Renaissance Gallery

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Running head: RENAISSANCE GALLERY 1 Renaissance Gallery Donna Green Art 101 September 26, 2010 Melissa Ernstes

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Running head: RENAISSANCE GALLERY 1

Renaissance Gallery

Donna Green

Art 101

September 26, 2010

Melissa Ernstes

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RENAISSANCE GALLERY 2

Renaissance Gallery

Proto – Renaissance

Trecento

Giotti di Bondone

Fig. 1

1304-06“No. 23 Scenes from the Life of Christ- 7. Baptism of Christ”

Giotto Di Bondone

Fresco,Cappella Scrovegni (Arena Chapel), Padua

The Renaissance Period is divided into five separate periods, in this gallery, we will show

examples from Trecento, Quattro Centro and Cinquecento timelines. The above is from what is

commonly known as early renaissance. Giotto painted a series of 38 Frescos depicting the life of 

Christ and the Virgin Mary. Over the archway of the choir in the Arena Chapel in Padua is a

scene of the Court of Heaven; the Last Judgment faces it on the entrance wall. His compositions

are simple and the faces are studies in emotional expression. Each Fresco tells a story that leads

to the next in the series. “In common with other artists of his day, Giotto lacked the technical

knowledge of anatomy and perspective that later painters learned. Yet what he possessed was

infinitely greater than the technical skill of the artists who followed him. He had a grasp of 

human emotion and of what was significant in human life. In concentrating on these essentials he

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created compelling pictures of people under stress, of people caught up in crises and soul-

searching decisions. Modern artists often seek inspiration from Giotto. In him they find a direct

approach to human experience that remains valid for every age.” (Pioch, 2002)

Early (Quattro Centro)

Renaissance

Sandro Botticelli

Fig 2

The Birth of Venus

1485

Oil on Canvas

“Botticelli's major early works are Fortitude (1470, one of seven Virtues for a merchants'

assembly hall; the other six are by Piero Pollaiuolo), two tiny panels of the story of Judith and

Holofernes, and St. Sebastian (1474). In some of these he altered the appearance of muscular 

energy and physical action found in Verrocchio's work in the direction of nervous fatigue and

contemplative repose. These qualities are most evident in Botticelli's best-known works, Spring 

and the Birth of Venus, executed for a cousin of Lorenzo the Magnificent, Lorenzo di

Pierfrancesco de' Medici, for his villa. They obviously reflect the contemporary literary culture,

 but their precise subject matter has been much debated and has never been agreed on; they were

certainly designed in consultation with a scholar, but he may have invented an allegory for the

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occasion which was not recorded. Since Venus has a central position in both works, it is

 plausible to consider the two figures of Venus as a contrasting pair. There was a literary

convention in philosophical-archeological writing of the time of contrasting the spiritual and the

earthly Venus, which may well be a factor in the paintings, though not the entire theme.”

(Biography: Sandro Botticelli, 2010)

High Renaissance

Cinquecentro

Michelangelo, Da Vinci, Raphael

Fig 3

The Creation of Adam

1508-1512

FrescoSistine Chapel, Vatican

Michelangelo, Da Vinci, and Raphael are considered the Trinity of High Renaissance.

Michelangelo shows true genius, creativity, determination, and patience when he took on the

four year project. This series of Fresco’s is of the most famous depicting the creation to the last

 judgment on the ceiling of the chapel. In this work, lines, shading and contour are evident and

 present in God and Adam’s arms reaching for each other connecting at the finger tips. Shades of 

light and dark and shadows are seen in the muscular build of the two.

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Fig 4The Fall of Man and the Expulsion from the Garden of Eden

1508-1512

Fresco

Sistine Chapel, Vatican

This works lines show three separate panels. In the middle one we can see Eve taking the apple

from the serpent and an angel holding what looks like a wand pointed towards Adam’s neck 

 banishing them from the garden. It’s difficult for me to imagine what life could have been like

had this not happened. This work brings questions to my mind like would we still have had war?,

would there have been so much negativity?, but mostly – would the people who are here on earth

now have been here at all? Other questions I have when I look at this are – if given the

opportunity, would I have done the same thing? I’d like to think I wouldn’t. Also, why would she

make that choice when everything was theirs for the asking, there was only one thing that was

forbidden and for all eternity – that is one of the two things she is remembered for – which

 brings another question to mind. Eve made one mistake – and people remember that mistake, and

yet they can’t understand why people remember the bad more clearly than the good.

Fig 5The Flood

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1508-1512

FrescoSistine Chapel, Vatican

This work depicts Michelangelo’s rendition of the first time God destroyed the earth. A truly

 beautiful work filled with brilliant colors for the clothing. The light sky against the darkness of 

the boat gives the feeling of a bad storm coming. It is amazing how artist’s use light and shadow

in such a way that you can feel what is happening in the work. When Noah was told to build the

ark, he was worried, scared and intimidated. He asked friends and neighbors for help and they all

laughed at him. They did not believe that what he said would happen, would in fact happen.

 Noah was an old man, and the enormity of the project it self was enough to scare a young man,

much less a man up in age as Noah was. Imagine building some large enough to carry two of 

every beast and fowl on the planet.

Fig 6

The Virgin and Child with St Anne

1510Leonardo Da Vinci

Oil on canvass

Gentleness and motherly love is what is shown in this work by Leonardo Da Vinci depicting

Mary, Jesus, and St. Anne. One thing that has always intrigued me regarding Renaissance period

is the tones of the skin and how beautiful woman were depicted. Much unlike models today,

most women of the renaissance were slightly plump

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Fig 7

St. John in the Wilderness (Bacchus)Leonardo Da Vinci

1510-15

OilMusee Du Louvre, Paris France

Fig 8

Adoration of the MagiLeonardo Da Vinci

n.d.Galleria Degli Uffizi, Florence, Italy

Fig 9

Visitation

Raphael1517

Oil painting

Museo del Prado

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Fig 10

The Last Judgment

1534-1542Michelangelo

FrescoSistine Chapel, Vatican

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ReferencesBiography: Sandro Boticello. (2010). Retrieved from http://www.answers.com/topic/sandro-

 boticelli

Pioch, N. (2002). Giotto di Bondone. Retrieved from http://www.ibiblio.org/wm/auth/giotto/