REGINA JOSÉ GALINDO CLAUDIA LOSI

LA MARÉCHALERIE CENTRE D’ART CONTEMPORAIN ÉCOLE NATIONALE SUPÉRIEURE D’ARCHITECTURE DE VERSAILLES

STUDIO ORTA LES MOULINS

26 JUIN — 12 JUIL. 2013

W MEN

F RLIFE

PRESS

JUNE 26th — JULY 12th, 2013

WOMEN FOR LIFE—

REGINA JOSÉ GALINDOCLAUDIA LOSI

DATES

OPENING

Exhibition from June 26th to July 12th, 2013

Opening on Thuesday June 25th, from 6pm.

Curators: Lucy + Jorge Orta

—

—

La Maréchalerie, Contemporary Art Center of énsa-v and Les Moulins, the research and artistic production centre founded by Lucy + Jorge ORTA, combine their respective exhibition and residency programs, and present the Women for Life project.

Transdisciplinary, Women for Life aims to be a collective experience that questions our identities, their connections, and their place into the world. The artists Regina José GALINDO and Claudia LOSI, invited by Lucy + Jorge ORTA to the 2013 Les Moulins residency program, exhibit at La Maréchalerie a radical artistic practice that reflects their environmental, political and social commitments. The exhibition Women for Life designed as a work in progress laboratory, gathers ideas created during the residency, to reveal two distinct approaches of coming to terms with the complexity of the world around us.

The artist Regina José GALINDO (born in 1974 in Guatemala, lives and worksin Guatemala) is associated with the body art movement. Her work takes placein the field of performance. Using video in which the artist herself performs by mutilating herself in front of a confused audience. By experiencing these injuries, Regina José GALINDO fundamentally links Art and Life, turning her body into an object of art. Thus, she’s not only a witness but takes part inherently at the same time at the history of her country. The art of Regina José GALINDO is certainly violent, but alive. Her work is struggling desperately against the denial of the human being, its domination and sadism from which it suffers every day, especially for women. The work of Regina is an act of resistance through poetry. The Art of Claudia LOSI reaches fields as different as science, nature andliterature. Italian artist (born in 1971, lives and works in Italy), she uses mediums such as crafts, sewing and embroidery, as well as more traditional ones such as photography, video and performance. Travelling the world and its landscapes, Claudia LOSI produces cartographic artworks. She investigates the smallest detail of a natural environment like lichens, or the largest living mammal, the whale. Creating and reinventing new mythologies, Claudia LOSI mixes real and imaginary, ecology and poetry into works that tell the history of the world, its complexity and beauty. Her work, being participative, tries to connect Art to the World and its inhabitants while taking the form of a protest.

Some of the works may contain images that may offend the sensibilities of visitors, especially children.

Biotopes - prototype I Lichen-Antlers, 2013 – Felt, textile, filler, sand. 60 x 60 x 50 cm. Biotopes - prototype II Salamanders-Algae, 2013 – Felt, textile, filler, sand. 70 x 40 x 60 cm.Photo credit : Claudia Losi.

Biotopes - prototype III Deer Head-Mushrooms-Frog , 2013 – Felt, textile, filler, sand. 70 x 50 x 160 cm. Photo credit : Claudia Losi.

CLAUDIA LOSI

Landscapes, 2010 – Glass, wood, metal and photographs. Shelf : 28,5 x 126 x 38,5 cm. 3 elements each : 25 x 28 x 4,5 cm. Courtesy of the artist and Monica De Cardenas Gallery, Milan, Italia. Photo credit : Dario Lasagni

Les Funerailles de la Baleine (The Wale›s funeral) - 2010 – Wool fabric, padding fiber, inflatable air chamber. 24 x 4 m around. Photo credit : Dario LasagniCourtesy the artist.

Marmagne, 1999 - 2000 – 10 photos heat-pressed on canvas, embroidery, felt. 130 x 190 cm each. Courtesy the artist and Monica De Cardenas Gallery, Milan, Italia.

Paisaje (Landscape), 2012 – Vidéo. 25’24’’, Antigua, Guatemala. Courtesy Prometeo Gallery di Ida Pisani.

REGINA JOSÉ GALINDO

Alud (Avalanche), 2011 – Performance. Festival Performance of Thessaloniki, Parallel program of the Third Biennial - Contemporary Art Thessaloniki, Greece. Curator : Eirini Papakonstantinou. Photo credits : Eleftheria Kalpenidou. © State Museum of Contemporary Art and the artist

Caparazón (Shell), 2010 – Performance. Exhibition Corpus - Arte in Azione. MADRE, Contemporary Art Museum Donna Regina. Napoli, Italy.Photo credits: Rafael Burillo, Teresa Margolles, Amedeo Benestante.

Quién puede borrar las huellas?, 2003. – Performance. Courtesy of the artist & the gallery PrometeoGallery di Ida Pisani.

BIOGRAPHYCLAUDIA LOSI—Born in 1971 in Piacenza (ITALIA).Live and work in London (ENGLAND).www.claudialosi.com

EXHIBITIONS

2013

2012

2011

2010

2009

Claudia Losi, Monica de Cardenas Gallery, Zuoz, Switzerland

Idol Rock, with Salvatore Arancio, curated by G. Scardi Studio NTCM, MilanMonte Adamello, Carta «geologica» di un sentiero possibile, Aperto12, Visiting Professor, ValleCamonica, project by G. Azzoni, Altro da cose. Musei Civici, ModenaUna volta, all’improvviso...workshop/performance, curated by Dipartimento Educazione, Maxxi, RomeCorps Exquis, Claudia Losi _Antonio Marras, Palazzo Nicolosio Lomellino, Genova

BlockParty, a Craft Council Touring Exhibition, curated by L.Orta, LondonEva Marisaldi / Claudia Losi / Margherita Moscardini, Casabianca, BolognaLes Funerailles de la Baleine, video projection, Cinema Massimo, curated by Associazione Museo Nazionale del Cinema, Torino.Les Funerailles de la Baleine, installation and performance with Vinicio Capossela, Via Farini-DOCVA, Milan.BalenaProject. Resoconto di viaggio di un cetaceo di terra, CESAC _Il Filatoio di Caraglio, curated by a.titolo, Caraglio, Cuneo

Claudia Losi, Monica de Cardenas Gallery, Milan.The Skin Tellers, a London College of Fashion’s Performance, curated by Lucy Orta, at Saint Mary’sChurch, London.Les Funerailles de la Baleine, Balena Project Performance, Cossila S. Giovanni, Biella.Spazio. Dalle Collezioni d’Arte e di Architettura del MAXXI, MAXXI, Rome.Animal Simulacrum for Times of Rapid Consumption, curated by F. Pagliuca, in collaboration with Tridentino Science Museum, at UniCredit Bank, Palazzio Firmian and Galleria Civica, Trento. Aware: Art Fashion Identity, curated by L. Orta and G. Scardi, Gsk Contemporary 2010,Royal Academy of Arts, LondonNo Soul for Sale. A Festival of indipendents, curated by Via Farini, Tate Modern, LondonSi Sindrome italiana, curated by Yves Aupetitallot, at MAGASIN, Centre National d’Art Contemporain de Grenoble, GrenobleLa scultura Italiana del XXI secolo, curated by M. Meneguzzo, at Fondazione Arnaldo Pomodoro, MilanThe secret Lives of Trees, Monica De Cardenas Gallery, ZuozAl di là delle apparenze opache, curated by G. Foschi, Festival della Fotografia Europea, Reggio EmiliaPagine da un bestiario fantastio, curated by S. Ferrari and S. Goldoni, Galleria Civica di Modena, Palazzo Santa Margherita, Modena (cat.)Fotografia Europea, Museo dei Cappuccini, Reggio Emilia

4 ways to, Claudia Losi, Andrea Nacciarriti, Francesco Pedrini, Stefano Romano, a project by S. Romano, Zenit Gallery, Tirana, Albania. Evento satellite di Tirana International Contemporary Art Biennial 4Talent Prize 2009, curated by N. Zanella, Museo Centrale Montemartini, RomaDritto Rovescio, Fili intrecciati tra arte, design e creatività di massa, curated by do-knit-yourself, Palazzo della Triennale, Milan (cat.)Strip Maps.Gaze and experience, curated by F. Pagliuca, site-specific show

2008

2007

2006

2005

2004

2003

and performance at UniCredit Bank, Piazza Cordusio, Milano. Qui e non altrove. Qui. a local communities project for ArtePOLLINO, Basilicata, ItalyBalenaProject_Knotted Lines/ Dissolved Clays, Assab One, Milano

BalenaProject_Birmingham’08, curated by H. Legg, Ikon Gallery, Birmingham, United KingdomPatterns of Identity, curated by S. Wendt, Stenersen Museum, Oslo, NorwayClaudia Losi. La coda della balena 1995-2008, curated by a.titolo and A. Salvadori, Museo Marino Marini, Firenzestationary bird – migratory bird, curated by by George Hollanders, Akureyri and Eyjafjardarsveit, Iceland15° Quadriennale di Roma, Palazzo delle Esposizioni, RomeSoft Cell: dinamiche nello spazio in Italia, curated by A. Bruciati, GC:AC, Monfalcone (GO) (cat.)

Fatto in Svezia/En utställning med modern italiensk konst, Röda Sten, Göteborg, SwedenSTILL LIFE, Art, Ecology & the Politics of Change, Sharjah Biennial 8, United Arab Emirates (cat.)La Scimmia Nuda, Museo Tridentino di Scienze Naturali, TrentoOpen Air, curated by M. Paderni and I. Saccani, Orto Botanico Università di Parma, Parma (cat.)La Giovine Italia, curated by R. Barilli, Pinacoteca Nazionale, Bologna (cat.)Hamish Fulton | Claudia Losi, curated by G. Di Pietrantonio, La Marrana Arte Ambientale, Monte Marcello, Ameglia, La SpeziaAria Mobile, Project Room, curated by J. Watkins, Ikon Gallery, Birmingham, United KingdomArduenna, curated by A. Grulli, Fortezza della Brunella, Aulla (MS)

Claudia Losi, Monica De Cardenas Gallery, MilanoLa Giovine Italia, a curated by R. Barilli, Ex cementificio Sicli - La Fabbrica, Gambettola (FC) (cat.)Uscita Pistoia 2006, SpazioA Contemporanearte, Pistoia

Generations of art. 10 anni alla FAR, curated by G. Verzotti, Fondazione Antonio Ratti, Como (cat.)Filoluce, Museo della Permanente, MilanoTVB, from Italy with Love, RaidProjects, Los Angeles, USABalenaProject, Lanificio Pria, BiellaBalenaProject, Ecuador’05, MACC de Guayaquil and Centro Cultural Universidad Catolica de Quito, Ecuador

Places, curated by G. Scardi, Spazio Aperto, Galleria d’Arte Moderna, BolognaBalenaProject_ e altre storie, curated by G. Scardi , Piazza Garibaldi - Castello, LericiBalenaProject _balena di fiume, curated by a.titolo, The Beach, Murazzi del Po, TorinoClaudia Losi-Antonio Marras, Uno più uno meno, curated by G. Altea, Ex Caserma dei Carabinieri, AlgheroBalenaProject_animazione, curated by A. Pioselli and G. Scardi, Viafarini, MilanAd’a - area d’azione (with Daniele Signaroldi), curated by R. Daolio, Rocca Sforzesca Imola (BO)SPA Salus per l’arte, curated by R. Daolio, GAM, Spazio Aperto, Bologna

Giovani artisti italiani, Premio Maretti, curated by R. Daolio, S. Grandi and C. Pozzati, GAM, BolognaInnatura, curated by A. Torino, X Biennale Internazionale per la Fotografia, Detheridge, Palazzo Bricherasio, Torino (cat.)Ratio, curated by A. Bruciati, Galleria Comunale d’Arte Contemporanea,

2002

2001

2000

1999

1998

Monfalcone (GO) (cat.)RADAR, curated by A. Vettese, Centro Civico della Giudecca, Venezia (cat.)Il racconto del filo. Cucito e ricamo nell’arte contemporanea, curated by F. Pasini and G. Verzotti, MART, Rovereto (TN) (cat.)Cover Theory, curated by M. Senaldi, Officina della Luce, ex Centrale Emilia, Piacenza (cat.)Dopo le carpe/..., Théâtre Studio des Champs-Élysée, ParisMari, Galleria Monica De Cardenas, Milano

Dopo il Danubio / …, Project Room, Galleria Lindig in Paludetto, Nürnberg, GermanyEtna Project, curated by G. Bertolino, ARCO, Project Room, Luigi Franco Arte Contemporanea, Madrid, SpainTre Regni, curated by R. Daolio, Spazio Mobile, Rocca Sforzesca, Imola (BO)Utopie Quotidiane, curated by V. Fagone, A. Madesani, PAC, MilanoParadiso Perduto/Paradise Lost, curated by A. Stazzone, Palazzo dell’Arengo, Rimini (cat.)Last minute, curated by L. Baldini, L. Facco, Vecchio Ospedale Soave, Codogno (Lodi) (cat.)AssabOne, curated by L. Garbarino, R. Pinto, Ex tipografia G.E.A., Milano

Figure del Novecento 2. Oltre l’Accademia, curated by A. Baccilieri, R. Daolio, Accademia di Belle Arti, Bologna (cat.)Adriatico. Le due sponde, Premio Michetti, curated by A. Vettese, Museo Michetti, Francavilla al Mare (CH) (cat.)Italian Studio Program 2000/2002-P.S.1 italian bureau selection, curated by G. Di Pietrantonio, S8Zero, Palazzo delle Esposizioni, Rome (cat.)Rade de Brest, C. Losi, M. Dinahet, J. Durand, Galerie Artem, Quimper, FranceDopo il Danubio/le carpe del mercato/guardano gambe, Project Room, Monica De Cardenas Gallery, MilanoPuro Ossigeno, Galleria PrimoPiano, RomaWalkscape, Istituto Italiano di Cultura, WashingtonRade de Brest, Maison de la Fontaine, Brest, France

Marmagne, curated by G. Scardi, Luigi Franco Arte Contemporanea, TorinoDanubio, Galleria Zone C/O Il Graffio, Bologna7 Artisti della Scena Italiana, curated by L. Perlo and F. Comisso, Casa di Rigoletto, Mantova (cat.)Periscopio, curated by P. Campiglio, A. Madesani, F. Tedeschi, Palazzo delle Stelline, Sala del Collezionista, Milan (cat.)

The Equinox, curated by S. Macrae, K. Whiteford, Cairn Gallery, The Old Stamp Office, Gloucestershire Nailsworth, United KingdomOnufri 1999, National Fine Arts Gallery, Tirane, AlbaniaCut, Galleria Placentia Arte, PiacenzaOver the reef, Galerie Pascale Cottard-Olsson, Stockolm, SwedenAlighiero Boetti «territori occupati», Claudia Losi «passaggi», Galleria Artra, Milano

Claudia Losi, curated by G. Bertolino, Luigi Franco Arte Contemporanea, TorinoTredici giorni + 1, Galleria Franco Marconi, Cupra Marittima (AP)Orcadi, Galleria Il Graffio, Bologna.Aggiungerei soltanto qualche osservazione critica, curated by Cesare Pietroiusti, Galleria Primo Piano, RomaCon la pazienza si acquista scienza, curated by Alessandra Galasso, Viafarini, Milan Chiesa di San Francesco, curated by A. Vettese and G. Di Pietrantonio, Fondazione Ratti, ComoEccentrica, curated by Gino Gianuizzi and Mauro Manara, Sala Cassero, Castel San Pietro Terme (BO).

STUDIES AND WORKSHOPS

1997

1995

1994

1993

1992

1994

1998

2000

2003 -2004

2012

2013

Vizi privati, pubbliche virtù, curated by V. Barbieri, Ex Chiesa di San Fermo, Piacenza.

LAB.12.2 - T.I.N.A. (there is no alternative), curated by R. Daolio, Viafarini, MilanExit, Galleria Il Graffio, BolognaConversazione in giardino, curated by G. Pellizzola, Orto Botanico, Ferrara Cà Rossa, Galleria Il Graffio, Bologna Licheni, Placentia Arte, PiacenzaLicheni, Placentia Arte, Piacenza

Aura aurea, a cura di / curated by Silvia Moretti, Palazzo Ruini - Chiostri di San Pietro, Reggio Emilia

Pensieri, curated by L. Caccioni, A. Garutti and C. Pozzati, Studio La Città, Verona We are moving, curated by R. Daolio and A. Garutti Viafarini, Milan

Dietro la città (un percorso d’arte), curated by I. Zuff, Imola (BO)

Attention, Art! Ipotesi a confronto 2, curated by D. Auregli and C. Marabini,Musei Comunali, Riminii

Academy of Fine Arts, Bologna

University of Bologna with a degree in Foreign Languages and Literature.Advanced Course in Visual Arts of the Antonio Ratti Foundation, in Como, Italy

International Studio Program P.S.1-New York.

European Project RADAR, Creative Human Lab in European Cities, Culture 2000 Framework Program, in Venezi, Italy

Artist in residence Studio Orta-Les Moulins, Jorge&Lucy Orta, Paris

Artist in residence at JCVA, The Jerusalem Center for the Visual Arts, IsraelArtist in residence at Art Omi International, Ghent, NewYork, US

BIOGRAPHYREGINA JOSÉ GALINDO—Born in 1974 in Guatemala City (GUATEMALA).Live and work in GUATEMALA.www.reginajosegalindo.com

EXHIBITIONS

2013

2012

2011

2010

2009

Glocal Tales, Motel b, Brescia, Italia. Women for Life, résidency at Les Moulins, exhibition at La Maréchalerie, centre d’art contemporain de l’énsa-v, Versailles, France.

Hilo de Tiempo, Centro Hemisferico de Performance & Politica, Chiapas, Mexique. ARTE CONTEMPORANEA – Centro Culturale Santa Cruz, Santa Cruz de la Sierra, Bolivia. Piel de gallina. ARTIUM – Centro Museo Vasco de Arte Contemporaneo, Vitoria-Gasteiz, Spain. Vulnerable, commisaire Idurre Alonso, MOLAA – Museum of Latin American Art – Los Angeles, USA.

Biennale di Venezia, 54th International Art Exhibition. La Biennale di Venezia, Venice Basado en hechos reales / Sala Sur, ARTIUM Centro-Museo Vasco de Arte Contemporáneo, Vitoria-Gasteiz Unresolved circumstances. Video Art from Latinoamérica. Molaa, Los Angeles. EUA.Biennale di Venezia. IILA Pabellón. 54th. International Art Exhibition. La Biennale di Venezia, Venice. Sharjah Biennial, United Arab Emirates.Juannio, Museo de Arte Moderno, Ciudad de Guatemala.Proyecto Ideal. Centro Cultural Sao Paulo, Brasil.XX / Democracia Ser y Durar, ADN Galería Barcelona.Marabunta, Santo Domingo República Dominicana.

Urgent Issues, National Museum of Contemporary Art, MNAC, Bucharest.A Filosofia do Dinheiro. Museu da Cidade. Lisboa.Une Idee, Une forme, Un être. Migros Museum. Zurich.Proyecto Ideal. Museo Arte Contemporáneo, Universidad de Chile.Il museo privato. Galleria de Arte Moderna e Contemporanea de Bergamo.Corpus, MADRE. Napoli, Italia.Bienal de Pontevedra 2010. Bienal de Pontevdedra.En Privado. La Opción desamable. En Ballurd. Palma de Mallorca.17 Bienal de Sydney. The Beauty of Distance.Estrella Levante SOS4.8 - Festival SOS, Murcia.XVII Bienal Arte Paiz. Guatemala.Looting. On Rage, Haus der Kulturen der Welt, Berlin, Alemania.Miradas Singulares, miradas plurales, Cadiz.Revolviendo la basura, Fundación Beulas, Huesca.No more bad girls? Kunsthalle Exnergasse. Viena.América Latina: arte y confrontación. Museo del Palacio de Bellas Artes. México.Móvil. Museo Universitario Arte Contemporáneo. México, D.F.12 years. Rollo Gallery. London.

CRISIS (Cloth) Exit Art N.Y.Juegos de Poder. PrometeoGallery di Ida Pisan. Milano.CRISIS. Blood. Hair. Karlin Studios, Prague, Cz.The Body of others. Modern Art Oxford. UK.Estrías. City of Women. Liubliana, Elovenia.

2008

Indomitable Women at BAC 10.0 - CCCB - Centre de Cultura Contemporània de Barcelona, BarcelonaArt Foundation Mallorca - Centro Cultural Andratx - CCA, AndratxRevolviendo en la basura. Residuos y reciclajes en el arte actual - Koldo Mitxelena Kulturunea, San Sebastián.Equilibrium: Body as Site and Battleground. Rubin Center for the Visual Arts Univefrsity of Texas El Paso.Visión:f(icción) - Centro Cultural São Paulo, São PauloTrebecice VII. - Karlin Studios, PragaARTE ≠ VIDA - Museo de Arte Carrillo Gil, Ciudad de MéxicoEl trabajo ennoblece pero la nobleza no trabaja - Centro Cultural de España Guatemala (CCE/G), Ciudad de GuatemalaNeoHooDoo: Art for a Forgotten Faith - MAM - Miami Art Museum, Miami, Corpos Estranhos. MAC USP. Sao Paulo, BrasilThe Fear Society. 53 Bienal de Venecia. Italy.Art Accion Feministe. Video-performance de Latinoamérica. Centre Georges Pompidou.10 Bienal de la Habana. Cuba.Dont stare at the sun. Works from the Daros Latinoamérica AG.Centre of Contemporary Art Znak Czasu Torun Poland. El trabajo ennoblece pero la nobleza no trabaja. CCE Guatemala.For You Para Usted. The Daros Latinoamérica Tapes and Video. ZurichVideoArde. Video crítico de Latinoamérica. CCE Latinoamérica.Fact and fiction: recent Works from the UBS art collections. China. Mirando al sur. CCE Antigua Guatemala y CCE SurAmérica.

Trayectory. Stiftelsen 3,14. Bergen, NoruegaBreaking the Ice. ActII. Oslo Kunstforeining, Noruega. Extensión. Fundación Teorética, Costa Rica.Reconocimiento de un cuerpo. CCE Córdoba, Argentina.Naked Reality. Museum voor Moderne Kunst Arnhem, Holanda.America´s Family Prisión. Art Pace San Antonio TX, EUA.Let’s Rodeo. Art Pace San Antonio TX, EUA.The Prisoner´s Dilema. Cisneros Fontanals Art Foundation. Miami, USA.No es neutral, Daros Latinoamérica Collection, Tabacalera, San Sebastián, Spain.NeoHooDoo: Art for Forgotten Faith. The Menil Collection, Houston, TX. and PS1 N.Y.Visionarios. Audiovisual Works in Latin America. ITAU, Sao Paulo, Brasil.Narrowcast: Reframing Global Video 1986/2008, curated by Ciara Ennis and Ming Yuen-S.Ma, Pitzer College Galleries in Claremont, California, LACE in Hollywood, California (travelling exhibition)Video Crítico en América Latina y Caribe, curated by Laura Baigorri, CCE España, Mexico (travelling exhibition)Loss - The Wanas foundation, KnislingeTINA B. – The Prague Contemporary Art Festival 08 - TINA B. – The Prague Contemporary Art Festival, PragaShapes of Time - Biennale di Alessandria, AlessandriaContemporáneo 21. Autopsia de lo invisible - MACBA Colección Costantini - Museo de Arte Latinoamericano de Buenos Aires, Buenos AiresLo que las imágenes quieren. Vídeo desde Hispanoamérica - Espacio Arte Actual FLACSO, QuitoNatural Relations. Galerija Skuc. Ljubijana.Archivo Sur. Praga.Cabecita Negra. Demolición Construcción. Córdoba, Argentina.LatinoLatino, Palazzo della Vicaria, Trapani.Viva la Muerte. Centro Atlántico Moderno (CAAM) Las Palmas de Gran Canaria.Autopsia de lo Invisible. MACBA. Buenos Aires, Argentina.Bienal de Arte Paiz, Guatemala.Infiltrado: Horror Vacui, CCE Antigua Guatemala, Guatemala.Arte ≠ Vida: Actions by artist of the Americas 1960-2000. Museo del Barrio,

2007

2006

Cuestión Xeneracional. CGAC, Santiago de Compostela. Going Staying. Kunstmuseum de Bonn. Alemania. La Presencia, Latin American in the United States, Museum of Latin American Art, Long “Beach”, CaliforniaInto me/ Out of me, Macro, RomeBody City. Dublín, IrelandViva la muerte! Kunsthalle WienKiss Kiss Bang Bang. Museo Bellas Artes. Bilbao, España.II Bienal de Moscú. Rusia.Turbulence, III Triennial Auckland. New Zeland.Beyond the Dust. The Archeologycal Museum Nápoles, Italia.Coercive Atmospherics. d.u.m.b.o. arts center. N.Y. USA Global Feminism. Brooklyn Museum EUA.Lo que las imágenes quieren. Fundación ICO. Madrid EspañaHay algo revolucionario en esto. Sala Parpalló. Valencia, EspañaOtras Contemporareidades. Bienal de Valencia. EspañaTimer, Trienal, Bovisa, Milano. ItaliaAdiós Identidad. Centro Cultural de España. GuatemalaArt’s Shake. Bologna, ItaliaConfesión, Caja Blanca, Palma de Mallorca, España.Three Actions, Prometeogallery di Ida Pisani, MilanProyecto XX Prometeogallery di Ida Pisani. Milano, Italia.150,000 Voltios, Prometeogallery. Lucca, Italia.Cepo. Spazio Volume. Roma, Italia.Mientras, ellos siguen libres. Guatemala.

Corona. Plaza Central, Guatemala. Peso. Santo Domingo, República DominicanaTanatosterapia, Antiguo Palacio de Correos, Guatemala City.Isla. Santo Domingo, República Dominicana.Videos. Galerie Du Jour Agnes B. Paris, Francia.MASH. Miami EUA.Un espejo para la pequeña muerte. Estrecho Dudoso. Teorética, Costa Rica.Artissima. Trento, Italia.Venice-Istanbul. Istanbul Modern, TurkiaI Bienal Arquitectura, Arte Paisaje. Islas Canarias.Mankind: The Story of a Wound, SMAK & CRKC, LeuvenThe Power of the Women, Galleria Civica di Trento, Trento, ItalyI Biennial of Architecture, Art and Landscape, Canary Islands (Spain)Estrecho Dudoso, Teorética, Costa RicaMash, Miami, USA Un espejo para la pequena muerte, performance, Estrecho Dudosa, Teoretica, Costa RicaAction Zone, prometeogallery di Ida Pisani, Balelatina, BaselBienal de Canarias - Bienal de Canarias, Las Palmas de Gran CanariaThe Power of Women - Galleria Civica di Arte Contemporanea, TrentoCamisa de Fuerza. Mens (Mankind) S.M.A.K.. BelgiumPerformance: Plomo (Clases para aprender a disparar armas) CIFO Miami.Into Me, Out of Me. P.S.1 Contemporary Art Center, Long Island, N.Y., USA. Kunst-Werke Berlin e.V. - KW Institute for Contemporary Art, BerlinCarnada Al Límite, Sto. Domingo, R.D.Yesoterapia. Barceló Nuevas Propuestas. República DominicanaCourants Alternatifs. PARVIS Paris, Bordeaux, FranciaEretica. Palermo, ItaliaBienal Adriática. San Benedetto del Tronto, Italia.Es Mou, Et Mou. Galería Canem EspañaJukebox, LOOP Video Festival CCCB Barcelona, España.Semiotics and Performance of Gender. World Psychiatric Congress. Istanbul, The Pain of Others. Miami, EUA.Tanatosterapia. Migraciones. Centro Cultural de España. Guatemala.Limpieza Social. Il Potere delle Donne. Galleria Civica di Arte Contemporánea. Trento, Italia.

2005

2004

2003

2002

2001

2000

1999

Toque de Queda. Le Plateau, Paris, France.Perra. Prometeo Galery, Milano Italy.Vértigo. III Bienal de Tirana, Albany. “Always a Little Further”, 51st Venice Biennial, ItalyRecorte por la Línea. Primer Festival de Arte Corporal. Caracas, Venezuela.(279) Golpes. Siempre un poco más lejos. 51 Bienal de Venecia, ItaliaPicacebollas. Fuera de Lugar. República Dominicana.Bienal de Praga, Checoslovaquia.51st International Art Exhibition Venice Biennale / Biennale di Venezia - Always a little further - La Biennale di Venezia, Venecia

Milenium, Pintura Contemporánea Guatemalteca. Museo de Arte Moderno. Guatemala.Produciendo Realidad. Lucca, Italia.Himenoplastia Colectiva Cinismo. Contexto. Guatemala.Todo Incluido. Centro Cultural Conde Duque. Madrid, EspañaBoda Galindo-Herrera. Comunicarte e Invitados. Casa Santo Domingo. GuatemalaEl Peso de la Sangre. Plaza Central, Ciudad de Guatemala.

Quién puede borrar las huellas? Guatemala. A Puño Limpio. Días Mejores. Centro Cultural de España. GuatemalaProxémica Días Mejores. Centro Cultural de España. San José, Costa Rica.Ella, permanece. Maternidades Plus. Centro de Cultura Hispánica, Guatemala.

Sin Título. (Hasta Ver). Tercera Bienal de Arte Contemporáneo de Lima, Perú.Autocanibalismo mostrado en Contaminados. MADCO. C.R. / Bienal Audiovisual L.A. / Freewaves. MOCA. L.A., E.U.A. / Latin American Literature and Arts, N.Y., E.U.A. Transferences of Sensation. Gallery Gachet. Canada. / Colloquia, Guatemala.Selección Nacional. Colloquia. Guatemala.Lucha. Colectiva Blanco & Negro.Edificio de Correos. Guatemala.

Tendencia del Lodo. Galería Sol del Río. Guatemala.10 piedras de Crack. Escultura Contemporánea Guatemalteca.Teatro Nacional. Guatemala.Piel. La Platea de la Humanidad. 49 Bienal de Venecia. Italia.Bandera Nuestra. Colectiva Suyo-Ajeno. Ex-Teresa Arte Actual. México, D.F.49th International Art Exhibition Venice Biennale / Biennale di Venezia - La Biennale di Venezia, VeneciaAngelina. Guatemala.

Sobremesa. Proyecto Jóvenes Creadores Bancafé. Guatemala.Encierros. Colectiva Paréntesis, (PAI) Zoológico Nacional La Aurora. Guatemala.Todos estamos muriendo. Simposio CA, Temas Centrales,TEOR/ética. Costa Rica.Valium 10ml. Colectiva Vivir Aquí. Museo Ixchel. Guatemala.No perdemos nada con nacer. 9no. Festival Performance. Ex-Teresa. Zócalo de la Ciudad de México y FestivalOctubre Azul. Basurero Municipal. Guatemala.Esperando al príncipe azul. Festival Octubre Azul. Edificio Correros. Guatemala.

El cielo llora tanto que debería ser mujer. Galería Belia de Vico. Guatemala.Lo voy a gritar al viento. II Festival del Centro Histórico. Arco de Correos. Guatemala.El dolor en un pañuelo. Colectiva Sin Pelos en la Lengua, (PAI) Plaza G&T. Guatemala.

GRANTS, AWARDS AND RESIDENCES

2008

2007

2006

2005

1999

1998

International Artist in Residence. Art Pace. San Antonio, Texas, United States.

Winner of contest Image Restless (V Edition). MADC. San José, Costa Rica.

10 Experiments Determinants: subsidized artistes.CIFOs. Miami, Florida, United States.

Golden Lion, Young Artist. 51 Venice Biennale. Venice Italy.Residence granted by Le Plateau.Paris, France.

Young Artists Project Winner Bancafé. Guatemala.

Single Award for Poetry. Myrna Mack Foundation. Guatemala.

Avenue de Sceaux

Avenue de Saint-Cloud

Ave

nue

du

Gén

éral

de

Gau

lleA

venu

e d

e l’E

uro

pe

Avenue de ParisPlace

d’ArmesChâteau de Versailles

La MaréchalerieAccès par la placedes Manèges

énsa-VAccès par l’avenuede Sceaux

Gare de VersaillesRive-Gauche

PRACTICAL INFORMATIONS—La Maréchalerie – centre d’art contemporainécole nationale supérieure d’architecture de Versailles5, avenue de Sceaux – 78000 VersaillesT. 00 33 (0)1 39 07 40 27 – F. 01 39 07 40 94lamarechalerie@versailles.archi.frhttp:// lamarechalerie.versailles.archi.frFind La Maréchalerie on Facebook and Twitter

OPENING HOURS

ACCESS

Open everyday except Sundays and public holidays, from 2pm to 6pm and in the morning by appointment. Free entrance.

Avenue du Général de Gaulle, entrance by Place des Manèges, facing the train station Versailles Rive-GaucheAvenue de Sceaux, entrance by the école nationale supérieure d’architecture (énsa-v)

BY CARHighways A13 or A86, exit Versailles Château. Parking at Place d’Armes or Avenue de Sceaux

BY TRAINFrom Paris with the RER C: get off at Gare Versailles Rive-Gauche From Paris train station Saint-Lazare: get off at Gare Versailles Rive-Droite From Paris train station Montparnasse: get off at Gare Versailles Chantiers

BY BUSRATP: Bus 171 from metro Pont-de-Sèvres PHÉBUS: Buses A, BAK, D, E, F, H, K, L, P, X, Z, get off at Gare de Versailles Rive-Gauche

—

—

—

—

—

—

CONTACT—Bérangère MARIZIENCommunication manager T. 00 33 (0)1 39 07 41 12berangere.marizien@versailles.archi.fr—Sonia KESSITIEducational program coordinator T. 00 33 (0)1 39 07 40 58sonia.kessiti@versailles.archi.fr