ROBERT RYMAN SELECTED BIBLIOGRAPHY PERIODICALS...

ROBERT RYMAN

SELECTED BIBLIOGRAPHY

PERIODICALS

2018

Battaglia, Andy. “First Comprehensive Survey of Robert Ryman Drawings to Show at Pace Gallery in New

York” (Pace Gallery exhibition preview). Art News, 25 January 2018.

http://www.artnews.com/2018/01/25/first-comprehensive-survey-robert-ryman-drawings-show-pace-gallery-

new-york/

Cohen, Alina. “What Makes a Monochrome Painting Good” (Pace Gallery exhibition review). Artsy, 5 March

2018. https://www.artsy.net/article/artsy-editorial-monochrome-painting-good

McGlynn, Tom. “Robert Ryman: Drawings” (Pace Gallery exhibition review). Brooklyn Rail, 5 March 2018.

https://brooklynrail.org/2018/03/artseen/ROBERT-RYMAN-Drawings

Stapley-Brown, Victoria, Ivy Olesen and Gabriella Angeleti. “Three to See: New York” (Pace Gallery

exhibition review). The Art Newspaper, 22 February 2018. https://www.theartnewspaper.com/news/three-to-

see-new-york-23-2

2017

Colaizzi, Vittorio. “How Robert Ryman got from Jazz to Abstract Painting.” Phaidon, 16 November 2017.

http://www.phaidon.com/agenda/art/articles/2017/november/14/how-robert-ryman-got-from-jazz-to-abstract-

painting/

Robert Ryman: Selected Bibliography—Periodicals 2

Kennedy, Randy. “A Master of Minimalism Makes a Maximalist Gift.” The New York Times, 13 April 2017:

C4, illustrated.

Li, Suchao. “White.” Artco China (May 2017): 53–59, illustrated.

2016

Macel, Christine. “Best of 2016: 6. Robert Ryman” (Dia:Chelsea exhibition review). Artforum 55, no. 4

(December 2016): 203, installation view.

McDermon, Daniel. “When a White Square Is More Than a White Square” (Dia: Chelsea exhibition review).

The New York Times, 4 February 2016. http://www.nytimes.com/interactive/2016/02/04/arts/design/robert-

ryman-dia-chelsea.html

“10 Farben Weiss Robert Ryman.” Conversation among Urs Raussmüller, Jan Dibbets, Gerhard Richter,

Cordy Ryman et al. Blau, no.13, September 2016: 46–57, illustrated.

Panicelli, Ida. “New York: Robert Ryman, DIA:Chelsea” (exhibition review). Artforum, accessed 25 March

2016. http://artforum.com/picks/id=57236

Rhodes, David. “Robert Ryman” (Dia: Chelsea exhibition review). The Brooklyn Rail (February 2016),

illustrated. http://www.brooklynrail.org/2016/02/artseen/robert-ryman-feb2016

2015

Kahn, Howie. “Home Is Where the Art Is: The Ryman Family.” The Wall Street Journal Magazine, December

2015/January 2016: 156–9, illustrated.

Smith, Roberta. “One Color Holds the Key to Many” (Dia: Chelsea exhibition review). The New York Times,

11 December 2015: C25.

2014


Carabelli, Emilia. “Quando l’arte si combina con il turismo” (Pace at Chesa Büsin exhibition review). Corriere

del Ticino, 13 March 2014: 34, illustrated.

Jovanovic, Rozalia. “Artnet News’ Top 10 Most Expensive Living American Artists.” Artnet News, 28 April

2014. http://news.artnet.com/market/ten-most-expensive-american-artists-11863

2013

Buchloch, Benjamin H.D. “Painting as Diagram: Five Notes on Frank Stella’s Early Paintings, 1958–1959.”

October, no. 143 (Winter 2013): 126–144, illustrated.

“Galleries: Pace Gallery” (exhibition review). Time Out New York, 19–25 September 2013: 42.

Hudson, Suzanne. “Robert Ryman, Pace” (exhibition review). Artforum 52, no. 4 (December 2013): 260–261,

illustrated.

Patkin, S. “New York – Robert Ryman: ‘Recent Paintings’ at Pace Gallery Through Oct 26th, 2013” (exhibition

review). Art Observed, 29 September 2013. http://artobserved.com/2013/09/new-york-robert-ryman-

%E2%80%9Crecent-paintings%E2%80%9D-at-pace-gallery-through-oct-26th-2013/

Pogrebin, Robin. “Art: One Artist, Several Scenes” (Pace Gallery exhibition review). The New York Times, 15

September 2013: 4, illustrated.

Plagens, Peter. “Persuasion in Pieces and Disarray” (Pace Gallery exhibition review). The Wall Street

Journal, 28 September 2013: A20, illustrated.

Wei, Lily. “Robert Ryman” (Pace Gallery exhibition review). Art News 110, no. 10 (November 2013): 112,

illustrated.

2011

Archey, Karen. “Signature and Style.” Flash Art 44, no. 276 (January–February 2011: 72–75, illustrated.

“Profiles: Robert Ryman.” Art Economist 1, no. 1 (January 2011): 30, illustrated.


2010

Damiano, Michael. “Review: Robert Ryman: Variations and Improvisations at the Phillips Collection”

(exhibition review). Artdaily.org, 26 July 2010. http://www.artdaily.org/index.asp?int_sec=2&int_new=39483

Hudson, Suzanne. “Robert Ryman, PaceWildenstein” (exhibition review). Artforum 48, no. 9 (May 2010):

246, illustrated.

Rosenberg, Karen. “Robert Ryman: ‘Large-Small, Thick-Thin, Light Reflecting, Light Absorbing’” (exhibition

review). The New York Times, 19 March, 2010: C31.

Yau, John. “Robert Ryman: Large-small, thick-thin, light reflecting, light absorbing” (exhibition review). The

Brooklyn Rail (March 2010).

2009

Berwick, Carly. “Weak Economy, Strong Art.” Art in America (February 2009): 28, illustrated.

2008

Cotter, Holland. “Golden Oldies All Over Chelsea” (Yvon Lambert exhibition review). The New York Times, 4

December 2009: C37.

Hudson, Suzanne. “Robert Ryman: The ‘How’ and the ‘What.’” Flash Art 41, no. 263 (November/December

2008): 52–54, illustrated.

Imdal, Georg. “Es is ähnlich wie Musik hören.” Kölner Stadt Anzeiger, 1 July 2008. 21, illustrated.

Mack, Gerhard. “Die Liebe zur Farbe Weiss.” Art, no. 6 (June 2008): illustrated.

Platzker, David. “How to Make Art.” 2wice 9, no. 2 (2008): 4–12.


Schweizer, Martin. “Der Herr der weissen Bilder.” Schaffhauser Nachrichten, 5 April 2008: 19, installation

view.

2007

Bonami, Francesco. “Isolated Incident” (Venice Biennale exhibition review). Artforum (September 2007): 396.

Coggins, David. “Robert Ryman at PaceWildenstein” (exhibition review). Art in America (November 2007):

207, illustrated.

Cohen, David. “Gallery–Going: When Painted Opposites Attract” (PaceWildenstein exhibition review). New

York Sun, 15 March 2007: 15, illustrated.

Cohen, David. “Venice Biennale 2007: The Olympics of the Visual Arts” (exhibition review). New York Sun,

11 June 2007: 15.

Colaizzi, Vittorio. “‘How It Works.’ Stroke, Music, and Minimalism in Robert Ryman’s Early Paintings.”

American Art: Smithsonian American Art Museum 21, no. 1 (Spring 2007): 28–49, illustrated.

Colaizzi, Vittorio. “Two Kinds of Thickness in Abstract Painting.” The Painting Center.

http://thepaintingcenter.org/2007/04/09/two–kind–of–thickness–in–abstract–paintnig/ (accessed 10 May

2007).

Hudson, Suzanne. “Robert Ryman’s Pragmatism.” October 119 (Winter 2007): 121–138, illustrated.

Jordan, Courtney. “Art Talk: As Seen on TV.” Art News 106 (October 2007): 64.

MacAdam, Barbara A. “Reviews: The Venice Biennale” (exhibition review). Art News 106 (September 2007):

144–145.

Mack, Joshua. “Art: Robert Ryman” (PaceWildenstein exhibition review). Time Out New York, 5–11 April

2007: 74, illustrated.


Morgan, Jessica. “Categorical Imperatives” (Venice Biennale exhibition review). Artforum (September 2007):

391–397.

Ryman, Robert. “In Conversation: Robert Ryman with Phong Bui” (PaceWildenstein exhibition review). The

Brooklyn Rail (June 2007): 20–23, illustrated.

Tully, Judd. “A Modern Pathfinder.” Art + Auction (March 2007).

Schjeldahl, Peter. “The Art World: Abstraction Problem” (PaceWildenstein exhibition review). The New

Yorker, 19 March 2007: 146–147.

Siegel, Katy. “The Buck Stops Here” (Venice Biennale exhibition review). Artforum (September 2007): 388–

397, illustrated.

Tupitsyn, Margarita. “Black Square: Hommage à Malevich” (exhibition review). Artforum (September 2007):

465.

Vetrocq, Marcia. “The Venice Biennale, all’americana” (exhibition review). Art in America (September 2007):

136–147+.

Wennerstrom, Nord. “Philadelphia—Robert Ryman: Small Works” (exhibition review). Artforum.com,

http://www.artforum.com/ (accessed 10 January 2007).

2006

Checkland, Sarah Jane. “Collecting: ‘I Couldn’t Live Without It.’” Financial Times, 2–3 December 2006: 11.

Fineman, Mia. “Psst, You Want a Donald Judd? I’ve Got a Connection.” The New York Times, 15 October

2006: 30, illustrated.

Tuchman, Phyllis. “Report from Monte Carlo: A Helluva Town” (Grimaldi Forum exhibition review). Art in

America (November 2006): 88–89, illustrated.

2005


“The Art News 200 Top Collectors: Michael Ovitz.” Art News (Summer 2005): 167, discussed.

Emerling, Susan. “Looking After Their Own.” Art News 104 (May 2005): 128–131, illustrated.

“Forest of Art.” Japan Art Association Newsletter, no. 22 (Winter 2005): illustrated; cover.

MacAdam, Barbara A. “Robert Ryman: PaceWildenstein” (exhibition review). Art News 104, no.3 (March

2005): 115, illustrated.

Montreuil, Gregory. “On the Edge” (PaceWildenstein exhibition review). The Villager, 5–11 January 2005:

illustrated.

“On View: Robert Ryman.” Dallas Museum of Art Magazine (October–November 2005): 4, illustrated.

Ryman, Robert. “Jazz Tunes and White Paint.” Interview by Ethan Ryman. Yard 2 (2005): 14–21, illustrated.

Ryman, Robert. “World Artist: Robert Ryman.” Gallery 248 (December 2005): 14–21, illustrated.

“17th Praemium Imperiale given to 5 Laureates.” Sanke Shimbun Tokyo, 18 October 2005: 1, 16, illustrated.

Smith, Roberta. “Art in Review: Robert Ryman” (PaceWildenstein exhibition review). The New York Times, 7

January 2005: E43.

Van Gelder, Lawrence. “Arts, Briefly: Awards from Japan.” The New York Times, 18 October 2005: E2.

2004

Aono, Naoko. “Art: Men Attracted by White and Nails.” Vogue Nippon Tokyo (September 2004): 214,

illustrated.

“Artist Talks: Robert Ryman.” Cut (Tokyo), no. 169 (September 2004).


Cohen, David. “Gallery–Going: Robert Ryman” (PaceWildenstein exhibition review). New York Sun,

December 23, 2004: 18.

Cohen, David. “Robert Ryman, Works on Paper, 1957–1964: Peter Blum Gallery” (exhibition review). New

York Sun, July 22, 2004: 10, illustrated.

Colman, David. “The Relentless Pursuit of Less.” The New York Times, July 4, 2004: 8.

Cotter, Holland. “Exactly What About White Don’t You Understand?” (Peter Blum exhibition review). The

New York Times, 4 June 2004: E29, illustrated.

“The First Retrospective of Robert Ryman Exhibition in Japan.” Skyward (July 2004): 112, illustrated.

Goodbody, Bridget L. “Art Reviews: Robert Ryman” (PaceWildenstein exhibition review). Time Out New

York, 30 December 2004–5 January 2005: 56, illustrated.

Hirano, Chieko. “Exhibition: Robert Ryman” (exhibition review). Monthly Art Magazine Bijutsu Techno 56, no.

857 (November 2004): 196–197, illustrated.

Kimmelman, Michael. “‘A Minimal Future’: How Not Much Is a Whole World.” (exhibition review). The New

York Times, April 2, 2004.

Kuspit, Donald. “Robert Ryman: Peter Blum” (exhibition review). Artforum (November 2004): 221–222,

illustrated.

Maeda, Kyoji. “Retrospective in Art 2004” (exhibition review). Yomiuri Shimbun Tokyo, 8 December 2004: 4,

illustrated.

Maeda, Kyoji. “Still Breaking New Ground at the age of 74.” Yomiuri Shimbun Tokyo, 4 August 2004: 4.

Maekawa, Akane. “Art: A Man Who Has Been Pursuing White.” Ryuko Tsushin Tokyo (September 2004):

126–127, illustrated.

Matsuda, Eriko. “Robert Ryman Exhibition.” Weekly Pia Japan, 19 July 2004: 26, illustrated.


Nishida, Kensaku. “White Abstraction in Square.” Asahi Shimbun Tokyo, 9 July 2004: 5, illustrated.

“Robert Ryman.” Monthly Art Magazine Bijutsu Techo Tokyo 56, no. 853 (August 2004): 205, illustrated.

“Robert Ryman: White March.” Geijutsu Shincho Tokyo (September 2004): 121, illustrated.

Ryman, Robert. “The Modern Gone By: Inspiration for a New Way of Art.” The New York Times, 18

November 2004: E3.

Sanda, Haruo. “Art of this Year.” Mainichi Shimbun Tokyo: 14 December 2004: 6.

Sanda, Haruo. “Robert Ryman Exhibition.” Mainichi Shumbun Tokyo, 17 August 2004: 4, illustrated.

Schjeldahl, Peter. “Bare Minimal. Views from New York and Los Angeles.” The New Yorker, 3 May 2004:

108–109.

Shibazaki, Reko. “Artist Talks: Robert Ryman.” Cut Tokyo (September 2004): 133, illustrated.

Sicha, Choire. “Robert Ryman Explains Himself” (PaceWildenstein exhibition review). The New York Times,

26 December 2004: 45.

Stringfield, Ann, ed. “Art: Galleries–Chelsea: Robert Ryman” (PaceWildenstein exhibition review). The New

Yorker, 13 December 2004: 20.

“View: Rich Natural Surroundings and Art of Happiness.” Mrs., no. 597 (October 2004): illustrated.

Yau, John. “The Education of Robert Ryman” (Peter Blum exhibition review). Art on Paper 9, no.1

(September/October 2004): 67, illustrated.

2003

Anderson, H. “Opening this week: Robert Ryman.” (Haunch of Venison exhibition preview). Evening

Standard, 24 January 2003: 36.


“Best of London Exhibitions: Robert Ryman, Haunch of Venison” (exhibition review). Times London, 25

January 2003, illustrated.

Graham-Dixon, Andrew. “In the picture.” Sunday Telegraph Magazine, 5 January 2003: 49.

Jones, Jonathan. “Robert Ryman, Haunch of Venison, London” (exhibition review). Guardian Manchester, 5

February 2003.

Kimmelman, Michael. “The Forgotten Godmother of Dia’s Artists.” The New York Times, 11 May 2003: 19.

Mullins, Charlotte. “A new frame of reference” (Haunch of Venison exhibition review). Financial Times

London, 30 January 2003: VII.

Pollock, Lindsay. “Koons’s ‘Poples’ Topples, But Postwar Sales Remain Strong.” New York Sun, 13

November 2003: 15.

Renton, Andrew. “The White Stuff.” Evening Standard London, 7 January 2003: 39.

“Robert Ryman” (Haunch of Venison exhibition preview). The Guardian: Guide, 25–31 January 2003: 34,

illustrated.

Ryman, Robert. “Painting is for pleasure.” Interview by Louisa Buck. Art Newspaper, no. 133 (February

2003): 20.

Schwendener, Marth. “Robert Ryman at PaceWildenstein” (exhibition review). Artforum (February 2003).

Stevens, Mark. “Soho on the Hudson.” New York, 26 May 2003: 60+.

Wei, Lilly. “Robert Ryman at PaceWildenstein” (exhibition review). Art in America (April 2003): 130–131.

Weiss, Jeffrey. “Space Opera.” Artforum (September 2003): 213–215.

Wilkin, Karen. “The Gallery: Minimal Art, Maximal Setting.” Wall Street Journal, 15 July 2003: D8.


2002

“‘American beauty’ Annely Juda Fine Art” (exhibition review). Art Newspaper (May 2002).

Campbell-Johnston, Rachel. “Rachel Campbell-Johnston’s best London exhibitions: ‘American Beauty: Part

One. Annely Juda” (exhibition review). Times London (June 2002).

Cotter, Holland. “Art Review: A Gift to the Whitney, for New Yorkers to Open.” The New York Times, 25

October 2002: E38.

Dannatt, Adrian. “Robert Ryman: PaceWildenstein.” The Art Newspaper (October 2002): 3.

Kent, Sarah. “American Beauty at Annely Juda” (exhibition review). Time Out London, 26 June–3 July 2002.

Kunitz, Daniel. “Gallery chronicle.” New Criterion (December 2002): 59.

MacAdam, Barbara A. “Reviews: Robert Ryman PaceWildenstein.” Art News (December 2002): 115.

“Robert Ryman” (PaceWildenstein exhibition review). The New Yorker, 11 November 2002: 42.

Trepp, Judith. “Robert Ryman.” (Thomas Ammann Fine Art exhibition review). Art News (October 2002): 166,

176.

Weiss, Jeffrey. “Radiant Dispersion.” Artforum (September 2002): 186–191, 224.

2001

Bois, Yve-Alain. “Robert Ryman: Kunstmuseum” (exhibition review). Artforum (January 2001): 63, illustrated.

“New Materials, New Ideas: Issues In Conservation.” MoMA Magazine (July/August 2001): 6–9.

Smith, Roberta. “Browsing in the Galleries: From the Puzzling to the Self-Evident.” The New York Times, 27

April 2001: E34.


Soutif, Daniel. “Robert Ryman” (Hause Der Kunst, Munich exhibition review). Artforum (April 2001): 132.

Wilson, Andrew. “Voici 100 years of contemporary art.” Art Monthly (February 2001): 22–23.

1999

Buren, Daniel. “Ryman” La Résistance de l’invisible.” Beaux-Arts Magazine, no. 185 (October 1999):

illustrated.

Diehl, Carol. “Robert Ryman.” Art News (April 1999): 115.

Hainly, Bruce. “Best of the ‘90s: 10 Top Tens.” Artforum (December 1999): 112.

McDonough, Tom. “Robert Ryman at PaceWildenstein.” Art in America 87, no.6 (June 1999): 116.

Raussmüller, Urs et al. “Robert Ryman.” Beaux Arts (October 1999).

"Robert Ryman." Les Hors-Série de Beaux Arts Magazine, 1999: 19, illus.

Schwabsky, Barry. “Robert Ryman.” Artforum (May 1999): 176.

Smith, Roberta. “Robert Ryman.” The New York Times, 5 February 1999: E38.

Vogel, Carol. “Dia Center to Open a Museum Upstate.” The New York Times, 9 March 1999, E1.

1998

Vogel, Carol. “Inside Art: A Gift of Rymans.” The New York Times, 20 March 1998: E34.

1997

Carrier, David. “Robert Ryman on the Origins of His Art.” The Burlington Magazine 139, no. 1134

(September 1997): 631–633.


Gardner, Paul. “Who Will Be Remembered in the Year 2022?” Art News (November 1997): 200–203.

1996

Bevan, Roger. “Emmerich/Sotheby’s: The way ahead?” Art Newspaper (July–August 1996).

Bostick, Alan. “Enlightenment at the core of Robert Ryman’s art” (Cheekwood Museum of Art exhibition

review). Nashville Tennessean, 6 June 1996: 1D, 2D.

“8 Days a Week: Our Critic’s Picks” (Cheekwood Museum of Art exhibition review). Nashville Scene, 30 May

1996: 45.

Hughes, Robert. “Golden Oldies.” Time, 4 March 1996: 60–62.

Kertess, Klaus. “Robert Ryman, ‘Standard, 1967.’” Artforum 35 (September 1996): 93, illustrated.

Nahas, Dominique. “Robert Ryman at PaceWildenstein.” Review (June 1996): 5–6.

“Review of PaceWildenstein exhibition.” The New Yorker, 3 June 1996: 20.

“Robert Ryman’s White World.” Nashville Life (June/July 1996): 34–36.

Siegel, Lee. “Reviews: New York, Robert Ryman at PaceWildenstein.” (exhibition review). Art News

(Summer 1996): 156.

Sirmans, Franklin. “Reviews: New York, Robert Ryman at PaceWildenstein.” Flash Art (November–

December 1996): 105.

Tomkins, Calvin. “Total Abstraction.” The New Yorker, 25 March 1996: 92–95.

1995

Adlmann, Jan Ernst. “Report from Santa Fe: Going Mainstream.” Art in America (January 1995): 51–55.


Bailey, Martin. “The twentieth century reaches London.” Art Newspaper (November 1995): 9.

Cameron, Dan. “Critical Edge: Kertess’s List.” Art and Auction (February 1995): 58, 60.

Danto, Arthur C. “Ryman et le postmodernisme.” Art Press, no. 16 (1995) 184–185.

“Front Page: Whtiney Biennial Preview.” Art in America (January 1995).

Johnson, Ken. “Report from New York, Big Top Whitney.” Art in America (June, 1995): 39–55

Knight, Christopher. “A Blue-Chip Gallery Sees Blue Skies in L.A.” Los Angeles Times, 13 August 1995: 53,

56.

Kreyling, Christine. “The ultimate in minimalism.” Boulevard (Winter 1995): 23, 25.

Larson, Kay. “1995 Whitney Biennial.” Atelier (July 1995): 8–17.

Rubinstein, Raphael. “Front Page: Lippard at Bard.” Art in America (December 1995): 32.

Scheljdahl, Peter. “Peinture Abstraite: Début, Milieu ou Fin?” Art Press, no. 16 (1995): 183–184.

Slonim, Jeffrey. “In With the Out Crowd.” Artforum (March 1995): 12–14.

1994

Cameron, Dan. “The Return of Beauty.” Art and Auction (February 1994): 58.

Hugo, Joan. “San Francisco Fax.” Art Issues (May/June 1994): 34–35.

Nehr, Ross. “Robert Ryman: The Great White Hope.” New York Review of Art 1, no. 1 (February 1994): 10–

12.


Ostrow, Saul. “Reviews: Robert Ryman” (The Museum of Modern Art and The Pace Gallery exhibitions

review). Flash Art (May/June 1994): 113, illustrated.

Rian, Jeff. “Art Under Attack.” Flash Art (January/February 1994): 59.

Saltz, Jerry. “A Year in the Life: Tropic of Painting.” Art in America (October 1994): 90–101.

Stein, Deidre. “John Cage Chance Collection.” Art News (September 1994): 88.

Vincent, Steven. “Dream of the Absolute at Beyeler.” Art & Auction (June 1994): 50.

Wood, Christoper S. “Ryman's Poetics.” Art in America (January 1994): 62–71.

1993

Bevan, Roger. “White-out at the Tate.” Art Newspaper, no. 25 (February 1993): 5.

Bower, Tim. “Art: Robert Ryman/Dan Flavin” (The Pace Gallery exhibition review). The New Yorker, 27

December 1993: 32, illustrated.

Carrier, David. “Exhibition Reviews: New York, Museum of Modern Art-Robert Ryman.” The Burlington

Magazine (December 1993).

Czoppan, Gabi. “Aufsteiger des Jahres.” Focus, no. 27, 5 July 1993: 62–67.

Danto, Arthur C. “Art.” Nation, 22 November 1993.

Denizot, René. “Curators: Urs Raussmüller.” Galeries Magazine (December 1992/January 1993): 73–79,

112–113.

Drolet, Owen. “NY Reviews: Singular Dimensions in Painting.” Flash Art (October 1993): 78–79.

Farrow, Clare. “Robert Ryman: A Sequence of Variations.” A.D., no. 33 (1993).


“Goings On About Town.” The New Yorker, 27 December 1993: 32.

Hindry, Ann. “Ryman, Éloge du blanc.” Beaux Arts Magazine, no. 121 (March 1994).

Hughes, Robert. “A Paler Shade of White.” Time, 11 October 1993: 75.

Kramer, Hilton. “White Squares at MoMA: Ryman a Minimal Talent.” New York Observer, 4 October 1993: 1.

Kimmelman, Michael. “Art in Review: Robert Ryman.” The New York Times, 8 January 1993: C18.

Kuspit, Donald. “Neo-News is No News.” Artforum (November 1993): 87–88, 131.

Larson, Kay. “A Paler Shade of White.” New York, 11 October 1993: 81–82.

Levin, Kim. “Voice Choices: Art.” Village Voice, 12 October 1993: 71.

MacAdam, Barbara. “Ryman's New Romanticism” (The Pace Gallery exhibition review). Art News (March

1993): 107, illustrated.

Mack, Gerhard. “Robert Ryman.” Künstler: kritisches Lexikon der Gegenwartskunst, no. 21 (1993): 3–16,

illustrated.

Madoff, Steven Henry. “Robert Ryman: Painting the Paint.” Art News (December 1993): 125.

Massera, Jean-Charles. “Robert Ryman.” Arte Factum (June/July/August 1993): 24–26.

Montolío, Celia. “La experiencia de la vision.” Lapiz 11, no. 94 (1993): 37, illustrated.

Morley, Simon. “Robert Ryman.” Art Monthly (March 1993): 10–11.

“News: Robert Ryman at the Tate.” Flash Art (January/February 1993): 106.

Perl, Jed. “Code Name: Painting.” New Criterion (December 1993): 46–51.


Pedersen, Victoria. “Gallery Go 'Round.” Paper (October 1993): 27.

Royoux, Jean-Christophe. “The Broken Mirror.” Galeries Magazine (Summer 1993): 80–81.

Ryman, Robert. “On Paintings and Pictures.” Interview by David Batchelor. Frieze (May 1993): 42–46.

Smith, Roberta. “More to It Than Meets the Eye: A Show of Minimalist Paintings.” The New York Times, 3

September 1993: C14.

Smith, Roberta. “Robert Ryman Derives Poetry From White on White.” The New York Times, 24 September

1993: C28.

Storr, Robert. “Robert Ryman, des dons simples.” Art Press, no. 181 (June 1993): 19, illustrated.

Tuchman, Phyllis with Robert Storr. “Robert Ryman.” MoMA Magazine (Fall 1993): 8–11.

Turner, Jonathan. “The Berlingieris: A Nun, an Eskimo, and Elvis.” Art News (May 1993): 83–86.

Wallach, Amei. “Ryman's Riches in White.” New York Newsday, 24 September 1993: 81.

Wood, Carol. “Robert Ryman: Versions.” Art Papers (March/April 1993).

1992

“Absolute Malerei ohne Farbe.” Singener Wochenblatt, 20 May 1992.

Altorfer, Sabine. “Robert Ryman–New Paintings.” COOP–Zeitung, 6 August 1992.

Arici, Laura. “Interpretation oder Projektion?” Neue Zürcher Zeitung, 14 September 1992.

Atkins, Robert. “Scene & Heard: Guggenheim or Guggen–Him?” Village Voice, 24 March 1992: 104.

Baumann, Hans. “Die Unendlichkeit von Weiss.” Der Bund, Bern, 21 May 1992.


Betsky, Aaron. “The New Seattle Art Museum.” Artspace (May/June 1992): 51–53.

Bevan, Roger. “Guggenheim: bigger and better.” Art Newspaper (June 1992): 4.

Bois, Yve Alain. “Robert Ryman, Surprise and Equanimity.” Galeries Magazine no. 49 (June/July 1992): 82–

91.

Bontzolakis, Christian. “Claude Berri: la lumière dans la peau.” Jardin des Modes (February 1992): 14–15.

Bouzerand, Jacques. “Ryman: le grand blanc.” Le Point, no. 1009, 18 January 1992: 66–70.

Brenson, Michael. “Big Time at the Guggenheim.” Art and Auction (April 1992): 91–95, 129–131.

M.C. “Robert Ryman, 7 rue de Lille.” Passages (February 1992).

Caillet, Elisabeth, and Pierre Durieu. “Librairie.” Galeries Magazine (April/May 1992): 118–119.

Cembalist, Robin. “The Guggenheim's High-Stakes Gamble.” Art News (May 1992): 84–92.

Criqui, Jean-Pierre. “Reviews: Robert Ryman.” Artforum 30, no. 8 (April 1992): 108.

“Das Weisse Quadrat.” ARTIS, Zeitschrift für neue Kunst (May 1992).

De Mèredieu, Florence. “Ryman (RENN, Espace d'art contemporain).” La Nouvelle Revue Française, no.

469 (February 1992).

Decker, Andrew. “What Price Guggenheim?” Village Voice, 23 June 1992: 39–42.

Fanelli, Franco. “Minimal minimizzato: 'Non ho fatto niente di nuovo, se non cose maiviste.'“ Il Giornale Dell'

Arte (May 1992).

Fessy, Emmanuel. “Les Temples des Contemporains.” Vogue Hommes (February 1992).

Fiedler, Oliver. “Absoluteste Form der Malerei.” Singener Wochenblatt, 13 February 1992.


François, Alain-Henri. “Robert Ryman Peintre.” Voir, no. 87 (March 1992).

Fritschi, Edith. “'Der Künstler hat nichts zu verbergen'.” Schaffhauser Nachrichten, 11 May 1992.

Fritschi, Edith. “Der Maler, der Jazzer sein wollte.” Schaffhauser Nachrichten, 11 May 1992.

Fritschi, Edith. “Robert Ryman kommt.” Schaffhauser Nachrichten, 2 April 1992.

“Goings On About Town: Art.” The New Yorker, 10 August 1992: 8.

Heartney, Eleanor. “The Panza Collection.” Guggenheim Commemorative Magazine (June 1992).

Hess, Elizabeth. “Born Again.” Village Voice, 7 July 1992: 87.

Hiltmann, Gabriela. “Weiss und immer anders weiss.” Basler Zeitung, 2 June 1992.

“'I miei nuovi amori: plastici, monocromi e riduzionisti'.” Il Giornale Dell' Arte (May 1992): 31.

Johnson, Ken. “Starship Guggenheim.” Art in America (September 1992): 106–119.

Kelmacher, Hélène. “Robert Ryman à l'Espace d'Art Contemporain.” Les Annonces de la Seine, no. 18, 5

March 1992.

King, Sarah. “New Art Center in Paris.” Art in America (April 1992): 37.

Kramer, Hilton. “Dispersing a museum collection.” New Criterion (September 1992): 4–7.

Kramis, Eva. “Weiss beginnt über dem Bildgrund zu schweben.” Luzerner Neueste Nachrichten, 3 June

1992.

Lambrecht, Luk. “De laatste impressionist.” De Morgen, 21 March 1992.


Lambrecht, Luk. “Ultra Radical: Paint as an End-In-Itself.” Forum International, no. 14 (September/October

1992): 85–90.

Larson, Kay. “Modern Times.” New York, 20 July 1992: 53–54.

Larson, Kay. “The Wright Stuff.” New York, 1 June 1992: 34–35.

Lavoignat, Jean-Pierre. “Claude Berri.” Studio (February 1992).

Le Foll, Josephine. “Claude Berri tient galerie.” Maison Française (January/February 1992).

Mack, Gerhard. “Bewegtes Weiss.” Hannoversche Allgemeine Zeitung, 23 July 1992.

Mack, Gerhard. “Bewegtes Weiss.” Turicum Schweizer Kultur und Wirtschaft (August/September 1992).

Mack, Gerhard. “Farblandschaften in Weiss.” Badische Zeitung, 21 August 1992.

Mack, Gerhard. “Versionen von Farbe und Licht.” Sueddeutsche Zeitung, 3 September 1992.

McEvilley, Thomas. “Absence Made Visible.” Artforum 30, no. 10 (Summer 1992): 92–96.

“Neue 'Ryman in den Hallen'.” Schaffhauser Nachrichten, 11 February 1992.

Nuridsany, Michel. “Ryman: l'insoutenable légèreté de la peinture.” Le Figaro, 19 May 1992.

G.P. “The Guggenheim: Cultural Network or Ruthless Imperialist?” Flash Art (May/June 1992): 129.

Pagel, David. “Reviews: 'From Brancusi to Bourgeois, Aspects of the Guggenheim Collection.'“ Artforum

(October 1992): 107–108.

Rawsthorn, Alice. “Bounty in Contemporary Spaces.” Financial Times London, 8 May 1992.

“Robert Ryman–neue Gemälde.” Anzeiger am Rhein, 8 May 1992.


“Robert Ryman–neue Gemälde.” Kunstmarkt (August 1992).

Rose, Barbara. “The Abstract Art Renaissance.” Art and Auction (April 1992): 36–40.

Rose, Barbara. “French Dealers as Donors.” Art and Auction (March 1992): 50–52.

Ryman, Robert. Interview by Claudia Jolles. Kunstbulletin (June 1992).

“Sites, Spaces, Faces.” Artscribe (February/March 1992): 13.

Smith, Roberta. “Guggenheim Reopens on a New Chapter.” The New York Times, 29 June 1992: C11, C14.

Stegeman, Elly. “The Dancing Light.” Metropolis M, no. 1 (January 1992).

Vetrocq, Marcia E. “Report from Turin: Back to Basics.” Art in America (April 1992): 67–71.

Vezin, Luc. “L'espace lumière de Claude Berri.” Vogue Decoration (February/March 1992).

Viau, René. “Paris, Ryman.” Kanal Europe, no. 2 (April/May 1992).

Vögele, Christoph. “Bilder-nichts ausser sich selbst.” Schaffhauser Nachrichten, 2 June 1992.

“Weisser Maler.” Madame (August 1992).

1991

Breerette, Geneviève. “Claude Berri fait le blanc.” Le Monde, 7 December 1991.

Cameron, Dan. “Robert Ryman: Ode To A Clean Slate.” Flash Art (Summer 1991): 90–93.

Faussier, Emanuel. “Un 'espace d'art contemporain' pour Claude Berri.” Impact Medicin Quotidien, no. 138,

21 November 1991.

“Galleries: New York.” Flash Art (November/December 1991): 153.


Heliot, Armelie. “Claude Berri: rêveries d'un amateur.” Le Quotidien, 23–24 November 1991.

Lebovici, Elisabeth. “L'hypothèse de Robert Ryman.” Liberation, 25 December 1991.

Millet, Catherine. “Robert Ryman: Une Rétrospective Sans Chronologie.” Art Press, no. 162 (October 1991):

43–45.

Pradel, Jean-Louis. “Claude Berri étonne la galerie.” L'Evenement du Jeudi, 12–18 December 1991.

Rudolph, Karen. “Les bons plans de Claude Berri.” Beaux-Arts, no. 96 (December 1991): 24.

Russell, John. “Art View: Where Little Nothings Turn Into Big Somethings.” The New York Times, 7 April

1991: 33–35.

Sager, Peter, and Timm Rautert. “Makler Der Moderne.” Zeitmagazin (1991).

Smith, Robert. “Reviews/Art: 'Artists' Sketchbooks.’” The New York Times, 5 April 1991: C26.

l990

Adrian, Dennis. “Elliott Exhibit Proves Instructive.” Chicago Sun-Times, 27 May 1990.

Artner, G. Alan. “An Instinct for Art.” Chicago Tribune, 27 May 1990.

Brenson, Michael. “New Curator at Modern Challenges Convention.” The New York Times, 28 December

1990.

Carrier, David. “New York.” Art International (Autumn 1990).

Chalais, François. “Berri.” Le Figaro, 15 December 1990.

Criqui, Jean-Pierre. “Signe Ryman.” Artstudio (Spring 1990).


Cuvelier, Pascaline. “Do it Rutault.” Liberation, 9 July 1990.

Gauville, Herve. “L'Art De Vivre En Panzanie.” Liberation, 18 July 1990.

Gliewe, Gert. “Junge Kunst im alten Palazzo.” Abendzeitung, 20 October 1990.

Glueck, Grace. “Guggenheim May Sell Artworks To Pay for a Major New Collection.” The New York Times, 5

March 1990.

Godfrey, Tony. “Report From London; Decline and Fall?” Art in America (February 1990).

“Goings On About Town” (The Pace Gallery exhibition review). The New Yorker, 20 August 1990.

Hagen, Charles. “Robert Ryman.” Artforum (September 1990).

“Hallen für neue Kunst zeigen jetzt Werke von Gerhard Richter.” Thurgauer Tagblatt, 7 May 1990.

Hanson, Henry. “Living with Art.” Art News (February 1990).

Kuspit, Donald. “The Only Immortal.” Artforum (February 1990).

Linden, Dana Wechsler. “Must I be a saint?” Forbes, 22 October 1990: 72.

Melikian, Souren. “An Art Capital In The Making.” Art and Auction (April 1990).

Myers, Terry. “New York Review.” Arts Magazine (September 1990).

“The Pace Gallery.” Print Collector's Newsletter (July–August 1990).

Polaczek, Dietmar. “Neues von der Expansion des Kunstmulti.” Frankfurter Allgemeine, 13 November 1990.

Russell, John. “At the Tate, A Compelling Inside Job.” The New York Times, 25 February 1990.

Smith, Roberta. “Donald Judd's Spare Boxes Full of Color and Light.” The New York Times, 4 May 1990.


Smith, Roberta. “Minimalism on the March: More and More Less and Less.” The New York Times, 26

January 1990.

Smith, Roberta. “Robert Ryman.” The New York Times, 4 May 1990.

Spira, Alain. “Claude Berri: Comment On Devient Le Premier Producteur Français.” Paris-Match, 6

December 1990: 3–5.

Warnod, Jeanine. “Musee Du Louvre: Polyptyques en poupe.” L'Aurore, 17 April 1990.

Wasserman, Isabelle. “Artworthy: `White Out'.” San Diego Union, 21 September 1990.

Zellweger, Von Harry. “Alle zwei Jahre wieder: Kommerz vor Asthetik.” Schaffhauser Nachrichten, 13 June

1990.

l989

Gardner, Paul. “Mesmerized by Minimalism.” Contemporanea (December 1989).

Glueck, Grace. “A Leading Art Collector Is Selling, And the Market Wonders Why.” The New York Times, 23

November 1989.

Hollenstein, Roman. “Diemagisch Weissen Bilder von Robert Ryman.” Du (December 1989).

Kuspit, Donald. “Red Desert and Arctic Dreams.” Art in America (March 1989).

McCoy, Pat. “Review of Dia Show.” Arts Magazine (April 1989).

“The New Art History.” Avenue Magazine (February 1989).

Schjeldahl, Peter. “White-Out.” 7 Days, 15 February 1989.

l988


Baker, Kenneth. “Ryman Art Opens 'New Work' Series.” San Francisco Chronicle, 29 January 1988.

Berkson, Bill. “Review of San Francisco Museum of Art Show.” Artforum (May 1988).

Gilbert-Rolfe, Jeremy. “Non-Representation in l988: Meaning Production Beyond the Scope of the Pious.”

Arts Magazine (May 1988).

Griffiths, John. “Deconstructionist Tendencies In Art.” Art and Design (1988).

Hollenstein, Roman. “The Master of White Paintings.” Neue Zuercher Zeitung, 9–l0 July 1988.

Larson, Kay. “Review of Dia Art Foundation Exhibition.” New York, 24 October 1988.

Smith, Roberta. “Works by Robert Ryman in Redone Dia Galleries.” The New York Times, 7 October 1988.

Ratcliff, Carter. “Dandyism and Abstraction in a Universe Defined by Newton.” Artforum (December 1988).

l987

Indiana, Gary, and Kim Levin. “Review of the Whitney Biennial.” Village Voice, 28 April 1987.

l986

Brenson, Michael. “Robert Ryman.” The New York Times, 31 January 1986.

Grimes, Nancy. “Robert Ryman's White Magic.” Art News (Summer 1986): 86–98, illustrated.

Larson, Kay. “Robert Ryman.” New York, 3 February 1986.

Raynor, Vivien. The New York Times, 3 January 1986.

Russell John. “Art.” The New York Times, 3 February 1986.


Storr, Robert. “Robert Ryman: Making Distinctions.” Art in America (June 1986).

l985

Artner, Alan. “The Paintings of Robert Ryman Have Broken New Ground.” Chicago Tribune, 24 May 1985.

Danto, Arthur. “Works on Paper.” The Nation, 17–24 July 1985.

Januszczak, Waldemar. “Bricklaying with Andre.” Guardian, 12 December 1985.

Kent, Sarah. “Art: Selections and Reviews.” Time Out London, 5–11 December 1985: 44.

Larson, Kay. “Privileged Access.” New York, 22 July 1985.

Lyon, Christopher. “Ryman Retains Subtle Style.” Chicago Sun Times, 10 May 1985.

Moser, Charlotte. “Robert Ryman.” Art News (September 1985).

Raynor, Vivien. “Art: Contemporary Drawings at the M.O.M.A.” The New York Times, 5 July 1985.

Russell, John. “Wolfgang Laib, Robert Ryman, Ian Wilson.” The New York Times, 24 May 1985.

Sandback, Amy Baker. “Art/On Location.” Artforum (November 1985).

l984

Brenson, Michael. “Robert Ryman.” The New York Times, 17 February 1984.

Frey, Patrick. “Eine Halle für schwierige Kunst.” Kunstbulletin des Schweizerischen Kunstvereins, no. 6

(June 1984): 9, illustrated.

Gerritt, Henry. “Robert Ryman.” Art News (April 1984).

Pacquement, Alfred. “Resource.” Revue d'art contemporain artistes (1984).


l983

Bell, Tiffany. “Responses to Neo-Expressionism.” Flash Art (May 1983).

Delgado, Michael. “Robert Ryman.” Los Angeles Weekly, 16 December 1983.

Drohojowska, Hunter. “The Bare Minimum.” San Francisco Herald Examiner, 16 December 1983.

Glueck, Grace. “An Experimental Outpost Looks Back.” The New York Times, 6 February 1983.

Muchnic, Suzanne. “Robert Ryman.” Los Angeles Times, 25 November 1983.

Ryman, Robert. “The 60's in Abstract: Thirteen Statements and an Essay.” Interview by Maurice Poirier and

Jane Necol. Art in America (October 1983).

Smith, Roberta. “Expression without the Ism.” Village Voice, 29 March 1983.

Smith, Roberta. “Reductivism Redux.” Village Voice, 22 February 1983.

l982

Lemaire, Gerard-Georges. “Robert Ryman, Centre Georges Pompidou.” Artforum (April 1982).

“On Dokumenta.” Stern Magazine (June 1982).

l98l

Bois, Yve-Alain. “Ryman's Tact.” October (Winter 1981): 93–104, illustrated.

Bois, Yve-Alain. “De tact van Robert Ryman.” Museum Journal, no.6 (1981): 274–284, illustrated.

Farnon, Patrick. “The man who measures fame.” Vision (June 1981).


Hafif, Marcia. “Getting on with Painting.” Art in America (April 1981).

Ratcliff, Carter. “Mostly Monochrome.” Art in America (April 1981).

l980

Blum, Peter. “Robert Ryman.” Du (Summer 1980).

De Duve, Thierry. “Ryman Irreproductible.” (Autumn 1980).

Hijorth, Oystein. “Andre, Dibbets, Long, Ryman.” Louisiana Revy (March 1980).

Kern, Hermann. “Robert Ryman.” Neue Kunst in Munchen (November–December 1980).

Marcelis, Bernard. “Robert Ryman: An Analysis from Europe.” Domus (February 1980).

Schenker, Christoph. “Robert Ryman: Minimal Art.” Kunstforum International 41 (May 1980): illustrated.

l979

Gibson, Eric. “Robert Ryman.” Art International (March 1979).

Hafif, Marcia. “Robert Ryman: Another View.” Art in America (September 1979).

Kuspit, Donald. “Ryman, Golub: Two Painters, Two Positions.” Art in America (July–August 1979).

“Robert Ryman.” Art World (January–February 1979).

“Robert Ryman.” Flash Art (April 1979).

Perrone, Jeff. “Robert Ryman.” Artforum (March 1979).

l978


Kline, Katy. “`Painting of '70s' Exhibit Has Variety.” Courier–Express, 9 December 1978.

Sauer, Christel. “Robert Ryman.” Louisiana Revy (December 1978).

Spector, Naomi. “Robert Ryman: une chronologie.” Macula (Paris), no. 3/4 (November 1978).

l977

Castelli, Tomaso. “Nella Stanza dell'Arte.” Casa Vogue (February 1977).

Glueck, Grace. “The 20th–Century Artists Most Admired By Other Artists.” Art News (November 1977).

Pincus-Witten, Robert. “Entries. The White Rectangle: Robert Ryman and Benni Efrat.” Arts Magazine (April

1977).

Spector, Naomi. “Robert Ryman: Six Aquatints.” Print Collector's Newsletter (March–April 1977).

“White in Art is White?” Print Collector's Newsletter (March–April 1977).

l976

Frank, Peter. “Visual, Conceptual and Poetic Sequences.” Art News (March 1976).

Kutner, Janet. “Visceral Aesthetic of a New Decade's Art.” Arts Magazine (December 1976).

Zucker, Barbara. “Robert Ryman.” Art News (January 1976).

l975

Bonita Oliva, Achille. “Adress.” Art Dimension (April–June 1975).

Cane, Louis and Catherine Millet. “Robert Ryman.” Art Press (March–April 1975).

Gilbert–Rolfe, Jeremy. “Appreciating Ryman.” Arts Magazine 50, no. 4 (December 1975).


Goldin, Amy. “Patterns, Grids, and Painting.” Artforum (September 1975).

Goodman, Judy. “Post–Minimal Artist.” Arts Magazine (September 1975).

Kozloff, Max. “Painting and Anti–Painting: A Family Quarrel.” Artforum (September 1975).

Kurtz, Bruce. “Robert Ryman at Weber.” Art in America (March–April 1975).

l974

Bongartz, Roy. “Question: How Do You Buy a Work of Art Like This?” The New York Times, 11 August 1974.

Boudaille, Georges. “Une vitrine de l'art americain?” Les Nouvelles Litteraires, 15 April 1974.

Dippel, Rini. “Ryman.” Museumjournaal (February 1974).

Gilbert–Rolfe, Jeremy. “Review.” Artforum (December 1974).

Lubell, Ellen. “Robert Ryman.” Arts Magazine (December 1974).

“Mönchengladbach: Sammlung Panza.” Magazin Kunst, no.2 (1974).

Pozzi, Lucio. “Adesso la pittura dipinge la pittura.” Bolaffiarte (March 1974).

Reise, Barbara. “Robert Ryman at the Stedelijk Museum.” Art in America (July–August 1974).

Reise, Barbara. “Robert Ryman: Unfinished I (Materials).” Studio International 187, no. 963 (February 1974).

Reise, Barbara. “Robert Ryman: Unfinished II (Procedures).” Studio International (March 1974).

Reise, Barbara. “Robert Ryman: Senza Titolo III (Posizione).” DATA 4, no. 11 (Spring 1974).

“Review.” Heute Kunst (July–August 1974).


Ryman, Robert. “Robert Ryman, Le Geste.” Interview by Marian Verstraeten. Revue d'Art Contemporain

(November 1974).

l973

Boice, Bruce. “Review.” Artforum (September 1973).

Celant, Germano. “Ryman.” Casabella (1973).

Davis, Douglas. “A Spring Sampler of Shows.” Newsweek, 30 April 1973.

Hand, Lockere. “Kunst.” Der Spiegel (October 1973).

Russell, John. “Robert Ryman.” The New York Times, 12 October 1973.

Spector, Naomi. “Suite of Seven Aquatints, l972; Nine Unique Aquatints, l972.” Art & Project Bulletin, 28

September 1973.

Stittleman, Paul. “New York Galleries.” Arts Magazine (November 1973).

Thompson, Anthony. “L'essentiel et son ambiguite, Robert Ryman.” Chroniques de l'Art (1973).

Vivant (May 1973).

l972

Boice, Bruce. “The Quality Problem.” Artforum (October 1972).

Brett, Guy. “Exclusively White.” London Times, 12 December 1972.

Canaday, John. “Art: Ryman's White-on-White Oeuvre.” The New York Times, 2 May 1972.

Cork, Richard. “Anarchy Achieving Clarity and Perfection.” London Evening Standard, 14 December 1972.


Mellow, James R. “Review” (Solomon R. Guggenheim exhibition review). The New York Times, 2 May 1972.

Pincus-Witten, Robert. “Ryman, Marden, Manzoni: Theory, Sensibility, Meditation.” Artforum (June 1972).

Ratcliff, Carter. “Adversary Spaces.” Artforum (October 1972).

“Review” (Solomon R. Guggenheim exhibition review). Financial Times, 22 March 1972.

Rose, Barbara. “Art.” New York, 5 June 1972.

Schjeldahl, Peter. “The Malaise That Afflicts Soho's Avant-Garde Galleries.” The New York Times, 11 June

1972.

Wolmer, Denise. “In the Galleries.” Arts Magazine (May 1972).

l97l

Baker, Kenneth. “Robert Ryman, Fischbach Gallery.” Artforum (April 1971).

“The Colors of Monochrome: An Introduction to the Seduction of Reduction.” Arts Canada (October–

November 1971).

Domingo, Willis. “Robert Ryman.” Arts Magazine (March 1971).

“1971 This Way.” Vogue (January 1971).

Ratcliff, Carter. “New York Letter.” Art International (February 1971).

Ratcliff, Carter. “New York Letter.” Art International (May 1971).

Ratcliff, Carter. “Robert Ryman's Double Positive.” Art News (March 1971).

Tuchman, Phyllis. “An Interview with Robert Ryman.” Artforum 9, no. 9 (May 1971): 46–53.


“Scenes.” Village Voice, 12 March 1971.

Schjeldahl, Peter. “The Ice Palace That Robert Ryman Built.” The New York Times, 7 February 1971.

l970

Bochner, Mel. “Excerpts from Speculation (l967–70).” Artforum (May 1970).

Borgeaud, Bernard. “Paris.” Arts Magazine (February 1970).

“Delta Series” (exhibition review). Art International, 20 May 1970.

Glueck, Grace. “Drawings by an All–Star Cast.” The New York Times, 2 March 1970.

“Leaning/Hanging” (exhibition review). Art International, 20 May 1970.

Pincus-Witten, Robert. “Robert Ryman, Fischbach Gallery (exhibition review).” Artforum 8, no. 8 (April 1970):

75.

Ratcliff, Carter. “New York Letter.” Art International (May 1970).

Reeves, Jean. “Albright–Knox Shows Eight Modular Painters in a Stunning Display.” Buffalo Evening News,

21 April 1970.

“Review of Lambert Collection.” Flash Art (February 1970).

Tuchman, Phyllis. “American Art in Germany.” Artforum (November 1970).

Vinklers, Betite. “Review.” Art International (March 1970).

l969

Glueck, Grace. “Like a Beginning.” Art in America (May–June 1969).


Goldin, Amy. “Sweet Mystery of Life.” Art News (May 1969).

Hahn, Otto. L'Express, 8 December 1969.

Karp, Ivan. “Here and Now.” Arts Magazine (March 1969).

Kramer, Hilton. “Review.” The New York Times, 3 May 1969.

Kramer, Hilton. “Review.” The New York Times, 22 May 1969.

Leveque, Jean–Jacques. Le Nouveau Journal, 13 December 1969.

Marchand, Sabine. Le Figaro, 12 December 1969.

Pincus-Witten, Robert. “Abstract Illusionism.” Artforum (November 1969).

“Review.” Art International (September 1969).

“Review.” Flash Art (December 1969).

“Review” (Fischbach Gallery exhibition review). Art News (Summer 1969).

Wasserman, Emily. “Anti–Illusion: Procedures/Materials” (exhibition review). Artforum (Summer 1969).

l968

“The Avant-Garde: Subtle, Cerebral, Elusive.” Time, 22 November 1968: 70–77, illustrated.

Lippard, Lucy R. and John Chandler. “The Materialization of Art.” Art International (February 1968).

Perreault, John. “Review.” Village Voice, 31 October 1968.

“Review” (Paula Cooper Gallery exhibition review). Art News (December 1968).


1967

Kosuth, Joseph. “In the Galleries.” Arts Magazine (Summer 1967).

Lippard, Lucy. R. “The Silent Art.” Art in America (January–February 1967): 58–63.

Waldman, Diane. “Reviews and Previews.” Art News (Summer 1967).

1965

Rose, Barbara. “ABC Art.” Art in America (October–November 1965).

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