Text breaks the border & ties areas together Frame within a frame Accent color in text & border.
Review of Within the Frame
2
Within the Frame: The Journey of Photographic Vision Paperback – May 11, 2009 Walking with David DuChemin By Conrad J. Obregon VINE VOICE on May 28, 2009 Format: Paperback Taking a picture is easy. You aim the camera, fiddle a few dials if you have a digital single lens reflex camera, and press a button. Taking an image that speaks to people, perhaps even rises to the level of art, is much harder. You have to add a secret ingredient, vision, to get that kind of image. There are tons of books that talk about technique, like exposure, composition, post processing and so forth. As far as I know there are only a handful of good books that tell about how to get the secret ingredient. This book is one of them. A description of the chapter headings doesn't do justice to the book, or even a look at the subheadings. What can one learn about a book from a heading like "Indecisive Moments" in a chapter called "Within the Frame"? It all sounds so vague. A few years ago in a review I wondered whether you can teach someone to be creative (which I took to be similar to developing vision.) The author took issue with me in a conversation, even though I had praised her book. Now six years later I still wonder if you can teach someone vision. Vision is not like exposure. It's not a matter of setting menus and dials and getting feedback from a histogram. It's vague and amorphous and not everyone will view a subject and see it with vision. Yet it's critical to photographic success. DuChemin gives the effort to teach vision a good shot. For example early in the book he urges the reader to "shoot what moves you". Good advice that almost doesn't need any explanation, although the author's discussion certainly reinforces the point.
description
A review of the book by duChemin
Transcript of Review of Within the Frame
Within the Frame: The Journey of Photographic Vision Paperback – May 11, 2009
Walking with David DuCheminBy Conrad J. Obregon VINE VOICE on May 28, 2009Format: Paperback Taking a picture is easy. You aim the camera, fiddle a few dials if you have a digital single lens reflex camera, and press a button. Taking an image that speaks to people, perhaps even rises to the level of art, is much harder. You have to add a secret ingredient, vision, to get that kind of image.
There are tons of books that talk about technique, like exposure, composition, post processing and so forth. As far as I know there are only a handful of good books that tell about how to get the secret ingredient. This book is one of them.
A description of the chapter headings doesn't do justice to the book, or even a look at the subheadings. What can one learn about a book from a heading like "Indecisive Moments" in a chapter called "Within the Frame"? It all sounds so vague.
A few years ago in a review I wondered whether you can teach someone to be creative (which I took to be similar to developing vision.) The author took issue with me in a conversation, even though I had praised her book. Now six years later I still wonder if you can teach someone vision.
Vision is not like exposure. It's not a matter of setting menus and dials and getting feedback from a histogram. It's vague and amorphous and not everyone will view a subject and see it with vision. Yet it's critical to photographic success.
DuChemin gives the effort to teach vision a good shot. For example early in the book he urges the reader to "shoot what moves you". Good advice that almost doesn't need any explanation, although the author's discussion certainly reinforces the point.
In the later chapters, the author provides more specific guidance about things to look for in certain subjects
