Resolution! 2014

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Resolution! 2014 programme. The platform for new dance. An annual festival with cutting-edge triple-bills every night from up-and-coming talent. Multi-buy ticket discounts available. www.theplace.org.uk/performances

Transcript of Resolution! 2014

Page 1: Resolution! 2014
Page 2: Resolution! 2014

I can’t recall my first-ever visit to Resolution! Nor have I been able to determine the exact year when I began to contribute to Resolution! Review as a professional watcher and mentor to aspiring writers. But surely this annual showcase of work by new and (mainly) young choreographers/companies has always been with us. Hasn’t it?

The answer, of course, is no. After a quarter-century it only seems that way. Easy to see why. Even now, in a time when showcases for up-and-coming artists are proliferating, Resolution! remains the mother (or, if you like, the big daddy) of them all. As a staple event of the London/UK dance calendar it’s both a fine way to ring in the New Year and a smorgasbord-like spread for hearty appetites.

Over the decades I’ve grown quite fond of the lucky dip nature of this lively beast. I like making discoveries and appreciate the risks of opening yourself up to work by names-you-recognise and complete unknowns. I’ve learnt about failure, too, whether that means a given dance failing to engage me or me failing it. One agonising piece, title and maker’s name long-forgotten, got me so riled up I remember thinking, ’I could do better than that!’ and then, as postscript, ’…Couldn’t I?’

And so as winter warmer, treasure hunt or potentially motivating performance feast, hats off to Resolution!

Donald Hutera, Dance Journalist (The Times, Dance Europe)

Resolution! is about new voices and new choreography. This festival is an opportunity for artists to try out their work for a different audience for the very first time. It may be 25 years old but there is nothing tried and tested about it.

The history of Resolution! is about stability and flux. A consistent professional framework surrounding a whirlwind of individual creativity that whips up a radically different collection of works each time.

Works are selected for the platform on the basis of written proposals. There is no formula and neither ourselves or are audience ever quite know what we are going to see. Every piece is different and every year is full of surprises and that is what makes this festival retain its impact and importance after a quarter of a century.

Eddie Nixon Theatre & Artist Development Director The Place

Hats off to Resolution! by Donald Hutera

Welcome to Resolution! 2014

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January

February

Fri 17 Jan

Anecdotal Evidence Pell EnsembleDaisy Farris Dance Collective

Fri 31 Jan

E33 Dance TheatreElena JacintaAlex Broadie

Fri 24 Jan

theMiddletonCorpusHenry CurtisNomadic Souls

Fri 7 Feb

Maria FonsecaPorkpie Dance TheatreGeorgia Tegou

Fri 14 Feb

NAOMI REYNOLDSMansoor AliB-Hybrid Dance

Tue 14 Jan

léa tirabassoAnything Goes CollectiveJames Finnemore

Tue 28 Jan

Richard OsborneJo LittledykeLo-Giudice Dance

Tue 21 Jan

David WakernotetoSELF Big Sisters

Tue 11 Feb

Jenni Wren’s Slanjayvah DanzaHOLASZLCP Dance Theatre

Sat 18 Jan

Suse TietjenLucy Palmer Dance CompanyIhsaan De Banya and Kenny Wing Tao Ho

Sat 25 Jan

Tamar DalyChloe AliyanniThe 2012 Legacy Project

Sat 1 Feb

Davin King SAADFar From The Norm

Sat 8 Feb

Maisie Whitehead cai tomosMichael Kitchin and Eve Stainton (from The Uncollective)

Sat 15 Feb

Akiko Dance ProjectMoxie BrawlJust Us Dance Theatre

Wed 15 Jan

ELIOTSMITHCOMPANYMafê ToledoIshimwa Dance Co.

Wed 29 Jan

Culture Device Dance ProjectRachel BurnRag Days

Wed 22 Jan

Sweet or Sour

Emmeline Cresswell (Wide Eyed Dance)James Morgan and Charley Fone

Wed 5 Feb

Thea StantonMildred Rambaudfiftyfifty

Wed 12 Feb

Molly Wright CoCoDanseJustyna Janiszewska

Thu 16 Jan

PINCH Katarse EnsembleSpiroDance

Thu 30 Jan

Barely Methodical TroupeWhittman Dance CompanyTrashDollys Dance Theatre

Thu 23 Jan

Flock collectiveHannah Katherine Vincentkonstantina skalionta

Thu 6 Feb

Waldeinsamkeit Theatre Heather Stewart and Helen CoxIeva Kuniskis

Thu 13 Feb

Arc DanceJulie Schmidt Andreasen Eric Nyira / Exzeb Dance Theatre

Resolution! 2014 at a glance

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Tue14

Jan8pm

Wed15

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Thu16

Jan 8pm

Photo: Paul BlakemorePhoto: Daniel CheungPhoto: Ludovic Des Cognets

Photo: Adam LucyPhoto: Emiliano CapozoliPhoto: ELIOTSMITH COMPANY

Photo: Jamie Morgan Photo: Jo Forrest Photo: Franz Markus Kämmerer

Anything Goes CollectiveFill in the Blanks Fill in the Blanks is a physical scrapbook- style representation of each individual involved, exploring ideas of self and individuality to expose the humans behind the performance.

James FinnemoreOh, glory!James Finnemore (Hofesh Shechter/Punchdrunk) presents Oh, glory! a piece of visual dance theatre inspired by the landscape and atmosphere in the short stories of Breece D’J Pancake.

léa tirabassoSimonesA “lustfully provocative piece” where a funny, absurd and disturbing world unfolds before the audience’s eyes. Armed with bittersweet irony and good-looking trainers, Simones unravels the absurdity of women’s conditions.

ELIOTSMITH COMPANYAFTER THE RITE On return from his studies at The Martha Graham School, Smith has created new work which interprets what he believes happened After The Rite. The work captures the last moments after death and resurrection.

Mafê ToledoFor the Time BeingA solo about new beginnings. For the Time Being takes different routes as it attempts to grasp the ungraspable: the moment we recognise time, it has already gone. Time to restart.

Ishimwa Dance Co.let’s walkWe went from the bed, to the kitchen table, to the wall and even to the toilet seat. Let’s talk, let’s laugh but most of all, let’s walk. This is group piece telling stories through breathing and walking.

Katarse EnsembleFuel An intimate solo with live original music, a piece that balances the fragility of a human life and a sense of fear. A world of darkness where the movement reflects the absence of freedom.

PINCHWhat Are You Trying To SayTwo artists dive in head first, desperate to make something ’good’! In an open dialogue with the audience, this shared experience is a wry look at the comedy of failure.

SpiroDance Just BreatheLife is not a sprint but a marathon. When was the last time we stopped, simply to breathe? SpiroDance presents Just Breathe combining elements of dance, spoken word, and physical theatre.

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Suse TietjenBrother of Sleep Photo: Eulanda Shead

Fri 17 Jan 8pm

Ihsaan De Banya and Kenny Wing Tao HoCasting ShadowsPhoto: Massimo Filippo

Lucy Palmer Dance CompanyScratch MarkPhoto: Tristan Parkes

Daisy Farris Dance CollectiveSilence the song in them…Photo: Daisy Farris Dance Collective

Suse TietjenBrother of SleepInspired by Robert Schneider’s novel which provides our title, this work explores the story of musician Elias Alder who took his life at the age of twenty-two after he had resolved never to sleep again.

Ihsaan De Banya and Kenny Wing Tao HoCasting ShadowsIn the absence of light, bodies can merge. Our existence is on the brink of where a duet can become a solo. Hands blur. Lines blur. Space blurs.

Lucy Palmer Dance CompanyScratch Mark Discovering physical wounds and deepest psychological scars Scratch Mark untangles inner feelings that haunt pathways within the dancer’s body.

Pell EnsembleDecoyThis piece is about free will in modern times, it is about how we make choices when surrounded by marketing, technology and social media.

Anecdotal EvidenceMy Nose Grows Now Photo: Alexander Beer

Pell EnsembleDecoy Photo: Zoe Rado

Sat 18 Jan 8pm

Anecdotal EvidenceMy Nose Grows NowExamining how lying is embedded in our lives My Nose Grows Now uses text and dance, recalls childhood warnings and fully-grown deception to reveal how effectively the human animal lies.

Daisy Farris Dance CollectiveSilence the song in them…If our voice is suppressed, how does our body manifest our thoughts, feelings and emotions? Sensitive human expression meets a distorted physical language creating a hum of visceral tension.

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Tue21

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Wed22

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Thu23

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Big SistersPressure CookerAnd your idea of a Domestic goddess is..? In an erratic exploration of womanhood the all female cast laugh, mock and cry their way through the everyday.

David WakerRising PheasantRising Pheasant presents the audience with moments of stillness in dance through breath on stage, whilst simultaneously spiking the energy with strong, animalistic movement qualities inspired by martial arts.

notetoSELFJuxtapose yourselfnotetoSELF presents a work that reflects the imbalances of daily life, when the mind is running a marathon but one is stood still in time. The constant motion amid the tranquillity.

James Morgan and Charley Fone EnsembleThis is a free dance. It is made using only free space, free time, free materials and a free body. How can we use what we cannot afford?

Sweet or SourThe O syndromeWhether it’s expression of anguish, self-imposed reclusion or another deep emotional breakdown, the inner signs of social victimization slowly become apparent to its enemy once the body starts striking back.

Emmeline Cresswell (Wide Eyed Dance)A Rustle of WingsInspired by a call to journey A Rustle of Wings explores how we listen to instinct and question our ideas of what it means to be free.

Flock Collective#flockofficeThank you in advance for your kind cooperation. 1. This is a semi-autobiographical performance. 2. It is derived from a collection of 1305 emails sent to a London office.

Hannah Katherine VincentThe Black LodgeInspired by David Lynch, watch as four dancers interact between dreams and reality. “In dreams I talk to you, close your eyes, everything will be alright. Welcome to the Black Lodge”

Konstantina SkaliontaEmpty YouIt took me long to realise I was holding on tightly to your memory and not your hand... You just slipped away silently...

Photo: Elena GeorgiouPhoto: Hannah K VincentPhoto: Pandorasthoughts

Photo: Jenny RunacrePhoto: Ant SmithPhoto: Alex Springer

Photo: Beth Alena Photo: Been Jammin’ Entertainment Benjamin C Paguyo

Photo: Genesco Dela Cruz

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Henry CurtisIf you think backHad you listened to your thoughts would you have done it differently?

theMiddletonCorpusIt’s what you don’t seeIf we remove all physical matter, that which we can see, what remains? The Japanese use the word ’Ma’, to describe the essence of negative space. The ’Ma’ between objects in space must therefore carry the essence of their relationship.

Chloe AliyanniMeteoraPhoto: Laura Hemming-Lowe

The 2012 Legacy ProjectThe LegacyPhoto: Andrew Forey

Sat 25 Jan 8pm

Chloe AliyanniMeteoraInspired by Meteora, a group of Greek monasteries on top of ancient rock formations, as if suspended between sky and earth, this duet looks at points of transition and suspension between states.

The 2012 Legacy ProjectThe Legacy15,000 volunteers. 4 Olympic/Paralympic ceremonies. Housewives, teachers, bankers, became drummers, dancers, nurses, and workers of the Industrial Revolution. 40 performers from the ceremonies explore how they live on, now 2012 is over.

Tamar DalyTriggerA runaway bride encounters a troubled youth, both haunted by sounds from the worlds they escape. Their mutual love of detective stories eventually triggers their return home.

Tamar DalyTriggerPhoto: Hedi Daly

Nomadic SoulsThe RiotPhoto: Foteini Christofilopoulou

Henry CurtisIf you think backPhoto: Henry Curtis

theMiddletonCorpusIt’s what you don’t seePhoto: Ludovic Des Cognets

Fri 24 Jan 8pm

Nomadic SoulsThe RiotThe Riot is a hiphop dance theatre piece with live music, inspired by the escalating tensions between young people and the Metropolitan Police leading to the 2011 London riots.

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Tue 28

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Wed 29

Jan 8pm

Thu 30

Jan 8pm

Lo-Giudice DanceMove_on_BaroquedMove_on_Baroque encapsulates the drama and sensuality of Neapolitan Baroque, evoking sex and the sacred through form and motion inspired by water in the city’s architecture. Collaboration with Movimentale Festival Napoli.

Richard OsborneSea ChangedThe world is melting. Ice, water, oil. Start. After 800,000 years the Arctic is vanishing. Disappearing into the sea, in chunks the size of Manhatten. Stop. Dance.

Jo LittledykeUgliness of BeautydDestruction and pain are the ugliness born from the misconception of beauty. A duet that delves into our distorted idea of beauty and the loss of our own intrinsic value and uniqueness.

Culture Device Dance ProjectI can’t explain and I won’t even trydMeaningful journey through a meaning (less) process. Dancers burst into movement and quit with an unexpected force that makes them appear foreign to their own origins. “wonderful dancers” William Forsythe

Rachel BurnThresholddThree women find their place in a black and white world by giving attention to small detail. Inspired by the poetry of Walt Whitman.

Rag DaysScratchdThis is a serious dance work. A dance work where we come together to battle evil for the good of humanity. We are the dance rangers.

TrashDollys Dance TheatreWalterdA neurotic man discovers self-therapy through daydreaming. A ripe imagination allows him to create a world in which he is a spectator of a charismatic, yet riotous version of himself.

Barely Methodical TroupeBromancedWhat are the limits of male companionship? How close is too close? Experimental acrobatic company explore this through various circus disciplines and dynamic movement.

Whittman Dance CompanyCameleondExotic, elegant and sensual females playing with your expectations. Cameleon celebrates women’s strength and ability to camouflage.

Photo: Paul BlackmorePhoto: mzajac.eu

Photo: Ben HopperPhoto: Timothy ClarkPhoto: Stefan Bruggemann

Photo: Scott Miller Photo: Gosia Wilda Photo: Gosia Wilda

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E33 Dance CompanyPursue MePhoto: George Alexander Thompson

Alex BroadieFrenemiesPhoto: Alex Broadie

Fri 31 Jan 8pm

Sat 1 Feb 8pm

Alex BroadieFrenemiesEver hate someone as much as you love them? Life gets complicated for the fierce, fun and fluctuating friendships of this intimate social clique. Bitter-sweet dance for the sitcom age.alexbroadiedance.com

E33 Dance CompanyPursue MeA Ballet & Capoeira fusion examining the power struggles and tensions found in relationships. A redemptive story of love and loss and the beauty we oddly find in pain.

Elena JacintaReassembledA solo where the body is the source and the object of fragmentation, the instrument of choreography and the decision maker.www.elenajacinta.com

SAADHabibi’Was born an ugly baby now I’m an ugly man, jumbo lips.’ Drawing out the darkness from within one’s selves and bridging the gap between the veils. Every grain.

Davin King The End is built into the Beginning To end is to start; To surrender is to know. Hope shall meet hopeless When there’s nowhere to go. - Fujimura Misao –

Far From The NormH.O.H.Green street meets Houses of Parliament. H.O.H throws our ordinary lives into an explosive world of public disorder. This riotous adventure attacks political themes disrupting any sense of peaceful protest.

Davin King The Morning AfterPhoto: Kiyotaka Hamamura

Elena JacintaReassembledPhoto: Katrina De Rycke

Far From The NormH.O.H.Photo: Jason Torres

SAADHabibiPhoto: Siannesky

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Photo: Daniel Kim YimPhoto: XX

Thea StantonPoint of view Photo: Christian Fisher

Thea StantonPoint of viewIn a piece inspired by Cubism and Relativity, two dancers fragment their relationship with their own body, and forge a shared connection in a new and ever-shifting state.

Mildred RambaudDISC OF LIGHT Holding the light of the eclipse, three women dance with a large, circular, steel disc, dulled and lunar on one side - polished and solar on the other.

fiftyfiftyFrameUsing spoken musical notation, the dancers are challenged anew as they hear the musical score for the first time during the performance. A “blind date” between the dancers and music.

Wed 5 Feb 8pm

Mildred RambaudDISC OF LIGHTPhoto: Alfred Rambaud

fiftyfiftyFramePhoto: Nuno Santos

Photo: Oscar Dunbar

Photo: Judita Kuniskyte

Photo: Daniel Kim Yim

Thu 6 Feb 8pm

Heather Stewart and Helen CoxLapseShaped by Kenneth Goldsmith’s Fidget, a written transcription of every movement his body made over thirteen hours, Lapse delves into a strict act of self- observation and it’s eventual abandonment.

Ieva KuniskisWomen’s TalesFour women open up their personal histories in honest, heart breaking and humorous self-portraits.

Waldeinsamkeit Theatre You Must Be The One To Bury MeOne man’s grasp of reality crumbles as the fantasies, memories and monsters of his recent relationship materialise in his flat. How did something so sexy become so scary?

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Michael Kitchin and Eve Stainton (from The Uncollective)Third Person OptionalPhoto: Katrin Rhys

Maisie WhiteheadStrung OutPhoto: Rachel Ferriman

cai tomos“Describing Piece”Photo: Rhys Beynon

Porkpie Dance TheatreChai PaaniPhoto: Ellen Yilma

Sat 8 Feb 8pm

cai tomos“Describing Piece”This piece is about the appearance and disappearance of meaning. It is dedicated to my mother who say’s “she doesn’t understand dance”. Mum, there is nothing to understand.

Maisie WhiteheadStrung Out It’s raining. Two sisters, Veronica and Citron, are lost. In fact, they’ve lost the thread and they really need to find it if they’re to carry on. But where to..?

Michael Kitchin and Eve Stainton (from The Uncollective)Third Person OptionalHe is a mischievous devil with a keen eye for trickery, dazzling wit and deception. A dab hand at practical jokes, naturally taking on projects twice his size. He is an imposter.

Porkpie Dance TheatreChai PaaniMr & Mrs N. D. Parmar request the honour of your presence at the auspicious occasion of the First Date/Engagement/Wedding of their son Anaish Nathan to [?] No boxed gifts please.

Maria FonsecaRED TEARSRED TEARS represents the duality of being alive. The light and the shadow. RED TEARS because they are not just salty but filled with an ocean of emotion.

Georgia TegouUnderToneA collection of short stories about people and everyday life; exploring subtle meetings, the underlying quality of suggesting actions, the whispering of messages in a bid to understand each other.

Fri 7 Feb 8pm

Maria FonsecaRED TEARSPhoto: Andac Karabeyoglu

Georgia TegouUnderTonePhoto: Eulanda Shead

WEEK 4

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Tue11

Feb8pm

Jenni Wren’s Slanjayvah DanzaMinor TearsDrawing on Professor Helen Thomas’ enquiry “Pain and Injury in a Cultural Context”, Minor Tears exposes athleticism, determination and elegance that professional dancers demonstrate whilst hinting at vulnerabilities experienced.

HOLASZWhy Fronts: A contemporary lap danceDon your Y-Fronts. Witness a playful duet intertwining politics, feminism and a fair bit of larking about. Ukrainian folk music resonates whilst you revel in this modernist lap dance.

LCP dance theatreAM IInspired by the true story of a victim of human trafficking, AM I explores the dual identity of a sexual slavery victim and trafficker. “Visually arresting experience” Dancing Times

Thu13

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Wed12

Feb8pm

Justyna JaniszewskafluxAltering through a series of constant motion and emotion, Flux reveals the melancholy and angst of a human body. Personal stories and dreams reflect the fears and desires of each character.

Molly WrightLong long story…I’ll explain another dayMyths and legends - when generations meet and interact, preconceptions may be confirmed or dispelled. What may they have in common? Joints? Braces? Dizzee? - As Elton said - Goodbye Normal Jeans!

CoCoDanseLooping under a treeJan is waiting. Sensing the absurdities of life with dark humour, desperate for something to happen. Join Jan and Adam, with live musician Stuart O’Connor as they overcome apathy and fear to leap into an uplifting flow of motion and happiness.

Exceb Dance CompanyArtism Act II Multiple variations“Wherever I found a living thing, there found I will to power and even in the will of the servant I found the will to be master.”

Julie Schmidt AndreasenHula hoopsThree characters are set on their own Hula Hoop paths. They stay on their predestined courses until sunlight shines on them. The music and choreography were created simultaneously.

Arc DanceConversations With DystoniaAt 16, Suzie won a dance scholarship to London Studio Centre; at 17 she was diagnosed with the neurological condition Dystonia which left her a wheelchair user: 17 years on she explores her tempestuous relationship with her condition.

Photo: Julie Schmidt AndreasenPhoto: Franco ChenPhoto: Sophie Langohr

Photo: Chantal GuevaraPhoto: Matthew MuirPhoto: Luca Rocchini

Photo: Gosia Wilda Photo: Josh Hawkins Photo: Nick Tucker Photography

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Moxie BrawlIt Started With Jason… DonovanPhoto: Bruno Rodrigues

Just Us Dance Theatre I know that I’m a woman, a woman with inner strengthPhoto: Gigi Giannella

Akiko Dance ProjectOkuniPhoto: Maik Kleinschmidt

Fri 14 Feb 8pm

Moxie BrawlIt Started With Jason… DonovanEspecially for you choreographer Sarah Blanc reveals her too many broken hearts as she tells of an eventful dating past using the songs of her first love Jason Donovan. This piece promises to bucketfuls full of raw emotion.

Akiko Dance ProjectOkuni (Kabuki Dancer)The spirit of Kabuki, traditional Japanese theatre, was born from the passion of a single woman called Okuni. This piece includes contemporary Japanese dance, drama and more.

Sat 15 Feb 8pm

B-Hybrid DancePaceThe intricate skill of harmonising an active mind and lifestyle, with one of rest and leisure, stimulates the creation of Pace. Come and take a step towards your balance.

Mansoor AliHe waves his dusty hand helloHe sees hidden objects. Spontaneously he digs these from the ground with his bare hands. Stories creep into the grit between his fingers. He waves his dusty hand hello.

Naomi ReynoldsThe Sob in the SpineSet to Robert Simpson’s String Quartet No. 7, The Sob in the Spine explores the complicated relationship between pain and the creative act, asking: are our agonies things that are visited upon us, or are they a manifestation of self?

Just Us Dance Theatre I know that I’m a woman, a woman with inner strengthMother, Wife, Sister, Woman.’ I know that I’m a woman, a woman with inner strength’. (Anne Frank) How does one physicalize a woman’s subtlety and purity whilst retaining strength?

Mansoor AliHe waves his dusty hand helloPhoto: Mari Colbert

B-Hybrid DancePacePhoto: Brian Gillespie

Naomi ReynoldsThe Sob in the Spine

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Resolution! 1990-2014

1990

Resolution! becomes a last

minute addition to The

Place’s programme when

a London Mime Festival

performance is cancelled.

No programme was produced.

1991

Sioned Huws, Joanna O’Keefe,

Karen Greenhough

1992

Russell Maliphant, Michael

Keegan-Dolan, Pit Fong

Loh, Mark Bruce

1993

Wayne McGregor, Yael Flexer,

Jamie Watton, Jeremy

James, David Massingham,

Mark Baldwin, Henry Montes,

Matthew Hawkins, Sheron Wray

1994

Arthur Pita, Beth Cassani,

Javier De Frutos

1995

Carol Brown, Susanne Thomas,

Charlotte Vincent, Thea Barnes,

Joumana Mourad, Athina Vahla,

Liv Lorent, Alias Compagnie

2001

Stephanie Schober, Adam

Benjamin, Sonia Sabri,

Robert Hylton, Saskia

Holbling, Martine Pisani

2002

Rosie Kay, Ben Wright, Tom

Dale, Tino Sehgal, Taras

Burnashev, Milli Bitterli

2003

Leon Baugh & Delphine

Gaborit, Louise Katerega,

Elizabetta d’Aloia,

Bawren Tavaziva, Jean

Abreu, Irven Lewis, Erna

Omarsdottir, Claire Croizé

2004

Sally Marie, Katie Prince

(ZooNation), Charlotte Eatock,

Frauke Requardt, Rashpal

Singh Bansal, Hofesh Shechter,

Lia Haraki, Jenni Kirela

2005

Temitope Ajose-Cutting,

Marc Brew, Saju Hari,

Ang Ngoc Nguyen, Mette

Ingvartsen, Nicole Seiler,

Apostolia Papadamaki

2006

Saiko Kino, Gary Clarke,

Philine Janssens, Mickael

Riviere, Alexandra Waierstall

1996

Martin Lawrance, Michael

Klien, Lisa Torun, Hanna

Gilgren, Philippe Van Huffel,

Henri Oguike, Katja Wachter

1997

Colin Poole, Fearghus

O’Conchuir, Philipp Gehnader,

Jane Mason, Elizabeth Lea,

Sean Tuan John, Nina Rajarani,

erre que erre, Tero Saarinen,

Virpi Pahkinen, Anouk Van Dijk

1998

Mayuri Boonham & Subathra

Subramaniam, Sarah Fahie,

Ben Ash, Luca Silvestrini, Rahel

Vonmoos, Jasmin Vardimon,

Karine Ponties, Xavier Le

Roi, Tatiana Baganora

1999

Jan De Schynkel, Henrietta

Hale, Pete Shenton, Maxine

Doyle, Rachel Krische,

Konstantinos Rigos, Sol

Rico, Thomas Lehman

2000

Darren Johnston, Tom

Roden, Fleur Darkin, Rafael

Bonachela, Maresa Von

Stockert, Anurekha Ghosh,

Kenneth Tharp, Jyrki

Kartunnen, Willi Dorner,

Nanine Linning, Maja Delak

2007

Natasha Gilmore, Chisato

Minamimura, Katie Green,

Jemima Hoadley, Darren

Ellis, Simona Bertozzi

2008

Jose Luis Vidal, Victoria

Fox, Adam Linder,

Teodora Castellucci

2009

Ash Mukherjee, Caroline

Simon, Jane Coulston,

Daniel Abreu Perro

2010

Eva Recacha, Jonathan

Goddard, Gemma Nixon,

Jessie Brett, James Wilton

2011

Alma Söderberg, James

Cousins, Itamar Serussi Sahar,

Moreno Solinas & Igor Urzelai

2012

Seke Chimuntengwende,

Nina Kov, Lindy Nsingo

2013

Yu Yu Rau, Ivan Blackstock,

Botis Seva (FAR FROM

THE NORM), Joseph

Mercier (Panic Lab)

Over the past 25 years, Resolution! has presented the work of roughly 2,000 artists, including…

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A key part of Resolution! is the support we offer

to the companies through a series of tailored

workshops in one of the best resourced dance

theatres of its kind. The aim is to provide an

environment where these new pieces have

the best possible chance of succeeding. The

workshops build professional skills in the

areas of Marketing and Publicity, Lighting,

Technical preparation and Project Planning.

The Place supports artists who take dance into

new territory. Our Pioneering Fund enables

us to invest in the future developments of the

most exciting artists we see in Resolution!

and elsewhere, encouraging them to

explore new possibilities in their work.

We rely on the support of individuals to

maintain this vital part of our work. Find

out more about how you can contribute

to the Pioneering Fund on our website.

You can also donate to the

Pioneering Fund by text.

Simply text ’PIOF13 10’ to 70070 to donate £10.

theplace.org.uk/pioneering

Helping artists explore new territory

Resolution! Review gives a critical response to every new performance in Resolution!

The Reviewers include six leading dance

critics - Donald Hutera (The Times, Dance

Europe), Josephine Leask (LondonDance,

The Dance Insider), Sanjoy Roy (The

Guardian, New Statesman), Keith Watson

(Metro), Graham Watts (Dance Tabs) and

Lyndsey Winship (Time Out, Evening

Standard) – and a cohort of new and

aspiring dance writers who are mentored

by the professional critics.

Two reviews of each evening are posted

at www.theplace.org.uk/resolutionreview

(usually within 24 hours of the

performance) offering two perspective

of the works in each triple bill.

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£15 (£12 concessions)£12 previews on Tue 25 and Wed 26 Feb 2014

Box office: 020 7121 1100www.theplace.org.uk/protein

Tue 25 Feb - Sat 15 Mar 2014 (Excluding Sundays)

8pm

Access for people with disabilities. There is on-street parking for blue badge holders outside The Place, level access to the foyer and a lift to all floors. Most local bus services have wheelchair access.

An induction loop is available at the Box Office and a Sennheiser infra-red hearing system in the auditorium. Guide dogs and hearing dogs are welcome.

Free tickets are available to those accompanying disabled people. If you have any other requirements, contact the Box Office and we will do our best to ensure that nothing inhibits your visit.

How to book your tickets

Telephone: 020 7121 1100 (Mon – Sat 10am – 8.30pm / 10am – 6pm on evenings with no performances)

Tickets: £14 / conc £11 per evening triple bill

Online: www.theplace.org.uk (Visa/Mastercard/Maestro)

In Person: The Place, 17 Duke’s Road, London, WC1H 9PY(Mon – Sat 10am – 8.30pm / 10am – 6pm on evenings with no performances)

The multi-buy offer is only available on full price tickets (no concessions)

Groups of 10+ pay £10 per ticket.

Arrive before 7.20pm to receive 10% off all pre-show, interval and post-show drinks orders made at our fully licensed Theatre Bar. We have a range of drinks and snacks available from our opening time of 7pm.

Our theatre seating is changing. Resolution! 2014 will have reserved seating so make sure you book well in advance.

Multi-buy – save up to 40% You can save up to 40% on full-price tickets to Resolution! by booking for three or more evenings at the same time.

Multi-buy You save Price per ticket

book for 1 or 2 evenings £14

book 3 evenings at the same time 20% £11.20

book 4 evenings at the same time 30% £9.80

book 5 or more evenings at the same time 40% £8.40

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www.theplace.org.uk/resolutionTickets and information 020 7121 1100#res2014

The Place, 17 Duke’s Road, London, WC1H 9PY

The Place Robin Howard Dance Theatre17 Duke’s Road London WC1H 9PY

The Place is on Duke’s Road, off Euston Road. It is opposite St Pancras Church and next door to the Premier Travel Inn.

Where to find us