Rhythm Techniques for L2 Classrooms

21
Teachable Rhythm Techniques for the L2 Speaking Classroom Workshop at the 43 rd Annual BC TEAL Conference SFU, Vancouver May 6 & 7, 2011 Michael Burri, M.A. TESOL Program Coordinator BC Institute of Technology Vancouver, BC Karen Rauser, B.A. Linguistics, M.A. TESOL TESL Instructor/ESL Instructor Okanagan College Kelowna, BC Acton©2012
  • date post

    11-Sep-2014
  • Category

    Education

  • view

    395
  • download

    2

description

 

Transcript of Rhythm Techniques for L2 Classrooms

Page 1: Rhythm Techniques for L2 Classrooms

Acton©2012

Teachable Rhythm Techniques for the L2 Speaking Classroom

Workshop at the 43rd Annual BC TEAL ConferenceSFU, Vancouver

May 6 & 7, 2011

Michael Burri, M.A. TESOLProgram CoordinatorBC Institute of TechnologyVancouver, BC

Karen Rauser, B.A. Linguistics, M.A. TESOLTESL Instructor/ESL InstructorOkanagan CollegeKelowna, BC

Page 2: Rhythm Techniques for L2 Classrooms

Acton©2012

“Our sense of self and community are bound up in the speech-rhythms of our first language (L1). These rhythms were learned in the first year of

life and are deeply rooted in the minds of students.” (Gilbert, 2008)

Page 3: Rhythm Techniques for L2 Classrooms

Acton©2012

• Introduction• Warm-up• Video clip• Theory Talk + Rationale• Rhythmic “Feet” of English• Butterfly• Compact Rhythmic Feet Fight Club

(RFFC)• Practice• Q + A

Agenda

Page 4: Rhythm Techniques for L2 Classrooms

Acton©2012

Opera Diva Catelephant

Page 5: Rhythm Techniques for L2 Classrooms

Acton©2012

Make yourself at home…

• from Touchstone Level 2 DVD– Episode 3, Act 3 (DVD VRB Task Menu #43)

• Alex, Liz, Yoko– watch how their bodies show their sentence

rhythm!

Page 6: Rhythm Techniques for L2 Classrooms

Acton©2012

Theory Base & Rationale

• Tone Units (formerly known as thought groups)

• Rhythm Patterns• Teaching and learning of rhythm: problematic

area in L2 classroom (Setter, 2006).

• Multiple Modality – simultaneous attention to Kinesthetic, Cognitive, Affective, Visual, and Auditory modes

• Canonical vs. Conversational Rhythm

Page 7: Rhythm Techniques for L2 Classrooms

Acton©2012

Rhythmic “Feet” of English

• Composed of stressed and unstressed syllables• Maximum 7 syllables for learners (That’s very

fascinating!) in one focal output group• Possible 16 patterns (16 feet)• Often obvious in traditional poetry but not in

general conversation (She sells sea shells by the sea shore!)

• Varies depending on dialect of English (US/Canada)

Page 8: Rhythm Techniques for L2 Classrooms

Acton©2012

Rhythm

Canonical Rhythm• Set patterns, regular

timing• One stressed syllable per

thought group• Based on grammatical

boundaries

Conversational Rhythm• Irregular timing, pauses,

hesitations, bursts• Secondary stress often

apparent• Based on communicative

intention

Page 9: Rhythm Techniques for L2 Classrooms

Acton©2012

The Process

Butterfly RFFC Sparring

RFFC Fight Club

CANONICAL RHYTHM CONVERSATIONAL RHYTHM

Page 10: Rhythm Techniques for L2 Classrooms

Acton©2012

Butterfly – Instructions

• Left hand taps right deltoid on stressed syllables.• Right hand taps left elbow on unstressed syllables

(tap as lightly as possible).• Before each parse group, inhale as you bring your

head back slightly! • Exhale on stressed syllable with upper torso nod.

• Try this: “ Thank you for co-ming to-day! o o o O o o o

Page 11: Rhythm Techniques for L2 Classrooms

Acton©2012

B-fly Words

BREATHE IN….Nice– That’s nice– Very nice– That’s very nice

EasyBeautifulFascinating

BREATHE IN….Tough– That’s tough– Very tough– That’s very tough

TrickyPuzzlingComplicated

Page 12: Rhythm Techniques for L2 Classrooms

Acton©2012

Butterfly Practice

• Liz: Oh no, / what happened? / Are you / okay?

• Alex: I… sort of / had an accident. / I mean, / I hurt / my knee / at the gym.

• Yoko: What happened?

Page 13: Rhythm Techniques for L2 Classrooms

Acton©2012

Compact Rhythmic Feet Fight Club (RFFC)

• Objective: compacting syllables (the felt sense of speaking rhythm) and increasing speed

• Stressed syllable will always be on the “ball/glove” hand• Begin by checking how many pre-stress syllables there are:

Zero or even number (0, 2 or 4): ball hand: Cool!

Odd number (1,3 or 5): other hand: That’s cool!

(2 pre-) Start w/ball hand: Ve-ry cool!

(3 pre-) Start w/other hand: That’s ve-ry cool!

Page 14: Rhythm Techniques for L2 Classrooms

Acton©2012

Compact RFFC Punches & Jabs

O Cool! oO That’s cool!ooO Very cool!oooO That’s very cool!

Oo Funky! oOo That’s Funky!ooOo Very Funky!oooOo That’s very Funky!

Page 15: Rhythm Techniques for L2 Classrooms

Acton©2012

Ooo Super cool! / oOoo That’s super cool! ooOoo Very super cool! oooOoo That’s very super cool!

Oooo Super funky! / oOooo That’s super funky! ooOooo Very super funky! oooOooo That’s very super funky!

Page 16: Rhythm Techniques for L2 Classrooms

Acton©2012

RFFC – Practice 1

• Alex: [b] It’s embarrassing. / [b] I was teaching / [o] aerobics. / [o] I wasn’t looking /, [b] and I ran / [o] into a wall.

• Yoko: [b] Really?

• Alex: [o] I felt / [b] pretty stupid. / [o] It hurt / [o] a lot. /

Page 17: Rhythm Techniques for L2 Classrooms

Acton©2012

Compact RFFC Punches & Jabs

O bad!oO That’s bad!ooO Very bad!oooO That’s very bad!

Oo Nasty!oOo That’s nasty!ooOo Very nasty!oooOo That’s very nasty!

Page 18: Rhythm Techniques for L2 Classrooms

Acton©2012

Ooo Dangerous!oOoo That’s dangerous! ooOoo Very dangerous! oooOoo That’s very dangerous!

Oooo Devastating!oOooo That’s devastating! ooOooo Very devastating! oooOooo That’s very devastating!

Page 19: Rhythm Techniques for L2 Classrooms

Acton©2012

• Alex: [b] Anyway, / [b] can I ask / [o] you guys a favor? / [b] Our TV / [o] is broken. / [o] Do you mind / [b] if I watch / [o] the game / [b] here?

• Yoko: [b] Not at all.

• Liz: [b] Make yourself / [o] at home.

RFFC – Practice 2

Page 20: Rhythm Techniques for L2 Classrooms

Acton©2012

BibliographyActon, W. ( in preparation). Haptic, Integrative Pronunciation for Non-native English Speakers (HIP-NNES) - (Victoria,

BC:Traffold Publishers) See also: (www.ampysis.com)Acton, W. (2011). Dance your students to better English pronunciation!. at University of Victoria, BC.Acton, W. (2011). Essential English Pronunciation" at Region 4, Houston.Acton, W. (2011). So you think you can dance your students to better English pronunciation?. Presentation at the 45th

Annual TESOL Convention, New Orleans, LA.Acton, W. (2010) Full-bodied, systemic, multiple modality pronunciation instruction. Presentation at the 44th Annual

TESOL Convention, Boston, MA.Acton, W., & Burri, M. (2009). Gesture-synchronized speech in speaking classrooms. Presentation at the 41st Annual

BC TEAL Conference, Vancouver, BC.Acton, W. (2008). Haptic Intonation Instruction, at Cornerstone University.Acton, W., Baker, A., & Burri, M. (2009). Haptic integration of inonation and grammar instruction. Presentation at

the 43rd Annual TESOL Convention, Denver, CO.Acton, W., & Burri, M. (2008). A handy approach to pronunciation teaching. Presentation at the 40th Annual BC TEAL

Conference, Vancouver, BC. Acton, W., Baker, A., & Burri, M. (2008). Haptic approaches to english intonation instruction. Presentation at the 42nd

Annual TESOL Convention, New York, NY. Acton, W. (2001). Focalspeak: Integrating rhythm and stress in speech pronunciation, in Murphy, J. and Byrd, P.

(Eds.), Understanding the courses we teach: Local perspectives on English Language Teaching. Ann Arbor: University of Michigan Press, pp. 197-217.

Acton, W. (1984). Changing fossilized pronunciation, TESOL Quarterly 18(1):71-85.Baker, A. A. (2008). Haptic English intonation instruction. Workshop given at the annual Georgia TESOL conference,

Jekyll Island, GA

Page 21: Rhythm Techniques for L2 Classrooms

Acton©2012

Burri, M., & Rauser, K. (2010). Teaching conversational rhythm in speaking classrooms. Presentation at the 44th Annual TESOL Convention, Boston, MA.

Burri, M. (2009). Movement informed pronunciation teaching. Presentation at the BC TEAL Fall 2009 VanWest Sessions, Vancouver, BC.

Burri, M., & Rauser, K. (2009). A moving approach to teaching focal stress. Presentation at the 2nd Annual BC TEAL Fall Interior Conference, Kamloops, BC.

Celce-Murcia, M., Brinton, D. & Goodwin, J. (2010). Teaching pronunciation: A reference for teachers of English to speakers of other languages. New York: Cambridge University Press.

Chela-Flores, B. (1998). Teaching English rhythm: From theory to practice. Caracas: Fondo Editorial Tropykos. Gilbert, J. (2009). Teaching Pronunciation: Using the Prosody Pyramid. Retrieved October, 2, 2010 from

ttp://www.cambridge.org/elt/teacher-support/pdf/Gilbert-Teaching-Pronunciation.pdfGilbert, J. (2008). Clear speech: Pronunciation and listening comprehension in North American English. Student's book (3rd

ed.). New York: Cambridge University Press.Grant, L. (2007). Well said intro: Pronunciation for clear communication. Boston, MA: Thompson Heinle.Hahn, L. & W. Dickerson. (2004). Speechcraft: Discourse pronunciation for advanced learners. Ann Arbor: University of

Michigan Press. HIPoeces: Haptic-Integrated Pronunciation (for Outer/Expanding Circle English Speakers). (2011). Retrieved May 2, 2011

from http://hipoeces.blogspot.com/ Lessac, A. (1997). The use and training of the human voice, 3nd Edition, New York: McGraw Hill. Levis, J. (2005). (Ed.) Special Issue volume of TESOL Quarterly on pronunciation. New York: TESOL. McCafferty, S. G. & Stam, G. (Eds.). (2008). Gesture: Second language acquisition and classroom research. New York:

Routledge.Morley, J.( 2001). Improving Spoken English: An intensive personalized program in perception, Pronunciation, Practice in

Context. Ann Arbor: University of Michigan Press.

Murphy, J. (1991). Oral communication in TESOL: Integrating speaking, listening, and pronunciation. TESOL Quarterly, 25(2), 51-76.

Rauser, K., & Burri, M. (2010). Effective techniques for teaching conversational rhythm. Presentation at the 3rd Annual BC TEAL Fall Interior Conference, Kelowna, BC.

Setter, J. (2006). Speech rhythm in world Englishes: The case of Hong Kong. TESOL Quarterly, 40(4), 763-782.