Riches for One/Povery for Two

36

description

Jenny Rossi takes her reader on a journey through desolation and loneliness, all the while showing glimpses of hope in the corners of her work. With poems that are wrenching (The Hanging) to poems full of sage advice (How to: Survive the Night), Rossi is wise even as she is vulnerable. Riches for One/Povery for Two is the fourth installment of Deadly Chaps: Series Two (2011). Discover more at http://www.deadlychaps.com

Transcript of Riches for One/Povery for Two

Page 1: Riches for One/Povery for Two
Page 2: Riches for One/Povery for Two
Page 3: Riches for One/Povery for Two

R I C H E S F O R O N E P O V E R T Y F O R T W O

Jenny Rossi

Page 4: Riches for One/Povery for Two

Copyright © 2011 by Jenny Rossi All Rights Reserved ISBN: 978-0-9838418-3-8 Published by Deadly Chaps New York, NY: 2011 DCs2JR|4| Cover Design by Deena Acquafredda Book Design by Joseph A. W. Quintela http://www.deadlychaps.com

Page 5: Riches for One/Povery for Two

Contents:

1: Conclusions

2: I could use a new country, maybe Brazil,

3: College.debt

4: What they say: You should go out more.

5: My Body as a Clock

6: Melts like butter

7: The Red Mandolin in Texas

8: The Truth about Sangria

9: I am not

10: Lessons from the Middle Class

11: (Take two aspirin and

12: Fire line!

13: I pulled skeins of quiet off the wall,

14: The Sun Is a Labyrinth, and so Am I

15: Just don’t tell your mother you’re in love,

16: Drink for One

17: Grocery Shopping for One

18: Happiness, a Drink

19: Kerouac is Kool

20: Oh, Bukowski

21: These people are alone for a reason,

Page 6: Riches for One/Povery for Two

22: Abjure/ Verb/You

23: At the racetrack,

24: The Hanging

25: Reading the Catskill Blues

26: What Ray Taught Me

27: How to: Survive the Night

28: About the Author

Dedicated to Professors Boye, Moye, Gilman, and L. Wacholder.

Page 7: Riches for One/Povery for Two

1

1

Conclusions

The door shuts, your steps sound as if you are wading through a sea of socks, and the soft thuds down the stairs sound almost friendly, as if the reverberation is shaking hands with the wall very gently, and I see the portrait you never like nod slightly with agreement, and cant a little to the left.

Page 8: Riches for One/Povery for Two

I could use a new country, maybe Brazil,

where the sun knives my skin, paring it to the flesh of a peach where even saudade is overripe, a bearable linger, like the sun through the skin of leaves.

Page 9: Riches for One/Povery for Two

College.debt

For years I ate paper off the floor in order to impress the boys, I would sweep up the dirt with words, and watch the teachers walk by holding hands with their favorites, run into a corner and stuff my belly tight with false pregnancy, hoping that I would give birth to bright faces caught in surprise at my greatness, Oh, oh, these faces would say, You are all I’ve been waiting for, let us walk the halls.

Page 10: Riches for One/Povery for Two

What they say: You should go out more.

What I hear: Before you adopt another cat. Rush rush rush Dickenson never left her room much. Old hag. Perhaps I am an acolyte, loving too often the shadows of men, never the men themselves.

Page 11: Riches for One/Povery for Two

My Body as a Clock

No overtime allowed. I cannot afford it, no vacation days will ever come for you, and leaving early is always acceptable.

Page 12: Riches for One/Povery for Two

Melts like butter

is far too cliché rather you are as if an angry farm girl dropped broken glass in the churn. My tongue is bleeding and swollen. O, but the taste!

Page 13: Riches for One/Povery for Two

The red mandolin in Texas

was a bright mouth with soft teeth to hold the heartsick-- see, the Mexican plays! Most beautiful, the sun, it lingers behind closed eyes the longest.

Page 14: Riches for One/Povery for Two

The Truth about Sangria

While you tilt your arm in the summer rain I drink from a million chalices-- all the pores of your skin. This flesh-fruit does me in. Just stay the summer and we can drink like fools who only whisper of love when the stars chide us to bed.

Page 15: Riches for One/Povery for Two

I am not

for your super-organic, hydroponic, land-mass, animal-saving mantra. I am not for your republican, rights-snatching, tea-slinging, oil-rig bullshit. I am for the cashier, the street whore, the quiet child with loud bruises cracking underneath the pain of thin cotton.

Page 16: Riches for One/Povery for Two

Lessons from the Middle Class

Use colors like ‘beige’ and ‘organdy’. Don’t use singles ads. Coyly ask your bank teller how his day was. Keep track of it in your journal. Keep in touch with your slightly religious and/or ethnic grandmother. Attend a school your parents will pay for, but work a 5 to 10 hour a week job to keep in touch with the ‘blue-collar’ roots, which you may not have ever had. Write Letters to the Editor. Volunteer your time (if it doesn’t conflict with You Tubing). Keep the extra Hydrocodone from your wisdom teeth to get through a particularly bad day.

Page 17: Riches for One/Povery for Two

(Take two aspirin and

your heart has a slickness pounding on the white door of my back while sleeping tremulous with blood, oilslick and sweet call me in the morning)

Page 18: Riches for One/Povery for Two

Fire line!

Happiness is

fire under nails, gasoline sweat, the wailing of an ambulance that is my heart saying, told you so, told you so.

It’s the first taste after quitting, acrid sweet, a wet tongue on dry lips that is a summary of

need.

Page 19: Riches for One/Povery for Two

I pulled skeins of quiet off the wall,

strung it between your ears, cupped it in my hands, made wool socks to pad around the house. Silence is our blanket at night, we wedge it between the stars and in our ears, we wake very silently to one another miming the birds and sun, our mouths moving but no light, no sound.

Page 20: Riches for One/Povery for Two

The Sun Is a Labyrinth, and so Am I

Do you burn if I stand too close, or can I lie in bed after lovemaking? The questions you ask, like, how do you take your eggs, your laundry, or your life--, too glaring, I wince at the plate, your hand, the fork--all too bright your smile has left me squinting. Two suns, you and one through the window, leave me a possum; blind and heavy between soft lips of the dark.

Page 21: Riches for One/Povery for Two

Just don’t tell your mother you’re in love,

because I like cheap vodka, or my shoes will slip off at the door and tiptoe after me introducing themselves as the cheaper version of your lives, the ready-to-wear line of sick; your father will notice the dogs of need lapping at my feet, sense the sorrow denser than bones; your mother will shake my hand, have to wipe the scent of poor off hers, when you come to my place, heavy scent of pine and linen burring to your sweaters, her words like safety pins clinging tight, very nice but a bit strange.

Page 22: Riches for One/Povery for Two

Drink for One

Tinny popping of carbonated bubbles echo throughout the rim. My ear is held close. A splash en petit on my nose. I used to think it quiet with you gone. Now every falling of a dust mote brings an avalanche with it.

Page 23: Riches for One/Povery for Two

Grocery Shopping for One

I need a plastic bag for your face, a carrot to push through your heart, a tenderizer for your knees, a jar of vinegar to pair with the honey of your eyes, a large oven for it all.

Page 24: Riches for One/Povery for Two

Happiness, a Drink

I want to share it, squelch out the juice, grind up the rinds, make a lemonade, (the kind kids squeal at when sipped).

Page 25: Riches for One/Povery for Two

Kerouac is Kool

You must father a daughter to be this Kool, and leave her to the wolves of the 60’s; you must be a man like that. Have many journeys, skip Birthdays, grudgingly give a paternity test, have more journeys. Tell your Beat friends how Kool you are to be free, and pray you never become Kerouac’s daughter; though her face is writ in the streets, you know not where you tread.

Page 26: Riches for One/Povery for Two

Oh, Bukowski

All I can liken you to Is a dog eating shit Puking it up And eating that too.

Page 27: Riches for One/Povery for Two

These people are alone for a reason,

even their families couldn’t love them. Filling small apartments with dim light, it perhaps is better to press softly a few buttons to mute an electric person, than to punch a finger into flesh and have to clean the carpet tomorrow.

Page 28: Riches for One/Povery for Two

Abjure/ Verb/You

Expelled like hot piss from the body, one cannot simply know the word but return it, like a bad check, not disbelieving an extra wrinkle on the heart, but that it beats, hot-hard, in the chest, negotiating in the dark.

Page 29: Riches for One/Povery for Two

At the racetrack,

I am betting on a losing horse. You. But I see you running in fields instead of circles. You will take me for everything while I dream of the finish line. The clutch of roses.

Page 30: Riches for One/Povery for Two

The Hanging

I know what alive is but the living do not hang like this on hinges that sway and settle with the dusk.

Page 31: Riches for One/Povery for Two

Reading the Catskill Blues

Counting carpet fiber made my mother insane. (Read: I’m trying it after work when you are done packing and gone.) Please, don’t forget your toothbrush and banjo when you leave this time. (Read: Ring is on the counter.) I’ll be busy writing. (Read: Beginning of my 6-month creative block.)

Page 32: Riches for One/Povery for Two

What Ray Taught Me

I once fell in love with a man who had an open book for a face. When we started to fall apart I could not help but leave copies of Fahrenheit 451 by the bed. “You’re a bitch,” he said but I just sat around flicking lighters until my thumb was raw.

Page 33: Riches for One/Povery for Two

How to: Survive the Night

When it calls, don’t answer the door. This is very important. Don’t answer. Instead, play your music very loudly. Turn on the television to something obnoxious. Jersey Shore. When the wave of darkness hits your windows, the tide rises to pull you under, pop in a T.V. dinner. Resist. You will hear knocking. It’s nobody. It’s the neighbors. It’s the muscle in your chest afraid to sleep alone. The night only wants to be let in. That is half the battle. Laugh like the sun in rising.

Page 34: Riches for One/Povery for Two

About the Author

Jenny Rossi currently resides in Vermont, where she talks in the third person out of the corner of her mouth in small coffee shops. The hipsters love it. In the interim she clocks in and clocks out. She does not participate in any riots, but encourages the whispering behind them. Jenny has been published in Short, Fast, and Deadly, Strange Horizons, and Caper Literary Journal.

Page 35: Riches for One/Povery for Two
Page 36: Riches for One/Povery for Two