Romanticism Artists who felt limited by Neoclassicism, began creating more emotional artwork giving...
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![Page 1: Romanticism Artists who felt limited by Neoclassicism, began creating more emotional artwork giving rise to Romanticism. Named after the revival of interest.](https://reader030.fdocuments.net/reader030/viewer/2022032709/56649ebf5503460f94bca3e4/html5/thumbnails/1.jpg)
Romanticism• Artists who felt limited by Neoclassicism, began creating more
emotional artwork giving rise to Romanticism.
• Named after the revival of interest in medieval stories like King Arthur – heroic stories referred to as “romances.”
• Sometimes inspired by current events, particularly tragedies.
• Also inspired by Africa and the Orient.
• Shows a respect for nature and a desire for a simpler time, before industrialism.
• Characterized by colour, emotion, content and passion.
• This movement is also in poetry (eg. Wordsworth and Keats) and Music (eg. Beethoven and Schubert).
![Page 2: Romanticism Artists who felt limited by Neoclassicism, began creating more emotional artwork giving rise to Romanticism. Named after the revival of interest.](https://reader030.fdocuments.net/reader030/viewer/2022032709/56649ebf5503460f94bca3e4/html5/thumbnails/2.jpg)
29. Francisco Goya. Saturn Devouring one of his Sons. (1819-23) Oil on canvas.
• Goya was a rebel & libertarian – opposed to tyranny of all kinds
• worked as a court painter for King Charles IV of Spain
• saw the vices of both church and state
• many of his works focus on social protest
• came to hate humanity – saw only the brutalities of war / torture
• late career – created these “black paintings” focused on violence and his dark imagination
• this piece is based on Classical Mythology – Saturn tries to prevent a prophecy about one of his son’s taking his place (ultimately Jupiter / Zeus overthrows him)
![Page 3: Romanticism Artists who felt limited by Neoclassicism, began creating more emotional artwork giving rise to Romanticism. Named after the revival of interest.](https://reader030.fdocuments.net/reader030/viewer/2022032709/56649ebf5503460f94bca3e4/html5/thumbnails/3.jpg)
30. Henry Fuseli. The Nightmare. (1781) Oil on canvas.
• iconic image of horror
• shows a demon and a horse to represent the “nightmare”
• might be an allegory of disappointment if the model is the artist’s love: Anna Landolt
![Page 4: Romanticism Artists who felt limited by Neoclassicism, began creating more emotional artwork giving rise to Romanticism. Named after the revival of interest.](https://reader030.fdocuments.net/reader030/viewer/2022032709/56649ebf5503460f94bca3e4/html5/thumbnails/4.jpg)
31. Eugene Delacroix. Liberty Leading the People. (1830) Oil on canvas.
• Delacroix was one of the most successful Romantic painters after Gericault
• subject: the French Revolution of 1789 (Bourgeoisie uprising)
• the number three is symbolic = the French flag, 3 rebels, 3 guns, use of triangular composition
• chiaroscuro used
• shows energy and activity – hope for a promising future
![Page 5: Romanticism Artists who felt limited by Neoclassicism, began creating more emotional artwork giving rise to Romanticism. Named after the revival of interest.](https://reader030.fdocuments.net/reader030/viewer/2022032709/56649ebf5503460f94bca3e4/html5/thumbnails/5.jpg)
32. John Nash. Royal Pavilion. Brighton. (1815-1818)
• Borrowed ideas from other times and cultures
• This building meant to be summer home for King George IV of England
• Inspired by Islamic domes and minarets, also contains interior spaces in the styles of Greek, Egyptian, Chinese and Gothic art.