret, French exh 1838-1844- Coastal landscape; oil on canvas, bears inscription on the stretcher,


184

Edwin Hayes RHA RI ROI, British/Irish 1819-1904- Off Lowestoft; oil on canvas, signed, 50x76cm Note: Hayes experiences growing up

by the coast and living at sea would have a profound impact on the work he would produce as an artist later in his life. His faithful

depictions of ships in stormy condit ...[more]

185British School, mid-19th century- Shipping scene beneath stormy skies; oil on canvas, 40.7x50.8cmPlease refer to department for

condition reportin a gilded composition swept frame, late 19th/early 20th century, now over-painted in gold coloured paint

186Nicolaas Riegen, Dutch 1827-1889- Off the Dutch Coast in Stormy Weather; oil on card laid down on panel, signed and dated 1875,

31x46cm (unframed)Please refer to department for condition report

187

Alexander Johnston, Scottish 1815-1891- Portrait of a girl, seated three-quarter length in a white dress with blue ribbon, a landscape

beyond; oil on canvas, signed, bears applied paper label for Charles E Luton, Birmingham attached to the reverse of the frame,

41x30.5cmPlease refer to department fo ...[more]

188

Thomas P Hall, British fl.1837-1867- Young Love, circa 1860; oil on canvas, signed with monogram, bears label to the reverse of the

frame, 76.2x63.5cm Provenance: Christie’s, South Kensington, 23rd March 2016, lot 109; Masterpiece Art, LondonPlease refer to


189Theodore Frere, French 1814-1888- A shepherd and sheep at an oasis at dusk; oil on panel, signed, 12x25cmPlease refer to


190Frederick Goodall RA, British 1822-1904- Shepherd and sheep on a path with the great Pyramids; oil on panel, signed with monogram

and dated 1894, 12x25cmPlease refer to department for condition report

191Attributed to John Charles Maggs, British 1819-1896- Stage coach leaving an inn; oil on canvas, 40.3x51cmPlease refer to department


192

John Syer Snr RI, British 1815-1885- Lane Scene near Bath with Cottage & Figures; oil on mill board, signed with initials and dated

1849, 27x26.5cm Provenance: Christie's, London, July 1931, according to label attached to the reversePlease refer to department for

condition report

193Harry John Johnson RI., British 1826-1884- The Sphinx at Night; watercolour and gouache, 33x25cm Provenance: with The Fine Art

Society Limited, London, according to the label attached to the reverse of the framePlease refer to department for condition report

194

Henri Joseph Harpignies, French, 1819-1916- Paysage; black and white chalk on grey coloured paper, signed and dated 68,

24.5x29.5cm Provenance: Parke-Bernett, New York, 11th January 1970, lot 86; with Meier-Naef Gallery, Barrie, Ontario, both according

to the labels attached to the reverse of the fr ...[more]

195

Adrianus Eversen, Dutch 1818-1897- Figures in a Dutch Town; pen and brown ink and wash with touches of watercolour, signed with

monogram, 13x21.8cm Provenance: Lempertz, Koln, 19th November 2005, lot 1285; Collection of James West, according to the label

attached to the reversePlease refer to depart ...[more]

196Circle of Edouard Louis Dubufe, French 1820-1883- Portrait of a lady seated three-quarter length turned to the left and of a gentleman

seated holding a book; watercolours, a pair, ea. 27x23cm., (2)Please refer to department for condition report

197Attributed to Admiral Sir Edward Gennys Fanshawe GCB, British 1814-1906- Playa of Guadalajara, Mexico, circa 1850; watercolour and

gouache, 23x33.7cmPlease refer to department for condition report

198Sir Wyke Bayliss PRBA HRMS, British 1835-1906- The Rose Window, Brussels; watercolour, signed, 19x29.5cmPlease refer to


199A le Blanc, French act.1819- Preparation du Gaz de Schiiste; copper engraving, 23.5x32cm: together with six other plates from the

same or related suite, 23.5x32cm., ea., (7)Please refer to department for condition report

200Adlard & Jones, London, pub. August 24 1816- Heraldry; copper engravings, 26.5x21cm; together with engravings of Heraldic Arms of

English Barons, Bishops and Irish Earls, 27.5x20cm (max.)(a lot) Please refer to department for condition report

201

J Rogers, British/American 19th century- An American Three Masted Schooner; lithograph, published 1835 by T McLean, 26

Haymarket, 30x42.5cm: together with seven further lithographs by the same artist, and from the same series depicting frigates and large

sailing vessels at sea, all published by T Mc ...[more]

202Thomas Creswick RA, British 1811-1869- Teddington Church; oil on board, signed, signed, inscribed and dated 1849 on the reverse,


203British School, mid-late 19th century- Floral still life with an Equatorial landscape beyond; oil on canvas, signed with initials HZ,


204

Nicola Sanesi, Italian 1818-1889- Un Matrimonio Segreto; oil on canvas, signed, inscribed and dated 1860, bears printed label Niccola

Sanesi Pittore via del Maglio n N.6 presso le Scuderie di S Marco Studio N, 98x77.5cm Note: Un matrimonio Segreto (The Secret

Marriage) is an opera, based on the play ...[more]

205

Attributed to Marguerite d Estreux de Maingoval, French c.1838-1899- Portrait of a young lady, head and shoulders turned to the right

with a floral garland, possibly a self-portrait; oil on canvas, bears inscription on the reverse, 24.2x19cm., (unframed)Please refer to

department for condition repor ...[more]

206George Elgar Hicks RBA, British 1824-1914- The Bride; oil on panel, signed and dated 1862, 28x19cmPlease refer to department for

condition report

207British School, early-mid 19th century- Portrait of a naval officer, quarter-length a blue coat with epaulets; oil on canvas, 35x29cmPlease


208British School, early-mid 19th century- Portrait of a lady, half-length in a brown dress and bonnet; oil on canvas, 76x62cmPlease refer to


209August Noack, German 1822-1905- Portrait of a young boy, half-length in a red coat holding a sword; oil on canvas, signed and dated

1851, 45x34.3cmPlease refer to department for condition report

210Charles Leaver, British 1824-1888- View of ancient woodland; oil on canvas, signed and dated 1885, 79x127cmPlease refer to


211Charles Leaver, British 1824-1888- Holy Trinity Church, Stratford-on-Avon, in winter; oil on canvas, signed and dated 1876, 70x112cm

(unframed) Please refer to department for condition report

212George Vicat Cole RA, British 1833-1893- By the river bank: Thames View; oil on canvas, signed with monogram, 45x75.5cmPlease


213

British School, mid-19th century- Portrait of a man seated half-length wearing 18th Century costume with a frilled lace cravat and floral

decorated jacket; oil on canvas, 76x74cm Note: from the inscription on the reverse of the painting we can discern the stencil marks of

Lechertier Barbe, Regent St ...[more]

214 French School, mid-19th century- Reclining draped male figure; oil on canvas, 58.5x73cmPlease refer to department for condition report

215Col. Robert Charles Goff, Irish 1837-1922- Near to Garden Nr Camp; watercolour, signed, 28x43.5cmPlease refer to department for

condition report

216

Adolphe Lalauze, French 1838-1906- La Bible; etching, signed within the plate, proof before letters, 16.8x11cm: together with one other

etching by the same artist entitled the Stolen Kiss after F Flameng: Henri Lefort, French 1852-1916- Pepita, after F Flameng; ethcing:

Marcel Eugene Louveau-Rouveyr ...[more]

217Alfred Pollentine, British 1836-1890- The Rialto, Venice and St Mark’s Square, Venice; oils on canvas, a pair, both signed, both signed

and inscribed on the reverse, 46x35.5cm., ea., (2)Please refer to department for condition report

218British Naive School, mid-19th century- Cat at a table in a larder; oil on canvas 50.5x60.7cm: Follower of George Morland, British 1763-

1804- Study of a pig on a farmyard; oil on panel, 13x15cm., (2) (part unframed)Please refer to department for condition report

219British Primitive School, mid-late 19th century- Interior scene with a family playing cards; oil on tin, 35.5x51cmPlease refer to


220John Ray, British, mid-late 19th century- Shipping off a headland in stormy weather; oil on canvas, signed, 76.5x127.5cm Please refer to


221Attributed to Marie-Edouard Adam, French 1847-1929- Sail and steamship in a storm; oil on canvas, 45x66.5cmPlease refer to


222

William Aiken Walker, American 1839-1921- A cabin scene with children and chickens; oil on board, signed, 30.2x23cm Note: Walker

established an artistic career as a painter of scenes from the American South throughout the late 19th century. During the 1880s, he

regularly made trips along the Mississ ...[more]

223French School, mid-late 19th century- Portrait of a gentleman seated three-quarter length turned to the left wearing a blue coat with a

shipping trunk; oil on canvas, 35x27cmPlease refer to department for condition report

224

William Darling McKay RSA, Scottish 1844-1924- Shepherd with his flock; oil on canvas, signed, bears inscribed label to the reverse of

the frame, 30.5x41cm Provenance: with Stirling Fine Art Association, Smith Institute, Stirling, according to the label attached to the

reverse of the frame, inscribe ...[more]

225Benez Knupfer, Czech 1844-1910- A Nymph and a Satyr; watercolour heightened with gouache, signed, 30.5x20.8cm Provenance:

Bonhams, London, 13th January 2009, lot 276; Private collectionPlease refer to department for condition report

226

Mihály Munkácsy, Hungarian 1844-1909- Study of men; pencil, signed and inscribed, 20.5x17.5cm Note: Munkácsy today is considered

to be the main contributor towards the rise of Hungarian art, and a significant member of the development of 19th century European art.

In 1865, Munkácsy studied at the Ac ...[more]

227

Department of Science and Art of the Committee of Council on Education, 1853-1899- Nine Examples of Modern Etchings; to include

the plates by Robert Walker Macbeth RA RE, Birket Foster, Leon Lhermitte, Colin Hunter ARA, J P Heseltine, J MacWhirter ARA, Ana

Lea Merritt, Leon Lhermitte and J D Watson, ...[more]

228

Edward H Niemann, British, active 1863-1867- River Swale, with Richmond Castle in the distance; oils on canvas, a pair, one signed,

51x76cm ea., (2)River landscape with sun in sky & no bridge:Held in a glazed gilded composition Louis XIII style frame, early 20th

century. Taping on over the stretcher ...[more]

229Attributed to Leslie E B Smythe, British act 1863-1867- Boatman on a tranquil river shore; oil on canvas, signed, and dated indistinctly,


230Frederick William Hayes ARCA, British 1843-1918- River Terrace, Watergate; oil on canvas, signed, 35.5x51cmPlease refer to


231Frederick William Hayes ARCA, British 1848-1918- Bardsey Sound, Wales; oil on canvas laid down on panel, signed, 64x105cm Please


232Joseph Thors, Dutch 1843-1898- Figure in a wooded landscape; oil on canvas, signed, 92.5x72cm Please refer to department for

condition report

233British School, mid-late 19th century- Tilgate Forest; oil on canvas, signed and dated indistinctly, bears inscription to the reverse of the

stretcher, 42.2x61.7cmPlease refer to department for condition report

234William Stone, British 1842-1913- Cottage and church in a wooded landscape in winter; oil on canvas, signed with monogram on the

reverse, 75.2x126.5cmPlease refer to department for condition report

235Henry Cheadle, British 1852-1910- On the Avon at Ashow, Warwickshire; oil on canvas, signed and dated 72, bears inscribed notes and

receipt attached to the reverse, 25x41cmPlease refer to department for condition report

236Joseph Paulman, British, mid-late 19th century- Shepherd resting with a flock of sheep on moorland; oil on canvas, signed,


237Charles L Saunders, British act 1855-1915- Wood Head Loch, N B; watercolour, signed, 68x124cmPlease refer to department for

condition report

238William Mellor, British 1851-1931- Fairy Glen, North Wales; oil on canvas laid down on board, signed, bears inscription on the reverse,


239R Lee, British, mid-late 19th century- Highland river landscapes; oils on canvas laid down on board, a pair, one signed, one signed with

monogram, ea., 50x77cm., (2)Please refer to department for condition report

240Henry Harris, British 1852-1926- Coastal landscapes with fieldworkers and fisherfolk; oils on canvas, a pair, ea. signed, 20.2x36.8cm.,

ea., (2)Please refer to department for condition report

241Henry John Yeend King RBA VPRI ROI, British 1855-1924- A Bit of Hampstead; oil on canvas, signed, bears inscription on the reverse

of the stretcher, 28.5x40.5cmPlease refer to department for condition report

242Attributed to David James, British 1853-1903 exh 1883-1897- Frith Sands, Cark; oil on canvas, bears inscription and date on the

stretcher, 30.5x50.5cmPlease refer to department for condition report

243

August von Siegen, German 1850-1910- Moored shipping in a Continental harbour; coastal scene with sailing barges and figures on a

shore with shipping in a storm; oils on panel, three, all signed, ea. 18.5x31.5cm, (3)Please refer to department for condition reportea. in

matching gilded slips

244

Alfred Seifert, Czech 1850-1901- Portrait of a girl, quarter-length in an embroidered dress and lace bonnet; oil on panel, signed,

27x20.5cm Provenance: with T Richardson & Co., Dealers in Works of Art, Printsellers and Publishers, 43 Piccadilly, London W.,

according to the label attached to the rev ...[more]

245William John Wainwright RWS RBSA, British 1855-1931- Interior scene with a fire place an delft plates, 1880; watercolour, signed with

monogram and dated, 26.5x35cm Please refer to department for condition report

246William Strang RA, Scottish 1859-1921- The Cathedral, Segovia; etching, 1913, signed in pencil, from the edition of 100, 26x31.5cm.,


247G B de Poveda, Spanish, mid-late 19th century- Study of pink and white roses; watercolour, signed, 47x27cmPlease refer to department


248

Henri Schäfer, French 1833-1916- Tournai, Belgium; pen and grey black ink and watercolour heightened with white, signed and

inscribed, 24x19cm: together with one other watercolour of a European townscape by the same artist, 19x14cm., (2)Please refer to


249

AMENDMENT: Please note the title of this work should read HMS Warrior and Warspite at the Battle of Jutland, 31 May 1916William

Lionel Wyllie RA RBA RE RI NEAC, British 1851-1931-HMS Warspite and Warrick, Jutland 31 May 1916;etching, signed in pencil,

20.3x42cm: together with one other etching by th ...[more]

250Paul César Helleu, French 1859-1927- Portrait of Madame Helleu;etching with drypoint, signed and numbered 2e in pencil,


251

Louis Ruet, French 1861-1951- Napoleon, after Jean Louis Ernest Meissonier; drypoint etching with remarque, signed in pencil by

printmaker, from the edition limited to 375 signed Artist's Proofs, published 1914 by C Klackner 7 West 28th Street New York 20 Old

Bond Street London, 27x21.2cm (ARR)Pleas ...[more]

252Franz Teichel, German b.1861- Procession of Alexander II; pencil, ink and wash, heightened with white on card, signed, 24x36cm

Provenance: Nina Zouboff, 1929-2018Please refer to department for condition report

253British School, late 19th century- A Vase of Flowers; watercolour, 25.5x18.5cm Provenance: with Sabin Galleries Limited, London,

according to the label attached to the reverse of the framePlease refer to department for condition report

254

Sir William Nicholson, British 1872-1949- An Almanac of Twelve Sports; lithographs, the complete set of twelve, published by William

Heinemann 1890, 26x22.5cm ea., (12) Provenance: with Anne Campbell Macinnes at the Lantern Gallery, Bath, according to labels on

the reverse of ea.; Galerie Athena Auc ...[more]

255

Walter Frederick Osborne RHA ROI, Irish 1859-1903- Portrait of Annie Jane Osborne, the Artist's Mother, 1892; pastel on paper, signed

and dated, 38x26cm Provenance: with Jorgennsen Fine Art, Dublin; Sotheby's, London, 19th November 2019, lot 43 Exhibited: Royal

Hibernian Academy of Arts, Exhibition ...[more]

256

John Axel Richard Beer, British 1853-1906- Racing at Epsom; pencil, watercolour and gouache on paper, signed and inscribed,

23.5x44cm Note: Certified by Cecilia Beer, Stockholm, Nov 2001, Rg no 221, according to stamp on the reverse of the framePlease


257F Pengani, Italian, late 19th century- A monk refusing more wine; oil on panel, signed, 33.7x44.7cmPlease refer to department for

condition report

258

Circle of Georgios Jakobides, Greek 1853-1932- Portrait of man seated half-length turned to the left in a red and black cap; oil on un-

stretchered canvas, 27 x 24cm (VAT charged on hammer price) Provenance: Private collection, LondonPlease refer to department for

condition report

259Leopold Schmutzler, Austrian 1864-1941- A young beauty; oil on board, signed, 67x50.8cmPlease refer to department for condition

report

260

R Yacano, mid-late 19th century- The Anxious Fishwife and the Survivor; oil on canvas, bears applied label for Geo Hughes 46 Pilgrim

Street Newcastle applied to the reverse of the stretcher and slip, 72.5x98cm Provenance: John Dickenson collection Sunderland, 19th

Century; sold Christie’s December 4 ...[more]

261P V Yavtushenko, Russian, late 19th/early 20th century- Portrait of an old man standing leaning on a stick; oil on canvas, signed in

Cyrillic, 30.2x22cmPlease refer to department for condition report

262European Orientalist School, late 19th/early 20th century- Study of a man in a turban, half-length turned to the right carrying a rug; oil on

canvas, 30.5x22cmPlease refer to department for condition report

263British School, late 19th century- Girl by the seaside with two wooden buckets; oil on panel, signed with monogram WL,


264

J R Miller, Scottish exh 1880-1912- Continental townscape with a canal and moored barges; watercolour and gouache, signed,

32.5x22.5cm: Provenance: with Taylor & Brown, The Modern Gallery 121A George Street Edinburgh, according to the label attached to

the reverse of the frame: British School, late ...[more]

265 Charles Thomas Bale, British act. 1866-1895- Still life; oil on canvas, signed, 35x45.5cmPlease refer to department for condition report

266

Alexis Cowparet, American 1856-1906- River landscape with woodland and distant hills; oil on canvas, signed and dated 87, 33x51cm:

together with a farmyard study with a buil in oils on canvas by the same artist, signed and dated 85, 44x40.5cm., (2) (unframed)Please

refer to department for condition ...[more]

267M Kaufman, mid-late 19th century- Cows and horses grazing in wooded landscape; oil on canvas, signed, 69x106cmPlease refer to


268

Edward Partridge, British exh 1879-1896- Horse and cart outside an inn on a winter's day; oil on canvas, signed, dated indistinctly,

76x127cm Note: Edward Partridge exhibited his work at the Royal Birmingham society of Artists from 1879 to his death in 1896Please

refer to department for condition re ...[more]

269Eugene Leslie Smythe, British 1857-1932- Cows watering in a highland loch; oil on canvas, signed, 76.5 x127.5cmPlease refer to


270Francis E Jamieson, British 1895-1950- Figure by cottages on the shores of a highland loch and Rapids with lone pine trees and mist

covered mountains beyond; oils on canvas, a pair, ea. signed, 50.5x76.2cm (2) (ARR)Please refer to department for condition report

271Francis E Jamieson, British 1895-1950- Mill by a cascade in the highlands at sunset and Tranquil highland loch scene with a cottage at

sunset; oils on canvas, a pair, ea. signed, 50.5x76.2cm (2) (ARR)Please refer to department for condition report

272Circle of George Stein, French 1870-1955- Lady seated by a pagoda in a parkland setting at night; gouache on coloured card,

53.5x39.4cmIn gilded and glazed frame with cream mount

273

Augustus Osborne Lamplough ARA RWS, British 1877-1930- A street scene, Cairo; watercolour, signed and titled, 35x24.5cm; together

with two other watercolours by the same artist, one titled 'Rue Avril, le Caire', signed, titled and dated 1905, 35x22cm, and 'A bit of old

Cairo', signed and titled, 35x ...[more]

274

Augustus Osborne Lamplough ARA RWS, British 1877-1930- Riders on camels in full charge in the desert;watercolour, signed and

dated 1911, 49.5x74cm Provenance: Grundy & Smith, Manchester, according to the label attached to the reverse of the framePlease


275Augustus Osborne Lamplough ARA RWS, British 1877-1930- The Pyramids of Giza; watercolour, signed and inscribed, 22x59cmPlease


276

Tristram James Ellis, British 1844-1922- Middle Eastern mountain landscape, 1891; watercolour, signed and dated, 25.5x34.7cm

Provenance: with Rustington Gallery, Sussex, according to the label attached to the reverse of the framePlease refer to department for

condition report

277

Robert John Cameron Brough ARSA, Scottish 1872-1905- Sketch for Beggar in Anne of Brittany, a sketch; oil on canvas, signed and

dedicated to my friend Mann, bears inscription Sketch for Beggar in Anne of Brittany, Picture Bought by Italian Government, Venice, on

the reverse, 61.5x45.5cm Note: Robert ...[more]

278

Margaret Campbell Macpherson, Canadian/Scottish 1860-1931- Portrait of a young girl; oil on panel, signed, 35x27cm Note: Born in

Canada, Macpherson moved to Scotland early in her life to study painting. Between 1880 and 1884 she studied under Auguste-Henri

Berthoud in Switzerland before returning to ...[more]

279Attributed to William George Robb, British 1878-1940- In Kent; oil on panel, bears inscription on the reverse, 25x35.5cm: British School,

19th century- Sheep on a hillside; oil on panel, 20x30cm., (2) (unframed)Please refer to department for condition report

280British Impressionist School, late 19th century- View of a cottage with woodland; oil on panel, 12.5x21.5cmPlease refer to department


281

James Thomas Watts RCA, British 1853-1890- A Winter Afternoon; oil on canvas, signed, bears inscribed label attached to the reverse

of the stretcher, 68.8x56cm Note: label reads ' A winter afternoon, by James T Watts RCA, 34 Lidderdale Rd, Sefton Park,

Liverpool'Please refer to department for condit ...[more]

282Henry Franks Waring, British act 1900-1928- On the Thames, Richmond Bridge, 1909; watercolour, signed and dated in pencil, bears

inscription on the reverse of the frame, 19.5x25.2cm (ARR)Please refer to department for condition report

283Arne Hjersing, Norwegian 1860-1925- Cottage in an mountain winter landscape; oil on canvas, signed, 45.5x70.5cmPlease refer to


284Giuseppe Rossi, Italian 1876-1952- Seascape; oil on canvas, signed, 97x146cm Provenance: Private collection, London Please refer to


285British School, late 19th century- View of woodland with a river and Oast houses; oil on canvas laid down on board, 22x17cmPlease


286

H Randolph Rose, British act 1880-1907- Old timbered dwellings; watercolour, bears old inscribed label verso H Randolph Rose 7

Holland Park Rd Kensington, 22.5x13.5cm Note: Mrs H Randolph Rose was known as Mrs H Randolph Rose of AlgiersPlease refer to


287

Edward Steel Harper RBSA, British 1878-1951- Portrait of Sir Robert Michael Simon FRCP (1850-1914), seated half-length in a library;

oil on canvas, signed with monogram and dated 1914, 86x96.5cm (ARR) Note: From 1879 Simon was the physician to Birmingham

General Hospital, he would go onto be Honorar ...[more]

288

Attributed to Laurence Hilliard, English 1581/82-1648- Portrait miniature of a bearded nobleman, quarter-length turned to the left,

wearing a black doublet, cap and lace ruff, against a blue ground with inscription in gold Anno Dm. 1635 Aetatis Sua.77. and initial H, in

a double sided glazed, hinged ...[more]

289Circle of Peter Crosse, British 1645-1724- Portrait miniature of a gentleman, quarter-length turned to the right, wearing a blue gown and

lace cravat, oval, in a glazed oval gold frame, 5.5x4cmPlease refer to department for condition report

290

Attributed to David Loggan, English 1634-1692- Portrait miniature of a gentleman, traditionally held to be Dr Master Cevilian, quarter-

length turned to the right, in shirt, doublet, coat and collar, plumbago on vellum, oval, bears inscription on the reverse of the frame, in an

early 19th century gla ...[more]

291

Attributed to David Loggan, English 1635-1692- Portrait miniature of a nobleman, traditionally held to be James Drummond, 3rd Earl of

Perth, (d.1675), quarter-length turned to the right, wearing front and back plate and embroidered tunic shirt, oval, in a glazed oval gilded

moulding frame, bears ins ...[more]

292Circle of Thomas Forster, British act. c.1690-1713- Portrait miniature of a gentleman, quarter-length turned to the right, wearing robes

and lace cravat, plumbago on vellum, oval, in a glazed oval ebonized frame, 10x8cmPlease refer to department for condition report

293

Thomas Forster, British, act c.1690-1713- Portrait miniature of a gentleman quarter-length turned to the right, wearing robes and lace

cravat, plumbago on vellum, oval, signed and inscribed, in a glazed oval ebonised frame, 10.5x7.7cmPlease refer to department for

condition report

294

Circle of Jean André Rouquet, Swiss 1701-1758- Portrait miniature of a naval officer, quarter length turned to the left wearing a dark

blue uniform with red collar and gold epaulettes, tondo, in a glazed ebonized tondo frame with gilded sight, 4.5cm dia. Note: inscribed on

the reverse: Maurice Rouss ...[more]

295Circle of Gervase Jarvis Spencer, British c.1715-1763- Portrait miniature of a young gentleman, quarter-length turned to the right with

powdered hair en queue, wearing red tunic, oval, in a glazed oval gold frame, 4.5x3.6cmPlease refer to department for condition report

296

Circle of Nathaniel Hone, British 1718-1784- Portrait miniature of a gentleman, quarter-length turned to the left with powdered hair,

wearing a scarlet coat, blue waistcoat and white lace cravat, against a plain background, oval, held in a rectangular ebonised frame with

glazed oval aperture, bears ...[more]

297

Circle of Richard Crosse, British 1742-1810- A pair of portrait miniatures of a gentleman and his wife, the former quarter-length turned to

the left, wearing brown coat and white waistcoat against a grey background, the latter wearing a pink dress, veil and collar necklace

against a grey background, ...[more]

298

Circle of Henry Spicer, British c.1742-1804- Portrait miniature of a British officer, possibly in militia uniform, with powdered hair en

queue, quarter-length turned to the left, wearing red tunic with dark blue facings and epaulettes, black stock and lace cravat, oval, in an

glazed oval gold clasp ...[more]

299

Circle of Charles Shirreff, Scottish c.1750-c.1829- Portrait of a British officer, circa 1775, with powdered hair en queue, head and

shoulders turned to the left, wearing red uniform white facings and epaulettes, silver buttons, black stock and white shirt, oval, in a

modern ebonized rectangular fra ...[more]

300

Circle of Nathaniel Plimer, British 1757-1822- Portrait miniature of a British Staff Officer, traditionally held to be Godfrey Evans Baker,

(1750-1786), quarter-length turned to the right, wearing red uniform with brocade facings, epaulettes and aiguillettes, oval, in an

ebonized rectangular frame w ...[more]

301

Circle of Charles Shirreff, Scottish 1750-1829- Portrait miniature of a British officer with powdered hair, quarter-length turned to the right,

wearing red uniform with blue collar, silver epaulettes and buttons, in a glazed oval gold frame, the bezel with plaited hair, the blue

enamel reverse with ...[more]

302After Joseph Kreutzinger, Austrian 1757-1829- Portrait miniature of Francis II, Holy Roman Emperor, (1768-1835), half-length turned to

the left, c.1820, tondo, in a glazed gilt tondo frame, 6cm dia.Please refer to department for condition report

303

Circle of George Place, British c.1755-1805/9- Portrait miniature of a British officer, quarter-length turned to the left, wearing blue

uniform, red collar with gold piping, gold epaulettes and buttons, against a cloudy sky background, oval, in a glazed oval gilt frame, the

grazed reverse enclosing ...[more]

304

Circle of Jean-Baptiste Sambat, French 1760-1827- Portrait miniature of a gentleman, quarter-length turned to the right, wearing a dark

blue coat, possibly velvet, white stock and gold cravat pin, oval, in a rectangular ebonised frame with glazed oval aperture and gilt sight

edge, 6.5x5.5cmPlease re ...[more]

305

George Hayter, British 1792-1871- Portrait miniature of a lady, half-length turned to the right in a white dress and coral necklace, black

veil, against a brown background, oval, in an oval red Morocco leather mounted hinged case, signed and dated 1811 on the reverse,

7.8x6cmPlease refer to departme ...[more]

306

British School, early 19th century- Portrait miniature of a British officer, quarter-length turned to the right, wearing red uniform, with black

facings, gilt buttons and gold epaulettes, in a glazed oval gilt frame, the glazed blue enamel reverse with central oval locket enclosing

plaited hair, 6.5 ...[more]

307

British School, early 19th century- Portrait miniature of a British officer of the 34th (Cumberland) Regiment of Foot, quarter-length turned

to the right, wearing red uniform with yellow collar, white shoulder belt, silver shoulder belt plate bearing the number 34 within laurels,

silver epaulettes a ...[more]

308

H M Harrison, British, early 19th century- Portrait miniature of an officer, half-length turned to the left, wearing red uniform, gold

epaulettes, continental decorations, red sash and black cloak, signed, rectangular, in a glazed gilt rectangular frame with engine-turned

frieze, 9x7.5cm: together w ...[more]

309

Circle of Benjamin Arlaud, Swiss 1669-1719- Portrait miniature of a gentleman, quarter-length turned to the left, oval, in an oval purple

plush mounted case, 5x4.2cm: British School, late 18th century- Portrait miniature of an officer, quarter-length turned to the left, oval, in

a gold coloured meta ...[more]

310

Follower of Richard Cosway RA, British 1742-1821- Portrait miniature of a gentleman, traditionally held to be the father of Mary Anne

Wallis, quarter-length turned to the right in a blue coat, held in a 19th century gilded composition double swept frame with glazed oval

aperture, 6.5x5cmPlease refer ...[more]

311

William John Thomson RSA, American/Scottish 1771-1845- Portrait miniature of a lady seated half-length turned to the right with sheet

music, held in a red morocco mounted fitted case with applied paper label Painted by Mr Thomson N 212 Piccadilly London,

8.5x6.5cmPlease refer to department for condi ...[more]

312

John Cox Dillman Englehart, British 1784-1862- Portrait miniature of a lady, quarter-length turned to the right in a black cape and white

bonnet, oval, held in a ebonised rectangular frame with glazed oval aperture and gilt metal sight edge, bears inscription on the reverse,

5.5x4.5cm Please refer ...[more]

313Casimir Carbonnier, French 1787-1873- Portrait of a gentleman, quarter-length turned to the right in a black coat and white stock;

watercolour, signed and dated 1826 in pen and brown ink, 21.5x19cmPlease refer to department for condition report

314

French School, early 19th century- Portrait miniature of J F S Blanpain, capitaine d’artillerie de la Garde Civique de Namurm Chevalier

le 15/12/1833, ne a Bruxelles le 29 Mrs 1797, quarter-length in a blue uniform, oval, in a fruitwood veneered rectangular frame with

glazed oval aperture with gilde ...[more]

315

Annie Underwood RBA RMS, British 1876-1942- The Green Apple, 1913; Portrait miniature, inscribed on the reverse Annie Underwood

Cullinghurst East Grinstead The Green Apple, signed with monogram, held in a glazed gilded composition frame, 10x8cmPlease refer to


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