residences- gehry residence and koshino house

25

Click here to load reader

Transcript of residences- gehry residence and koshino house

Page 1: residences- gehry residence and koshino house

GEHRY HOUSE,SANTA MONICA

Frank Owen Gehry

Mithilesh Mandal

Page 2: residences- gehry residence and koshino house

DE-CONSTRUCTION

―UNRELATED FORMS

―ABSTRACT IN NATURE

―SMOOTH EXTERIOR SURFACES

―CONTRAST OF SHAPES AND FORMS

―LARGE EXPANSES OF A SINGLE MATERIAL

Page 3: residences- gehry residence and koshino house

GEHRY RESIDENCE

― DECONSTRUCTIVISM

― RECONSTRUCTION

― LOW COST MATERIALS

Page 4: residences- gehry residence and koshino house

GEHRY RESIDENCE

― FORM

Page 5: residences- gehry residence and koshino house

GEHRY RESIDENCE

― FACADE

Page 6: residences- gehry residence and koshino house

GEHRY RESIDENCE

― WINDOWS REDEFINED

Page 7: residences- gehry residence and koshino house

GEHRY RESIDENCE

― INTERIOR / OUTDOOR

Page 8: residences- gehry residence and koshino house

GEHRY RESIDENCE

― CONTRAST IN SHAPES & FORMS

Page 9: residences- gehry residence and koshino house

GEHRY RESIDENCE

― INTERIORS

Page 10: residences- gehry residence and koshino house

GEHRY RESIDENCE

Page 11: residences- gehry residence and koshino house

KOSHINO HOUSEBY

TADAO ANDOSONAKSHI BHATTACHARJEE

114AR0024

Page 12: residences- gehry residence and koshino house

ABOUT

Client: Designer by the name of Koshin

Location: Ashiya, Hyogo, Japan

Architect: Tadao Ando

Project Year: 1984

Client: Designer by the name of Koshin

Page 13: residences- gehry residence and koshino house

STYLE

-CRITICAL REGIONALISM

Page 14: residences- gehry residence and koshino house

PLAN

-RECTANGULAR CONCRETE BOXES-JOINED LATER BY FAN SHAPED ATELIER-ROOMS ALIGNEDLIKE LE CORBUSIER’S MONASTICCELLS AT SAINTE-MARIE-DE-LATOURETTE.

Page 15: residences- gehry residence and koshino house

DESIGN PRINCIPLES

1.BRUTALISM

Page 16: residences- gehry residence and koshino house

DESIGN PRINCIPLES

2. ASYMMETRICAL BALANCE

3. NON SEPERATED

Page 17: residences- gehry residence and koshino house

DESIGN PRINCIPLES

4 . SPATIAL ORGANIZATION

Page 18: residences- gehry residence and koshino house

DESIGN PRINCIPLES

5. SCALE AND PROPORTION

Page 19: residences- gehry residence and koshino house

DESIGN PRINCIPLES

5. UNITY AND HARMONY 6. BLENDING

Page 20: residences- gehry residence and koshino house

TADAO ANDO’S SIGNATURE TRAITS

EMPTINESS

Page 21: residences- gehry residence and koshino house

TADAO ANDO’S SIGNATURE TRAIT

TACTILITY

Page 22: residences- gehry residence and koshino house

TADAO ANDO’S SIGNATURE TRAIT

MATERIALITY

Page 23: residences- gehry residence and koshino house

COMPARISONSDECONSTRUCTIVISM

AND

CRITICAL REGIONALISM

Page 24: residences- gehry residence and koshino house

COMPARISONS

DECONSTRUCTIVISM• Its reformed modernism.• Reduces the overall level of

complexity involved • Maintains a clearer analysis while

attempting to reconcile modernist architecture with local differences. In effect, this leads to a modernist "vernacular."

• Critical regionalism displays a lack of self-criticism and a utopianism of place.

CRITICAL REGIONALISM• Its permeated post modernism.

• Maintains a level of self-criticism, as well as external criticism and tends towards maintaining a level of complexity.

• It is not an empirical process, it can result in whatever an architect wishes, and it thus suffers from a lack of consistency.

Page 25: residences- gehry residence and koshino house

THANK YOU

Architecture should speak of its time and place, but yearn for timelessness.

-